The Exonerated 5

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In 1989, police accused five teenagers (four African-American and one Latino) of raping a white woman in Central Park in New York City.

The teens, ages 14–16, were brutally interrogated for over 18 hours until they confessed to the crime and were convicted and sentenced. Shortly thereafter, future U.S. president Donald Trump took out full-page ads in four New York newspapers, including The New York Times, calling for their execution.

Thirteen years later, in 2002, DNA evidence and the subsequent confession from serial rapist Matias Reyes, already in prison, cleared the Central Park 5—Raymond Santana, Kevin D. Richardson, Antron McCray, Yusef Salaam and Korey Wise—of the charges of raping Trisha Meili. But while the law exonerated them, their lives would never be the same. Their experience is only one of many across the United States.

This Thursday, Feb. 20 at 7pm, the last episode of When They See Us, the four-part Netflix series written and directed by director Ava DuVernay (Selma, A Wrinkle In Time) about the Central Park 5 case will show on the big screen at Sonoma State University (SSU). Special guest Kevin Richardson, one of the Central Park 5, now the Exonerated 5, will attend. It is a rare opportunity to hear from Richardson and to see the film on the big screen.

“[Richardson] receives a lot of requests to speak, and I am grateful he chose to join us,” says Mo Phillips, who organized the event for Black History Month at SSU. “Kevin was the youngest of the five young men to be accused, tried and found responsible in this case. He had dreams of playing basketball at Syracuse, played the trumpet, had a strong support system of women surrounding him throughout his life and the case. He continues to struggle daily with the handling of this case, the incarceration and the aftermath. He is married and has kids; he speaks out whenever he can about what happened to them and works with the Innocence Project.”

In 2019, when the Netflix series debuted and brought the story to light again after over a decade after the complete exoneration of the five teens, people asked President Trump to apologize for his call for the boys’ execution. He refused to apologize or even admit he was wrong about them.

Phillips speaks to the experience of racism and subsequent injustices that occurred in this case—and in many other cases—for people of color.

“When I saw the film, it brought up so much for me, as it does for almost everyone I’ve spoken with about it,” he says. “Their story needed to be told and I wanted to get the community talking about issues of injustice, especially towards black and brown members of our communities.”

Last Spring, after Phillips saw When They See Us for the first time, she contacted Mr. Richardson’s agent and asked if he would attend the screening of the mini-series for SSU’s Black History Month.

“I worked with an awesome committee of students, staff and faculty from around campus to plan the month’s events,” she says.

Phillips emphasizes that at the university level in particular, talking about and casting light on all issues of racial injustice is crucial.

“It’s important for us, especially at an institution of higher learning, to engage in the hard conversations and to learn how we can support each other, how we can help to fight for justice and how we can be part of the solution—as our students could be future policy makers, advocates and activists,” she says.

Whether or not one has watched the first three episodes, (available to stream on Netflix) the last episode of When They See Us is relatable, and we need the show’s messages more than ever at this time.

“It shows [the boys] at a point of their most innocent and vulnerable moments and then moves into who they were when they got out of jail/prison and what that experience was like for them.” Phillips says. “I think we can all relate to this, especially right now in our country as we continue to grapple with these same issues.”

Hearing these stories is an important part of creating change. The residents of Sonoma County have a unique chance to hear this story from Richardson’s personal experience as one of the Exonerated Five.

“While we cannot go back in time and effect change, we can effect change moving forward,” Phillips says. “We can affect it by what we do, what we say, what we confront or care about and by how we spend our money, who we vote for, working to change policy, etc. I hope that the attendees [of the screening] get involved in some way, their way, to get off the sidelines and be a part of the solution.”

Kevin D. Richardson

April 19, 1989 started off as a normal day for 14-year-old Kevin D. Richardson, but that night changed the course of his life, and American society, forever. After the brutal attack and sexual assault of jogger Patricia Ellen Meili in Central Park, the New York Police Department rounded up and arrested a total of 10 suspects, including Richardson. Despite there being no DNA and little evidence connecting himself and the four other teens to the crime, Richardson was charged and sentenced to serve five to 10 years in jail. After serving five and a half years for a crime he did not commit, Richardson was put on probation and released from prison.

However, the conviction for the attack remained on his record. In 2002, New York District Attorney Robert Richardson joined forces with the other men falsely convicted and filed a lawsuit for $41 million, which was finally settled in 2014. In 2019, Netflix released When They See Us, a mini-series portraying the famous events of the case. The celebrated and award-winning show has brought the injustices Richardson and the Central Park 5 experienced back into the public’s attention.

Thirty years on, Kevin Richardson is an advocate for criminal justice reform and uses his personal experience with false coercions and unjust convictions to bring about change. He has partnered with the Innocence Project, a nonprofit organization dedicated to exonerating, through DNA testing, wrongfully convicted people.

Corona Road Station Returns to Council

The Petaluma City Council is expected to consider a proposed housing development at Corona Road at their Monday, Feb. 24 meeting.

The development, backed by Lomas Partners LLC, a Southern California developer, calls for over 100 single family homes on a property directly agencent to what will someday be Petaluma’s second SMART train station.

Many Petaluma residents have criticized the current proposal as a failure of planning because it does not make adequate use of the fact that the project is located next to a planned train stop.

Approving the current plan will be a wasted opportunity in a time when dense, affordable developments are increasingly crucial to combat climate change and displacement in the Bay Area, opponents of the proposal argue.

The city council’s agenda will be published on Thursday.

Tenants Advocates to Host Event at Petaluma Library

The North Bay Organizing Project (NBOP) and Sonoma County Tenants Union will host an educational forum at the Petaluma Regional Library on Wednesday, Feb. 26 at 6pm.

NBOP describes the event as “an informational workshop to talk with your neighbors, learn about our rights as tenants, new tenant laws, the Sonoma County Tenant Union, and why as renters we should be part of the National Tenant Power Movement.”

Attendees will have a chance to ask questions about new state laws, tenants’ rights and how to join the Sonoma County Tenants Union, a recently-formed group intended to advocate on behalf of renters.

Symphony Hires New Education Manager

The Santa Rosa Symphony has hired Kate Matwychuk to oversee two of the organization’s community education programs: Simply Strings and the Summer Music Academy.

Matwychuk, who grew up in Ontario, Canada, played bassoon in high school before pursuing a career in creative writing and music education in the United States, according to a press release.

“I participated in my city’s youth orchestra and traveled with my own school orchestra and band. Being a musician taught me to be courageous, gave me confidence and opened unexpected doors for me,” Matwychuk said.

Climate Talk in Petaluma

Mary DeMocker, author of The Parents’ Guide to Climate Revolution: 100 Ways to Build a Fossil-Free Future, Raise Empowered Kids, and Still Get a Good Night’s Sleep will offer a public talk from 7 to 8:30 p.m., Monday, Feb 24 at WORK Petaluma, 10 4th Street, Petaluma.

The author, a social justice activist since the 1980s, believes it’s crucial to speak with kids in age-appropriate and empowering ways, but “also important to speak with other adults. Only the ruling generation has the financial, social, and political clout necessary to make the sweeping changes scientists say we need before we pass climate tipping points.”

For more information, visit https://workpetaluma.com/climate-revolution.

Flammable Romance

The two-woman, huntress-gets-captured-by-the-game romance Portrait of a Lady on Fire offers a lot, particularly ravishing color that makes the actresses look like Fragonard paintings, with the spirit of the French revolution waiting in the wings to give the story some yeast. Also seen in director Céline Sciamma’s film is that French precision in defining feelings that makes an encyclopedia of the passions.

Sometime in the latter half of the 1700s, painter Marianne (Noémie Merlant) arrives at an island off Brittany in a rowboat in a rough sea. She shows her spirit right away. When her box of canvases is knocked overboard she jumps in after them, shoes and all. Marianne learned the trade from her artist father, and is on this island to paint Heloise (Adèle Haenel), the daughter of a countess.

But the daughter refuses to pose. The portrait will be sent to a potential husband in Milan who wants a good look at this convent-raised girl, and Heloise doesn’t want to be auctioned off. Heloise also seethes because her elder sister fell or jumped from a seaside cliff, under circumstances that become cloudier the more they’re explained.

The seduction between artist and model is slow and tantalizing, since Marianne must covertly sketch the girl without being discovered. As the portrait progresses, it becomes a painting in which the love between painter and model is unignorable.

On the whole, Sciamma masters the waxing and waning of moods. There’s a rowdy game of slapjack; later Heloise poses with a mirror over her naked loins so that Marianne can see herself reflected, the better to draw a self-portrait.

One takes away Heloise’s tousled hair and rich, bedroom half-smile, and tends to overlook Sciamma’s trouble settling on an ending. There is creeping anachronism here in the style of the paintings themselves, in an irresolute bit about magic mushrooms.

The especially picky could consider the way marriage was looked at among the gentry of the era. In 1700s Italy, there would be no reason why Heloise couldn’t have a female companion, since her husband would most certainly be out with a companion of his own.

‘Portrait of a Lady on Fire’ opens on Feb. 21 at Rialto Cinemas in Sebastopol.

Meaty Matters

North Bay ranchers face a new challenge after the owner of the region’s last slaughterhouse announced last year that it will no longer process meat from small, independent producers.

The news comes five years after a Marin County rancher, backed with investment from a Silicon Valley businessman, saved the slaughterhouse from closing.

In February 2014, the United States Department of Agriculture (USDA) announced a recall of 8.7 million pounds of meat processed at a Petaluma slaughterhouse owned and operated by Rancho Feeding Corporation over the previous year.

“[Rancho] processed diseased and unsound animals and carried out these activities without the benefit or full benefit of federal inspection,” a USDA press release from the time states.

The news hit the local food community hard. After decades of consolidation within the meat-processing industry, Rancho operated the last USDA-approved slaughterhouse in the Bay Area, a wealthy region full of health-food fanatics.

In a March 1, 2014 New York Times opinion piece, Nicolette Hahn Niman, the co-owner of Niman Ranch, explained some of the inter-related problems facing the industry.

“From 1979 to 2009, California went from having 70 slaughterhouses to 23,” Niman wrote. “Because it is more complicated and costly to do so, nearly all large facilities refuse to work with smaller farms. This makes slaughtering the most serious bottleneck in the sustainable food chain.”

Shortly after the USDA’s recall announcement, David Evans, the owner of Marin Sun Farms, swooped in to save the slaughterhouse from closure. According to press coverage from the time, Marin Sun Farms received financial backing from Ali Partovi, a Silicon Valley interest who had taken an interest in local agriculture several years earlier.

In April 2011, Patrovi wrote an article for TechCrunch laying out his thoughts on the organic food industry titled “Food Is The New Frontier In Green Tech.”

“Like energy, food and agriculture are big, slow, and highly regulated sectors,” Partovi wrote. “But also like renewable energy, there might be opportunities for innovation and profit in ‘renewable food,’ fueled by consumer preference today and by shifts in policy tomorrow.”

Between 1990 and 2009, the organic-food market in the U.S. grew from $1 billion to $25 billion, Partovi noted in the article.

“The biggest obstacle impeding Marin Sun Farms’ growth today is inadequate capital,” Partovi wrote. “It cannot secure land, water, and animals fast enough to meet the growing demand. This dynamic reminds me of the early days of [the online shoe sales company] Zappos, when Tony Hsieh was desperately seeking capital to secure shoes fast enough to meet the growing demand.”

For almost five years, Marin Sun Farms continued to serve small producers as promised. But last fall, Evans informed independent producers that the slaughterhouse would no longer be able to serve them.

In November, Claire Herminjard, Evans’ wife and business partner, told the Petaluma Argus-Courier that the cannabis industry has caused the company’s labor costs to increase.

Sarah Silva, farm manager at Petaluma’s Green Star Farms, which produces eggs, chickens, pigs, lambs and more, says Marin Sun Farms’ announcement reinvigorated a conversation about finding an alternative solution for small-scale, USDA-approved meat processing.

“This might be a blessing in disguise,” she told the Bohemian.

Silva, the farm manager, says the multifaceted problems facing the local producers are in large part due to an industrial agriculture which has led consumers to expect cheap meat, even if the process used to grow it is environmentally destructive.

The lack of a local slaughterhouse creates yet another problem. Even if producers raise and market their animals in the North Bay, most now need to transport their animals long distances for processing.

Silva says she now has to process a large number of animals once every few months at a distant facility rather than once every few weeks as she did at Marin Sun Farms. That means she has to store large amounts of meat for longer periods of time.

In late January, Silva stopped selling meat at local farmers markets in part because she now spends more time transporting animals for processing. Instead, she has turned towards a community-supported agriculture (CSA) model in which customers subscribe to monthly distributions of food.

While that’s not as convenient for Green Star’s customers, it is now a necessity, Silva says.

Within the agriculture community there is talk of setting up a mobile meat-processing operation. While discussions are in the early stages, there is more momentum than Silva has seen in her 12 years in the local farming community.

Although other communities have set up mobile-processing operations and the USDA seems increasingly receptive to the idea, the local discussions are still in the early phases and ranchers impacted by Marin Sun Farms’ decision are still busy managing their day-to-day operations, Silva says.

To succeed, the group of ranchers will need approval from a variety of regulatory bodies, including the USDA and North Coast Regional Water Quality Control Board.

A USDA inspector would accompany the mobile unit and inspect animals before, during and after the slaughter, according to Karen Giovannini, the Agricultural Ombudsman at the Sonoma County University of California Cooperative Extension who is looking into the laws governing mobile slaughterhouses, a few of which already exist on the West Coast.

“Up until recently, most of the animals [raised on small farms in Sonoma County] never left the county,” Giovannini says.

Because they are relatively cost efficient and save ranchers the trouble of shipping their animals long distances for slaughter, mobile-processing units could be the wave of the future.

Still Our Friend

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The North Bay’s Logan Whitehurst was many things. He was a son, a brother, a multi-instrumental musician, a wildly creative singer-songwriter, a bandmate and an indie-rock inspiration to many. But more than anything, Whitehurst—who died from brain cancer in 2006 at the age of 29—was “Your Friend, Logan.”

Those three words were how Whitehurst signed all his correspondences, and they’ve inspired young filmmaker Conner Nyberg and producer Matlock Zumsteg to collaborate on making a documentary, Your Friend Logan: The 4-Track Mind of Logan Whitehurst, which is currently raising funds through a Kickstarter online campaign that ends on Feb. 29.

“I met Logan in, it must have been 1998,” Zumsteg says. “He gave me a copy of his first album ‘Outsmartin’ The Popos’ on cassette tape. I listened to it and I was amazed. It was like I had met Weird Al or something. His music is so full of fun and whimsy.”

Zumsteg, who is a sketch and improv comedian with the Natural Disasters, became fast friends with Whitehurst.

“He was somebody that I really admired,” says Zumsteg.

Musically, Whitehurst was best known as the drummer for Petaluma-based bands the Velvet Teen and Little Tin Frog, and his solo project Logan Whitehurst & The Junior Science Club, in which he recorded and played every track and instrument.

Outside the North Bay, Whitehurst’s fans include radio-legend Dr. Demento, who called Whitehurst’s 2003 album, Goodbye My 4-Track, “the ‘Sgt. Peppers’ of comedy music albums.”

At the time of his death, Whitehurst was on the verge of breaking out, and for years Zumsteg has wanted to find a way to get the word out on Whitehurst’s music.

Cut to Greenville, South Carolina, where a young Conner Nyberg discovered Whitehurst’s music online by chance in 2013 and became obsessed with his songs about happy noodles and robot cats.

Now 20 years old and about to enter film school, Nyberg knew—even at age 13—that he wanted to find out more about Whitehurst by making a documentary. In doing research, Nyberg met Zumsteg, and the rest is history.

Nyberg plans to interview dozens of people who knew Whitehurst best and incorporate original animations and rare archive material to create an intimate and celebratory film.

“This seems like a great opportunity to share Logan and his story,” Zumsteg says. “What Logan left behind is so beautiful.”

‘Your Friend Logan’ is accepting donations on Kickstarter.com through Feb. 29.

#DeleteFacebook

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I’ve been recovering from a recent bout of digital marketing. I don’t want to go into where or how I got it, just that it’s left me itchy in that way that creative types get because we needed the money. This sounds more venereal than intended, but then, courting a certain virality was part of the gig.

The scratch for this itch? Maybe some old school Internetting. Hmm. Remember when blogs were a thing? Did it. Email newsletters? Clicked “here” to unsubscribe. I’ve been off and on the podcast ride enough to admit it the siren song was really just loving the sound of my own voice all along.

I’m also hastening an end to my tenuous relationship with social media. I ceded my Twitter account to Russian robots months ago and now I’m contemplating further social media decouplings. TikTok? Don’t get it, don’t care. Instagram? I can barely live my own life let alone curate it to look better than yours

I long ago converted my Facebook profile into a “page,” which is the social media equivalent of Kal-El giving up his superpowers in Superman II — sure, you can become mortal but then you can’t really do anything and you can’t get your powers back unless you find that magic glow stick (and that, my friends, was last seen at a SOMA warehouse in the 90s).

Thereafter, Facebook has merely served me as a “distribution vector,” as “infrequent electronic letter”-writer and thinker Craig Mod aptly describes his similar use of social media. Perhaps I’ll hire a Russian bot to post for me rather than going all-in on #deletefacebook, which requires an AI to figure out how to do it anyway.

This is the general thinking: If I’m going to scream into a hole on the Internet, I should own it and my personal data with it. That way, I can more effectively market to myself and turn a vicious circle of posting to ZERO readers into a virtuous cycle of affirming the work of Number Fucking ONE.

Also — I’m just gonna say no to SEO. Now Google can’t find me and stalk me with ads for every search term I’ve ever entered. I recently dropped the E when searching for Moleskine notebooks and have been pursued by blister protection products since.

And no more digital sharecropping for the likes of @Jack and Zuck and probably Putin. I could never muster the algorithmic mojo to viably surface on their platforms anyway. In this infowar, I’m not interested in being a hostage. So, I’m going to tend my own online Victory Garden and make it fertile ground — even if that means it’s only full of my own manure.

Daedalus Howell lives at
daedalushowell.com.

Vote Yes on Measure I

Measure I

My family has lived in Sonoma and Marin Counties for over 100 years. We commute daily, within and across county lines, or to our jobs in San Francisco. We understand that a “No” vote on Measure I—a vote against the SMART train—directly punishes the thousands of riders who have regained some sanity by not being in the car three hours a day.

Teachers and students who get to school on time without the stress of getting caught in traffic are of particular interest to me as an employer, but also nurses, lawyers, technicians, people who care for our elders, Marin Subaru employees . . . I could go on, but everyone knows someone who has directly or indirectly benefited from the train. If you think you don’t, you’re not paying attention to the workforce that our region depends on.

I have wondered why a rich land developer would commit a million dollars to kill the train. Are they truly worried about all of our tax burden as they claim? I mean, even if they were concerned about the additional cost of a new Range Rover, we’re talking $250.

No, I believe that opposing public transportation and extending a tax to support it is actually the latest incarnation of red-lining. If political will ever prevails and affordable housing is required to be located near transit lanes, developers who depend on scarcity of real estate inventory and megamansions for their profits and wealth would be highly motivated to eliminate the trigger—the train.

I want no part of this attitude and behavior in the counties I’ve lived and worked in all my life. We are already facing unprecedented tragedies—such as wildfires—that are directly attributable to climate change. Will we willfully snub the SMART solution to both challenges—adequate housing and green transportation—to save a quarter on every $100 we spend?

I would rather be able to say to my grandchildren, “I did something. I rode SMART. I voted YES on Measure I.”

Sebastopol

Gazette Goes On

Ms. Seritis’ comments in her letter, “Gazette Troubles,” (Feb. 5), are hugely uninformed. She vociferously complained about not being able to find the on the first of the month. I know she couldn’t realize this, but the has a new publication date of about the 4th or 5th day of the month now.

I was able to find new articles online the second day of this month.

The may change down the line, but I see very little difference in the first two issues under Sonoma Media, though Seritis sounded the alarm over this transition.

Worst of all, Seritis’ comment about -editor Vesta Copestakes, “there goes your legacy” is trash talk. I personally know Vesta has busted her butt for 20 years to put out the , largely by herself. Her legacy is intact, and certainly won’t be dislodged by Seritis’ ignorant comments.

And, Vesta remains the editor until the end of this year, so how has her newspaper been “snuffed out,” as Seritis rudely says?

Sonoma County Gazette,
Real Music column

Write to us at le*****@******an.com.

Pushback Time

Call them Sonoma County’s best-known marijuana-istas.

Erich Pearson, Alexa Wall, Erin Gore, Ron Ferraro and Dennis Hunter are among the most outspoken activists in an industry that long encouraged its members to be faceless and nameless, stay under the radar and keep out of jail.

These five industry movers and shakers have put aside their differences and come together to create the Cannabis Business Association of Sonoma County (CBASC), an organization that aims to bolster an industry hard-hit by local regulations and undermined by county officials who want Sonoma to be known for grapes and wine and not for weed. Anyone in the hemp industry or the cannabiz can join.

Now, it’s pushback time. When asked why she and her cannabis comrades joined forces and now serve as CBASC’s Board of Directors, Wall—the CEO at Luma California and the Cofounder of Moonflower Delivery—says, “Rising tides lift all boats!”

In part, CBASC (www.cbasc.org) is an act of desperation. It’s now or never for the struggling Sonoma County cannabis industry. Naysayers think it’s already too late to save cannabis here, though Pearson, Wall and Company haven’t given up hope.

“We’ve all agreed to tackle the county’s failed cannabis program,” Wall says.

Pearson, CEO of SPARC, adds, “We will make Sonoma County the example of sensible cannabis regulation.”

Gore, the CEO at Garden Society, feels it’s essential for CBASC to “educate the policymakers” and for the organization to become a model of “trust and transparency.”

Ferraro, the CEO at Elyon, captures the mood of the moment when he says, “this is a scary time to be a cannabis professional; many in our industry are failing just as they begin.”

Hunter, the cofounder and CEO of CannaCraft, says, “Unless the county moves quickly to address the flaws in the program, we can expect to see a migration back to the illicit market.”

Hey, Hunter, that’s already happened, as you surely know.

Joe Rogoway, the pro-bono legal counsel for CBASC, emphasizes the all-important need to “amend the county’s ordinance and align local regulations with state law.”

Jonah Raskin is the author of “Dark Day, Dark Night: A Marijuana Murder Mystery.”

Talk of the Town

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If your taste in musicals runs to the light, bouncy and life-affirming, you might want to take a pass on the Spreckels Theatre Company’s latest production. If, however, your taste runs more to the dark and twisted, then you won’t find Urinetown: the Musical too draining. It runs through March 1.

Set in a dystopian future where decades of drought have led to the regulation and privatization of water intake and outtake, the show by Mark Hollmann and Greg Kotis made quite a splash on Broadway in 2011 and won three of the 10 Tony Awards for which it was nominated. It’s an odd combination of satire, parody, social drama and love story.

The show opens at Amenity #9, the “poorest, filthiest urinal in town,” where citizens line up to pay for the privilege to pee. Both failure to pay, and getting caught urinating in public, lead to banishment to Urinetown, a place from which no one has ever returned.

The Urine Good Company, headed by the dastardly Caldwell B. Cladwell (Tim Setzer), seeks another hike in their outrageous fees. This doesn’t sit well with Amenity attendant Bobby Strong (Joshua Bailey), who’s soon fomenting rebellion. Complications ensue when Bobby falls in love with Cladwell’s daughter, Hope (Julianne Thompson Bretan). Will their love be enough to break the stranglehold her father has on everyone’s bladder? Well, as Officer Lockstock (David Yen) makes clear in his introduction, this isn’t a “happy” musical.

Actually, it’s barely a musical at all. It’s more a single-themed Forbidden Broadway-type revue with each musical number reminiscent of another show. “Look at the Sky” smells of Les Misérables, “What is Urinetown?” brings Fiddler on the Roof to mind and “Run Freedom Run” has shades of Guys and Dolls and How to Succeed in Business Without Really Trying in it. The show’s best number may be its only non-referential one—”Don’t Be the Bunny.”

Director Jay Manley has an excellent cast at work here, with toilet-tissue-paper-thin characters. Bailey and Thompson Bretan bring earnest demeanors and terrific voices to their roles. Setzer clearly relishes in Cladwell’s cartoon villainy. Yen keeps things whizzing by with his humorous exposition, often in tandem with Denise Elia-Yen’s Little Sally, and the show benefits from a strong ensemble.

Urinetown may leave a bad taste in the mouth of some, but if you’re in the mood for something decidedly different then, by all means, go.

Rating (out of 5): ★★★★

‘Urinetown, the Musical’ runs through March 1 at Spreckels Performing Arts Center, 5409 Snyder Lane, Rohnert Park. Thu, Feb. 27; 7:30pm; Fri–Sat, 7:30pm; Sun, 2pm; $12–$36. 707.588.3400. spreckelsonline.com

Get Boont

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The little wine weekend formerly known as the International Alsace Varietals Festival is back from its “gap year.” And, if chardonnay’s your thing,
the rechristened Winter White Wine Festival is
better than ever.

Held in February, down a long and twisty drive from the rest of Wine Country and celebrating a bunch of misfit grapes, the Anderson Valley Winegrowers Association hatched this unlikely event as a counterpoint to the growing success of their pinot noir. The varietal stars of this sideshow are gewürztraminer, riesling and pinot gris—white, aromatic wines traditional to the Alsace region of France. They’re a big part of the valley’s heritage, but they’re being rooted out by the red king of burgundy.

“You can’t have a festival with six producers,” says Joe Webb, winemaker at Foursight Wines. So, the winegrowers changed the rules to include all white wines—chardonnay, viognier, ribolla gialla.

Now, Foursight can join their neighbors and show off their estate-grown 2018 Charles Vineyard Sauvignon Blanc ($27), which should pique the interest of Loire buffs with its stone-dust and stone-fruit aromas, with a twist of lime.

Up the street, new-kid-in-town Bee Hunter Wine balances their pinot-noir menu with a leesy, grapefruity sauvignon blanc, but also a slightly fizzy 2015 Wiley Vineyards Riesling ($24) that cofounder Ali Nemo says is a particularly big hit among the wine-bar trendsters of San Francisco.

Frizzante or not, most riesling in the valley is dry, not sweet. That’s still big news for most visitors, says Natacha Durandet of Phillips Hill Winery. They come in with old “Blue Nun” wine stereotypes from the 1970s, but after tasting the juicy-but-subdued 2018 Anderson Valley Riesling ($26), say, “Wow, this is not sweet; this is nice.”

Early birds get the scoop on riesling Saturday morning, when John Winthrop Haeger, author of Riesling Rediscovered: Bold, Bright, and Dry, leads a panel discussion and wine flight on the question, “Why Riesling?”

“Some wine-grape varieties have relatively uncomplicated stories and there is consensus about their attributes,” Haeger explains. “For better or worse, this is not true of riesling. Its history and attributes are longer stories. The panelists will be asked how those longer stories affect riesling’s image, popularity, marketability and economic viability.”

Newfound riesling fiends will be pleased that the Grand Tasting still brings in notable producers from places afar, including Germany, Finger Lakes, Central Coast and Oregon.

Winter White Wine Festival is Saturday and Sunday, Feb. 22–23, at the Mendocino County Fairgrounds, 14400 Hwy. 128, Boonville. 9:15am to 3pm. Tasting, $95; seminar, $50.
www.avwines.com.

The Exonerated 5

In 1989, police accused five teenagers (four African-American and one Latino) of raping a white woman in Central Park in New York City. The teens, ages 14–16, were brutally interrogated for over 18 hours until they confessed to the crime and were convicted and sentenced. Shortly thereafter, future U.S. president Donald Trump took out full-page ads in four New York...

Corona Road Station Returns to Council

The Petaluma City Council is expected to consider a proposed housing development at Corona Road at their Monday, Feb. 24 meeting. The development, backed by Lomas Partners LLC, a Southern California developer, calls for over 100 single family homes on a property directly agencent to what will someday be Petaluma's second SMART train station. Many Petaluma residents have criticized the current...

Flammable Romance

The two-woman, huntress-gets-captured-by-the-game romance Portrait of a Lady on Fire offers a lot, particularly ravishing color that makes the actresses look like Fragonard paintings, with the spirit of the French revolution waiting in the wings to give the story some yeast. Also seen in director Céline Sciamma's film is that French precision in defining feelings that makes an encyclopedia...

Meaty Matters

North Bay ranchers face a new challenge after the owner of the region's last slaughterhouse announced last year that it will no longer process meat from small, independent producers. The news comes five years after a Marin County rancher, backed with investment from a Silicon Valley businessman, saved the slaughterhouse from closing. In February 2014, the United States Department of Agriculture...

Still Our Friend

The North Bay's Logan Whitehurst was many things. He was a son, a brother, a multi-instrumental musician, a wildly creative singer-songwriter, a bandmate and an indie-rock inspiration to many. But more than anything, Whitehurst—who died from brain cancer in 2006 at the age of 29—was "Your Friend, Logan." Those three words were how Whitehurst signed all his correspondences, and they've...

#DeleteFacebook

I've been recovering from a recent bout of digital marketing. I don't want to go into where or how I got it, just that it's left me itchy in that way that creative types get because we needed the money. This sounds more venereal than intended, but then, courting a certain virality was part of the gig. The scratch for...

Vote Yes on Measure I

Measure I My family has lived in Sonoma and Marin Counties for over 100 years. We commute daily, within and across county lines, or to our jobs in San Francisco. We understand that a "No" vote on Measure I—a vote against the SMART train—directly punishes the thousands of riders who have regained some sanity by not being in the car...

Pushback Time

Call them Sonoma County's best-known marijuana-istas. Erich Pearson, Alexa Wall, Erin Gore, Ron Ferraro and Dennis Hunter are among the most outspoken activists in an industry that long encouraged its members to be faceless and nameless, stay under the radar and keep out of jail. These five industry movers and shakers have put aside...

Talk of the Town

If your taste in musicals runs to the light, bouncy and life-affirming, you might want to take a pass on the Spreckels Theatre Company's latest production. If, however, your taste runs more to the dark and twisted, then you won't find Urinetown: the Musical too draining. It runs through March 1. Set in a dystopian future where decades of drought...

Get Boont

The little wine weekend formerly known as the International Alsace Varietals Festival is back from its "gap year." And, if chardonnay's your thing, the rechristened Winter White Wine Festival is better than ever. Held in February, down a long and twisty drive from the rest of Wine Country and celebrating a bunch of misfit grapes, the Anderson Valley Winegrowers Association...
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