Giving the Gift of ‘Go’ with Good Times in SoCo

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As we head into holiday mode, it’s time to ditch the carols on repeat and treat oneself to an eclectic lineup of holiday arts-adjacent events that offer a fresh twist on seasonal cheer. 

From jazzy spins on Christmas classics with Maria Muldaur & Her Jazzabelle Quintet to soul-soothing sessions like the “Harvest Healing” at The Lodge at Sonoma, there’s something here for everyone who wants to celebrate without the clichés. Add in a bit of swing, a touch of classic rock and even a vineyard sunset or two, and the result is a holiday calendar packed with unique ways to keep the season bright.

‘Holiday Swing’ With Maria Muldaur

It’s time to get ready for an evening of cool holiday grooves as Maria Muldaur & Her Jazzabelle Quintet take the stage for a unique “Holiday Swing” show, featuring an irreverent, swinging set of Christmas tunes one won’t hear on repeat at the mall. Known for her timeless hit, “Midnight at the Oasis,” Muldaur brings a collection of rare jazz and blues holiday gems—perfect for hipsters and holiday enthusiasts alike. No sappy songs here, just pure jazz magic.

7:30pm, Saturday, Dec. 7, The California, 528 Seventh St., Santa Rosa. Tickets $25 advance, $30 at the door. www.caltheatre.com

‘Harvest Healing’ at The Lodge

One may unwind and reflect with The Lodge at Sonoma and Sonoma Yoga at the regenerative wellness experience, “Harvest Healing.” Attendees will be guided through a restorative yoga session and sound bath, ending with a soothing tea for all. During this, they can embrace an evening of spiritual healing in a serene setting.

5:30–7pm, Friday, Nov. 15, The Lodge at Sonoma, 1395 Broadway, Sonoma. $45. Tickets on Eventbrite. Mats and all necessary items provided. thelodgeatsonoma.com/experiences

‘Sunset Series’ at MacRostie Estate House

The season can be celebrated at MacRostie Estate House’s December Sunset Series, featuring breathtaking vineyard views, gourmet cuisine from Sonoma County’s Brunch Boys, live music and wines crafted to capture the spirit of the Russian River Valley. This festive evening includes braised lamb and honeynut squash tamales, plus a vegetarian option, alongside personalized large-format bottles—perfect for holiday gifting.

4–6pm, Saturday, Dec. 7, MacRostie Estate House, 4605 Westside Rd., Healdsburg. Admission: $75 non-members, $40 members. macrostiewinery.com/our-events

The 7th Sons With Jake Baker

OK, boomer—take the win: The 7th Sons, featuring Jake Baker from the Jefferson Airplane family, is set to perform classic rock hits at The Penngrove Pub. Joined by Daphne Butler of Heartless Benatar, the band brings rock favorites for what promises to be a rocking night of nostalgia.

7pm, Friday, Nov. 29, The Penngrove Pub, 10005 Main St. Tickets: $5–$10 ($5 for 2-4-1 special). Event details and tickets, visit bit.ly/7th-sons.

Your Letters, 11/6

Shrinkage

I guess shrinking the space you devote to “This Modern World” in your papers, which made reading the feature difficult, was not enough.

Now, the text is blurry, too.

It appears that you are deliberately trying to discourage readers from enjoying Tom Tomorrow’s brilliant and scathing commentary on the lies and rants of the Pussy Grabber In Chief and his cronies.

For shame!

Ed Flesch

Healdsburg

For the Win

One wonders what would have happened on January 6, 2021, had the Forty-Niners played the Washington Commanders in our nation’s capital. Would Nick Bosa have rushed the Commanders’ quarterback or the Capitol? And would it have been a peaceful and loving attempted sack?

Craig J. Corsini

San Rafael

Free (Range) Speech

How is it that “..nine barrels shooting at her…” and  “…guns trained on her face” are protected under “free speech”? How is this not considered provocative or threatening?

If common-sense guidelines can’t somehow be reinstated in political rhetoric, the civil discourse we have all come to cherish as a hallmark of our society will most surely end.

Peter Behel

Santa Rosa

Ballot Balks: Now What?

“I love working the polls!” a friend told me recently. “It strengthens my trust in the whole process. And it’s fun getting to help eligible voters flex their civic muscles.”

I think about my friend’s experience as I hear stories about mistrust in our elections. 

National and state laws set some guardrails for our elections, but elections are managed locally. That means that our friends and neighbors run elections. Thousands of veterans and members of military families work at polling stations, as do nurses, retirees, small business owners and others. “We the People,” indeed.

In this spirit, what can we do to build trust in elections and ensure that everyone feels votes have been counted fairly?

As individuals, we can learn how a polling place works. 

We can check out the website of our state board of elections and learn about the many levels of observation and control. We can learn about poll workers’ training, the oath they swear to run a fair and transparent process and the many safeguards against cheating. We can think about our concerns: cyber attacks? Are people voting multiple times? Are ineligible voters casting ballots? Physical intimidation at the polls? Then, we can explore how our own jurisdictions guard against those threats. 

As humans, we’re hardwired to receive most of our information subconsciously. That means we’re very susceptible to repetition of claims that “there will be problems.” We can refuse to accept such claims at face value and instead research and conclude for ourselves.

Candidates can be mindful of the fear that is causing both sides to worry about losing the election—the fear of being left out and overridden. They can promise a seat at the table so that everyone’s voice is heard, such as by forming bipartisan commissions to study issues facing the community. 

Finally, and very importantly, candidates can uphold peaceful forms of civic participation, reminding voters that violence has no place in our elections. We can remind them of this responsibility, further living out the extraordinary promise of our nation—“We the People.” 

Melinda Burrell, PhD, is a former humanitarian aid worker.

Culture Crush 11/6

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Mill Valley

String Theory, Reimagined

Chamber Music Marin kicks off its 52nd season at 5pm, Sunday, Nov. 10, at Mt. Tamalpais United Methodist Church, with the Jasper String Quartet, one of America’s most celebrated quartets of the 21st century. Expect an intimate evening where fresh compositions dance alongside timeless classics. On the program: Still’s “Lyric String Quartette,” Fung’s “String Quartet No. 2” and Dvořák’s “Quartet No. 14 in A-flat Major.” With their knack for mixing new music with the classical canon, the Jasper String Quartet will make one forget what century they’re in—in the best possible way. Tickets are $48, with great value on season subscriptions. Youths 18 and under are always free—tickets are available at chambermusicmarin.org. The venue is located at 410 Sycamore Ave., Mill Valley.

Stinson Beach

Doc Film Fest

The 8th Annual Stinson Beach Documentary Film Festival returns for three evenings of compelling documentaries and community connection. Kicking off at 5:30, Friday, Nov. 8, the opening night features a gala with paella by chef Davey Jones, a short film on Bolinas photographer Ilka Hartmann and the feature Skywalkers, blending daring acrobatics with romance. Playing at 5pm, Saturday, Nov. 9, is Daughters, an inspiring story about incarcerated fathers and their daughters, followed by dinner and The Greatest Night in Pop, a look behind the iconic “We Are the World.” Sunday, Nov. 10 at 5 pm, are showings of Planetwalker, the story of environmentalist John Francis, and Will and Harper, following Will Ferrell and his friend Harper Steele’s journey across the U.S. Tickets range from $40 to $225. Visit stinsondocfest.org for full details. Stinson Beach Community Center is located at 32 Belvedere Ave.

Glen Ellen

Dinner and Show

Forget Six Characters in Search of an Author by Luigi Pirandello—Glen Ellen’s chef Jessy Manuel is planning an immersive six-course dinner lit like a theatrical stage, blending culinary artistry with powerful performance and storytelling. Halenia, a Chef’s Story draws inspiration from the rich tapestry of Southeast Asian and island cuisine, featuring unique flavors like banana leaf-wrapped chicken with fermented rice, crab fat noodles and persimmon marinated in hibiscus. Stories of resilience, courage and love will be told as Manuel shares personal narratives tied to her late father, weaving emotion into every course. Guests can savor rare offerings like makgeoli, a traditional Korean rice wine. Communal seating enhances the intimate atmosphere. Dinner is set for 6 to 10, Monday, Dec. 16, at 14301 Arnold Dr., Glen Ellen. Tickets are $150. Visit bit.ly/chefs-story.

Mill Valley

Stranger Danger

Wreckless Strangers are back at the iconic Sweetwater Music Hall to celebrate their latest release, Blue Sky Fantasy. Expect fan favorites alongside fresh tracks from the new EP—a mix of contemporary blues, Americana and funk, all wrapped up in their signature “Bay Area Gumbo” style. With soaring harmonies and blazing instrumental improvisation, Wreckless Strangers will remind why they’re keeping San Francisco’s rock ’n’ roll flame alive. Opening act Beau Beau Band gets things started at 8pm, Thursday, Nov. 21, with doors opening at 7pm. Tickets are $26.28. For more info, visit sweetwatermusichall.com. The location is 19 Corte Madera Ave., Mill Valley.

Giving to Learn, Generosity Funds Local Education

With the school year well underway and the holidays on the horizon, the moment is ripe to recognize the recent generosity of philanthropic organizations supporting local schools. 

As writer, poet and activist Maya Angelou sagely advised, “When you learn, teach. When you get, give.” This seems to be the case in Sonoma and Napa counties, where the cycle of generosity and learning has continued in recent weeks.

Career Technical Education Foundation (CTE), a career and technical education champion in Sonoma County, has been transforming local education for over a decade. Since its founding, the CTE Foundation has invested over $11 million in schools and programs, shaping opportunities for thousands of students and reinforcing that every student deserves a viable path to success right here in Sonoma County.

For over a decade, the CTE Foundation has been reshaping Sonoma County’s approach to education, pushing career and technical education boundaries to bridge the often-daunting gap between high school and career. At the heart of its mission is a simple yet profound goal: to innovate the education-to-career pipeline, ensuring that students have the tools, knowledge and opportunities to thrive beyond graduation.

By convening stakeholders in K12, post-secondary, industry and workforce, the CTE Foundation designs and implements equitable access for all Sonoma County students to post-secondary education and career opportunities. 

With over 145 courses developed and enhanced across fields such as agriculture, healthcare, engineering, hospitality and construction, CTE has established itself as a driving force in cultivating the region’s future workforce.

In recent years, the foundation has expanded its focus, investing in transformative efforts to create high-quality career pathways across Sonoma County. This involves collaborating with schools and partnering with local industries, post-secondary institutions and workforce organizations to ensure that career readiness is achievable for all students in the county. Since its inception in 2012 by private donors, CTE has poured over $11 million into Sonoma County’s schools and career programs, as can be seen at ctesonomacounty.org.

The Napa Valley Community Foundation (NVCF) has introduced two new scholarships aimed at expanding educational and career opportunities for Napa County students and vineyard workers, reflecting its commitment to fostering growth within the community.

The Coppola Family Travel Scholarship, available to high school students in Napa County (grades 10-12), is designed to inspire academic and personal growth by enabling students to explore new cultures. 

This one-time award, ranging from $5,000 to $15,000, will support students’ participation in a summer enrichment program in the U.S. or Europe. Applications are open from now through Dec. 2. The scholarship seeks students eager to broaden their horizons, offering them a unique chance to pursue immersive cultural experiences that could profoundly shape their futures.

The Robert Alexander Scott Scholarship is tailored for vineyard or winery workers and their spouses and children pursuing educational credentials in viticulture or enology. Offering $3,000 to $5,000 per semester, this scholarship provides essential financial support for students working toward a certificate or associate degree at specific community colleges, with an option to transfer to Cal Poly at San Luis Obispo for a bachelor’s degree. 

Applications for this award are also due by Dec. 2. For many individuals in Napa’s wine industry, this scholarship offers a critical path to career advancement and professional development, empowering recipients to deepen their expertise and build rewarding careers in viticulture.

Expressing gratitude for the generosity behind these scholarships, Lupe Reyes, NVCF’s director of grants & scholarships, remarked, “We are deeply grateful to the Coppola Family and the Scott Family for their generosity. Their support will be life-changing for students and workers in our community, allowing them to pursue educational dreams that might otherwise be out of reach.” 

Reyes emphasized that these scholarships embody the spirit of Napa Valley, where the community rallies to uplift both its young people and its dedicated workforce. The Napa Valley Community Foundation has granted over $106 million in the past 30 years.

Applicants for both scholarships are encouraged to visit napavalleycf.org/scholarships to review the eligibility criteria and apply. These awards are specifically aimed at individuals with financial need, determination and a commitment to their future careers and studies. Questions regarding the scholarships can be directed to Lupe Reyes or Jessica Rodriguez at 707.254.9565 or via email at sc**********@**********cf.org.

In recent weeks, the SONIC Foundation—the giving arm of the national drive-in burger chain—provided $1.25 million to match donations to classroom projects requesting books through DonorsChoose.org/FillEveryShelf, a website that allows people to donate directly to classroom requests submitted by teachers. Since 2009, SONIC has raised over $28 million to fund local classrooms nationwide. 

Among the beneficiaries are two Rohnert Park teachers, who received a combined donation of $3,650. They were Mrs. Harlan of John Reed Elementary School for the “Learning About Our Emotions” project and Rancho Cotate High School’s Ms. Tranfaglia for the project “Every Reader Deserves to See Themselves in a Book.” Likewise, Mrs. Williams at Thomas Page Academy in Cotati received a donation of $229 for the project “Reading in Kindergarten.”

Similarly, in Santa Rosa, funding supported seven teachers who received a combined donation of $3,650 from the foundation, including Ms. Lewis (Bellevue Elementary School for the project “Happy Birthday to You!”), Ms. Osorio (Herbert Slater Middle School for the project “Reading for Success”) and Mrs. Partida (Kawana Springs Elementary School for the project “Books for Every Level”).

Also included in Santa Rosa were Ms. Tait (Northwest Preparatory Charter School for the project “There Are Bookworms in Our Library”), Ms. Nancy (Roseland Creek Elementary School for the project “Fall for Great Books in Autumn!”), Ms. Roya Moslem (Santa Rosa Middle School for the project “Reading in Our Native Language”) and Mrs. Turk (Steele Lane Elementary School for the project “Explore the World!”).

Teachers at two schools in Sebastopol also received a combined donation of $560 from the SONIC Foundation. These included Mrs. Castaneda for the project “Warriors Book Series For Our Brook Haven Warriors!” and “Sports Books Help Us Reach Our Goals!” at the Brook Haven School and Gravenstein Elementary School’s Mrs. Grimm for the project “Love to Read!”

Cult Classic The Rocky Horror Show on Stage at SRJC

Several hundred costume-clad theater goers filled the Santa Rosa Junior College’s Burbank Auditorium on Halloween night for the opening of their production of Richard O’Brien’s The Rocky Horror Show

This was quite a change from my initial Rocky Horror experience in 1978 when my brother and three of our friends were joined by just one other patron at the first midnight showing of The Rocky Horror Picture Show at a suburban New Jersey mall twin cinema. What a difference 45 years makes.

And now, I would like, if I may, to take you on a strange journey…

Newly engaged couple Brad (Aidan Pryor) and Janet (Austin Aquino-Harrison) are on their way to visit their friend, Dr. Scott (Matthew Quezada-Cortez), when a flat tire leads them to seek refuge at a nearby castle. Butler Riff Raff (Bronte Rodriguez-Straub) introduces them to castle proprietor Dr. Frank ’N’ Furter (Alex Delzell). He, in turn, introduces them to his latest creation, Rocky (Aidan Cumming at opening, Calvin Sandeen later in the run). Sexual hijinks ensue which result in multiple awakenings until the castle’s residents’ true identities are revealed.

The Rocky Horror Show is actually two shows—the one happening on stage and the other in the audience. Productions usually allow audience members to bring props (rice to throw at a wedding scene, newspapers to cover your head to protect from the rain provided by squirt guns, toast, etc.), but that is not the case here. What the audience can do is participate in the “callbacks” (audiences’ amusingly crude verbal responses to dialogue). Unfortunately, many of these were lost in the 400-seat theater, leading to pockets of laughter from those who were able to hear them and confusion from those who weren’t.

What was heard by all was the terrific score, a sadly unappreciated component of the show. From “Science Fiction/Double Feature” to “Rose Tint My World” to “I’m Going Home,” stage director Justin Smith and music director Nate Riebli have a lot of talented folks delivering them.  

They get to deliver them while attired in the most outrageous costumes by Coleen Scott Trivett whose color is matched by the scenic and lighting design work by Austin R Mueck and Chris Cota.   

Overall, the SRJC production of The Rocky Horror Show may be a bit tamer than one might usually expect, but it’s still a lot of fun.

And remember, it’s just a jump to the left…

‘Richard O’Brien’s The Rocky Horror Show’ runs Thurs–Sun through Nov. 17 in the Santa Rosa Junior College Burbank Auditorium, 1501 Mendocino Ave., Santa Rosa. Fri–Sun, 7:30pm; Thurs, Nov. 9, 7:30pm; Sun, Nov. 17, 2pm. $15–$25. 707.527.4307. theatrearts.santarosa.edu.

Petaluma Holiday Food Fair Returns

We have barely eaten all the leftover Halloween candy, and it’s already time for annual winter holiday gatherings. Case in point, Petaluma Holiday Food Fair, which takes place from 3-7:30pm, Tuesday, Nov. 26 at the Hotel Petaluma. 

Proceeds from the event benefit Petaluma People Services Center.

The event features around 30 local food and drink purveyors and is being spearheaded by Lorraine Barber, co-owner of Barber Lee Spirits, also in Petaluma and conveniently next door to the hotel. 

Barber says the Food Fair “originated at the time of the 2017 fires when I noticed that all the craft food producers we knew weren’t selling anything at a time of the year that they depend on.” Since she knows so many of said food producers, she decided to gather many of them in one place, and soon, one food producer told another one, and off the event went.

After the fires, the event sort of took on a life of its own. “We wanted to continue to do something to support that part of our community, so we worked out an indoor farmers’ market that we put on in the ballroom of the Hotel Petaluma,” said Barber. She also noted that timing was important. “We figured that Thanksgiving doesn’t really have a celebration moment outside of the home meal, and all the food is usually purchased from grocery stores,” she added.

When looking over the list of food makers slated to show their wares at the Petaluma Holiday Food Fair this year, what’s impressive is the list of higher-end established locals like Costeaux French Bakery, McEvoy Ranch and the aforementioned Barber Lee Spirits, alongside smaller well-known locals like F.A. Ninos, Belfare Sonoma, Canteen Meats and LaLa’s Jam Bar. There are also several new foodies, as well as raffles throughout the day featuring prizes via the vendors. Petaluma People’s Services will also be raffling off items.

What’s especially cool about the event is the fact that smaller, newer, upstart foodies are also represented. Said Barber, “I always make it a point to host local food purveyors. I try to make sure that I carve out some dedicated space for makers without brick-and-mortar locations and less access to their community. I also try to keep a close eye on our community and try to reach out to those that I think might be a good fit for the event.” 

One such business is the small-scale bakery Bert’s Desserts, based in Petaluma. Formed in 2003, Bert’s Desserts is the creation of lifelong Petaluman Bert Smith.

While initially only baking and making sweet treats for family and friends, Smith was called into action one Christmas when See’s Candy ran out of one of its more popular boxes, the type Smith’s husband sent to clients. Her candy went over so well that Smith started her small company by renting out commercial kitchen space before soon making enough to have her own professional kitchen. Bert’s Desserts features cookies, baked goods and candy like Dark or Milk Chocolate Peanut Butter Cups, Dark Chocolate Truffles and Dark Chocolate Raspberry Truffles.

Another fun and new invitee is Doggy Dog Treats by Jazzy, a homemade dog treat business run by 14-year-old Jasmine Thomas-Gainey. Flavors include Buddy’s Pumpkin Bites, Jazzy’s Peanut Butter Biscuits, and the newest flavor, Peanut Butter Banana Bones. 

Tickets are on sale now for $7.18, and a full list of vendors and more information can be found at holidayfoodfair.com.

Parading Through Winter Blast with Artist Jim Maken

This is a brazen superlative, but our own Jim Macken may be the most prolific people-powered couch float artist IN THE WORLD. 

Among the approximately 25 pieces he has paraded, career highlights include the flaming phoenix couch, the “midnight sparkle dinosaur sectional,” the “Mrs. Roper Three’s Company Loveseat” and “SpaceKats!” 

The great patron of his art is WinterBlast—South A Street in Santa Rosa’s annual block-party which wraps around lush Julliard Park. Thrown into the yearly parade of mobile furniture are stilt walkers, giant puppets, electric jellyfish, high-kicking dancers and the Hubbub Club New Orleans marching band. 

Lining the parade route are food trucks, crafty vendors, children’s activities, a bandstand and an activation of the street’s art venues, notably Café Frida, Strange Constellation, Santa Rosa Art Center, Uribe Gallery and The Imaginists Theater. The street is alive with joy-based art; it is a very local scene, and there is nothing else like it.

CH: Jim, you have named some of your couch float greatest hits, but this year’s entry might burn them all down—the chaise lounge Viking ship.

JM: Well, I had wanted to do a dragon, but I found the wings to be overly complicated—especially if they flap.

CH: So your solution was a serpent-headed long boat‚ or short boat. Will you be crewing it?

JM: My brother will. He’s terrifying in his Viking makeup.

CH: People might think there is an actual raid.

JM: He is a pretty good singer, and then he does improv comedy singing, so I told him he should be a singing Viking—that’s how we take this to the next level. That and the smoke machine (laughs).

CH: How many floats do you expect this year?

JM: Between 15 and 25.

CH: I intuit the answer, Jim, but give me your “why?”

JM: Some of the SOFA floats are just for fun. Some feel like you’re really making some sort of a statement. I’m not sure what sort of a statement, though (laughs).

CH: Ah, there you have the essence of art.
Learn more: WinterBlast is 3 to 8pm, Saturday, Nov. 9. And it’s FREE. Shady Oak Barrel house afterparty at 8pm. More info at linktr.ee/winterblastLINKS.

From BA to AI, Students Seek Careers in Artificial Intelligence

Nathan Lim, a Cal Poly San Luis Obispo student, spent the summer working on an artificial intelligence tool.

Lim’s goal is to help students evaluate their senior project ideas for ethical and social justice implications—using AI.

He is one of many California college students choosing to learn about AI theory and its emerging applications while preparing to enter an ever-changing workforce. Simultaneously, colleges and universities across the state are working to expand and develop AI courses and degrees to keep up with demand. 

With hopes of bolstering these efforts, Gov. Gavin Newsom recently announced the first statewide partnership with a tech firm to bring AI curriculum, resources and opportunities to California’s public higher education institutions. The partnership with Nvidia, a leading AI software development company, will bring AI tools to community colleges first. In the future, the hope is to add partnerships for the California State University and University of California systems as well, according to the governor’s press release

As colleges and universities are developing AI programs, these partnerships will give students more access to the technology that tech companies use while teaching students how to use it,  said Alex Stack, a deputy communications director for Newsom.

Lim is a junior studying music and computer science, with a concentration in AI. He sees the potential for AI in both learning how to play instruments and making music more accessible. 

“What if there was an AI private teacher to answer questions and provide feedback on playing?” Lim asked. “This could make it available to so many more people that can’t afford $50 to $100 an hour for private lessons.”

The college student learned to play the violin, guitar and piano with help from a middle school teacher and YouTube tutorials. He said his family could not afford private lessons, so he is mostly self-taught. While the internet helped him evolve as a musician, he thinks AI will drive society’s next revolution in technology.

“It almost feels like, obviously I wasn’t around for it, but the creation of the internet,” Lim said. “People were like, ‘Oh, I don’t want to use that.’ Now if you don’t use it, I mean, what are you doing? So I feel like it’s going to get to a point like that with AI, if not already.”

In Lim’s data science course this quarter, the program that he uses to complete homework assignments, Google Colab, has AI embedded that will generate the needed code for him if prompted correctly. 

“Learning is much less about what we can remember and memorize, and much more about asking the right questions because that’s what AI is,” Lim noted. 

Lim’s dad also studied computer science in college and encouraged him to explore coding from a young age; the rapid growth of AI focused the younger Lim’s career path. 

“Someone asked me a question about why I want to specialize in AI in the computer science field,” Lim said. “I told him, ‘I feel like if I don’t, then my job is gonna get replaced by someone who does.’”

Developing Paths to AI careers

Many California colleges and universities are racing to prepare students for high-paying AI engineering jobs, although the path to these careers often require a master’s or doctoral degree. Community colleges and universities are working to lay the groundwork for students to pursue those more advanced degrees, while also finding ways to get students involved in AI at the undergraduate level.

Over the next decade, computer and mathematical jobs, which include AI, are projected to grow by 12.9%, the second-fastest of any industry, according to a report by the U.S. Bureau of Labor Statistics. At tech companies such as Meta and Google, postings for AI-related jobs list six-figure salaries, with many reaching above $200,000 annually. 

“The growth of computer and mathematical occupations is expected to stem from demand for upgraded computer services, continued development of artificial intelligence (AI) solutions and an increasing amount of data available for analysis,” the labor report states.

Angel Fuentes, the dean of business and workforce development at Evergreen Valley College in San Jose, is pushing for community colleges to foster AI literacy, so that students across disciplines understand the basic terminology, uses and ethics of AI, even if they aren’t pursuing a tech career. He said AI literacy is important because AI is starting to impact fields from medicine to the humanities to business. 

Fuentes also stated he’s started to see more “blue-collar AI” opportunities popping up, with jobs that work with AI, but don’t necessarily develop or innovate with it, and that typically don’t require master’s degrees. One example is a prompt engineer, which is someone who writes the inputs that companies use to get responses from AI platforms such as ChatGPT. Prompt engineers may use AI to help create presentations or streamline a company’s internal processes, for example.

In part to prepare students for those more accessible AI jobs, eight California community colleges now have AI degrees or certificates, with more in the works, Fuentes said. These programs focus on skills such as computer programming and entrepreneurship. 

“The world is changing so fast, and we want our students to be prepared,” Fuentes said.

The California partnership with Nvidia aims to create AI programs, software and dedicated AI spaces for community college students, educators and workers.

Louis Stewart, the head of strategic initiatives at Nvidia, said the partnership will initially last three years, allowing students to get “AI-enabled.” Stewart emphasized the importance of “reskilling and upskilling” workers, including people who are returning to school to switch careers, by teaching them about AI.

Nvidia is not being paid by the state, and the company is covering the costs of teaching students and faculty about AI, Stewart said.

“The community colleges are a great starting point because it is a great way to get tools and resources into these classrooms that might have a harder time accessing it,” said Stack, with the governor’s office.

Even though only one in five community college students transfer to a four-year university, officials hope to equip and inspire students to continue their AI studies beyond community college, or enter the workforce in AI-adjacent roles.

A key point for some administrators and faculty in the community college system is ensuring students understand the ethical and unethical uses of AI, as well as the terminology and real-world applications. 

Some efforts to integrate AI in education have gone wrong. The volatility of a tech startup led to Los Angeles Unified shelving one AI tool, while school board members for San Diego Unified were in the dark about AI technology they had approved in a broader contract. In both of these districts, problems arose when clear communication and expectations surrounding AI were not established. Experts have warned that it’s crucial for decision makers to vet AI solutions, and be thoughtful when it comes to implementation of AI in education.

The idea behind the AI literacy push is that “AI is here to stay,” and various sectors, not just tech, “should embrace it,” said Nasreen Rahim, a professor at Evergreen Valley College who trains teachers on how to best use technology. 

“You can’t just shut your mind to AI and have that be your mindset,” Rahim explained. “It’s about having an open mind.”

The California community college system has a new set of academic integrity guidelines for AI, which aim to ensure “expectations are clear” for students in terms of what is considered responsible use of AI, and what isn’t.

Brian Sawaya, a biomedical engineering student at Foothill College in Santa Clara County, has found a network of peers at the community college level who, like him, are dedicated to exploring tech fields, including AI.

“Community college students are some of the most driven and most ambitious people you’ll meet,” Sawaya said. “Because community college students are underrepresented in terms of access to opportunities, and companies are trying to diversify their workforce, it’s important to have opportunities for community college students.”

Sawaya is the president of his college’s robotics team, and he said he uses AI to help his club’s robots better detect objects and avoid obstacles. He stated he is excited to transfer to a four-year university next year to continue his studies in the field of wearable technology, which includes prosthetics. 

How Four-year Universities Are Adding AI Programs

As Newsom pointed out, the UC and Cal State systems will also benefit from AI industry partnerships in the future. 

The Cal State board of trustees announced in September that the university system is seeking $7 million in its 2025-26 budget request to fund AI infrastructure for students and faculty. 

Four universities in the Cal State system have AI programs: Cal State East Bay, San Francisco State, San Jose State and Cal Poly San Luis Obispo. The CSU generative AI committee convened for the first time this fall in response to some CSU campuses’ demand for systemwide guidance on developing AI programs and managing AI use.

At Cal Poly San Luis Obispo, students in the Computer Science and AI Club meet every Sunday afternoon in a large lecture hall. On a recent Sunday, 80 students, mostly computer science freshmen, sat in front of two projectors to learn about AI basics from club leaders.

“As the president this year, I’m trying to champion a place where people who know more about AI come to teach people who know less and are very interested,” said Leo Horwitz, a computer science senior at Cal Poly. 

The club offers workshops to teach the foundations of AI to students and is working on original AI application projects—for example, one that will research and generate code and another that will automate and referee games of red light, green light. The club partners with local companies to raise funds, and it gets money from the student government, which sponsors clubs, Horwitz said. 

Horwitz is excited about the possibility of Cal Poly working with a leading AI developer in the future. 

“A direct partnership with a company in the industry is productive because it’s easy for academia to fall behind,” Horwitz noted. “No matter what [the partnership] is, we’re interacting with them. This is a way for us to force ourselves to be in the thick of it with the cutting edge stuff.”

Horwitz’s professor, Franz Kurfess, offers opportunities for his students to work with companies as part of his courses. He is also leading the project that Cal Poly junior Lim is working on to use AI in evaluating students’ senior projects. 

“Working with an external company is an excellent opportunity for students to learn about practical applications of AI in a context that they might experience later in their career,” Kurfess said. “It also exposes them to professional work practices where they may not be able to get away with things that they are doing for class assignments because they have other people depending on their work.”

In another partnership with CalMatters, Cal Poly San Luis Obispo faculty and students recently worked with the news organization to build Digital Democracy—an AI-powered website that tracks lawmakers, legislation, campaign contributions, and congressional hearings and sessions.

Across the UC system, leaders are working to incorporate AI across disciplines, while balancing the potential pitfalls of the technology. A UC presidential working group chose a list of “responsible AI principles,” which include transparency about AI use, safety and privacy.

For Chris Mattmann, the chief data and artificial intelligence officer at UCLA, ongoing developments in the world of generative AI mean it’s crucial to “innovate and experiment,” but to do so with the guidance of “responsible and ethical principles.” Mattmann began at UCLA earlier this year, and his role is the first of its kind at any UC. 

Mattmann works to oversee AI strategy across UCLA, including how the technology is used by faculty, students, staff and researchers. He emphasized the importance of developing AI literacy across disciplines. UCLA recently became the first California college to offer ChatGPT enterprise accounts, allowing a limited number of student groups and faculty to use the technology through the university.

“(Our goal) is to hopefully demystify AI, so people really understand what’s coming, what’s here, the opportunity, but also the need to really be guided by ethics,” Mattmann said.

Beyond the public higher education systems in California, private universities are also working to create AI opportunities for students. While some private universities such as Stanford have added concentrations or minors in AI, USC is developing a new AI major in response to the immense demand for AI instruction, said Nenad Medvidović, the computer science department chair at USC. 

Medvidović says that some students are driven by an academic curiosity of how AI works, but others are driven by making sure they are employable after they graduate. 

“I’ve seen many waves of technology that have kind of come along and matured,” Medvidović recalled. “Nothing has come close to what we’re seeing right now with AI and machine learning and large language models.”

Film Review: Home alone in ‘Heretic’

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Hugh Grant isn’t used to being mixed up in a screenplay quite as messy and perplexing as Heretic’s is. Although, he’s undoubtedly visited the outskirts of the M&P neighborhood in his 42-year stint as one of the most recognizable actors working in English-language films.

Let’s just say the role of a creepy senior citizen terrorizing a couple of young women in his old dark house doesn’t immediately spring to mind as a likely career option for the onetime light-comedy leading man of Bridget Jones’s Diary and Mickey Blue Eyes, as he carefully navigates his dotage.

People who fret over the durability of movie stars and the trendiness of genre pics are doubtless a bit dazed and confused about Grant’s association with latter-day fright-flick auteurs Scott Beck and Bryan Woods—makers of the popular A Quiet Place franchise, in which blind aliens hunt terrified Earthlings by sound. We keep picturing Grant cowering in his flat, trying to tame his stammering to avoid being eaten up. Silly stuff, but Grant needs to work like everyone else.

Heretic isn’t quite as dumb as A Quiet Place, at least at first. A pair of young, female Latter Day Saints missionaries, Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East), are out in the boondocks, ringing doorbells in a mountainous community somewhere—the exteriors were shot in British Columbia—and idly chit-chatting to kill time. The talk turns to penis size, then the porno industry, before settling down to the business at hand: promoting the faith, working off a list. Someone checked a box in a Mormon questionnaire.

On Barnes and Paxton’s sucker list is a little house tucked into a hillside, where dwells a soft-spoken geezer named Mr. Reed (Grant), the type of Mid-Atlantic-accented fellow who favors sweaters, comfy house slippers, a cuppa tea and books—lots and lots of books. Uh-oh. 

SPOILER ALERT: POTENTIAL AUDIENCE MEMBERS WHO WANT TO BE SURPRISED AT THE PLOT MECHANICS OF HERETIC SHOULD STOP READING HERE. 

Mr. Reed’s house fits the profile of a movie murder scene to a T: eerie lighting, austere furniture arrangement, outré wallpaper and more. And he asks more “icky questions” than Barnes and Paxton’s typical customers, about polygamy, comparative religions and other touchy subjects. He won’t shut up, and presses slices of “homemade blueberry pie” on the increasingly uneasy women. They notice that their cell phones don’t work, and it turns out the walls are lined with metal. This odd old coot may initially seem like a routine house call, but it soon dawns on the Sisters that they, not Mr. Reed, are the goats.

It is at this point, before the shock-cuts and the various ultra-grotesqueries popping out of the walls in Reed’s basement—yes, there’s one of those—that horror movie mavens will connect the dots all the way to the grisly end and wonder: Is that all there is? The answer to that is in Reed/Grant’s laborious method of questioning the questioners, a genuinely disturbing monologue combining menace and Grant’s patented bumbling humor, now veering off in sinister directions more suited to grim art-house character studies than youth-market popcorn shockers.

In some horror movies sex is the goal line. Not here. Matched up against both women’s desperately wised-up parries—they’re trying to save their lives—is Reed’s pedantic history lesson on the One True Religion. He’s the true Nutty Professor, just as didactic in his mealy-minded way as the conversational calls to war of David Mamet or the ravings of the Marquis de Sade.

As disheartening as it is to imagine, Grant’s performance in Heretic may give life to the logical, gloves-off, maniacal character lurking in the shadows of his namby-pamby roles in Four Weddings and a Funeral and the endless milquetoast rom-coms: the sadistic secret life of the pushover. Nice try, but it doesn’t really add up—unless Mr. Reed’s strategy is to bore his victims out of their minds before he kills them. 

* * *

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Film Review: Home alone in ‘Heretic’

Film Review: Home alone in 'Heretic'
Hugh Grant isn’t used to being mixed up in a screenplay quite as messy and perplexing as Heretic’s is. Although, he’s undoubtedly visited the outskirts of the M&P neighborhood in his 42-year stint as one of the most recognizable actors working in English-language films. Let’s just say the role of a creepy senior citizen terrorizing a couple of young women...
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