Follow Me: Social Media Butterfly

Rejection is par for the course for working writers, more so for non-working writers. 

This is a direct lift from my latest rejection:

“Although I like your writing and appreciate your sense of humor, I’m afraid I cannot offer my representation at this time. In the current competitive market, publishers will not even consider nonfiction projects by writers with a platform of less than 100,000 followers.”

For scale, that’s like the combined population of every sentient being in Novato and Petaluma. But convincing them, or anyone, to do anything en masse short of watching Netflix in athleisure wear is a fool’s errand.

The agent’s rejection letter continued: “I suggest that you start building your platform and feel free to reach out to me again when you have a big enough following.” 

Dude, if I could muster that kind of influence, I wouldn’t be looking for a new agent; I’d be running a TikTok crypto cult fueled by feel-good bromides and saucy dance routines. My 15 minutes of fame would turn into 15 minutes of blame for breaking the Internet.

Social media gurus talk about “engagement” but never disengagement, which has been the key metric of my social media marketing strategy. My followers may be finite, but my non-followers are infinite—they’re legion, and they’re loyal (to the fact that they will never know who I am).

The social professionals have polite terms for punters like me—“micro-influencer,” “niche-influencer” and “irrelevant non-entity,” but I’ve never claimed to be an influencer. I’m more like an under-the-influencer, but only on payday, which is twice a month if the planets align. Then I raise a glass to the invisible masses and say, “Without you, I’m nobody, and with you, I’m still nobody—here’s to consistency and always never being there.”

Thus far, adding up all of my followers, across all of my social media platforms, I can just scrape the bottom of 10,000. And most of those are Russian bots. I can tell because every so often, I get an email from Kollektiv Robotov that reads, “пожалуйста, прекрати,” which translates to “please stop.”

So, follow me, comrades. I’ll be here, shouting into the void and pretending the echo is applause. Who needs 100,000 followers when I can have the undivided attention of a dozen mildly interested strangers?

I may never go viral, but obscurity? That’s a niche I can dominate.

Follow me at instagram.com/daedalushowell.

Feds Decision Greenlights Controversial Windsor Casino

One of the Biden administration’s final moves of its 2021-25 term will likely be felt in Northern Sonoma County for years to come. Last Monday, just one week before the Jan. 20 inauguration of President Donald Trump, the federal Bureau of Indian Affairs approved a bold request from the Koi Nation, a small but mighty Southeastern Pomo tribe from Lake County.

Koi leaders asked that around 70 acres of vineyard land they own along the southeastern edge of Windsor be placed in “federal trust”—and the bureau obliged. This means the Koi are allowed to move forward with their plan to build a giant new Wine Country casino on the plot.

Darin Beltran, chairman of Koi Nation, called this “a historic moment of opportunity and justice” for his tribe, which has for decades sought to secure a chunk of its own federally protected casino land.

He added in a statement: “The Koi Nation has been afforded for the first time in over a century a real opportunity to build a sovereign land base that will provide economic development, self-governance, and a bright future for current and future generations of our tribal citizens.”

The Koi’s plans call for a $600 million complex to be known as the Shiloh Resort & Casino to be built at the intersection of Shiloh Road and Old Redwood Highway—filled with 2,500-plus slot machines; a five-story, 400-room hotel; six restaurants and bars; a large event center and more.

And much to the chagrin of Windsor residents who live nearby, this new gaming campus would butt up against the town’s quiet Shiloh neighborhood and Esposti Park, a popular family hub.

Windsor Town Manager Jon Davis said last week that while he is supportive of any Indigenous people’s efforts to become sovereign and support themselves, the placement of this particular casino feels inappropriate. “We’ve never seen one approved this close to a neighborhood community—directly adjacent,” he said. “It came as a surprise.”

‘A Black Box’ 

Sonoma County Supervisor James Gore, whose jurisdiction includes the proposed site of Shiloh Resort & Casino (or used to, until it became federal Indian land last week), was less surprised by the decision. He’s seen it happen before, he said, and predicts it will happen again.

“The Bureau of Indian Affairs process is a black box,” Gore said. “You never know if it’s based on process or politics.” (Last week, Gore announced his intention to run for the state Senate seat being vacated by Mike McGuire at the end of his current term.)

In the nearly two-and-a-half years since the Koi first unveiled their Windsor casino concept, government officials at the town, county and even state levels have made long lists of all the things they’re worried about. Chief among them: heavy strain on the water supply, increased traffic on local roadways, clogged wildfire evacuation routes, and the potential security and crime issues that might arise from a gambling emporium with millions of visitors per year.

Windsor neighbors, too, submitted hundreds of comments and letters during an environmental review process held by the Bureau of Indian Affairs last year, according to Gore.

But now that the feds gave their blessing, the Koi have free reign to take or leave the community input. Gore said he and other local officials will try to hammer out terms with the Koi that best serve the surrounding area. However, he predicts that “neighborhood people will come to us and ask us to negotiate with authority that we don’t have.”

The supervisor added: “We’re going to have to honor the decision of the federal government—there’s no other way.”

‘Preposterous’

Perhaps most outraged of all are the five Native American tribes that claim Sonoma County as their original homeland, most of them Southern Pomo: the coastal Kashia Band, the Cloverdale Rancheria, the Lytton Rancheria, the Graton Rancheria and the Dry Creek Rancheria Band of Pomo Indians.

These tribes wield significant financial and political power around here. And the latter two run the county’s existing tribal casinos, both huge moneymakers: the Graton Resort & Casino to the south in Rohnert Park and River Rock Casino to the north in Geyserville.

Greg Sarris, head of the Graton Rancheria band, has been especially vocal against the Shiloh casino proposal. He rejects the Koi’s case that Sonoma County is their rightful modern-day home because of their old trade routes through this area, and because of the eventual migration of many of their 100 or so members from Lake County to Sonoma County.

“They’re over 50 miles and two mountain ranges away from this land of Southern Pomo,” Sarris said. “It’s just preposterous.”

Sarris insisted this fight isn’t about casino competition. “Obviously there would be an impact, and we’d compete strongly as a business,” he said. “But what’s more important is that another tribe has been enabled to come in and make decisions on and about land that is ours, historically and culturally.”

Graton’s chairman also believes the Koi decision sets a dangerous precedent for other tribes eyeing prime casino sites far from home.

“You could end up having a casino on every street corner,” Sarris said. “It’s madness—it’s complete chaos. And it will pit Indian against Indian.”

Tribal War?

Indeed, the Koi proposal has already sparked something of a local tribal war. Graton Rancheria and Sonoma County’s other tribes are now preparing to take the issue back to court. “We will fight,” Sarris said. “The four Indian nations here will mount an aggressive legal battle against this decision.”

Across town from Shiloh, on Windsor’s western flank, another of these tribes has been celebrating a big victory along its own path toward sovereignty. More than half a century after the feds kicked them off their original land in the Alexander Valley, the Lytton Rancheria finished construction last year on an idyllic, 150-home community near Riverfront Regional Park. 

“For the first time since our termination, we are able to live together on our tribal homeland,” Chairman Andy Mejia said in a celebratory statement last summer.

The approved Koi casino is an especially tough pill for Lytton to swallow, seeing as they gave up their plans for a Windsor-adjacent casino during a decade of negotiations and compromises with local officials.

Lytton Rancheria does run a casino, though; it’s just located about an hour’s drive south from their new home west of Windsor, in the small Bay Area city of San Pablo. The casino’s profits reportedly fund more than half of that city’s budget—along with all of Lytton’s construction, philanthropy and campaign contributions here in Sonoma County.

In reaction to the Shiloh news, Lytton’s chairman said: “These decisions are an affront to the sovereignty of impacted tribes and a betrayal of the federal government’s trust responsibilities.”

Mejia was speaking not only about the Biden administration’s approval of Shiloh, but likewise its approval a few days earlier of an even larger casino that a different Lake County tribe proposed down in Vallejo.

“Reservation shopping” is what Mejia called this tactic, with tribes “choosing lucrative sites far from their historical territory purely for financial gain.”

Supervisor Gore agreed: “This could create a feeding frenzy.”
For more information on the Shiloh Resort & Casino project, visit the Town of Windsor website at townofwindsor.ca.gov/1303/koi-nation-resort-and-casino-project and the Koi Nation website at koinationsonoma.com.

Something for Every Body at The Yoga Post

It’s probably safe to say that many people have resolved to be healthier at this time of year. But when it comes down to it, we just want someone to care for us. Luckily, at The Yoga Post, one can combine their yoga practice with the comfort of a day spa and have both. 

“We pride ourselves on saucha (that’s Sanskrit for cleanliness), as well as the overall experience from the moment you step into our space,” says co-owner Lacey Calvert Shelton. 

Indeed, a newcomer to the expansive yoga studio is well cared for from start to finish. The reception at the front desk is welcoming, and it’s easy to sign up either ahead of time online or in person when one arrives. 

Once inside, the spacious, high-ceilinged space is pleasing and spotless. Broad sliding doors on the studio’s far end overlook the Petaluma River and are often open for a welcome breeze. It’s recommended to bring one’s own mat. But if one forgets, don’t worry because free loaners are available. The space is well-stocked with clean blankets, bolsters, blocks and everything else needed for a good practice. 

With a wide variety of knowledgeable and kind instructors, The Yoga Post offers four to five classes a day, every day of the week. These include flow (vinyasa style), yin yoga, yoga basics (great for beginners or those who want a refresher), restorative yoga and more. 

“Our community is constantly growing,” Calvert Shelton says. “It truly was an idea that took off, and we can’t wait to see where else it can grow.”

The studio is a dynamic space. “We introduced the concept of ‘yoga strength’ to Petaluma,” Calvert Shelton explains. “It combines yoga postures with strength training and short cardiovascular movement.” Also, this year, the studio offerings even include aerial yoga classes, where students move through yoga postures while suspended in the air from hammocks.

While the studio doesn’t shy away from expanding yoga practice into the air, they also take it outside the studio. During the summer season, one will find The Yoga Post classes at Wickersham Park, stand-up paddle yoga classes on the Petaluma River alongside The FloatHouse, and various other workshops and experiences. And with the donation-based yoga in the park, limited finances don’t have to hold anyone back.

The Yoga Post is co-owned by Amy Wolff, Kathleen Barnette, Bob Conover and Lacey Calvert Shelton, who, between them, have more than 50 years of yoga experience and a genuine love for the town of Petaluma. The studio opened to more than 100 students in the first week, just a year after the pandemic began. 

“The four of us came together in the midst of the pandemic lockdown, looking to build a home for our communities that was safe, inclusive, clean and abundant with love,” Calvert Shelton says. “It was a quick turnaround from a lunch together to the seeds of opening a studio to actually opening our space in January 2021. We wanted to be a strong standing pillar for our community during a time that felt unsteady.”

The co-owners’ varied backgrounds include yin, power and restorative yoga; reiki; acupuncture; strength training and more. The variety brings something for everyone.

“Our community thrives off its diversity,” notes Calvert Shelton. “We want to be a true space of inclusivity and a home for those who are looking for one. We all truly believe that yoga is for every body, and we see that in our classes firsthand.”

When is the best time to start? “There is no better time than the present,” she says with a smile.

For more information, visit theyogapostpetaluma.com.

Renegade Orchestra Takes the Baton in Cloverdale

Describing themselves as an “orchestra for everyone,” the ensemble group Renegade Orchestra is taking the stage at Cloverdale’s Performing Arts Center on Feb. 1. 

Renegade Orchestra is led by local musician Jason Eckl, who, when he’s not touring with bands like Dirty Cello, Death and Taxes Swing Band, and the San Francisco Yiddish Combo, is the leader of the rock band program at Cal State East Bay.  

When asked about how the idea for a rock and roll orchestra for all came about, Eckl dove in on the feeling that orchestral performances can be a bit stiff. “My wife is cellist Rebecca Roudman, who is a member of a number of Bay Area orchestras [including both the Oakland East-Bay Symphony and the Santa Rosa Symphony], and this means I’ve been to a lot of orchestra concerts,” he said.

“Often, while watching her concerts, I thought about how many barriers there are to enjoy a standard classical orchestra. These include the formality, the hard-to-enjoy modern pieces, and the unspoken rules about how and when you can applaud,” Eckl continued.

While Eckl is a trained conductor and says his main instrument is the guitar, it’s refreshing to hear a frank answer from someone intricately involved in the orchestra scene. 

“With the Renegade Orchestra, we remove all of these barriers—we want people to relax and have fun, perhaps even dance. The orchestra loves mid-song cheering. Our concerts feel like rock and roll shows, not sleepy orchestral concerts. There is improvisation, joyful playing and some surprises,” he noted.

Those who have not heard Renegade Orchestra before might be surprised. The group covers a variety of rock classics, inspiring the Mercury News to proclaim, “The Renegade Orchestra would rather tackle Hendrix than Handel.” 

Indeed, the band’s setlist often includes Hendrix’s “Purple Haze,” Iron Butterfly’s “In-A-Gadda-Da-Vida” and Creedence Clearwater Revival’s classic “Proud Mary,” just to name a few. A real highlight is their rendition of Queen’s “Bohemian Rhapsody,” as well as local and worldwide faves Metallica with a cool cover of “Enter Sandman.”

Since Renegade Orchestra is such a large group of working, professional musicians, how difficult is it to get everyone nailed down for rehearsals and shows? Eckl says there is not as much cat herding as one would expect. 

“They are tied to their calendars and can tell you where they will be playing, often over a year in advance. The members of the Renegade Orchestra are also chosen not only for their playing ability and responsibility but also because they are nice and fun people who rock out on stage,” Eckl explains.

In terms of what this different style of music means to Eckl and the rest of the Renegades, he said, “One of the best parts of Renegade Orchestra is the diverse and exciting musicians that make up the group.

“These are folks who have spent years and years becoming amazing musicians, and in a standard orchestra, they are often treated as interchangeable parts—dressed the same, seldom individually acknowledged and easily replaced. With the Renegade Orchestra, our players finally get the cheers and appreciation they deserve as individuals and as part of the group,” he continued.

“They all went to the top music schools, and everyone has heard them on Hollywood soundtracks, Grammy award-winning albums and in wedding string quartets, but in the Renegade Orchestra, they really get to let their hair down,” noted Eckl.
The Renegade Orchestra performs at 7:30 pm, Saturday, Feb. 1, at the Cloverdale Performing Arts Center, 209 North Cloverdale Blvd., Cloverdale. Tickets are $25 online,$30 at the door, and are available at cloverdaleperformingarts.com. For more information, visit renegadeorchestra.com.

Stop the Presses While Cinnabar Presents ‘Gutenberg!’ Show

Contrary to popular opinion, not all actors can work a room. Yes, they can embody a character, get lost in the truth of the moment and enfold an audience in the tension of a play, but the ability to turn up the lights and face a reactive audience can be the stuff of nightmares.

However, it is a skill that both Trevor Hoffman and Zane Walters fully display in Cinnabar Theater’s Gutenberg! The Musical! Cinnabar’s second show “on the road” runs in Warren Auditorium on the campus of Sonoma State University through Jan. 26. 

A title ending with an exclamation point should tell one all they need about what type of play it is. Meta-theatrical plays are not new. Perhaps the best-known entry in this genre of entertainment is the movie Waiting for Guffman. That the genre is done a lot and the jokes are predictable (bordering on sophomoric) is less critical in a show like this than whether or not the actors can hold an audience’s attention.

In a nutshell, the answer is yes. Donning multiple hats (literally), Hoffman and Walters dance, sing and spritz—with some excellent water bottle choreography—their way through a backers audition for their big Broadway musical.

Bud (Hoffman), a senior barista at Starbucks, and Doug (Walters) have decided to write a Broadway musical. After two failed attempts, the hapless duo tries their luck with historical fiction (That’s “fiction that’s true,” Bud informs us). They choose Johannes Gutenberg’s creation of the printing press as their subject. Of course, they know next to nothing about Gutenberg, medieval Germany or getting a play to Broadway, but that’s not going to stop them. 

Aissa Simbulan’s set is a gorgeous example of how one must be good to appear they are doing something badly. A lesser designer might have gone over the top or too minimalistic with the “unfinished” set, but Simbulan hits a harmonious and tricky middle ground.

Similarly gifted is musical director and onstage pianist Brian Senello, who has the rare gift of knowing when the music is a character and how best to support the actors instead of making the actors support the music. 

If one wants to turn off their brain for two hours and just laugh with three talented entertainers, then Gutenberg! The Musical! has their name printed all over it.

Cinnabar Theater presents ‘Gutenberg! The Musical!’ through Jan. 26 at Warren Auditorium in Ives Hall at Sonoma State University.  1801 E. Cotati Ave., Rohnert Park. Fri–Sat, 7:30pm; Sun, 2pm. $38–$60 plus parking fee. 707.763.8920. cinnabartheater.org.

Helping the Helpers, Katelyn Willoughby of nonprofit CVNL

Fear and anger are go emotions and carry a powerful kinetic charge. Unless they are expressed in action, they will burn us up inside with their galvanic fire. This wrought inauguration week, I invite one to take their anxiety, dread, anger and revenge to the volunteer portal at volunteernow.org. Their charge can help us build the beloved community from the bottom up. There those bad vibes will revolve into hazy feelings of compassion and love.

Volunteernow.org is powered by CVNL, the Center for Volunteer & Nonprofit Leadership. With a staff of 55 and offices in Napa, Sonoma, Marin and Solano counties, this nonprofit is the North Bay’s go-to resource for volunteers and nonprofits.

I Zoomed with Katelyn Willoughby, their director of marketing and communications, about our opportunities to act locally.

CH: I see you have volunteer opportunities in 16 broad categories, including school mentoring, civil rights, seniors, veterans, homeless and disaster relief.

KW: Yes. With that last category, we contract with the counties to coordinate volunteers and donations during local disasters.

CH: That’s something to remember. About how many local nonprofits utilize this free-to-use volunteer matching tool?

KW: About 400. We are always reaching out to add more.

CH: Our readers will spread the word. Four hundred nonprofits and nonprofit causes. I didn’t even know there were that many in the North Bay. And how many volunteers did you match to them last year?

KW: Approximately 15,000 matches. And that includes single days of service, project-based volunteering and long-term positions.

CH: Volunteernow.org is just one of the many services provided by the Center for Volunteer & Nonprofit Leadership. I see from your main website that your nonprofit trains and advises nonprofit leaders, helps find new nonprofit leaders and conducts peer-nominated nonprofit award events, too. What would you say is the role or position of CVNL in the nonprofit sector? 

KW: A lot of people refer to us as a hub—a resource hub, the place to go when nonprofits have needs or questions. At the end of the day, nonprofits are businesses, too. They need the same kind of support that for-profit small businesses need, particularly around infrastructure, finances, fund development, recruiting, running an effective board of directors, and recruiting volunteers of course, how to deliver effective programs and who to partner with in their communities. If nonprofits stay in business, more good is going to happen in our world.

Learn more. Civil society is the bulwark of democracy, so we need to build it out. Volunteering can change one’s life. Go to cvnl.org.

Culture Crush, 1/22

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Mill Valley

Tesla Quartet

Chamber Music Marin presents the Tesla Quartet at 5pm, Sunday, Feb. 2, at Mt. Tamalpais United Methodist Church in Mill Valley. Part of their 2024-2025 Chamber Music Concert Series, now in its 52nd year, this concert showcases a diverse repertoire blending timeless classics and new works. The Tesla Quartet, formed at Juilliard in 2008, has won top prizes in numerous competitions and commissioned 12 new works during the 2020 pandemic. The program includes Haydn’s “Joke” Quartet, Opus 33, No. 2; Dvořák’s String Quartet No. 10, Opus 51; and String Quartet No. 3 by Grazina Bacewicz. Tickets are $48 GA, $130 for a three-concert subscription or $190 for the full season. Youth 18 and under attend free. For tickets and details, visit chambermusicmarin.org. Mt. Tamalpais United Methodist Church, 410 Sycamore Ave., Mill Valley. More at chambermusicmarin.org.

Napa

Mustard Season Celebration

Silverado Resort of Napa Valley hosts its Mustard Celebration Wine Tasting Event, 3-6pm, Saturday, Feb. 1, at the Silverado Ballroom. Part of Napa Valley’s Mustard Season (Jan. 1-March 31), this event features tastings from wineries like Peju and ZD Wines, plus gourmet cheese and charcuterie with mustard-inspired pairings. Tickets are $40 and include a keepsake wine glass. Guests can also explore artisan vendors, partake in mustard-themed culinary specials or unwind with a limited-time Mustard Seed Spa Experience. Exclusive Mustard Room Packages include resort credits, a commemorative wine bottle and a limited-edition art print. Dining highlights include grilled pork chop with mustard crème fraiche, house-made pretzel with mustard trio and a roast turkey sandwich with dijonnaise and cranberry apple mostarda. The spa offers a seasonal body scrub and massage featuring the antioxidant and anti-inflammatory benefits of mustard seed. Silverado Resort, 1600 Atlas Peak Rd., Napa. More at silveradoresort.com or @silveradoresort on Instagram.

Petaluma

Found Poets

Found Poets! celebrates the art of performance poetry, blending spirited entertainment with a vibrant community. Featuring graduates from its development program and nationally acclaimed headliners, this event is designed to offer a dynamic and memorable experience. The program features food and beverages from The Big Easy. Doors open at 3pm, Saturday, Feb. 1, with the show beginning at 3:45pm. Admission is $15 at the door. All ages are welcome, though some content may be mature. Headlining is Mr. Witz, a poet from Brooklyn now based in Charlotte, who has been entertaining audiences since 2013. With 11 solo projects and roles in many poetry collectives, he brings a wealth of talent and energy to the stage. IG: @mrwitzthepoet. The Big Easy, 128 American Alley, Petaluma. More info at bigeasypetaluma.com.

Sebastopol

Art at The Livery

The Art Workshop of Western Sonoma County (AWS) recognizes artists at a free reception from 5-7pm, Friday, Jan. 24, at The Livery CoWork. This event is open to the public and offers an opportunity to meet the artists and view their work, now on display throughout the space. This exhibition features a variety of pieces available for purchase, making it a chance to invest in local art while supporting the creative community. Attendees can also learn more about AWS and its members. Lite bites and refreshments will be provided. The Livery CoWork, 6940 Burnett St.,  Sebastopol. More information at liverycowork.com.

Free Will Astrology: Week of Jan. 22-28

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ARIES (March 21-April 19): Author Anais Nin wrote, “Life shrinks or expands in proportion to one’s courage.” I bring this to your attention because you Aries folks now have a mandate to expand your life through courageous acts, thoughts and feelings. I suggest we make the Arctic fox your power symbol. This intrepid creature undertakes epic migrations, journeying over 2,000 miles across sea ice, using starlight and magnetic fields to navigate. Let’s dare to speculate that you have something in common with it; let’s propose that you are equipped with an inner guidance system that gives you a keen intuitive sense of how to maneuver in unfamiliar territory. P.S.: Anais Nin has another tip: “We don’t see things as they are, we see them as we are.”

TAURUS (April 20-May 20): Taurus archeologist Howard Carter made a spectacular discovery in 1922: the intact tomb of the Egyptian Pharaoh Tutankhamun, more than 3,300 years after his death. It was filled with more than 5,000 artifacts, became a global sensation and to this day remains the most famous find from ancient Egypt. A short time before he succeeded at his five-year quest, Carter nearly gave up. But then his sponsor agreed to provide funds for a few more months, and he continued. In this spirit, Taurus, I urge you to keep pushing to fulfill your own dream. Renew your faith. Boost your devotion. Remember why you feel so strongly.

GEMINI (May 21-June 20): The James Webb Space Telescope is the largest telescope in space. Recently, it discovered hundreds of galaxies that no humans had ever before beheld. They are very old, too—far more ancient than our own Milky Way Galaxy. I propose we make this marvelous perception-enhancing tool a symbol of power for you. According to my analysis of the astrological omens, you now have a robust potential to see things that have always been invisible, secret or off-limits to you. Some of these wonders could motivate you to reinterpret your life story and reshape your future plans.

CANCER (June 21-July 22): One theory says that humans evolved to be afraid of reptiles because our early ancestors were frequently threatened by them. Among the most commonly feared creatures in modern culture are snakes. And yet, as anyone knows if they’ve studied mythology, snakes have also been symbols of fertility and healing in many cultures. Because they periodically shed their skin, they also represent regeneration and rebirth. I’m hoping you don’t harbor an instinctual aversion to snakes, Cancerian. The coming weeks will be a favorable time for you to call on and benefit from their iconic powers.

LEO (July 23-Aug. 22): In the coming months, be extra creative as you enhance your network of connections and support. Encourage your allies to provide you with tips about opportunities and possibilities that you would not otherwise know about. Ask them to serve as links to novel resources that will nurture your long-term dreams. Here’s an idea to energize your efforts: Get a vivid sense of how trees use vast underground fungal webs to communicate with each other. (Learn more here: bit.ly/TheWoodWideWeb.) Knowing about this natural magic may impregnate your subconscious mind with evocative suggestions about how to be ingenious in weaving the kind of community you want.

VIRGO (Aug. 23-Sept. 22): I love my job as a horoscope writer. What could be more fun than analyzing cosmic signs to generate inspirational counsel for my readers? It’s a big responsibility, though. I am intensely aware of how crucial it is that I craft my messages with utmost care and compassion. Having been scarred as a young adult by reckless, fear-mongering fortune-tellers, I’m rigorous about nurturing your free will, not undermining it. I want you to be uplifted, not confused or demoralized as I was. With these thoughts in mind, I invite you to take a vigorous inventory of the effects that your work and play have on the world. Are they aligned with your intentions? Are your ambitions moored in impeccable integrity?

LIBRA (Sept. 23-Oct. 22): Why are diamonds considered so valuable? I’m skeptical. High-grade diamonds are not as rare as public perception would lead us to believe. Yes, they are extraordinarily hard and scratch-resistant, but is that a reason to regard them as a sublime treasure? I acknowledge they are pretty in a bland way. But other gems are more intriguingly beautiful. Maybe the most important reason they are so prized is that diamond sellers have done effective marketing campaigns to promote them as symbols of love and luxury. All this is a prelude to my main message: Now is an excellent time to think and feel deeply about what is truly beautiful to you—and take steps to bring more of it into your life. For you Libras, beauty is an essential ingredient in your life’s purpose.

SCORPIO (Oct. 23-Nov. 21): The way that ancient Romans made concrete was more ingenious than modern methods. Their manufacturing materials included “lime clasts,” which gave the concrete self-healing qualities. When cracks arose, they fixed themselves. That’s why Roman aqueducts built 2,000 years ago can still convey water today. Metaphorically speaking, I hope you will work on building similar structures in the coming weeks. It’s time to create strong foundations that will last for a very long time.

SAGITTARIUS (Nov. 22-Dec. 21): Do you harbor a yearning to learn a new language, new skill or new trick? The coming weeks will be a favorable phase to get serious about doing it. Have you fantasized about embarking on an adventure that would expand your understanding of how the world works? The time is right. Have you wished you could attract an inspirational prod to unleash more creativity and experiment freely? The astrological omens suggest that inspirational prod is imminent. Have you wondered whether you could enhance and fine-tune your receptivity—and thereby open up surprising sources of fresh teaching? Do it now.

CAPRICORN (Dec. 22-Jan. 19): Bristlecone pine trees grow very slowly, but they are hardy and long-lived. Their wood is so dense and strong that it’s virtually immune to disease, insects and erosion. They grow in places that are inhospitable for many other trees, flourishing in cold, windy environments where the soil is not particularly rich in nutrients. For the bristlecone pine, apparent obstacles stimulate their resilience. I don’t want to exaggerate the ways they remind me of you Capricorns, but you and they certainly have affinities. I believe these shared qualities will be especially useful for you in the coming weeks.

AQUARIUS (Jan. 20-Feb. 18): In old Hawaii, it was forbidden for ordinary people to touch objects that belonged to the chiefs or to anyone with spiritual powers. Other taboos: Never walk across the shadow of an important person, and never wear red and yellow feathers. Our modern taboos are different, but often equally rigid. For example, you are probably hesitant to ask people how much money they make or what their relationship status is. What are other taboos you observe? I won’t outrightly advise you to brazenly break them, but now is a good time to re-evaluate them—and consider changing your relationship with them.

PISCES (Feb. 19-March 20): As winter progresses, each day is longer and each night shorter. Most humans feel an undercurrent of joy that the amount of light in the world is growing. But as an astrologer who appreciates cycles, I like to honor the beauty and powers of darkness. That’s where everything new gets born. It’s where the future comes from. In ancient Hawaiian religion, the word kumulipo meant “beginning-in-deep-darkness.” It was also the name of a prayer describing the creation of the world. In the coming weeks, I believe you will be wise to tap into the rich offerings of darkness.

Your Letters, 1/22

Dumbass Debate

I just read Joe Manthey’s tirade against POTUS, etc. or “Behind Every Great Dumbass are Seven Women Trying to Keep Him Alive” (Jan. 8 Letters to the Editor). Well, here’s my own tirade: 

What kind of dumbass would not get the message of this play, and what kind of dumbass would think that it was prejudiced against all men? It was clearly only about POTUS. Does Manthey think he is as great as Donald Trump thinks he is? 

And as for Laura Coti Cohen (of The Larchmont Buzz), is she trying to say that all women are just like the seven specific women in the play? Of course, they are “simpering and foolish, morally bereft and addled, immature and flailing”; they are Trump’s women. 

Both Mathley and Cohen were coloring all men and all women with the same crayons when this play was only about one specific man and seven specific women. So, who’s prejudiced now?

Buck Moon
Rohnert Park

Highway to Hell

What’s cool about the Trump/Musk/Kennedy/Vance/Citizens United oeuvre is that, whereas society used to have standards of behavior (many violations of which brought social sanctions), the days of right and wrong are now officially over.

The road ahead is now a highway without speed limits, where you do, or say, what you want, and no one will be able to respond, “Whoa, now, we don’t have that here. It’s against the law.”

Equality under the law? Courtesy? Civility? Mutual respect? Logic? Reason? The common good?

So quaint, those days, weren’t they?

Craig J. Corsini
San Rafael

Grave Situation

Rest in Peace, America

July 4, 1776 – Jan. 20, 2025

Forgive them, Father, for they know not what they’ve done

Bob Canning
Petaluma

Constitutional Conventions, 6th Street’s Timely Show

As a gentleman seated next to me at a recent performance of What the Constitution Means to Me said, “Well, this should be interesting.” 

Running on the Monroe Stage at Santa Rosa’s 6th Street Playhouse through Jan. 26, the production elicited further commentary. “I don’t really think we even have a Constitution anymore,” the man added grimly.

Despite this sentiment, it was apparent from the vocal and engaged audience that we do still have arts patrons who care about the state of our country and its landmark founding document. 

This lean and efficient production, evocatively staged by set designer Andrew Patton and directed by longtime local theater veteran Bronwen Shears, leaves one with lots to discuss afterwards. This reviewer found herself wound into an existential tizzy, and not just at wondering how, in 2025, a phone can still go off during a production, despite the curtain speech aforehand. 

What the Constitution Means to Me isn’t subtle. It demands we engage with the material, and our own individual experiences and responsibilities as citizens. 

To this end, playwright and actress Heidi Schreck takes us through her life, both as a 15 year old competing in national rotary debates to win scholarship money (which she did—enough to put her through college), and as a middle-aged actress sharing deeply personal memories as she seamlessly, and often hilariously, ties these memories to particular amendments and clauses. 

Aided by two solid supporting performances from Keith Baker and astonishing newcomer Nadia Hill, Sandra Ish delivers a heartfelt and raw performance as Schreck, the creator and star of the original play, which debuted off-Broadway in 2018 and was nominated for the Pulitzer Prize. 

Ish is real, grounded and never pushes for emotion as she talks for nearly two hours about such topics as violence against women, the 14th Amendment and everyone’s favorite gang of nine, the Supreme Court. 

The audience was transfixed, especially at the end, when a debate about whether or not to abolish the Constitution ensues between Ish and Hill. An interactive show, this is a hard one to ignore, even if the format might not be traditional. There’s even swag, as audience members get a pocket-sized Constitution to take home with them.

Wherever one falls on our political spectrum, they might consider heading to 6th Street and immersing themself in some powerful storytelling, a very appropriate brush-up on history and some thoughts on what our obligations to the country might be at present.

‘What the Constitution Means to Me’ runs through Jan. 26 on the Monroe Stage at 6th Street Playhouse, 52 W. 6th Street, Santa Rosa. Thurs-Sat, 7:30pm; Sun, 2pm. $29–$48. 707.523.4185. 6thstreeetplayhouse.com.

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Dumbass Debate I just read Joe Manthey’s tirade against POTUS, etc. or “Behind Every Great Dumbass are Seven Women Trying to Keep Him Alive” (Jan. 8 Letters to the Editor). Well, here’s my own tirade:  What kind of dumbass would not get the message of this play, and what kind of dumbass would think that it was prejudiced against all men?...

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