Culture of Guns

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‘He shouldn’t have been carrying that replica of an AK-47.” Sounds just like “She shouldn’t have been wearing that short skirt,” doesn’t it?

“He was just a child!” doesn’t factor in that children now shoot and kill.

Maybe this is more complicated than either reaction.

Andy Lopez was growing up in a country that was sending him some very conflicting messages. This is a gun-worshiping nation. In 2011, the Santa Rosa Police Department encouraged small children to play with real weapons in a local park. Our culture assigns god-like status to its law enforcement and military. Capitalism says that we can’t infringe on the rights of a company to sell replica “toys.” Parents dress their babies in camouflage. How can we then turn to a young boy and tell him he’s not supposed to be influenced by this culture?

And what is law enforcement supposed to do in the face of children who kill? I’d first suggest we understand that any child with intent to kill is a child in despair. Our first instinct should be to save that child, not eliminate him. Shoot to kill and ask questions later does not work. This has not always been law enforcement policy, but gradually we have become convinced that the safety of a deputy, a police officer or a soldier is more important than anything else.

It’s time for some creative problem solving by law enforcement, working with community input. Yes, it’s more difficult than just picking up a gun and firing. No solution will be perfect. But really, the current policy is a disaster.

After WWII, the Defense Department conducted a study which concluded that 80 percent of soldiers refuse to kill, even at risk to themselves. Soldier training was changed, so that now 80 percent will kill. Part of this change includes militarizing and desensitizing civilians—with predictable results, including dead innocent children.

We all have a role to play here. The cultural change that is required for a safer society—where safety is created by more peaceful people, rather than by more law enforcement—will require all of us. It’s long past time to get to work.

Susan Lamont is a local peace and social justice activist and writer.

Open Mic is a weekly op/ed feature in the Bohemian. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Big Apples

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After the departure of Emmanuel Morlet as artistic director of the Green Music Center last month, classical music insiders were left to wonder what developments might be taking place.

“We are somewhat befuddled by his disappearance,” wrote the San Francisco Classical Voice in October. “Top officials of the Board are Sandy Weill (chair), Joan Weill and Marne Olson (vice-chair). But no artistic director?”

Now it can be told: Sandy Weill, former CEO of Citigroup and namesake of the center’s main hall, has lured Zarin Mehta, former president of the New York Philharmonic, to the role of executive director. In a highly unusual financing deal, Weill will pay 80 percent of Mehta’s $300,000 annual salary. Additionally, Mehta does not plan to move to the area full-time, staying instead in his home base of Chicago.

“It’s the opportunity to create a public, to create culture,” Mehta told the New York Times last week of his new job. “I will be there as long as it takes to make this thing a huge success, because the people merit it.”

Though he’s taken the reins with zeal, Weill doesn’t plan on supporting the Green Music Center, whose success or failure is tied to the state university’s finances, entirely on his own. Members of his board are expected to contribute $50,000 per year. The center’s next major hurdle is the long-anticipated opening of Schroeder Hall, a recital space for students of the university’s music program, due to open next year.

Fighting Fate

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The search for meaning is a daunting subject for any play, but that hasn’t stopped playwrights from tackling the topic over and over. From the very beginning of the dramatic art form, the best plays have been those that pit humans against the ravages of fate.

Playwright Glen Berger (co-writer of Spiderman: Turn Off the Dark on Broadway and the Emmy-winning animated series The Octonauts) has long been attracted to such big questions, and in his sneaky philosophical fantasy Underneath the Lintel (through Nov. 17 at American Conservatory Theater, in San Francisco), he addresses weighty issues while maintaining a light, comic touch.

A one-actor show, this mostly lively production of Underneath the Lintel features stage and screen star David Strathairn (Lincoln, Good, Night and Good Luck, Dolores Claiborne) playing the befuddled librarian as he describes his journey around the world in search of the anonymous gentleman who recently returned a library book 113 years after it was checked out. Strathairn is marvelous in the role, straddling an array of simultaneous emotions and conflicting impulses.

Directed by Carey Perloff, furnished within the cluttered backstage of an enormous run-down theater, the play begins as a straightforward comedy but gradually moves into unexpectedly absurdist terrain, as the librarian displays the various scraps and pieces of “lovely evidence” he’s collected on his obsessive adventure around the globe. It bogs down a bit in all the detail but builds up to a heck of a twist: the librarian’s far-fetched conclusion that the globe-hopping mystery man with such astonishing longevity might actually be the mythical figure known as “the Wandering Jew.”

An odd but enduring bit of medieval trivia, the Wandering Jew—an ever-evolving ancient Christian cautionary tale—describes a cobbler from Jerusalem who, fearing the Romans, refuses to allow Jesus of Nazareth to rest on his doorstep while carrying his cross to Calvary, and as punishment, the cobbler is forced by God to wander the earth for all eternity.

Where the librarian—and playwright Berger—take this tale might surprise those Medieval gentlemen who originally envisioned it. Berger uses the story to ask hard questions about what lengths to which some people will go whenever God or fate or the simple twists and turns of life hand them a raw deal.

In Underneath the Lintel, the answer is as inspiring as it is thought-provoking.

Rating (out of five):★★★★

Gleason Ranch: Risking Everything

A familiar sight at farmers markets around the North Bay, Gleason Farms offers pasture-raised poultry and other meats that taste better than anything found in a grocery store. But the Sonoma County farm, like many other family farms these days, is facing some tough times. Money problems turn into family squabbles, and the death of two parents in six months increases the stress. Sounds like a dynamite movie plot, and it is—sort of.

Morgan Schmidt-Feng is directing a documentary about the 150-year-old, 5th generation farm, using footage gathered over four years, showing the rise, fall and rebirth of this farm and this family. It’s called “Risking Everything,” and the trailer sure is compelling. It’s a microcosm of what’s happening to farms across the country, in a way, and the local aspect makes it that much more compelling for the North Bay audience.

By the way, here’s an Indiegogo campaign to raise funds to finish the movie.

Review: BNA Wine Group’s Pie Case-Themed Wines

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A visit to the grocery store wine section inspired this week’s Swirl column about the Red Blend wine category. Wine brands with dessert-themed names that clearly telegraph “sweet wine here” have been all the rage lately, to wit: “Cupcake,” “Layer Cake,” “Red Velvet” and “Cherry on Top.” And then I saw a label that just cuts to the chase with “Sweet Red Wine.”

BNA Wine Group, which Swirl visited recently, prefers the nudge-and-wink of its pie-themed labels. Besides, it turned out some of the wines, made by wine industry insider and St. Helena small-town hero Tony Leonardini, have more going for them than a trendy name. Here’s a full review of the BNA wines: 

BNA Wine Group Butternut Chardonnay

2012 “Bandwagon” Monterey Unoaked Chardonnay ($17.50) There’s a saline freshness that keeps it lively through lingering, peanut brittle and golden apple pie flavors. Crisp enough on the palate, but a bit hot rather than thirst-quenching, with a lingering sensation of sweetness.

2011 “Butternut” California Chardonnay ($17.50)
Just reeks of heavily toasted oak, what else to say. It’s like someone took a barrel of Rombauer, a Napa Chardonnay that’s generally viewed as the gold standard of the toasted oaky, buttery Chardonnay style, set it on fire and watched it burn for kicks. But that’s an observation, not a criticism: this is a popular wine, and Leonardini works with a consultant to keep it consistent. It’s a deep gold hue, has got sweet, buttery, kettle corn flavor, and slobbery viscosity.

2012 “Nanna’s Shortcake” Lodi Zinfandel ($17.50) It’s a dessert, but the aroma keeps it interesting. Raspberry syrup leaps out of the glass, accented with spicy clove and Pier 1 furniture aromas. Flavors of soft, sweet, strawberry and raspberry jam, such as from little breakfast packets.

2012 “Humble Pie” Cabernet Sauvignon ($17.50)
There’s a reason the Central Coast is big on Chardonnay and Pinot: Central Coast Cab used to have a bad reputation. But there’s no funky green pepper aroma here. Their sleight of hand does not involve wine additives, says Leonardini, but calculated deployment of oak, and a fair amount of “flash détente,” a super-heating and cooling procedure that’s “Great for color, weight and a bit of the aromatics.” Pumice stone, pencil lead at first whiff, then a sort of “berry medley” breakfast snack bar character. Dusty raspberry-vanilla. Smooth, easy drinking.

2011 “The Rule” Napa Valley Cabernet Sauvignon ($24) Also with the pumice and pencil notes. Stony black fruit, with some sweetness on the backend, competing with sturdy tannin. Incense aromas crop up after a time.

2010 “Volunteer” Cabernet Sauvignon ($31) Deeper still, Stygian dark. Black currants and chocolate nibs in a puddle of blueberry sauce; German chocolate cake in a bitter union with burnt fruitcake, mashed under the heel of a leather boot. Now we’re talking serious Cab. Rich and smooth, with grippy tannin. Black olive savory notes with some air, and a day later it did not fall apart, but was improved—something I cannot say for the “red blends” from this week’s Swirl.

Efren Carrillo Charged with Misdemeanor Peeking, Victim ‘Disappointed’

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Sonoma County Supervisor Efren Carrillo will not face a felony charge from his Aug. 20 arrest for trying to break into a woman’s bedroom at 3am wearing only his socks and underwear, according to paperwork filed today by prosecutor Cody Hunt of the Napa District Attorney’s Office. Instead, he faces a single misdemeanor count of “peeking,” which carries a maximum sentence of six months in jail and a $1,000 fine.

“My client is relieved that Efren Carrillo is finally being brought to justice,” says Rosanne Darling, the lawyer for the unidentified victim in the case, “but she is disappointed because… the charge seems inadequate for what she went through that night.” Speaking today on the phone, she added that her client was “terrified” and says, “this has changed her life forever.” Darling also notes that the rumor of a relationship between Carrillo and her client, romantic or otherwise, is “simply rubbish.” They were neighbors, she says, but “barely know each other.”

Darling, a prosecutor with the Sonoma County District Attorney’s office before leaving this summer for private practice, sounded disappointed with the charges as well, especially after so many delays granted to the prosecutor to allow him to gather evidence to build his case. “There are homicides that are filed quicker than this,” she says. “As a former prosecutor, if all you’re bringing is a misdemeanor charge, it seems odd that it would take you three full continuances to come to this decision.”

The Napa DA’s office, which was assigned to the case by the state Attorney General, has a conviction rate of almost 84 percent for felonies in the past three years, and over 90 percent for misdemeanors in the same period. According to statistics from the Grand Jury Foundation, that’s among the highest in the state, and near the top of all counties in the Bay Area.

Carrillo does not have to register as a sex offender, despite being found wearing only his underwear and socks at 3am. He will be formally arraigned tomorrow morning.

Nov. 3: Omar Sosa at the Osher Marin JCC

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Have you ever heard of the guembri, oud, djembe or balafon? Such exotic instruments are heard in the music of Omar Sosa; with explosive playing and adventurous writing, Sosa mixes the folkloric music of Esmeraldas, an Arican-rooted culture in Ecuador, with Cuban marimba roots to create a blend of music loosely labeled as Afro-Cuban. Sosa mixes his eclectic roots with Miles Davis’ classic recordings to create Kind of Blue, a tribute performance with Sosa’s Afri-Lectric Sextet, on Sunday, Nov. 3, at the Osher Marin JCC. 200 North San Pedro Road, San Rafael. 6:30pm. $25—$35. 415.444.8000.
Sebastopol

Nov. 2: Emmylou Harris and Rodney Crowell at Wells Fargo Center

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Miley Cyrus came in like a wrecking ball, but the less-hyped Wrecking Ball is a far more tasteful album by Emmylou Harris. After the death of her singing partner, Gram Parsons in 1975, Harris released Pieces of the Sky, which opened with a song by a virtually unknown artist, Rodney Crowell. Now, after almost 40 years of friendship and working together, they have released their first duo album, Old Yellow Moon, selections from which they’ll perform on Saturday, Nov. 2, at the Wells Fargo Center for the Arts. 50 Mark West Springs Road, Santa Rosa. 8pm. $49-$69. 707.546.3600.

Nov. 1: George Scribner at the Healdsburg Center for the Arts

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The art of George Scribner is so enchanting that it hangs on the walls in “the happiest place on earth” in the Disneyland Gallery on Main Street. If you’ve ever seen The Lion King, Fantasia Continued, Dinosaur or Oliver and Company, which he directed, you’ve experienced the magic of Scribner’s works. This rare breed of Disney directors and animated artists will be illustrating his experiences in an appearance called “Working at Disney” on Friday, Nov. 1, at the Healdsburg Center for the Arts. 130 Plaza St., Healdsburg. 7:30pm. $5. 707.431.1970.

Nov. 1: Coco Montoya at Hopmonk Tavern

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Coco Montoya, a lefty who plays his “icy hot” guitar style on an upside-down, right-handed guitar like Albert King, never took one lesson. A self-taught guitarist, Montoya learned by mirroring some of the best guitarists of his time, with artists like King who taught him, “Don’t think about it, just feel it.” His heartfelt musical style caught the ear of John Mayall at a bar gig, and Montoya was recruited to his band to follow in the footsteps of former Bluesbreaker guitarists like Eric Clapton, Peter Green and Mick Taylor. Montoya plays solo on Friday, Nov. 1, at Hopmonk Tavern. 230 Petaluma Ave., Sebastopol. 8:30pm. $17. 707.829.7300.

Culture of Guns

'He shouldn't have been carrying that replica of an AK-47." Sounds just like "She shouldn't have been wearing that short skirt," doesn't it? "He was just a child!" doesn't factor in that children now shoot and kill. Maybe this is more complicated than either reaction. Andy Lopez was growing up in a country that was sending him some very conflicting messages. This...

Big Apples

After the departure of Emmanuel Morlet as artistic director of the Green Music Center last month, classical music insiders were left to wonder what developments might be taking place. "We are somewhat befuddled by his disappearance," wrote the San Francisco Classical Voice in October. "Top officials of the Board are Sandy Weill (chair), Joan Weill and Marne Olson (vice-chair). But...

Fighting Fate

The search for meaning is a daunting subject for any play, but that hasn't stopped playwrights from tackling the topic over and over. From the very beginning of the dramatic art form, the best plays have been those that pit humans against the ravages of fate. Playwright Glen Berger (co-writer of Spiderman: Turn Off the Dark on Broadway and the...

Gleason Ranch: Risking Everything

A familiar sight at farmers markets around the North Bay, Gleason Farms offers pasture-raised poultry and other meats that taste better than anything found in a grocery store. But the Sonoma County farm, like many other family farms these days, is facing some tough times. Money problems turn into family squabbles, and the death of two parents in six...

Review: BNA Wine Group’s Pie Case-Themed Wines

A visit to the grocery store wine section inspired this week’s Swirl column about the Red Blend wine category. Wine brands with dessert-themed names that clearly telegraph “sweet wine here” have been all the rage lately, to wit: “Cupcake,” “Layer Cake,” “Red Velvet” and “Cherry on Top.” And then I saw a label that just cuts to...

Efren Carrillo Charged with Misdemeanor Peeking, Victim ‘Disappointed’

Embattled Supervisor will not face a felony charge following infamous underwear arrest

Nov. 3: Omar Sosa at the Osher Marin JCC

Have you ever heard of the guembri, oud, djembe or balafon? Such exotic instruments are heard in the music of Omar Sosa; with explosive playing and adventurous writing, Sosa mixes the folkloric music of Esmeraldas, an Arican-rooted culture in Ecuador, with Cuban marimba roots to create a blend of music loosely labeled as Afro-Cuban. Sosa mixes his eclectic roots...

Nov. 2: Emmylou Harris and Rodney Crowell at Wells Fargo Center

Miley Cyrus came in like a wrecking ball, but the less-hyped Wrecking Ball is a far more tasteful album by Emmylou Harris. After the death of her singing partner, Gram Parsons in 1975, Harris released Pieces of the Sky, which opened with a song by a virtually unknown artist, Rodney Crowell. Now, after almost 40 years of friendship and...

Nov. 1: George Scribner at the Healdsburg Center for the Arts

The art of George Scribner is so enchanting that it hangs on the walls in “the happiest place on earth” in the Disneyland Gallery on Main Street. If you’ve ever seen The Lion King, Fantasia Continued, Dinosaur or Oliver and Company, which he directed, you’ve experienced the magic of Scribner’s works. This rare breed of Disney directors and animated...

Nov. 1: Coco Montoya at Hopmonk Tavern

Coco Montoya, a lefty who plays his “icy hot” guitar style on an upside-down, right-handed guitar like Albert King, never took one lesson. A self-taught guitarist, Montoya learned by mirroring some of the best guitarists of his time, with artists like King who taught him, “Don’t think about it, just feel it.” His heartfelt musical style caught the ear...
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