Full Circle

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Grammy-winning bluegrass and folk songwriter and multi-instrumentalist Tim O’Brien grew up in the mill and steel town of Wheeling, W.V., along the Ohio River. His Leave It to Beaver upbringing included a lot of country music on the radio but little in the way of local job prospects, so he headed west to Colorado before moving to Nashville.

Since becoming a famed figure in that city’s music scene, O’Brien has released over a dozen acclaimed albums that have made him a household name for bluegrass fans across the country. O’Brien returns to his roots with his new album, Where the River Meets the Road, inspired by his home state. O’Brien performs off the new record April 8 at he Sebastopol Community Center.

“When I sang bluegrass and country music, people took me more seriously because I was from West Virginia,” O’Brien says. “The love of the music kept going, but I kept viewing it from afar.”

West Virginia’s long musical heritage includes eclectic popular artists like Bill Withers, Blind Alfred Reed and Billy Edd Wheeler, as well as traditional mountain music from the likes of the Lilly Brothers and the Lonesome Pine Fiddlers.

O’Brien rediscovered these artists and learned about many others when he became a board member of the West Virginia Music Hall of Fame several years ago. He was also inducted in 2013.

Where the River Meets the Road is the culmination of O’Brien’s rekindled interest in West Virginia music. Ten of the 12 tracks on the new record are covers of songs written by the state’s diverse array of native talent, including bluegrass singer Hazel J. Dickens. “A lot of them are old favorites,” says O’Brien of the songs he chose to record. “I tried to make the best set of songs that would show some of the breadth of the music.”

O’Brien’s two original tunes on the album are among his most personal songs. The title track is the story of his family’s arrival in West Virginia from Ireland in the 1850s, and “Guardian Angel” is the heartbreaking story of the death of O’Brien’s older sister when he was just a toddler.

“If I look at it one way, I’ve been spending my whole artistic life getting ready to make this record,” O’Brien says. “It’s a reflection of where I’m at and what I’ve experienced.”

Letters to the Editor: April 5, 2017

Yes on C

I have lived in Santa Rosa for over 30 years. I value this community for its diversity, livability, music and art. I am voting Yes on C because I want Santa Rosa to continue to be a vibrant community, not an enclave for the rich. Stopping unjust evictions and steep rent increases will not prevent ethical property owners from making a profit, but it will keep students, working families and artists from being kicked out of their homes in the middle of a housing crisis. Long-term residents are already being forced out of the area by the high cost of housing. Let’s choose to keep Santa Rosa a place where people can create, work, learn and grow. Yes on C!

Santa Rosa

Wasteful

You ungrateful dreamer (“A Dreamer’s Diary,” March 8). Spend all that money on that good education, and all you are is an artist. What a waste.

St. Helena

Water Rights

Sonoma County will be facing, in the next few weeks and months, important decisions about groundwater. It is vitally important that the public be given a voice in these determinations involving the composition and voting rights of new agencies regulating groundwater in Sonoma County under California’s new Sustainable Groundwater Management Act (SGMA).

Over the past 18 months, working groups representing Sonoma County and other public entities have been meeting to consider these questions. These have not been public meetings, and little is known about them. It now appears, however, that the working group for the Santa Rosa Plain groundwater basin has determined that Sonoma County, the Sonoma County Water Agency, five cities including Santa Rosa, Windsor, Rohnert Park, Cotati and Sebastopol, the Sonoma Resources Conversation District and one representative for mutual water companies will be the only voting members on the board of the contemplated agency, even though 80 percent of groundwater users in Sonoma County are rural agricultural or rural residential users.

These water users have “overlying rights” to groundwater which can reasonably claim the highest priority of any class of groundwater users under the common law. Overlying rights are enjoyed by virtue of ownership of overlying real property. The fact that the proposed agency posits a nonvoting advisory committee of 18 representatives, two of which are rural, residential well owners and two of which represent agricultural interests, can offer little comfort to holders of overlying rights to groundwater in Sonoma County.

Sonoma County and other members of the SGMA working group for the Santa Rosa Plains basin should take steps to inform the public and provide representation to stakeholders commensurate with their legal and equitable rights.

Sebastopol

Write to us at le*****@******an.com.

What a Trip

In 1968, Armando García-Dávila joined his older brother and two friends on a cross-country motorcycle ride that took 30 days and traversed over 7,000 miles. He was 19-years-old, just out of high school.

“We had real-life adventures,” says García-Dávila, who recounts run-ins with Texas Rangers and Mississippi rednecks and shares memories of seeing the Grand Canyon and stealing corn out of fields in Nebraska when the money ran low.

That real-life adventure inspired García-Dávila’s debut novel, The Trip: Speeding Toward the Cliff at the End of the World, out now.

It’s a novel that’s been 10 years in the writing, according to García-Dávila, who’s known in the North Bay more for his poetry. After majoring in English at Sonoma State University in the mid-1970s, García-Dávila fell in love with the North Bay and made the region his home, working as a landscape contractor and writing in his spare time.

His writing has been published locally in magazines and newspapers since 1990, and his short stories and chapbooks have sold well. His writing career has also included volunteer work with inmates of San Quentin State Prison and a year serving as literary laureate of Healdsburg in 2002.

“Finally, someone told me to write my memoir,” says García-Dávila. Growing up in a large Mexican-American family with a twin brother and Catholic upbringing, there was a lot for the writer to explore. Yet the memoir didn’t hold his interest and ultimately didn’t go anywhere.

“I thought to myself, what could be something that I would be interested in writing about,” he says. “It was the motorcycle trip.”

Initially, The Trip began as a memoir, though García-Dávila evolved the book into a fantastical novel infused with creative license that he says is loosely based on the Odyssey.

“It’s the hero’s journey—a boy leaves on a long dangerous journey and a man returns,” says García-Dávila. “And along the way, he has to face his deepest fears.”

Several visual references to the Odyssey pop up throughout the book’s wild head-trips and unexpected adventures, and García-Dávila’s characters develop in a similar manner. At one point in the novel, the main character, Tino Caballero, goes through an out-of-body experience akin to Odysseus traveling to the underworld in Homer’s Greek epic.

When readers meet Tino in the following excerpt from The Trip, he’s just setting out on the open road, wide-eyed and naive. Get a taste of the adventure, and find García-Dávila at one of several readings he is holding in the North Bay, beginning April 23.
Charlie Swanson

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Freedom

San Diego, California—
Saturday, August 3, 1968

¡Ándale! (Charge!),” screamed Tino Caballero, speeding out of the driveway on his powerful new motorcycle. He bolted up Euclid Avenue glancing into the rearview mirror. Standing at the curb were his identical twin brother Val, his pregnant sister, and his mother. She made the sign of the cross toward Tino, blessing him.

He shook his head. Pathetic how much faith she put in that invisible world of hers. Did her countless blessings and invocations to God, the saints, and her ancestors ever do any good?

He reached the Highway 94 on-ramp, narrowed his deep brown eyes, and raced down the incline toward the highway. Trees and shrubbery on either side of the on-ramp formed a darkened tunnel. He emerged into the light feeling as if he had shed his skin and could truly see—as if an entirely new world had just opened before him. He gunned the engine. The bike jumped with a burst of speed. He wove in and out of highway lanes, effortlessly passing car after car. A teenage boy sitting in a car stared at Tino on his bike loaded down with gear. That’s right kid, I’m on the trip of a lifetime!

The sun lay low behind him casting his shadow long to his front. He was leading himself, no one to tell him what to do. Warm air streamed gloriously through his dark wavy brown hair and whipped the sleeves of his nylon jacket. If he spread his arms, he’d fly.

Tino blasted through town after town. He had never gone on a trip without his family. Not even his twin was along. Tino had shared everything with Val: bedrooms, circle of friends, ball teams, they even shared their underwear. For eight years they’d made a daily mile-long trek to Saint Rita’s Catholic Grammar School. Their teachers, the nuns, called them “the Bookends.”

“Where’s Val?” people asked Tino when alone.

Val had made the responsible choice to register for junior college instead of taking this motorcycle odyssey to New York and back.

His father said, “No trip for you. You’re registering for school.” When Pa went to bed that afternoon to sleep before his graveyard shift at his job, Tino made his escape. Tino would pay a heavy price for his transgression on his return, maybe a beating. But he had planned this trip for a year with his older brother and friends. He was not going to miss out.

Screw the consequences, I’ll pay ’em.

Tino and his bike ascended into the Laguna Mountains in East County and entered the Cleveland National Forest. The multilane highway had narrowed to a two-lane road. Traffic, except for an occasional car or long-haul truck, was nonexistent. The air, cool with altitude and impregnated by the scent of pine forests, soothed him from the summer heat. Smooth round boulders nestled into the landscape looked like eggs from a prehistoric age.

By the time he reached the foot of the eastern slope, night had folded over the land. He tripped the headlight switch and began the trek across the furnace-like Anza-Borrego Desert. He checked the odometer. Tino had only traveled seventy miles. So cool. He had barely started—the month of freedom lay ahead.

Rocinante

An hour into the ride, Tino rolled out of the dark into a Chevron station in El Centro. His body tingled from the vibration of the engine. Without the air fanning him, the full intensity of the desert heat engulfed him. He stashed his jacket in his gear. A twenty-something attendant stepped up to the gas pump—white uniform shirt taut over his paunch—navy blue pants smudged with engine grime.

Tino set the gas nozzle into the tank. “Bitchin’. Bought it from an old guy who hardly rode it, in his garage most of the time.”

“Damn, no kiddin’. Looks like it’s fresh off the showroom floor. You sure it wasn’t an old lady who just rode it to church on Sundays?” He stepped back to get a good look. “450 cc’s, plenty of power.”

“It carried me and my gear over the mountains without so much as a hiccup. If it were a horse, it wouldn’t have even broken a sweat.” He hung the hose and reached for his wallet. Tino peeled out a dollar and handed it over.

The attendant inserted a key into a cash drawer. “You been riding long?”

“Not really. I’ve ridden my big brother’s bike a few times, and I just bought this bike today. I’m taking a trip around the country.”

“Long way for a beginner.”

“I can handle it.”

The attendant fingered coins from slots in the drawer. “I tried a cross-country trip on a bike.”

“Cool, how’d it go?”

“Fell.” The attendant extended his arm showing a nasty scar. “Compound fracture. Wound up with this zipper.” Suture points on either side of the scar that ran palm to elbow. “Ended my trip right there.”

A dust-coated station wagon packed with adults and kids, roof rack loaded with baggage, windshield splattered with insects, pulled into the adjacent pump island.

The attendant grabbed paper towels, a squeegee. “Be careful.”

“Yeah, sure,” Tino said, disappointed he couldn’t say more about the trip. And who was this clown to tell him to be careful?

Tino swung a leg mounting the bike and gave the kick-starter a hearty jump. The engine roared. He gave it gas and let go of the clutch. The bike’s front tire lifted a foot off of the ground. The rear tire screeched, leaving a black line of pulverized rubber on the concrete.

“Whoa! Easy, boy!” Tino disappeared into the night.

Gusts of hot wind rolled tumbleweeds across the road. Tino leaned adroitly left dodging a tumbleweed then right dodging another. He laughed, skillfully zigzagging.

Damn, you’re a great bike.

Blink! Tino’s world turned black. The headlight had gone out. Panicked, Tino hit the brakes and skidded off of the road into the desert. He ran head on into a spindly creosote bush. The bike stopped dead.

Tino didn’t.

¡Ay!” He flew over the handlebars, through the bush, its stiff branches raked hard against Tino’s face. He slammed against the ground, tumbled over the loose grit of the desert floor and came to a dusty stop.

[page]

No hard pain anywhere but a wet sensation on his cheek. He put a hand to it. Blood. He walked unsteadily to the bike pressing a handkerchief against his cheek.

The bike stood held up by branches, engine softly puttering. Tino tugged on the bumper. Stuck. Pulled harder; maybe an inch of movement. A coyote’s howl. Tino had heard of javelinas that can slice a man open with razor tusks, and what man-eaters could be on the prowl for an easy meal? He pulled with adrenaline-fueled strength, ripping his bike from the entanglement. He pushed on the handlebars, jogging it to the road.

Tried the light switch—nothing. Lights from a distant town formed a faint halo on the horizon. His eyes, now adjusted to the dark, allowed him to differentiate between the black asphalt and the desert floor along the roadside. He rode slowly, pitched forward, eyeing the road for objects that might cause him another fall. He looked up at the halo, down to the road, checked his mirror for vehicles coming from behind. Up, down, mirror. A little more gas. The air pressed harder against him.

Bam! A jolt. He lost and regained control in a beat. What the hell? Rock? Dead animal? He slowed to a nervous crawl.

Lights from approaching vehicles shimmered through waves of heat rising off of the baked earth. A set of headlights riding high off the road closed in from behind. Tino pulled over. A Greyhound bus sped past. He hit the gas, caught up, and followed in a wake of hot diesel exhaust, resting his hand and foot on the brakes should the bus suddenly stop. They reached a town. A sign read “WELCOME TO HOLTVILLE—CARROT CAPITAL OF THE WORLD.”

The Wrath
of Carrots

Tino pulled into a Texaco station that serviced long-haul trucks. Small clouds of insects hovered around the overhead fluorescent lights. He dismounted and inspected the wiring—nothing obvious. Better to wait until tomorrow when he would meet up with Sal.

Tino’s neck muscles ached from keeping his head up against the constant push of air. He stretched and made for the bathroom. He washed the threads of dark dry blood from across his cheek. Cold water felt good against the heat. He then asked a clerk for directions to the town jail.

Tino parked at the Holtville Police Station and Detention Center, a single-story building, slightly bigger than a two-car garage.

He opened the station door. The policeman’s swivel chair squeaked as he swung around.

“Excuse me, sir. I’m on a trip and wonder if I could sleep in a cell.”

“Sgt. Wood,” read the officer’s nameplate. His dark hair was neatly combed, mustache trimmed, uniform starched. An ancient black fan on his desk begrudgingly oscillated side to side.

“Think we’re running a motel?”

“No, sir. My older brother told me that sometimes police will let a guy sleep in a cell if it’s empty.”

Wood looked to a cop at the opposite side of the room pouring cream into a mug. “Let him stay, Flattop?”

“I don’t know, Bobby. He fits the description on the guy that there’s an APB on.”

“I’ve never been in trouble in my life, sir.”

Flattop took a sip. “That’s what they all say. It’s your call, Bobby. Just don’t blame me if you wind up with a slit throat in the morning.”

“I’m going to lock you up,” Wood said. “You know, just in case.”

“Thank you, sir. You won’t have any trouble with me.”

“That’s what they all say.”

Wood took a clasp envelope from a desk drawer. “Empty your pockets.” A large patch riding high on the arm of his uniform had a graphic of the earth skewered by a carrot.

Tino handed over his bike key and coins, but hesitated letting go of his wallet, fat with bills. Wood tugged it away.

“Relax, it’ll be safe with me.” He placed Tino’s items in the envelope and into a file cabinet.

A tall, broad-chested policeman with beefy arms entered the station and pointed his chin toward Tino. “Whadda we got here?”

Wood took a heavy black skeleton key off a hook on the wall behind his desk. “He wants to stay the night.”

Tino sat on the lower bunk and leaned over to unlace his boots and jumped when a black cockroach the size of his thumb scurried out between his feet.

“Don’t step on Fido!” Wood said.

Tino looked out the wire-mesh window and took comfort in seeing his bike parked alongside a police cruiser. A mutt meandering by stopped, sniffed a tire, and lifted his leg. Tino sighed and lay down.

The cotton-stuffed mat smelled moldy and had nasty dark stains in the middle. The wall radiated the day’s heat like an oven.

The cops played cards at the sergeant’s desk under a blue haze of cigarette smoke. Tino faced the wall and covered his eyes shielding them from the light.

Sleep came in sporadic naps through a string of disturbances: ringing phones, slamming doors, the acrid odor of tobacco smoke. Tino awoke deep into the night confused then remembered where he was.

A different cop, alone, was lying back in Wood’s chair—feet on desk, hands on chest, hat over face. Tino rolled to his side and fell asleep.

Sharp spikes of sunlight pierced the gray dawn over the hills onto the cell wall. Relief—the long, hot night had come to an end; the air pleasantly cool. Tino rose and caught the eye of the cop at the desk.

“Good morning,” Tino said.
The cop stared.

Tino put on his boots. “I’m ready to leave sir. The sergeant put my stuff in an envelope last night and—”

“You think I don’t know the drill?”

“I’m sure you do, sir.”

The cop took the envelope out of the cabinet and walked in a deliberate gait toward Tino, waving the envelope in an ugly tease. “Is this what you want, August?”

“Y-yes, sir, but maybe it’s somebody else’s. My name is Augustino.”

The cop slapped the envelope against the bars. “Not here, it ain’t. You’re in America, Seenor Augustino Cabalero. I’ll let you out only because I have to. But first you become an American. We’re going to start by getting your name right. Say, ‘My name is August Wetback.'” He laughed mean.

Beads of sweat formed on Tino’s brow.

“You chicken? No. Not chicken, a yellowbellied taco bender. Ha! Ha!” The cop took the wallet from the envelope and peeled out a twenty. “City ordinance to cover costs.” He dropped the wallet into the envelope, went to the cell, and unlocked the door. He tossed the envelope, bouncing it off of Tino’s chest. Tino snagged it.

“Time to pick carrots.”

Tino made a wide arc around the cop to the door.

“If you people just came and worked and went back, but no. You got to bring your damn music and put your kids in our schools, spreading head lice. Go on, get outta here before I cite you for vagrancy.”

Wizard of Olivet

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Compared to most wineries on the well-traveled winetasting trail, Tara Bella is a bit of an odd duck in a backwater.

Hidden from the main road, Tara Bella Winery is tucked into a neighborhood off a side road of a side road. The only kind of tasting offered includes a personalized tour, one group at a time, for a smaller fee than most wineries charge these days for a walk-in tasting. They make only one varietal of wine here in the heart of Pinot country—and it’s Cabernet Sauvignon. But this boutique bodega is just the right fit for the Olivet District. The association of wineries hosts its seventh annual open house and winetasting this Saturday, April 8.

While the event still goes by the tagline “Follow the Olivet Road,” members voted to change the association name when outliers like Martinelli, Battaglini and Tara Bella joined a few years ago. Kevin and Wendy Morrow are the second owners of Tara Bella, taking over from their friends Rich and Tara Minnick. Rich had the big idea to plant Cabernet in the Russian River Valley, on what looks like mainly a north-facing slope, at that. The naysayers said it couldn’t be done, but the 2000 vintage landed a double gold at the San Francisco Chronicle‘s 2003 wine competition. After CNN ran a four-minute spot on prime time, wine went flying out the door. Still, production tops out at 600-plus cases, and the hat-donning winery basset hounds appear to have as many fans as the wines.

I’m told that little Tara Bella puts on the biggest party for “Follow the Olivet Road.” They’ll have their “house band” on a stage by the vineyard, and in the spirit of the event’s yellow-brick-road theme, eats will include “munchkin mushroom” soup shooters from Belly Left Coast Kitchen.

Further down the road, look for homemade pizza to pair with old-vine Zin at Battaglini, sausages and sliders from grill master Robert Pellegrini to go with Chardonnay, Pinot Noir and Zinfandel—the classic varietal triad of this Russian River Valley neighborhood. Other participating wineries include Benovia, DeLoach, Gamba, Harvest Moon, Hook & Ladder and Martinelli. Don’t miss the Caribbean pizza truck parked outside Inspiration Vineyards, in a business park off Coffey Lane, where the afterparty may continue, says winemaker Jon Phillips, at Moonlight Brewing’s tap room across the way.

Taste of Olivet, Saturday, April 8, 11am–4pm. Tickets $45 (free for designated drivers) at Eventbrite or at the door. olivetroad.com. Tara Bella Winery, 3701 Viking Road, Santa Rosa. By appointment only, Wednesday–Sunday. $15 per person. 707.544.9049.

At What Cost?

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The Sonoma County Board of Supervisors voted last month to spend $3 million on a partial build-out of Andy’s Unity Park in Moorland—even as it has committed up to $2.35 million in legal fees to beat back a federal lawsuit brought by Andy Lopez’s parents. Lopez was killed by a sheriff’s deputy in 2013.

The park and the legal fees are driving a split narrative around the county’s posture in the post-Lopez Sonoma County political landscape, exacerbated by persistent officer-related lawsuits emerging from the Sonoma County Sheriff’s Office.

On the one hand, the board of supervisors and Sonoma County Counsel’s Office doggedly continue to pursue a legal strategy, using outside counsel, in a case that may eventually find its way to the U.S. Supreme Court.

According to records reviewed by the Bohemian, the county has signed off on three legal services agreements with outside attorneys since November 2013, when the Lopez family sued the county and Sheriff’s Deputy
Erick Gelhaus (now a sergeant), charging that the Oct. 22, 2013, shooting ran contrary to
the U.S. Constitution’s Fourth Amendment provisions around reasonable force in policing. Lopez was shot multiple times and died on the scene.

On the other hand, the board of supervisors clearly wants to be part of the county’s healing process, after the Lopez shooting ruptured public trust in policing in the county’s Latino neighborhoods—and in March approved a $3 million contract for a limited build-out of Andy’s Unity Park on Moorland Avenue, after rejecting a fully tricked-out proposal to build a park that included a skate park, a community garden and a basketball court.

The supervisors “agreed to move forward with the minimum level of development, which includes open turf, trees and a memorial area for Lopez,” reported the Press Democrat on March 31. “That excludes a wide range of additional amenities, including a skate spot, basketball court and community garden, which would cost an additional $564,500.”

In the meantime, how much has the county spent on the Lopez suit? Citing the ongoing litigation, now in its fourth year, the county counsel’s office couldn’t say. But current legal services contracts with the three law firms it’s hired indicate that the county is willing to spend up to (and perhaps more than) $2.35 million through next June to defeat the suit brought against Sonoma County and Gelhaus. By then, voters will be gearing up for a local election to replace Sheriff Steve Freitas, who recently announced he would retire after his term ends in January 2019. Meanwhile, a citizen’s group began a campaign to recall Freitas last month.

According to legal services agreements reviewed by the Bohemian, the county currently has a $500,000 contract with the Santa Rosa firm of McNamara, Ney, Beatty, Slattery, Borges & Ambacher, which runs through November. That contract began as a two-week, $25,000 deal signed by the county right after the Lopez shooting. It was extended by three years as of Dec. 1, 2014, to a not-to-exceed $500,000 agreement.

Similarly, after an initial June, 2015, $25,000 contract was signed with the firm of Robinson & Wood, the county amended that agreement to a do-not-exceed limit of $325,000 the following June. That contract expires at the end of May.

The county has another
$1.5 million contract with Geary, Shea, O’Donnell, Grattan & Mitchell that runs through
June 2018. The firm had a previous $1.5 million retainer contract with the county which ran from 2010 through October 2013, and which was extended to the end of June 2015 following the Lopez shooting. In July 2015, the county signed a second $1.5 million contract with the firm (which, in fairness, could include legal work for the county outside the Lopez case). Steven Mitchell, a principal in that firm, committed suicide in June 2016, adding another tragedy to a case filled with them.

The contracts are subject to amendments to enhance payments and extend the term of the agreement. And the not-to-exceed overall $2.35 million limit does not include reasonable expenses invoiced by the law firms. No trial date has been set.

“To this day, I have no idea why Sonoma County is being resistant to settling this,” says Francisco Saiz, a county resident who says he has gone to every supervisors meeting since the Oct. 2013 shooting with a photo of Lopez affixed to his chest.

Last week the counsel’s office turned back two Bohemian California Public Records Act requests for Lopez-related legal expenditures to date.

“The County understands and appreciates the public’s interest in knowing how much money the County spends for litigation related expenses,” wrote Deputy County Counsel Petra Bruggisser in her reply. The county has disclosed information before, she says, but not until cases are closed and not in active litigation.

“However, in order to maintain the integrity of the litigation process in active cases, the county does not disclose the amount of fees and costs spent in pending litigation matters,” she continued. “This information, including the aggregate amount spent, is exempt from public disclosure based on attorney-client communication, attorney work product and pending litigation privileges.”

Bruggisser cautions against reading too much into the
$2.35 million commitments. “Please note that not-to-exceed amounts in legal services agreements are generally included to denote a ceiling limit. The actual fees and costs expended under these contracts can be significantly lower.”

In a followup email, she said the fees and costs could also be higher than the original contract, and that those fees and costs would be reflected via amendments. Those are subject to approval by the board of supervisors. “Generally, legal service agreements include provisions that limit the term of the agreement and the maximum amount of fees and costs that can be expended under each agreement.”

Sonoma County lost its bid to get the suit dismissed in early 2016. Instead, U.S. District Court judge Phyllis Hamilton ruled that the Fourth Amendment issue over the reasonableness of the shooting was a contestable issue.

In its pleadings, the county made the claim that Gelhaus was entitled to qualified immunity in the lawsuit. That claim was denied and the county appealed. The appeal is pending in the Ninth Circuit Court in San Francisco. There’s a hearing in Pasadena in May.

Citing a federal gag order, Lopez family attorney Arnoldo Casillas could not comment for this story. According to media reports from the time, his L.A.-based law firm, Casillas, Moreno & Associates, won a multi-million-dollar 2012 case that involved a 13-year-old who was shot and killed by a Los Angeles police officer while playing cops and robbers with a toy gun. Lopez was killed while carrying a toy replica of an AK-47.

Fifth District Supervisor Lynda Hopkins is new to the board and represents the part of town where Andy’s Unity Park is located. The site is an overgrown field now with a shrine to Lopez.

Citing the pending litigation against the county, Hopkins couldn’t comment on the Lopez-family lawsuit. She said that in the Moorland-Roseland area “there’s a tremendous amount of need to build trust and support the healing process.”

Hopkins says that coming in as a new supervisor means she isn’t embroiled in the tragedy. She’d like to see a fully built park. “We don’t want to be left with a half-built park,” she says. “The community will feel the same way as they have for decades.”

The push to make even a half-fulfilled Andy’s Unity Park a reality is a good first step, says Francisco Saiz, as he notes the decades-long neglect that’s gone on in Moorland-Roseland.

“It’s amazing how Sonoma County would allow this sort of division to happen, to allow this sort of infrastructure to be so inferior to the rest of the county,” he says.

Putting His Foot Down

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Art Brown isn’t taking this Donald Trump disaster lying down. Nope, he’s standing up and putting on his shoes and walking—clear the hell across the country, from Salt Point State Park on the Sonoma coast, all the way to New York City.

Brown plans to embark on his latest cross-country walking adventure in mid-April—he’s done this before, he says—and reports that he’s going to do a sort of trial run along the northern Sonoma Coast before lighting out east, and to Sacramento, where he hopes to be by April 30.

There he will honor an old friend who died last year. Michael Israel was killed by ISIS in November while he was fighting with the YPG (the People’s Protection Unit) against the ghoulish be-headers of Syria and elsewhere. “It’s a celebration of his life,” says Brown of his proposed journey and departed friend.

“I walked with Michael from Peoria to Washington, D.C., in 2007,” he recalls, to attend a big rally that called for the impeachment of George W. Bush.

Brown figures the journey will take six months and he plans to walk across the George Washington Bridge in Uptown Manhattan by Oct. 24.

“I’m doing this for the people of the world,” says Brown. “I’d be lying through my teeth if I said there wasn’t a sense of adventure in it, but my primary motivation is in bringing awareness and helping people.”

March 30: Beatles Breakdown in Sebastopol

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Beatles fans can get pretty obsessive, but few get as detailed and entertaining as composer and producer Scott Freiman, creator of the popular Deconstructing the Beatles series of multimedia talks. This week, Frieman takes the audience on a trip through the Beatles’ acclaimed 1966 album Revolver. Learn the groundbreaking recording techniques used in the studio and explore the album’s cultural significance with Frieman on Thursday, March 30, at Rialto Cinemas, 6868 McKinley St., Sebastopol. 1pm and 7pm. 707.525.4840.

March 31: Imported Jazz in Napa

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Pianist and composer Kari Ikonen is one of Finland’s top performers and has built an international following through his work with afro-pop jazz group Trio Toffa, electro-acoustic improv outfit Gnomus and in his own jazz trio. In 2013, he received Finland’s Yrjö Award for jazz musician of the year. Also a music professor, Ikonen is currently touring the West Coast, and he lands in Napa this week to lead a workshop at Napa Valley High School before taking the stage on Friday, March 31, at Silo’s, 530 Main St., Napa. 8pm. $20–$25. 707.251.5833.

March 31: Outrageous Celebration in Petaluma

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In the history of creative muses, few match the remarkable effect that Viennese-born Alma Mahler had on the world of art and music. Mahler was no ordinary muse; she was an Outrageous Muse. This week, Mahler’s influence on her husbands—composer Gustav Mahler, architect Walter Gropius and novelist Franz Werfel—and her exploits both in Europe and America, is recounted by Santa Rosa Symphony music historian Kayleen Asbo. In addition, classical works sung by celebrated contralto Karen Clark, paintings Mahler inspired and wine will all be part of the event on Friday, March 31, at Petaluma Historical Library & Museum, 20 Fourth St., Petaluma. 8pm. $30–$40. 707.778.4398.

April 2: Sip & Support in St. Helena

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The Napa Valley Vine Trail is connecting the communities in the valley with a 47-mile walking and biking path set to run from Vallejo’s Ferry Terminal to Mount St. Helena in Calistoga. Last October, the first 12-mile section opened between Yountville and Napa. To keep it up, the trail needs a little help. That’s the purpose behind the upcoming Pedal & Party fundraiser that includes a 30-mile bike ride led by RIDE Napa Valley. Breakfast and a tune-up from Calistoga Bikeshop gets you ready to roll, and a wine-and-dine afternoon rewards your workout on Sunday, April 2, at Clif Family Winery, 709 main St., St. Helena. 8am. $60. 707.968.0625.

Full Circle

Grammy-winning bluegrass and folk songwriter and multi-instrumentalist Tim O'Brien grew up in the mill and steel town of Wheeling, W.V., along the Ohio River. His Leave It to Beaver upbringing included a lot of country music on the radio but little in the way of local job prospects, so he headed west to Colorado before moving to Nashville. Since becoming...

Letters to the Editor: April 5, 2017

Yes on C I have lived in Santa Rosa for over 30 years. I value this community for its diversity, livability, music and art. I am voting Yes on C because I want Santa Rosa to continue to be a vibrant community, not an enclave for the rich. Stopping unjust evictions and steep rent increases will not prevent ethical property...

What a Trip

In 1968, Armando García-Dávila joined his older brother and two friends on a cross-country motorcycle ride that took 30 days and traversed over 7,000 miles. He was 19-years-old, just out of high school. "We had real-life adventures," says García-Dávila, who recounts run-ins with Texas Rangers and Mississippi rednecks and shares memories of seeing the Grand Canyon and stealing corn out...

Wizard of Olivet

Compared to most wineries on the well-traveled winetasting trail, Tara Bella is a bit of an odd duck in a backwater. Hidden from the main road, Tara Bella Winery is tucked into a neighborhood off a side road of a side road. The only kind of tasting offered includes a personalized tour, one group at a time, for a smaller...

At What Cost?

The Sonoma County Board of Supervisors voted last month to spend $3 million on a partial build-out of Andy's Unity Park in Moorland—even as it has committed up to $2.35 million in legal fees to beat back a federal lawsuit brought by Andy Lopez's parents. Lopez was killed by a sheriff's deputy in 2013. The park and the legal fees...

Putting His Foot Down

Art Brown isn't taking this Donald Trump disaster lying down. Nope, he's standing up and putting on his shoes and walking—clear the hell across the country, from Salt Point State Park on the Sonoma coast, all the way to New York City. Brown plans to embark on his latest cross-country walking adventure in mid-April—he's done this before, he says—and reports...

March 30: Beatles Breakdown in Sebastopol

Beatles fans can get pretty obsessive, but few get as detailed and entertaining as composer and producer Scott Freiman, creator of the popular Deconstructing the Beatles series of multimedia talks. This week, Frieman takes the audience on a trip through the Beatles’ acclaimed 1966 album Revolver. Learn the groundbreaking recording techniques used in the studio and explore the album’s...

March 31: Imported Jazz in Napa

Pianist and composer Kari Ikonen is one of Finland’s top performers and has built an international following through his work with afro-pop jazz group Trio Toffa, electro-acoustic improv outfit Gnomus and in his own jazz trio. In 2013, he received Finland’s Yrjö Award for jazz musician of the year. Also a music professor, Ikonen is currently touring the West...

March 31: Outrageous Celebration in Petaluma

In the history of creative muses, few match the remarkable effect that Viennese-born Alma Mahler had on the world of art and music. Mahler was no ordinary muse; she was an Outrageous Muse. This week, Mahler’s influence on her husbands—composer Gustav Mahler, architect Walter Gropius and novelist Franz Werfel—and her exploits both in Europe and America, is recounted by...

April 2: Sip & Support in St. Helena

The Napa Valley Vine Trail is connecting the communities in the valley with a 47-mile walking and biking path set to run from Vallejo's Ferry Terminal to Mount St. Helena in Calistoga. Last October, the first 12-mile section opened between Yountville and Napa. To keep it up, the trail needs a little help. That’s the purpose behind the upcoming...
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