Oct. 9: Thankful Reflections in Santa Rosa

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The Santa Rosa Junior College welcomes the public to a Day of Remembrance & Gratitude in recognition of the anniversary of the fires. The day is bookended by two screenings of the locally made documentary Urban Inferno, which tells the story of the Tubbs fire. The film’s writer-director Stephen Seager will be in attendance along with KSRO morning news host Pat Kerrigan for a discussion and several facilitated activities—such as a chalk art mural, music and journaling to help the healing process on Tuesday, Oct. 9, at the SRJC’s student center, 1501 Mendocino Ave., Santa Rosa. 11am. Free. 707.527.4011.

Oct 9: Global Response in Santa Rosa

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Last October’s wildfires resonated with audiences around the world, including a group of kids in Belgium, who memorialized the event in a series of paintings and collages collected in an exhibit, ‘Le Feu dans les Collines (Fire in the Hills),’ that can be seen in an upcoming illustrated talk by artist and educator Dr. Peter Neumeyer. Learn how and why these students, who were in touch with Neumeyer for a project inspired by his one-time collaborator Edward Gorey last year, came to create the project on Tuesday, Oct. 9, at Friends House Library, 684 Benicia Drive, Santa Rosa. 7pm. Free. 707.573.4508.

Oct. 10: Remember with Art in Napa

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Over the last year, North Bay artists have created works in response to the fires, and this month, several of them display their fire-influenced artworks in ‘Art Responds: The Wine Country Fires,’ an exhibit and series of public gatherings devoted to the anniversary. Several participating artists lost everything, while others bear witness to the community’s recovery in a diverse array of art. An opening reception kicks off the exhibition on Wednesday, Oct. 10, at First Street Napa, 1300 First St., Napa. 6pm. Free. 707.257.6800.

Burning for You

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Count ’em: California passed 28 fire-related bills in the aftermath of the October 2017 firestorm—grappling with everything from PG&E’s role in the fires to the role that electric garage-door openers conspired to kill people as they tried to evacuate.

The fires hit on every corner of civic, political, economic and social life in the North Bay. This sampling of bills signed addresses some but not all of the aftermath and what to do prevent, mitigate or otherwise lessen the impact of California’s new normal of a year-round fire season.

Senate Bill 824 Prevents insurers from canceling or not renewing insurance claims just because the place being insured is in a designated emergency area. This ruling will be in effect for one year after a property in question is declared an emergency area. It also requires insurers to report possible fire risks of their properties to the insurance commissioner by April 1, 2020, and forbids them from canceling insurance on a structure that is already damaged by fires. The bill was sponsored by Insurance Commissioner Dave Jones, who says the collected data will help make a more comprehensive map of California’s changing insurance marketplace.

Senate Bill 917 This law is intended as a legislative clarification and states that insured homes lost to mudslides, debris or other natural disasters would still be covered by wildfire polices—as long as such disasters are directly attributed to earlier wildfires. This law came into effect to help homeowners in places such as Monetico, where fire-induced mudslides destroyed the homes of many who had fire insurance but not flood insurance.

Senate Bill 1260 Most of SB 1260 is meant to combat the drier weather conditions in California by setting new standards for prescribed burns (for instance, by managing the air quality of the burns), as well as allowing Cal Fire to give non-binding advice about building in areas with a high risk for fires. There’s also new regulations built into 1260 over who can create and monitor prescribed burns, and where they can be undertaken. Additionally, it requires the Cal Fire to work with other agencies to enhance fire-safety education for the general public. Pro tip #1: Don’t throw that cigarette butt out the window, yo.

Senate Bill 896 Extends the sunset date of an already existing anti-arson law from Jan. 1 of next year to Jan. 1, 2024, as well as increasing the threshold of convicted arson from $7 million to $8.3 million The purpose, duh, is to prevent arson-based wildfires. What’s funny-not-funny about this bill is that readers may recall that right-wing website Breitbart.com fingered a homeless undocumented immigrant in the North Bay firestorm in the days after the inferno broke out. Turned out to be a bunch of fake news, and interim Sonoma County Sheriff Rob Giordano blasted the Breitbart bozos in a memorable presser last October at the Sonoma County Fairgrounds. We still get all tingly recalling Giordano’s pungent push-back to the lie.

Senate Bill 894 This law is meant to help homeowners who are underinsured and don’t have the money to rebuild their burned-up homes—a pretty common dilemma. The bill provides flexibility to homeowners to move around some of their losses by shifting it from one type of coverage to another. They only qualify for this if (a) it’s directly after a declared disaster, (b) they’ve lost everything and
(c) they are underinsured. The bill also extends the additional living expenses program for people with total loss from two years to three, and provides fire survivors two chances to renew their insurance, instead of one.

Senate Bill 901 Easily the most controversial fire bill passed this year. Senate Bill 901 determines the culpability of companies such as PG&E in the fires, determining how much they need to pay in damages. It allows the company to slacken some of the financial burden wrought by massive wildfires by off-loading costs onto its customers. It also contains requirements that PG&E increase fuel-reduction efforts and do a better job clearing vegetation from around its power lines. The utility was found by state regulars to be the culprit in 12 of the North Bay fires last year. This year, downed PG&E power lines were almost immediately identified as the culprit in a Marin County fire —the Irving fire—last month that scorched some 150 acres in Samuel P. Taylor State Park. PG&E has embarked on big public-relations campaign assuring customers about its commitment to fire awareness—and has emphasized the new normal of global climate change as it has fought to limit liability for the damage caused by the 2017 fires.

Senate Bill 969 The devilish fires had lots of details to deal with, and this bill requires all automatic garage-door openers to have backup batteries in case of catastrophic power failure. This is in response to the October fires causing massive power failures, leaving many unable to open their garage doors to escape, including Bill Dodd himself, who sponsored the bill. At least five victims were found in the burned-out remains of garages.

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Texting Disaster

Napa County plans to honor the anniversary of last year’s wildfires with a practical and potentially soothsaying gesture: at 9:30am on Oct. 9, the county will test its upgraded Wireless Emergency Alerts (WEA) system. At that moment, anyone in Napa County with a cellphone will get a text message. Don’t freak out: it’s only a test.

The WEA is an emergency network maintained by the federal government. A region-wide breakdown in the emergency alert system in place last year, via the opt-in Nixle program, meant that many residents only got the message to evacuate when a law enforcement official banged on their door in the middle of the night as the flames licked at their mailbox.

The test on Oct. 9 comes after Napa County officials were trained in using the WEA system and received certification from FEMA. Officials have jumped into the fray with assurances that if there’s a next time, they’ll be at the ready with digital warnings.

A big difference between Nixle and WEA is that the former is an opt-in system, while WEA automatically sends a text message to anyone in the region with a cell-phone (unless they’ve turned off their emergency-notice settings). Napa County did send out a text message about the fires last year—but the only people who got them were those who had signed on to the county’s emergency-alert system.

Napa County deputy county executive officer Molly Ratigan, in a statement, says Napa County decided to roll out its WEA system on the one-year anniversary to sync with other goings-on in the county that day. On Oct. 9, county supervisors will acknowledge the anniversary, receive presentations on recovery efforts and get reports on “steps that have been taken to improve readiness for future disasters.”

The Napa County Office of Emergency Services will ride herd over the test of the county’s new Integrated Public Alert and Warning System (IPAWS).

The county notes in a press release about the upcoming WEA rollout, that people who are already signed up for Nixle could get the test message twice, since the county can link WEA messages to the Nixle system. That’s good news for Spanish-speaking residents of Napa County: the WEA messages will only be sent out in English, while the Nixle messages are bilingual.
Napa County residents are encouraged to check their emergency-alert settings on their phones before the test on Oct. 9.

Letters to the Editor: October 3, 2018

Hard Work

Big thanks to the Bohemian and reporter Peter Byrne, plus outgoing editor Stett Holbrook, for doing the good and hard work of accurately scrutinizing the business dealings of Sonoma County elected officials and their financial backers. Sonoma County residents need numerous sources of news to keep us informed and better prepared for the effects of disaster capitalism now firmly entrenched in Santa Rosa. Good luck to you and thanks again.

Santa Rosa

The Dark Side

Richard Walker is a professor of geography at UC Berkeley by trade, but he has taken on the incredible task of putting into historical perspective the mythology and current reality of rising inequality fueled by the tech economy in his new book, Pictures of a Gone City: Tech and the Dark Side of Prosperity in the San Francisco Bay Area. In his telling, Silicon Valley is more than a geographical place. Walker gives us an economic analysis of how the latest boom has affected our metro-region and helped make California one of the top economic powers on the planet.

The brilliance of the work, his economic, political and social analysis, is based in everyday language. Walker also does not shy away from naming capitalism and the “profit at all cost” motivations that even the new generation of tech entrepreneurs cannot escape.

One of the insights graphically illustrated for North Bay residents is just how small the tech sector really is in relation to other Bay Area powerhouse industries—healthcare, education, finance, real estate, hospitality/food service and government—industries that many of our neighbors work in and brave two- or three-hour commutes in order to make a decent salary.

Very few people are actually in tech, but all the new industries are affected by and in some way in service to this new powerhouse. A sky-high stock market and proliferation of billionaires does not trickle down to most workers, especially in the lower stratum, well-represented here in the North Bay.

Walker speaks about his new book on Oct. 9 at 7pm at Copperfield’s Books in Santa Rosa. Anyone who cares about the rapid growth of inequality, gentrification and the affordable-housing and environmental crisis in the Bay Area—and what is in store for our next generation—should attend. More important, read this book.

Sebastopol

Dept. of
Corrections

Last week’s cover story on Yarrow Kubrin contained a couple of reporting errors. Kubrin lives in San Francisco, not Sonoma County. He spent six months in jail, not one year. And he was released in 2015, not 2017.

Buster’s Burned

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The power briefly went out last week in Calistoga while firefighters extinguished a conflagration in town. “It didn’t affect us,” says Barbara Jolly with a laugh. She runs Buster’s Southern BBQ in town with her husband—the power outage didn’t affect them because they were closed.

Buster’s was shuttered weeks ago over an outdoor construction project that Calistoga officials deemed unsafe—an awning and a wall had to be removed, or scaled back. The town shut the restaurant down, and fined Buster’s $500 a day until the outdoor project was up to code. Jolly reports happily that Buster’s is back in business at last.

Even while Jolly admits that Buster is “a man that doesn’t like to get permits all the time,” she also wonders why Calistoga directed such a hard line at a local business—in light of the 2017 wildfires and their impact on small business. And she insists that the restaurant is itself totally up to code and legit.

Buster’s is looking at thousands of dollars in fines, lawyer’s fees and lost revenue. “It doesn’t make sense,” she says. “We do have a good business, but our business has been down since the fire. All the townspeople—all their businesses are down. Everybody’s hurting.”

Jolly wishes Calistoga would have let them keep the restaurant open while they dealt with the outdoor project to enhance an existing stage. “We could have closed it off, we could have blocked it, we could have closed the parking lot—just let us stay open.” Jolly says she paid her 15 employees, all of them Hispanic, during the shutdown.

As the region reflects on the 2017 fires this week, it does so at the precipice of a potential economic recession, and fallout from the fires that is taking a toll on small businesses. Moving forward, let’s hope leaders keep these larger issues in mind as they deal with local permitting issues. Of course, businesses looking to expand or upgrade ought to do so with local approval, but maybe there’s a better way to enforce local codes in an ongoing state of emergency than by clipping a business with onerous fines.

Buster’s is back up and running and could really use a shot in the arm from the community that’s loved this iconic barbecue joint for almost 20 years. We’ll see you there.

Tom Gogola is the News and Features editor of the ‘Bohemian’
and ‘Pacific Sun.’

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Off the Vine

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The whole point of my recent invitation to visit Robert Young Estate Winery is to appreciate the view from the winery’s new Scion House visitors center, which looks out over a miles-wide carpet of green Alexander Valley vineyards, speckled with autumnal gold. But on the four-wheeler ride back down the hill, my eye is drawn to the accidental photo opportunity: the hillside littered with cast-off Cabernet.

Though it looks like some kind of vandalism, it’s a common enough sight in North Coast vineyards this time of year. Long after vines are pruned in winter, thinned to an optimal density of new shoots in spring, and leaves around the grapes plucked in summer, there may be one more cut before harvest, and for growers, it can be the unkindest of them all. Winemakers feel they can get higher sugars and better flavors when the vines are carrying less fruit, while for farmers, it’s like throwing money on the ground to cut grape clusters they’ve been tending all year long and drop them to the vineyard floor.

Thanks to this winery’s visionary founder, however, the Young family plays both roles. They sell most of the grapes from the 300 or so acres they farm to longtime clients like Chateau
St. Jean and Clos du Bois, reserving just 5 percent from a little rise in the valley floor here, or some particular rows over there, to make their own wines. Robert Young managed to become a pioneer more than a hundred years after his grandfather founded the ranch in 1858. Credited with planting the valley’s first Cabernet Sauvignon in the 1960s, Young is also remembered for an eponymous clone of Chardonnay that’s particularly well-suited to the warm Alexander Valley.

About that Chardonnay: the Robert Young 2015 Alexander Valley Chardonnay ($42) is a classic, long and sweet-textured wine evoking apple fritter and custard. Visitors to the new Scion House, a contemporary setup with a welcome station, table and patio seating instead of the traditional tasting bar, will be greeted with a splash of 2017 Sauvignon Blanc ($34), in a fleshy, tropical style. The Scion House is due to open soon.

Meanwhile, try the wine club favorite 2014 Bob’s Burn Pile Cabernet Sauvignon ($95) in the original, cozy little tasting room in a corner of the winery. Named for a spot at the edge of the property where Bob Young spent quiet Sundays, tending a pile of smoldering brush, this intense, blueberry-, vanilla- and oak-scented sipper is no fruit wasted.

Robert Young Estate Winery,
4960 Red Winery Road, Geyserville. Wednesday–Monday, 10am–4:30pm. $20. 707.395.3550.

A Sure Bet

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If you’ve missed having Summer Repertory Theatre around this year, SRT artistic director James Newman helms 6th Street Playhouse’s production of Guys and Dolls. The 1950 musical about colorful New York gamblers trying to avoid the police, a persistent fiancée and the goodly influence of local missionaries runs through Oct. 14.

Nathan Detroit (Ariel Zuckerman) runs the “oldest, established, permanent floating crap game in New York,” but police pressure is making it difficult to find places to house it. The only willing host wants a thousand bucks, which Nathan ain’t got. When word gets out that big-time gambler Sky Masterson (Ezra Hernandez) is in town, Nathan figures he can finance his game by getting him to make a sucker-bet that Nathan can’t lose. Nathan bets Sky he’ll be unable to get Sarah Brown (Elenor Paul), the leader of the newly opened Save-a-Soul Mission, to go away with him for an evening.

While Sky goes about winning the bet (and falling in love, of course), Nathan scurries about trying to get the game going while avoiding the matrimonial pressure of his fiancée of 14 years, Adelaide (Ella Park.) Trouble comes to town in the form of gun-toting Chicago gambler Big Jule (Carl Kraines) and General Cartwright (Laura Davies), who wants to close the mission. Things work out for everyone after about a dozen or so Frank Loesser tunes and dance numbers.

Perhaps the most SRT-like aspect of this production is its youthful cast. It’s chock-full of SRJC theater arts and high school grads mixed in with some stage vets. The casting leads to some significant age issues with the characters as written. Apparently, Miss Adelaide has been engaged since age six, and there’s something a little unsettling about a teenage Harry the Horse (Benjamin Donner) roughing up senior citizen Big Jule.

Thankfully, the talent onstage can get you past that issue. Zuckerman brings a legitimate New York vibe to his character, and Hernandez has the cockiness requisite for Sky. The character arc for Sarah Brown isn’t particularly believable, but Paul makes it work. Park is an absolute delight as Adelaide, and “Adelaide’s Lament” is a show highlight.

The shows other highlights include Randy Nazarian’s terrific work as Nicely Nicely Johnson and the show-stopping “Sit Down, You’re Rockin’ the Boat” production number.

If you enjoy well-crafted productions of classic American musicals, it’s a good bet you’ll enjoy Guys and Dolls.

Rating (out of 5): ★★★½

Sing for Life

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After more than 50 years of art and activism, songwriter, social pioneer and longtime Sonoma County resident Holly Near is now the subject of a new feature-length documentary, Holly Near: Singing for Our Lives, that premieres on Oct. 7, followed by Near performing in concert as part of the Mill Valley Film Festival.

Directed by veteran filmmaker Jim Brown, Singing for Our Lives details Near’s career as a folk singer and her work as an advocate for peace and activist for social justice.

“I had apparently more archival material than any artist he’s worked with,” says Near of Brown’s film. “Little did I know what a hoarder I was, I guess.”

Singing for Our Lives is comprised of Near’s collection of footage and recordings, interviews with contemporaries like Gloria Steinem and Jane Fonda, and a live concert filmed at Berkeley’s Freight & Salvage. Throughout it all, Near’s work in several social endeavors highlights her ability to inspire peace, justice, feminism and multicultural consciousness.

“[Brown] did exactly what we all hoped he would do, and that was have people viewing the film understand a bigger context, that I was part of social-change movements, and they were part of me,” Near says.

Born in Ukiah in 1949, Near was heavily influenced by the Civil Rights movement of the 1960s, and her folk music quickly took on those values. Her life in music includes traveling with Fonda and Donald Sutherland on the Free the Army Tour in Vietnam in 1971, singing at events like the National March on Washington for Lesbian and Gay Rights in 1979 and being an outspoken proponent of feminist and women’s movements up to this day.

Earlier this year, Near spoke to several contemporary social issues ranging from domestic violence and flood destruction in Puerto Rico on her new album, 2018, featuring Tammy Hall on piano, Jan Martinelli on bass and Nina Gerber on guitar.

“I’m very pleased with it,” she says. “It’s very direct, which seems like the right thing to do in these times.”

With the new documentary, Near has a chance to speak to a new generation of progressive-minded individuals. “This is an interesting time, and anybody who thinks what’s going to happen in the next six months to two years isn’t going to affect them is living in a dream world, regardless of your political party.”

Shared Memories

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Santa Rosa Strong History is art at the Museums of Sonoma County’s Fire Project.

Last year’s North Bay firestorms were the most devastating in California’s history—at the time. But this year has already seen more fires, and people are again suffering. Looking ahead, what lessons can we take from the past to help one another?

In Santa Rosa, the Museums of Sonoma County address that issue by expanding their community roles to create a permanent historical record, the Fire Collection, and an online repository of creative works, the Fire Wall, that together comprise the Fire Project.

“We want to be able to tell multiple stories in the best way we can, to try to express our experience as a community,” says Art Museum executive director Jeff Nathanson. He and History Museum curator Eric Stanley are also co-curating an anniversary exhibition, “From the Fire: A Community Reflects and Rebuilds,” opening Oct. 6.

Items from the Fire Project are featured in the exhibit, with new work by local artists like Gregory Roberts, whose Sonoma Ash Project features over 150 ceramic objects made from ashes donated by fire survivors to memorialize the homes they lost, and Brian Fies’ Fire Story comic, which will be displayed in full alongside his sketchbook and pencils.

The exhibition encourages people to process their experiences, and recognizes our community’s resilience. “I think that [shared experience] changes the way you relate to neighbors and the community around you,” Nathanson says. “We all become better human beings.”

Public engagement isn’t new for the museums, which opened their doors for free after the fires to visitors eager for social contact. A month later, museum staff met with arts organizations, the library and historical societies to respond to the unfolding crisis.

Calls for public participation resulted in an outpouring of writing and art. The museum began documenting everything, and partnered with oral historians Listening for Change to record personal anecdotes. “It’s changed us and will impact us for years to come,” Stanley says.

Museum staff also went to the city yard, salvaging street signs damaged in the firestorm’s searing heat and melted streetlamp fixtures from Fountaingrove and Coffey Park. A couple asked the museum to collect the tombstone of Mark West, whose gravesite sat on their property. An antique Japanese sword retrieved from Paradise Ridge winery reveals layers of history—sometimes objects can seem immortal.

“Our perspective changes so fast with something as intense as the fires,” Stanley says. “It’s important to remember what’s happened, reflect back and take lessons going forward.”

Oct. 9: Thankful Reflections in Santa Rosa

The Santa Rosa Junior College welcomes the public to a Day of Remembrance & Gratitude in recognition of the anniversary of the fires. The day is bookended by two screenings of the locally made documentary Urban Inferno, which tells the story of the Tubbs fire. The film’s writer-director Stephen Seager will be in attendance along with KSRO morning news...

Oct 9: Global Response in Santa Rosa

Last October’s wildfires resonated with audiences around the world, including a group of kids in Belgium, who memorialized the event in a series of paintings and collages collected in an exhibit, ‘Le Feu dans les Collines (Fire in the Hills),’ that can be seen in an upcoming illustrated talk by artist and educator Dr. Peter Neumeyer. Learn how and...

Oct. 10: Remember with Art in Napa

Over the last year, North Bay artists have created works in response to the fires, and this month, several of them display their fire-influenced artworks in ‘Art Responds: The Wine Country Fires,’ an exhibit and series of public gatherings devoted to the anniversary. Several participating artists lost everything, while others bear witness to the community’s recovery in a diverse...

Burning for You

Count 'em: California passed 28 fire-related bills in the aftermath of the October 2017 firestorm—grappling with everything from PG&E's role in the fires to the role that electric garage-door openers conspired to kill people as they tried to evacuate. The fires hit on every corner of civic, political, economic and social life in the North Bay. This sampling of bills...

Letters to the Editor: October 3, 2018

Hard Work Big thanks to the Bohemian and reporter Peter Byrne, plus outgoing editor Stett Holbrook, for doing the good and hard work of accurately scrutinizing the business dealings of Sonoma County elected officials and their financial backers. Sonoma County residents need numerous sources of news to keep us informed and better prepared for the effects of disaster capitalism now...

Buster’s Burned

The power briefly went out last week in Calistoga while firefighters extinguished a conflagration in town. "It didn't affect us," says Barbara Jolly with a laugh. She runs Buster's Southern BBQ in town with her husband—the power outage didn't affect them because they were closed. Buster's was shuttered weeks ago over an outdoor construction project that Calistoga officials deemed unsafe—an...

Off the Vine

The whole point of my recent invitation to visit Robert Young Estate Winery is to appreciate the view from the winery's new Scion House visitors center, which looks out over a miles-wide carpet of green Alexander Valley vineyards, speckled with autumnal gold. But on the four-wheeler ride back down the hill, my eye is drawn to the accidental photo...

A Sure Bet

If you've missed having Summer Repertory Theatre around this year, SRT artistic director James Newman helms 6th Street Playhouse's production of Guys and Dolls. The 1950 musical about colorful New York gamblers trying to avoid the police, a persistent fiancée and the goodly influence of local missionaries runs through Oct. 14. Nathan Detroit (Ariel Zuckerman) runs the "oldest, established, permanent...

Sing for Life

After more than 50 years of art and activism, songwriter, social pioneer and longtime Sonoma County resident Holly Near is now the subject of a new feature-length documentary, Holly Near: Singing for Our Lives, that premieres on Oct. 7, followed by Near performing in concert as part of the Mill Valley Film Festival. Directed by veteran filmmaker Jim Brown, Singing...

Shared Memories

Santa Rosa Strong History is art at the Museums of Sonoma County's Fire Project. Last year's North Bay firestorms were the most devastating in California's history—at the time. But this year has already seen more fires, and people are again suffering. Looking ahead, what lessons can we take from the past to help one another? In Santa Rosa, the Museums of...
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