Square Deal

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If it seems like nothing changes in the city of Sonoma, that’s exactly the point of the place.

The mélange of straw and horse manure baked into the adobe bricks that hold the place up hasn’t gone anywhere in the last 170 years, and neither has the parade of sun-dress- and Bermuda-shorts-clad tourists who come to see it, in more recent decades.

But while making the rounds of Sonoma Plaza on a recent afternoon, it occurred to me that a lot has changed in the winetasting scene in the past few years. Let’s get at least a little up to date:

On the east end of town, Gundlach Bundschu, a veritable graybeard of wineries, has inexplicably become one of the hottest destinations among the pick-a-decade-younger-than-you set. To better accommodate the weekend crush, Gun Bun recently added on-the-spot scheduling and a “Donkey Bar,” built from an authentic donkey shed (with photos of the hopefully not shedless donkeys behind the bar) for by-the-glass service on the patio.

To top that, you might see, on certain afternoons, a local gentleman rather purposefully walking a pony across the plaza from the big picture windows at Pangloss Cellars on the corner of East Napa and First. We last visited CEO Christian Borcher at Repris, the “sister winery” in the hills above Sonoma. Pangloss, named after the optimistic character in Voltaire’s Candide, is the place to enjoy their more available wine with local cheeses and meaty treats from Petaluma’s Thistle Meats.

Down an alley on the east side of the Plaza, Eric K. James is long gone, but “American Music Hall” Sonoma Speakeasy pours both beer and wine, to a danceable beat.

On the south side, the bachelor heartthrobs of Envolve no longer pour Pinot for whatever bachelorette partygoers possess the attention span to remember why it was important to be there. In their place, Sonoma-Loeb, the Sonoma County arm of Napa’s high-end Chappellet Winery, pours wine that’s so apparently diverting, I saw a touring cyclist with an alarmingly bloody crash wound brush it off at the bar—it’s nothing, he said, taking another sip.

The notice of ownership change is nothing to fear at Sigh Sonoma, as it’s still owned by local Jayme Powers. “I incorporated with myself,” explains Powers, who’s known to saber a bottle of Champagne now and then outside her cozy little sparkling wine shop. Powers says that her neighbors, Fulcrum, who present a rather more solemn storefront than former tenant, the Two Amigos, serve up a sensuous Pinot.

Thirsty neighbors, or “Drouthy Neebors,” are still welcome further on at MacLaren, but you have to search for it, while Westwood is still worth the search—wherever it is.

artFlare Gallery Hosts a “Fun Pun” Art Show

Sonoma County women’s art group artFlare is wrapping up their latest imaginative exhibit, “Fun Pun,” this weekend, Sept 17-18. Artist Sharona “ChaCha” Tracy has assembled an interactive art show of sculptures made from found objects collected from thrift shops, recycle centers and the streets of Sonoma County.

A most unusual and creative exhibit, artFlare spokeswoman Barbara Goodman says, “it really brings outs the feeling of fun like you remember as a kid. In fact kids would love the show as well. It is interactive, colorful and there’s prizes too.” 

Refreshments and discussion abound this weekend at artFlare Gallery is located in the old barrack buildings at 3840 Finley Ave, Bldg 33, Santa Rosa. 10am to 5pm. artflare.net.

A Bad Case of the Trump Mumps

This blog has been dormant for awhile as I’ve been taking the spa treatment. Nothing too serious but I’ve been sick in the head. Diseased and withered. A wicked bug settled in to my soul called the Trump Mumps, an evil illness for which the only known cure is a vote, lots of long hikes in nature, and cannabis-infused sessions in the sauna, chanting Enya lyrics at top volume. Doctor’s orders, but for many months I’ve been slumped with the feverish jitters in the healing waters, I’ve inhaled the merciful sulfuric fizz and sighed the great heaving, weeping sigh of Hillary Clinton acceptance and have also come to accept, as one accepts the inevitability of death, that it’s possible that some unthinkable lurch in the polls could lead to a Trump presidency.

Gulp, another sip of the tonic under cover of coastal turmeric visions in the fog of Marin County. Another desperate spin through fivethirtyeight.com to check the dreadful Ohio numbers. Can this really be happening? The anti-inflammatory-rhetoric pill has been prescribed and dutifully downed, yet again, and still the unrestrained coarseness of our times beckons at every gruesome plop of a policy position that emanates from Trump’s repulsive anus-face. Who among us can resist the occasional plunge into the Trump morass of vengeful orangutan politics, where hiring a wife-beating anti-Semite to run a campaign comes with no price in the Q-Pac poll, but where Clinton’s hacking cough is a disqualifying sign of weakness that must be analyzed from every sinister and bad-faith angle imaginable, but especially from the perspective of Rudy Giuliani’s badly yellowed teeth? Weird. Where anything that is complex must by its Clintonian nature be assumed to be corrupt—i.e., the Clinton Foundation—but where Trump won’t release his two-mile-high pile of tax returns and declares that nobody cares whether he releases them or not, and nobody cares enough to ask whether people care enough to care about asking him to release them because Trump just Tweeted something outrageous about Mika and Joe? Very weird.  

My head hurts and it hope this is not a sign of a Trump Mumps relapse. But I feel the insistent tickle in my throat as the polls tighten and the Clinton-haters throw their hands aloft and say “What am I supposed to do? She’s an establishment crook and he tells it like it is,” even when Trump is characteristically telling it like it is by telling it like it isn’t—as in, Barack Obama wasn’t born in the United States and global warming is a hoax cooked up by the Chinese. 

Which brings us to the Sierra Club. The nation’s oldest environmental organization is trying to save the world from disastrous climate change impacts—but in its own way is equally as “establishment” as the Clintons and has similarly faced criticism over the various alliances it’s gotten itself mixed up with.

Earlier this week I spoke with Michael Brune, executive director of the Sierra Club, in advance of his arrival in Santa Rosa on the 16th for a talk on climate change. He’ll be at the Glaser Center, 547 Mendocino Avenue, at 7 pm, and there’s a suggested $10 donation but that’s only a suggestion—as is Sierra’s suggestion, by way of their endorsement of her, that you vote for Hillary. Jill Stein: not viable.    

We’ll post the interview with Brune in the Bohemian next week. But briefly and for now, Brune has done a lot of heavy lifting to restore a sense of integrity and accountability to Sierra after it was revealed—around 2010 and before his time there—that the organization had accepted money from a corporate titan who’d been engaged in the ungodly practice of fracking. Old-guard Sierra Club members were, to say the least, not happy at the flim-frackery and Sierra subsequently turned back some $26 million in pledged moolah from the oil-and-gas sector. Nowadays it is more likely to break corporate bread with the likes of Google and Facebook, and I’ll have more on that in the upcoming story.  

I got up to speed on the frack-money controversy and other issues before I spoke with Brune—spent a couple of  hours scouring around online and reading up on the recent history of Sierra. The organization has its detractors and they basically fall into two main categories, which swing to far ends of the political spectrum. On the one hand, call it the left one, the critique runs thusly: You Betrayed John Muir While I Sat In A Redwood Tree Getting Arrested, So Screw You. On the other side of the spectrum lie the false-flag pouncers of a climate-denial bent: You Are Jaguar-Driving Climate Hoax Eco-Hypocrites Who Should Be Shot Because Oil is God.

Well, you can’t make everyone happy. And as the debate rages over whether the Sierra Club is a safe-haven for eco-terrorists or a bastion of eco-fraud corporate sellouts, on shrill websites that almost nobody cares about or takes seriously except for Sean Hannity and Larry the Chemtrail Guy—Sierra Club is moving forward with its climate-change agenda and Brune is coming here to talk it.

Brune’s visit comes as Barack Obama told the New York Times this week that the climate-change trend-lines are “terrifying.” Given the tenor of our lying and venomous times, I wouldn’t be surprised if Trump accuses Muslim weathermen of cheering for Hurricane Sandy from Jersey rooftops in October 2012. In fact I think I just read that on Superstormfront, or maybe Trump tweeted something to that effect, I don’t know—the Trump Mumps fever is back and I may be hallucinating this whole awful spectacle.  

Carolyn Sills Combo Celebrates Patsy Cline’s Birthday

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6dc9d0_f83f28d73b9f4f5a8e5da4d21b959a82Patsy Cline would have been 84 this week. The legendary country star and Hall of Fame vocalist was born September 8, 1932, in Winchester, Virginia. In her brief 30 years on Earth, Cline would become one of the most recognizable voices in country music and would achieve crossover success with hits like “Walkin’ After Midnight” and her iconic version of Willie Nelson’s “Crazy.”
Cline was killed in an airplane crash in 1963, though her memory lives on in generations of fans and fellow performers who keep her voice alive. One of those performers is Santa Cruz-based Carolyn Sills, whose vintage country combo is a 2016 Ameripolitan Award nominee and Academy of Western Artist nominee for Western Swing group of the year.
This weekend, the Carolyn Sills Combo revisits Patsy Cline’s classic catalogue of tunes with authentic honky tonk sounds and swinging energy. The group gets up to the North Bay on Sunday Sept 11, with a birthday bash celebration at Sweetwater Music Hall, 19 Corte Madera Ave, Mill Valley. 4pm. $15. 415.388.3850.
[youtube]https://www.youtube.com/watch?v=FYtrGjJOMpE[/youtube]

Sept. 8: One Time Only in San Rafael & Sebastopol

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Not exactly a concert film, not exactly a documentary, director Andrew Domini’s latest film, ‘One More Time With Feeling,’ is like no other. It’s appropriately mysterious, given that the film stars Nick Cave and the Bad Seeds performing their haunting ne
w album, Skeleton Tree, while exploring the record’s dramatic origins and evolution. The film captures the group live onstage and in several interviews woven around a theme of the artist finding his way through darkness. Also mysteriously, the film screens in theaters one night only across the country, playing on Thursday, Sept. 8, at the Smith Rafael Film Center (1118 Fourth St., San Rafael; 6:45pm and 9pm; 415.454.1222) and Rialto Cinemas (6868 McKinley St., Sebastopol; 9pm; 707.525.4840).

Sept. 9: Flight of Fancy in Petaluma

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Bolinas-based artist and sculptor Sha Sha Higby makes art she can wear, in the form of complexly crafted sculptural costumes that she performs in during her hauntingly poignant live shows inspired by Noh Theater and shadow puppetry. This week, Higby premieres her latest whimsical and wondrous work, ‘Paper Wings,’ in conjunction with Petaluma Arts Center’s ongoing exhibit “Journeys Through Light and Dark,” which explores dolls as storytelling devices. Recently returned from Korea, where she spent the last several months teaching and performing, Higby makes her return to the North Bay with her brand-new show on Friday, Sept. 9, at St. John’s Episcopal Church, 40 Fifth St., Petaluma. 8pm. $15–$18. petalumaartscenter.org.

Sept. 10: Lawn Party in St. Helena

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Forestville singer-songwriter David Luning is on a roll right now. The soulful storyteller spent his summer on tour and signed a record deal with Hwy 61 Records last month. Luning is currently in the studio with producer and engineer Karl Derfler (No Doubt, Tom Waits) with an album due next February, though he’s still heading out for local shows. This weekend, Luning is at the 65th annual Tastings on the Lawn event at Charles Krug. Krug pours new-release wines and grills up savory barbecue for the winery’s biggest event of the year on Saturday, Sept. 10, at 2800 Main St.,
St. Helena. 5pm. $90–$95. 707.967.3993.

Sept. 14: Venn Sounds in Mill Valley

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The easiest way to visualize the upcoming concert with Tim Bluhm, Andy Cabic and Johnny Irion is a three-part Venn diagram. In one circle, Bluhm (the Mother Hips) overlaps South Carolina native Irion in his band U.S. Elevator, co-writing and contributing guitars and vocals to the group’s 2015 self-titled debut. In another circle, Cabic (Vetiver) overlaps with a producer credit on Irion and his songwriter wife Sarah Lee Guthrie’s 2011 album Bright Examples. Of course, Bluhm and Cabic overlap due to the sheer number of times they’ve crossed paths in their Bay Area–based careers, and now all three get to share a stage when they play on Wednesday, Sept. 14, at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley. 8pm. $17-$20. 415.388.3850.

Letters to the Editor: September 7 2016

Blind to the Plight

The latest issue of Sonoma magazine recently appeared in my mailbox. Near ads for multimillion dollar homes, expensive wines, expensive vacations and designer clothing, there are photos of the people who pick grapes. In her “Letter from the Editor,” Catherine Barnett writes, “Coming home from a late-night dinner, it is not unusual to see bright lights illuminating a path of endless darkness.” She neglects to say that there are people under those lights picking grapes. She goes on to write, “The shapes are hard to discern. The faces, hidden by caps and hoodies, are obscured by more than shadows.”

These “shapes” are people who have been in vineyards since 3am and work until noon or later doing back-breaking work and don’t receive a living wage. They are not nameless entities. Some of the photos are men in their 50s and 60s, and one man is 73. These are the people who make it possible for so many in the wine industry to possess great wealth. They deserve kindness and respect, not to be spoken of as if they are invisible.

Occidental

Dear Trump Supporters

I’ve been glued to this political season from day one. I haven’t missed one news cycle in the last 20 months. I’ve watched all the debates. Mine has been an indiscriminate immersion of viewing, listening and reading “on both sides of the aisle.”

I have heard it said that Trump supporters are predominantly “uneducated” or “not college-educated” and other things related to lacking in the area of education. Polls reveal this is true. So what? I have found those lacking formal education often excel at common sense, and my own teaching experiences affirm this observation.

But here is the part I do not understand about Trump supporters. Why aren’t you exercising common sense? I ask myself whether I could ever follow or befriend an individual who is so cruel as to mock the disabled? Would I befriend a person who assigns unkind nicknames to others—”Little Rubio,” “Lyin’ Ted,” “Crooked Hillary”? Do I want to hang with a guy who calls a woman “fat pig,” disparages people with truly cruel insults, charges an entire race of being rapists?

Dear Trump supporters: I urge you to sit quietly and reflect upon this choice you are making. Is this truly a choice that makes sense to you? If any manner of critical thinking assures you that this is the right choice for you, then I offer my best wishes for whatever future it is you long for.

Santa Rosa

Dept. of Corrections

The Nugget column of Aug. 24 incorrectly identified Jonathan Elfand as a member of the Sonoma Collective. His Sonoma County–based cannabis collective is called KuurCannaFarms and is not associated with the Sonoma Collective. We regret the error.

Write to us at le*****@******an.com.

Chopping Rock

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Bassist Jason Newsted joined Metallica in 1986 and spent 15 years as part of the biggest metal band in the world. Since leaving Metallica in 2001, he’s stayed enmeshed in the genre through several projects.

For his latest outfit, Jason Newsted & the Chophouse Band, the Rock and Roll Hall of Fame musician goes acoustic, sharing a collection of classic American songs this month with intimate performances in Mill Valley, Napa and Sebastopol.

The name Chophouse goes back to 1991, when Newsted designed and built a studio space in his San Francisco home to jam with an eclectic crew of friends and fellow players.

“For 25 years, we’ve been putting these blends of people together to make this soup with really no agenda,” says Newsted. “By playing with other people of other styles in the Chophouse, when it came time to go play ‘Enter Sandman’ for the 3,000th time, you come back with a fresh approach.”

Over the years, the players and recordings in the Chophouse opened his mind to more music. “I learned from the Chophouse how to be better in my real-world activities,” he says.

More recently, Newsted has spent time concentrating on his acoustic guitar and collecting a catalogue of over a hundred songs from the likes of Johnny Cash and Neil Young that he can play with his rotating roster of musicians; he hasn’t played these songs in public until this year. A big part of deciding to share these songs, he says, came from caring for his ailing mother in 2013.

“I would take time to play her some of these songs, and she would really dig it,” Newsted says.

“I saw which songs my voice lent the most to and picked my spots, and by playing for my mom, it made me want to do my vocal warm-ups and lessons and all that so I could sing better for her.”

For the upcoming performances, Newsted plans to start the show solo before welcoming percussionist Rob Tucker and building the number of players gradually through the largely acoustic set.

“You can jam without your ear ringing, you can hear everybody and get three- and four-part harmonies going, stuff I haven’t really done in my career,” Newsted says. “I’m finding a lot of firsts as we take [the band] out and show it to people.”

Square Deal

If it seems like nothing changes in the city of Sonoma, that's exactly the point of the place. The mélange of straw and horse manure baked into the adobe bricks that hold the place up hasn't gone anywhere in the last 170 years, and neither has the parade of sun-dress- and Bermuda-shorts-clad tourists who come to see it, in more...

artFlare Gallery Hosts a “Fun Pun” Art Show

Sculptures from found objects are equally silly and sentimental.

A Bad Case of the Trump Mumps

This blog has been dormant for awhile as I’ve been taking the spa treatment. Nothing too serious but I’ve been sick in the head. Diseased and withered. A wicked bug settled in to my soul called the Trump Mumps, an evil illness for which the only known cure is a vote, lots of long hikes in nature, and cannabis-infused...

Carolyn Sills Combo Celebrates Patsy Cline’s Birthday

Patsy Cline would have been 84 this week. The legendary country star and Hall of Fame vocalist was born September 8, 1932, in Winchester, Virginia. In her brief 30 years on Earth, Cline would become one of the most recognizable voices in country music and would achieve crossover success with hits like "Walkin' After Midnight" and her iconic version of Willie...

Sept. 8: One Time Only in San Rafael & Sebastopol

Not exactly a concert film, not exactly a documentary, director Andrew Domini’s latest film, ‘One More Time With Feeling,’ is like no other. It’s appropriately mysterious, given that the film stars Nick Cave and the Bad Seeds performing their haunting ne w album, Skeleton Tree, while exploring the record’s dramatic origins and evolution. The film captures the group live onstage and...

Sept. 9: Flight of Fancy in Petaluma

Bolinas-based artist and sculptor Sha Sha Higby makes art she can wear, in the form of complexly crafted sculptural costumes that she performs in during her hauntingly poignant live shows inspired by Noh Theater and shadow puppetry. This week, Higby premieres her latest whimsical and wondrous work, ‘Paper Wings,’ in conjunction with Petaluma Arts Center’s ongoing exhibit “Journeys Through...

Sept. 10: Lawn Party in St. Helena

Forestville singer-songwriter David Luning is on a roll right now. The soulful storyteller spent his summer on tour and signed a record deal with Hwy 61 Records last month. Luning is currently in the studio with producer and engineer Karl Derfler (No Doubt, Tom Waits) with an album due next February, though he’s still heading out for local shows....

Sept. 14: Venn Sounds in Mill Valley

The easiest way to visualize the upcoming concert with Tim Bluhm, Andy Cabic and Johnny Irion is a three-part Venn diagram. In one circle, Bluhm (the Mother Hips) overlaps South Carolina native Irion in his band U.S. Elevator, co-writing and contributing guitars and vocals to the group’s 2015 self-titled debut. In another circle, Cabic (Vetiver) overlaps with a producer...

Letters to the Editor: September 7 2016

Blind to the Plight The latest issue of Sonoma magazine recently appeared in my mailbox. Near ads for multimillion dollar homes, expensive wines, expensive vacations and designer clothing, there are photos of the people who pick grapes. In her "Letter from the Editor," Catherine Barnett writes, "Coming home from a late-night dinner, it is not unusual to see bright lights...

Chopping Rock

Bassist Jason Newsted joined Metallica in 1986 and spent 15 years as part of the biggest metal band in the world. Since leaving Metallica in 2001, he's stayed enmeshed in the genre through several projects. For his latest outfit, Jason Newsted & the Chophouse Band, the Rock and Roll Hall of Fame musician goes acoustic, sharing a collection of classic...
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