From Company Town to Rebel City

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Rebel cities have long been laboratories for progressive policy experimentation. Specifically, the small Bay Area city of Richmond has stood out for its boldness. It’s now the subject of a new book by Steve Early, Refinery Town: Big Oil, Big Money, and the Remaking of an American City.

A long-time labor activist
and a frequent writer for
In These Times, Early moved to Richmond five years ago. After “thirty-two Boston-area winters,” Early found the placid weather more of a draw than the city’s vibrant urban-reform movement, he writes. But naturally he soon got involved and began taking notes, eventually producing a lively read—an intimate, warts-and-all look at how a small
band of activists fought for
and won a slightly better world at home.

Early’s book is a ray of hope for anyone wondering how to survive, and possibly even thrive, under Donald Trump and a hostile Republican Congress.

Taking on Chevron

Richmond was once home to factories that built warships and automobiles. Today, what’s left of local industry is a giant oil refinery owned by global superpower Chevron. The de-industrialization of Richmond produced the usual urban problems: white flight, declining tax revenue, a corrupt government and a police force that behaved like an occupying army.

In 2004, an “unlikely group of Greens, Latinos, progressive Democrats, African Americans, and free spirits” formed the Richmond Progressive Alliance (RPA), and began to organize around environmental and good-government causes. It grew into a political machine.

Party labels don’t appear on Richmond city ballots, and all city council seats are elected on a citywide basis—a structure that’s advantageous for insurgent minority efforts to gain representation and build a reputation in government.

In its first election, the RPA managed to win a city council seat for Gayle McLaughlin, a Green. As councilwoman, McLaughlin championed city parks and pushed for more environmental regulation of the refinery. Two years later, she was elected mayor.

McLaughlin hired a good government city manager, who straightened out the city’s books, as well as a new police chief who retrained the city’s force to emphasize community relations and de-escalation.

The alliance also fought to make Chevron pay its fair share in taxes, eventually extracting an additional $114 million from the company. It helped negotiate a separate $90 million payout, along with new safety regulations and investments for the plant. In turn, that money was invested in parks, youth jobs programs and expansion of the city’s workforce and services.

In spite of such successes, the RPA found itself under regular attack. Its members skewed older and whiter than Richmond’s diverse population. Machine Democrats exploited this fact by running African-American opponents against RPA-supported candidates. These hacks were routinely endorsed by state Democratic leaders like Dianne Feinstein, out of party loyalty. In a dynamic familiar to anyone who labors in urban union politics, the building trades and police and fire unions also opposed the progressive alliance.

Finally, and least surprisingly, Chevron spent $3.1 million in an unsuccessful effort to defeat the RPA slate in 2014. To put that in perspective, that’s more money than the company spent on every congressional race in the country for two cycles—combined!

From Protest to Policy-Making

Richmond progressives also faced intense opposition from powerful real estate interests. The city made national headlines with its Richmond Cares plan to use its powers of eminent domain to help homeowners whose loans exceeded the values of their homes in the wake of the mortgage crisis and Great Recession that followed.

“The banking and real estate industries,” writes Early, “wanted to strangle Richmond Cares in the cradle before it could become a model and precedent for other cities.”

Corporate interests sued to block implementation, and inundated the local airwaves with broadsides against the mayor and progressive councilmembers. In essence, the banks threatened a capital strike, warning that “lending for new home buyers will dry up, home values will decline, and neighborhoods will be hurt,” Early writes. Ultimately, the mortgage industry successfully lobbied Congress to prevent the use of eminent domain to renegotiate private mortgages. Such a bill was signed into law by President Obama in late 2014.

Efforts to provide relief for Richmond renters were more successful, although no less contested. Located just 17 miles from San Francisco and connected by a train line, Richmond has seen an influx of new residents priced out of more expensive cities to its south. Newcomers were soon pricing out longtime Richmond residents, as rents were raised by hundreds of dollars a month, with no warning. Evictions spiked.

In July 2015, the city passed a package of rent-control measures. They established a rent-control board, capped annual rent increases to the federal inflation rate and established a “just cause” standard for evictions. The California landlord lobby responded by paying canvassers to mislead several thousand Richmond voters into forcing a referendum on the law. Although Early’s book went to press before the November election, the happy postscript is that Richmond’s rent-control law was one of the many progressive ballot initiatives that won.

The rent-control battle exposed a deepening rift between the RPA and the new mayor, Tom Butt. Butt, whom the alliance backed at the end of McLaughlin’s two terms, favored a “supply side” solution to the city’s housing crunch and bitterly walked out on the council’s rent vote.

These kinds of political growing pains are being experienced in almost every city where progressive coalitions have won more power in city hall. In the transition from protest to policy-making, alliances contend with the rising expectations of left voters, on the one hand, and the dawning reality, on the other hand, that liberal allies may only be along for part of the ride.

‘What a little group of people could accomplish’

Appropriately, Refinery Town includes a foreword by Bernie Sanders. Before he became the
de facto opposition leader against Trump, Sanders gave hope to a beleaguered and much tinier left during the Ronald Reagan years, as mayor of the small Vermont city of Burlington. He’s now working with Our Revolution, the national organization that spun off from Sanders’ recent run for the presidency, and is focused on the recruitment and training of local activists for down-ballot races.

Community activists who are just starting out could find the Richmond example a bit daunting, which makes intimate, contemporary histories like Refinery Town so valuable. The first step, of course, is to find each other. The activists who would go on to form the Richmond Progressive Alliance first coalesced around a successful effort to block construction of an oil-fueled municipal power plant next to the Chevron refinery.

The next project they worked on was a year-long campaign to stop the police from harassing Latino day laborers at their morning meet-up spot outside a local Home Depot. This campaign was also a success, and led to the creation of a day-laborer association to improve safety and workers’ wages.

As Early writes, one founder recalled that organizing around these discrete winnable issues “showed what a little group of people could accomplish,” and inspired the shift into electoral work.

This story originally appeared in
‘In These Times.’

Question Time

While it’s possible that Sonoma County’s new land-use ordinance for cannabis growers will be modified, it’s time to prepare for compliance with the new rules.

But first I suggest a step back. Do you want to stay in the industry? Do you have a handle on what it will take to get a license? Are you prepared for substantial market volatility over the next few years? What are your human and financial resources?

If you decide to stick it out, I recommend that you determine your zoning. Does your property qualify for a license? Do you have any obvious setback issues? Are you currently having any issues with county permits? Have you made any unpermitted improvements? What kinds of properties surround you? Have you considered the possibility of rezoning or acquiring neighboring land to meet minimum parcel size?

If you think your property may qualify for a growing license (you may need the assistance of an attorney or land-use expert to be sure), you now have a two-pronged, and simultaneous, approach to take. You need to get through 2017, and you need to prepare for licensing.

With regard to 2017, you need to make sure that you are in compliance with both land-use and criminal-law issues. Do you have a collective? Are you in compliance with the county’s best management practices? Do you have someone to give you advice on what these mean and to do compliance checks if necessary? Who will deal with county regulators on your behalf?

As for 2018 and beyond, what kind of license are you going to apply for? Do you know all the prerequisites? Have you read the new land-use ordinance, and the Medical Cannabis Regulation and Safety Act?

I constantly remind people that the new system will be much more complex than the current one. Most commercial cannabis operations will require a conditional-use permit.

The point of this article is to shake people out of their complacency. Next year, everyone in the cannabis industry will need a county permit and state license. You need to start thinking about issues like taxation. Track and trace. Water engineers. Attorneys. Accountants. Security. Pesticides and many other issues.

Please do not wait until 2018 to begin thinking about how you will get the licenses and permits. Everything is changing, and it is time to figure out a game plan.

Ben Adams is a local attorney who concentrates his practice on cannabis compliance and defense.

Wake Up Call

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We’ve all heard the arguments for and against the existence of human-caused climate change. Let’s look at climate change from the viewpoint of one of the most conservative institutions on the planet: insurance companies.

Articles and analyses from and about the insurance industry’s response to climate change paint a clear picture: it’s here. In 2013, the Smithsonian Institution published an essay titled “How the Insurance Industry Is Dealing with Climate Change.” The subtitle spoke volumes: “Rising chance of extreme weather is forcing insurance companies to adjust their models as they take on more risk”.

In 2014, the trade publication Insurance Journal ran an article with the headline “Insurance Industry Is Leader on Climate Change, Report Says.” The report mentioned was a white paper published by the Urban Land Institute, urging “real estate sector and government planners to take an active role in climate-change adaptation.”

The same year, in a Los Angeles Times op-ed article, “How the Insurance Industry Sees Climate Change,” author Eugene Linden recalled an interview 20 years ago with Frank Nutter, president of the Reinsurance Association of America, on the threat climate change posed to the insurance industry: “It is clear that climate change could bankrupt the industry,” Linden wrote. The article also cited nine class-action lawsuits filed by insurance company Illinois Farmers against cities and counties for failing to take steps to prevent losses related to climate change–related extreme storms in 2013.

“The Farmers suit tells the world that regardless of what the politicians and pundits say about climate change,” Linden wrote, “an insurer is going to try to avoid paying for losses that could have been foreseen and prevented.”

When apolitical, bottom-line-focused insurance companies see climate-change trouble ahead, it’s time for doubters to face the fact that the climate change is real and we need to respond to the threat we all face.

Chris Wilder lives in Cloverdale and is a former contractor at Bay Area U.S. Department of Energy labs who currently working as a tutor.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Letters to the Editor: January 18, 2016

Move On

Many thanks to Michele Linfante’s thoughtful, sensitive and sane contribution (Open Mic, Jan. 11). Her reference to “We Were Made for These Times” by Clarissa Pinkola Estés is powerfully poetic prose and an inspiring read.

To the conservatives who write in to say “Suck it up and move on” (Rochelle Torre and Chris Sholes): Do you understand how thoroughly we have all been conned? A recent Huffington Post piece by Robert Weissman makes this crystal clear: “Nothing more plainly shows Trump’s complete cynicism and dishonesty than his absolute betrayal of the core claim of his campaign—to rid Washington of corruption, cronyism and insider dealing. The corporate interests who he properly alleged in the campaign buy politicians will now themselves be directly in charge of the government.”

This is nothing to “move on” to, especially in an America that has not truly been a functioning democracy since the Supreme Court “elected” George W. Bush in 2000.

Yes, it can and did happen here. We must wake up and resist it—together. Acting red/blue; liberal/conservative; black/white; rural working class/elite intellectual; Beatles/Stones are distractions that help them oppress us. We cannot afford to fall for it.

Via Bohemian.com

Indecent

“Have you no decency, sir?” That statement was made by attorney Joseph Welch after Sen. Joseph McCarthy of Wisconsin attempted to impugn the character and patriotism of a junior lawyer during the 1950s. Fed up with McCarthy’s deceitful lies and bluster, Welch’s statement ended a contentious hearing and hastened the end of McCarthy’s political career and a dark period in our history, where fiction overrode fact.

And now we have another man,
Donald J. Trump, shouting and tweeting mistruths of events that did not happen, statements he never made, and character assassinations of individuals and institutions (the latest being his despicable attack on Congressman John Lewis of Georgia).

It is incumbent on our statesmen (who are too few to be found these days) and politicians (who are too numerous to be found), Democrats and Republicans, to not only distance themselves from such crass distortions but to question their elected leader and to hold him accountable for words and policies that represent and guide our nation.

Mr. Trump stated he would like to knock the heads of some people (i.e., political opponents, the print media, artists, etc.), who have spoken “disrespectfully” toward him. Fair enough. If he wants to “take off the gloves,” as he has said, maybe it’s time for the fourth estate to do the same, to do their work—to do what they are paid to do: ask the hard questions; dig deeper; separate fact from fiction; and refuse to go away or be blown off by boorish behavior. And no less should be expected of our citizenry. It our responsibility to the democratic ideals of our country, for if we don’t rise to this challenge, we will have to face one another, eye to eye, and look within ourselves and ask, “Have we no decency?”

Santa Rosa

Write to us at le*****@******an.com.

Tomorrow’s Art

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Opening this weekend at the Petaluma Arts Center, “Discovered: Emerging Visual Artists” exhibits the work of five diversely talented artists living and working in Sonoma County.

Creative Sonoma, the county’s arts outlet of the economic development board, presents the show as part of a program funded by the Artist Awards Endowment Fund of the Community Foundation Sonoma County. The purpose of the program is to focus on relatively unknown local artists to help propel them into the community’s consciousness.

This year’s “Discovered” show includes the work of Santa Rosa artists Jenny Harp and Dayana Leon, Occidental’s Catherine Sieck, Sonoma’s Kala Stein and Petaluma’s Jaynee Watson.

Their pieces represent a wide range of styles. Harp makes colorful, mixed-media art that has been shown in downtown Santa Rosa; Leon creates hypnotizing paintings that explore identity in a society of physical enhancements; Sieck’s cutout paper assemblages depict life in bygone eras that are as detailed as they are imaginative; Stein makes ceramics with innovative mold and casting techniques; and Watson’s mixed-media installations defy explanation.

This year’s artists were selected from over 40 applications, and in addition to having their work shown, each artist receives a $2,000 stipend. “Discovered: Emerging Visual Artists” is on display through March 18, and opens with a reception on Saturday,
Jan. 21, at the Petaluma Arts Center,
230 Lakeville St., Petaluma. Reception at 5pm. Regular hours are Tuesday through Saturday, 11am–5pm. 707.762.5600.

Health Literacy

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Want to kick off the new year on a healthy note, but don’t know where to start? Check out your local library.

The Sonoma County Library is currently hosting an ongoing series, “Healthy Living at Your Library,” at all 12 locations through May. Aimed at educating people on healthful eating and cooking as well as physical fitness, the free classes range from cardio-focused kickboxing workouts to meditation and yoga to cooking demonstrations.

Headed by library division manager Jaime Anderson, the series is part of the library’s plan to create a much broader program that touches on more aspects of life. “Most people think of libraries as places to read books, and we have a literacy program where we teach people to read,” Anderson says. “But this idea of a comprehensive services program goes beyond that.”

The healthy living series was designed around the 2016 Sonoma County Community Health Needs Assessment, which found that healthful eating and physical fitness are top priorities for county residents. The library also looked at the county’s recent Portrait of Sonoma report, which documented health and wellness needs in the county down to the neighborhood level. The report found that these issues are largely preventable through education.

“We thought, ‘Wow, we could help with that, fill some of that gap,'” Anderson says.

Funded with a federal grant administered through the California State Library, the series is especially helpful for low-income communities, Anderson says, who otherwise would not be able to afford gym memberships or who struggle to find nutritious food options.

The living series offers a cooking demonstration on winter vegetables hosted by Santa Rosa Junior College culinary teacher and author Jill Nussinow, better known as “the Veggie Queen,” that includes easy-to-make recipes.

Also on the schedule are classes on yoga and ayurveda, a body science designed to treat symptoms naturally with remedies tailored to fit individual needs. Also look for health screenings presented in coordination with St. Joseph Health.

Though many of the classes require pre-registration due to limited space, all events repeat several times over the next four months.

The library has also created a Healthy Living Club in which participants can attend three classes, check out health or fitness books and DVDs, and complete a personal physical challenge to be entered into a prize drawing. Prizes include Sonoma County Parks passes, Fitbit fitness trackers, yoga kits and more.

Beyond prizes, Anderson says a healthy life is reward enough in itself. “I think the community is ready for this.”

Healthy Living at Your Library continues through May at all Sonoma County Library locations. For schedules and registration information, visit sonomalibrary.org.

A Light in the Dark

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The “ghost light,” an enduring theatrical tradition, is about to be reclaimed, now as a powerful political statement. This Thursday, thousands of theater companies around the country—including a handful in the North Bay evening—plan to gather together in solidarity, just after sunset, all across the United States.

“It’s important that we make it known to everyone everywhere,” explains Steven David Martin, Artistic Director of the Raven Players in Healdsburg, “that our theaters will always be places of light and safety, always open and welcoming to absolutely everyone, no exceptions, who enter our doors.”

The Ghost Light Project – formed by a collective of theater artists on both coasts – was created as form of positive, peaceful protest, planned for Jan. 19 at 5:30 p.m., on the eve of the inauguration of Donald Trump. The project is fueled by fears that a Trump administration could bring artistic and journalistic censorship, rising discrimination and increases in race-and-religion-focused violence. In other words, the next four years could be dark and dangerous for everyone.

Those participating in the Ghost Light Project, primarily members of the theater community including actors, directors, playwrights, technical artists and the audience members who value theatrical expression – will assemble in front of local theaters, bearing flashlights, lamps, lighters, and other illuminating devices. The Ghost Light website, with suggestions on how to participate, has a downloadable poster on which people can identify themselves and what they plan to be fighting for over the next months and years.

In addition to the Raven Players, other theater companies planning to hold gatherings this Thursday include Marin Theatre Company in Mill Valley, Main Stage West in Sebastopol, 6th Street Playhouse in Santa Rosa, and Sonoma Arts Live, in Sonoma. The public is invited to join in, and theater artists from all theater companies are welcome to join in as well.

“To be fair and transparent,” says Craig Miller, Artistic Director of 6th Street Playhouse, “I don’t think that we have always done the best we possibly can here, in creating a space that has been as inclusive, or as reflective of the immense diversity of our community as it could, or should be. Art imitates life. We are supposed to be holding a mirror up to nature.”

6th Street will be participating with a presentation of readings by local theater artists, along with a statement of commitment to being a beacon of light in the future, plus a group singing of “Seasons of Love” from the musical Rent, and the ceremonial lighting of a lamp to remain in the front window of the theater at all times.

Adds Miller, “The Ghost Light Project gives us, and all theaters and their communities, an opportunity to renew that vital commitment to stand for and protect the values of inclusion, participation, and compassion for everyone regardless of race, class, religion, country of origin, immigration status, disability, age, gender identity, or sexual orientation. We strive to be that theatre company, and hope to be a beacon of that message in our community in perpetuity.”

Observed for over two hundred years, the “ghost light” is traditionally a literal light – usually a single lamp, though before electricity small lanterns were often used – left on overnight once a theater has closed its doors. For many, it’s a mere safety precaution, though the tradition first sprang from the belief that every theater has at least one resident ghost. The lamp allows the spirits of the place to take the stage overnight, telling its own stories till daylight returns. As metaphor – a light in the darkness, calling the lost and forgotten – the image of the “ghost light” has become a symbol of the theatrical arts at their best.

“Many of us are legitimately frightened at what this administration could bring,” says Beth Craven, Artistic Director of Main Stage West, which recently staged Si Kahn’s immigrant musical “Hope.” “The timing couldn’t have been more perfect, because a lot of us all over the country are struggling right now to find a way to keep our own hope alive. Given what this man says he plans to do, the rights and freedoms he plans to take away, keeping a light burning is more than just a metaphor. It’s a necessity.”

On Thursday, artists from Main Stage West, and local theater supporters, will be lighting candles and singing at least one song from “Hope” on the sidewalk in front of the theater.

Martin, with the Raven Players, says he wanted his theater family to be part of this project because of the many ways the theater has always worked to provide a safe place for the marginalized and under-heard.

“We need to stand strong with our brothers and sisters across the country to ensure there is always a light for everyone,” he says. “And this is our chance in face of potential dark times to stand together and stand up for human rights and human decency. We are storytellers and we need to include every aspect of our eclectic society to participate in sharing our stories. I hope we see a lot of our fellow theatre artists at the Raven this Thursday night, or that they join the Ghost Llight Project at their respective theatrical homes.”

To learn more visit www.theghostlightproject.com

Jan. 12: Beer Scholar in Healdsburg

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It’s hard to think of a cooler nickname than ‘the Pope of Foam,’ the title given to brewing scientist Charles Bamforth. Born in Britain and currently working at UC Davis, Bamforth has spent his life researching, educating and making beer, and he loves nothing more than to share his passion—and maybe a couple of pints—with as many people as he can. Bamforth is also the author of several books on the subject, and this week, the Healdsburg Literary Guild welcomes him for a talk and tasting event featuring Bear Republic brews on Thursday, Jan. 12 at Shed, 25 North St., Healdsburg. 7pm. $15. 707.431.7433.

Jan. 13-14: Freshly Made Films in Windsor

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Now in its third year, the grassroots, nonprofit Windsor International Film Festival once again features an exciting array of short films from independent filmmakers near and far. Not only does the festival screen works from over 20 different countries, it also spotlights more than a dozen North Bay filmmakers. With 50 films to choose from this year, the festival has organized its showings in thematic blocks, offering films in groups such as crime dramas, romantic films, relationship dramas, altered realities and more. See for yourself on Friday and Saturday, Jan. 13–14, at Windsor High School, 8695 Windsor Road, Windsor. windsorfest.com.

Jan. 13-15: Get Feisty in Napa

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San Francisco playwright and performer Charlie Varon channels his inner grump in his funny one-man show, ‘Feisty Old Jew.’ Taking on the role of 83-year-old Bernie, Varon chronicles the rapidly changing landscape of San Francisco through the eyes of a lovable Luddite stuck in a car with three young techies. As Bernie rants against the fashion boutiques and cappuccinos of the younger generation, he also energetically convinces his car-sharing techie friends to let him try his hand at surfing for the first time in his life. Will Bernie catch a wave? Find out Friday through Sunday, Jan. 13–15, at Lucky Penny Community Arts Center, 1758 Industrial Way, Napa. Friday–Saturday, 8pm; Sunday, 2pm. $50. 707.266.6305.

From Company Town to Rebel City

Rebel cities have long been laboratories for progressive policy experimentation. Specifically, the small Bay Area city of Richmond has stood out for its boldness. It's now the subject of a new book by Steve Early, Refinery Town: Big Oil, Big Money, and the Remaking of an American City. A long-time labor activist and a frequent writer for In These Times,...

Question Time

While it's possible that Sonoma County's new land-use ordinance for cannabis growers will be modified, it's time to prepare for compliance with the new rules. But first I suggest a step back. Do you want to stay in the industry? Do you have a handle on what it will take to get a license? Are you prepared for substantial market...

Wake Up Call

We've all heard the arguments for and against the existence of human-caused climate change. Let's look at climate change from the viewpoint of one of the most conservative institutions on the planet: insurance companies. Articles and analyses from and about the insurance industry's response to climate change paint a clear picture: it's here. In 2013, the Smithsonian Institution published an...

Letters to the Editor: January 18, 2016

Move On Many thanks to Michele Linfante's thoughtful, sensitive and sane contribution (Open Mic, Jan. 11). Her reference to "We Were Made for These Times" by Clarissa Pinkola Estés is powerfully poetic prose and an inspiring read. To the conservatives who write in to say "Suck it up and move on" (Rochelle Torre and Chris Sholes): Do you understand how thoroughly...

Tomorrow’s Art

Opening this weekend at the Petaluma Arts Center, "Discovered: Emerging Visual Artists" exhibits the work of five diversely talented artists living and working in Sonoma County. Creative Sonoma, the county's arts outlet of the economic development board, presents the show as part of a program funded by the Artist Awards Endowment Fund of the Community Foundation Sonoma County. The purpose...

Health Literacy

Want to kick off the new year on a healthy note, but don't know where to start? Check out your local library. The Sonoma County Library is currently hosting an ongoing series, "Healthy Living at Your Library," at all 12 locations through May. Aimed at educating people on healthful eating and cooking as well as physical fitness, the free classes...

A Light in the Dark

The “ghost light,” an enduring theatrical tradition, is about to be reclaimed, now as a powerful political statement. This Thursday, thousands of theater companies around the country—including a handful in the North Bay evening—plan to gather together in solidarity, just after sunset, all across the United States. “It's important that we make it known to everyone everywhere,” explains Steven...

Jan. 12: Beer Scholar in Healdsburg

It’s hard to think of a cooler nickname than ‘the Pope of Foam,’ the title given to brewing scientist Charles Bamforth. Born in Britain and currently working at UC Davis, Bamforth has spent his life researching, educating and making beer, and he loves nothing more than to share his passion—and maybe a couple of pints—with as many people as...

Jan. 13-14: Freshly Made Films in Windsor

Now in its third year, the grassroots, nonprofit Windsor International Film Festival once again features an exciting array of short films from independent filmmakers near and far. Not only does the festival screen works from over 20 different countries, it also spotlights more than a dozen North Bay filmmakers. With 50 films to choose from this year, the festival...

Jan. 13-15: Get Feisty in Napa

San Francisco playwright and performer Charlie Varon channels his inner grump in his funny one-man show, ‘Feisty Old Jew.’ Taking on the role of 83-year-old Bernie, Varon chronicles the rapidly changing landscape of San Francisco through the eyes of a lovable Luddite stuck in a car with three young techies. As Bernie rants against the fashion boutiques and cappuccinos...
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