Put a Bird on It

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Julie Johnson delights in pointing out bluebirds whenever one alights in her certified organic Napa Valley vineyard. To encourage the colorful avians to stick around, she’s put up more than 20 nest boxes, and she instructs her vineyard workers to recognize and spare the nests of other songbirds when they are working in the vines.

“People get excited about seeing these birds do good things,” says Johnson, who owns Tres Sabores winery in
St. Helena.

The good these birds are doing in this and the scores of other organic and sustainable winery operations that have installed nest boxes for them, however, has until recently remained somewhat anecdotal.

Johnson has also placed several nest boxes for owls at Tres Sabores. The nearly ubiquitous owl box mounted high on a pole almost functions like a totem these days; on many a vineyard tour, the guide will point to these boxes as evidence of the winery’s environmentally friendly bona fides—be they certified organic, sustainable or merely well-intentioned.

“They’re like superstars of the vineyard,” Johnson says of the owls. “We know that barn owls are among our nighttime predators that are really crucial for vineyards, capable of eating an incredible amount of rodent pests.”

But vineyard operators like Johnson can’t say for sure whether the owls are performing their superstar feats in their own vineyard, whether a vineyard is even a particularly good place to site the nest, from the owl’s point of view, or if they’re simply talking from their tail feathers. And while no cynic might tag a box for pretty songbirds or majestic owls with the term greenwashing, “feather dusting” does have a ring to it.

To answer questions about the efficacy of owl boxes, graduate student researchers from Humboldt State University have begun a first-of-its-kind study, painstakingly mapping the interaction between owls and vineyard habitat in the Napa Valley.

“Finally, we’re starting to get some really great research,” says Johnson, who hopes that the findings will help her to develop a program for “bird-friendly” farming or wine, similar to Fish Friendly Farming, based in Napa, and the Smithsonian Migratory Bird Center’s bird-friendly coffee program.

“They are very interested in looking at vineyards,” Johnson says of the Smithsonian, “because similar habitat exists here. The idea is that these beneficial birds can coexist quite nicely.” But first, research is needed to quantify that idea. “We know what the research needs to look like,” says Johnson, “we just need to take it to the next step.”

RESEARCH TAKES FLIGHT

Under the shade of the oaks at Tres Sabores last summer, Carrie Wendt takes a break from that very research to explain the owl study she began in February. A graduate student pursuing a masters degree in natural resources and wildlife at Humboldt State University, Wendt studies the ecosystem services that wildlife can provide in agricultural systems. Her advisor, Dr. Matthew Johnson, instigated the project by pointing out that, although owl boxes have been used in vineyards for several decades, there is little to no scientific literature about them. Many of the oft-cited statistics on owls come from studies done in England and elsewhere.

To start, Wendt cold-called hundreds of vineyard managers up and down Napa Valley for permission to monitor their owl boxes. With a list of nearly 300 boxes in hand, she visited them all three times at 10-day intervals.

“It took five days to check all 300 at first,” Wendt says, adding, “I’ve driven over 10,000 miles this year already!”

But only one-third of those boxes attracted a pair of breeding owls, so Wendt next concentrated on 91 boxes that did, 69 of which produced at least one chick that year. She’s at Tres Sabores to check up on three chicks that are almost ready to fledge and begin exploring the world outside.

After a short hike to the box, Wendt hands her laptop to her undergraduate assistant, Breanne Allison, and plugs her improvised owl cam into the computer. Commandeered from a digital overhead projector, the camera is taped, with a flashlight, to a telescoping pole.

Wendt carefully pokes the camera into the owl box, while Allison monitors the screen. “You see those feathers right there?” Allison says. “Oh, no,” Wendt replies. “Dammit. That’s a dead chick.”

It’s not a happy introduction to their work, but they reluctantly tilt the screen for me to view. Inside the box is a wasted scene. Crumpled heaps of feathers lay scattered about—it’s a failed nest.

“That’s really unfortunate,” says Wendt. “I’m sorry. Total downer!”

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Nest boxes fail for a variety of reasons, says Wendt: opportunistic mammals may climb into them (although she doesn’t think that’s the cause here, Wendt notes that boxes with openings over five inches in diameter are less safe), or red-tailed hawks and great horned owls may hunt the parent owls while they fly to and from the box.

Widely used poison bait for rodent control is also a hazard for raptors: owls may be poisoned when consuming stricken rodents. But sometimes it’s just for lack of available prey that owls abandon their nest.

There’s another chance to see a fledgling owlet. I follow the students’ well-bumperstickered truck across the valley to Saint Helena Winery, off the Silverado Trail. This box is located in the middle of a vineyard, and was last seen containing one healthy, surviving chick. As Wendt maneuvers the swaying camera pole into the box, his image appears out of the darkness.

Still a fuzzball of downy feathers, he’s almost grown-up, and looking downright surly as he sways and bobs in front of the camera—the slightly comical threat display that the somewhat defenseless owlets typically put on. This lone owlet will be one of the 239 chicks successfully fledged from the nest boxes that Wendt studied, but the dark side of his success is that, most likely, he consumed his siblings—not uncommon in the unsentimental world of the barn owl.

PEST CONTROL

What the owls are eating, besides each other, may be crucial information for people like Jon Ruel, CEO at Trefethen Family Vineyards. With a background in research ecology, Ruel has helped Trefethen earn sustainability awards—and to tolerate a few more weeds in the more than 400-acre vineyard.

Ruel holds up a pellet that was at the base of an owl box as evidence that the birds are active here. After owls eat rodents, birds or other small prey, their stomach acids digest all but the bones and fur, which are then regurgitated instead of excreted. This pellet is loaded with tiny skulls with outsized teeth.

But another sustainable winegrowing technique that Ruel likes to employ is growing cover crops to naturally balance the vigor of the vines growing in deep, Oak Knoll District soil. In a particular Merlot block one year, he took that to an extreme. “It looked like wildlife habitat,” Ruel says. “And it was.”

After the cover crop died out, some vines began to die—victims of gnawing and root nibbling by hungry rodents. Ruel thinks that the rodents went wild because the owls could not easily find them in the dense cover.

With their second year of research, Humboldt State students may be able to confirm such questions.

Following up on Wendt’s work, Humboldt State graduate student Xeronimo Castaneda has been tagging adult owls with GPS transmitters. The work must be done within a demanding time frame: Castaneda has to find owls while they’re in the nest box with chicks 14 to 21 days old. Afterward, the adults roost elsewhere while continuing to feed the increasingly large chicks.

Scooping owls out of a box isn’t as hard as it sounds—the boxes have hinged doors to facilitate cleaning. But it’s not for amateur ornithologists. The team had to apply to two agencies, the Bird Banding Laboratory, a division of the United States Geological Survey, and the Institutional Animal Care and Use Committee, to obtain permission to capture and tag owls.

Somewhat like a miniature CamelBak strapped to the owls’ back, the transmitter has a regulated weight that doesn’t interfere with their flight. A hand-held radio receiver allows Castaneda to locate the bird, and the GPS data can be scanned remotely. The units are designed to safely fall off the bird within a tried-and-tested period of time.

Castaneda has a map of preliminary results that shows an owl’s erratic daily travels over Napa Valley, with each day color-coded. After the season, when the students crunch the data, they’ll superimpose a layer of habitat and vineyard designations developed by Wendt, and a picture will emerge as to whether owls prefer to actually hunt in one type of habitat over another.

“We see a lot more owls in organic versus conventional vineyards,” Castaneda says. In general, according to Wendt’s data, the population of owls in Napa Valley is concentrated in the southern part and Carneros, where there are still areas of open grassland as well as vineyards. The vineyard-choked northern Napa Valley don’t see nearly the same rate of occupied nest boxes.

Castaneda mentions a small experiment conducted by an undergraduate that has yielded some very interesting preliminary results. The student created a set of sandboxes, burying 100 sunflower seeds in each, and placed some in areas known to be populated with owls, others not.

“It’s interesting that across the board,” says Castaneda, “those little bait stations where there were no owls—all the seeds were gone. But where there were owls, a portion of those were still left.”

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While further study needs to be done, says Castaneda, this suggests that even if owls aren’t actively hunting within the vineyard, their very presence may affect the behavior of rodents in the vineyard—perhaps a sort of mirror in miniature of now-famous reports that wolves, when reintroduced to Yellowstone National Park, modified the browsing habits of elk to the benefit of waterways.

SHARPSHOOTERS

At Black Stallion Winery in Napa, Bob Johnson (no relation to Julie Johnson) is worried about the browsing habits of a much smaller creature. Standing by a motley collection of small vines in the winery’s demonstration vineyard by the patio, Johnson explains that dozens of vines had to be replanted after falling victim to Pierce’s disease, a bacterial infection spread by an insect vector.

As viticulturist for Delicato Family Vineyards, which owns Black Stallion, Johnson has bigger vineyard blocks to worry about. But he worries that it’s symptomatic of a larger trend: the culprit wasn’t the dreaded glassy-winged sharpshooter, which has thus far been prevented from entering North Bay wine country by monitoring programs; it’s the common blue-green sharpshooter, which growers are used to managing closer to its traditional habitat along riparian areas, but which has caused damage farther afield in recent drought years. The Napa River is hundreds of yards from this site.

A program funded by the industry has come up with promising, if expensive and commercially dubious solutions, like disease-resistant hybrid grapevines. Meanwhile, Johnson says that Black Stallion may join other growers along the river in trying out one of the best natural controls available. “Now growers are planting bluebird boxes,” Johnson says. “It’s a tool to help the problem. It’ll be very interesting to see what [Pierce’s disease] does this year.”

The growers aren’t flying blind on this, thanks to recent findings from Julie Jedlicka, a postdoc UC Berkeley researcher. Jedlicka’s doctoral research in Sonoma and Mendocino County vineyards showed that providing western bluebirds with specific nesting requirements resulted in a tenfold increase in insectivorous songbirds, without increasing the population of birds that eat grapes.

“Then I really zoomed in on one grower in St. Helena, Spring Mountain Vineyard,” Jedlicka says. “They have several hundred acres, so I could get a lot of fecal samples of birds and bring them to the Berkeley laboratory a short distance away.”

Jedlicka, who is now an assistant professor at Missouri Western State University and hopes to create a bird-friendly campus there, says that answering the simple question of what bluebirds are eating was a messy, bird-unfriendly task until new technology became available in the last few years. It’s called molecular scatology, though less technical terms work just as well for Jedlicka. “We extracted DNA from the poop to see what insect had been eaten,” she says, “and matched DNA to exactly that species of insect.”

The birds were eating sharpshooters—a lot of them. The current system can’t tell a blue-green sharpshooter apart from any number of other, non-vector sharpshooters. But a formerly bad Pierce’s disease problem has already been suppressed in that vineyard. “The next step would be to track them in infested vineyards,” Jedlicka says.

BIRDS AND GRAPES

If there’s a hitch in Julie Johnson’s plan for bird-friendly wine, it may be growers’ attitudes toward birds during harvest. Grape-pecking birds can cause both quantitative and qualitative damage during harvest, and Wendt points out that even passive protection like bird netting ends up killing some songbirds, which are supposedly protected under the Migratory Bird Treaty Act.

“It’s a catch, in my mind,” says Wendt. “In my opinion, bird-friendly farming is friendly to all birds.”

Whether bird-friendly farming becomes a label on its own, or part of a sustainability program like Napa Green—which does not now require anything bird-related from its members—Johnson is glad to see the research being done in vineyards.

Meanwhile, anyone with a bit of property can help the birds by giving back to their habitat. “Bluebirds are what we call an obligatory cavity nesting species,” Jedlicka explains, “which means they must have a cavity to build their nest.” But bluebirds like the oak woodlands and savannah that continue to disappear due to commercial development, according to Jedlicka.

“Putting up nest boxes is a really good substitute for that habitat.”

See the North American Bluebird Society at nabluebirdsociety.org for bird information and nest box designs.

Botanical Buzz

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Among the buzzwords in craft spirits, a very buzzy category of late, is “London-style” craft gin. It’s more than just a marketing tag, according to Griffo Distillery’s Michael Griffo.

“It’s harder to do London-style,” Griffo says above the roar of the grain mill in the Petaluma distillery that he opened in 2015 with his wife, Jennifer, who is standing on a ladder, banging away on a hopper so that the milled rye doesn’t stick in the chute. The Griffos don’t seem to mind doing things the hard way.

To make London-style, Griffo explains, herbs and citrus are infused during the distillation process, instead of being added later and separately. During a three-year period of recipe experimentation, they tried it the other way but found that the aromas and flavors remained distinct, and the gin was not as complex as they wanted.

They also had to decide which method of infusion they preferred: the botanicals may be dangled in the path of the alcohol vapors, steeped like tea inside a bag, or left to swirl randomly in the copper still. Choosing the latter, Griffo says, gives each aroma and flavor “equal opportunity” for extraction.

Griffo’s Scott Street gin ($35), named for the industrial stretch of road they share with several craft breweries, is made with organic, non-GMO corn, which they feel makes a softer, sweeter spirit than other grains. Opting for organic ingredients wasn’t necessarily a philosophical move, says Griffo. “The organic stuff tasted far better.”

They can’t call the gin organic because two of the 10 botanicals are wild-harvested, like the Meyer lemons rounded up from friends’ backyard trees when they do a gin run. Juniper berries from the local landscaping, however, didn’t compare to the Croatian version. To hit just the right notes for their heady, juniper-forward gin, which was recently awarded a gold at the 2016 San Francisco World Spirits Competition, they tried dozens of sources. Even the qualities of coriander seed vary, Jennifer Griffo explains after milling the rye, so they settled on a coriander that’s 10 times more expensive than what you get in the store.

Standing in an empty side room that will be their tasting room in a month or two, Griffo says that such obsessive attention to their process, as well as the transparency of their operation, is essential to the business. “I think it’s an extension of the farm-to-table movement,” Jennifer Griffo says of craft spirits. “People care about what they are consuming.”

Griffo Distillery, 1320 Scott St., Petaluma. Tasting room slated to open in late summer. 707.879.8755.

Sailing the Seas with Chamomile

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As fans of Primus know, frontman Les Claypool has a thing for fishing (see: “John the Fisherman,” “Fish On,” et al.). Back in 2013 he even co-created a reality show about fishing. But as any ocean-going angler can attest, fishing is not always smooth sailing. Seasickness can rear its nauseating head, and ever since Claypool ruptured his inner ear while scuba diving years ago, he’s been susceptible to mal de mer and motion sickness in general.

Because he says he doesn’t like seasickness drugs, the musician took matters into his own hands and came up with a remedy: SeaPop. The soda is made with ingredients like ginger, chamomile and other stomach-calming herbs. Claypool calls it the world’s first soothing soda. It’s got a hint of vanilla and cane sugar, so it goes down easily. It’s sweet, but finishes with a pleasing, slightly bitter quality that I attribute to the herbs. I like it.

SeaPop isn’t cheap; a single bottle goes for $2.89. But if it helps ease a churning stomach on land or sea, it’s money well spent. Get it at Andy’s Market in Sebastopol, Petaluma Market, Bohemian Market in Occidental and Sunshine Coffee Roasters in San Rafael, and go to seapop.com for more info.

(Pro tip: For an extra calming effect, try pouring it over ice with some rum or vodka.)

Celebrate Halloween in July with Isaac Rother & the Phantoms

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Can’t wait until October to have a Halloween party? Neither can Los Angeles garage rockers Isaac Rother & The Phantoms, who roll into Santa Rosa on Wednesday, July 13, for a spooktacular show that kicks off their ‘Haunting the West Coast’ summer tour. Specializing in a throwback ’60s sound akin to Bo Diddley and Screaming Jay Hawkins, Rother’s larger-than-life onstage personality perfectly matches the group’s off-the-wall punk rock aesthetics.
Joining the Phantoms on July 13 are Oakland-based indie rock innovators O.C.D and Santa Rosa’s gleefully experimental Secret Cat. Boys and Ghouls of all ages are invited to dress up and enjoy Halloween in July on Wednesday, July 13, at Atlas Coffee Company, 300 South A St, Suite 4, Santa Rosa. 7pm. $5. Get a preview of Isaac Rother & the Phantoms’ unspeakable horror below.

2016 NorBays Music Awards Voting Is Open

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Each year since 2005, the NorBays have recognized the best bands of the North Bay, with voting open to the public and gold-record awards presented to winners. We’re back this year, with a free outdoor awards ceremony planned and a new category. Voting is now open for the 2016 NorBays.
Before you join us for the awards show live in Juilliard Park in Santa Rosa on Sunday, Aug. 14, vote on categories including Blues/R&B, Country/Americana, DJ, Folk/Acoustic, Hip-Hop/Electronic, Indie/Punk, Jazz, Rock, and Reggae. This year we also added a best Promoter category.
With this write-in ballot, you will help choose the winner. Enter your favorite local band from Sonoma, Napa or Marin Counties in each category. Winners will be announced in the Aug.10 issue.
Voting ends Monday, Aug.8. at 12pm.

Watch the Music Video for Emily Jane White’s “Pallid Eyes”

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[youtube]https://www.youtube.com/watch?v=jj97A4WeSvU[/youtube]
Fort Bragg native Emily Jane White’s long awaited album, They Moved in Shadow All Together, is finally getting an official release this Friday, July 8. We’ve already previewed the album’s first single, “Frozen Garden,” and now White unveils the music video for the album’s second single, “Pallid Eyes.”
Featuring a hypnotic acoustic riff and White’s ethereal voice, the song builds on “Frozen Garden” with a mysterious narrative and haunting melodies. And the video, shot in washed-out greys by director and editor Dan Jenkins, moodily captures the song’s message of longing and languishing.
White is currently on tour supporting the forthcoming album, click here for updates on her upcoming shows.

July 8: ‘Dream’ Comes True in Santa Rosa

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A summer tradition that’s eight years strong, local theater company the Imaginists take to their bicycles and pedal to several Santa Rosa parks to present free, bilingual performances in the annual Art Is Medicine tour. This year, the group is presenting a modern and daring take on Pedro Calderón de la Barca’s classic play La vida Es Sueño (“Life Is a Dream”). Kicking off the tour this weekend, the Imaginists invite the public to a fundraiser event on Friday, July 8, before they perform at Juilliard Park on
July 9 and Howarth Park on July 10, and other dates this summer. The fundraiser happens at 461 Sebastopol Ave., Santa Rosa. 7pm. $5–$25. 707.528.7554.

July 9: Trad Jazz in Sonoma

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When Dixieland and ragtime jazz fans talk about their preferred genre, they call it “trad jazz,” short for traditional. If you’re a trad fan, then this weekend’s Wine & Dixieland Jazz Festival is your ticket to old-time fun in a laidback setting. Hit the lawns around Cline Cellars to hear Bay Area bands like Beyond Salvation, Devil Mountain Jazz Band, Jambalaya Big Swing Band and the Royal Society Jazz Orchestra among others. There’s food, wine and beer on hand, though you can bring your own picnic as well. Spend the afternoon getting jazzy on Saturday, July 9, at Cline Cellars, 24737 Arnold Drive, Sonoma. 11am to 6pm. $40–$45. 707.940.4025.

July 9: Stories That Pop in Napa

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Known in the North Bay as a co-host of Petaluma’s monthly Get Lit reading and open mic events, Napa-based writer Kara Vernor’s fiction and nonfiction works have been published in literary reviews and collections from Los Angeles to Stockholm, and she is renowned for her incisive prose and intriguing characters. Last month, Split Lip Press published Vernor’s new chapbook of 21 stories, Because I Wanted to Write You a Pop Song, and she reads from the book on Saturday, July 9, at Napa Bookmine, 964 Pearl St., Napa. 6pm. 707.733.3199.

July 10: Hand Crafted in Petaluma

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With an emphasis on local and artisanal, the Petaluma Art & Garden Festival turns 15 years old this summer with a street party that brings in over 140 vendors offering their art, handmade crafts, garden decorations and more. Aside from the unique wares, live music keeps the crowds moving with performances by local favorites the Soul Section, Foxes in the Henhouse and Hot Grubb. For the kids, games and activities are on hand, and for the adults, tasting packages are available for anyone who wants to indulge in local brews and wine, while the area’s best restaurants serve up eclectic culinary options. The art and garden goods go on display Sunday, July 10, on Kentucky and Fourth streets in downtown Petaluma. 11am to 5pm. Free admission. 707.762.9348.

Put a Bird on It

Julie Johnson delights in pointing out bluebirds whenever one alights in her certified organic Napa Valley vineyard. To encourage the colorful avians to stick around, she's put up more than 20 nest boxes, and she instructs her vineyard workers to recognize and spare the nests of other songbirds when they are working in the vines. "People get excited about seeing...

Botanical Buzz

Among the buzzwords in craft spirits, a very buzzy category of late, is "London-style" craft gin. It's more than just a marketing tag, according to Griffo Distillery's Michael Griffo. "It's harder to do London-style," Griffo says above the roar of the grain mill in the Petaluma distillery that he opened in 2015 with his wife, Jennifer, who is standing on...

Sailing the Seas with Chamomile

As fans of Primus know, frontman Les Claypool has a thing for fishing (see: "John the Fisherman," "Fish On," et al.). Back in 2013 he even co-created a reality show about fishing. But as any ocean-going angler can attest, fishing is not always smooth sailing. Seasickness can rear its nauseating head, and ever since Claypool ruptured his inner ear...

Celebrate Halloween in July with Isaac Rother & the Phantoms

Can't wait until October to have a Halloween party? Neither can Los Angeles garage rockers Isaac Rother & The Phantoms, who roll into Santa Rosa on Wednesday, July 13, for a spooktacular show that kicks off their 'Haunting the West Coast' summer tour. Specializing in a throwback '60s sound akin to Bo Diddley and Screaming Jay Hawkins, Rother's larger-than-life onstage personality perfectly...

2016 NorBays Music Awards Voting Is Open

Each year since 2005, the NorBays have recognized the best bands of the North Bay, with voting open to the public and gold-record awards presented to winners. We're back this year, with a free outdoor awards ceremony planned and a new category. Voting is now open for the 2016 NorBays. Before you join us for the awards show live in Juilliard...

Watch the Music Video for Emily Jane White’s “Pallid Eyes”

https://www.youtube.com/watch?v=jj97A4WeSvU Fort Bragg native Emily Jane White's long awaited album, They Moved in Shadow All Together, is finally getting an official release this Friday, July 8. We've already previewed the album's first single, "Frozen Garden," and now White unveils the music video for the album's second single, "Pallid Eyes." Featuring a hypnotic acoustic riff and White's ethereal voice, the song builds on...

July 8: ‘Dream’ Comes True in Santa Rosa

A summer tradition that’s eight years strong, local theater company the Imaginists take to their bicycles and pedal to several Santa Rosa parks to present free, bilingual performances in the annual Art Is Medicine tour. This year, the group is presenting a modern and daring take on Pedro Calderón de la Barca’s classic play La vida Es Sueño (“Life...

July 9: Trad Jazz in Sonoma

When Dixieland and ragtime jazz fans talk about their preferred genre, they call it “trad jazz,” short for traditional. If you’re a trad fan, then this weekend’s Wine & Dixieland Jazz Festival is your ticket to old-time fun in a laidback setting. Hit the lawns around Cline Cellars to hear Bay Area bands like Beyond Salvation, Devil Mountain Jazz...

July 9: Stories That Pop in Napa

Known in the North Bay as a co-host of Petaluma’s monthly Get Lit reading and open mic events, Napa-based writer Kara Vernor’s fiction and nonfiction works have been published in literary reviews and collections from Los Angeles to Stockholm, and she is renowned for her incisive prose and intriguing characters. Last month, Split Lip Press published Vernor’s new chapbook...

July 10: Hand Crafted in Petaluma

With an emphasis on local and artisanal, the Petaluma Art & Garden Festival turns 15 years old this summer with a street party that brings in over 140 vendors offering their art, handmade crafts, garden decorations and more. Aside from the unique wares, live music keeps the crowds moving with performances by local favorites the Soul Section, Foxes in...
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