Morel Majority

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Morel mushrooms are the stuff of legend and fantasy. Scattered over the ground, they look like a little tribe of forest gnomes with magical powers, like beings from a game of Dungeons & Dragons.

Morels taste like an earthy distillation of fungal flavors and aroma, and command respect from cooks and eaters alike, who speak of them with reverence. For pickers who hear the call, they are a beacon to adventure and profit.

This year’s flush of so-called natural morel mushrooms has begun to wane. Naturals come up year after year in the same spots, zealously guarded by those who know them (unless they are in Michigan, whose state government publishes online maps so locals can find them). But the majority of gathered morels, including virtually all of the ones available for purchase, were harvested in the fire-scarred mountains of the West. While a handful of naturals would be considered a decent harvest for a day’s foray, the fire-following varieties can be astoundingly prolific in spots that were burned the previous summer. Any reports from Lake County? Sometimes they grow in such density that it takes effort not to step on them. With buyers paying as much as $20 a pound (they can retail for more than $50 per pound), good pickers can easily earn more than a thousand bucks a day for their efforts.

Wait, did I say “easily”? Scratch that.

Even if you live in the mountains, you’ll probably have to drive a few hours and bump along dusty dirt roads to a spot that may or may not have had morels that may or may not have already been picked. Simply arriving at a burned forest is a good first step, but hardly a guarantee of success. Within burns, mushrooms are finicky as to where they will pop up. They prefer burnt fir stands to pine, but not too burnt—some blazes are so hot they sterilize the soil to the point where nothing will grow.

Sometimes you show up at the perfect place at the perfect time, only to see the roadside littered with parked rigs, perhaps with out-of-state plates. Virtually nobody you meet will be happy to see you.

Morels should be cooked; eaten raw, they can cause gastrointestinal distress. They’re great with butter and cream, as in the following recipe that is as good as it gets:

1 c. morels, either whole or sliced

1/4 cup heavy cream

1 tbsp. butter

zest and juice of one-quarter lime

1/2 medium yellow onion, minced

pinch of nutmeg

salt and pepper to taste

1/4 cup dry sherry

Melt the butter in a heavy bottom pan. Add onion and morels. Cook together until onions are translucent and the morels give up their moisture—about 10 minutes. Add sherry, and let it cook off. Add nutmeg, lime zest and juice. Cook a moment and add the cream. Cook five more minutes, season with salt and pepper, and serve.

Whether you went to the trouble of picking them, or forked over your hard-earned cash, the effort and expense will melt away as your mouth heads west to a burnt forest, the exact location of which you will never know.

Let It Slide

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Slide-guitar blues player Roy Rogers and his Delta Rhythm Kings will grace the well-worn stage in Healdsburg’s Plaza Park to kick off the popular Tuesdays in the Plaza summer concert series on May 31.

Also included in this year’s fantastic series are Cajun crooners Tom Rigney & Flambeau, Brazilian band Grupo Falso Baiano, local rockers the Sorentinos and Hall of Fame bluesman Charlie Musselwhite, to name a few.

While his latest record is an 11-track barnburner appropriately titled Into the Wild Blue, Rogers doesn’t need to rely solely on current material to draw a sizable crowd, having been a fixture in West Coast rock and roll since the ’70s. For the uninitiated, the blues guitarist and Grammy-winning producer learned much of his slide technique after hearing records by Robert Johnson. He toured with John Lee Hooker for years, featured the late pianist Allen Toussaint on his 1987 Sidewinder release, and even worked alongside Linda Ronstadt and Jackson Browne.

“I use open tuning in my music, and we do lots of improvisation,” Rogers said during a 2012 interview. “These open tunings take various forms and can move music in a lot of places.”

Check him out during this rare Sonoma County soiree, and expect to find Rogers doing some free-form solos. May 31, Healdsburg Plaza, 217 Healdsburg Ave., Healdsburg. 6pm. Free. All ages. 707.433.6935.

Animal Attraction

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The defining characteristic of The Lobster is its bizarre plot. In a near-future dystopia, the city sends single men and women to a remote hotel where they have 45 days to find a soul mate or be turned into an animal of their choice. With that unusual device in place, Greek director Yorgos Lanthimos’ first English-language film explores the nature of modern relationships with twisted and unsettling results.

The film introduces us to the recently divorced David, played with desperate restraint by Colin Farrell, who once again proves he’s best when he plays it quiet rather than heroic. A clinical narration by Rachel Weisz (who we will meet later) describes David’s situation as he attempts to find his mate.

In an early interview with the hotel manager, David is asked which animal he would like to be turned into should he not succeed in pairing up. He chooses a lobster for its longevity and lifelong fertility, and the manager commends him on an excellent selection before having one of David’s arms handcuffed behind his back.

While everything at the hotel is meant to encourage coupling, it is all done in the most detached manner. Conversations are emotionless, smiles are nonexistent and residents of the hotel are all defined by their least attractive quality, such as “the man with a lisp” (John C. Reilly).

This stilted atmosphere permeates the entire film, at first nearly destroying any affection the audience might have for the characters. As the film progresses, however, and the strangeness intensifies, such as when the hotel residents are sent out to hunt the loners who live in the woods, The Lobster‘s alienating nature starts to intrigue rather than repel.

By the time David makes it back to the city, the true stifling horror of the film reveals itself and the parallels to our own social obsession with beauty and romance become clear. Moreover, in a world where a leading presidential candidate calls women “fat pigs” and “disgusting animals,” The Lobster begins to seem not so bizarre after all.

‘The Lobster’ opens Friday, May 27, at Rialto Cinemas, 6868 McKinley St., Sebastopol. 707.525.4840.

Letters to the Editor: May 25, 2016

Unfinished Business

I may be politically incorrect and very old-fashioned, but in the matter of the 5th District’s supervisor’s election, I feel there is an elephant in the room, or actually two little girls. Are we not allowed to discuss the fact that Lynda Hopkins has two little children under the age of three? Yes, I know, and do believe, we need more women in government and positions of power, but the supervisor’s job is a serious responsibility, requiring almost full-time attention, just like the job of being a mother with a baby and a very young child. I feel Lynda Hopkins should finish the job she has already taken on before embarking on a new project.

Sebastopol

Read the Signs

For the current Fifth District supervisor’s election, the big land/big money folks have found another charming young person with no track record to be their stealth candidate, although I don’t think the voters will be so easily fooled this time. All the giant posters for Lynda Hopkins are up on the big vineyard fences in the exact same place they were for Efren Carrillo.

Sebastopol

Too Loud

Don Scott is absolutely correct about police officers routinely ignoring the illegal loud bikes (Open Mic, May 11). In fact, it’s abusive behavior to ride loud, and that fact alone should prompt the police to address this abuse.

Via Bohemian.com

We Say No

On May 28, 2015, two dozen inmates at the Sonoma County Male Correctional Facility were beaten repeatedly by deputies for over five hours. Their crime? Shouting from their cells to stop the beating of a sleeping and drugged inmate who hadn’t responded to orders quickly enough.

Sheriff Steve Freitas has said jail employees were stopping a riot. There can be no riot by individuals locked in their cells. Apparently, the deputies just enjoy beating people. One is said to have stated that it was fun and they could do it all day. The “yard counseling” techniques used are the same that resulted in the death of Freddie Gray in Baltimore.

Twenty-one inmates have written letters of complaint describing the beatings. Six have signed on to a lawsuit (inmates cannot sue until after they have served their sentence). The Sheriff’s Office is responsible for an average of $1 million a year in settlements. That’s out of our pockets. Insurance doesn’t kick in until settlements are over $1 million.

In the United States, punishment for serious crimes is imprisonment, not beating, not torture, but law enforcement has convinced many people otherwise. On this first anniversary of the beatings, it is time for people of good conscience to reject law enforcement explanations of their right to do anything to anybody whenever they choose. They won’t stop until we all say “No!”

Police Brutality Coalition

Santa Rosa

Write to us at le*****@******an.com.

Business Unfriendly

Cannabis is one of the hottest topics in the media. But can too much exposure put lives at risk?

Local cannabis operators across Sonoma County wince as the press digs into the private lives of the few brave first applicants, exposing every intimate detail—from Google searches to property sales—broadcasting their locations, their history and their business plans.

This may not seem like an issue to other small businesses, many of whom wish they could get this type of front-page attention for their organic cafe or public service project. But for new cannabis-business operators, this type of exposure can be an issue of security and safety. Not only are the applicants put at risk, so too are the employees and families who now have to answer for their association in a time when the prohibition stigma is still heavy.

While hundreds of operators would like to apply for a business permit this fall in Santa Rosa, many of them are not only too scared to be dragged through the press, but also fear vandalism and theft, as future permits require publicly posting intent.

“The process is already public enough,” says Aaron, a local cultivator waiting to apply for a cannabis business permit in the fall. “I can understand informing the immediate neighbors of your business application, but blasting pictures of the address and the building across the news is just excessive, let alone unsafe.”

In Oakland, operators applying for permits receive certain protections: the locations of the businesses are kept private, which can prevent the violent crimes and vandalism that have plagued the cannabis industry for decades.

With no privacy standards in place yet, and the media featuring the nitty gritty details of every applicant, who will step up to apply for Santa Rosa’s conditional use permit?

If the goal is to encourage the local cannabis industry to follow the new regulations, get permits and pay taxes, then the program has to change, and so do actions by lawmakers, law enforcement, regulatory agencies and even reporters.

In order for this newly emerging industry to work, it will be a team effort as we share the heavy lifting of prohibition and herald in a new, more sophisticated generation concerned with public safety, environmental responsibility and strengthening our local economy.

Tawnie Logan is the executive director of the Sonoma County Growers Alliance. Go to scgalliance.com for more info. Send comments to co******@*********ce.com

London Calling

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Slavery was still legal in England in 1833, when American actor Ira Aldridge became the first black man to appear on stage in London. Following the death of famed actor Edmund Kean, Aldridge was called upon to play the lead in Shakespeare’s Othello, alongside white actors at Keane’s Theater Royal, in Covent Garden.

With Abolition just three months from becoming law, the city was in a state of turmoil, hardly the best time to challenge centuries of tradition and deep-seated prejudice. Aldridge did go on to critical acclaim and popularity in France, Germany, Russia and Budapest, but his London debut was as steeped in drama, scandal, deceit and betrayal as Othello itself.

Playwright Lolita Chakrabarti has written a deftly entertaining examination of a little-known turning point in theater history, and the San Francisco Playhouse turns it into one of the best Bay Area productions of the year. Directed by Margo Hall with marvelous command of the script’s complex blend of social comedy and raw drama, Red Velvet features a towering performance by Carl Lumbly as Aldridge, initially appearing in old age, then in flashback preparing to first take the London stage.

The superb supporting cast includes Sonoma County actor Tim Kniffin, excellent in a tricky role as the dying Keane’s affronted actor son Charles, whose rising indignation at watching a black actor play Othello—a role he’d expected to assail himself—is hilarious and chilling. Also strong are Richard Louis James in dual parts as Aldridge’s long-suffering dresser and a stodgy Shakespearean actor; Susi Damilano as Charles’ actress fiancée, Ellen Tree; and the effortlessly accent-shifting Elena Wright in a trio of key roles, including that of Aldridge’s white, English-born wife.

Chakrabarti’s robust script does stretch believability in an effort to have fun with Aldridge’s initial backstage arrival at Theater Royal. That quibble aside, Red Velvet stands as a thing of graceful beauty, earning its way, line by line, to its heartbreaking climax. Along the way, Chakrabarti gleefully crams in dozens of historical tidbits illustrating 19th-century acting styles, pre-Victorian restroom customs and the acrobatic language of polite English racism.

Supremely satisfying on many levels, this is a must-see historical drama. In eschewing simple conclusions or one-dimensional characterizations, Red Velvet delivers a 180-year-old story that, sadly, feels vividly and unnervingly contemporary.

Rating (out of 5):

‘Red Velvet’ runs Tuesday–Sunday through June 25 at SF Playhouse,
450 Post St., San Francisco. Show times vary. $20–$150. 415.677.9596.

Comeback Cab

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Whatever happened to Laurel Glen? There’s an older generation of wine lovers who still have Laurel Glen Cabernet from the 1980s stashed in their cellars, winery owner Bettina Sichel tells me, but the younger generation has never heard of the winery. When I first looked up Laurel Glen, it sounded like an echo of past cult-Cab glory. But the winery—and, importantly, the Sonoma Mountain vineyard—never did drop off the map.

Today, Laurel Glen is easier to find than ever—even if the tasting room is tucked away on a quiet side street in Glen Ellen. Sichel explains that she took over from winery founder Patrick Campbell in 2011, with a group family friends and investors.

The group brought in current winemaker Randall Watkins and David Ramey as consultant. Watkins grew up in nearby Bennett Valley, where his father made two barrels of wine a year, according to his friend Patrick Campbell’s detailed handwritten instructions for “white vino” and “red vino.” At 11, he first walked the 14-acre Laurel Glen vineyard, which is uniquely planted to its own “Laurel Glen” clone of Cabernet Sauvignon.

The 2015 Crazy Old Vine Rosé ($30) is the closest to a white wine currently on offer. Half of this dry rosé comes from one remaining row of the original mix of vines planted in the 1880s. The winery’s least expensive, get-to-know-us Cab, the juicy, nicely integrated 2013 Counterpoint Cabernet Sauvignon ($40), includes fruit from neighboring properties.

While Laurel Glen is no hotbed of oak experimentation, Watkins laments, he’s not at all inclined to change the practice of barreling the wine down in mostly one brand of cooperage, Taransaud, and only about 50 percent new. The 2012 Laurel Glen Vineyard Estate Cabernet Sauvignon ($75) is certainly not dominated by oak, showing a light toast of graham cracker at most, over a richly floral, chocolate cordial and plum aroma. Ready to drink, with classic cassis-flavored fruit, this silky yet textured Cabernet has no need of the chunky, awkward tannins that make many younger Cabs so quickly tiresome.

For perspective, Laurel Glen offers one library vintage with each regular tasting flight. Though the 2009 Laurel Glen Vineyard Estate Cabernet Sauvignon ($85) was made in a different facility by a different winemaker, its kinship with the 2012 is readily apparent: a little more subdued, perhaps, with an impression of dusty gravel settling over a brooding plum aroma, this is just as juicy on the palate, and makes clear to me why people are getting reacquainted with this special old vineyard.

Laurel Glen Vineyard, 969 Carquinez Ave., Glen Ellen. Daily, 11am–5pm. Tasting fee, $20. 707.933.9877.

Moving On Up

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Volunteer organizers Bill Myers and Linda Pavlak have two loves: live music and the outdoors. Three years ago, they combined these elements for the Funky Fridays summer concert series, a weekly event originally held at Sugarloaf Ridge State Park that raised funds to keep the once failing park open and active.

Last year, Funky Fridays encountered a peculiar problem. It became too popular, and the state cut the allowed capacity from the 300–400 average number of attendees to a conservative 125. For Myers, it was a huge setback.

“We were up to 500 people in the third season, that’s when the state came down hard,” he says. “There was just no more room.”

Undaunted, Myers and Pavlak began in earnest to find a new home for Funky Fridays after last summer’s season ended. In December, they happened upon a new spot, Hood Mansion on Pythian Road, between Santa Rosa and Kenwood.

Working alongside Melissa Kelley, executive director of the Sonoma County Regional Parks Foundation, Myers and Pavlak are revamping the Funky Fridays event for a fourth season featuring all-star musicians and family-friendly outdoor fun. This week, Funky Fridays returns on May 27 with beloved soul and funk band the Bruthas, led by Levi Lloyd.

“It’s a gorgeous venue, with a huge front lawn where the concerts will take place,” says Myers. “You’ve still got a view of the Myacamas Mountains in the background, especially Hood Mountain, the tallest point in Sonoma Valley.”

Built in 1858 by William Hood, the impressive Hood Mansion was constructed from bricks made onsite. In the last 160 years, it has gone through a series of owners, including Utah senator and mining and railroad magnate Thomas Kearns in the late 1800s, and the fraternal organization the Knights of Pythias in the early 20th century.

Now owned by Sonoma County, the building sits empty. Myers and Pavlak’s fundraising vision to benefit the county’s regional parks foundation includes improvements to the site and Hood Mountain regional park.

This year, Funky Fridays has upped the ante in its offerings: wine from local vineyards, beer from Henhouse Brewing and barbecue from Tri-Tips Trolley will be sold at the concerts. Attendees may bring their own picnic options if they choose. The event will also offer a kids’ area with activities.

“Moving forward, we know we’ve got a winning combination here, supporting local musicians and local parks,” says Myers. “And it’s just going to keep growing.”

Funky Fridays kicks off the season on May 27 at Hood Mansion, 1450 Pythian Road, Santa Rosa. Doors at 5:30pm; music at 7pm. $10; kids under 18 free ($10 parking per car). 707.833.6288.
www.funkyfridays.info.

Free Speech Radio

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The communities of Sebastopol, Santa Rosa and surrounding areas need community radio. Community radio means a wide range of creative shows, produced by local volunteers, in the areas of music, art, spoken word and open-minded discussions of aging, healing, gardening, astrology, fitness, feminism, LGBT concerns—all commercial-free.

KOWS radio has been providing this for nine years. Its doors are always open for people to drop in and air their views, or for musicians to play on-air. Stay awhile and produce your own show. You will be trained. It doesn’t take long. KOWS is free-speech radio, and other than FCC limitations on foul language, there’s no censorship.

The problem for these nine years is that few people can hear KOWS on the radio (107.3-FM). The antenna is in a tree in the Occidental hills, with many geographical impediments to transmission. KOWS streams from its website (www.kows.fm), where anyone can tune in, or view the station’s schedule and see what opportunities it offers. You can sign up as a volunteer there. But streaming has limitations, due to slow or no connectivity. Many can’t afford it.

Currently, KOWS is seeking approval from the Sebastopol City Council for a new antenna on a hill above Sebastopol. It is small and not comparable to a cell phone tower. Emitted radiation, in the area, is about 1/2500th of FCC limitations, significantly less than the smartphone many people carry in their pockets. The antenna will be partially visible from fewer than 20 adjacent homes.

KOWS has won approval from the city planning commission for a use permit to build an antenna support structure at a utility facility owned by the city, but this decision has been appealed, and won’t be finalized until a May 31 city council meeting at 6pm at the Sebastopol Community Center. Public support is invaluable. Please attend and express your interest in radio that will belong to you. Alternatively, you can send a message to mg******@**************ol.org. Please stand up for the greater good, and the cultural needs of the community.

Robert Feuer is a KOWS volunteer broadcaster and a music writer.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

A Palooza, for Oysters

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Oyster-centered festivities will commence at Rocker Oysterfeller’s Kitchen and Saloon this Saturday, May 28. Oysterpalooza has been held annually since 2008 at the Valley Ford restaurant. Offering both food and music, this one-day festival will feature five bluegrass bands performing on two stages: Mr. December, Highway Poets, Vintage Grass, Abalone Grey and the Bootleg Honeys. Festival-goers can watch the bands while choosing from a wide selection of food. There will be barbecue oysters, fried oyster po’ boys, smoked brisket tacos, tacos dorados, Lagunitas beers on tap, local wines, Hurricanes and more. $20 advance (25 bucks at the door); $10 for kids ages six to 12; free for kids under six. The doors open at 12:30pm, and the last act of the night ends at 8:15pm. 14415 Shoreline Hwy., Valley Ford. oysterpalooza.brownpapertickets.com.

Morel Majority

Morel mushrooms are the stuff of legend and fantasy. Scattered over the ground, they look like a little tribe of forest gnomes with magical powers, like beings from a game of Dungeons & Dragons. Morels taste like an earthy distillation of fungal flavors and aroma, and command respect from cooks and eaters alike, who speak of them with reverence. For...

Let It Slide

Slide-guitar blues player Roy Rogers and his Delta Rhythm Kings will grace the well-worn stage in Healdsburg's Plaza Park to kick off the popular Tuesdays in the Plaza summer concert series on May 31. Also included in this year's fantastic series are Cajun crooners Tom Rigney & Flambeau, Brazilian band Grupo Falso Baiano, local rockers the Sorentinos and Hall of...

Animal Attraction

The defining characteristic of The Lobster is its bizarre plot. In a near-future dystopia, the city sends single men and women to a remote hotel where they have 45 days to find a soul mate or be turned into an animal of their choice. With that unusual device in place, Greek director Yorgos Lanthimos' first English-language film explores the...

Letters to the Editor: May 25, 2016

Unfinished Business I may be politically incorrect and very old-fashioned, but in the matter of the 5th District's supervisor's election, I feel there is an elephant in the room, or actually two little girls. Are we not allowed to discuss the fact that Lynda Hopkins has two little children under the age of three? Yes, I know, and do believe,...

Business Unfriendly

Cannabis is one of the hottest topics in the media. But can too much exposure put lives at risk? Local cannabis operators across Sonoma County wince as the press digs into the private lives of the few brave first applicants, exposing every intimate detail—from Google searches to property sales—broadcasting their locations, their history and their business plans. This may not seem...

London Calling

Slavery was still legal in England in 1833, when American actor Ira Aldridge became the first black man to appear on stage in London. Following the death of famed actor Edmund Kean, Aldridge was called upon to play the lead in Shakespeare's Othello, alongside white actors at Keane's Theater Royal, in Covent Garden. With Abolition just three months from becoming...

Comeback Cab

Whatever happened to Laurel Glen? There's an older generation of wine lovers who still have Laurel Glen Cabernet from the 1980s stashed in their cellars, winery owner Bettina Sichel tells me, but the younger generation has never heard of the winery. When I first looked up Laurel Glen, it sounded like an echo of past cult-Cab glory. But the...

Moving On Up

Volunteer organizers Bill Myers and Linda Pavlak have two loves: live music and the outdoors. Three years ago, they combined these elements for the Funky Fridays summer concert series, a weekly event originally held at Sugarloaf Ridge State Park that raised funds to keep the once failing park open and active. Last year, Funky Fridays encountered a peculiar problem. It...

Free Speech Radio

The communities of Sebastopol, Santa Rosa and surrounding areas need community radio. Community radio means a wide range of creative shows, produced by local volunteers, in the areas of music, art, spoken word and open-minded discussions of aging, healing, gardening, astrology, fitness, feminism, LGBT concerns—all commercial-free. KOWS radio has been providing this for nine years. Its doors are always open...

A Palooza, for Oysters

Oyster-centered festivities will commence at Rocker Oysterfeller's Kitchen and Saloon this Saturday, May 28. Oysterpalooza has been held annually since 2008 at the Valley Ford restaurant. Offering both food and music, this one-day festival will feature five bluegrass bands performing on two stages: Mr. December, Highway Poets, Vintage Grass, Abalone Grey and the Bootleg Honeys. Festival-goers can watch the...
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