Barley Legal

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‘How curious,” I say to myself, sniffing a four-ounce sampler of Azacca rye IPA at Grav South. “Another beer with that sweet, smoky hop profile!” That’s when I remember that the first thing I said when I sat down at the bar was “Say, what’s that sweet, smoky smell?”

It is not a revelatory aromatic experience I’m having with some smoky new hop variety, but the fact that smoke from slow-cooked pork on the patio out back has seeped into the cavernous tap room.

All but hidden in a corner of a battleship-gray strip mall, Grav South only recently won approval for signage out front, I’m told at the bar, and while it’s well that last call is called after the tactical paintball shop next door has closed, the city has enjoined them to shutter at 9pm, reportedly to avoid “the crawl.” News to me that there’s active bar crawl in this sector, until I remember that I’m not in Rohnert Park, but in Cotati. Again, is it the beer?

Good thing they’ve got a kitchen, albeit no deep fryer, ergo no fries. Smoked pork adds smoky meatiness to nachos ($8) and pork sliders ($10). Sandwiches, chili and cheesy rollups round out the menu, with vegan-option guacamole and chips, which I would have done well to have ordered, because even a sampler ($7) is having that winter warmer effect.

I must not be the beer geek I pretend to be, thoughtfully sniffing and scribbling in my notebook at the bar, because I don’t savvy why the 20×20 double IPA, at 8.6 percent ABV (alcohol by volume) and a century of IBU (international bittering units) is sweeter and more mild and less than double the strength of the dry, hoppy 7.6 percent and 85 IBU
7 Figure IPA.

But it’s beer of a lesser bittering unit that brings me here. If there’s a cloud in the sky bigger than a cotton ball, it’s not a tutti-frutti hop bomb I want, but a strong, malty Scotch ale, and Grav South’s version hits the spot, aye, captain. Though the molasses aroma and candy-apple flavor make me think of Aberlour single malt with a dark abbey ale chaser, the rich brew finishes cool and not too sweet.

A brewpub staple of ye olde 1990s, sweet, malty barley wine has since flagged in popularity, but Grav South’s American barley wine is a house favorite for its dry, not-so-winey, all-too-easy drinkability. Too olde-English style? Try the Irish red, due for a
St. Patrick’s Day release on March 17.

Grav South Brew Co., 7950 Redwood Drive, Ste. 15, Cotati. Open Tuesday–Sunday, 11:30am–9pm. 707.753.4198.

The Watchdog

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Jerry Threet’s desk is overflowing with papers and files, and right on the top of the inbox is a print-out of a story from the Washington Examiner that ran a couple of weeks ago. The article told of how Sonoma County sheriff Steve Freitas was one of six California sheriffs who attended a recent meeting in Washington, D.C., with United States Attorney General Jeff Sessions, no friend of undocumented immigrants.

The story raised eyebrows and questions around the county, with its outsized population of the undocumented and Trump’s big deportation push right out of the gate. At the center of it all in Sonoma County is Threet, who’s just about to finish his first year as director of the county’s new Independent Office of Law Enforcement Review and Outreach (IOLERO), created in the aftermath of the 2013 shooting of teenager Andy Lopez by a sheriff’s deputy.

We met recently at his office on County Center Drive on two separate occasions, and I asked Threet, a former San Francisco city attorney, to talk about his first year on the job—the biggest challenges and surprises and impressions he has of policing in Sonoma County, what works, what doesn’t and what’s he doing about it. Questions and answers have been edited for clarity.

Bohemian: What are the basic functions of your job, and how do you respond to a criticism or a perception that’s been leveled at the IOLERO that its biases are with the community over the sheriff’s department?

Jerry Threet: We do work with the sheriff’s office, and we have to. It’s part of the charge of the office to bridge the gaps that people perceive between certain communities and the sheriff, but primarily we’re here to serve the community. If folks have complaints about deputies, we’re there as an extra set of eyes, independent of the sheriff’s office, to give the community assurances that these investigations are being done appropriately. We also take complaints here.

We know people feel uncomfortable, for a lot of reasons, and some of that has to do with this immigration order that we’re looking at now, if they come here now. You can file a complaint here, and I think that provides a level of comfort, and also helps with the process, helps to get everything that’s relevant in the complaint. And that function has to be a neutral function—the obligation there is to the truth of what happened, not to the deputies, not to the community, but to the truth. And I think that’s really where you get the confidence—sometimes maybe you’re saying that this [arrest] wasn’t done correctly, and we disagree with the sheriff’s conclusions, and sometimes you say, “Well, yeah, they did do it correctly, and the complainant is not correct on the facts,” and that’s not a surprising thing because if you think about these encounters, they are really stressful encounters. And the memory that folks have of stressful encounters is not really great in recall.

Are there particular challenges for Sonoma County, given its size, the various communities that SCSO is responsible for, and any particulars of staffing at the sheriff’s department?

There’s undeniably a problem around that, and the issue there is staffing. If you look at the staffing of the county for the deputies on each shift, it requires that there be one deputy per car, and usually that’s the only deputy that’s going to respond to a call for service; particularly in some of the districts, the calls for service can be a wide distance from each other. So even getting to a call for service can take a really long time, and that deputy is out there on [his] own, [he] can’t really expect backup for a long time if something goes wrong. It makes it difficult to get to know community members when they are living in a rural setting on large parcels of land far apart from each other, and there’s less of a central community, a center where people gather and interact with one another—those are all challenges for the sheriff’s department.

What are the ways that you work with these realities and seek to improve policing in the county?

I do think that a greater community-oriented focus would be helpful for the sheriff’s department, and for communities in particular in those unincorporated parts of the county that are more dense. One of those is the Moorland-Roseland area, and the other is the Springs. Those also happen to be the areas where there are significant Latino and immigrant communities, which have their own unique challenges for the department. So I think it would make sense to put in place, and I’m advocating for, pilot programs in community policing for those two areas. There are some grant opportunities coming up in a two-year cycle, that come from the state in 2018, and I’m trying to put together a team to put together a package for that. That’s something that would require partnering with community groups in those areas, which I think would be a win-win all the way around.

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There was an incident at a home in Boyes Hot Springs last year involving a Deputy Scott Thorne and two other officers. What might have been done differently to avoid this outcome: a domestic-abuse call from a neighbor that ended with a guy getting Tased in his bed by Thorne, who then left the force and was charged with felony assault. As I understand it, the officer didn’t have any civil-service protections. Do you see any way that community policing or some other sheriff’s office policy might have prevented this outcome?

I don’t know enough about all the details of what unfolded to know whether if they had more knowledge of who they were—even with community oriented policing, where you have pretty robust staffing, you’re going to have lots of encounters where you are going to have no idea who these people are or how they got there. So it’s pretty speculative whether that could have changed something. Certainly you’re correct that that deputy, as I understand it, did not have civil-service protections yet, and certainly, without those protections, it’s easy for someone to be let go. I don’t know that he was let go. He could have resigned. All I know is that he is no longer working for the sheriff’s department at this point.

I actually credit the way that they handled that situation. I just don’t know, for example, whether he was told that you’re dismissed or was told that we’re investigating this and you have an opportunity to resign, and perhaps he resigned. Things can happen different ways. This is coming to me after the investigation is complete, after they’ve done the review. So I haven’t seen the videos, I haven’t seen the investigation released. What I do know about it is what has been reported to the press. I will know more details when I review it myself—then I can make a call about it.

One thing that is interesting about it—when the case goes over to criminal investigation, the reasons for him being criminally investigated and the referral can be talked about, in that context. [But] within the context of an administrative investigation, they can’t talk about it. So you still have an investigation ongoing criminally, as I understand it, by the DA of the other two officers. Presumably, she will make a determination soon about that. The administrative investigation is still going on as far as I understand it, and when they reach a conclusion, I’ll get that and I’ll have an opportunity to look at it carefully. And it is three officers, and they are somehow each involved in the incident and each one of them will have their own analysis.

Is anything happening at the federal level under Trump that is giving pause, worry—and how are you addressing the whole threat of renewed ICE crackdowns?

Our Community Advisory Committee made a couple of recommendations. One, the county board should push legislators to support SB 54, the statewide sanctuary bill. And the sheriff’s office should change its policies to only cooperate in any way with ICE when it involves an immigrant involved in a serious and violent felony.

Even if the state declares itself a sanctuary, there’s still federal immigration law and local law enforcement with questions about how to work within that framework.

I think that’s one reason SB 54 is interesting: it takes the conflict out of the hands of the sheriff and supervisors, and makes the decision for everyone. And there’s some real tension around that issue, you know, in every county. My own personal view of it is the government code does give the board of supervisors supervisorial authority over sheriffs, and that it’s rarely exercised.

Is the problem for local law enforcement one of, how do you create carve-outs for particular crimes committed by immigrants so they don’t get deported for stealing a pack of gum?

Nobody is saying that the sheriff’s department or law enforcement shouldn’t enforce the criminal laws; the question is whether they should be assisting in civil immigration laws. That’s a different question. And if you look at the Trump order that came out, the criteria for enforcement practically covers everything at this point. It’s not about crime. The [federal] enforcement priorities have nothing to do with crime. They include crime and they also include whether a single immigration officer thinks, if you are a risk to the country, they get to summarily deport you, put you over the border. I think all those priorities are totally within [Trump’s] purview to set up. There are other areas that are unconstitutional. And he doesn’t have the right to force localities to do it for him.

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Some commenters on the Press Democrat‘s story about the Freitas visit with Sessions really seem to have it in for you—I was kind of surprised at the one-sided comment stream that was almost entirely pro-Freitas. The gist of the comments is: you have a bias, this is a waste of taxpayer money, why do we need this. And there are those who point out that this office and your job here in Sonoma County only came about as the result of a single incident, the Andy Lopez shooting.

I don’t spend a lot of time reading those comments because, as far as I’m concerned, those are people who are too cowardly to come out to a public meeting and make their comments in public, so the public can see who they are and what they represent. That being said, the way I tried to set up our Community Advisory Council, and the way I handle these things, is I go out to meetings of every group that likes to hear about what we do. I went out to the [Sonoma County] Taxpayers Association. They are not a liberal sort of huggy group. They were pretty skeptical about the reasons for our office. And I go out there and I answer the questions, and I try to actually get some more information out there about what we are doing and why.

With the CAC, I have made every effort to have that group represent the broad spectrum of the county, including ideologies that nobody would say are “progressive” or “lefty” or “out to get the police.” It is the nature of something like this, that people who have more concerns in this area are going to be the people who are more likely to apply for those positions, so I do agree that it is somewhat skewed as far as its perspective, and I’ve tried really hard to get some people that have more of a sympathetic viewpoint to law enforcement on that body, and I would welcome folks to apply to that. I welcome that perspective. There’s just an inability or unwillingness to grapple with a person who has a different point of view than you do, it’s characteristic of leftward leaning people, it’s on both sides of the issue, and I think that’s why we have some much division in this country. Politics has become a blood sport.

How would you characterize your relationship with Sheriff Freitas?

I feel like we have a pretty good relationship, actually. I don’t see it as adversarial in nature. I think that sometimes, given that part of my charge is to look at policies and see if they might better serve the community, I think that’s part of the sheriff’s charge too, to serve the community. But probably the area where there is some tension is something like our Community Advisory Council, which is more oriented toward the community than they are toward the public safety mission of the sheriff’s office. Community members may be less oriented to the public safety model. And, frankly, there are just some folks in the community who don’t think there should be a policing function in our county or our society, and there is one. I don’t happen to share that perspective. I think there is a place for policing, and the way I see this, I’m trying to work with everybody and trying to make recommendations that would improve that model.

How about interactions with rank-and-file deputies? Any characterizing encounters?

I have regular interactions with certain members of the staff, and I have great relations with those folks. On a more limited basis, I’ve had interactions with the line-staff deputies. I’ve been through multiple trainings where I sit with the deputies and have the same training that they have. I’d say that as a general matter—and I’ve shared these conversations with other folks who have the same kind of job I have—there’s probably a look askance, skepticism about who is this guy, why is he here, probably some suspicion that we might be critical or out to get a deputy or something like that. And part of my job is to try and calm those types of fears and concerns, because I’m not out to “get” any deputy—that’s not what this job is about. It’s about providing some kind of confidence to the public, who sometimes have the same skepticism the deputies have—that things are being done in a way that’s transparent and appropriate.

You’ve been on this job for about a year. Is there anything where, “I thought this going in—and now I think this,” any surprises?

I’m not going to say this is a surprise, but my experience going out and talking to folks in the immigrant community has given me a much, much fuller understanding of the layers of alienation of that community, from the general community of Sonoma County and the district that they bring to interacting on many different levels with government here, including law enforcement. When I’ve heard stories from 15, 20 years ago of how they experienced local law enforcement—those are pretty negative stories that they tell, and those are still with the families. So that’s a real kind of a family-system barrier or cultural barrier that’s there that I hadn’t fully grappled with or thought through before really going out and talking with people. And knowing it’s there and knowing where it comes from, it’s not that long ago and I think it’s understandable that they have a certain skepticism today.

And you really have to kind of address it where it is. That did happen, and things are changing. And I think it’s also important for law enforcement to understand that, because if you’re facing that in a community and you have one incident or something goes wrong, that just freshens up those experiences all over again and kind of confirms those things for those folks, so you have to be even more proactive if something goes wrong, reach out even more, knowing that this is the history that people are bringing.

That’s kind of a familiar theme in vulnerable communities: how many generations does it take to undo damage and mistrust that goes back decades?

We [recently] had 50 immigrant parents who showed up in Springs, and deputies were able to sit down in circles with these folks, talk about how they do their job. There was a palpable feeling that people were eager to talk to law enforcement. One of the questions was, “Why did you come here?” One fellow said, “I’ve been here 30 years and it’s always been out there that there’s some possibility that I could get deported, but it was a remote possibility. It doesn’t feel remote anymore; they’re going after everybody for any reason.” And he said, “I’m terrified about ICE coming.” But he also said, “You’re local law enforcement, you’re there to protect me, I want to get to know you, I want you to know who I am.” That’s the kind of interactions that were happening. And the deputies were really welcoming and open to that conversation and trying to reassure folks that they are not here to pick them up or take them to ICE or anything like that.

‘Hand’ Up

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Punch and Judy, Triumph the Insult Comic Dog, Trekkie Monster (along with other foul-mouthed, porn-surfing residents of Avenue Q), and those randy marionettes from Team America: to this list of celebrated, envelope-pushing puppets, add Tyrone, the hilariously demonic sock puppet who rules over Robert Askins’ remarkable stage play Hand to God (Berkeley Repertory Theatre).

Blending arch one-liners, expert slapstick and shocking (but funny) acts of violence with outrageously pointed observations about faith, guilt, parenthood and the notions of good and evil, Hand to God is not the first show to feature puppets saying and doing bad things. But as written by Askins, this hard-to-describe comedy-drama—a 2015 Tony nominee for best new play—always feels fresh and inventive, even a bit transgressive in its willingness to go places very few puppet-shows have ever dared to go.

Directed with spot-on precision by David Ivers, Hand to God is set in a small-town Texas church, where a troubled, sweet-spirited teenager named Jason (brilliantly played by Michael Doherty) attends a youth ministry club—that focuses on puppets—run by his recently widowed mother, Margery (Laura Odeh, perfection). Also in the club are the gentle but resourceful Jessica (Carolina Sanchez, wonderful) and Timothy (an excellent Michael McIntire), a confrontational teen punk with a serious case of the hots for Jason’s mom.

Hoping that a church project might help snap Margery out of her grief, pastor Greg (a first-rate David Kelly) has basically forced the puppet club on her. All hell breaks loose, literally, when Jason’s puppet, Tyrone, begins exhibiting strong antisocial behavior, dropping f-bombs and brutally escalating observations about Jason, his mother, and the other basement-dwelling “Christ-keteers.”

These outbursts begin gradually, with Tyrone tagging inappropriately sexual comments onto a performance of the famous “Who’s on first?” routine, occasionally reciting vaguely threatening facts: “The smallest of cuts to the Achilles tendon will cripple a man for life!” Before long, though, Jason has to accept the fact that his id-driven puppet just might be Lucifer himself.

As Jason/Tyrone, Doherty is a marvel, pivoting between characters with breathtaking speed and precision. The play goes to some dark places, but the brilliant script and cast never lose their sense of humor and heart, or the story’s commitment to the idea that the things we loathe and fear the most might be closer to home than we prefer to imagine.

Rating (out of 5): ★★★★½

Get Down

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Things have never been better for Santa Rosa indie band the Down House. Especially considering the band’s ill-fated first gig.

Guitarist and vocalist Casey Colby formed the darkly new wave–inspired post-punk band with his partner, guitarist Sarah Davis, in 2013. “We booked our first show before we wrote any songs or anything,” Colby laughs. Undaunted, the pair scraped together a set that covered musical influences like Echo & the Bunnymen. “All our amps fell apart, it was terrible,” he says. “But you knew it could only get better.”

Things did get better. Over the last four years, the Down House have caught a lot of attention for their addictively rhythmic rock and roll singles and 7-inch splits with other bands, culminating in this weekend’s unveiling of the band’s first proper full-length album, Our Mess, via San Francisco label Broke Hatrè.

If you want to hear it, though, you’ll need your trusty tape player, as Our Mess is being released on cassette only.

“As much as I love vinyl, I have more fun when I can go about things a little faster,” says Colby. The problem with the recent resurgence of vinyl records in the last decade is that they take time to press. In addition, major label acts like Taylor Swift want to release vinyl to their masses, meaning independent bands like the Down House are left on the waiting list as the too-few pressing plants get more and more backlogged.

The good news is that you can still get a good, working tape player at Goodwill for about 5 bucks. “Tapes are really inexpensive. Our tapes took less than three weeks to make, packaging included, which is awesome,” says Colby. “I think [tapes] are definitely a DIY necessity.”

Colby also acknowledges the novelty aspect of cassette tapes is stronger than ever for the generation who grew up buying them at Sam Goody stores. “We come from the dark era of vinyl—like, I never wanted Blink-182 on vinyl,” he laughs.

The band’s current lineup includes drummer Connor Alfaro (OVVN), keyboardist Anthony Killian (Spirits of Leo), guitarist Derek Nielsen (the Illumignarly) and bassist James Ryall (Brown Bags) backing Colby and Davis.

Our Mess sees the band adding several layers of atmospheric guitars and mixing up their dark and droning punk sounds with psychedelic splashes and new instruments, such as tambourine and trumpets. Still, the band keeps the heaviness intact. Our Mess is the Down House’s biggest, most emotionally charged and most electrifying record yet.

No Way on ‘A’

I was horrified to see that there is no argument against Sonoma County’s proposed cannabis tax published in the voter pamphlet for the March 7 special election. I cannot believe that the cannabis industry was not organized enough to oppose such a harsh taxation measure.

Some form of tax is inevitable. So why am I so adamant that this tax is the wrong approach at best and an industry killer at worst? First, the county claims that this tax is for the industry to pay its “fair share.” Then why is the tax being framed as a general tax, which would put the revenue into the general fund where it could be used for any purpose? If the point is for the industry to pay its own way, then putting the cannabis tax money into the general fund defeats this purpose.

The reason is obvious. The county is trying to do an end run around the requirement that a special tax get two-thirds approval from the voters. So if the county actually only used the money to enforce the new cannabis ordinance, that would be a special tax. If history is any guide, the money will go somewhere else.

Second, the tax will be a backbreaker. Have those who decided to remain silent even read the new ordinance? The requirements to get a county permit are onerous and expensive. Shunting growers onto incredibly expensive land was bad enough. But the county will require everything from carbon credits to ADA bathrooms to get a permit. I estimate the cost of compliance will likely be hundreds of thousands of dollars. Now add this tax on top!

The county will be allowed to tax up to 10 percent of gross. For many businesses, that can easily be 50 percent of net. Yes, I am aware that the county, in its generosity, is only proposing 5 percent on manufacturers and up to $18.75 per square foot for growers right now. But if a grower has a 10,000-square-foot facility and is subject to the $18.75 rate, that will mean an extra $187,500 in taxes on top of the hundreds of thousands it took to get the permit. Who will pay this extra amount? Patients will only bear so much.

Prices for cannabis are coming down in states that have legalized. Margins are getting thinner. Yet Sonoma County’s approach is to push everyone onto million dollar–plus properties, require hundreds of thousands of dollars to be spent on licensing and then skim any potential for profit off in taxes. While the industry might be able to bear one of those, all three will be an industry killer.

I think the tax will pass. The result? The small (legal) cannabis industry will be owned by the very rich. Everyone else will have to quit, leave or go underground. It didn’t have to be this way.

Ben Adams is a local attorney who concentrates his practice on cannabis compliance and defense.

Legacy in Song

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Based in Santa Rosa, Heiress Productions keeps the stories of the African slave experience alive, and honors the descendants of that dark period of American history through performances and services that promote healing, empowerment and solidarity.

In honor of Black History Month, Heiress’ popular show, The Spirit of Us, returns for another year of emotionally charged music and expressive performance on Sunday,
Feb. 26, at Luther Burbank Center for the Arts.

Written and directed by North Bay theologian, author, playwright and songwriter Jacqueline Lawrence, The Spirit of Us features the Heiress Choral Group capturing the African-American experience through a wide range of music, including spirituals, gospel, blues, jazz, folk and and hip-hop.

Throughout, the showcase pulsates with a rhythmic energy that speaks to both the sorrows of the enslaved and to the hope for redemption by those who carry that legacy in their hearts and minds today.

The Spirit of Us is performed on Sunday, Feb. 26, in the east auditorium at
the Luther Burbank Center for the Arts,
50 Mark West Springs Road, Santa Rosa. 2pm; pre-show reception at 1pm. $30
general admission; $40 VIP. 707.546.3600.
Charlie Swanson

Romping Rights

With only a few hours to spare, two determined Marin County women helped stop the National Park Service from severely curtailing dog walking in the Golden Gate National Recreation Area.

The very day that the National Park Service (NPS) was scheduled to finalize a restrictive dog management plan, it capitulated and halted the plan until further notice, in part due to the work of Laura Pandapas and Cassandra Fimrite, who simply wanted to keep walking their dogs.

Neither activists nor rabble-rousers, Pandapas, an artist from Muir Beach, and Fimrite, a Tam Valley mom of two teenagers and one black lab, took a stand against the NPS and its plan, which would have slashed off-leash dog walking by 90 percent and on-leash dog walking by 50 percent.

The NPS cited various reasons for the sweeping changes, including the protection of wildlife and newly planted native species, yet it provided no site-specific data to back up its claims. The women, who have been fighting the NPS for years, sought to ensure that it ran a fair planning process and complied with the law. They lobbied lawmakers, requested NPS documents, hired a lawyer and filed a lawsuit. For now at least, they have won.

“It’s the birthright of everyone here to use the public lands of the [Golden Gate National Recreation Area] in the way that Congress intended,” Pandapas says.

Congress established the Golden Gate National Recreation Area (GGNRA) in 1972. The land was designated a recreation area rather than a national park, because the open space was much needed in an urban setting like the Bay Area. A pet policy followed in 1979 that allowed dog walking on select portions of the GGNRA, which amounted to less than 1 percent of the land.

The idea of further restricting dog walking has been bandied about by the NPS for 15 years. In 2005, an attempt was aborted by the court for lack of proper public notice. The NPS began the necessary public process the following year. Meetings were held and public comment periods ensued, but dog devotees who attended the meetings cried foul. They became convinced that the NPS was not providing the public with adequate scientific studies to demonstrate the need for a change, and it seemed the government agency had a heavy bias against dog walking. The NPS decision, they said, was a fait accompli.

“There are tried-and-true conservation methods, such as a land buffer, seasonal buffers and time-of-use restrictions,” says Pandapas. “The NPS could have given the public a buy-in, but they didn’t. Instead, the only tool they employed was the removal of dogs.”

The park service presented a draft plan with extensive changes in the dog rules last February. It banned all off-leash dog walking on the fire roads and trails in Marin, and left only Rodeo Beach for dogs to play off-leash. Concerned that the plan was too restrictive and did not address the impact on Marin County open space and local parks, the Marin County Board of Supervisors, the Mill Valley City Council, the Muir Beach Community Services District and the Marin Humane Society opposed the plan. Congressman Jared Huffman suggested off-leash access in some areas before 10am, as well as other compromises, but the NPS refused to budge.

The final dog management plan rolled out last month and was almost identical to the draft. On-leash trails in Marin had been cut from 24 miles to just eight miles. Then, on Jan. 10, when the NPS was to sign the Record of Decision and publish the final rule for dog management at GGNRA, it issued a press release stating that it was halting the plan until further notice.

Why the unexpected change on the part of the NPS? “We showed that the NPS had a systemic pattern of bias and inappropriate relations with external groups,” Fimrite says.

When the NPS initially provided its draft plan, a coalition of dog and recreation advocate groups, including Marin County DOG (Dog Owners Group), an organization founded by Pandapas and Fimrite, requested public records from the NPS. The NPS refused to comply. The groups filed a Freedom of Information Act lawsuit to obtain the information, and a federal court recently ordered the NPS to produce the documents.

More than 260,000 heavily redacted pages trickled in and were methodically combed through by the four plaintiff groups: Marin County DOG, Save Our Recreation, SFDOG and Coastside DOG of San Mateo County, and their attorney Chris Carr, of Mill Valley, a partner with Morrison & Foerster.

On Jan. 4, less than a week before the final plan would be signed into the official record, the plaintiffs revealed examples of unethical and perhaps illegal conduct on the part of senior GGNRA officials and staff. They posted more than 40 damning documents on a website they called WoofieLeaks.

In one instance, former GGNRA director of communications and partnerships Howard Levitt, who retired last October, used his personal email account to conduct business regarding the dog management plan. And for good reason. The decision-making process was required to be unbiased, but Levitt had reportedly worked with several private organizations to stack the deck against dog walking.

Levitt also directed staff to destroy emails and discuss aspects of the plan offline. “Everyone: Please delete this and the previous message,” Levitt wrote in a September 2013 email. “These conversations are best done by phone.”

A GGNRA wildlife ecologist urged staff in a 2006 email to leave out data from the dog management plan environmental impact statement, because it did not jibe with the desired outcome—specifically, to virtually eliminate dogs in the GGNRA.

It also seemed that Levitt had a personal bone to pick with dogs. In April 2014, he wrote to Kimberly Kiefer of the San Francisco Recreation and Park Department about his broken finger: “Ironically, it’s my middle finger . . . probably broke it expressing my opinion of out of control off-leash dog visitors.”

“The level of hubris and arrogance contained in these documents is unfathomable,” Carr says. “This is evidence of bad faith on the part of the government. The park service was bound and determined to get the result they wanted.”

The documents that came to light on WoofieLeaks spurred the decision by the NPS to halt the signing of the plan and conduct an internal investigation. According to the NPS press release, “The decision comes in response to requests from members of Congress to extend the waiting period for the final environmental impact statement. This pause will also allow the National Park Service to conduct a review of certain records being released in response to an ongoing Freedom of Information Act request related to the park’s Dog Management Plan and rule.”

Congresswoman Jackie Speier believes that doesn’t go far enough and has called for a “truly independent inquiry into whether NPS employees acted improperly with regards to their work on the GGNRA Dog Management Plan.”

The NPS refused comment for this story and instead referred to two press releases that stated it would be investigating the documents.

“The records belong to us, the people,” Carr says. For that reason, Carr and his clients will move ahead with the Freedom of Information Act lawsuit against the NPS. Fimrite considers the emails as proof that the entire plan must be thrown out.

“Someone has to address what happened in the GGNRA,” Pandapas says. “The NPS can’t seem to engage in an honorable process. What’s happening in the Bay Area is nothing to be proud of.”

Watch the Music Video for Go By Ocean’s New Single

[youtube]https://www.youtube.com/watch?v=FzXkOdZ-IK4[/youtube]
San Francisco indie rock band Go By Ocean has released a visually metaphorical music video for their new single, “Ring Around the Sun.” The song is from the band’s forthcoming sophomore album, Sun Machine, due out in April.
“Ring Around the Sun” boasts a brightly upbeat sound that is a welcomed sign from the band and frontman Ryan McCaffrey, who reportedly went through an extended period of difficulty and darkness in the last few years. The new video’s visuals tell the story of his recent struggles, seen as inky black clouds that follow the characters in otherwise sunny settings.
The band celebrates the single’s release with a show on Thursday, February 23, at Sweetwater Music Hall in Mill Valley. Click here for more info.

Feb. 19: Wine Times in Napa

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The Winemaker by Richard Peterson
is a memoir about the Napa wine expert and author’s 50 years in the industry, his many inventive contributions still in use today and his tenure with Napa Valley wines like Atlas Peak Vineyards. But it’s a book about more than wine. It’s a personal look back at Peterson’s life, one that began in the Great Depression, and it traces California’s agricultural history from the vantage point of someone who saw it all. Peterson reads from The Winemaker on Sunday, Feb. 19, at Napa Bookmine’s Oxbow Market store, 610 First St., Shop 4, Napa. Noon. 707.726.6575.

Feb. 19: String Theory in Mill Valley

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Among the most celebrated bands in Ireland today, We Banjo 3 have spent two decades regaling audiences with a mix of Irish traditional tunes and Americana grass-fed folk for a sound steeped in history and infused with contemporary sensibility. Featuring banjo, fiddle, mandolin, guitar, vocals and percussion, We Banjo 3 give a new twist to old classics and invent modern takes on old sounds in a style they call “Celtgrass,” and this weekend, the banjo band make their way to the North Bay with a show on Sunday, Feb. 19, at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley. 8pm. $20–$22. 415.388.3850.

Barley Legal

'How curious," I say to myself, sniffing a four-ounce sampler of Azacca rye IPA at Grav South. "Another beer with that sweet, smoky hop profile!" That's when I remember that the first thing I said when I sat down at the bar was "Say, what's that sweet, smoky smell?" It is not a revelatory aromatic experience I'm having with some...

The Watchdog

Jerry Threet's desk is overflowing with papers and files, and right on the top of the inbox is a print-out of a story from the Washington Examiner that ran a couple of weeks ago. The article told of how Sonoma County sheriff Steve Freitas was one of six California sheriffs who attended a recent meeting in Washington, D.C., with...

‘Hand’ Up

Punch and Judy, Triumph the Insult Comic Dog, Trekkie Monster (along with other foul-mouthed, porn-surfing residents of Avenue Q), and those randy marionettes from Team America: to this list of celebrated, envelope-pushing puppets, add Tyrone, the hilariously demonic sock puppet who rules over Robert Askins' remarkable stage play Hand to God (Berkeley Repertory Theatre). Blending arch one-liners, expert slapstick and...

Get Down

Things have never been better for Santa Rosa indie band the Down House. Especially considering the band's ill-fated first gig. Guitarist and vocalist Casey Colby formed the darkly new wave–inspired post-punk band with his partner, guitarist Sarah Davis, in 2013. "We booked our first show before we wrote any songs or anything," Colby laughs. Undaunted, the pair scraped together a...

No Way on ‘A’

I was horrified to see that there is no argument against Sonoma County's proposed cannabis tax published in the voter pamphlet for the March 7 special election. I cannot believe that the cannabis industry was not organized enough to oppose such a harsh taxation measure. Some form of tax is inevitable. So why am I so adamant that this tax...

Legacy in Song

Based in Santa Rosa, Heiress Productions keeps the stories of the African slave experience alive, and honors the descendants of that dark period of American history through performances and services that promote healing, empowerment and solidarity. In honor of Black History Month, Heiress' popular show, The Spirit of Us, returns for another year of emotionally charged music and expressive performance...

Romping Rights

With only a few hours to spare, two determined Marin County women helped stop the National Park Service from severely curtailing dog walking in the Golden Gate National Recreation Area. The very day that the National Park Service (NPS) was scheduled to finalize a restrictive dog management plan, it capitulated and halted the plan until further notice, in part due...

Watch the Music Video for Go By Ocean’s New Single

https://www.youtube.com/watch?v=FzXkOdZ-IK4 San Francisco indie rock band Go By Ocean has released a visually metaphorical music video for their new single, "Ring Around the Sun." The song is from the band's forthcoming sophomore album, Sun Machine, due out in April. "Ring Around the Sun" boasts a brightly upbeat sound that is a welcomed sign from the band and frontman Ryan McCaffrey, who reportedly went through an...

Feb. 19: Wine Times in Napa

The Winemaker by Richard Peterson is a memoir about the Napa wine expert and author’s 50 years in the industry, his many inventive contributions still in use today and his tenure with Napa Valley wines like Atlas Peak Vineyards. But it’s a book about more than wine. It’s a personal look back at Peterson’s life, one that began in...

Feb. 19: String Theory in Mill Valley

Among the most celebrated bands in Ireland today, We Banjo 3 have spent two decades regaling audiences with a mix of Irish traditional tunes and Americana grass-fed folk for a sound steeped in history and infused with contemporary sensibility. Featuring banjo, fiddle, mandolin, guitar, vocals and percussion, We Banjo 3 give a new twist to old classics and invent...
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