New Orleans in Napa with Trombone Shorty

In the span of seven studio albums—the first three of which were released on the small independent label, Treme Records—Trombone Shorty has reached the pinnacle for a New Orleans musician.

Leading the 10-person band, Orleans Avenue, is trombonist/trumpeter Trombone Shorty (whose real name is Troy Andrews), who brings the act to Napa’s Meritage Resort as part of the Blue Note Summer Sessions on Sept. 2.

Andrews is widely considered to be the leading musician carrying forward the rich sounds, styles and heritage of New Orleans music to the rest of the world. It’s a position he treasures and treats with great respect.

“We come from a very magical place, and to be able to do my part and continue to add on to what the greats have done, it’s a special thing,” he said in a phone interview. “To be able to carry that torch and bring (New Orleans music) all over the world, it’s just an emotional (experience), like I carry that badge of honor in my heart. So whenever I go out and you see me, you know that I’m representing New Orleans to its fullest. And like I say, I stand on the shoulders of people who helped lift me up to that area.”

Now 38, Andrews has immersed himself in the music of the Crescent City almost from the day he was born. He spent his early years growing up in the musically vibrant Treme neighborhood of New Orleans, where, as a toddler, his parents first took him to second line parades and he began hearing the jazz and R&B sounds played on the streets of this storied district.

Andrews was all of four years old when he started playing trombone and showed an immediate aptitude for the instrument. That year, Bo Diddley spotted him in a crowd at the New Orleans Jazz & Heritage Festival and invited the young trombonist up on stage. He began building his skills by playing along with the musicians in second line parades and had his own band at age six.

By his teens, he had played with the Neville Brothers, joined the Stooges Brass Band and was attending the New Orleans Center for Creative Arts alongside close friend Jon Batiste. (Andrews won a Grammy in April 2022 for his contributions to the Batiste album, We Are.)

Along the way, Andrews was befriended and mentored by some of the city’s most notable musicians. A year after he graduated from high school in 2004, he toured with Lenny Kravitz as a featured member of Kravitz’s horn section. By the end of 2005, he had released his first three albums under his Trombone Shorty name.

On a local level, he continued the city’s long tradition of supporting young musicians by donating instruments to New Orleans schools and starting a popular music program for high school musicians that provides a host of courses in music, navigating the music business, sound engineering and more.

Andrews’ blossoming talents as a musician and songwriter, meanwhile, earned him a deal with Verve Records, which released three acclaimed albums—2010’s Backatown, 2011’s For True and 2013’s Say That to Say This—that propelled him onto the global stage. That earned him opening slots on tours with the Foo Fighters, Hall & Oates and the Red Hot Chili Peppers and had him being touted as New Orleans’ next great artist as he established a robust and lively musical style that spans New Orleans jazz, funk, R&B, rock and hip-hop.

His status was further affirmed when Andrews was chosen to follow Professor Longhair and the Neville Brothers as the closing act of the city’s famed annual Jazz & Heritage Festival—perhaps the greatest honor a New Orleans musician can achieve.

“I’m just blessed that Quint Davis (producer and director of the festival) thought I was strong enough as a performer to be able to take over that spot,” Andrews said. “We have hundreds of bands in New Orleans, and for him to think that I was ready to give me that opportunity, it’s unbelievable.

“So it’s a big honor for me,” he added. “We travel so much and play around the world. That is a moment where people, the fan base that I’ve built traveling and touring around the world, get a chance to come see me on my home turf.”

As all of this happened, Andrews’ global popularity continued to expand. His next album, 2017’s Parking Lot Symphony, went No. 1 on Billboard magazine’s Jazz Albums chart and marked his debut under a new deal with Blue Note Records.

This brings things to Lifted, an album on which Andrews sought to set aside some of the precision of his previous studio albums in favor of capturing more of the power and energy of a Trombone Shorty and Orleans Avenue live show

“That’s exactly what I was going for. I didn’t play it safe,” Andrews said. “And the big key point of it was let’s perform. Let’s not worry about the studio. I’m glad I thought about that. I don’t know what made me feel like that. Because normally what we would do is we’ll record and then for some reason, we always take our song that we record and we learn it as it is on the album and then rewrite it—not rewrite it, we re-frame it, I should say—we re-frame it to fit what we do live. But this album, I wanted to go there first.

“We went in there and tried to get as much of the live sound that we could get in the studio while continuing to make it as tight as we possibly could,” he said. “But the energy and the way that we played, we didn’t think about being in the studio.”

Several songs from Lifted figure to be included in the shows Trombone Shorty and Orleans Avenue play on their current tour. On recent outings, shows lasted two hours or more, and Andrews said that might happen again on his current tour.

“We have so much fun on stage, we don’t really feel it until we hit the last note, and our bodies are all tired and beat up,” he said. “We’re like ‘Oh, we didn’t realize we played that long.’ But you know, when the audience, when the love is there between the audience and the musicians, it’s hard to keep time. We just play.”

Trombone Shorty & Orleans Avenue play with special guest Big Boi, at 7pm, Monday, Sept. 2, at Meritage Resort, 850 Bordeaux Way, Napa. Tickets at bit.ly/trombone-shorty-napa.

News Blues: Google, AI and Media Money

California lawmakers are abandoning an ambitious proposal to force Google to pay news companies for using their content.

Instead, the tech giant has agreed to pay millions to support local media outlets and start an artificial intelligence program.

The first-in-the-nation agreement, announced last week, promises $175 million for local journalism across California over the next five years, but represents a significant departure from the bill pushed by news publishers and media employee unions earlier this year.

Rather than Google and Meta being forced to negotiate usage fees with news outlets directly, Google would deposit $55 million over five years into a new fund administered by UC Berkeley to be distributed to local newsrooms—and the state would provide $70 million over five years.

Google would also continue paying $10 million each year in existing grants to newsrooms.

The Legislature and the governor would still need to approve the state money each year; the source isn’t specified yet. Additionally, Google would contribute $12.5 million each year toward an artificial intelligence “accelerator” program, raising labor advocates’ anxieties about the threat of job losses.

Publishers who initially pushed for the proposal forcing Google to pay them said the deal was still a win. The UC Berkeley fund will be overseen by news industry groups; the money will be distributed according to the number of journalists employed at each publication, with some reserved for smaller or ethnic media outlets.

“This is a first step toward what we hope will become a comprehensive program to sustain local news in the long term, and we will push to see it grow in future years,” Julie Makinen, board chairperson of the California News Publishers Association, said in a statement.

Santa Rosa’s Mike McGuire, whose chambers considered a bill “to hold Big Tech companies accountable for the profits they make off” linking to news articles, also raised concerns. In a statement, he said the deal “lacks sufficient funding for newspapers and local media, and doesn’t fully address the inequities facing the industry.”

The agreement replaces two bills lawmakers had pursued the last two years as they tried to secure a cut of tech money to prop up California’s struggling local news industry. Following a nationwide trend, the state has lost one-third of its newspapers since 2005 in a trend experts say worsens civic engagement, polarization and misinformation.

To try to keep their readers, publications increasingly rely on social media and online search. Google controls the lion’s share of search in a way the U.S. Justice Department and one federal judge have said violates antitrust law.

The proposals to impose fees on Google’s use of news content in its search results prompted a flurry of tech company lobbying. In the past 18 months, for instance, Google spent more than $2.1 million lobbying lawmakers against those bills and others—more than triple what it spent in the same time period two years earlier, according to a review by CalMatters.

Introduced in February 2023, the first bill, by Oakland Assemblymember Buffy Wicks, would have required platforms such as Google and Meta to either pay a fee or negotiate with news outlets for using their news content.

It was sponsored by the news publishers association, whose members include major newspapers such as the San Francisco Chronicle and the Los Angeles Times. The bill passed the Assembly last year, but Wicks paused it to try to bridge a split among media companies over how the money would be divvied up.

Australia and Canada both passed similar measures in recent years—but the political headwinds were different in the tech companies’ home state.

Google has argued the bill would unfairly force it to pay for sending free traffic to news sites, and disadvantage smaller sites. In a legislative hearing in June, the company’s vice president of global news partnerships, Jaffer Zaidi, called the proposal “profoundly unconstitutional and problematic” since it could compel platforms to show content that they were forced to pay for.

The second bill, introduced this February by Orinda Sen. Steve Glazer, would have imposed a fee on major tech platforms to provide news outlets a tax credit to employ local journalists. The measure would have raised $500 million a year.

In response to the Wicks bill, Google temporarily removed links to California news websites from its search results. And in response to the Glazer bill, Google said it might stop funding nonprofit newsrooms nationwide.

At the time, McGuire called the threats “an abuse of power.”

Glazer shelved his bill in May, after failing to scrounge up the two-thirds majority he needed, and said he would focus on trying to improve the Wicks bill.

Tech companies doubled down on threats to stop linking to news sites in California if Wicks’ bill passed. And publishers had an incentive to support an agreement that would give them the money quicker. In Canada, the government has estimated Google is paying $73 million a year to news outlets under its new journalism industry law. But proponents of California’s deal say the money has been slow to be distributed.

By committing to pay into the new UC Berkeley fund, tech companies succeeded in killing the bill they opposed while appeasing both legacy print media and some digital-only news outlets with five years of support.

The Media Guild of the West, which represents reporters in Southern California, slammed the agreement and accused publishers and lawmakers of folding to Google’s threats.

“Google won, a monopoly won,” said Matt Pearce, the group’s president.

The guild said it was particularly concerned the deal involved a program promoting artificial intelligence technology, which it saw as a concession to the tech industry that could result in a further loss of reporting jobs. The Pacific Media Workers Guild, which represents journalists in Northern California, also opposes the deal.

The AI program appears to only be partly related to journalism: In its announcement, Wicks’ office said the program will give businesses, nonprofits and researchers “financial resources and other support to experiment with AI to assist them in their work,” addressing challenges such as environmental issues and racial inequities. OpenAI will contribute tech services, said former lawmaker Bob Hertzberg, who helped negotiate the deal. Proponents expect other tech companies to join in.

The AI accelerator would also create “new tools to help journalists access and analyze public information.” Makinen, of the news publishers association, said more details of the program “need to be made public as soon as possible,” and added that she wants to see “more of those resources directed toward publishers.”

Free Will Astrology: Week of Aug. 28

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ARIES (March 21-April 19): Although there are over 7,000 varieties of apples, your grocery store probably offers no more than 15. But you shouldn’t feel deprived. Having 15 alternatives is magnificent. In fact, most of us do better in dealing with a modicum of choices rather than an extravagant abundance. This is true not just about apples but also about most things. I mention this, Aries, because now is an excellent time to pare down your options in regard to all your resources and influences. You will function best if you’re not overwhelmed with possibilities. You will thrive as you experiment with the principle that less is more.

TAURUS (April 20-May 20): Taurus comedian Jerry Seinfeld, now 70 years old, has testified, “As a child, the only clear thought I had was ‘get candy.’” I encourage you to be equally single-minded in the near future, Taurus. Not necessarily about candy—but about goodies that appeal to your inner child as well as your inner teenager and inner adult. You are authorized by cosmic forces to go in quest of experiences that tickle your bliss.

GEMINI (May 21-June 20): I’m not saying I would refuse to hire a Gemini person to house sit while I’m on vacation. You folks probably wouldn’t let my houseplants die, allow raccoons to sneak in and steal food, or leave piles of unwashed dishes in the sink. On the other hand, I’m not entirely confident you would take impeccable care of my home in every little way. But wait! Everything I just said does not apply to you now. My analysis of the omens suggests you will have a high aptitude for the domestic arts in the coming weeks. You will be more likely than usual to take good care of my home—and your own home, too. It’s a good time to redecorate and freshen up the vibe.

CANCER (June 21-July 22): These days, you are even smarter and more perceptive than usual. The deep intelligence of your higher self is pouring into your conscious awareness with extra intensity. That’s a good thing, right? Yes, mostly. But there may be a downside: You could be hyper-aware of people whose thinking is mediocre and whose discernment is substandard. That could be frustrating, though it also puts you in a good position to correct mistakes those people make. As you wield the healing power of your wisdom, heed these words from Johann Wolfgang von Goethe: “Misunderstandings and lethargy produce more wrong in the world than deceit and malice do.”

LEO (July 23-Aug. 22): Wolfgang Amadeus Mozart had an older sister, born under the sign of Leo. Her nickname was Nannerl. During their childhoods, she was as much a musical prodigy as he. Supervised by their father, they toured Europe performing together, playing harpsichord and piano. Nannerl periodically got top billing, and some critics regarded her as the superior talent. But misfortune struck when her parents decided it was unseemly for her, as a female, to continue her development as a genius. She was forcibly retired so she could learn the arts of housekeeping and prepare for marriage and children. Your assignment in the coming months, Leo, is to rebel against any influence that tempts you to tamp down your gifts and specialties. Assert your sovereignty. Identify what you do best, and do it more and better than you ever have before.

VIRGO (Aug. 23-Sept. 22): When an infant giraffe leaves its mother’s womb, it falls six feet to the ground. I suspect that when you are reborn sometime soon, Virgo, a milder and more genial jolt will occur. It may even be quite rousing and inspirational—not rudely bumpy at all. By the way, the plunge of the baby giraffe snaps its umbilical cord and stimulates the creature to take its initial breaths—getting it ready to begin its life journey. I suspect your genial jolt will bring comparable benefits.

LIBRA (Sept. 23-Oct. 22): Many people living in the Napo province of Ecuador enjoy eating a dish called ukuy, which is a Kichwa word for large ants. This is not an exotic meal for them. They may cook the ukuy or simply eat the creatures alive. If you travel to Napo anytime soon, Libra, I urge you to sample the ukuy. According to my reading of the astrological omens, such an experiment is in alignment with the kinds of experiences you Libras should be seeking: outside your usual habits, beyond your typical expectations and in amused rebellion against your customary way of doing things.

SCORPIO (Oct. 23-Nov. 21): The theory of karma suggests that all our actions, good and bad and in-between, send ripples out into the world. These ripples eventually circle back to us, ensuring we experience events that mirror our original actions. If we lie and cheat, we will be lied to and cheated on. If we give generously and speak kindly about other people, we will be the recipient of generosity and kind words. I bring this up, Scorpio, because I believe you will soon harvest a slew of good karma that you have set in motion through your generosity and kindness. It may sometimes seem as if you’re getting more benevolence than you deserve, but in my estimation, it’s all well-earned.

SAGITTARIUS (Nov. 22-Dec. 21): I encourage you to buy yourself fun presents that give you a feisty boost. Why? Because I want you to bring an innovative, starting-fresh spirit into the ripening projects you are working on. Your attitude and approach could become too serious unless you infuse them with the spunky energy of an excitable kid. Gift suggestions: new music that makes you feel wild, new jewelry or clothes that make you feel daring, new tools that raise your confidence and new information that stirs your creativity.

CAPRICORN (Dec. 22-Jan. 19): On a Tuesday in August 2012—one full Jupiter cycle ago—a Capricorn friend of mine called in sick to his job as a marketing specialist. He never returned. Instead, after enjoying a week off to relax, he began working to become a dance instructor. After six months, he was teaching novice students. Three years later, he was proficient enough to teach advanced students, and five years later, he was an expert. I am not advising you, Capricorn, to quit your job and launch your own quixotic quest for supremely gratifying work. But if you were ever going to start taking small steps towards that goal, now would be a good time. It’s also a favorable phase to improve the way your current job works for you.

AQUARIUS (Jan. 20-Feb. 18): Three years ago, an Indonesian man celebrated his marriage to a rice cooker, which is a kitchen accessory. Khoirul Anam wore his finest clothes while his new spouse donned a white veil. In photos posted on social media, the happy couple are shown hugging and kissing. Now might also be a favorable time for you to wed your fortunes more closely with a valuable resource—though there’s no need to perform literal nuptials. What material thing helps bring out the best in you? If there is no such thing, now would be a good time to get it.

PISCES (Feb. 19-March 20): For many years, I didn’t earn enough money to pay taxes. I was indigent. Fortunately, social programs provided me with food and some medical care. In recent years, though, I have had a better cash flow. I regularly send the U.S. government a share of my income. I wish they would spend all my tax contributions to help people in need. Alas, just 42% of my taxes pay for acts of kindness to my fellow humans, while 24% goes to funding the biggest military machine on earth. Maybe someday, there will be an option to allocate my tax donations exactly as I want. In this spirit, Pisces, I invite you to take inventory of the gifts and blessings you dole out. Now is a good time to correct any dubious priorities. Take steps to ensure that your generosity is going where it’s most needed and appreciated. What kind of giving makes you feel best?

Homework: What supposedly forbidden thing do you want that maybe isn’t so forbidden? Newsletter.FreeWillAstrology.com

Sound Summit Returns to Mt. Tam Park

Mount Tamalpais’ intimate and always hip music festival, Sound Summit, returns on Saturday, Sept. 7 at Mount Tamalpais State Park.

This year’s event features headliners Courtney Barnett and Kurt Vile & the Violators, as well as the California Honeydrops, 17-year-old guitar phenom Grace Bowers & the Hodge Podge and musician James Wallace, a.k.a. Skyway Man.

That’s an impressive lineup for any festival, let alone a small, single-day one atop beautiful Mt. Tam. Yet, an amazing lineup is nothing new for those who have attended Sound Summit in the past.

When asked how he manages to pull in such relevant and popular acts every year, festival producer and Roots & Branches Conservancy board president Michael Nash said, “Like anyone who loves music and wants to create a resonant event, I think it’s just about staying tuned to what’s happening musically on various fronts and trying to put pieces together that add up to something cool.”

He continued, “Hopefully we’ve done that to the degree that there are artists every year who strike the right chords, so to speak. Ultimately, there are countless options, so it’s at once a creative challenge and adventure.”

Produced as an annual celebration of Mt. Tam by Roots & Branches Conservancy, Sound Summit has raised over $250,000 for Mount Tam to date and funded a broad range of meaningful projects on the mountain, from trail and bridge restorations to fire prevention and water conservation, emergency equipment, visitor services and more.

Some acts that have graced previous Sound Summit stages include Wilco, Lord Huron, The War on Drugs and Kevin Morby. Local Grateful Dead fave Bob Weir frequently shows up unannounced to jam with friends such as Grace Potter, Herbie Hancock and Jim James of My Morning Jacket.

Asked if there have been any acts he’s wanted for the fest but just couldn’t land, Nash plays it cool. “There are so many performers we’d love to have. Some are simply beyond our financial resources; with others, it’s often about timing or plans they already have in the Bay Area. We have a few pursuits we’ve been persistent about that will hopefully bear fruit,” he noted.

The aforementioned intimate setting of Sound Summit is indeed a huge draw. But, as anyone who has attended the festival or any other event at Mount Tamalpais State Park would know, it can be a challenge to ascend the mountain. Buses transport concert goers to the stage while some braver, more athletic souls hike in and out. Yet it often feels like the pilgrimage to the show binds the audience closer together.

Nash agreed, saying, “There is something about this community that’s formed for a day. Bound by an awareness that they’ve all ascended the mountain, one way or another, and come together at this special place in the neighborhood for a memorable and, dare I say, elevated experience. You can absolutely feel that vibe. Everyone can see another, as they gaze out over a stunning vista with a stirring soundtrack to match. You feel like you’ve actually been somewhere.”

Tickets for Sound Summit are $138.50 for adults and $70 for youth 12 & under. Parking at the Summit is now sold out, and bus tickets are $35.The festival encourages attendees to bring blankets or low back chairs as well as seat cushions. Small coolers are welcome with sealed, non-alcoholic beverages, and food and beverages (alcoholic and non) will be sold but are cashless, so bring a credit card.

Previewing SoCo & Napa Theater

The predominant story in Bay Area theater in the past year continues to be company closures and the regular announcement of emergency fund raisers to stave off further closures.

No theater company is immune to the financial pressures created by the combination of the increase in costs of doing business and the reduction of income that comes with smaller audiences.

Other than the closure of Sebastopol’s Main Stage West in 2023, North Bay theater companies have managed to survive and even occasionally thrive in this difficult time for the performing arts. Companies have announced their plans for the 2024/25 season, with one company even announcing plans for an ambitious new venue.

That company, Petaluma’s Cinnabar Theater, has vacated their home of over 50 years and will be taking their shows on the road while they raise the funds to construct a new theater in the Petaluma Village Outlet Mall. For the foreseeable future, Cinnabar has relocated to Sonoma State University’s Warren Auditorium in Ives Hall on the SSU campus in Rohnert Park. The auditorium was the university’s original performing space before being supplanted by Person Theatre and the Green Music Center.

Cinnabar will open their season there on Sept. 13 with Rodgers and Hammerstein’s Oklahoma! Director Zachary Hasbany hopes audiences “Cain’t Say No” to this classic musical.

Just a stone’s throw from SSU, the Spreckels Theatre Company opens their season on Aug. 30 with You’re a Good Man, Charlie Brown. Elly Lichenstein directs a bunch of adults as a bunch of kids and, of course, a certain dog in a series of musical vignettes based on… well, you know.

Santa Rosa’s 6th Street Playhouse opens their season with Four Guys Named José… And Una Mujer Named María. Director and choreographer Erin Rose Solorio says that it’s “a heartfelt musical full of silly fun. It celebrates Latin culture and pride, creates nostalgia for the homeland through songs telling family stories and unifies everyone with its beautiful universal message. Love, family, music and dance connect us all.” The show opens in the GK Hardt Theater on Aug. 30.

Left Edge Theatre veers right with their season opener, Heroes of the Fourth Turning. The play, about a group of graduates from an ultraconservative/religious college having a reunion of sorts, was a favorite of conservative and religious media as well as a 2020 Pulitzer Prize finalist. It opens Sept. 5 at The California in Santa Rosa.

Young Frankenstein will be stumbling around Sonoma starting Sep. 6. Larry Williams directs the Sonoma Arts Live season opener that’s based on Mel Brooks’ beloved 1974 film. The film wasn’t a musical (but for one classic scene), but Brooks turned it into one after the enormous success of The Producers.

Healdsburg’s Raven Players open their season on Sept. 5 with a premiere production of a work by a local playwright. Steven David Martin directs Francine Schwartz’s The German Upstairs. It’s a fictional love story inspired by true events and set in Paris during its occupation by the Nazis.

Monte Rio’s Curtain Call Theatre unleashes the God of Carnage on Sept. 6.

Napa’s Lucky Penny Productions hopes audiences won’t object to Legally Blonde The Musical. Elle Woods and Bruiser begin traipsing around Napa on Sept. 13.

From musical comedies to thought-provoking dramas, North Bay theater companies seem to be offering something for everyone seeking to support live theater in our community. Go see something.

Kincade Fire Compliance Report Shows PG&E Addressing Deficiencies

PG&E is mostly keeping up with maintenance and repairs of its utility lines and infrastructure in Sonoma County.

There are discrepancies, however, between its inspection results and a court-appointed monitor, five years after it was found to be responsible for starting the Kincade Fire, according to the independent monitor’s report made public last week.

The court-approved monitor, Filsinger Energy Partners, completed its second annual compliance report to Sonoma County’s district attorney in June and showed hundreds of deficiencies that the utility company has largely cleared over the past year.

PG&E was placed under the five-year stipulated judgment to report its own inspections to the independent monitor, which also performed its own inspections, after the utility was determined to be responsible for starting the Kincade Fire in October 2019 that burned 77,000 acres, destroyed 374 structures and injured four people.

The fire, which was caused by equipment on a transmission tower near Geyserville that broke in high winds, caused the largest evacuation in Sonoma County history of nearly 200,000 people, according to District Attorney Carla Rodriguez’s office.

In its second annual report, the monitor’s inspectors frequently noted issues in PG&E’s distribution infrastructure that were not stated by its own inspectors, mentioning an issue about 22% more often than PG&E inspectors. The report said the issues did not qualify as “deficiencies” under the stipulated judgment, which are defined as violations of the specific commitments in the judgment, but they were noted for PG&E’s consideration.

‘I appreciate PG&E’s efforts thus far to remedy any deficiencies discovered by the Monitor and am looking forward to continued progress and cooperation going forward.’

— Sonoma County District Attorney Carla Rodriguez

The most frequent discrepancies were when the monitor noted an issue with a conductor having a section that was energized and exposed, or had visible damage. And the monitor’s inspections found 21% higher the rate noted for that category than PG&E’s.

It also found non-exempt equipment at an inspection location 12% more often than PG&E and damaged hardware components 11% more often.

The report said that the utility was following through with its agreement to create 100 jobs in the county and could exceed that number by the time the agreement is up in 2027. It has so far filled 44 new positions in the county.

Also, the report by the independent monitor found that PG&E was largely responsive over the last year to addressing hazards and deficiencies in the field, such as overgrown trees and faulty equipment. It corrected four issues the monitor identified as “immediate safety hazards.” Two were related to uprooting trees, one was for a broken branch hanging above a primary conductor and another was related to vegetation contacting a primary conductor.

The monitor reviewed 214 miles of inspections performed by PG&E and found the utility had addressed 128 out of 131 identified deficiencies. Fixes for the outstanding three are in progress.

Only one of the 51 transmission lines inspected was found to have a deficiency, which is being addressed, the report said.

Just two issues were found in a review of the utility’s 1,087 distribution components that the monitor said PG&E had already fixed.

Rodriguez said the compliance agreement and her office were bringing accountability for the 2019 fire.

“I appreciate PG&E’s efforts thus far to remedy any deficiencies discovered by the Monitor and am looking forward to continued progress and cooperation going forward,” she said.

PG&E said in a statement that it was on track to meet its commitments made in the stipulated judgment.

“Ongoing and expanded efforts to address the growing threat of wildfires are detailed in our Wildfire Mitigation Plan, and include undergrounding and system hardening, increased situational awareness and intelligence, asset management and inspections including using advanced tools and technology like drones, and vegetation management and patrol,” said a statement from PG&E spokesperson Lynsey Paulo.

The company has also made required donations over the past year to several nonprofit organizations that were impacted by the fire and entered into an agreement to start a fire safety training program at Santa Rosa Junior College.

Needtobreathe plays Summer at the Green

The past four years have been especially productive for Needtobreathe, considering the band has released three albums in that span, while also leaving quite a few extra songs in the vault. They’re currently touring, with a scheduled stop at the Green Music Center’s Summer at the Green in Rohnert Park, Aug. 24.

Keyboardist Josh Lovelace says the wealth of music reflects where Needtobreathe is at after more than 20 years as a band.

“It’s us dealing with our baggage and the things we have in our lives, in our human experiences (as songwriters), but also just being comfortable enough to be vulnerable with the other guys in the band creatively and also just spending time together. We actually enjoy each other’s company,” Lovelace said in a recent phone interview.

“Everybody’s just in a good space, where we love the band, we love making music, but we don’t have to. It doesn’t feel like as much of a job as it has sometimes,” he noted. “We’re enjoying it enough to let that fruitfulness come out, which is really cool. We don’t have to do this for a job. We’re very fortunate that we get to, but the drive for success or fame or notoriety, we’re all at a place in our lives where we’ve checked off a lot of boxes.”

The mood in Needtobreathe is especially striking within the big picture of the band’s career. For large chunks of time, conflict existed, specifically between founding members, chief songwriters and brothers Bear (lead singer, guitar, keyboards) and Bo Rinehart (guitar).

Both Rinehart brothers are talented songwriters. And that became a problem within Needtobreathe as the group began making albums, initially making an impact on the Christian rock scene with their first two CDs, Daylight (2006) and Heat (2007), before breaking through to mainstream rock in 2009 with the band’s third album, The Outsiders.

By the time Needtobreathe notched their first top 10 album on the Billboard magazine album chart with the 2011 album, The Reckoning, the dynamic between Bear and Bo Rinehart had grown toxic. Rather than pushing them to write better songs, the competitive nature of the songwriting was corroding the brothers’ relationship and the dynamic within Needtobreathe as a whole.

The Rineharts eventually agreed their relationship as brothers was more important than bickering over songs, and they sought to de-escalate their writing relationship. For a time they succeeded, and Needtobreathe notched two top-5 albums in 2014’s Rivers in the Wasteland and 2016’s Hard Love. But the issues returned, and in April 2020, Bo Rinehart left Needtobreathe.

Today’s more positive, creativity-driven atmosphere within Needtobreathe, Lovelace said, shouldn’t be mistaken for a lack of motivation or ambition.

Caves, the band’s latest album, is evidence enough of that. Lovelace said that with this album, he and his bandmates hope to elevate Needtobreathe to where they consistently headline arenas and will be able to tour at that level for some time to come.

The current headlining tour includes a mix of dates at festivals, outdoor amphitheaters, large theaters and music halls. So the band, which also includes bassist Seth Bolt, drummer Randall Harris and guitarist Tyler Burkum, appears to be closing in on that goal. And Caves is intentionally meant to translate to the biggest concert stages.

“When we went into the (Caves) record cycle, I think we all intentionally said to each other we want to make a record that feels anthemic and feels big,” Lovelace said. “I guess our next dream as a band after 20 years and nine records is we want to be an arena band. We want to play more arenas. We want to do more of those kinds of shows where we can bring in our production, and we can bring in more lights. We love that part of our job, the creative of the live thing.”

Caves represents a contrast—and perhaps a return to form—after their 2022 album, Into The Mystery, that scaled back on the Needtobreathe sound.

Into The Mystery was ‘Let’s make it as simple as we can,’ kind of using the tools we had at the moment,” he explained. “I think we love painting with all kinds of different colors and palettes, and so this (Caves) is kind of going for it in some ways, throwing the whole kitchen, not just the kitchen, but the entire house, at the project.”

Work on Caves began when the band convened at a house/studio in Utah to write and do some preproduction and really accelerated last summer as Needtobreathe toured.

“We ended up in that early season in Utah, that was two years ago that we started this thing and had no idea what was going to happen with it,” Lovelace said. “We were like, ‘Are these songs for a record, or are they going to be for an EP or several releases?’ We had no idea we were starting something as special as Caves. We started writing on the road and we were out (touring in summer 2022), and it’s funny how that works as you’re writing and you’re recording. It just kind of comes together in a very organic way.

“It’s because the people that are creating it are humans going through life, and those things kind of blend in with your experiences and create this thing that kind of feels more cohesive than you ever intended it to be, as you’re going through it in a timeline sort of way. I think that’s what happened with this. We just kind of lived life together, and it created this beautiful thing that we couldn’t have planned if we’d tried,” he continued.

Further recording followed at Pachyderm Studios near Minneapolis before Needtobreathe declared Caves finished. Now Lovelace and his bandmates are ready to take the new songs to the live stage.

“We’re playing a bunch of new stuff, which is always fun,” Lovelace said. “It will be fun to step on stage and play with new energy and add new things to the set.

“There are definitely some fans that have been around from the beginning,” he noted. “So we’ll (also) get to play some of those songs that started our career. I think it’s going to be really fun. Whether you’re a long-time fan or a new fan, there’s going to be something for everybody.”

Needtobreathe plays Summer at the Green at 7:30pm, Saturday, Aug. 24. The performance takes place at Weill Hall + Lawn, with tickets ranging from $40 to $120. The Green Music Center is located at 1801 E Cotati Ave., Rohnert Park.

Behind The Scene: Alex Shapiro

Let me start by naming a double handful of the best venues and show series on the scene—Railroad Square Music Fest, Jake Ward’s Sexy Sexy Star Wars, The Arlene Francis Center, The Lost Church, River Town Revival, Balanced Breakfast, SOMO Village Productions and my own North Bay Fashion Ball.

What do they all have in common besides the vital color they add to our community? It would be production lynchpin Alex Shapiro, one of North Bay’s most in-demand day-of trouble-shooters. He is the best. And it’s high time to spotlight a key player whose name is rarely on the posters or marquee—this scene’s M.V.P.

CH: Alex, I have already named “overall production manager” among your venue jobs and skill sets. Can you complete the list?

AS: Host, promotor, pipe and drape, cables, sound set-up, ticket-taker, bartender, stage manager, go-for, stage builder, roadie, janitor, set decorator, sound guy, logician, photographer, sound recordist, camera operator, filmmaker and I can even hop on stage and play a song.

CH: Wowie. As I said, you can do it all—with humility and grace. I have even seen you landscaping a venue and putting up posters on the day of an event. Whatever needs to be done, you are the king of gaps. Alex, on the day of a big show or festival, when little fires start up and everyone is losing their minds, you are known for your slow and methodical calm. What is your secret?

AS: I get calm by focusing on the most important task at hand. And then moving on to the second most important task and so on. And what task I don’t get to, I don’t worry about because I have already covered the most important task first. The other things tend to be incidental, and the audience won’t miss them.

CH: Besides the bread … or bread crumbs, why do you help the scene so much?

AS : Music and art make the world a better place. They expand the perspective of people who participate. So, I want to help and collaborate to make the most music and art available. And it creates a place and platform for my own art.

Learn more about Shapiro. The following QR code Linktrees to his music—grungy soul with EDM attacks, his vast scene photography and his film-making—including the music video he directed for cookie-fueled chanteuse Gabby LaLa with Eats The Fish Productions. Hire him to make beautiful things happen.

Homeless From Hedge Funds

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Today, a person who works full-time and earns a minimum wage cannot afford a safe place to live almost anywhere in the country.

With half of all renter households now spending more than 30% of their income on housing, millions are one emergency away from homelessness. According to federal data, last year over 650,000 Americans experienced homelessness on a given night—a 12% increase from 2022. Nearly half sleep outside.

Research confirms what should be obvious: unaffordable housing and homelessness are intertwined. A lack of adequate health care and social safety net supports further compound the problem.

Hedge funds and private equity firms have also driven up housing costs since gaining control over a greater share of the market. Blackstone alone owns and manages over 300,000 units, making it the nation’s largest landlord. This financialization of housing treats a basic necessity and fundamental human right as just another commodity.

Cities and states face complex challenges in responding to homelessness. But experts have long documented that the real solution is affordable housing and supportive services, not punishment. Housing those in need ultimately costs less than imprisoning them, both financially and morally.

Guaranteed income programs offer a promising and cost-effective solution. Denver’s innovative, no-strings-attached cash assistance to 807 unhoused participants helped increase their access to housing within one year, while decreasing nights spent unsheltered and reducing reliance on emergency services.

Congress must also do more to invest in all those who call America home.

Currently, only one in four eligible households receive federal rental assistance. Housing rights organizations like the National Homelessness Law Center recommend that Congress invest at least $356 billion on measures like universal rental assistance, expanding the national Housing Trust Fund, and eviction and homelessness prevention.

It will take a broad-based movement to achieve these goals and counter the Court’s latest cruelty against everyone who struggles to get by in America. But the impacts of housing are just as wide-ranging and consequential—from our health to education, security, economic mobility and even our dignity.

Farrah Hassen, J.D., is a writer, policy analyst and adjunct professor in the department of political science at Cal Poly Pomona.

Your Letters, 8/21

Trump Pump

I have been around Marin long enough to remember the Pacific Sun being a voice for the Vietnam antiwar movement. As a conscientious objector, I gave up a lot resisting that worthless war. Today, the Pacific Sun has become what our parents were when they supported endless wars.

Democrats like (Open Mic) Craig Corsini are apologists for the military industrial complex that has captured the Democratic Party/NeoCon Republicans for decades. Trump is the first candidate in my lifetime to resist the deep state mix of Big Tech, Pharma, Military industrial complex and CIA/FBI/NSA control of our government. Support freedom, real change and real democracy. Support Trump.

Tim Peterson

San Anselmo

Gavel Gazing

The SCOTUS has allowed a single applicant to question the legitimacy of Harris as the Democratic nominee, which could be a way to lay the groundwork to question the legitimacy of this year’s election.

How could the Trump Court allow any individual to question the legitimacy of the electoral process? How could this unique example not label the issuer as a subversive, an insurrectionist or even a traitor?

A peaceful, respectful transition of power is the hallmark of a developed, mature people and their government.

Gary Sciford

Santa Rosa

New Orleans in Napa with Trombone Shorty

In the span of seven studio albums—the first three of which were released on the small independent label, Treme Records—Trombone Shorty has reached the pinnacle for a New Orleans musician. Leading the 10-person band, Orleans Avenue, is trombonist/trumpeter Trombone Shorty (whose real name is Troy Andrews), who brings the act to Napa’s Meritage Resort as part of the Blue Note...

News Blues: Google, AI and Media Money

California lawmakers are abandoning an ambitious proposal to force Google to pay news companies for using their content. Instead, the tech giant has agreed to pay millions to support local media outlets and start an artificial intelligence program. The first-in-the-nation agreement, announced last week, promises $175 million for local journalism across California over the next five years, but represents a significant...

Free Will Astrology: Week of Aug. 28

Free Will Astrology: Week of Aug. 28
ARIES (March 21-April 19): Although there are over 7,000 varieties of apples, your grocery store probably offers no more than 15. But you shouldn’t feel deprived. Having 15 alternatives is magnificent. In fact, most of us do better in dealing with a modicum of choices rather than an extravagant abundance. This is true not just about apples but also...

Sound Summit Returns to Mt. Tam Park

Mount Tamalpais’ intimate and always hip music festival, Sound Summit, returns on Saturday, Sept. 7 at Mount Tamalpais State Park. This year’s event features headliners Courtney Barnett and Kurt Vile & the Violators, as well as the California Honeydrops, 17-year-old guitar phenom Grace Bowers & the Hodge Podge and musician James Wallace, a.k.a. Skyway Man. That’s an impressive lineup for any...

Previewing SoCo & Napa Theater

The predominant story in Bay Area theater in the past year continues to be company closures and the regular announcement of emergency fund raisers to stave off further closures. No theater company is immune to the financial pressures created by the combination of the increase in costs of doing business and the reduction of income that comes with smaller audiences. Other...

Kincade Fire Compliance Report Shows PG&E Addressing Deficiencies

PG&E is mostly keeping up with maintenance and repairs of its utility lines and infrastructure in Sonoma County. There are discrepancies, however, between its inspection results and a court-appointed monitor, five years after it was found to be responsible for starting the Kincade Fire, according to the independent monitor’s report made public last week. The court-approved monitor, Filsinger Energy Partners, completed...

Needtobreathe plays Summer at the Green

The past four years have been especially productive for Needtobreathe, considering the band has released three albums in that span, while also leaving quite a few extra songs in the vault. They’re currently touring, with a scheduled stop at the Green Music Center’s Summer at the Green in Rohnert Park, Aug. 24. Keyboardist Josh Lovelace says the wealth of music...

Behind The Scene: Alex Shapiro

Let me start by naming a double handful of the best venues and show series on the scene—Railroad Square Music Fest, Jake Ward’s Sexy Sexy Star Wars, The Arlene Francis Center, The Lost Church, River Town Revival, Balanced Breakfast, SOMO Village Productions and my own North Bay Fashion Ball. What do they all have in common besides the vital color...

Homeless From Hedge Funds

Today, a person who works full-time and earns a minimum wage cannot afford a safe place to live almost anywhere in the country. With half of all renter households now spending more than 30% of their income on housing, millions are one emergency away from homelessness. According to federal data, last year over 650,000 Americans experienced homelessness on a given...

Your Letters, 8/21

Trump Pump I have been around Marin long enough to remember the Pacific Sun being a voice for the Vietnam antiwar movement. As a conscientious objector, I gave up a lot resisting that worthless war. Today, the Pacific Sun has become what our parents were when they supported endless wars. Democrats like (Open Mic) Craig Corsini are apologists for the military...
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