Time of Your Life

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High atop Mt. Tamalpais sits the Cushing Memorial Amphitheatre, where the Mountain Play has been produced for the past 105 years.

Your all-day adventure includes a slow, winding ride up the mountain, a hike to the 4,000-seat amphitheater and a trek down to your seat lugging coolers full of food and adult beverages (they’re allowed.) You get your umbrella and seat cushions arranged, unpack your goodie basket and just as you start to enjoy a pleasant afternoon picnic, a show breaks out.

Ah, yes. There is a show. This year’s production is Mamma Mia!, the 1999 jukebox musical that uses the slightest of stories as an excuse to perform the catalogue of pop supergroup ABBA.

Set at a Greek island taverna run by Donna Sheridan (Dyan McBride), the story centers on the circumstances of her daughter’s upcoming wedding. Sophie (Carrie Lyn Brandon) is about to get married to a slab of British beefcake (Jake Gale) and wants to invite her father to her nuptials. The problem is, she doesn’t know who her father is!

A quick trip through her mother’s diary leads her to three possibilities: Harry (Sean O’Brien), an uptight British banker; Bill (David Schiller), a travel writer and adventurer; or Sam (Tyler McKenna), an architect and, the other two notwithstanding, her mother’s true love. Sophie decides, in proper musical theater tradition, to invite them all and sort everything out later. Chaos, hilarity, singing and dancing ensue.

Folks don’t go to shows like Mamma Mia! for the complex storylines or deep subtext; they go for the songs. Put no thought into why the story leads to particular songs being sung, just enjoy the 20-plus tunes, including “Chiquitita,” “Dancing Queen,” “SOS” and the title song.

Director Jay Manley gets generally solid performances from the large cast, but it took a couple of songs for the vocals to really hit their stride, culminating in a very powerful delivery of “The Winner Takes It All” by McBride. There’s colorful and clever scenic work by Andrea Bechert, some nice energetic choreography by Nicole Helfer and Zoë Swenson-Graham, and the ABBA songbook is well played by Jon Gallo and a nine-piece band.

The Mountain Play provides a unique Bay Area theatrical experience. Where else can you catch a pleasant Broadway musical that comes with a pre-show warning about ticks and rattlesnakes?

Rating (out of 5): ★★★½

Moment in Time

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Folk singer-songwriter Clementine Darling says she was chasing the sunshine when she busked her way from Seattle to the Bay Area in 2010, living in Santa Cruz and Berkeley briefly before moving to Sonoma County, where she’s lived the last seven years.

“The initial thing that brought me to Sonoma County was the connection to nature—it was such a beautiful place,” Darling says. “And the people have been what kept me here.”

Last year, Darling stepped out of her busking shoes and took to a stage for the first time ever at the 2017 Next Level Music Industry Conference, hosted by Creative Sonoma. Darling’s onstage debut coincided with her participation in a songwriting workshop with nationally recognized producer Sam Hollander, in which she and Hollander shaped one of her original songs, “Choose Love,” into a strong acoustic number in the tradition of alt-folk heroines like Ani DiFranco and Cat Power. “Choose Love” wound up being the first track on Darling’s forthcoming debut EP,

11:11, available on June 1.

“It seems like I can’t get a plane ticket or look at the clock without seeing an 11,” says Darling of the EP’s title. “That number has always been important to me.”

Originally planned as a four-song EP, 11:11 was half recorded when the Tubbs fire forced Darling from her Mark West Springs area home in the late hours of Oct. 8. Darling adds that after escaping the flames and reaching safety, she looked at the time; it was 11:11pm.

Coincidentally, one of Darling’s few remaining possessions was her guitar, as she had left it at a storage unit earlier that afternoon rather than leave it in her car. After finding a new rental on the Russian River and picking the guitar back up, Darling composed a fifth track for the EP, “Fire Map,” that originally began life as a poem about last summer’s fires in the Pacific Northwest.

“For the most part, it’s a song of gratitude,” Darling says. “As much loss as I experienced, I didn’t lose any of the people I love.”

Many of those people will be on hand this week when Darling officially releases 11:11 at a concert event, dubbed Bohemian Groove, in Santa Rosa with support from Petaluma songwriter Ismay, one-man-band Banjo Boombox and anti-folk outfit Django Moves to Portland. “The dress code is denim and floral, or whatever makes you feel groovy,” Darling says. “It’s going to be a celebration of life.”

Bohemian Groove happens on Friday, June 1, at the Arlene Francis Center, 99 Sixth St., Santa Rosa. 7pm. $10. 707.528.3009.

Limited Capacity

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Two-thirds of gun deaths are suicides, but that is not why we demand gun control. We want control because of the decades of mass murder-suicides, often carried out by and against young adults. Unlike disease or old age, death by gunshot is swift and robs us of our chance for goodbyes. For parents and siblings, losing a loved one that way is torture.

Guns have always been available in America, so what caused mass murders to skyrocket since the turn of the century?

For that answer we have to see what else changed this century: fame, easily obtained by likes and followers. Youth today believe that fame and attention is more important than achievement or character. Look at who is popular on TV, internet channels and magazines.

We adults are guilty too. Mass shootings dominate the news and social media, the killer’s story read by millions. We click and share, teaching big media this is what we want.

Lately, I’ve stopped clicking, stopped reading about the latest tragedy. I want these shootings to stop. I want gun ownership to be considered reasonable and responsible again. For that point, I think the latest legislation proposed will be ineffective, if it even passes Congress.

As cleverly worded as any banning legislation is, greed will find ways past the definition of “bump stock,” “assault rifle” or “magazine.” Search online for “non-NFA firearm,” and you will find that manufacturers already market firearms that fall under no regulatory definition.

Our country already accepts that for safety, the FDA approves drugs before they are sold, and the FAA approves airplanes. So it makes sense that if anyone wants to sell a gun or gun accessory,
a to-be-created federal agency with industry, police, gun rights and public safety oversight would determine whether the product’s primary purpose is hunting or home/self-defense. If it passes, that design is legal for sale.

Would this cultural and regulatory shift stop shootings immediately? I doubt it. But maybe in our lifetimes, we’ll reach
Dec. 31 and cheer our first year this century without a mass murder carried out by gunfire.

Iain Burnett lives in Forestville.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Letters to the Editor: May 30, 2018

Nauseous
About Nazis

I felt profound shock and nausea when I read the two racist and anti-Semitic letters to the editor my local paper chose to give a platform to on May 16 under the headline “Say No to Nazis.”

The first letter makes unsupported blanket accusations about Koreans and Korean-Americans being bigoted and ignorant. The second brought out a hateful and unfounded anti-Semitic conspiracy theory using “America First” rhetoric in a way eerily reminiscent of American Nazi sympathizers before WWII.

In the United States, we value an individual’s right to free speech, and yet as thoughtful and caring citizens, we are under no obligation to give a platform and megaphone to hate speech. The Bohemian has a responsibility to choose which voices to amplify more carefully.

Via Bohemian.com

Fearless Voting

I would like to share my experience of Napa as a relative newcomer with fresh eyes. Placing my children into elementary school here, it was clear that there are families in the wine industry, and those who are not. Those not in the wine business are often invisible, and don’t speak out for fear of not being included.

Many belonging in the wine industry blindly support what is happening, even when it is not in their best interests, for fear of ridicule. Often those who work for the industry are afraid to make waves, and be shunned by the community. Worst of all, those working in the vineyards do not speak for fear of losing their livelihoods.

People being afraid to speak is, sadly, the way Napa County likes it. I am voting yes on Measure C because citizens are being bullied so that unsustainable corporations can deforest the land and use up water for profit.

I oppose No on C because—what’s in it for me? I’m not voting for someone else to make billions of dollars while simultaneously stealing our future’s water and trees.

Despite our county government catering to Big Developers, we still have the freedom to vote. Fear not! How you vote is no one’s business but your own, and counts now more than ever.

Napa

Mutz Is the Man

We are so excited to have met and now to support a truly inspiring leader! This dynamite candidate will be on our June 5 ballot running for a most important position, that of Sonoma County Sheriff.

We are so moved by his sincerity and professionalism, and his commitment to all the people of Sonoma County—both those in the department and the community at large.

John Mutz is a team player who listens to the concerns of the public about law enforcement and will ensure that the outcomes are fair to all. He can bring change, which may be necessary in the department, and he will encourage staff and community members to work together bringing creative ideas to resolve conflicts and make us all proud! We know he is the man for the job. Please vote for John Mutz as our next Sonoma County sheriff.

Sebastopol

Write to us at le*****@******an.com.

Why So Low?

California is on track to generate $1.9 billion in legal marijuana sales this year, according to New Frontier Data, a financial analysis firm tracking the market. That’s a lot of weed, but it’s only half the amount the firm earlier estimated the state would rake in.

New Frontier Data bases its estimates on tax revenue from pot sales, which so far have fallen dramatically short of projections. According to the firm, the state collected $33.6 million in pot taxes between Jan. 1 and March 31, which makes it extremely unlikely tax revenues will meet original expectations of hitting $175 million in the first half of the year.

New Frontier had earlier estimated that the state would see $3.8 billion in marijuana sales this year, and this latest estimate slashes that number by a whopping 50 percent. The company also slashed its projections for the size of the legal industry by 2025. Instead of the $6.7 billion in sales it earlier estimated, it now says it thinks sales will only hit $4.7 billion, a hefty one-third reduction.

What happened? New Frontier has an idea.

“It is quite clear that the new adult-use regulations have made it more difficult than anticipated for the legal market to get established and for consumers to transition from the illicit market,” says New Frontier founder and CEO Giadha Aguirre De Carcer.

State and local licensing fees for marijuana businesses can range from $5,000 to $120,000 per year, depending on the type and scope of the business. There’s also a serious lack of buy-in by a good portion of the state’s cities and counties, which means that a big chunk of the state has no access to local legal marijuana.

If there’s no governmental support locally, “then there’s no option for a state license, and that’s why most people are being shut out at this point in time,” California Cannabis Industry Association (CCIA) executive director Lindsay Robinson told the Marijuana Business Daily.

According to CCIA spokeswoman Amy Jenkins, only about one-third of the state’s 540 local governmental entities have approved commercial marijuana activity. Lack of legal access is “forcing consumers to turn to the illicit market,” she told the Los Angeles Times.

Or return to it. Or stay in it, if they never left it.

Ultimately, the only way to end the black market is to legalize marijuana nationwide, but we’re not quite there yet. In the meantime, California’s transition to a legal marijuana regime is facing some unhappy realities.

Phillip Smith has been a drug policy journalist for two decades. He is currently a senior writing fellow at the Independent Media Institute.

Do You C?

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Cycling is a great way to tour Napa Valley’s vineyards and woodlands, and it also facilitates a closer read of the many political signs that have sprouted along its highways and backroads, most of which are either for, or against, Measure C, the Watershed and Oak Woodland Protection Initiative that Napa voters will decide on June 5.

While riding in the CampoVelo Gran Fondo this April, I was treated to a variety of competing claims along the way: the few “Yes on C” signs candidly say what proponents claim the measure will accomplish.

“No on C” presents a more piquing suite of succinct warnings: C will hurt farmers, increase traffic, threaten hillsides, and also is bad. I was content to stay out of the fray until, rounding a corner on a remote slope south of Angwin, I saw a rarer anti-C sign that said something like, “Doesn’t Save Trees.”

Say what you will about the potential negative downstream effects of not cutting down trees in a watershed—stay with me, now—but can’t we just agree that C is about saving some trees? Yes, campaigns are arguments, but this one increasingly reminds me of the “argument sketch” from Monty Python: “Look, this isn’t an argument,” says Michael Palin. “Yes it is,” counters John Cleese. “No it isn’t,” Palin replies, “it’s just a contradiction, the automatic gainsaying of whatever the other person says.”

It does not surprise Angwin resident Mike Hackett, co-author of the initiative. “We’ve entered this era, starting with the national election, of these alternate truths.” Hackett says it’s all about polling. After the Napa Valley Vintners turned against the measure they’d initially helped craft—in part because polling results showed they’d almost certainly lose such a fight, according to Hackett—they turned to polls showing that traffic, hillsides and water were among Napa residents’ top concerns.

“They took them and flipped them 180 degrees,” Hackett says. “It doesn’t matter that it isn’t real or true; they just say it to confuse voters.”

One contrary voice not just gainsaying is that of Stuart Smith, co-founder of Smith-Madrone Vineyards. For Smith—who says, “My dog isn’t in this hunt,” since C would not apply to his property—it’s a matter of principle. “What they’re taking is the right to plant a vineyard,” says Smith, who offers property-rights views on his website.

Hopefully, Napa voters will make an informed decision after reading up on both sides, never mind the signs. As for me, as Palin says at the end of the sketch, “I’ve had enough of this.”

For: protectnapawatersheds.org. Against: protectnapa.com.
Stu Smith: stopmeasurec.com.

Miller Moves On

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After seven years in Santa Rosa—making him the longest-serving artistic director in the company’s 13-year history—Miller has accepted a job at the University of Idaho, where he’ll serve as assistant professor of acting and directing, beginning this fall. Miller will officially depart 6th Street on July 13.

“Because of my in-the-trenches, real-world work as a theater maker,” Miller explained shortly after making the announcement in late May, “the University of Idaho has asked me to come out and share some of my knowledge, my failures, and my victories with their students. I’m very excited that I’ll be teaching the next crop of artists to be coming out of their theater program.”

According to Miller, who was married last fall, the university’s invitation was a surprise, but one that came at just the right time.

“Producing at 6th Street Playhouse is a dream job for a bachelor,” he says. “When I had all of me to commit to this organization, 24/7, it made beautiful sense. But [my wife], Meghan, and I are talking about starting a family, and the Playhouse has been on an upswing the last few months, in terms of better consistency in the quality of our productions, and in audience satisfaction and growth. So it’s just the right time to say goodbye, and go do something that allows me more time to be with my family in the future.”

Currently, Miller is directing what will be his final show with 6th Street, the Shakespearean musical Illyria (opening June 15), a longtime dream project for Miller.

“Everyone who knows me knows I’ve wanted to do Illyria for years,” Miller says. “So all things considered, it’s a pretty great way to go out.”
During his tenure, Miller has greatly expanded the company’s educational programs. In recent months, working with the theater’s executive director Jared Sakren and the 6th Street Playhouse board, he’s enacted a number of new policies designed to strengthen the company’s somewhat rocky artistic reputation.

“Some of our shows have been great, and some have been not-so-great,” Miller admits. “We know that, and we know why, and a lot of it is because we’ve simply been trying to produce too many shows too fast.”
One recent change is that in its upcoming 2018–19 season, 6th Street will present fewer shows in its two theater spaces. “We probably should have done this sooner,” Miller says, “but sometimes change takes a while. From here on out, thanks to some of the new policies I’m proud to have been a part of, the focus at 6th Street will be on quality over quantity.”

“The greatest thing about Craig,” says 6th Street board president Jeff Coté, “is that he took this job on with so much gusto. He kind of came from out of nowhere and immediately made the place his home. He’s done tremendous things for the playhouse, rebranding it in a lot ways. He’s had a very positive impact on the company, which will continue to be seen for years to come.”

Miller’s departure has given the playhouse an opportunity to adjust the administrative structure of the company.

“We won’t be hiring a new artistic director,” Coté said. Instead, some of those responsibilities will be taken over by Sakren, who will be responsible for maintaining quality of the shows in addition to choosing the shows for future seasons and selecting the directors and other artists.

Sakren will also be taking over the position of education director. According to Coté, whoever is chosen for the new position will not be directing any of the shows—a big shift from how things have been, with Miller directing one-third to half of the company’s productions.

“This is an evolution of how the company operates,” said Coté, “and we think it’s going to prove to be a very positive and constructive evolution.”

Instead of a new artistic director, Coté explained, 6th Street will create the full-time position of production coordinator – “Or possibly production manager, we haven’t completely decided on the title,” he said. That job would oversee the day-to-day details of all productions in both theaters, and do serve as stage manager for most or all of the shows in the larger G.K. Hardt Theater. Sakren will also be taking over the position of Education Director. According to Coté, whoever is chosen for the new position will not be directing any of the shows, a big shift from how things have been, with Miller directing a third to a half of the company’s productions.

“This is an evolution of how the company operates,” said Coté, “and we think it’s going to prove to be a very positive and constructive evolution.”

As for Miller, he describes his upcoming departure from 6th Street and Santa Rosa as an emotional roller coaster.

“On one hand, I feel elated and excited, and I can’t wait to see what lies ahead, and how this is going to change my life,” Miller says. “And at the same time, I feel extremely sad. I’m going to miss a lot of people

Cal-Fire Says PG&E Downed Power Lines the Culprit in Four 2017 California Wildfires

Cal Fire has just announced its investigation into four of the wildfires that hit California last year has ended, and that the fires were caused by downed PG&E wires coming into contact with trees. The state agency determined that fires in Butte and Nevada counties—the La Porte fire, the McCourtney Fire, the Lobo Fire and the Honey fire were all caused by the power lines. In a statement, Napa State Sen. Bill Dodd says, “It confirms what we’ve known all along—that downed power lines can be the source of devastating fires.” Dodd has pending litigation that would compel utility companies to strengthen their infrastructure. “We have an obligation to ensure the utility companies do what’s right to protect Californians,” he says. “This determination by Cal Fire underscores the need to take protective measures now.” No word as yet from Cal Fire on the cause of the Nuns, Tubbs, Adobe and Pocket fires that tore through the region last October.

Here’s the complete statement from PG&E sent to the Fishing Report late Friday after this news broke:

“Based on the information we have so far, we believe our overall programs met our state’s high standards. Under PG&E’s industry-leading Vegetation Management Program, we inspect and monitor every PG&E overhead electric transmission and distribution line each year, with some locations patrolled multiple times. We also prune or remove approximately 1.4 million trees annually. Following Governor Brown’s January 2014 Drought State of Emergency Proclamation and the California Public Utilities Commission’s Resolution ESRB-4, PG&E has added enhanced measures to address areas particularly affected by drought and bark beetles including:

• Increased foot and aerial patrols along power lines in high fire-risk areas;
• Removed approximately 236,000 dead or dying trees in 2016 and 140,000 dead or dying trees in 2017; these tree removals were in addition to approximately 30,000 trees removed per year prior to the drought;
• Launched daily aerial fire detection patrols during high fire season to improve fire spotting and speed of fire response;
• Since 2014, provided $11.4 million to local Fire Safe Councils (FSCs) for fuel reduction projects in communities; and
• Provided $1.7 million to local FSCs for 28 highly programmable remote-sensing cameras for critical fire lookout towers.

PG&E meets or exceeds regulatory requirements for pole integrity management, using a comprehensive database to manage multiple patrol and inspection schedules of our more than two million poles. Years of drought, extreme heat and 129 million dead trees have created a “new normal” for our state, and we must continue to adapt to meet these challenges. Extreme weather is increasing the number of large wildfires and the length of the wildfire season in California. According to CAL FIRE, in 2017 alone, CAL FIRE confronted 7,117 wildfires, compared to an average of 4,835 during the preceding five years. Five of the 20 most destructive wildfires in the state’s history burned between October and December 2017.

In the case of these Northern California wildfires, we saw an unprecedented confluence of weather-related conditions, including: years of drought resulting in millions of dead trees, a record-setting wet winter that spurred the growth of vegetation that then became abundant fuel after record-setting heat during the summer months, very low humidity and very high winds.

The state, first responders and California’s utilities are all in agreement that we must work together to prevent and respond to wildfires and enhance climate and infrastructure resiliency.

Following last year’s fires, we are bolstering wildfire prevention and emergency response efforts, putting in place new and enhanced safety measures, and doing more over the long term to harden our electric system to help reduce wildfire risks and to keep our customers safe.

We want to work together to share information, provide resources and help our customers and communities prepare for and stay safe during extreme weather events. This challenge requires us all to come together in order to be successful. We need to look at the full range of solutions. These should include utility practices as well as:
• Forest management to reduce fuel;
• Better management of building in the wildland urban interface;
• Fire-resistant building codes;
• Defensible space practices; and
• Insurance coverage for those homeowners and businesses located in elevated fire areas.

In addition, we strongly believe this must include addressing California’s unsustainable policies regarding wildfire liability. California is one of the only states in the country where the courts have applied inverse condemnation liability to events associated with investor-owned utility equipment. This means PG&E could be liable for property damages and attorneys’ fees even if we followed established inspection and safety rules. Liability regardless of negligence undermines the financial health of the state’s utilities, discourages investment in California and has the potential to materially impact the ability of utilities to access the capital markets to fund utility operations and California’s bold clean energy vision.

Extreme weather events driven by climate change are causing unprecedented wildfires and creating a “new normal” for our state. We are committed to advocating with legislative leaders and policymakers across the state on comprehensive legislative solutions for all Californians, as we collectively seek to meet the challenge of climate change, and position the California economy for success.

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May 24: Artist Remembered in Santa Rosa

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Born in Hungary in 1926, Shari Kadar made her home in the North Bay in the late 1950s, where she expressed her creativity as a prolific artist and sculptor, graduating with an art degree from California College of the Arts at age 62. Inspired by Hungarian traditions, Kadar’s ceramics, wooden eggs and paintings feature elaborate patterns and warm colors. Kadar died in February at age 91, but her work lives on, starting with a new memoriam exhibit, “Shari Kadar: A Retrospective,” opening on Thursday, May 24, at the Finley Community Center, 2060 W. College Ave., Santa Rosa. 5pm. Free admission. 707.543.3737.

May 26: Eye-Opening Cocktails in Napa

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San Francisco cocktail, beer and wine writer Maggie Hoffman is an expert at taking fancy-schmancy drinks and making them accessible to the masses, and she does so in her new book, ‘The One-Bottle Cocktail.’ Broken down into chapters based on each spirit, Hoffman shows the reader a barful of delicious drinks that can be made quickly and easily. Sounds too good to be true? Then head to Napa this weekend, where Napa Bookmine hosts Hoffman and several skilled bartenders as they demonstrate recipes from the book for you to taste on Saturday, May 26, at Napa Valley Distillery, 2485 Stockton St., Napa. 7:30pm. $10–$22. napabookmine.com.

Time of Your Life

High atop Mt. Tamalpais sits the Cushing Memorial Amphitheatre, where the Mountain Play has been produced for the past 105 years. Your all-day adventure includes a slow, winding ride up the mountain, a hike to the 4,000-seat amphitheater and a trek down to your seat lugging coolers full of food and adult beverages (they're allowed.) You get your umbrella and...

Moment in Time

Folk singer-songwriter Clementine Darling says she was chasing the sunshine when she busked her way from Seattle to the Bay Area in 2010, living in Santa Cruz and Berkeley briefly before moving to Sonoma County, where she's lived the last seven years. "The initial thing that brought me to Sonoma County was the connection to nature—it was such a beautiful...

Limited Capacity

Two-thirds of gun deaths are suicides, but that is not why we demand gun control. We want control because of the decades of mass murder-suicides, often carried out by and against young adults. Unlike disease or old age, death by gunshot is swift and robs us of our chance for goodbyes. For parents and siblings, losing a loved one...

Letters to the Editor: May 30, 2018

Nauseous About Nazis I felt profound shock and nausea when I read the two racist and anti-Semitic letters to the editor my local paper chose to give a platform to on May 16 under the headline "Say No to Nazis." The first letter makes unsupported blanket accusations about Koreans and Korean-Americans being bigoted and ignorant. The second brought out a hateful...

Why So Low?

California is on track to generate $1.9 billion in legal marijuana sales this year, according to New Frontier Data, a financial analysis firm tracking the market. That's a lot of weed, but it's only half the amount the firm earlier estimated the state would rake in. New Frontier Data bases its estimates on tax revenue from pot sales, which so...

Do You C?

Cycling is a great way to tour Napa Valley's vineyards and woodlands, and it also facilitates a closer read of the many political signs that have sprouted along its highways and backroads, most of which are either for, or against, Measure C, the Watershed and Oak Woodland Protection Initiative that Napa voters will decide on June 5. While riding in...

Miller Moves On

After seven years in Santa Rosa—making him the longest-serving artistic director in the company’s 13-year history—Miller has accepted a job at the University of Idaho, where he’ll serve as assistant professor of acting and directing, beginning this fall. Miller will officially depart 6th Street on July 13. “Because of my in-the-trenches, real-world work as a theater maker,” Miller explained...

Cal-Fire Says PG&E Downed Power Lines the Culprit in Four 2017 California Wildfires

Cal Fire has just announced its investigation into four of the wildfires that hit California last year has ended, and that the fires were caused by downed PG&E wires coming into contact with trees. The state agency determined that fires in Butte and Nevada counties—the La Porte fire, the McCourtney Fire, the Lobo Fire and...

May 24: Artist Remembered in Santa Rosa

Born in Hungary in 1926, Shari Kadar made her home in the North Bay in the late 1950s, where she expressed her creativity as a prolific artist and sculptor, graduating with an art degree from California College of the Arts at age 62. Inspired by Hungarian traditions, Kadar’s ceramics, wooden eggs and paintings feature elaborate patterns and warm colors....

May 26: Eye-Opening Cocktails in Napa

San Francisco cocktail, beer and wine writer Maggie Hoffman is an expert at taking fancy-schmancy drinks and making them accessible to the masses, and she does so in her new book, ‘The One-Bottle Cocktail.’ Broken down into chapters based on each spirit, Hoffman shows the reader a barful of delicious drinks that can be made quickly and easily. Sounds...
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