Yellow Submachine

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In the aftermath of the shooting of 13-year-old Andy Lopez at the hands of a Sonoma County Sheriff’s Deputy, state senator and former Santa Rosa city councilwoman Noreen Evans (pictured) has co-authored a bill that would require all BB, pellet and airsoft guns sold in the state to be painted a bright color to avoid confusion with their deadly counterparts.

Evans and State Sen. Kevin de Leon, D-Los Angeles, announced last week they plan to reintroduce the legislation in January. Lopez was shot and killed by the deputy after his replica assault rifle proved indistinguishable from a real weapon. “Because the use of lethal force against a person carrying an imitation firearm is a significant threat to public safety,” says Evans, “toys must look like toys and not lethal weapons.” The only federal regulation of toy guns requires they must be affixed with an orange tip, something missing from the toy Lopez carried. In California, only nonfiring toy guns (such as squirt guns) are required to be brightly colored.

Legislation similar to the proposed Imitation Firearm Safety Act was signed into law by Gov. Jerry Brown last year after a 2010 tragedy in Los Angeles similar to the one in Santa Rosa. That legislation (SB 1315), authored by de Leon, allows for cities within Los Angeles County to put the issue to a vote. A spokeswoman from de Leon’s office, however, says not one of the cities has done so yet, possibly for fear of a lawsuit by the NRA. A similar, statewide bill (SB 798) was introduced and voted down in committee in 2011. It was opposed by—big surprise—the NRA, who argued that parts of real guns are now being manufactured in different colors, and this legislation would only endanger public safety officers.

Remembering a Literary Legend

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It’s not every day that Nobel Prize winners for literature come to Sonoma County—and not everyday that one has the opportunity to play host and show them around.

But that’s what I did with Doris Lessing about 10 years ago when she spoke on the campus of SSU. I showed her around Northern California, which reminded her of Southern Rhodesia, where she was raised. When she came here to visit, she hadn’t yet won the Nobel Prize, but she had written more than 40 books, including The Golden Notebook, her big and wonderful novel about political crack-up and emotional crisis. Winning the Nobel didn’t change her one iota. She never wrote for fame, for prizes or for money, but to wake readers to harsh realities, including the reality of global environmental destruction.

To make her messages go down easy, she couched her late narratives as “space fiction.” The books were set on distant planets that had uncanny resemblances to Earth. The fact that Lessing came to Sonoma—and that she traveled relentlessly around the world, meeting readers and talking to her audience—says a lot about her generosity and her curiosity. She came here to find out how we lived in California, and how she might live, too.

From 1950 until her death last week, she lived and wrote in London, but she seriously thought about moving to California.

She never wrote the same book twice, never repeated herself and always urged writers to tell the truth and to be themselves. I don’t know of another writer who is more of an inspiration to aspiring writers. Lessing never attended a college and never graduated from a University. For the most part, she was self-taught. When she spoke at Sonoma State, she spoke from the heart without pretense. I’ll never forget her, her books, or the day we drove into the hills and across the valleys of Northern California. Now I always see the world in which I live through Lessing’s eyes as a strange and a wonderful land of mystery and poetry.

Jonah Raskin is an author and frequent contributor to the Bohemian.

Open Mic is a weekly op/ed feature in the Bohemian. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

It’s (Maybe) a Wrap

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It happens every few years: we look in our closet, attic or garage, or those two boxes we’ve been lugging around for the past three moves and have forgotten what’s inside, and we say, “Damn, I should have listened to George Carlin. I have too much stuff.”

The holidays, of course, are all about stuff. “Stuffy stuffy stuff stuff!” shout the holidays, “Buy more stuff!”

For this year’s Gift Guide, we haven’t eschewed material gifts altogether, but you’ll find a healthy mix of experiences along with must-have presents that one can wrap in a box. Most of those experiences are entirely local—and along that thought, we continue to remind readers to seek out the locally owned, independent shops for tactile gifts. (In fact, next week’s issue is devoted entirely to that very ethos.)

Here are a few of our recommendations this year.

GLUED TO THE SCREEN

Chromecast ($35) is a tiny, USB-powered HDMI dongle that’s inexpensive and streams anything in Google’s Chrome browser, from any device, directly to a television. It’s a little buggy, and there isn’t as much support for it as one might like just yet, but it makes hanging out and watching YouTube videos with friends a whole lot more social. Of course, web-to-TV devices have been around for several years, the two other big ones being Apple TV and the Roku box. . . . Apple TV ($99) does basically the same thing as Chromecast, but it’s more of a set-top box designed to replace or augment cable TV. It allows wireless mirroring from any Apple device, and has apps for streaming services like Netflix and Hulu. . . . Roku ($50–$100) does basically the same thing, again, minus the mirroring—it’s purely an app-driven box, but it has more choices, costs less and still offers the best interface of the three. . . . The PlayStation 4 ($399), no longer just for video games, can also act as a web-to-TV interface. With an eight-core processor and sleek, modern design, it’s a natural progression from the PS3. It plays Blu-Ray movies and games, connects online for downloading apps for streaming services and more. Users can easily record and share up to 15 minutes of game play, which will only add to the amount of popular YouTube videos of in-game play. . . . Microsoft’s Xbox One ($500; microsoftstore.com) is a similar gaming console but integrates paid TV service (like cable) and comes with the Kinect motion and voice controller. Instead of a remote, users just flail their arms at the TV and speak like people in old movies trying to talk to natives on a tropical island. . . . It’s not available on PS4 or Xbox One just yet, but Grand Theft Auto V ($60) is the hottest game, well, ever. The lives of the multiple protagonists are so detailed, each even uses a different cell phone based on personality type. Up to 16 players can play online simultaneously, and there will be plenty of potential teammates in this virtual world—the game earned $1 billion in sales its first three days on the market.
—Nicolas Grizzle

ON THE STEREO

The world’s music listeners are spinning records again, as Billboard reports vinyl sales in 2012 to have skyrocketed 500 percent since 2007. There’s a chance you’ve got someone on your list asking for physical albums again, and luckily the music industry has responded. Many major new releases are pressed on LP now, including Lorde, M.I.A., Pearl Jam, Justin Timberlake, Katy Perry, Paul McCartney and plenty more—and reissues of classic material abound. For electronic music fans, the recent Boards of Canada reissues are perfect pressings of very hard-to-find albums, while world music fans will be thrilled with the just-released Manu Chao back catalogue. The BeatlesAt the BBC, Vol. 2 is fresh, too, as is Bob Dylan‘s Another Self-Portrait and the Grateful Dead‘s One From the Vault (a deluxe three-LP set). The German site Vinyl-Digital carries a number of rare hip-hop bootlegs from Drake, Kendrick Lamar and Frank Ocean, and Nashville’s Third Man Records has a box set designed to give palpitations to any blues fan: ‘The Rise and Fall of Paramount Records 1917-1932 Vol. 1’ contains six LPs, a 250-page book, another 360-page book and a USB drive designed to look like a Victrola needle. The whole thing’s housed in a quarter-sewn, velvet-lined oak cabinet, and costs a whopping-but-worth-it $400. . . . Shopping for the beginner who needs a turntable? Avoid cheap portable Crosley turntables, or just about any unit sold at Urban Outfitters. A nice introductory record player is the Audio-Technica AT-LP60-USB, priced at around $175 (and available locally at the Last Record Store). It’s solid, durable and comes with a USB output to digitize older records. . . . This has been a good year for music books. Questlove, drummer for the Roots, has released two: an autobiography called ‘Mo’ Meta Blues: The World According to Questlove, and the definitive story of Don Cornelius’ pioneering show, ‘Soul Train: The Music, Dance and Style of a Generation. . . . Morrissey‘s long-awaited autobiography has cross-generational appeal, and no one writes quite as beautifully, or miserably. . . . Stanley Crouch’s ‘Kansas City Lightning: The Rise and Times of Charlie Parker’ is a remarkable, in-depth book about jazz’s towering visionary, and ‘The Riot Grrrl Collection’ serves as a comprehensive anthology of a turning point in punk and indie rock. . . . finally, Bernie Krause’s ‘Great Animal Orchestra’ was reprinted this year, and weaves together the sounds of nature with modern music; if you were blown away by that popular Facebook post of a recording of crickets slowed down, sounding like human voices, this book is for you. . . . Much like Miles Scott simply asked “I want to be Batkid,” your teenager might simply ask, “I want to make beats.” The best new software to realize this wish includes ACID Music Studio 9, which interacts well with MIDI and live instruments; FL Studio, which is perfect for beginners but lacks more specialized editing capabilities; and Mixcraft 6, which has a huge library of sounds. Don’t forget headphones—if you want something cheaper (and better) than the ubiquitous Beats By Dre models, go for our recommendation: Audio-Technica’s ATH-M50 Headphones, which are crisp, dynamic and should last for years to come.—Gabe Meline

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THE GREAT OUTDOORS

Every family has one. That relative who’d rather be camped out by a lake, roasting hot dogs over an open fire, than doing anything else. How about a tiny, backpack-friendly Bush Smarts Game Kit ($35; www.bushsmarts.com) to keep them entertained under the stars? It comes with miniature cards, dice and a score pad for dozens of different games, promising hours of entertainment. . . . Don’t underestimate the power of a really good lantern. The 1.1-pound Goal Zero Lighthouse 250 ($80; www.goalzero.com) casts a strong light for up to 48 hours and can be hand-cranked back to life in a pinch; a built-in USB hub makes for easy charging. . . . Outdoor adventures in the summer usually involve mucking about in water. The Astral Porter ($85; www.astraldesigns.com) is a water shoe that actually looks cool and dries in the blink of an eye. . . . Anyone who’s spent a sleepless night in the woods will appreciate the gift of a Therm-a-Rest NeoAir XLite Sleeping Pad ($179.95; www.rei.com). Lightweight, warm and packable, this will make the die-hard backpackers on your list very happy. . . . Seriously, what’s better for camping or traveling than the Izola Sunrise Travel Cup ($18; www.izola.com), a collapsable vessel that can transform from a shot glass into a two-ounce espresso cup in the blink of an eye? . . . I don’t know about you, but I’ve always dreamed of having a sleeping bag that I could wear. Lucky for lazy campers like me, the dream is alive with Poler’s Napsack ($130; www.polerstuff.com). With zippers at the shoulders (the better to stick out your arms), and a cinch at the bottom for easy leg extension, this is a wearable sleeping bag that’ll make those cold mornings on
Mt. Shasta all the more bearable.
—Leilani Clark

EATER’S DELIGHT

‘L.A. Son’ ($30) reads as part memoir, part cookbook from Roy Choi, the man behind the Kogi Taco Truck franchise in Los Angeles. Credited with helping birth the gourmet food truck scene in Southern California, his original, down-to-earth style is as fun to read as his tacos are to eat. . . . Is life like a box of chocolates? Forrest Gump may have been talking about the Russell Stover Gift Box ($13) when he delivered his famous musing, but the Noir Truffle Box ($26) from Recchiuti Confections offers deeper insight. With each bite of these super-gourmet treats, the meaning of life melts into one’s being until the box is empty, and it’s time to rediscover it again. Nine chocolates, including four distinct, single-origin squares, delight even the most discerning of chocolate aficionados. . . . Aspiring Alton Browns will certainly get a kick out of Molecule-R’s Molecular Gastronomy Kit ($59). With tools like pipettes, tubing and silicon molds, and additives like agar-agar, calcium lactate and soy lecithin, home chef becomes mad scientist in the virtual kitchens of El Bulli. Nobody will judge you for laughing maniacally while turning food into spheres, emulsifications and deconstructed versions of their former selves. . . . If you want food to look pretty, you had best prep correctly. It’s easy to do with Fred & Friends’ Obsessive Chef Cutting Board ($26), which features angled guides for slicing, grids for dicing and fine lines for assisting with that exact julienne. Ants on a Log becomes exactly seven ants on a 3.5-inch log; baguettes will be cut into one-inch rounds at precisely 45-degrees; and most importantly, when your food and beverage director asks for an equal amount of blueberries in each muffin, he will get an equal amount of blueberries in each muffin.
—Nicolas Grizzle

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BETWEEN THE LIONS

For the avid reader, nothing beats the gift of a new book or a subscription to a magazine or journal. ‘N+1, a literary journal that’s been around since 2004, combines politics, literature and culture into one seamless reading experience (www.nplusonemag.com). For those who enjoy edgy, contemporary writing, there’s an abundance of options, including ‘Pank’ (www.pankmagazine.com), ‘The Los Angeles Review’ (www.losangelesreview.org), ‘The Normal School’ www.thenormalschool.com) and ‘Annalemma’ (www.annalemma.net). Locally, the ‘West Marin Review’ is always a solid choice (www.westmarinreview.org). Environmentally conscious folks will love a year-long subscription to ‘Yes! Magazine, ‘The Sun, ‘Orion’ or the ‘Earth Island Journal. . . . Or how about a bestselling book? A decade in the making, ‘The Goldfinch’ (Little, Brown; $30) by enigmatic writer Donna Tartt, has received rave reviews since its publication last month. Inspired by a painting in New York City’s Frick Collection, it tells the story of Theo Decker, who miraculously survives an accident that kills his mother and is eventually drawn into the art underworld. ‘Dissident Gardens’ (Doubleday; $27.95) by acclaimed author Jonathan Lethem relays the epic saga of a family of radicals in New York. ‘The Stud Book’ (Hogarth Books; $17.50) by Monica Drake takes a darkly humorous look at a group of friends in Portland as they deal with the onslaught of middle age, marriage and whether or not to procreate in a climate-change ravaged world that will probably end by 2030. ‘The Good Lord Bird’ (Riverhead; $16.98) by James McBride, narrated by an escaped slave during the John Brown Harper’s Ferry era, won the National Book Award for fiction and is a good choice for historical fiction lovers. Out now on Kelly’s Cove Press, ‘A Raid on the Oyster Pirates’ ($15) features an original story by Jack London. First published in 1905 and now in the public domain, the story has been illustrated with new drawings and watercolors by William T. Wiley. An excellent gift idea for kids or London/Wiley fans alike. . . . Finally, the commuter in your life—the one who catches up on all of her book reading with ears instead of eyes—will love a subscription to Audible.com ($14.95; www.audible.com), an audio book repository with loads of literary choices.—Leilani Clark

‘SCUSE ME WHILE I KISS THE SKY

Humankind may be kings of the land, but can we conquer the skies and seas as well?

These gifts include freefalling through the skies higher than any bird is brave enough to fly and diving deeper in the ocean than the toughest shark himself. Starting at altitudes of 10,000 feet in the wild blue yonder and flying at up to 120 miles per hour, NorCal Skydiving offers tandem skydiving gift cards ($169–$199) for the more adventurous among one’s friends. After the parachute opens, the peace and serenity of canopy flight ensues, with spectacular views of the Pacific Ocean, steam from the geysers, the glaciers of Mount Shasta, Tomales Bay, the Russian River and the lush valleys of Napa and Sonoma. . . . For a little less speed, but with breathtaking views, California Hang Gliding offers tandem hang gliding ($275) that includes an in-action video of your experience to take home. Soaring off the cliffs of Mt. Tamalpais, your only job is to relax and enjoy the ride full of beautiful birds-eye-views unmatched by those seen from the ground. . . . Perhaps an adrenaline rush isn’t what you are looking for but you still seek unbelievable views. Seaplane Adventures ($179–$589) offers a helicopter ride with a Golden Gate tour, sunset Champagne tour, greater Bay Area tour, NorCal coastal tour and winetasting tour. The tours take off from Sausalito and are good to keep in mind for visiting relatives. . . . For an even more hands-on helicopter experience, Sonoma Helicopter ($300-$600) offers gift certificates for not only tours but flight training, during which you’ll ride in an R22 helicopter with an instructor, learning and actually flying the aircraft with your own hands. . . . Soaring over the beautiful countryside, hot air balloons are a prime way to float up into the skies. In a wicker gondola high in the air, the serene ride is almost always capped with a glass of Champagne. The North Bay has an abundance of hot-air balloon rides from any of these locally owned companies: Napa Valley Balloons ($215), Napa Valley Drifters ($205), Balloons Above the Valley ($159–$209), Napa Valley Aloft Balloon Rides ($150–$245) and Calistoga Balloons ($219–$349). . . . For an adventure not quite so high in the skies, zip-lining combines adrenaline and speed while gliding through the forest and, in the case of Sonoma Canopy Tours ($59–$99), taking in the beauty of NorCal’s coastal redwoods. . . . Maybe you’ve got someone on your list who wants to “fly through the air with the greatest of ease”? In the shade of an oak grove next to a babbling brook, Trapeze Pro ($40) offers flying trapeze classes, a circus art in a picturesque environment. . . . We have better maps of the surface of Mars than we do of our own ocean floor. Under the surface of the sea are entirely new worlds, waiting for us to explore what it has to offer—a kind of mysterious and untouched beauty not found on land. Getting scuba certified is the first step to ocean exploration, and training and open water classes for certification are available at Marin Diving Center ($149), Harbor Dive Center ($315) and Sonoma Coast Divers ($189).
— Tara Kaveh

OTHER BOXLESS WONDERS

It might sound like the voiceover in a cheesy commercial, but seriously, why not give the gift of an experience to your loved ones over the holidays, rather than a big, plastic thingamabob packaged in a thousand layers of bubble wrap? For the grandparents, especially the ones that live nearby, a spot in a music class with their favorite grandchild is something they’ll never forget. This year, I sprung for a Mini Music class for my mother-
in-law and my daughter (www.minimusictime.com). For just $160, they’ll get 10 weeks of music, movement, fun and bonding; classes take place in both Sonoma and Marin counties. Grandma’s gonna love that much more than another pair of slippers. . . . Another option is a membership to the Bay Area Discovery Museum (www.baykidsmuseum.org). Family memberships are $150 and include year-round admission. Likewise, the Schulz Museum offers memberships starting at $40. . . . Outdoor enthusiasts will love an annual parks pass to either the state or regional parks system. A membership to Sonoma County Regional Parks (parks.sonomacounty.ca.gov) runs $69 and provides year-round opportunity to enjoy the multitude of parks in the area with extra perks. The Marin County Parks (www.marincounty.org) pass is $85 and provides access to miles of gorgeous nature. . . . OK, so you’ve got a sister who isn’t into camping and hates taking classes, but loves getting her hair and nails done. A gift certificate to a happening nail salon, one that offers fabulous nail art manicures, might be just the ticket. Try Nail Art Spa (707.526.3808) in Santa Rosa or Queen Nails (707.255.1826) in Napa. . . . Art aficionados will be happy to receive a membership to the Sonoma County Museum ($40; www.sonomacountymuseum.org), the Sonoma Valley Museum of Art ($30–$35; www.svma.org) or the di Rosa Preserve (Starting at $50; www.dirosaart.org). . . . You also can’t go wrong with gift certificates for the movies, a cooking class, a concert or a massage, especially for those who rarely take time out for themselves. The gift of self-care and a night out can be the best gift of all.—Leilani Clark

Spirit, Rejoice!

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Ominous scaffolding casts shadows across a dimly lit stage. A high, wood-plank bridge spans the spare performance space, steeply raked and surrounded by crates, backstage paraphernalia and festoons of iron chains hanging like clusters of evil fruit. It’s the perfect playground for a Christmas play taking place mainly in Hell.

Such is the set of Marin Theatre Company’s Jacob Marley’s Christmas Carol, directed by Jon Tracy (Strangers, Babies; Terminus). In Tom Mula’s dark, alternative adaptation of Charles Dickens’ Christmas Carol, the familiar story is retold from the point of view of Jacob Marley, Ebenezer Scrooge’s dead business partner. Of course, ghosts, chains and the threat of eternal damnation hang over the original version as well, and both end with a satisfyingly redemptive, catch-in-the-throat climax. But the change of perspective in Mula’s story yields many pleasures and surprises.

Director Tracy, working at a blurring, frenetic pace here, does have a knack for the macabre, and he certainly turns on the darkness. By keeping the stage dim and slightly hazy with smoke, he emphasizes the metaphor, while the actors carry flashlights to illuminate each other’s faces and create some stunning X-Files-type effects.

Rooted in the glorious oratory of Victorian speech, this is the kind of play in which all actors serves as narrator, stepping in and out of character to deliver poetic descriptions and set the rapidly changing scenes.

Marley (Khris Lewin) is dead, and in the afterlife offices of the Record Keeper (Stacy Ross), he learns that he must serve eternity in Hell, his soul doomed to gradually fuse into the locks and cash-boxes to which he devoted his life. When he learns that his only hope of escape is in finding a way to redeem the miserly soul of his partner Scrooge (Nicholas Pelczar), Marley reluctantly accepts the challenge. With the help of a boyish, underworld assistant named the Bogle (Rami Magron), Marley sets out, now a ghost among the living, to try and change the heart of a man even less redeemable than himself.

Cleverly and inventively staged, with the energetic actors serving double-duty as props and scenery, Tracy keeps things visually interesting, though the poor actors’ words fly so fast and furious it’s sometimes hard to separate the moments of true emotion from all the rest. Still, there is much to delight the spirit and stir the senses in this offbeat but large-hearted twist on a beloved classic.

Rating (out of five): ★★★★

Inside Job

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What do you know about the Federal Reserve? For the average American the answer is not much. The documentary Money for Nothing: Inside the Federal Reserve remedies this by explaining the powerful influence of the Fed on the global economy.

Yes, a movie about “the Fed” sounds about as interesting as watching a 72-hour lawn-bowling match, but Money for Nothing drips with intrigue, from secret, high-powered banking meetings to stock market booms (and busts).

Arising out of a secret meeting in 1910 (held on an island, no less) between a senator and the upper echelon of Wall Street, the Federal Reserve was originally instituted as a central bank, one that would set interest rates, regulate banks and “act as a guardian of financial stability and prevent chaos in markets,” according to one economist. In other words, the Fed was steering a Titanic called the U.S. economy, and it hit an iceberg first with the Great Depression, and second in 1971, when Nixon essentially announced the end of the gold standard, which kicked off 10 years of rising inflation and exorbitant interest rates. The third—well, we’re still experiencing the hangover from it.

Most interestingly, the film touches on the deification of Ayn Rand acolyte and Fed chairman Alan Greenspan for his ability to “steer” the economy in a way that led to an unprecedented boom for stock market investments. Greenspan wasn’t afraid of intervening in the market, which at the time was unprecedented in the history of the Fed. Greenspan’s refusal to enforce Sandy Weill’s former foe known as the Glass-Steagall Act—and, ultimately, his push to abolish it—is one of those moments in economic history that continues to have lasting repercussions for millions of average Americans.

‘Money for Nothing: Inside the Federal Reserve’ screens on Tuesday,
Dec. 3, at Rialto Cinemas. 6868 McKinley St., Sebastopol. 7pm.
$7.25–$9.50. 707.525.4840.

Flow Masters

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In Dry Creek Valley, there’s at least one place where a jumble of felled trees doesn’t spell trouble for coho habitat. It’s part of a multimillion dollar project meant to restore Dry Creek’s salmon population—and possibly save the Sonoma County Water Agency an additional $150 million bill.

On Friday, Nov. 22, representatives from four government agencies, the Dry Creek Rancheria Band of Pomo Indians and members of the press gathered by a slow-moving channel just downstream from Warm Springs Dam to witness the release of 2,000 juvenile coho as part of the six-mile Dry Creek Habitat Enhancement Demonstration Project. Dressed in fatigues, U.S. Army Corp of Engineers district commander
Lt. Col. John Baker carefully lowered the first aquarium net full of small, wriggling fish to their uncertain fate.

The impetus behind the effort is a 2008 opinion issued by the National Marine Fisheries Service (NMFS). By 2004, the coho population in the Russian River system had declined to the point where little more than a dozen individuals could be counted. A crash program at the Don Clausen Fish Hatchery at Lake Sonoma has successfully reared coho salmon that return to the hatchery, but that’s just a start. “We want to restart the populations in historic coho salmon streams,” says Derek Acomb, an environmental scientist with the California Department of Fish and Wildlife. “We don’t want the fish to stray back to the hatchery.”

A few miles farther downstream, behind Amista Vineyards, the project’s ambitious scale may be viewed at a site just completed last month. Right now, the scene is weird and raw. A four-acre amphitheater was scooped out of the bank, draped with nets and spiked with a thousand sprigs. The scene is punctuated by 20-foot redwood stumps driven into the ground, cut clean at the top, rising out of a murky backwater.

If there’s something familiar here, it may be because many of these redwoods were cut down for the Highway 101 widening project near Airport Boulevard in Santa Rosa, and, in a move profitable for Ghilotti Construction, sold back to Sonoma County Water Agency for $98,000. Others came from a sustainable timber operation in Gualala, according to David Manning, SCWA environmental resources coordinator. Working with property owners like Amista’s Mike and Vicky Farrow, Manning secured long-term easements crucial to the project.

It may be surprising to learn that the trouble with Dry Creek, from the coho’s point of view, is that there’s too much water—especially in the summer. As the Bohemian has reported in recent years, vineyard frost protection draws and irrigation wells have compromised water levels in some of the watershed’s tributaries. But because of the constant summer flow released from the dam for the benefit of water customers, the creek is turning into a flume that limits the kinds of meandering channels that provide habitat for salmon. Paradoxically, cold water stored by the same dam will also benefit the salmon reared in this constructed pond, which is seven feet deep and studded with boulders tied to the redwood snags with steel cables. By next summer, willow trees planted along the banks—already sprouting—will begin to shade the water.

There is a plan B. The water agency and its partners have until 2020 to restore the coho to the satisfaction of the NMFS, which has the last word. The alternative calls for digging up Dry Creek Road and burying a pipeline bypass to route excess water all the way around the creek, at an estimated $150 million price tag.

With all that’s at stake, the four-inch fish aren’t being sent off with only a hope and a prayer. Since it was reinstituted, the hatchery’s program has benefited from genetic advances. Each coho female, according to Acomb, is matched to a list of breeding males ranked in order of preference. Each fish released has a small, staple-sized insert just above the nose, which can be identified with a microscope after dissection, if it’s later caught by fishermen.

An additional percentage are outfitted with passive integrated transponders, similar to the chips embedded in pet cats and dogs. These will be read by antennae as the fish check out of their quiet backwater for the long journey to the ocean. If they manage to return home after five years, they’ll be checked back in just like widgets in a modern warehouse.

Go West

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As the family gathers around the table this year, talk will veer into all the usual territories: what Aunt Meg is doing for a job, how much everyone misses Buster the dog, the price of gas. But then, inevitably, some niece or other will mention the popular cultural topic that, sadly, you are ill-equipped to discuss: Kanye West.

The paralysis is immediate to you, who deplore all “controversy” surrounding this “artist,” whose “attitude” you can’t stand. You could try to steer the conversation into friendlier musical territory (isn’t that Macklemore great?). But let’s face it: you don’t get this Kanye asshole, and you never will.

Never fear! Here’s your easy, five-point guide to talking about Kanye West during the holidays.

1. Question: “Have you guys seen the ‘Bound 2’ video”? Explanation: This refers to a new video showing Kanye and his wife Kim Kardashian simulating sex while riding a motorcycle though a Thomas Kincade backdrop. It’s alternately chintzy and artistic, and you could reference Jeff Koons here, but that’s too esoteric. Answer: “Yeah, messed up! And why did they airbrush out Kim Kardashian’s nipples? It’s not like she has a problem being naked and having sex on camera.” Zing!

2. Question: “Did you see Seth Rogen and James Franco’s spoof?” Explanation: This refers to a remake of the video with two popular comedic actors; they emulate the sex scenes and make out with each other. Showing you’re merely aware of it isn’t enough. Go for the gold. Answer: “Yeah, and did you see Kim tweeted that Kanye loved it? I thought he was going to go on another tirade!” There you go!

3. Question: “What did you think of Yeezus?” Explanation: This is Kanye West’s latest album, which is experimental, noisy and divisive. You can say you really need to listen to it more to make up your mind, and this is safe and understandable. But to show your prowess, remark on at least one song. Answer: “I like his old songs with that slowed-down soul sample element, so ‘Bound’ is my favorite.” You’re a champion!

4. Question: “But isn’t he such a jerk?” Explanation: Ooooh, the gauntlet is thrown! But you can do this. Say you’ve thought long and hard about his interviews, and his beef with Jimmy Kimmel—a popular late-night host—and his onstage “rants.” And then play it safe. Answer: “I think he’s misunderstood, and trying too hard. Why would anyone want to break into the stupid fashion world anyway?” Hooray!

5. If your interrogator starts getting too specific and remarks on something you can’t possibly fake knowledge of, simply get up, go to the computer and watch the Seth Rogen video together, and laugh. There’ll be a suggested video in the sidebar of Tom Brady yelling at referees on the football field—this is your savior! Click on it, call over Uncle Mitch and let the holiday talk resume to the tried and true. All is well again!

Live Review: Barrington Levy in Petaluma

Reggae dancehall legend Barrington Levy blazed through Petaluma on Thursday night in classic dub train style. Barrington’s voice is sounding cleaner than ever and his form is looking fantastic as he approaches 50 years old. The show was part of the Road to California Roots Festival tour, a push towards spreading the word about the massive three-day event next May. There will be many more – look for J Boog and Los Rakas in January.

Barrington Levy at The Mystic Theater, Petaluma | Photo by Joe “Bulldog Media” Wilson

The house was packed at the Mystic Theater; a heady crowd leaning on the farther side of thirty and forty. Barrington paid court to his long time fans with studio-style versions of “My Time” and “Too Experienced”, letting them flow off the mic like he has played them for decades (he has). His encore of “Black Rose” hushed the crowd until everyone started singing along. But the real depth of his performance was in the heavy duty b-side takes on lesser known tracks like “A Ya We Deh” and “Bounty Hunter”.
Holding the decks was WBLK selector Jacques Powell-Wilson, founder of Monday Night Edutainment at Hopmonk Tavern in Sebastopol. The sound system is rounding out 12 years as the North Bay’s longest running reggae genre night. Jacques brought down some of his massive collection of vinyl rarities including the Meditations’ “Stranger In Love” and Dennis Brown’s “Come Home With Me”. If you can dig it, WBLK is hosting their first in a series of all-vinyl appreciation nights starting December 9th with Ras Gilbert of Shashamani Sound.

Barrington Levy | Photo by Joe “Bulldog Media” Wilson

Opening for Barrington was former Sonoma County, now Santa Cruz transplant, band Thrive. The group recently joined forces with California Roots Festival organizers and have been touring the country spreading sunny, post-Sublime positive reggae, which they have now infused with RnB pop. I see them shying away from their reggae-rock roots in the coming months, but we’ll see where they take their sound come festival season.
I gotta say this: The Mystic Theater hasn’t seen this much smoke in years. Ever since management started really cracking down on puffing inside the venue, Petaluma’s reggae scene hasn’t been the same. Undercover goons jam their way through the crowds, flashlights scanning for joints, grabbing hold of skinny hippies and short frat dudes with their menacing stares that promise, “try that again, so I can haul your ass out in front of everyone”. But it’s no fun when the homies can’t have none… Thankfully, Thursday was a chill alternative to the type of muscle attitude we’ve gotten used to at Sonoma County shows. Probably because the show was too expensive for the college kids to raid. Although many of them could have benefited from knowing the roots of where their beloved Cali Roots Rock comes from.
On another note: Rather than releasing full albums of new material, Barrington seems to be focusing on recent collaborations with newer generations of established artists, namely JadaKiss and Vybz Kartel, Kardinal and Busta Rhymes. Check this made-for-MTV Jams 2010 release “No War” featuring Kardinal. The original features Busta Rhymes and quotes President Obama’s inaugural speech.

Review: Pinot Noir and Chardonnay Extended Mix

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In this week’s Swirl we looked at wine pairings for meatless wonders. Turns out, the familiar Burgundian dyad of Pinot and Chard hits most of the right notes with Turtle Island Foods Tofurky and Field Roast brand Celebration Roast, with all the trimmings. Here’s a longer list of samples from 2011 and 2012, rated up to five stars (asterisks).

Murphy-Goode Pinot Noir

“It’s a perfectly good crop, and they’re screwing it up!” a winemaker complained to me in the fall of 2012. He was talking about the overabundant grapes some growers were hanging on their vines to make up for the skimpy, supposedly poor 2011 harvest. Here is no apples-to-apples comparison, to be sure, but let’s see how the years compare:

2011 Francis Ford Coppola “Director’s” Sonoma Coast Chardonnay ($17) Chilled lemon cheesecake aroma with muted butterscotch and oak, peppermint candy cane. Golden Delicious apple, bit of a sweet palate, plus tangy citrus zip. Nice. ***1/2

2011 La Crema Monterey Chardonnay ($20) Nutty, peanut brittle. Or musty? Soft, billowy palate, lemon-apple. ***

2012 Murphy-Goode California Chardonnay ($14) Concession stand “butter,” a little toasty oak; drinking a tub of kettle corn. If you like this flavor, this is the ticket. **1/2

2011 “Director’s Cut” Russian River Valley Chardonnay ($21) Muted sulfur, hamper aroma. Cidery flavor, but hot. Recommend the “Director’s.” **1/2

2012 Frank Family Carneros Chardonnay ($34.75) Floral, toasty oak and buttery pie crust, green apple skin; thick, lemon-custard palate, trending bitter. **1/2

Jordan 2011 RRV Chardonnay ($30) Touted as a top restaurant wine, the smoky, oaky, burnt butter-soaked Jordan was frankly unpleasant on its own. But this was also tasted with the faux fowl products, and we agreed that it was better with food. Pretty good, actually—guess they know what they’re doing. **1/2

2012 KJ “Vintner’s Reserve” California Chardonnay ($17) Ye olde ever-popular Chard seems to have ceded the signature style to others. Murky, old barrel smell with slightly tingly-sweet palate and hard, bitter edge. **

2012 KJ “Avant” Unoaked Chardonnay ($17) I smell oak, buttered oak. Nutty, soggy cashew, too, going down with cloying, butterscotch candy. What, why? **

2012 Martin Ray Unoaked RRV Chardonnay ($16.99) Nice lemon blossom notes, but nowhere near the zippy style implied by the “unoaked” label, this also flops all over. **

2012 Balverne RRV Estate Reserve Pinot Noir ($50) Translucent cherry glaze color with aroma to match, fennel spice, and sweet cherry lollipop flavor. It’s a nice quaff. ***

2012 Murphy-Goode California Pinot Noir ($15) Quite similar to the Balverne, but smokier, with vanilla and cherry, and an odd plummy gummy candy note in there. Easy to like. ***

2011 La Crema Monterey Pinot Noir ($23) Dark strawberry jam, vanilla, cinnamon. Inviting; darkly tannic. ***

2011 Cambria “Bench Break” Santa Maria Valley Pinot Noir ($34) Rosemary, pine sap aromas, with currants, turn to licorice after a day. For prime rib, not lentil loaf. ***

2011 Martin Ray Anderson Valley Pinot Noir ($NA) Kinda closed; cool red fruit smelled through charcoal and horse blanket. Pure palate, though, promising; start your “cellar” with this one. **1/2

2011 Pedroncelli RRV Pinot Noir ($NA) Light-bodied, not awful. **

A Dream Interrupted

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For those of us who remember, it’s hard to believe it’s been 50 years since that black Friday in November when John F. Kennedy was shot.

I was a 17-year-old freshman at Brooklyn College, a political science major who could feel the world opening up to new ideas after the stodgy Eisenhower years. When I heard the news, my entire world was turned upside down, and bright hopes shattered into a million pieces. That night, I saw my father crying. I had only seen him cry once before, when his sister passed away.

My best friend and I spent the next two days walking, walking, walking, trying to make some kind of sense of the act and trying to imagine a future. We walked across the Brooklyn Bridge to Manhattan and back. I missed the broadcast of Oswald being shot by Jack Ruby, because I was still out there, trying to walk off the massive hurt.

America hasn’t ever really recovered from that day.

In 1958, when the Pew Foundation began doing its polling on the topic, 73 percent of Americans polled trusted their government. At the time Kennedy was in office, that figure had spiked to nearly 80 percent. Today? The 2013 Pew poll reports that just 19 percent say they trust the government. Is that an amazing coincidence? Or did what so many Americans perceive as a betrayal at the highest levels turn us inexorably down a road of despair, denial, apathy and cynicism?

In the 50 years since the assassination, there have been some 2,000 books written on the subject. The books tend to fall into several categories: one, that there was no conspiracy and the official story stands (not many, but some books proclaim this); two, that there was a plot, which points to the Soviet Union or Castro’s Cuba; three, that the Mafia did it; and four, that the CIA and the Mafia did it.

I certainly haven’t read all of those books, but I did at least come to the conversation early. As a freshman teacher in Washington, D.C., in 1967 as part of the Urban Teaching Corps, I was given the material to teach a unit on alternative views of the Kennedy assassination. As I delved into a mystery I’d never examined before, two red flags jumped out at me. One was the Zapruder film showing the back of Kennedy’s head as he was shot and how it indicated that a bullet came from the front and not from the Texas School Book Depository building, where Oswald supposedly carried out his deed. The other red flag was the surprising number of witnesses to the assassination who met unfortunate and untimely ends.

Seeds of doubt were planted in me, and the one thing that I knew to be true about the Kennedy assassination is that the official story was not true.

Apparently, I’m not alone. According to a recent AP poll, just 24 percent of Americans believe in the official “Oswald acted alone” story, and some 59 percent are convinced there was indeed a conspiracy. But you will never see these alternative stories aired on mainstream media, and if mentioned, they are quickly dismissed as “conspiracy theories.” So if you’ve read extensively on the subject and believe the official story is a pack of lies, you are never to say so publicly lest you lose credibility and find yourself classified as one of those “conspiracy nuts.”

You are being asked to deny, and then deny you are denying. Perhaps this central disconnection from authenticity and integrity is why there is such seething and misdirected anger in this country, and political discourse has devolved into “detestimonials and insinuendos.” It might also explain why we are a country at war with itself, and our government is watching us—instead of the other way around.

The body politic is most certainly in need of healing, and of all those 2,000 books that have been written about the Kennedy assassination, there is one book that stands out as a potential pathway to metabolizing our huge political toxin.

JFK and the Unspeakable: Why He Died & Why It Matters is authored by James W. Douglass, a progressive Catholic deeply influenced by the American Trappist monk Thomas Merton (1915–1968). Though Merton lived a monastic life and rarely traveled, he was influential as a religious philosopher whose correspondents included well-known Catholics of all political persuasions, from Clare Boothe Luce to Ethel Kennedy.

Because of his fierce inner convictions and willingness to stand for these convictions, Merton was able to gaze unflinchingly into the heart of darkness. He used the word “unspeakable” to describe “a suicidal moral evil and total lack of ethics and rationality with which international politics tend to be conducted.”

[page]

It’s hard to imagine a book about the death of a beloved president at the hands of “the unspeakable” as inspiring, but Douglass’ book courageously acknowledges the likeliest scenario, and by facing the dark implications, shows us a way toward redemption. In many ways, JFK and the Unspeakable is a spiritual book. It seems so old-fashioned to speak about “evil,” and yet it may be that our unwillingness to use this term and face the darkness head-on is why evil seems to have snuggled up with us and moved in next door.

Douglass introduces three main “characters” in this book: John F. Kennedy, the Unspeakable and you, the reader.

Kennedy’s story in this book is a tale of transformation, from cold warrior to peacemaker. His moment of epiphany came during the Cuban Missile Crisis, as the world stood on the brink of nuclear war. The transcripts of Kennedy’s interactions with the Joint Chiefs of Staff (the book is over 500 pages, 100 of which are footnotes and references) show how he resisted war and how angry the generals were—even after he dodged the bullet and the missiles were removed from Cuba.

After the fall of the Soviet Union, the Russian foreign ministry released documents showing the cables between Kennedy and Soviet premier Nikita Khrushchev during the crisis. A message sent by the president’s brother Robert F. Kennedy to Soviet ambassador Anatoly Dobrynin put it bluntly: “If the situation continues much longer, the President is not sure that the military will not overthrow him and seize power.”

Premier Khrushchev, having similar misgivings about plunging the world into nuclear holocaust, agreed to pull the missiles out of Cuba, and the crisis evaporated. In exchange, President Kennedy made a verbal promise to remove our missiles from Turkey within six months, which came to pass.

In a significant sense, both Kennedy and Khrushchev had what we might term today near-death experiences. In returning from the brink of massive destruction, both of them dedicated themselves to doing whatever they could to end the Cold War. For Kennedy, it was the thought of all those children who would never grow up to live a full life had he pushed the button. His generals, on the other hand, were perfectly willing to gamble the lives of millions of Americans and millions more Russians on a first strike that they believed would immobilize the Soviet Union.

Kennedy and Khrushchev communicated often during the last year of Kennedy’s life. They often spoke about having more in common with one another than with their generals. Kennedy initiated three policy changes that put him at odds with his generals, with most of his party leaders and most definitely with the military industrial complex. He sought a nuclear test ban treaty as a way to slow, if not stop, the Cold War escalation; he opened secret lines of communication to Fidel Castro, with an eye toward rapprochement with the Cuban communist regime; and he made firm plans to end the Vietnam War before it started.

All of this—and the resistance Kennedy got from nearly all quarters—is well-documented in Douglass’ book. It may well be that had Kennedy lived, the Vietnam War Memorial we are all so familiar with wouldn’t exist today, and those who died would have lived full and fulfilling lives. Those who still suffer from PTSD would likewise have been able to focus on healthier pursuits. And the culture wars that have divided America might never have happened. Take, for example, when Kennedy appeared in Salt Lake City—even then a conservative bastion—and proposed a nuclear test ban. The audience, largely Mormon, gave him a standing ovation that lasted for minutes.

Enter the other main character in this immorality play: the Unspeakable. If Douglass is right, and elements in our own government were responsible for the assassination—you will have to read the book to make your own conclusions—John F. Kennedy’s transformation from war maker to peacemaker was stopped dead in its tracks. In regards to Vietnam, according to Stanley Karnow’s 1983 book Vietnam: A History, Lyndon Johnson reassured the Joint Chiefs in December 1963, a month after succeeding to the office, “Just let me get elected, then you can have your war.”

[page]

And so it was. And here we are today, armed to the teeth, as dangerous as any rogue state, gazillions in debt and mired in despair, decay and dysfunction.

So who or what is this Unspeakable?

When he first used the term, Thomas Merton was referring to the secret and silent power that gave itself dominion some 15 years before Kennedy was killed. The National Security Act of 1947 established the National Security Council and the Central Intelligence Agency, and officially renamed the Department of War the Department of Defense. Not content to leave Orwell-enough alone, in 1948 President Harry Truman’s National Security Council approved the top secret direction NSC 10/2 that would empower the CIA to carry out covert acts under the veil of secrecy. Truman’s original understanding of the CIA was as an intelligence-gathering (i.e., spying) organization, but under this new mandate, the CIA became another arm of warfare-waging propaganda campaigns, sabotage, and “executive action” (their own benign term for assassination).

It was another seemingly innocent phrase, “plausible deniability,” that gave this secret government carte blanche. Because NSC 10/2 blatantly violated international law, it required some form of “lie-ability” insurance. The directive stated that all such activities were to be “so planned and executed that any U.S. government responsibility is not evident to unauthorized persons, and if uncovered the U.S. government can plausibly deny any responsibility for them.”

So did elements from our secret government have anything to do with a plot to kill John F. Kennedy? Douglass presents no definitive proof of any particular higher-up calling the shots, although the circumstantial evidence—if one is willing to see the patterns—is overwhelming. Again, you will have to read the book and make your own conclusions.

And this is where the third character in the story enters: the American people.

Several years ago, I read an article by journalist Doug Thompson published by OpEdNews.com. In it, Thompson recalls a 1981 encounter with the late John Connally, the former governor of Texas who was wounded in the Kennedy assassination. In an unguarded moment, Thompson asked Connally, “Do you think Lee Harvey Oswald fired the gun that killed Kennedy?” “Absolutely not,” Connally said. “I do not, for one second, believe the conclusions of the Warren Commission.” “So why not speak out?” Thompson asked. “I will never speak out publicly about what I believe,” Connally replied, “because I love this country and we needed closure at the time.” Now, half a century after that devastating perpetration, a dozen years since 9-11 and months after revelations that, via the NSA, the government is indeed “listening to the people,” we might want to ask, how well did “closure” serve us?

As I read the story of how Kennedy and Khrushchev and Pope John XXIII were secretly plotting for peace during that year following the Cuban Missile Crisis (“Nothing is impossible,” wrote the pope shortly before he died), I see a dream interrupted. And only by immersing ourselves in this dark history and shining the light of awareness, love and understanding can we pick up the pieces and renew this journey, with greater unity, wisdom and resolve. Read this book. Speak about the unspeakable. It may well be America’s pathway to redemption.

Steve Bhaerman, aka Swami Beyondananda, is a humorist, political ‘uncommontator’ and author. He can be found at www.wakeuplaughing.com.

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Live Review: Barrington Levy in Petaluma

Reggae dancehall legend Barrington Levy blazed through Petaluma on Thursday night in classic dub train style. Barrington’s voice is sounding cleaner than ever and his form is looking fantastic as he approaches 50 years old. The show was part of the Road to California Roots Festival tour, a push towards spreading the word about the massive three-day event next...

Review: Pinot Noir and Chardonnay Extended Mix

In this week’s Swirl we looked at wine pairings for meatless wonders. Turns out, the familiar Burgundian dyad of Pinot and Chard hits most of the right notes with Turtle Island Foods Tofurky and Field Roast brand Celebration Roast, with all the trimmings. Here’s a longer list of samples from 2011 and 2012, rated up to five stars (asterisks). ...

A Dream Interrupted

For those of us who remember, it's hard to believe it's been 50 years since that black Friday in November when John F. Kennedy was shot. I was a 17-year-old freshman at Brooklyn College, a political science major who could feel the world opening up to new ideas after the stodgy Eisenhower years. When I heard the news, my entire...
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