Season Ale

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Is it too much to show a little holiday spirit? This is my new attitude regarding holiday beers, those vaguely Xmassy or otherwise winter-themed beers that come and go with the season. My old attitude was, “Why must we now have apple cider spices in beer? This seems unnecessary.” I’d been passing them up for years.

These days, it being necessary to have blood orange and chile pepper and everything in between in our triple-hopped IPA, why not? I give up—I mean, celebrate.

Sierra Nevada Celebration Fresh Hop IPA The little snowed-in cabin scene on the label sure fooled me—although the label does not lie. This is an earthy, more robust style of Sierra, brewed with fresh hops. Nothing spicy or otherwise seasonal about it. 6.8 percent alcohol by volume (ABV).

Lagunitas Brown Shugga’ Sweet Release Yeah, it’s made with brown sugar, but Santa’s little helpers, the yeast, ate it all up, leaving mostly a strong, malt liquor profile—in the best way. At 10 percent ABV, it’ll warm your winter, all right. My one wish: could the dog at least be wearing a little Santa hat?

Deschutes Jubelale This is what it’s all about: liquid gingerbread man. Spicy and sweet-scented, this amber-to-brown ale is neither syrupy nor too dry on the finish. This Bend, Ore., brewery is fully
in the spirit of the season.
6.7 percent ABV.

Fogbelt Armstrong Stout In the mix only because at one point, frustrated at the poverty of proper winter warmers on offer locally, I just started grabbing stouts. This reveals a nice surprise: sweet, foresty fresh, wreath-hop aroma. Consider that it’s named after a mighty big tree in the Armstrong Redwoods State Natural Reserve, and we’ve got a reasonably seasonal brew in this strongly flavored but not head-bangingly high-alcohol stout. Brewed with English Maris Otter malt and aged with American oak. 6.5 percent ABV.

Cloverdale Ale Oatmeal Raisin Cookie Stout Nothing says “holidays” about this 22-ounce “bomber.” You have to read the fine print on the raisin-purple label to learn it’s a seasonal winter ale—hey, that’s code for “holiday.” More than that: “You know Santa would rather have this than a plate of cookies.” This cookie-inspired stout is no dessert in a glass, showing more like an Irish oatmeal stout with black roasted barley aroma and a creamy palate, but the flavors of raisin and cola liven up the center, and a note of cinnamon wafts over the nuanced but rich brew, as if freshly baked cookies have been set out nearby. I’m with Santa on this one. 8 percent ABV.

By the Book

Earlier this month, the California Department of Food and Agriculture (CDFA) released its highly anticipated emergency rules for cannabis regulation in advance of a legal recreational market next year.

The result was a mixed bag, especially for small-scale growers. I asked California Growers Association executive director Hezekiah Allen for his take on the latest legislation from Sacramento.

What are the takeaways from the new state rules?

The rules are comprehensive and thoughtful. They represent a tremendous achievement, and agency staff have put in long, hard hours getting to know our businesses, and it shows.

What are you pleased to see included?

Everything, honestly. It’s so good to finally have some sense of certainty. These are emergency regulations, so there will be changes, but we finally have an understanding of where the initial lines are.

What’s missing?

Time for small growers to transition. Proposition 64 was amended at the last minute to include this language: “The Adult Use of Marijuana Act ensures the nonmedical marijuana industry in California will be built around small and medium sized businesses by prohibiting large-scale cultivation licenses for the first five years.” Though the regulations do prevent large licenses for the first five years, they do not limit the ability of a farm to operate as a large farm by obtaining several smaller licenses. This is a violation of the spirit of Proposition 64.

What do these rules mean
for consumers?

Regulated cannabis will be tested and will be the most sustainable crop grown in California. We are one step closer to achieving those goals.

What do they mean for small-scale growers?

Many small-scale growers are feeling betrayed by the CDFA. They feel as though the emergency regulations are an offense to the electoral process, to the legislative process and to our state’s environmental laws.

What is the significance of the exclusion of the one-acre cap on grow sites?

It is significant for a few reasons. It means the emergency regulations are not consistent with the state’s environmental impact report. It means the emergency rules are inconsistent with the spirit of Proposition 64, and it means the emergency rules are inconsistent with several years of legislative deliberation. It is significant when private interests prevail over the public interest and our democratic processes. It is significant because many growers are likely to fail—not because they are criminals, not because they are bad business people, but because they didn’t have time to run the permitting and regulatory gauntlet before well-capitalized, politically connected businesses capture the market and potentially capture the regulators.

Seasonal

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Though not technically a Christmas story, Spreckels Theatre Company’s Little Women, running through Dec. 17, generously bestows all the warmth, holiday spirit and gentle, good feeling one could desire from a more specifically Christmas tale. And for what it’s worth, the story does start out at Christmastime.

The 1868 novel by Louisa May Alcott detailing the lives of a poor but loving New England family during and after the Civil War has been adapted numerous times over the last century and a half. To date, the loving, squabbling, inventive, delightful and enduring March sisters and their colorful extended family have appeared six times in motion pictures. The first two were silent films; the most recent one, in 1994, starred Petaluma’s Winona Ryder. Over the decades, Little Women has been turned into four television series, including shows in England and Japan (one, an anime series), and has been turned into numerous stage dramas, one recent opera adaptation and a Tony-winning Broadway musical.

The musical is currently onstage at Spreckels. Written by Allan Knee, Mindi Dickstein and Jason Howard, it had its Broadway debut in 2005, and was previously staged in Spreckels’ small Bette Condiotti Experimental Theatre in 2015. For those who recall that production fondly, the new production features a few of the same supporting performers. But under the direction of Michael Ross, with a mostly new cast, including the marvelous Sarah Wintermeyer as Jo March, this one frequently feels like a whole new show.

As Jo, the impulsive and somewhat selfish narrator of the tale, Wintermeyer (resembling a young Tina Fey at times) is in remarkably fine voice, is often funny, and is truly heartbreaking on occasion.

Other acting and singing highlights in a show full of strong performance are Madison Scarborough as the selfless, doomed Amy March; Eileen Morris as Marmee, the girls’ patient and unflappable mother; Albert McLeod as Theodore “Laurie” Laurence, the next-door neighbor who takes a disastrously unrequited shine to Jo; and Sean O’Brien as Professor Bhaer, the boarding house teacher who acts as the grownup to Jo’s literary Jiminy Cricket.

Special kudos to musical director Lucas Sherman, whose stripped-down piano, cello and violin orchestra brings this sweet, heart-lifting tearjerker of a musical to lush and lovely—and appropriately Christmas-y—life.

Rating (out of 5): ★★★★½

Stomping Ground

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Contemporary country music songwriter Corey Smith was born in a small town, Jefferson, Ga., and his roots have been a huge part of his musical success. “It’s an important place to me, it’s home,” Smith says. “I never felt too inclined to leave.”

An independent performer and prolific musician, Smith has 10 well-received albums to his name, and is currently wrapping up production on his forthcoming record,

The Great Wide Underground.

Throughout his career, Smith says he’s valued creative freedom over the allure of Nashville skylines, and his self-reliant nature is reflected in catchy and heartfelt songs that connect with fans for their relatable intimacy and distinct sense of place.

“I’ve chosen to do things the hard way, perhaps because I’m stubborn,” Smith says. “But living [in Jefferson] has allowed me to develop in my own way, at my own pace.”

Today’s corporate country-rock songwriting model, especially in Nashville, is writing by committee, with content that’s influenced by label execs, managers and producers. Smith says that when he started out in the business, he flirted with the idea of relocating to the big city, but his priorities were raising a family and giving his kids stability. “Having fame and fortune never appealed to me,” he says. “It’s never been what’s most important.”

For Smith, the ability to carve out his songwriting career on his own terms is the most rewarding part of music for him. “So much of commercial music, in particular in country, is just telling people what they want to hear,” says Smith. “They get the data and know before it’s put out what kind of things will make it on the radio.

“I think that’s contrary to what art is supposed to be,” Smith adds. “Art is supposed to be someone internalizing their experience in the world and trying to turn it into something that they can put out there. It either resonates or it doesn’t, but it has to be honest.”

Smith’s forthcoming album was written last year while he toured the western part of the country over the course of six weeks, and reflects both Smith’s exhilaration in visiting new places and the homesickness of missing his family.

“It’s a snapshot of the broad swath of things I’ve been going through,” he says. “I’m excited about several of the songs on the record, because they’re very autobiographical and personal to me.”

Vengeance Is Hers

A person can be composed of a set of perfectly good facial features—a strong chin, a proud nose, kind eyes, a generous mouth—and still be basically ugly, and that’s the case with Three Billboards Outside Ebbing, Missouri.

Short hair tied up with a bandanna, dressed in coveralls as if she worked at a Jiffy Lube instead of an Ozark gift shop, Mildred (Frances McDormand) has a sudden inspiration to harass the police force in her town. Seven months previously, her daughter was raped and burned to death, and no one has been arrested yet. She decides to tell the police chief off through a set of billboards. This embarrasses the terminally ill Andy Griffith–like chief (Woody Harrelson), revered in the town in spite of (or because of) the police department’s reputation for torturing black prisoners. Dixon, his assistant—a drunk and sometimes vicious Barney Fife, well played by Sam Rockwell—is far more angry.

Through her bereavement, Mildred has a license to spit venom. It’s a role that runs a small gamut. There are little nuggets of surprise embedded in the monotony of her forcefulness, and it’s a powerful part: kicking kids, throwing firebombs, maiming a dentist and usually having the last word. But “powerful” is also a term that defines a bully.

One moment of tenderness has Mildred addressing a deer, telling it, and the audience, that she doesn’t believe it’s a reincarnation of her lost daughter. Yet there is the deer—we’ve seen the symbol of hope, and writer-director Martin McDonagh (In Bruges) gets it both ways.

Caleb Landry Jones (Byzantium) is a relief from the ambient overheatedness as a self-amused billboard salesman. Harrelson is at his most benign as the police chief, even if McDonagh is at his roughest when he tries to write tenderly.

‘Three Billboards Outside Ebbing, Missouri’ is playing in wide release in the North Bay.

Gabriel Wheaton Heads Home for Album-Release Show

gabwheaton
Los Angeles-based violinist and composer Gabriel Wheaton traces his musical lineage back to Sonoma County, where he was born and raised in Sebastopol. After mastering the violin at a young age and performing in chamber groups and orchestras while attending Analy High School, Wheaton moved to La La Land to study at UCLA in 2011.
Wheaton currently makes a living as a freelance musician and plays in several bands in Los Angeles, including indie-pop group We the Folk. In his spare time, Wheaton also composes folk-tinged experimental pop music as a solo performer, utilizing looping effects and improvised melodies on the violin.
This week, Wheaton unveils his new album of these inventive, instrumental compositions, Single Source, and he’s headed back to Sonoma County to perform an album-release show on Saturday, Nov 25, at HopMonk Tavern in Sebastopol.
Joining Wheaton for the post-Thanksgiving soiree is San Francisco ensemble Barrio Manouche, also celebrated for improvised shows and exuberant energy. Copies of Single Source will be available at the show, and long-time local fans, friends and family of Wheaton will want to see how much he has grown musically. For more info and tickets, click here.

Nov. 24: Big Top Holidays in Sonoma

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Created by French-born artist Michel Michelis, the storied live circus group Cirque de Bohème is inspired by early 20th-century French circus traditions and imbued with a modern sensibility. Each holiday season, the troupe takes the stage in Sonoma to dazzle with vintage acts crafted around original productions, and this year’s theme makes timely use of the idea of “Freedom” with a cast of colorful characters whose whimsical style echoes the original Bohemians while reflecting relevant messages. “Freedom” runs through Dec. 17, opening on Friday, Nov. 24, at Cornerstone Sonoma, 23570 Arnold Drive, Sonoma. Times vary; $25 and up. cirquedeboheme.com.

Nov. 24: Deck the Walls in Healdsburg

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Don’t settle for gifting socks to your loved ones this holiday season—surprise them with handcrafted, one-of-a-kind pieces of art and other goodies found at the 16th annual Holiday Gift Gallery at the Healdsburg Center for the Arts. Over 30 regional artists participate in the gallery show, offering gift-appropriate works in media ranging from paintings, photography, ceramics, glass, wood and other textiles. Opening in conjunction with the Healdsburg Downtown Holiday Party, in which several merchants around the plaza open late with lighted displays and Santa hangs out in the plaza’s gazebo, the HCA’s Gift Gallery opens with a reception on Friday, Nov. 24, at 130 Plaza St., Healdsburg. 5pm. Free. 707.431.1970.

Nov. 25: Bountiful Fun in Santa Rosa

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Of all the things to be thankful for this holiday weekend, the ability to laugh in spite of the year’s events has to be at the top of the list. At least it is for the folks at Crushers of Comedy, who host the Give Thanks for Laughter standup showcase this weekend with a cornucopia of popular Sonoma County comics hitting the stage. The lineup includes homegrown talents Juan Carlos and Cody Smit, as well as Bay Area and Sacramento comedians Steve Ausburne, Josh Argyle and Charlie Adams. The laughs happen on Saturday, Nov. 25, at the Laugh Cellar, 5755 Mountain Hawk Way, Santa Rosa. Doors, 5pm; show, 7pm. $28. 707.843.3824.

Nov. 29: Community Rising in Petaluma

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Award-winning author Rebecca Solnit’s 2010 book, ‘A Paradise Built in Hell,’ examines the altruism and generosity that emerges in communities experiencing natural disasters. Hey, the North Bay can relate. Solnit speaks on the topic with fellow author and activist Peter Coyote in a benefit for Undocufund’s fire relief for undocumented fire victims. The evening also includes a raffle with goods from local businesses, authors and friends of the North Bay, including a handmade side table from actor, author and woodworker Nick Offerman. Space is limited, so RSVP and arrive early on Wednesday, Nov. 29, at Copperfield’s Books, 140 Kentucky St., Petaluma. 7pm. $5 donation. 707.762.0563.

Season Ale

Is it too much to show a little holiday spirit? This is my new attitude regarding holiday beers, those vaguely Xmassy or otherwise winter-themed beers that come and go with the season. My old attitude was, "Why must we now have apple cider spices in beer? This seems unnecessary." I'd been passing them up for years. These days, it being...

By the Book

Earlier this month, the California Department of Food and Agriculture (CDFA) released its highly anticipated emergency rules for cannabis regulation in advance of a legal recreational market next year. The result was a mixed bag, especially for small-scale growers. I asked California Growers Association executive director Hezekiah Allen for his take on the latest legislation from Sacramento. What are the takeaways...

Seasonal

Though not technically a Christmas story, Spreckels Theatre Company's Little Women, running through Dec. 17, generously bestows all the warmth, holiday spirit and gentle, good feeling one could desire from a more specifically Christmas tale. And for what it's worth, the story does start out at Christmastime. The 1868 novel by Louisa May Alcott detailing the lives of a poor...

Stomping Ground

Contemporary country music songwriter Corey Smith was born in a small town, Jefferson, Ga., and his roots have been a huge part of his musical success. "It's an important place to me, it's home," Smith says. "I never felt too inclined to leave." An independent performer and prolific musician, Smith has 10 well-received albums to his name, and is currently...

Vengeance Is Hers

A person can be composed of a set of perfectly good facial features—a strong chin, a proud nose, kind eyes, a generous mouth—and still be basically ugly, and that's the case with Three Billboards Outside Ebbing, Missouri. Short hair tied up with a bandanna, dressed in coveralls as if she worked at a Jiffy Lube instead of an Ozark gift...

Gabriel Wheaton Heads Home for Album-Release Show

Los Angeles-based violinist and composer Gabriel Wheaton traces his musical lineage back to Sonoma County, where he was born and raised in Sebastopol. After mastering the violin at a young age and performing in chamber groups and orchestras while attending Analy High School, Wheaton moved to La La Land to study at UCLA in 2011. Wheaton currently makes a living as a freelance musician...

Nov. 24: Big Top Holidays in Sonoma

Created by French-born artist Michel Michelis, the storied live circus group Cirque de Bohème is inspired by early 20th-century French circus traditions and imbued with a modern sensibility. Each holiday season, the troupe takes the stage in Sonoma to dazzle with vintage acts crafted around original productions, and this year’s theme makes timely use of the idea of “Freedom”...

Nov. 24: Deck the Walls in Healdsburg

Don’t settle for gifting socks to your loved ones this holiday season—surprise them with handcrafted, one-of-a-kind pieces of art and other goodies found at the 16th annual Holiday Gift Gallery at the Healdsburg Center for the Arts. Over 30 regional artists participate in the gallery show, offering gift-appropriate works in media ranging from paintings, photography, ceramics, glass, wood and...

Nov. 25: Bountiful Fun in Santa Rosa

Of all the things to be thankful for this holiday weekend, the ability to laugh in spite of the year’s events has to be at the top of the list. At least it is for the folks at Crushers of Comedy, who host the Give Thanks for Laughter standup showcase this weekend with a cornucopia of popular Sonoma County...

Nov. 29: Community Rising in Petaluma

Award-winning author Rebecca Solnit’s 2010 book, ‘A Paradise Built in Hell,’ examines the altruism and generosity that emerges in communities experiencing natural disasters. Hey, the North Bay can relate. Solnit speaks on the topic with fellow author and activist Peter Coyote in a benefit for Undocufund’s fire relief for undocumented fire victims. The evening also includes a raffle with...
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