Creature Crafter

0

It could be said that
Lex Rudd makes dreams come true—
or, more precisely, she makes visions a reality. That’s because the longtime Sonoma County resident is a special effects master who specializes in designing and building puppets and props for film, television, theater productions and toy makers.

This summer, Rudd steps out of the shop and into her new Dreams and Visions Puppet & Craft Studio in downtown Forestville, where she’ll display her work and offer a series of crafting and sewing classes starting in August.

Born in England, Rudd was a young artist enamored with creatures like those created by Jim Henson in the films Labyrinth and The Dark Crystal.

“When I was 16, for Halloween, my friend and I wanted to make some masks,” remembers Rudd. “Instead of doing papier-mâché or whatever, we thought we’d do it properly, so we bought some clay and some plaster and some latex, and we made these werewolf masks. Ever since then, I’ve loved sculpting and I’ve loved creatures.”

In college, Rudd earned a degree in special effects and began working for a U.K. company where she sculpted dragons for the 2002 film Reign of Fire and created puppets for the 2005 film The Brothers Grimm.

Rudd moved to Los Angeles to work on a children’s TV show in 2004, and eventually relocated to the East Bay and then Sonoma County in 2008. In 2014, she appeared on Syfy’s reality competition show Jim Henson’s Creature Shop Challenge, where she made monsters on camera along with nine other contestants. Though she was eliminated on the show, Rudd was one of two contestants picked up by the Henson Creature Shop to work as a contractor.

“As far as puppets go, they’re the pinnacle, really,” Rudd says. “I just worked on the new Dark Crystal [Netflix series], and I can’t say what, but I got to work on one of the major puppet characters.”

While Rudd travels for work, she now wants to establish a presence in the artistic hub of the North Bay. “I absolutely love it here in Sonoma County. I want to get more involved in the community, and am hoping that people start to notice me.”

At the Forestville studio, currently open by appointment only, Rudd has assembled a working space, complete with industrial machines and a wall of fabrics, that will also serve as a classroom. The upcoming adult-oriented classes will let prospective crafters make their own Billy Goat Gruff puppets, tote bags and more.

“If there’s interest, I want to open it up to making professional puppets and get more in-depth,” Rudd says. “I’d also love to get into bigger local projects and cool, weird community art stuff.”

Days of Malaise

We’re halfway into the first year of recreational cannabis sales and taxation under Proposition 64. So how goes it for the rank-and-file growers and manufacturers who were coaxed into support for Proposition 64? Not so good.

That’s the assessment of the California Growers Association’s “Mid-Year Outlook, 2018,” a report on the state of the industry thus far.

“From disappointing [first quarter] tax revenue, to disappointing license numbers, the market is inundated with a general sense of malaise,” writes CGA executive director Hezekiah Allen. “What was once a dynamic and diverse marketplace is now stagnant, with significant barriers disrupting commerce and communities.”

Most discouraging, Allen says that legalization has not happened yet for most of the state because city and county governments are still working to implement permitting ordinances. Many have no plans for cannabis sales.

“The general outlook for the California market is likely to be depressed until things change at the local level,” he says.

The new report warns that the costly transition from temporary to annual licenses “may change the landscape” as businesses without sufficient means fade away. License fees range from $1,200 for small growers to $77,000 for the largest cultivation license, and $4,000 to $120,000 for retail operations.

The new report also points to an oversupply “ticking time bomb” created by large-scale growers who have ramped up production ahead of retail outlets.

“There are a handful of businesses, some rookie and some veteran, seeking to bring some of the state’s largest harvests ever to market,” says the report. “Fortunes may be earned and most certainly will be lost.”

On the plus side, the report is bullish on the first legal light-deprivation crops about to hit
the market later this month, followed by sun-grown cannabis by year’s end.

“These harvests are marked by some of the richest and most delicate entourages of flavors, aromas and cannabinoids.”

Meanwhile, in what may be a case of the cart before the horse, Sen. Mike McGuire and Assemblyman Jim Wood announced last week that the North Coast Regional Office of the Bureau of Cannabis Control is open in Eureka.

The office will save North Coast growers and retailers a trip to Sacramento to pay their taxes—cold comfort for the many growers struggling to pay their taxes and stay afloat.

Prairie Sun Recordings Releases “Out Of The Fire” Compilation Album

0

albumart_0ialb01368426_200x200On Sunday, July 8, Prairie Sun Studios in Cotati is hosting a benefit party celebrating the release of a new compilation album, “Out Of The Fire,” featuring 11 songs performed by local musicians that aims to raise money for people who lost their instruments or audio gear in the devastating October 2017 Sonoma County wildfires.
The new CD features mostly original songs, with a few carefully selected covers, by artists like Sarah Baker, Volker Strifler, Levi Lloyd, Danny Sorentino, Johnny Campbell, Doug Jayne, Willy Jordan, Eki Shola and Steve Kimock.
Produced by Baker, Mark “Mooka” Rennick and Allan Sudduth, and recorded and mixed at the renowned Prairie Sun Recording Studios, the richly compelling collection will be available at the release party, with many of the participating musicians on hand. The show is free, but an RSVP is required. For more info on the album and the concert, click here.

Local Knowledge: Bodega Bay

0

Describe your perfect day in Bodega Bay.

Any kind of outdoor exploration, any kind of learning that expands my appreciation and understanding of place. Anything that connects me to where we live and work.

Where is your favorite place to eat in Bodega Bay and why?

Well, I love spending time outside, and after a walk or outdoor activity, I’m usually interested in a snack. I’m happy with a granola bar and a piece of fresh fruit from a local farmers market. There’s nothing like eating a ripe peach next to the ocean, but I’m not opposed to a treat from the Tomales Bakery or a scone from Wild Flour Bread in Freestone either!

Where would you take first-time visitors in Bodega Bay?

I’d take them for a walk, probably on Bodega Head. The trail that follows the southern end of Bodega Head provides a chance to see whales. There are amazing views of Point Reyes and Tomales Bay. Looking across the harbor to town, you can watch the fishing boats and think about Bodega Bay’s history and how lucky we are that people have cared about this part of the coast for so long.

What do you know about Bodega Bay that others don’t?

There are so many different habitats in Bodega Bay that I think you could go out every day—on foot or on the water—and see something new. Take your pick: a sandy beach, sand dunes, a coastal bluff, coastal prairie, the tidal flats, a salt marsh, an eelgrass meadow, rocky tide pools, the open ocean. We’re very fortunate to live in a part of the world where there’s such incredibly high species diversity.

If you could change one thing about Bodega Bay what would it be?

There’s no doubt that it would be easier to live here if everything was cheaper. But money aside, if I had a magic wand, I’d create a “town square” where community members and visitors could gather, a space that would encourage people to spend some time outside and to check in with each other.

Jackie Sones is a marine biologist at the Bodega Bay Marine Reserve and writes the excellent ‘Natural History of Bodega Bay’ blog at bodegahead.blogspot.com.

Birds and Blobs

0

Alfred Hitchcock made dozens of films over a half-century-plus movie career, but the one everyone talks about in Bodega Bay is, of course, The Birds, his 1963 spine-tingler about murderous birds which was filmed in town and provides a cultural signpost to visitors here.

The freaking crows are everywhere you look in Bodega Bay, and the Hitchcock-honoring Birds Café is where you go for chowder and fish tacos and to soak up the foggy scene in a properly Hitchcockian manner. Put on the voyeur lens and pan out: the restaurant was once a garage featured in the movie.

The Birds arrived on American screens at the end of what, viewed in retrospect, is an especially incredible period in Hitchcock’s career—just a few years removed from Rear Window, Vertigo, North by Northwest and Psycho.

For my money, The Birds stands up to those classics, as I still can remember watching the movie on the old black-and-white TV at grandma’s in the early 1970s and getting totally freaked out when the murderous black birds arrive on the scene, silently awaiting a victim to emerge from her home. Don’t do it, Tipi!

It’s bone-chilling stuff which makes me wonder: How might one experience other Hitchcockian vibes in Bodega Bay? And, what were those darn birds in The Birds so ticked off about, anyway? The short story from which the movie is drawn does not provide answers—but the answer to this cliffhanger question appears at the end of this essay.

To that first question, if you’re looking for some Vertigo vibes to your visit, that’s easy: trek up to Bodega Head and look down, down to the rocks and the crashing surf below. Inhale the salty air and belt out the theme from High Anxiety. Now take 39 careful steps away from the cliff, and grab some lunch at Fishetarian (p12).

If Psycho is your Hitchcock referent du jour, I suggest you settle in at a choice local hotel and check out the punk rock band from New York Norman Bates and the Showerheads on YouTube—since the wi-fi is free at the Bodega Inn. And if there’s a bargain hotel in town, the Bodega Inn is it, with rooms going for about a buck-fifty a night.

True, there are a couple of other hotels in Bodega Bay where guests who are not Rich and Strange are occasionally heard to scream their heads off when confronted with steep nightly rates that cut a vacation budget like a knife through a shower curtain. The good news is there’s lots of cheap camping options up here, or perhaps a priced-out visitor to Bodega Bay will be spotted in the Rear Window making tracks south for the affordable camp spots at Doran Park.

Well, hey then, are you a visitor to Bodega Bay planning on a North by Northwest adventure? You could do worse than get on one of the several open fishing boats that run out of Bodega Bay and, generally speaking, head in that direction to the fishing grounds, from whence salmon the size of a Lifeboat are occasionally landed. If it’s fire season, who knows, maybe you’ll get chased by a DC-10 spewing red algae (hint hint: the reference to red algae is not a red herring).

Which brings us to the funny thing about The Birds. The funny thing about The Birds isn’t actually funny, but pretty ironic, given recent events in local waters that have dramatically and negatively impacted fishermen here.

According to numerous Hitchcock scholars and scientists, the murderous crows in the film were inspired by actual events that took place in Monterey Bay in 1961, when dying, sooty shearwaters started to fly headlong into people’s houses. Totally freaked people out.

Scientists eventually determined that the birds were disoriented and distressed because they’d been poisoned by domoic acid—yes, the selfsame shellfish poison that has conspired to end or otherwise limit several recent Dungeness crab seasons—and cripple the Bodega crabbing fleet in the process.

So there’s The Birds, and then there’s The Blob. Hitchcock
didn’t direct the American classic The Blob, but there was an interesting piece in the Boston Globe a few years ago where the author argued that the two movies compare favorably insofar as they render the seemingly innocuous into something horrific—sort of like if a reality show star became president or something. And, yes, indeed: there’s a big and scary blob of warm water lurking off the California coast that has fisheries experts worried that next year’s crab season could be canceled again.

Oh, it’s lurking all right. Watch those birds.

The Fifth of July

0

This week our country celebrates the Fourth of July. We should take note of our history at this moment. Older nations have commented on our country’s short existence, that we are in an adolescent stage, both socially and politically. And so it is true, looking back on our historical narrative, even up to the present: abuse, removal, enslavement, exploitation and imprisonment of indigenous populations and peoples of color and ethnicity and destruction of the land itself—we have displayed arrogance and callous disregard for humanity and sacred space.

Perhaps our founding fathers would have been proud of our many accomplishments. We have come very far, very fast, but they would have scratched their powdered wigs, perplexed by the multitude of social and economic problems we have brought upon ourselves and continue to grapple with ineffectively at best.

One would think the Declaration of Independence’s endowment for “life, liberty and the pursuit of happiness” would be a reasonable template for an honest government and a framework for the populace to put their trust in.

Reflecting back over 150 years, our country survived a civil war, two world wars, the Korean and Vietnam wars, the Afghanistan and Iraq conflicts, a major depression and a major recession, but our country somehow found the angels of our better nature in service to its citizenry—not perfectly, and most assuredly with much need for improvement.

Incumbent upon all of us in these times is to be more vigilant than ever regarding the guiding principles of that declarative document and that they be held high as a remembrance to ideals embraced then and in sore need now.

When we return to our lives after the holiday and fireworks are over, let us look into the eyes of family members, friends, co-workers and even strangers among us and know that their personal ideals are no different from our founding father’s values and our own.

E. G. Singer lives in Santa Rosa.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Letters to the Editor: July 4, 2018

Five Seconds

Now that the U.S. Supreme Court has allowed the civil lawsuit to go ahead against Eric Gelhaus (“Denied,” June 27), we can take another look at the bad judgment exhibited by Sonoma County District Attorney Jill Ravitch and the “multiple law enforcement groups”
that lobbied to shield Gelhaus from responsibility. These groups skewered their own argument by claiming that the decision will “require officers in the field to second-guess themselves.” Exactly. Maybe if Gelhaus had taken five seconds instead of three to size up the situation, Andy would be alive today.

Occidental

Bygone Burger

Kudos to John Omaha for his Open Mic (“There Goes the Neighborhood,” June 20) on the imminent ousting of Carmen’s Burger Bar by the “Stark juggernaut.” As Omaha noted, Carmen’s offered plenty of options besides beef, reasonable prices and a family-friendly atmosphere. What he was gracious enough not to mention is that Carmen’s was forced out after 13 years by a landlord who gave away the lease.

The fact that Willi’s burned in the October fires was a tragedy. The fact that, by all appearances, its insurance settlement was used as lucrative bait to poach a lease is sadder yet. Shame on both sides for this stinker of a deal.

Santa Rosa

Bridges
Not Walls

I find that nationalism is an impediment to human dignity. This is evident in many ways. Debate rages as the United States restricts movement of people through or across its borders. There are as many 70 border walls made by countries to restrict movement of people. My dream is that the movement of people across national borders over all the earth would be the same as human movement over the border between Massachusetts and Connecticut. I believe pride, devotion and love for one’s country is OK. However, our immigration system is broken and needs to be fixed.

Sebastopol

Beaver Relievers

James Knight’s article (“Leave It to . . . Beavers,” June 27) leaves out one crucial caveat to beaver overpopulation. Much of the water in places you would think would be cleaner, such as Alaska and Canada, has been contaminated because of their droppings. We don’t need too many, since nothing good comes out of beaver droppings, I’m afraid.

Via Bohemian.com

Write to us at le*****@******an.com.

Flag Wave

0

The gay flag-swipe caper that has roiled Guerneville for months has been solved—and justice is at hand.

On June 29, Sonoma County District Attorney Jill Ravitch announced that 55-year-old Vincent Joseph O’Sullivan was found guilty by a jury of filching the rainbow flag that hangs from the pole in Guerneville Plaza on May 9. According to a release, O’Sullivan was to be sentenced for the crime on July 2—but his sentencing was postponed to July 13, says media coordinator Joseph Langenbahn at the district attorney’s office. O’Sullivan remains free on bond in the meantime.

The rainbow flag has been stolen several times this year, says Ravitch. O’Sullivan was charged with one of the thefts. The rainbow flag flies underneath the United States flag and the state flag of California.

O’Sullivan confessed to the crime to an arresting officer, a Sonoma County Deputy Sheriff, and said the flag’s presence on the pole offended him, and others, according to a statement from Ravitch’s office.

The rainbow flag is an iconic pennant created by gay San Francisco artist Gilbert Baker in the late 1970s.

The district attorney, who is one of the highest-placed openly gay elected officials in the joyfully Sapphic state of California, says that “there were many who were very upset by this conduct. The jury’s verdict reflects the support this community has for the rule of law and the right of all of us to enjoy this county.”
—Tom Gogola

Taking Stock

0

A proposed class action lawsuit brought by shareholders has been filed against the Pacific Gas & Electric Corporation (PG&E) in federal court.

Suits were filed by PG&E shareholders John Paul Moretti and David C. Weston on June 12 in the United States District Court, Northern District of California, alleging violations of federal securities law by the utility. The law firms representing the plaintiffs note in their court filings from early June that there are potentially hundreds of thousands of shareholders in the proposed class-action suit.

The two suits charge that between April 29, 2015, and June 8, 2018, PG&E executives engaged in what amounted to an ongoing pattern of deceptive statements concerning the utility’s vegetation-removal policies. Those statements and the subsequent wildfires that tore through California last year are the fulcrum of the suit, as recent official investigations into last year’s wildfires have identified the culprit in a number of fires: PG&E power lines coming into contact with tree limbs during a high-wind event last October.

The class period dates back to April 29, 2015, because that’s the day, charge lawyers for the plaintiffs, that then–PG&E CEO Christopher Johns, during a conference call with investors to discuss the company’s performance during first quarter of fiscal year 2015, “assured investors of the company’s commitment to step up vegetation-management activities to mitigate wildfire risk.”

Those assurances, the suit alleges, were made to shareholders for the next several years leading up to the 2017 fires—which, the suit argues, make a compelling case that the utility had not stepped up its efforts at managing vegetation.

Johns is named in the suit along with company vice presidents Jason Wells, David Thomason and Dinyar Mistry; Geisha Williams, the current CEO and president of the utility, is also named in the suit.

The defendants, charges the suit, by reason of their position as executive officers within the company, “possessed the power and authority to control the contents of PG&E’s quarterly reports, press releases and presentations to securities analysts, money and portfolio managers, and institutional investors.”

The suit alleges that the executives “knew that the adverse facts specified herein had not been disclosed to and were being concealed from the public, and that the positive representations being made were then materially false and misleading.”

Along with the April 2015 reassurances about vegetation removal, the suit charges that the company’s media-relations department maintains a website which “repeatedly touts the safety of its network and the company’s proactivity in fighting wildfire risk.”

Those claims were also made in filings that the utility submitted to the Securities and Exchange Commission in 2016 and 2017, which stated that the utility had “upgraded several critical substations and reconductored a number of transmission lines to improve maintenance and system flexibility, reliability and safety.”

The events of October 2017 and subsequent inquiries by Cal Fire into the cause of the fires has rendered those statements “materially false and/or misleading” because they misrepresented and failed to disclose to investors that the utility hadn’t maintained electrical lines under state law.

The suit alleges violations of two sections of the Securities Exchange Act of 1934 and seeks a jury trial to determine the utility’s culpability.

The plaintiffs in the current suit, Moretti and Weston, both purchased shares in the investor-owned utility, the largest in the state of California, only to see shares in PG&E stock decline in value in the aftermath of the 2017 infernos that tore through the North Bay.

Moretti purchased 280 shares
of PG&E common stock between Oct. 12 and Oct. 13, 2017. On Oct. 12, he purchased 95 shares at $66.15 per share. By the next day, the shares were selling for between $57 and $58 a share, and Moretti purchased 195 additional shares.

According to court records, Weston purchased 1,000 shares just a few days before the fires broke out, on Sept. 27, 2017. He paid $68.75 per share. Weston then sold 1,000 shares on Oct. 13 when they were trading at $57.96 per share. The plaintiffs are being represented by law firms in New York, Beverly Hills and San Francisco.

At the time of the fires, which scorched some 250,000 acres in the Northern California, PG&E shares were trading at $69.15. By Oct. 16, they’d dropped to $53.43 and would continue to slide throughout 2018. By May of this year, shares were trading at $42.34. On June 8, PG&E shares were trading at $41.45 per share. Three days later, June 11, shares of PG&E common stock closed at $39.76.

In December 2017, the company announced the suspension of a 2018 cash dividend for investors, and two weeks ago the utility said it would take a $2.5 billion charge this year in order to deal with mounting insurance and legal issues related to the fires that had driven down its common-stock value. PG&E has not admitted to any culpability in the fires.

In public statements and media interviews, the company has repeatedly stressed that global warming has coaxed forth a “new normal” in California wildfires, and that at the time of the fires, it believed it was in compliance with its obligations to state law.

As fire-related class action lawsuits mounted this year, and as Cal Fire investigations started to conclude that power lines coming into contact with tree limbs had been a predominant cause of the wildfires, the utility hired heavyweight Sacramento lobbying firm Platinum Advisors in May. The firm was founded by Sonoma County developer Darius Anderson.

On June 8, Cal Fire reported that PG&E power lines coming into contact with trees were the culprit in a dozen Northern California fires in Mendocino, Humboldt, Butte, Sonoma, Lake and Napa counties

The precipitous devaluation of the common stocks in PG&E, to the plaintiffs, are a sign that executives at the utility “engaged in a scheme to deceive the market and a course of conduct that artificially inflated the company’s stock price, and operated as a fraud or deceit on acquirers of the company’s common stock.”

As of April of this year, the suit notes, PG&E had 516,427,502 shares of common stock, which are held by “thousands if not millions of individuals located throughout the country and possibly the world.”

In a statement, the utility did not directly address the substance of these latest, shareholder-led lawsuits as it highlighted its commitment to its customers.

“Nothing is more important to us than the safety and well-being of our customers and communities we serve,” says Paul Doherty, a San Francisco–based marketing and communications specialist with the utility. “Our thoughts are with everyone impacted by these devastating wildfires. We are aware that lawsuits have been filed. We’re focused on doing everything we can to help these communities rebuild and recover.”

Gap Gear

0

The sparsely distributed vineyards of the Petaluma Gap region are perhaps best explored on a bicycle. The sights, the smells and, of course, the wind inform a terroir experience that’s rewarding even without opening a bottle—but we will open that bottle.

A ride to the all-but-hidden Stubbs Vineyard southwest of Petaluma, paired with wines sourced there by DeLoach Vineyards, starts this new series of great rides to great vines. My ride begins at free, four-hour parking in downtown Petaluma, which turns out to be just enough for this 42-mile loop. Passing the Petaluma Creamery, Western Avenue becomes Spring Hill Road, and the scent from eucalyptus windbreaks hangs in the air. A long-horned bull looks up, deep in dry grass, then resumes his determined munching. There are a few vineyards along this road, but I spy more Angus than Pinot Noir.

On this side of the hill, patches of green still tint the yellowing hills at the end of June, and green blades stick up around hay bales drying in fields. Here comes the reason why: the sky clouds over and I’m fighting a chilly breeze as ocean air makes one last run inland in late morning. This must be the gappiest place in the Petaluma Gap. For a spell, it might as well be February.

It’s a left at Bodega Avenue and the Coast Guard training center, but then, forgetting my own route map, I push on up Valley Ford Road instead of taking an immediate left on Tomales. But a left turn on little Carmody Road provides a nice add-on climb, steep but brief, and makes me think about the fine cheese named after it by Bellwether Farms. The pavement, as if taunting Sonoma, turns abruptly smooth at the Marin County line.

Turn left on Fallon-Two Rock Road for a stretch, then right on Alexander, a quiet country lane for half the week until the shooting range fires up from Thursday to Sunday. At last, a left turn back to Petaluma-Tomales Road takes me to Chileno Valley Road on the right. A moderate climb through an oak forested ravine opens to a view of a swan-graced lake.

Right on Wilson Hill Road—now this is a climb. At the summit is the goal: a splendid view of Stubbs Vineyard, nestled in a little valley and sheltered from the harshest winds.

After enjoying a steep descent, I watch my speed on the left at Hicks Valley Road, which leads to Petaluma-Point Reyes Road. Marin-bound bikers can make a pit stop at Marin French Cheese Company to the right; otherwise turn left toward Petaluma. The road is busy but provides a wide, smooth shoulder after passing the vineyards and olive groves of McEvoy Ranch. The sudden shift from country back into town is made gracious by the grand old houses of Petaluma’s D Street.

DeLoach 2014 Stubbs Vineyard Chardonnay ($50) This wine’s oak aroma is fresh, not toasty, from time spent in just 20 percent new barrels, and doesn’t overwhelm its delicate scent of lemon tartlet and Golden Delicious apple. The creamy characteristics of malolactic fermentation, too, merely wrap and soften the tingly core of cool climate acidity, detailed with more lemon and spice in the aftertaste. A Chablis fan’s Chardonnay?

DeLoach 2014 Stubbs Vineyard Pinot Noir ($55) The Pinot, too, is light and spicy, its appearance like strawberry jam, perhaps, informing my palate impression, spiced up with crushed raspberry seeds, late summer Pennyroyal and cardamom, deepening in the glass with overtones of milk chocolate. An enticing wine, well worth the climb.

Creature Crafter

It could be said that Lex Rudd makes dreams come true— or, more precisely, she makes visions a reality. That's because the longtime Sonoma County resident is a special effects master who specializes in designing and building puppets and props for film, television, theater productions and toy makers. This summer, Rudd steps out of the shop and into her new Dreams...

Days of Malaise

We're halfway into the first year of recreational cannabis sales and taxation under Proposition 64. So how goes it for the rank-and-file growers and manufacturers who were coaxed into support for Proposition 64? Not so good. That's the assessment of the California Growers Association's "Mid-Year Outlook, 2018," a report on the state of the industry thus far. "From disappointing tax...

Prairie Sun Recordings Releases “Out Of The Fire” Compilation Album

On Sunday, July 8, Prairie Sun Studios in Cotati is hosting a benefit party celebrating the release of a new compilation album, "Out Of The Fire," featuring 11 songs performed by local musicians that aims to raise money for people who lost their instruments or audio gear in the devastating October 2017 Sonoma County wildfires. The new CD features mostly original songs, with...

Local Knowledge: Bodega Bay

Describe your perfect day in Bodega Bay. Any kind of outdoor exploration, any kind of learning that expands my appreciation and understanding of place. Anything that connects me to where we live and work. Where is your favorite place to eat in Bodega Bay and why? Well, I love spending time outside, and after a walk or outdoor activity, I'm usually interested...

Birds and Blobs

Alfred Hitchcock made dozens of films over a half-century-plus movie career, but the one everyone talks about in Bodega Bay is, of course, The Birds, his 1963 spine-tingler about murderous birds which was filmed in town and provides a cultural signpost to visitors here. The freaking crows are everywhere you look in Bodega Bay, and the Hitchcock-honoring Birds Café is...

The Fifth of July

This week our country celebrates the Fourth of July. We should take note of our history at this moment. Older nations have commented on our country's short existence, that we are in an adolescent stage, both socially and politically. And so it is true, looking back on our historical narrative, even up to the present: abuse, removal, enslavement, exploitation...

Letters to the Editor: July 4, 2018

Five Seconds Now that the U.S. Supreme Court has allowed the civil lawsuit to go ahead against Eric Gelhaus ("Denied," June 27), we can take another look at the bad judgment exhibited by Sonoma County District Attorney Jill Ravitch and the "multiple law enforcement groups" that lobbied to shield Gelhaus from responsibility. These groups skewered their own argument by claiming...

Flag Wave

The gay flag-swipe caper that has roiled Guerneville for months has been solved—and justice is at hand. On June 29, Sonoma County District Attorney Jill Ravitch announced that 55-year-old Vincent Joseph O'Sullivan was found guilty by a jury of filching the rainbow flag that hangs from the pole in Guerneville Plaza on May 9. According to a release, O'Sullivan was...

Taking Stock

A proposed class action lawsuit brought by shareholders has been filed against the Pacific Gas & Electric Corporation (PG&E) in federal court. Suits were filed by PG&E shareholders John Paul Moretti and David C. Weston on June 12 in the United States District Court, Northern District of California, alleging violations of federal securities law by the utility. The law firms...

Gap Gear

The sparsely distributed vineyards of the Petaluma Gap region are perhaps best explored on a bicycle. The sights, the smells and, of course, the wind inform a terroir experience that's rewarding even without opening a bottle—but we will open that bottle. A ride to the all-but-hidden Stubbs Vineyard southwest of Petaluma, paired with wines sourced there by DeLoach Vineyards, starts...
11,084FansLike
4,446FollowersFollow
6,928FollowersFollow