Leave It to . . .

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Bill Ostrander was showing his brother-in-law around his Kenwood vineyard one summer day last year when the tour turned totally horror-show, from the perspective of a grape grower: suddenly, they came upon a patch of grapevines with wilted leaves, desiccated grapes and trunks cut in two. Ostrander had suspicions about who the culprit might be.

Ostrander’s vines, planted as Syrah in 1997, had already suffered a severe pruning once before, when they were cut in half and re-grafted onto another variety, “because Syrah wasn’t possible to sell,” the Kenwood resident says. The vineyard is just two-and-three-quarters acres, but it provides him a little income. And his new Malbec vines had attracted some unwanted customers: beavers.

When grape growers in Sonoma and Napa wine country encounter such a problem with beavers, as rare as that is, they are legally entitled to apply for a permit to have that animal trapped and killed. Yet Ostrander hesitated. He set up a digital “critter cam” to catch the culprit in the act, tried out various methods of fencing them out of the vineyard and documented his efforts in a light-hearted email series to friends and family that he called “Wet Caddyshack.” Clearly, there was something about this determined rodent that was different than, say, a common pocket gopher, which Ostrander says he would be happy to get rid of.

There’s something different about the beaver, indeed, as Ostrander learned from his interaction with a local cadre of “beaver believers” who are on a mission to help property owners live with the beaver, encourage their habitat and ultimately change the game plan for what they say is a woefully underappreciated keystone species in the state of California.

The first step is getting past California’s “beaver blind spot,” as the Occidental Arts & Ecology Center’s Brock Dolman puts it. Dolman is co-director, with Kate Lundquist, of OAEC’s WATER Institute (Watershed Advocacy, Training, Education and Research), established in 2004 to study and promote watershed issues. The award-winning duo’s “Bring Back the Beaver” campaign, started in 2009, went back on the road in the North Bay last month with a talk in connection with a screening of the environmental documentary Dirt Rich in Novato; appearances continue through June in Napa, Sonoma and Marin counties.

“A lot of people just don’t know that we have beaver in California,” says Lundquist, who says that their current presentation is an update on a 2015 talk they gave in Sonoma to help answer the question: “That’s an East Coast thing, right?”

Despite the Canadian-sounding name, charismatic Castor canadensis is native to all of North America, and is a close relative to the Eurasian beaver, Castor fiber, which Europeans exploited to near extinction for its castor oil and the fine hat-making properties of its dense fur. The discovery of beaver and other hapless, furry critters in the New World inspired a “Fur Rush” long before the Gold Rush. Turns out, according to Lundquist, when the Russians founded Fort Ross in 1812, it was actually kind of late in the game—and trappers had been exploiting the West Coast for decades before the legendary “mountain men” trappers descended on the Golden State from overland to clean up the rest.

Although a historical account from General Mariano Vallejo found the Laguna de Santa Rosa “teeming with beaver” in 1833, by 1911 California had about 1,000 beavers left before legislators passed a law briefly protecting the aquatic rodents. Following a quarter-century-long campaign to reintroduce beaver to erosion-threatened habitat (the highlight of the “Bring Back the Beaver” show is the parachuting “beaver bomb” developed during the time), they were determined non-native and invasive for decades thereafter.

Today in California, trapping beaver is permitted in 42 of 58 counties, and there is no bag limit to the number taken. While Napa, Sonoma and Marin counties are excluded, beaver are considered a nuisance species everywhere, meaning that farmers, landowners and government agencies that encounter beaver problems may apply for depredation permits to have them removed.

And the only option is lethal removal, as longtime Napa grape grower Andrea “Buck” Bartolucci found when he asked the California Department of Fish and Wildlife about his beaver problem in 2013. One day while driving down the half-mile driveway of his 160-acre Madonna Estate Vineyard in the Carneros, Bartolucci noticed a similar problem to Ostrander’s: a string of grapevines cut down at the trunk. It was so methodically done that he initially wondered if an employee had become disgruntled, but he found it was beavers from nearby Huichica Creek. “They knocked down a couple of trees and had a party with the grapevines,” Bartolucci says.

Fish and Wildlife recommended contracting the county trapper, and at the time, Bartolucci was impressed with the 60-pound creatures that were trapped. “They’re fierce!” Bartolucci says. “It’s not like Bucky Beaver.” Yet Bartolucci says the environment is important to him, having farmed his vineyard certified organically since 1991, and now laments that it was the only option that was given to him at the time. “I’m not the kind of guy who wants to do in an innocent animal,” he says, “and if there was an alternative, I’d certainly look into that.”

The sticking point is that Fish & Wildlife abides by a “shall issue” code when it comes to beavers. That is, if a landowner can verify property damage from beaver, the responding officer shall issue a depredation permit. Unlike some other Western states, California does not allow live trapping and relocation of beaver, or many other animals.

Those permits numbered some 3,300 in 2016, according to beaver advocate Heidi Perryman. Though California does not require records of depredations completed, the U.S. Department of Agriculture’s Wildlife Services does for its separate permits; it counted 836 in 2016. According to the local office for Sonoma and Napa counties, one permit was issued for beaver in 2018, but it was not verified that any were actually taken under that permit.

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This business as usual for beavers started to change after a pair of them wandered into Alhambra Creek in the middle of the city of Martinez in 2006. They built a dam and had yearlings, called kits, but the city’s application for a permit to make them go away did not sit well with locals who could see the kits playing as they drank their coffee. Resident Heidi Perryman formed the beaver advocacy group Worth a Dam, which holds its 11th annual Beaver Festival on June 30 in downtown Martinez.

A few years later, a somewhat less celebrated pair of beavers set up house on Tulocay Creek, which passes under Napa’s Soscol Avenue at the Hawthorn Suites hotel. An otherwise unimpressive urban drainage, this section of Tulocay sprang to life after the beavers set up a serviceable little barrier of sticks and mud: numerous species of birds, amphibians and mammals like otter and mink have been observed by wildlife watchers keeping an eye on the pond, including wildlife photographer Rusty Cohn, who has photographed and made videos of beavers swimming, munching on cattails and even falling asleep in mid-munch while trying to rebuild the dam after the rains of 2017.

Luckily for the beavers, advocates have convinced the hotel to wrap the trees on their landscaped grounds with wire to deter the animals from gnawing on them, and a new hotel project now under development on the other side of the creek is not now affecting the beavers, who are rebuilding their dam after the higher water flows of last winter.

The Napa County Flood Control and Water Conservation District, however, is responsible for the bank of the stream, not the proposed Cambria Hotel, under development by Southern California–based Stratus Development Partners. Lundquist praises the Napa agency as pro-beaver, saying, “I’m grateful that there are flood-control agencies that recognize the beavers, and I encourage all of our flood agencies to learn from the Napa district, because they’re doing a great job.”

With the OAEC as consultants, the county plans to lower the water level of the beaver pond temporarily, to facilitate shoring up the bank, thus avoiding a number of potential pitfalls, according to Kevin Swift, who’s contracted to do the pond-leveling work.

Swift is the proprietor of Swift Water Design, a one-man, “non-lethal beaver-management” startup that, Swift says, would require 10 of him if even a fraction of the agencies and individuals currently trying to manage their beaver problems would call him. Swift assesses problems and implements solutions that, while relatively simple, require a different way of thinking about beavers. He speaks eloquently, if colorfully, about the rodents’ role in the environment.

“They’re ignored, underappreciated, reviled and mismanaged in equal measure,” says Swift, who emphasizes that beavers, for all their engineering abilities, are not intellectual powerhouses. “It’s got a brain the size of an acorn. If you can’t work it out with them, could be you’re the problem.”

Currently, Swift is working with a property manager in Glen Ellen who’s got a beaver that’s blocking a spillway in an old stock pond located near a confluence of streams. “It looks like, way back when, a rancher went and put in a dam,” he says, “just where a beaver would, really.” It’s not in use, but the property owner can’t risk being responsible for a failure of the old dam, either. The solution lies in understanding the beaver’s simple needs.

A beaver’s “programming set is very small,” says Swift, “but profound in its implications. It’s like, if you hear running water, and you feel like you’re going to get eaten, make the running water stop making that noise. As soon as it stops making that noise, punch a hole in a creek bed somewhere and make more of yourself. And you’re good.”

Beavers build dams mainly to stay safe from predators, such as coyotes. Secondarily, the flooded area around the dam encourages felled riparian tree species, like willow, to sprout back and create more beaver food. “I mean,” says Swift, “it’s just this tiny, tiny little sliver of code, out of which falls an entire ecosystem.”

Swift makes no claims to sentimental concern for the animals, joking, “If you want to shoot a beaver in the head and make a hat, I’m OK with that.” More seriously, he points to the waste of potential environmental services the current policy promotes.

“It seems to me that all the laws are backwards,” he says. “You don’t need a permit to destroy a beaver dam that makes critical habitat for rare, threatened and endangered species—but you might need a permit to put in a flow-control device that’s hydrologically invisible and maintains the habitat for rare, threatened and endangered species. How does that work?”

Coho salmon, chief among those threatened and endangered species, first inspired the OAEC’s Dolman and Lundquist to think about beavers. Coho, which experienced a sharp decline in population in the 20th century, as well as other salmonid species, require cool water, complexity of habitat and water flow in summer and fall. “And our sense was, we need all the help we can get,” says Dolman. “We kept coming across these papers, especially work out of Oregon and Washington state,” he says, that showed “a positive correlation . . . between beneficial beaver habitat and a support for coho salmon, specifically—also steelhead and Chinook.”

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“And it just got us thinking,” says Dolman in his 2015 presentation in Sonoma. “We ought to bring another tool in the toolbox here. And so we began really looking at beaver as an additional component to how we could recover these endangered species.”

In Sonoma County’s Russian River watershed, a host of agencies contributed to a salmon release and the construction of an expensive beaver pond analog in 2013, touted to promote the return of coho that, ultimately, would not be dependent on a hatchery. Beaver believers say that this, and much more, could be more cheaply achieved by simply letting the beavers alone. No beavers have been documented in the Russian River watershed, but there is an unsubstantiated report of a beaver being killed in reputedly environmentally conscious west Sonoma County—perhaps the “disperser” that had previously been observed moving west from Spring Lake in Santa Rosa.

Some cattle ranchers in Nevada, in fact, are moving further ahead in beaver consciousness than landowners in California wine country, according to Lundquist. “They stopped shooting them, and suddenly they have more water,” Lundquist says. Some have gone on record as saying they wouldn’t be in ranching now if it weren’t for the beaver.

Perhaps wine country has some catching up to do in this regard, when a property like Napa County’s Domaine Chandon, which is certified Fish Friendly Farming for one of its vineyards, can claim on its website, “We embellish waterways with native vegetation, maintain wildlife corridors, preserve forested areas in the vineyard and employ clean water protection to encourage fish habitat and spawning,” while applying for a 2013 permit to kill beaver in that very same fish-spawning habitat.

And if the beaver believers are right, as the numerous scientific studies they point to suggest, there is no better way to be fish-friendly than to be beaver-friendly. The beavers are not going away. There are some intractable parties, such as the absentee landowner on Sonoma’s Leveroni Road who, according to state records, refuses to consider alternative options to repeated depredation permit requests. But ultimately this approach is doomed to fail, says Swift.

“A story you often hear in California,” says Swift, “is, ‘I’ve been going down to that place for an hour every day for X number of years, and I’ve shot and trapped Y number of beavers, and they’re still there!’ Yeah, you’re in beaver habitat! Geology drives beaver habitat. Unless you can literally move mountains, you’re not changing anything about beavers’ attraction to
your site.”

Lundquist says killing beavers is neither a viable nor economical strategy. “For one, people hold candlelight vigils, like they did in Tahoe. And it can be really bad press if you’re trying to do the right thing—or be seen as doing the right thing, anyway.”

Thus far, few Sonoma and Napa wineries seem to have any clue as to what that right thing may be. The 427-page California Code of Sustainable Winegrowing Workbook, for instance, on which the Sonoma County Winegrowers bases its initiative to make Sonoma County 100 percent sustainable by 2019, only mentions beavers incidentally in a section on “often overlooked” aquatic habitats.

Meanwhile in Kenwood, grape grower Bill Ostrander has found a way to live with the beavers. After consulting with Dolman, he installed a fairly inexpensive, single-strand electric fence that only had to reach four inches off the ground—beavers can’t jump, and since they’re generally covered in water, they’re highly conductive.

Ostrander had thought about the usual option. “Yeah, I thought about it,” he says, “but it was fairly straightforward and inexpensive to put up the electric fence, and not a lot of trouble as far as impacting the operations in the vineyard.”

Although he hasn’t seen the rodents personally, it does seem that Ostrander enjoys observing them, as well as the other animals caught on camera, like the surprise appearance of a family of otters.

It should be no surprise if the mere “life support” activities that various agencies employ to keep salmonids and other threatened species won’t cut it through the upcoming challenges of climate change, says the outspoken Swift. “Until we can coexist with beavers, those of us in the restoration movement, those of us that want to move the dial in a positive direction, are hamstrung by a regulatory environment that’s solely focused on doing less bad less often.” Swift looks forward to a day when the state can start turning the beaver’s tail in the other direction. “If you’re headed south, it doesn’t matter how slowly you go south—you’re never getting north.”

Denied

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The United States Supreme Court on Monday denied a petition filed by lawyers representing Sonoma County and Sgt. Erick Gelhaus of the Sonoma County Sheriff’s Office (SCSO).

The court rejected a petition for the court to issue a rare writ of certiorari that attorneys hoped would hold up a qualified immunity claim for Gelhaus in an ongoing federal civil rights lawsuit stemming from the 2013 police shooting death of 13-year-old Andy Lopez of Santa Rosa.

The Supreme Court ruling appeared to come as a surprise to some court watchers and reporters, who expected that the court might follow on from a recent writ it filed in another use-of-force case from earlier this year, Kisela v. Hughes, that was appealed to the high court—and grant Gelhaus qualified immunity.

A report in the Los Angeles Times from June 10 said the county’s lawyers “stand a good chance of prevailing” before the Supreme Court, despite very low odds that greet any petition that comes before the court.

The county lawyers did not prevail.

Noah Blechman, outside counsel for Sonoma County, says he’s disappointed but not especially surprised in the court’s decision, given that “only 2 percent of cases sent to the Supreme Court get reviewed and actually get rulings.”

The ruling this week, he says, was disappointing but clarifying. In rejecting the petition, the court left open the issue of qualified immunity for Sgt. Gelhaus, Blechman says and, in doing so, also “leaves open legal and policy questions that impact law enforcement locally and nationwide.”

The Supreme Court did not reject the county lawyers’ call for qualified immunity, but sent the case back to the U.S. District Court in Oakland for a potential trial, which would determine whether the Lopez shooting was justified under the Fourth Amendment and whether Gelhaus ought to be held personally responsible for the death of Lopez, who was carrying a replica AK-47 when he was shot. The fake weapon was an Airsoft rifle whose orange safety tip had been previously removed by a friend of Andy’s who owned the fake weapon.

Attorneys for the county and the officer have argued that Gelhaus was justified in the tragic and divisive shooting.

The SCSO was not surprisingly disappointed with the outcome, says Assistant Sheriff Clint Shubel. “We want to get clarity and guidance from the courts on the legal issue because it impacts community safety across the nation,” says Shubel. “This legal issue can affect the decision-making ability of peace officers under split-second, life-or-death situations. Every use-of-force situation is unique and can be very difficult. When faced with a perceived deadly threat, peace officers need to know when and how they are legally allowed to protect the public they serve. They can only know this through clearly established law.”

Blechman notes that when officers are involved in a situation where they “reasonably perceive” that their or their partner’s life, or the lives of nearby citizens, are at risk, and the officer is forced to make a split-second decision, “normally the officer is granted qualified immunity for being forced to make that difficult decision.” That principle has been upheld in numerous court decisions.

One of the sticking points in the case is the position of the fake AK-47 itself when Gelhaus shot Lopez seven times, fatally wounding him.

In previous testimony, the officer indicated that the replica rifle was pointed downward but swinging up toward him as Lopez turned around to face the officers after Gelhaus commanded him to drop the weapon.

“I haven’t found any similar cases that had that high degree of danger that deputy Gelhaus faced,” Blechman says—where the officers involved didn’t receive qualified immunity for their role in a use-of-force incident involving a firearm, whether it was fake or not.

Local activists in police-accountability circles were gratified by the decision from the conservative Supreme Court to send the case back to the lower court, and called on the county to settle the suit with the Lopez family.

“The county’s unsuccessful appeals to the U.S. District Court, U.S. Court of Appeals and now the U.S. Supreme Court have already cost taxpayers some $4 million in attorney’s fees,” charges Santa Rosa activist Kathleen Finigan.

“Attorneys representing the Lopez family have shown that the county’s filings include false statements about the shooting,” says Finigan, “most notably that it was ‘undisputed’ that Andy brought his plastic toy up in the direction of the officer.”

Blechman says he doesn’t know and won’t speculate on what factors in the Lopez case compelled the Supreme Court to reject the petition.

A Supreme Court decision from earlier this year to accept a separate petition for a writ of certiorari had given rise to the possibility that the Supreme Court would rebuke the 9th Circuit Court of Appeals for overreaching in the Gelhaus case—as it argued had been the case in Kisela v. Hughes earlier this year.

That use-of-force case involved an officer who shot and killed a woman who was brandishing a knife, and the officer involved in the incident was granted qualified immunity.

Contemporary police use-of-force guidance at the constitutional level stems from a landmark 1989 court decision, Graham v. Connor, which established a general rule of thumb for qualified immunity as being in play if an officer reasonably believes that his life, or others’ lives, may be at risk during an encounter with a perpetrator. The Graham decision set what’s known as an “objective reasonableness standard” to determine whether police activities are constitutionally chary.

In its 2–1 ruling on the Gelhaus appeal, the Ninth ruled that there were issues at hand that could only be resolved through a jury trial, given that there were strands of testimony previously given that were at apparent odds with one another. The judges cited Lopez’s young age as a factor in their ruling. Blechman wouldn’t say whether he believes Lopez’s age was a factor in the Supreme Court decision to not issue a writ of certiorari, as he notes that there’s no evidence on the record to indicate Gelhaus had any idea how old he was.

In denying the writ of certiorari, the Supreme Court passed on the opportunity to take another swing at the Ninth—which is often singled out for its purported liberal bias by conservatives—as it had done in an April 18 ruling when a majority of the justices ruled on Kisela and noted that “this Court has repeatedly told courts—and the Ninth Circuit in particular—not to define clearly established law at a high level of generality.”

As the local police-accountability community repeats its ongoing demand that the county settle the suit, Blechman says “we are going to continue to evaluate all available options to move this forward toward final resolution.”

There are only two of them: settle with the family or go to trial.

“This could end up in a trial jury situation,” Blechman says, noting that even if the Supreme Court didn’t want to hear the qualified immunity argument from Sonoma County, “we can still raise the qualified immunity issue. It is still viable.”

The attorney for the Lopez family, Arnoldo Casillas, says he’s looking forward to a jury trial as he calls the high court’s decision “bittersweet for the family. They are certainly happy that every time any judicial officers have evaluated the shooting, they found that the facts did not support immunity and that there were very significant issues that a jury has to decide. But ultimately, they still lost a son.”

The Uncivil War

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Late last week, State Sen. Mike McGuire was among a chorus of the outraged to tee off on the Trump immigration policy that separated children from their families and continues to do so despite the presidential flail-fest over the weekend. McGuire called the policy heartless and cruel, inhumane and indecent, “even by Trump standards.” He called the policy “barbaric.”

Those are strong words, which do not in themselves indicate that the state senator is a big fan of the “civility” argument being bandied about by Trump-intimidated politicians such as Nancy Pelosi. That’s because there is a big difference between the civility argument and everything that the Trump administration stands for.

So why would high-profile Democrats such as Pelosi pile on to the bandwagon of hand-wringing that surrounded a recent spate of citizen-driven ejections of Trump officials from various restaurants around the D.C. area? Who knows, but Pelosi needs to be next on the list of officials worthy of public shaming.

This ongoing food fight reminds one of another food-related act of resistance, which is now pretty much outlawed in this country because of, you know, terrorism. The 1960s in America were replete with instances of food-shaming politicians by, for instance, smashing a banana cream pie in their faces.

As historical artifact, there is a delightful sense of theater around those pie-shame episodes of yore, and while it would be dreadfully irresponsible to suggest a return to this all-American form of protest . . . no, don’t do it. It’s terrorism!

The updated pie-shaming approach to resistance is a far superior strategy in any event. These efforts to shame the otherwise shameless could fairly be described as “burrito shaming.” Two of the ejected Trumpians were forced out of Mexican restaurants, and both of them are shills for the worst of the worst of the deplorables who landed this lunatic in the White House.

You want to eat in peace, Stephen Miller, Kirstjen Nielsen, Sarah Sanders? Here’s a suggestion: There’s plenty of available seating at Chick-fil-A and Papa John’s. Nobody will bother you there.

Yes, I’m with Maxine Waters on this one. That’s not an incitement to violence, just as it’s not an act of terrorism to smash a banana cream pie in someone’s face—it’s justified resistance to policies that are cruel, inhumane, barbaric, indecent and inhumane.

Tom Gogola is the news editor for the ‘Bohemian’ and the ‘Pacific Sun.’

Letters to the Editor: June 27, 2018

Plan on It

Planning is politics, especially in Santa Rosa and Sonoma County. The California Environmental Quality Act (CEQA) is sometimes a “shield” here in Sonoma County to try and protect us, and nature, from bad political decisions (“The Sword and the Shield,” June 20). Poor planning, such as building houses on ridges in Fountain Grove, can lead to tragic consequences, as recently witnessed with last year’s fires. It is a sad fact that in our county greed rules, money talks and the biggest money has the strongest voice.

Now the “big money” wants to claim it is CEQA causing the “housing crisis.” Respectful disagreement can show the biggest problem is actually money; rather, the lack of financing for affordable housing, which is, and has been, the problem since at least 2008. According to a recent Business Insider article by Akin Oyedele on
June 20, 2018, “Housing in the U.S. has not been this unaffordable since property values were in free fall 10 years ago.” The article cites Daren Blomquist, senior vice president at ATTOM Data Solutions reporting, “Mortgage rates hit their highest level in seven years last month, and the national average 30-year fixed rate is now above 4.4 percent, according to Bankrate.com.” This slows lending.

The financial aspect of funding housing is more onerous than environmental constraints for many California building projects. “Big money voices” in Santa Rosa are now out flogging CEQA and the Endangered Species Act for protecting the California tiger salamander as reasons for the shortage of housing construction in Santa Rosa and Sonoma County. This is a cynical canard. There are numerous examples of projects being delayed by lack of funding, even when there are no CEQA or Endangered Species Act protection requirements. Many projects in Santa Rosa have been given incentives such as density bonuses and variances from local land-use controls, but still aren’t going forward. Others proceed slowly due to financing delays.

Take the example of housing development near Railroad Square in Santa Rosa. No tiger salamanders there, but approved projects are still stalled. By planners or money?

Duane De Witt
Santa Rosa

Political Grandstanding

Is bringing on Erin Brockovich another tactic to divert additional responsibilities away from those like the Sonoma County Board of Supervisors? Besides local attorney Roy Miller casting total blame on PG&E, we now have attorney Noreen Evans saying Ms. Brockovich “understands PG&E’s pattern of corporate behavior” and “pattern of malfeasance.” This from a member of a large law firm.

Does this malfeasance include making sure you have electricity and gas to your home and office 24/7, Ms. Evans? I want justice to prevail and to allow the facts to be presented and the responsibility spread around to all respective parties. It is not just PG&E.

Evans and Brockovich’s rock-star media tour announcing “her high-profile participation in the lawsuit against PG&E” is nothing short of grandstanding and vaudeville-type showmanship. It is no secret who really will financially benefit from all of this.

It seems now the biggest concern for those anti-PG&E activists and our so-called elected leaders is, what movie star will play them in the next upcoming disaster flick.

S. R. Finnegan

Sebastopol

Write to us at le*****@******an.com.

Hello, Dollie

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In her everyday life, Santa Rosa’s Kenyetta Todd is a 53-year-old grandmother and military veteran living with PTSD. But when she takes the stage, she transforms into Dangerous Dollie, a burlesque character Todd has developed over the last decade.

Todd performs this weekend at North Bay Cabaret’s four-year anniversary show in Santa Rosa. “I love the North Bay Cabaret because it gives me a creative outlet,” Todd says. “It’s a safe place for people to showcase their creativity.”

Born in Philadelphia, Todd moved to California in 1992, and was stationed at the Coast Guard’s Training Center Petaluma in Two Rock. When she got out of the military in 1996, she stayed in Sonoma County.

Though she’s long held a love for dance and costume design, Todd never thought to combine the two into burlesque performance—which mixes those elements in stage routines that involve bawdy humor and striptease—until her friends threw a pole-dancing class and party for her 45th birthday.

“They had another class called burlesque dancing and I took that class,” she says, “and the next thing you know, I was asked to be in a show, and I’ve been in shows ever since then.”

Also an avid cosplayer, Todd frequently designs and creates elaborate costumes and attends events in character.

“Funny thing is, in the military I was a test model for the new uniforms for women, so I helped them tailor the costumes there—well, might as well call them costumes,” Todd says with a laugh. “I’ve always had a hand in sewing, and [with burlesque], I can fluctuate from costume design to music and more.”

One thing in particular she loves about burlesque, she says, is that “it doesn’t always have to be sexy; it can be funny, it can be political—it’s welcoming for any kind of artistry you want to present.”

Aside from Todd’s frequent appearances at the North Bay Cabaret, she’s performed as Dangerous Dollie at events like the Folsom Street Fair and the recent Pride event in San Francisco.

Joining Todd onstage at the upcoming North Bay Cabaret show will be a wide range of performers, including bellydancer Pauline Persichilli, local musician Big Kitty, and Angelique Benicio, a visual and performance artist from San Rafael who will debut a new art piece called The Carnival of Lost Memories.

“There are a lot of creative people, and everybody’s looking for a stage,” Todd says. “The North Bay is a really nice place if you’ve never been on a stage—everybody is welcoming. The positivity is wonderful.”

Ticket to Paradise

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Transcendence Theatre Company opens its seventh season of Broadway Under the Stars in Jack London State Park with Stairway to Paradise, the first of four staged concert events scheduled this year.

The company takes performers with Broadway, touring company, film and television experience and creates an original themed musical revue around them. This year’s theme is “Every Moment Counts” and director-choreographer Tony Gonzalez has designed 20-plus production numbers full of memorable moments. The Transcendence playlist includes Broadway show tunes, a mix of recent and past pop hits, classic rock and specialty numbers. They’re all done in Broadway-style, occasionally with a twist. It often works, but sometimes it doesn’t.

The first act runs the gamut from numbers from South Pacific, The Wiz, and Victor/Victoria to “Me and Julio Down by the Schoolyard” and “The 59th Street Bridge Song (Feelin’ Groovy)” by Paul Simon. Highlights include a recreation of the famous Judy Garland/Barbra Streisand duet of “Get Happy/Happy Days Are Here Again” with Courtney Markowitz and Shaleah Adkisson, and Christine Lavin’s popular “Air Conditioner” song, also done by Adkisson with Tim Roller.

The act ends on a local note with a performance of “Everything,” a tribute song written by songwriters Mark Beynon and Joe Label, and the Transcendence version of “Oklahoma,” which morphs the Rodgers and Hammerstein classic into “Oh, Sonoma!”

The second act includes numbers from Cabaret, Into the Woods and The Sound of Music mixed with Justin Timberlake, Van Halen and, in the evening’s one clear misstep, Don McLean’s “American Pie.” Sorry guys, but perky, Cheshire cat–like grinning performers singing “This’ll be the day that I die” just doesn’t work for me. It’s a little creepy.

Things snap back with a jaunty Michael Linden performing Drew Gasparini’s “A Little Bit” and large-scale numbers with Timberlake’s “Can’t Stop the Feeling” and Van Halen’s “Right Now” before concluding with “Finale B” from Rent.

Dress in layers, pack a picnic, indulge in some wine or food purchased from local food trucks and vintners serving on-site, then sit back and enjoy a unique North Bay entertainment experience.

Rating (out 5 five): ★★★★

Rock the Fourth

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If nothing else, the Fourth of July is one of the loudest holidays of the year, with booming fireworks commemorating America’s birthday everywhere you look.

In the North Bay, many of these fireworks are accompanied by live music, and this year’s selection of Fourth of July concerts includes popular local bands, lively community celebrations, long-standing family traditions and more.

In Sebastopol, the skies light up a day early at the 45th annual Fireworks Extravaganza & Music Festival, hosted by the Kiwanis Club on July 3. Music lovers can come together on the football field at Analy High School to hear the dance-inducing music of Buzzy Martin & the Buzztones and the bluesy licks of Volker Strifler beginning at 6pm.

The next day, Sebastopol embraces the idea of “United We Stand” at the seventh annual Peacetown Summer Concert series kick-off at Ives Park. Jim Corbett, best known locally as the founder of music education and events organization Mr. Music Foundation, runs Peacetown with a strong commitment to neighborly camaraderie, and this season’s opening concert—dubbed an “(Inter)dependence Day” event—honors that notion and includes music from cordial Sonoma County artists Jon Gonzales, the Big Fit (formerly known as Frobeck), Bottle Shock and the Poyntlyss Sistars beginning at noon and playing until 8pm.

Another neighborhood staple in Sonoma County, Santa Rosa’s long-running “Red, White & Boom” fireworks show at the Sonoma County Fairgrounds features North Bay favorites the Pat Jordan Band, the Dylan Black Project and Wonderbread 5 taking the stage alongside dozens of local vendors to set the mood for fireworks.

The Sonoma-Marin Fairgrounds in Petaluma also hosts a free Fourth of July fireworks show with local rockers the Grain and the Highway Poets belting out soulful, swaggering sets of music with Lagunitas beer and local food on hand.

Napa Valley’s offerings of Independence Day parties start early, with the Symphony & Salsa Celebration on July 1 at the CIA at Copia in Napa. The free outdoor show boasts Symphony Napa Valley performing patriotic selections like “Stars & Stripes,” while Bay Area veteran Latin band Candela play their signature high-energy originals that get the crowds moving, followed by a pyrotechnic display.

In St. Helena, the Fourth features genre-bending Americana act Dead Winter Carpenters (pictured) sweating it out at the Farmstead at Long Meadow Ranch as part of the seasonal Bluegrass-Fed Concert series. Fans can sit on the lawn and enjoy a delectable dinner with the music, before fireworks go off at nearby Crane Park.

In Session

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Does craft brew have a refreshment gap, when summer days get hotter but the category seems to bring little but ever-stronger IPA, double IPA and triple IPA to the picnic table?

I picked a day widely advertised as the hottest day of the year thus far to conduct a rigorous test of local craft brews chosen for their nod to a refreshing, or lower-alcohol, “session” style of beer, matched against a regular IPA counterpart and the one-time king of summertime beer drinking.

Bear Republic Pace Car Racer vs. Lagunitas Sumpin’ Easy Pace Car is the new “sessionable” version of Racer 5 IPA, the idea being that you can drink more of it, hurray, without melting too fast under the dual assault of solar radiation and dehydration from IPA’s higher alcohol content. Although the lightest of this group in alcohol by volume (abv), at 4 percent, amber-gold Pace Car also presents the most substantial IPA impression with a fresh, floral hop aroma and dry finish. This is the one if you want that big, dry IPA sensation without the big abv. Sumpin’ Easy is the 5.7 percent abv version of Little Sumpin’ Sumpin’—a sort of wheated IPA. Fruity, floral hops—hayride flavor bubblegum?—lead to a tangy, fresh beer with just an echo of the sweetness of the 7.5 percent “Little.”

Bud Light vs. Fogbelt Zephyr Gose A whiff of the erstwhile “King of Beers” brings me back to a summer job I once had in a corn-processing plant. It’s reasonably inoffensive, but not, after all, the top refresher. Reminiscent of the sour aroma of the bacterial beverage my hippie neighbor was growing in a jar in his kitchen that same summer, the Fogbelt Zephyr is an update on an old beer style. Although it’s brewed with apricots, the result is not tutti-frutti, and the tart flavors come together with appealing, fine-bubbled effervescence at 4.5 percent abv. Worth adding to the picnic table.

Lagunitas Daytime Fractional IPA vs. Lagunitas IPA It’s dog-eat-dog with these two. Daytime has a floral hop aroma but less of a dry finish than Pacer. At 4.65 percent abv, it’s a lighter than the 6.2 percent IPA, which is, oddly, less overtly hoppy. Smooth and inoffensive—like the big beer brands seem to be only in their fresh-poured, after-the-tour samples—Daytime should be the baseline of summer beer.

Anderson Valley Summer Solstice The outlier here is a dark amber ale with natural flavors and spices added—wait, isn’t that for winter solstice? Actually, this cream ale is one of my favorites for early summer evening refreshment when the heat lets up and the light begins to dim—or is that just the beer?

Supreme Court Rejects Sonoma County Bid to Drop Lopez Lawsuit

The Supreme Court this morning denied a petition that asked for a writ of certiorari from the high court to set aside a lower court ruling regarding the actions of Sonoma County Sheriff’s Office (SCSO) officer Erick Gelhaus. The police sergeant was involved in a 2013 shooting of a teenager carrying a replica AK-47 in Santa Rosa while he was a deputy on patrol in Moorland. The court’s ruling appears to indicate that the last of Sonoma County’s legal options may have been exhausted and it will either have to settle with the family of Andy Lopez in an ongoing federal civil-rights lawsuit, or participate in a trial to determine whether Gelhaus should be granted qualified immunity for his role in the incident. The county has now lost in pleadings before the U.S. District Court, the 9th Circuit Court of Appeals, and now, the Supreme Court. It’s a big blow to the county, and SCSO, given that court-watchers were increasingly convinced in recent days that the conservative court would rebuke the 9th Circuit’s ruling that there were use-of-force issues in the case that ought to be sorted out out by a jury. Here’s the ruling:

June 21: Deep Noir in Santa Rosa

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As a psychologist and media educator, Terry Ebinger takes a unique approach to film studies in her Cinema & Psyche classes; blending film, history, psychology, cultural anthropology and more. This summer, she presents a new series, “Masterworks of Noir,” that focuses on the art of the heist in classic crime films like The Asphalt Jungle, The Killing, Dog Day Afternoon and others. Go deep in exploring existential parables and everyman sagas when Cinema & Psyche’s program kicks off on Thursday, June 21, at Santa Rosa Junior College, 1501 Mendocino Ave., Santa Rosa. $135 for six weeks. cinemaandpsyche.com.

Leave It to . . .

Bill Ostrander was showing his brother-in-law around his Kenwood vineyard one summer day last year when the tour turned totally horror-show, from the perspective of a grape grower: suddenly, they came upon a patch of grapevines with wilted leaves, desiccated grapes and trunks cut in two. Ostrander had suspicions about who the culprit might be. Ostrander's vines, planted as Syrah...

Denied

The United States Supreme Court on Monday denied a petition filed by lawyers representing Sonoma County and Sgt. Erick Gelhaus of the Sonoma County Sheriff's Office (SCSO). The court rejected a petition for the court to issue a rare writ of certiorari that attorneys hoped would hold up a qualified immunity claim for Gelhaus in an ongoing federal civil rights...

The Uncivil War

Late last week, State Sen. Mike McGuire was among a chorus of the outraged to tee off on the Trump immigration policy that separated children from their families and continues to do so despite the presidential flail-fest over the weekend. McGuire called the policy heartless and cruel, inhumane and indecent, "even by Trump standards." He called the policy "barbaric." Those...

Letters to the Editor: June 27, 2018

Plan on It Planning is politics, especially in Santa Rosa and Sonoma County. The California Environmental Quality Act (CEQA) is sometimes a "shield" here in Sonoma County to try and protect us, and nature, from bad political decisions ("The Sword and the Shield," June 20). Poor planning, such as building houses on ridges in Fountain Grove, can lead to tragic...

Hello, Dollie

In her everyday life, Santa Rosa's Kenyetta Todd is a 53-year-old grandmother and military veteran living with PTSD. But when she takes the stage, she transforms into Dangerous Dollie, a burlesque character Todd has developed over the last decade. Todd performs this weekend at North Bay Cabaret's four-year anniversary show in Santa Rosa. "I love the North Bay Cabaret because...

Ticket to Paradise

Transcendence Theatre Company opens its seventh season of Broadway Under the Stars in Jack London State Park with Stairway to Paradise, the first of four staged concert events scheduled this year. The company takes performers with Broadway, touring company, film and television experience and creates an original themed musical revue around them. This year's theme is "Every Moment Counts" and...

Rock the Fourth

If nothing else, the Fourth of July is one of the loudest holidays of the year, with booming fireworks commemorating America's birthday everywhere you look. In the North Bay, many of these fireworks are accompanied by live music, and this year's selection of Fourth of July concerts includes popular local bands, lively community celebrations, long-standing family traditions and more. In Sebastopol,...

In Session

Does craft brew have a refreshment gap, when summer days get hotter but the category seems to bring little but ever-stronger IPA, double IPA and triple IPA to the picnic table? I picked a day widely advertised as the hottest day of the year thus far to conduct a rigorous test of local craft brews chosen for their nod to...

Supreme Court Rejects Sonoma County Bid to Drop Lopez Lawsuit

The Supreme Court this morning denied a petition that asked for a writ of certiorari from the high court to set aside a lower court ruling regarding the actions of Sonoma County Sheriff's Office (SCSO) officer Erick Gelhaus. The police sergeant was involved in a 2013 shooting of a teenager carrying a replica AK-47 in Santa Rosa while he...

June 21: Deep Noir in Santa Rosa

As a psychologist and media educator, Terry Ebinger takes a unique approach to film studies in her Cinema & Psyche classes; blending film, history, psychology, cultural anthropology and more. This summer, she presents a new series, “Masterworks of Noir,” that focuses on the art of the heist in classic crime films like The Asphalt Jungle, The Killing, Dog Day...
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