Camera Eye

The aloof meets Maloof in Finding Vivian Maier, John Maloof’s account of the detective work he did to learn more about the woman whose photographs he discovered in a locker.

Vivian Maier never exhibited her photos or home movies, shot from World War II to the 1970s. Some of the immense volume of her work is a harder-edged version of the photojournalism that made Life magazine sometimes indelible, sometimes trite; other pieces are compassionate, invaluable images of people on the margins, taken by a brave photographer. Her best work is as good as the photography of Weegee or Gordon Parks.

Born in New York, Maier considered herself French (her mother was from Alsace). She dressed functionally, mannishly. In self portraits, she’s sometimes as horsey as Nancy “Miss Hathaway” Culp, and sometimes as handsome as actress Rachel Griffiths.

Maier was a mystery, and the mosaic-like fragments people remember make up this investigation. During years of work as a domestic and a nanny, Maier hid behind identities. “I’m sort of a spy,” she once said to an employer. She changed her name and her range, from the Hamptons to Chicago, and even worked as Phil Donahue’s servant, though the TV personality has little recollection of her.

Ultimately, if Finding Vivian Maier is the work of a promoter, it’s also the work of an ardent fan. Maloof is eager to prove that his hands are clean—his research demonstrates Maier did at one time want to promote some of her photographs, which clears him of implications of grave-robbing and privacy-disturbing. Rather than echoing accusations at the person who found, restored and brought forth Maier’s haunting work, ask why, in our cultural-integrity vacuum, crowds are so fascinated by stories of monk-like, suffering artists.

‘Finding Vivian Maier’ opens Friday, April 25, at Summerfield Cinemas. 551 Summerfield Road, Santa Rosa. 707.522.0719.

The Gopher Hunters

Our enemy has dug an elaborate tunnel system to evade capture. They know discovery means certain death in this ruthless battle. Excavation mounds are hidden just enough to cause damage if stumbled upon, and many have suffered the consequences—it’s time for revenge. The humid late morning air is warm and silent, save for our own movements and the whirr of tiny propellers from toy planes overhead. But we’re not here to play with toys. We’re on a seek-and-destroy mission. Our target: gophers.

The underground rodents are a menace to anyone who has ever owned a lawn, played at a park or tended a garden. And with warmer weather and gardening season upon us, the gopher hordes are on the move. “They have nothing else to do but make babies and eat your plants,” says Sonoma County master gardener Jim Lang, who gives seminars on trapping the tiny terrors. “It’ll never end. You can’t get rid of them.” But there are ways to keep them in check.

A Place to Play park in Santa Rosa is littered with gopher holes—little landmines ready to blow out someone’s ACL during a soccer game. It’s Gregg Crawford’s job to combat the garden guerrillas before the green grass in the 83-acre park succumbs to brown mounds of dirt. On this day, the 66-year-old retired sheet-metal worker and combat veteran arrived with his future son-in-law about half an hour before dawn to set dozens of traps in hopes of making a Place to Play a safer place to play.

“These are badass,” he says, demonstrating a cinch trap, the only kind he uses. When asked why, he looks me dead in the eye and says, “Because I catch a lot of gophers.”

Crawford does catch a lot of gophers. At a Place to Play, he averages 25 to 40 in an eight-hour day, once bagging 85 in one session, and he has hundreds of satisfied customers at private residences and vineyards to attest to his skills. As his weathered hands set a trap in front of me, he says it’s the trapper, not the trap, that makes the difference. “I set it for a hair trigger, just so he breathes on that son of a bitch, all he has to do is touch it and it goes off.”

True to form, he moves his thumb a millimeter in one direction and the trap snaps faster than I can blink, causing me to jump. He then shows off his own modification: a sharpened end of the closing cinch. “If he tries to go around it, this sharp end goes around and impales him.” Before I’ve even seen him catch one gopher, I get the sense that this guy really loves what he does.

Crawford started trapping underground pests 14 years ago. “I had [a mole] in my yard. And you know what? I couldn’t catch that son of a bitch,” he says. He went to one of Lang’s seminars and decided to try his hand at catching the pest. “I’d just retired, and I bought a couple of traps, caught the mole and I said, ‘This is kinda fun.’ I bought more traps and caught seven in a friend’s garden, and I was hooked, like fishing.

“Go out hunting and fishing every day, and get paid for it?” he asks rhetorically. “A grown man driving around on an ATV and getting paid should not be having this much fun.”

Know Your Enemy

Gophers are formidable opponents deserving respect. Five species reside in California. The most common variety in these parts is Botta’s pocket gopher (Thomomys bottae). It is known as such for the exterior pockets on either side of its mouth, which it uses to carry food and nesting material to its den. When digging tunnels with its sharp claws and incisors, it somersaults inside a tunnel barely big enough for its body, and pushes dirt and rocks out excavation holes, making sure to plug them to keep predators and moisture out.

Gophers aren’t all bad—those mounds can provide fresh seedbed and increase the
variety of plants at a given site, and the tunnels give refuge and shelter to other animals. Their droppings in the tunnels fertilize the soil. And some animals find them delicious.

“These are at the bottom of the food chain,” says Crawford. “Everyone wants a gopher.” But if a snake, raccoon or other creature looking for a meal does get in, the gopher has an effective defense strategy. They’re normally skittish creatures and quite quick on the retreat, and that’s usually good enough. But if confronted, a gopher will clamp down with an astonishing 18,000 pounds of pressure per square inch using yellowed front teeth that can grow to almost an inch long. By comparison, the average dog bites with about 320 psi. Crawford says he has been bitten once, and quickly changes the subject when asked for more details.

A single gopher can make several mounds in one day, and create a 50-foot-long tunnel with lateral mounds in about a week. They work on four-hour shifts, digging for four and sleeping for four. “It’s a tremendous amount of dirt they move in a year,” says Crawford. Unlike moles, which dig one continuous linear path just below the surface, a gopher’s tunnel is only visible from the surface by tracing its mounds.

Though Crawford has an iPhone, and even texts pictures of his successful missions to clients upon request, he’s decidedly old-school in his techniques. His metal traps are purely mechanical. When first studying his enemy, he took a first-hand approach.

“I got two windowpanes, spaced them about four feet apart,” says Crawford, “put in some nice Forestville soil, caught a live [gopher], threw him in there and I’d watch him dig. Every day, he’d dig a different tunnel. I’d come home, and there’d be more tunnels. It was just like a giant ant farm, you know, like when you were a kid? That son of a bitch, he dug and dug and dug. I fed him carrots and celery, stuff like that. He ate everything.

“I had a screen and a brick over the top. One day, I fed him and didn’t put the brick back. I come home from work, and he had dug a new tunnel, but he made like a ramp going up to the top, got out of my cage, jumped off the table and got into my backyard.

“I let him live. I have a heart, you know.”

Ongoing Battle

Crawford says the best place to set a trap is in a fresh hole on the main tunnel path. He points out one 20 feet away from us that would be perfect. “See, this dirt clod right here is starting to bleach out from the sun. He probably dug this about 30 minutes ago.”

A trap goes in, with a hair trigger.

To our right, a trap has sprung, but no gopher—the hole has been backfilled. “How the hell did he get by my trigger, and pumped the hole full of dirt?” Crawford asks. He nonchalantly blames Skylar Delzell, his 30-year-old future son-in-law, whom he’s training to take over the family business. Delzell quickly informs me that his first day on the job was four days prior, a fact I wouldn’t have known based on Crawford’s tough-love teaching style.

To our left, a gopher pops its head out of another hole. “Skylar, this guy’s teasing me right here, he’s poking his head out,” Crawford yells across the field. Then he gets intensely quiet. “Don’t move,” he tells me. “You see him?” I nod. We wait. The little turf terrorist is watching us, determining our threat level. Crawford moves toward the hole and the critter disappears.

A trap goes in, with a hair trigger.

Ten minutes later we hear the tell-tale snap, and head over to find a one-legged wounded veteran of the gopher wars caught in a trap, flopping around like a fish on the deck of a boat. Crawford ends the gopher’s suffering with a quick rap to the head. “This job is not for the squeamish,” Crawford says.

Despite his ongoing efforts, Crawford says he hasn’t seen a drop in his average catch. “Most of my business is repeat business,” he says. “A gopher, when he gets into your perennials, he’ll eat every last one of them. And they gnaw on woody plants: grapes, apples, figs, pears. I don’t know what they see in it, but they’ll gnaw on the woody parts. They love roses.”

Crawford believes west Sonoma County is particularly favored by the underground pests. “About 60 to 70 percent of my business is in Sebastopol and West County,” he says.

Lang, the master gardener, says gophers aren’t particular to any part of the North Bay. “I live in Petaluma, and they’re like ants here,” he says. They also love vineyards. “I’ve got a friend with 25 acres of grapes. He traps about 300 a year, every year.”

Crawford and Lang agree that trapping and education are the best ways to stall the gopher invasion. Sharing information with neighbors and keeping an eye out for fresh holes helps keep them at bay. Lang says he’s heard of folks trying to poison them with everything from Aqua Velva aftershave to chewing gum, with some even stooping to lower depths. “I heard some people put Ex-Lax down the hole, thinking they’ll poop themselves to death,” he says with a laugh.

For the record, none of those “poisons” actually kill gophers.

Largescale Battle

Sheila Bradford catches gophers, too. In the relatively small world of underground-pest eradication, she and Crawford have crossed paths; in fact, Crawford helped get her started with her own business. Both agree that education is key. “We need more people to do it themselves and stop the spread,” she says. “It’s getting worse and worse.”

Bradford began catching gophers as an employee with the San Francisco Recreation and Parks Department, where she was so good at her job that a local TV news crew did a story on her. She keeps track of her success, not with marks on a helmet—with more than 2,000 catches so far, she would need a huge headpiece—but by mental tally. “It started out as me being competitive with one of my coworkers,” she says. “They’d never heard of people not only keeping track, but having those kind of numbers.”

Now that she’s out on her own, competition drives her. She references Caddyshack with a chuckle. “It’s like the gopher beat him,” she says of Bill Murray’s golf-course groundskeeper character. “It’s a way to get comic relief from a job that can be pretty gross sometimes—to think of it like a game, like the gopher is an opponent.”

Bradford has a different approach than Crawford—she sets traps inside the tunnels rather than at the excavation holes. Her clients have referred to her as “the Gopher Whisperer,” but she shrugs it off. “It’s like the Caldecott tunnel,” she says of a gopher’s main thoroughfare. “They’re going to be going through it.”

Both decry the use of poisons, for a poisoned gopher can be deadly to a pet or bird of prey, if left unattended. Traps are the way to go.

Like Crawford, Braford is good at her job. And like the combat veteran, she doesn’t mind the gruesome aspect of it. “I don’t have a moral issue with killing them,” she says. “I got over that years ago.”

Killer Tomatoes

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It’s one of the most popular plants to grow in a home garden, yet outside of the Roma, beefsteak and cherry varieties, the true diversity and delicious possibilities of the tomato aren’t well known. There are more than 150 tomato cultivars, from Amish paste to Zapote, and each one carries with it a unique color, shape and taste. For dedicated tomato-heads out there, the fruit offers endless delectability, whether it’s tossed in salad, sliced on bread or chomped like an apple. And every year, tomato fans flock to the annual Tomatomania, held for the sixth consecutive year at Cornerstone Gardens in Sonoma on April 26–27.

Tomatomania began as a small, West Coast phenomenon in the early ’90s and has since grown into a national sensation, and recently caught the attention of the New York Times, which dubbed it “the tomato freak’s Woodstock.”

The event’s Bay Area appearance brings with it everything from tips and tricks, tastings, and seedlings to prepare for the upcoming tomato season. Producer Scott Daigre and local propagator Brad Gates will show off their latest tomato creations, including the world’s first blue tomato and one named after author Michael Pollan. There will also be free workshops and expert advice to turn any garden novice into a tomato fanatic for life.

Sink or Sail

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From Noah’s Ark to the Viking longship, the art of the wooden boat brings with it a history and craft that can transport you to any place and time in the world. It’s a love affair that continues in woodshops today across the state, and for Bodega Bay residents Ken and Starr Swindt, it’s a hobby 30 years in the making.

The Swindts are avid boaters who logged more than 5,000 miles on water last year alone. They cruise the North Bay when they’re not setting course for the Caribbean or Chesapeake Bay. Yet for the Swindts, riding in the boat is only half the fun; Ken is also a master builder of wooden boats, from canoes to kayaks to 50-foot vessels.

A retired firefighter, Ken built his first wooden boat 25 years ago and it’s still around today. Swindt revels in the idea of being able to travel freely, “like people have been doing for thousands of years.” But the hook for him was the puzzle: “How do we make this piece of wood do that, make that shape, look nice, carry some folks around and actually work? That’s the challenge.”

For the past six years, the Swindts have organized and hosted Bodega Bay’s Wooden Boat Challenge. Taking place April 26, as part of the annual Bodega Bay Fisherman’s Festival, the competition encourages craftspeople of every level to take part in an afternoon of team work that turns planks of plywood into seaworthy and sometimes impressive small boats.

The Swindts first heard of the wooden boat challenge when it started eight years ago, and each credits the other with first getting involved in it. Now Starr is the chairperson, overseeing aspects like recruitment and wood donations, and Ken continues to compete and coordinate the teams and the event.

For an activity that normally takes 50 to 70 hours of work, the challenge’s time constraint of three hours is one of the most daunting and exciting aspects of the competition. “It’s just like, ‘What?’ You have to build something that looks like a boat, acts like a boat, and the time constraints are ridiculous,” he says.

This year, the event introduces a youth division, as students from the Spaulding Wooden Boat Center in Sausalito face off in their own race. The event will also feature running commentary from local comedian and star of the upcoming film The Mendoza Line, Juan Carlos Arena.

Awards are given for craftsmanship and speed (there’s even a Titanic award for best sink), and the teams always attempt to put new spins on traditional designs.

“These old Merchant Marines built a potato chip boat that was oval and almost flat,” Starr says. “They entered the day before the race. It was only a team of two guys, and they blew everybody out of the water.”

Shuck Stops Here

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One day soon, the fight over the fate of Drakes Bay Oyster Company will end.

And then what?

The family-run aquaculture farm, located within the Point Reyes National Seashore, has been operating in legal limbo since 2012, when then–U.S. Interior Secretary Ken Salazar closed the door on a push, led by U.S. Sen. Dianne Feinstein, to extend the popular farm’s lease for an additional decade beyond a disputed federal order to cease operations by 2012.

Salazar’s move prompted a set of legal challenges by the Lunny family, who owns the oyster business but not the land or Drakes Estero, which is owned by We the People.

“We didn’t have a guarantee,” says Kevin Lunny, who purchased the business in 2005. “We don’t have a right to renewal. It is OK to hope that it is renewed. That is not a crime.”

But the legal avenues to keep Drakes operational are running out. Two years after Salazar’s ruling, and numerous court dates later, “we’re toward the end, there’s no question,” says Lunny. Much of the court battle has hinged on the farm’s environmental impact on the Estero.

The fight over the oyster business has pitted sustainability advocates against save-the-wilderness folks—people who otherwise would find themselves in basic agreement over eco-issues. But the conflict has also been a lightning rod for right-wing activists and politicians to play out their ideological longings for a less intrusive federal government.

Louisiana senator David Vitter, for example, took up the cudgel of support for Drakes Bay in 2013, offering legislation that would have green-lighted the XL Keystone Pipeline, and kept the oyster farm in business.

Proponents of closing Drakes Bay see moves like Vitter’s as part of an effort to maximize private profits at the expense of the public—and see the Drakes Bay case on a slope that is quite slippery. “This is really an effort by industry to open up public lands and waters for uses that would go against what taxpayers purchased years and years ago,” says Neal Desai, Pacific region associate director of the National Parks Conservation Association.

Drakes’ fate is in the hands of the U.S. Supreme Court. A last-ditch petition to the high court is all that stands in the way of Lunny being compelled to begin removing traces of his business from the land and water.

One main thrust underpinning the Supreme Court petition is a recent 9th Circuit Court of Appeals ruling that Lunny’s lawyers argue created contradictory interpretations of federal law, a “circuit split,” that only the Supreme Court can resolve.

The high court fields upwards of 10,000 petitions a year and generally accepts 1 percent or fewer of them for legal review, says Desai.

“The truth is, we know that it is a long shot,” Lunny says. “But there are legal analysts who are looking at this; our case is meritorious.”

The “circuit split” argument, says Desai, indicates that Lunny’s legal team is “completely reaching for straws now.”

Whatever the outcome, there’s been a lot of bad blood spilled in West Marin along the way toward a final resolution. “The more local you get, the more it becomes about relationships and not about the values that hold our social fabric together,” says Desai.

The West Marin Environmental Action Committee, the lead local environmental organization pushing for the facility’s closure, has had its offices vandalized twice, says executive director Amy Trainer.

Trainer is also the subject of a Facebook page devoted to getting her fired. (The page has 33 likes at last count, with comments like “Can the bitch” from one Florida woman.)

Lunny, meanwhile, has faced accusations that he’s in the tank with the Koch brothers, a charge that arose when he accepted legal help from an organization called Cause of Action, which PBS and others reported had ties to the right-wing oligarchy-enablers.

More recently, the Koch-funded Pacific Legal Foundation has been providing pro bono legal work on Lunny’s behalf. Lunny also has high-toned sustainability advocate Alice Waters on his side, as well as numerous Bay Area restaurateurs and residents who have enjoyed Drakes’ oysters for decades. The farm has been in operation for about 80 years.

However it ends, “the healing is going to take a lot of time,” says Trainer, an Inverness resident.

She and Lunny at least agree
on that.

“I’m really interested in rebuilding relationships with the [National] Park Service,” says Lunny, who also owns a ranch near the oyster farm. “I had a great relationship with them over the years, and we want to rebuild that,” he says.

Lunny is less certain he’ll be breaking bread with Trainer’s Environmental Action Committee any time soon, whether or not he prevails in court. “Ranchers won’t even talk to them. It’s going to take a while.”

Little Bit Country

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It’s been three years since singer and songwriter Zoe Muth and her band the Lost High Rollers released their last record. And it’s been 16 months since the Seattle native left her hometown for the rolling hills of Austin. The move across so much country to an unfamiliar land, which Muth made with drummer Greg Nies, informs her new album, World of Strangers, available May 27 on Signature Sounds.

After the move, Muth reassembled the Lost High Rollers with some of Austin’s most talented musicians, including producer and bassist George Reiff, Brad Rice (Keith Urban, Son Volt), Martie Maguire (Dixie Chicks) and Bruce Robison. They set up in the studio with Grammy-winner Steven Christensen behind the glass, and Muth allowed for a more free-flowing, experimental approach to the recording. The result is an album chock-full of new ideas, grounded in Muth’s signature country-folk style.

World of Strangers opens with the sparse and forlorn “What Did You Come Back Here For?” with Muth’s resonant vocals laid prominently over acoustic and slide guitars. The opener sets a somber tone for the next nine tracks of Americana that explore hard times and hard living, a storytelling narrative Muth naturally gravitates toward with heartrending honesty.

Muth has a penchant for country ballads and an uncanny ability to channel the likes of Emmylou Harris when she takes the mic. No longer confining herself to any one niche, Muth makes the most of her new surroundings and ensemble with poignant, soulful moments and surprises throughout the album.

Tracks like “Mama Needs a Margarita,” with its lackadaisical laments, call to mind the south-of-the-border-blues of Jimmy Buffett, while “Make Me Change My Mind” is as close to rock and roll as anything she’s put together, though it’s still steeped in classic country melodies. And “Waltz of the Wayward Wind” is just that, a waltz, albeit one slow to build and cathartic in its culmination—a description that neatly describes World of Strangers.

Magic Flute

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Napoleon’s light cavalry, in the early 1800s, were constantly on the move and had no time to sit around in wine lounges and gently twist the cork off a bottle of Champagne, eliciting the proper “sigh.” Whether celebrating victory or commiserating in defeat, they employed a fast, effective, if dicey-looking method of opening those very necessary bottles of Champagne: sabering.

Two hundred years after the French emperor’s armies were defeated by a plucky coalition of oligarchs, Sigh Sonoma owner Jayme Powers steps into a winetasting-room-choked alley off the Plaza with bottle and saber in hand. Key points in sabering, she says, are a dull saber, a cold bottle and a strike on the seam. Slice, crack, pow! Neat trick.

No reason to fear shards of glass in a pour of crisp and toasty Veuve Fourny and Fils Blanc de Blancs ($62; glass, $16; taste, $6), says Powers—the physics of bottle pressure took care of that.

A job at Schramsberg Vineyards spurred the Sonoma native’s interest in sparkling wine and Champagne. “A lot of people don’t know that Champagne is a region,” says Powers, who offers a bit of education with flights. By popular demand, she started a small wine club. Instead of carrying the big names, she looks for Champagnes from smaller labels and growers that cannot be found in other stores. The spot’s popular with winemakers; large-bowled stemware is kept in reserve for serious aroma sniffers.

Indeed, while the Iron Horse Wedding Cuvée ($38) is as elegant and austere as usual, with ghostly traces of grapefruit and strawberry under a veil of scoury mousse, the star sippers are Champagnes. A whiff of the Michel Forget Ludes Brut Rosé ($64) conjures a vision of strawberry shortcake, which vanishes just as fast on the firm, dry finish. Nine years on the lees has aged the 2002 LeLarge Pugeot ($72) like pungent cheese rind, while the palate is still fresh with fermenting white grapes and rich with toasted almond flavor.

Tuesday evenings during the Valley of the Moon Certified Farmers’ Market on the Plaza, two bottles of cold bubbly “to go” cost just $29—darn near charity. During the week, locals have discovered this is a quiet place to have a business meeting; weekends bring in bachelorettes, honeymooning couples and wine country daytrippers. For the odd guy out who simply can’t abide sipping fizzy wine from a flute, an hour spent lounging on cushioned benches and gold-tasseled pillows needn’t be his Waterloo. Sigh Sonoma’s “42” license allows them to serve Miller High Life, the “Champagne of Beers.”

Sigh Sonoma, 29 East Napa St., Sonoma. Summer hours: noon–7pm; noon–8pm, Friday–Saturday, noon–8pm; Sunday, noon–6pm. 707.996.2444.

Quote of the Year

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Sonoma County Superior Court Judge Gary Medvigy heard police tapes from Sonoma County Supervisor Efren Carrillo’s July 13 early-morning arrest in court last week. As reported by the Press Democrat, Carrillo told officers, “In retrospect, I should have had my pants on.”

Ya think?

Carrillo is lucky that the only charge being brought against him is the misdemeanor “peeking,” which carries a six-month maximum jail sentence. As he recalled the event to officers, Carrillo knew the woman, a neighbor, and thought she’d be interested in a little conversation and bubbly refreshment—”a couple of Plinys”—at 2:30am. After all, he’d run into her at the downtown Santa Rosa nightclub Space XXV (a dress-code kind of club), and she had her kitchen light on when Carrillo’s girlfriend dropped him off at the end of the evening. And what better way to converse in the middle of the night than wearing only underwear and socks, because that’s how real pals hang.

When he knocked on the door and identified himself as “Efren, your neighbor,” Carrillo told police he heard a man’s voice inside. Carrillo then left, he says, and doesn’t remember if he went to a bedroom window. (Police reported seeing a torn screen and the woman’s second 911 call came when she heard rustling blinds outside her bedroom window).

After his arrest, Carrillo checked himself into a rehab facility for a month, saying he has a problem with alcohol. He returned to the board of supervisors in August.

He told officers that night, “It was a bad read. A misperception on my part.” The trial kicked off Tuesday morning after jury selection was completed.

Building ‘Fences’

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It’s a basic truth about theater: the best plays are those that are both specific and universal, revealing vivid details about individuals or cultures or historical moments, while giving a glimpse of the common thread that connects us to the characters whose lives are unfolding onstage.

The late August Wilson was among the best practitioners of this art. His “Century Cycle,” 10 plays spanning a hundred years, one for each decade, is rooted in the larger African-American experience. The plays are filled with fury and frustration, humor and hope, and recount the heartbreak and resilient spirit of a segment of American society. At the same time, the plays are about fathers and daughters, sisters and brothers, husbands and wives, friends and foes. They explore getting ahead in the world, finding something to believe in, making and losing money, finding and losing love, discovering and losing a sense of one’s value and purpose.

As such, August Wilson’s plays are about everyone.

His Pulitzer-winning Fences, set in the 1950s, captures that sense of universality in a vibrant, emotionally driven production at the Marin Theatre Company. Directed with graceful attention to the connective tissue that binds a family together, Fences tells the story of Troy Maxson. A proud, deeply angry former Negro Leagues baseball player, Troy is at odds with his teenage son, Cory (Eddie Ray Jackson), who’s been offered a shot at a college football scholarship.

Troy is one of the great characters of the modern American stage: petty, mean-spirited and unapologetically unlikable one moment, then gentle, generous and loving the next. Played with combustible complexity by Carl Lumbly, Troy is an achingly believable character, whose strengths and flaws are all frustratingly raw and real.

As his wife, Rose, Margo Hall gives one of the great performances of the year. As aware of Troy’s flaws as anyone, Rose also sees what’s good and beautiful about him, perhaps even more so than he does. Her gradual evolution from help-mate to standalone powerhouse, a progression that unfolds right alongside Troy’s staunch, bitter obstinacy, is absolutely amazing to watch.

Some fences, we are told, are built to keep people out, while others are built to keep people in. In Wilson’s shimmering masterpiece, he creates a fence that somehow contains all of us at once.

Rating (out of 5): ★★★★½

Ghost River Trickster

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Let us honor the life of Mike Ruppert.

His last radio show’s theme was “If we can feel what we are doing to the earth, we wouldn’t do it.” After that show on April 13, Mike took his life in Calistoga, diving into the lunar eclipse, symbolically apt, as he was a deep-delving detective of all that is corrupt.

I hosted Mike on The Visionary Activist Show on KPFA, and afterward we were colleagues at the Harmony Festival, where he was dismayed and delighted to find himself teetering on the brink of happiness. Mike had been a strident dingbat, but he had just released the movie Collapse, which won acclaim from unlikely admirers. His playful, cannabis-smoking self was fleetingly available to be teased forth. One could see the faux-macho, self-mythologizing, L.A. cop and unhappy child, part of him melting, revealing glimpses of the “innocent dignity of his child heart.”

Just a flicker, but it was still pulsing.

“Better a trickster than a martyr” is a theme I proffered to him backstage and onstage: how do we not drown in the poison into which we delve to illumine the obscene? The martyr takes on the corruption of an unconscious family or culture, succumbing to the lonely futility of it all. The trickster takes on the unconscious, but then invites in what can metabolize the poison.

Absence of collaborative magic is evidence of the still-colonized mind. He was up for this conversation, but distracted.

Lest we strengthen what we oppose, embody what we decry, be possessed by the myriad sneaky guises of the colonized heart, let us honor Mike by withdrawing our complicity with the hyper-yang death frenzy destroying so much life, so that our manners and our language are in accord with our dedication.

Let us release our addiction to having an enemy. Let us dedicate to being in collaborative cahoots with nature’s against-all-odds ingenuity. Let us treat all beings with respect.

We welcome Mike’s scouting reports from the Underworld Ghost River, and can almost see him wink back at us, relieved of roiling, with a dark compassionate trickster gleam in his eye.

Caroline W. Casey hosts-weaves context for ‘The Visionary Activist Show’ on KPFA Thursdays at 2pm, and is the creator of Coyote Network News.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Camera Eye

The aloof meets Maloof in Finding Vivian Maier, John Maloof's account of the detective work he did to learn more about the woman whose photographs he discovered in a locker. Vivian Maier never exhibited her photos or home movies, shot from World War II to the 1970s. Some of the immense volume of her work is a harder-edged version of...

The Gopher Hunters

Our enemy has dug an elaborate tunnel system to evade capture. They know discovery means certain death in this ruthless battle. Excavation mounds are hidden just enough to cause damage if stumbled upon, and many have suffered the consequences—it's time for revenge. The humid late morning air is warm and silent, save for our own movements and the whirr...

Killer Tomatoes

It's one of the most popular plants to grow in a home garden, yet outside of the Roma, beefsteak and cherry varieties, the true diversity and delicious possibilities of the tomato aren't well known. There are more than 150 tomato cultivars, from Amish paste to Zapote, and each one carries with it a unique color, shape and taste. For...

Sink or Sail

From Noah's Ark to the Viking longship, the art of the wooden boat brings with it a history and craft that can transport you to any place and time in the world. It's a love affair that continues in woodshops today across the state, and for Bodega Bay residents Ken and Starr Swindt, it's a hobby 30 years in...

Shuck Stops Here

One day soon, the fight over the fate of Drakes Bay Oyster Company will end. And then what? The family-run aquaculture farm, located within the Point Reyes National Seashore, has been operating in legal limbo since 2012, when then–U.S. Interior Secretary Ken Salazar closed the door on a push, led by U.S. Sen. Dianne Feinstein, to extend the popular farm's lease...

Little Bit Country

It's been three years since singer and songwriter Zoe Muth and her band the Lost High Rollers released their last record. And it's been 16 months since the Seattle native left her hometown for the rolling hills of Austin. The move across so much country to an unfamiliar land, which Muth made with drummer Greg Nies, informs her new...

Magic Flute

Napoleon's light cavalry, in the early 1800s, were constantly on the move and had no time to sit around in wine lounges and gently twist the cork off a bottle of Champagne, eliciting the proper "sigh." Whether celebrating victory or commiserating in defeat, they employed a fast, effective, if dicey-looking method of opening those very necessary bottles of Champagne:...

Quote of the Year

Sonoma County Superior Court Judge Gary Medvigy heard police tapes from Sonoma County Supervisor Efren Carrillo's July 13 early-morning arrest in court last week. As reported by the Press Democrat, Carrillo told officers, "In retrospect, I should have had my pants on." Ya think? Carrillo is lucky that the only charge being brought against him is the misdemeanor "peeking," which carries...

Building ‘Fences’

It's a basic truth about theater: the best plays are those that are both specific and universal, revealing vivid details about individuals or cultures or historical moments, while giving a glimpse of the common thread that connects us to the characters whose lives are unfolding onstage. The late August Wilson was among the best practitioners of this art. His "Century...

Ghost River Trickster

Let us honor the life of Mike Ruppert. His last radio show's theme was "If we can feel what we are doing to the earth, we wouldn't do it." After that show on April 13, Mike took his life in Calistoga, diving into the lunar eclipse, symbolically apt, as he was a deep-delving detective of all that is corrupt. I hosted...
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