District Attorney Warns Against Coronavirus Price Gouging

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With concern continuing to grow over the possible spread of the Coronavirus, Sonoma County District Attorney Jill Ravitch reminded local businesses of the state’s anti–price gouging law last week.

“California’s price gouging law prevents business from wrongfully profiteering on essential goods, supplies and services during an emergency,” Ravitch said in a statement. “I urge all businesses operating in and around Sonoma County to understand and comply with the law, and I encourage anyone who has been the victim of price gouging, or who has information regarding potential price gouging, to immediately file a complaint.”

Penal Code Section 396 defines price gouging as “raising the price of many consumer goods and services by more than 10 percent after an emergency has been declared.”

The Sonoma County Department of Health Services and Gov. Gavin Newsom have both declared a state of emergency due to the spread of the virus. Price gouging protection will stay in effect until Sept. 4, 2020 under Newsom’s declaration of emergency.

Violators of the price-gouging ordinance could be subject to as much as a year in county jail and a $10,000 fine.

Ravitch’s office sent out similar warnings following the October 2017 wildfires. On Dec. 24, 2019 Newsom extended the state of emergency for Sonoma, Napa and several other fire-affected counties until Dec. 31, 2020.

That order covers rental housing, food, medical or emergency supplies and construction materials, among other things.

Residents can file complaints online at the Sonoma County District Attorney’s website (sonomacounty.ca.gov/District-Attorney/) or call 707.565.5317.

Climate Activists Organize Community Summit

[UPDATE: The following event was cancelled due to the spread of COVID-19.]

The Sonoma County Climate Activist Network (SoCoCAN) will host an event this Sunday, March 15 that will include numerous local activist groups and nonprofits, and a local elected official.

Speakers will include wildlife biologist and Sonoma County Poet Laureate Maya Khosla, Sonoma State University graduate student Cory O’Gorman and North Bay Organizing Project Environmental Justice Organizer Tayse Crocker, who will share their work on wild lands and waters.

Elizabeth Kaiser, of Singing Frogs Farm in Sebastopol, will speak about how using sustainable farming methods can regenerate soils, grow healthy foods and restore balance to local ecosystems.

Members of the youth climate action groups, Sunrise Movement and Schools for Climate Action, will talk about their work—and how older activists can assist them.

Lynda Hopkins—farmer, environmentalist and Sonoma County Supervisor—will speak about the environmental issues facing the county in the coming years and elected officials’ role in solving them.

The event will be held on Sunday, March 15 from 1:30–6:00pm at the Odd Fellows Hall at 545 Pacific Ave. in Santa Rosa. The Sonoma County Bicycle Coalition will provide free bicycle parking. For more information, contact So*************@***il.com or call 707.595.0320.

Sci-Fi Takes Center Stage

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To genre purists, the idea of androids navigating the footlights of a stageplay may lack the obvious Reese’s factor (“two great tastes together at last”).

There’s precedent, however; 2020 marks the 100-year anniversary of the coinage of the word “robot,” courtesy of Czech playwright Karel Capek and his play R.U.R.: Rossum’s Universal Robots, published in 1920. Here, playwright David Templeton takes the baton and points it deep into outer space to explore the most interior of matters.

Many know of Templeton’s contributions to these very pages the past quarter-century or of his various turns as a playwright in the last decade or so (Drumming with Anubis, Wretch Like Me), but now Templeton is boldly going where no Sonoma County theater has gone before in his play, Galatea.

It’s 2167 and robot-specialist Dr. Margaret Mailer (Madeleine Ashe) conducts a series of clinical sessions with an android named 71 (Abbey Lee), the sole-surviving member of a “synthetic support crew” assigned to the colony-vessel Galatea. But that’s not the weird part—the Galatea disappeared over 100 years ago along with its 2,000 human passengers. As 71’s shrink-sessions progress, Dr. Mailer realizes she’s hiding something—something potentially horrifying.

Much of Templeton’s onstage writing has been autobiographical—heavy stuff like overcoming a teenage bout of Christian fundamentalism. And yet, the genre’s trappings and tropes (robots; long, cryogenic naps) opened ways for Templeton to explore his own existential quandaries—as it has with many sci-fi writers.

“In some ways, it’s one of the most personal plays I’ve ever written,” says Templeton, who is most-likely human (though his dead-on impression of Donald Sutherland as a pod person from Invasion of the Body Snatchers does raise questions).

Another human aboard this theatrical vessel is director Marty Pistone, whose own science fiction bona fides include appearing on-screen as Controller #2 in Star Trek 4: The Journey Home and performing stunts in Jay and Silent Bob Strike Back.

“The questions and conundrums that ‘Galatea’ explores—questions about the meaning of humanity and its value on Earth—are questions I’ve been thinking about for much of my life,” Templeton says.

Indeed, questions loom—namely, how did 71 wind up alone in deep space, and what exactly happened aboard the Galatea? But perhaps the deeper mystery Templeton and his characters hope to solve—and one to which this particular mix of artists, genre and medium are uniquely suited—is: what does it mean to be human?

A Call for Grit

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Sonoma County has a long history of “problems” with law enforcement agencies going back at least 20 years or so. For example, this quote from a Press Democrat story from 2014: “In 2000, a U.S. Civil Rights Commission advisory committee recommended Sonoma County, Santa Rosa and Rohnert Park implement citizen review boards, noting the grand jury’s lack of financial independence and organizational separation from local law enforcement.”

In point of fact, there have been problems with the Sheriff’s Department and cities in Sonoma County with law enforcement agencies—an inordinate number of deaths of people held in custody and of fatalities during arrests by police or Sheriff’s Deputies—and recommendations by federal civil rights commissions and grand juries for independent citizen review bodies at the county level.

Prompted by the Andy Lopez fatal shooting by Deputy Gelhaus a few years back, a citizen’s police review board (IOLERO) was finally established after decades of expressed concern by county residents. Yet still and very recently there have been fatal incidents, killings of people by county law enforcement, and so it appears that police oversight, independent investigation and accountability are more in need than ever.

But now it also appears that the agency created to do this oversight work—referred to in bureaucratese as “auditors”—is being manipulated to become a toothless, compliant and subservient tool of the Sheriff’s Office. You may think this is hyperbole, but with even the most basic awareness of police/civilian relationships here and elsewhere it’s a common problem of major proportions and everyone knows that.

The Sheriff’s Office fought with the prior head of the oversight agency until he resigned in utter frustration and resistance to doing his job. We, the public, know this. His current replacement seems hell-bent on rendering the agency she’s supposed to lead and champion into one of no consequence that serves the law enforcement agency she’s supposed to watchdog.

Is this your objective as well, Board of Supervisors? Are you going to relinquish your promise and duty to the people of Sonoma to hold police accountable for their actions and subject them to an independent investigation by outside agencies? Are you so politically intimidated by the sheriff and the district attorney that you will not stand up for the people who elected you? Will you show some grit in this matter and honor what you set out to do just a few years ago in the name of a child who was killed—shot eight times—for carrying a toy gun?

This is bigger than Sonoma County. This is a national issue. Be the leaders we elected you to be.

We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Meeting Bernie

Bernie Sanders represents many things to many people. To me, he represents a thoughtful and considerate man, and here’s why:

While living in Vermont in the early ’80s, I had the opportunity to meet Burlington’s Mayor Sanders under somewhat challenging circumstances. The first took place on a bitterly cold day during the December holidays. I had parked in downtown Burlington, across from City Hall, to finish some last-minute gift shopping with my three young kids. When we returned to our parking space, the car—a rusty Subaru—was gone. It was then that Bernie approached with a “Can I help you?” When I told him I thought our car had been stolen, he looked at the street sign that clearly stated “12-minute Parking” and asked, “Did you read the sign?” I hadn’t. Bernie told us to “Wait here,” left us for a couple of minutes and returned to let us know that the car had been towed and he’d called a cab to take us to the car impoundment.

A few months later, after having dinner with friends in downtown Burlington, we got back to my car amid a full-blown snowstorm to discover the battery was dead. While we pondered what to do, a car slowly cruised by, made a U-turn, and pulled up to the front of us. Mayor Bernie emerged with the words, “Looks like you fellas need a jump.” Cables were connected, the car started and off he went.

Bernie is a true man of the people—then and now.

Retired Superintendent/Principal

Petaluma

For the Record

Thanks for your cover story “On The Record” (Feb. 26). I appreciated you representing this most enduring of formats—the vinyl record—and places where we can shop, buy and trade.

I especially appreciated the info on Jason Scogna’s radio show. Since 2014, I’ve been hosting an all-vinyl radio show called The Vinyl Cave, Friday nights 7–10pm on 91.3 FM KSVY in Sonoma. It can also be heard at www.ksvy.org. I encourage people to discover or rediscover the fun of dropping the needle and feeling the warm sound of vinyl. Turn it up and you feel it in the heart, not in the head like other audio media.

Thanks again, Bohemian!!!

Sonoma

Helping SIFF

Our independent film festival in Sonoma still needs many more volunteers. The dates of the Sonoma International Film Festival are
March 25–29. Please go to our website, www.sonomafilmfest.org, click on the drop-down menu, then on “Support” and “Volunteers Welcome,” then on signup.com. For more info or questions please contact: ki*@************st.org.

Sonoma

Write to us at le*****@******an.com.

Cannabis & Corona

Like every other sector of our society, the coronavirus has hit the cannabis world. Experts say the virus will continue to hit it—causing cancellations or postponements of cannabis festivals and events in the coming weeks and months.

Canna-tourism could suffer as people travel less and avoid crowds. Industry observers do not expect overall consumption and demand will be greatly impacted, but those who smoke joints and use pipes would be smart not to share them. Some may choose to have their weed delivered rather than buy it in person.

It’s a good thing Americans are not dependent on China for cannabis, as they are for so many other products. Some vape hardware comes from China and virus scares have impacted supplies.

New York City Mayor Bill de Blasio announced recently at a press conference that people who smoke or vape can become more vulnerable to severe illness.

“If you are a smoker or a vaper this is a very good time to stop that habit and we will help you,” de Blasio said.

To get a sense of what is happening locally, I called Eli Melrod, the CEO of Solful, a Sebastopol-based dispensary.

“Consumers are stocking up and are preparing to hunker down,” he told me. “Instead of buying one or two items, they’re buying 10 to 12 items so they have a month’s supply, rather than a week’s supply.”

Melrod urges employees to wash their hands frequently and not touch their faces. With increased demand, the dispensary is aiming to increase supply.

“We’re reaching out to manufacturers and to growers,” Melrod said. “We don’t want to run out of the medicine that people need. The store is up and running as usual and we hope to see our regular customers. They’re all welcome.”

Over the last two weeks, I have continued smoking joints—by myself—and eating gummies. I attended a cannabis event with a friend who offered me the joint he was smoking. It seemed wise to decline. I’m not sorry I did. Precaution is the watchword for now and for the immediate future.

Local cannabis maven, Mitcho Thompson, advises, “Now is the time to have a stash.”

Jonah Raskin is the author of “Dark Day, Dark Night: a Marijuana Murder Mystery.”

Cannabis & Corona

[image-1]

Like every other sector of our society, the coronavirus has hit the cannabis world. Experts say the virus will continue to hit it—causing cancellations or postponements of cannabis festivals and events in the coming weeks and months.

Canna-tourism could suffer as people travel less and avoid crowds. Industry observers do not expect overall consumption and demand will be greatly impacted, but those who smoke joints and use pipes would be smart not to share them. Some may choose to have their weed delivered rather than buy it in person.

It’s a good thing Americans are not dependent on China for cannabis, as they are for so many other products. Some vape hardware comes from China and virus scares have impacted supplies.

New York City Mayor Bill de Blasio announced recently at a press conference that people who smoke or vape can become more vulnerable to severe illness.

“If you are a smoker or a vaper this is a very good time to stop that habit and we will help you,” de Blasio said.

To get a sense of what is happening locally, I called Eli Melrod, the CEO of Solful, a Sebastopol-based dispensary.

“Consumers are stocking up and are preparing to hunker down,” he told me. “Instead of buying one or two items, they’re buying 10 to 12 items so they have a month’s supply, rather than a week’s supply.”

Melrod urges employees to wash their hands frequently and not touch their faces. With increased demand, the dispensary is aiming to increase supply.

“We’re reaching out to manufacturers and to growers,” Melrod said. “We don’t want to run out of the medicine that people need. The store is up and running as usual and we hope to see our regular customers. They’re all welcome.”

Over the last two weeks, I have continued smoking joints—by myself—and eating gummies. I attended a cannabis event with a friend who offered me the joint he was smoking. It seemed wise to decline. I’m not sorry I did. Precaution is the watchword for now and for the immediate future.

Local cannabis maven, Mitcho Thompson, advises, “Now is the time to have a stash.”

Jonah Raskin is the author of “Dark Day, Dark Night: a Marijuana Murder Mystery.”

Return to Stage

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The renovation and remodeling of Santa Rosa Junior College’s 80-year-old Burbank Auditorium is now complete.

The venerable 600-seat theater has been reconfigured into two performance venues; a 400-seat proscenium-arch space and a 200-seat, three-quarters thrust studio theater. The JC’s Theatre Arts Department, which has had to take their shows “on the road” for the past two years, returns to campus to open the Studio Theatre with Martin McDonagh’s The Cripple of Inishmaan.

McDonagh, often referred to as “the bad boy of Irish theater,” is known for his darkly humorous looks at Irish life both onstage (Beauty Queen of Leenane) and in film (the cult-classic In Bruges).

It’s 1934 and the citizens of Inishmaan, one of Ireland’s Aran Islands, are all abuzz with the news brought by island crier/gossip/blowhard Johnnypateenmike (Riley Craig). It seems that a Hollywood film crew has arrived to shoot a documentary on a nearby island (This is based on a true incident). The isle’s younger folk, like the egg-centric Helen (Hayley Hollis) and candy-obsessed Bartley (Samuel Gleason), have dreams of being discovered. Orphaned Billy Claven (Daniel Dow), known to all on the island as “Cripple Billy,” sees it as his chance to escape a life full of unhappiness and derision, perpetrated even by the loving “aunties” (Allyson Bray, Samantha Bohlke-Stater) who raised him.

More tragedy than comedy, there’s an undercurrent of sadness and cruelty to the story that matches the bleakness of the play’s setting. Each time the show seems to be veering into redemptive sentimentality, McDonagh executes a quick U-turn.

Director Leslie McCauley has a talented ensemble at work here, with the expected challenges of casting college-age students in mature roles minimized by good costume, hair and makeup design by Ariel Allen. Standouts include Dow, who does particularly good physical work, and Craig, who impresses with what is a generally loathsome and pathetic character. Dialect work is also strong courtesy Dialect Coach/Cultural Advisor Jane Martin.

Peter Crompton’s scenic design and Theo Bridant’s light-and-sound design work in tandem to transform the intimate theater and transport the audience to a wee bit o’ Ireland, as does the live musical accompaniment by Lisa Doyle and Sonia Tubridy.

At two-and-a-half hours (with intermission), the show seems to meander a bit—but that, and its deliberate pacing, are no doubt representative of life on a remote Northern Atlantic rock.

Erin go Bragh.

Rating (out of 5): ★★★★

‘The Cripple of Inishmaan’ runs Wednesday–Sunday through March 15 in Santa Rosa Junior College’s Burbank Auditorium Studio Theatre at 1501 Mendocino Ave., Santa Rosa. Wednesday–Saturday, 8pm; Saturday & Sunday, 2pm. $10–$25. 707.527.4307. theatrearts.santarosa.edu

‘Directions to the Dumpster’ Chronicles Homeless Journey

Edward Campagnola has a story to tell. Currently living as an unsheltered resident in Sonoma County, he spent the last five years writing his story, and last year he released his debut novel, Directions to the Dumpster.

Now available on Amazon.com, the book traces Campagnola’s journey in homelessness and his attempts to get out of it. It is also a story that aims to dispel preconceptions about homelessness and end the stigma associated with it through a campaign of awareness and compassion.

“I’ve been in a cave really for five years,” Campagnola says. “You’re lucky if you have a phone, you know what day it is. I would lose days if I didn’t have a phone, but having it is a security risk.”

This glimpse into Campagnola’s daily experience is one of the book’s many details that dissolves the reader’s veil of ignorance and exposes them to the reality of what unsheltered residents go through day to day.

The title of the book, Directions to the Dumpster, is a phrase Campagnola uses literally and figuratively. He argues that in a capitalist society, the homeless are seen as worthless, while they also are often given directions to the dumpster when they do reach out and ask for help.

“I originally titled the book Going to California, a la the Zep tune,” Campagnola says.

Originally from New Jersey, Campagnola traveled to New Orleans, Houston and Las Vegas after the death of his wife.

“I was soul-searching at the time,” he says.

At one point in his travels he suffered a violent, random attack on a California-bound Greyhound bus that left him with PTSD. When he arrived in Sonoma County, words began to pour out of him.

“It was unbelievable, and I don’t know if it was from the attack, but phrases just started flowing out of me,” Campagnola says.

Collecting those phrases in notebooks, Campagnola wrote his manuscript on a Sonoma County Library computer. He wrote the novel as a form of therapy, as a way to reconnect with his adult children and to give society a better understanding of homelessness in America.

Campagnola describes his book as a documentary-style narrative, detailing events as they occurred and letting the reader make their own personal connection.

“I did not bother to express what my feelings were,” he says. “Except for the moment when I talk about a handwritten letter from my wife that I lost—I was more distraught than any point in my life.”

Though Campagnola secured a publishing contract, the book is an entirely DIY experience, with Campagnola editing and promoting the book on his own. The road to publishing was a long one, but he’s ready to do it again.

“The book’s a cliffhanger,” Campagnola says. “I’ve already started writing the sequel. I decided the title will be Directions Home.”

‘Directions to the Dumpster’ is available online.

Go to Church

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David Bowie once said, “Music itself is going to become like running water.” He was talking about how people never think of their tap water: They wash dishes in it, they drink it and the water becomes so commonplace that it’s taken for granted until it’s not there.

For many artists and audiences in the North Bay, the tap for live-music experiences in downtown Santa Rosa has been stuck on low-flow for some time. And people are starting to notice.

Make no mistake, there are a number of bars, clubs and coffeehouses in town that host bands; but for intimate, engaging concerts in a devoted theater space, nothing has quenched Santa Rosa’s musical thirst quite like the newly opened nonprofit venue the Lost Church.

Located on Mendocino Avenue, three blocks off of Courthouse Square, the Lost Church is a 99-person, fully seated listening room that follows in the footsteps of the San Francisco venue of the same name.

That original venue, located in San Francisco’s Mission District, is the brainchild of musicians Brett and Elizabeth Cline, who took their irregularly shaped house and turned the living room into a venue.

When the Clines began looking to expand their Lost Church into a multi-venue project, they contacted North Bay musician, producer and promoter Josh Windmiller, whose work includes founding and running the popular Railroad Square Music Festival (returning on June 14, 2020) as well as playing in bands such as the Crux.

“I never thought I’d be the venue guy,” says Windmiller. “But this is a perfect fit for me. I want to create art, be around artistic people and I want my fellow music makers to thrive.”

When Windmiller met Brett and Elizabeth and found out they wanted to expand their theater model to other communities and make them sustainable, nonprofit ventures, he jumped at the chance to help make it happen.

“”This is our proof of concept, to show that spaces like this are possible in our community,” Windmiller says.

In the works since late 2018, the Lost Church boasts warm acoustics, charming décor and a focus on live music, with a stage set under chandeliers and vines.

“The whole thing feels like a post-apocalyptic cabaret space,” Windmiller says. “It feels like we’ve sequestered ourselves in this building where vines are growing, but we’ve decked it out with beautiful art and stained wood and intimate lighting, and it has a good vibe.”

While Executive Director Brett Cline was a driving force in the building and design of the Santa Rosa venue, the running of the theater is entirely in the hands of the North Bay community. On the ground floor of the project from day one, Windmiller is now the venue’s development director.

“The San Francisco people aren’t going to begin to pretend that we don’t have a pretty awesome scene up here,” says Windmiller. “And honestly, the only thing we have a dearth of is places to play—there is an unequal representation of artists to venues. We have some really great venues, but not enough of them that can take a risk on up-and-coming artists and not a lot that can host a show in a place that is this intimate.”

“I like the aspect of what they are trying to build there, in that it seems to be music focused,” says Philip Pavliger, a Santa Rosa photographer who works with Windmiller on events like Railroad Square Music Fest. “Santa Rosa has a fair number of venues, but there didn’t seem to be a place where local artists could go to try out new material in front of an audience.”

When Pavliger heard about the Lost Church, he took the chance to shoot a new exhibit, “Rhapsody of Nine,” featuring photo portraits of local musicians in the venue. The photos are currently on display nearby at Acre Coffee on Fourth Street.

“There’s an amazing amount of talented people here in the area,” Pavliger says. “For me the idea is to help support and grow something I think the city could really use.”

So far, the Lost Church has consistently hosted attentive and enthusiastic audiences, and Windmiller says the venue is ideal for smaller acts, solos, duos or stripped-down bands because they don’t have to try to cut through distractions.

“There’s definitely a place for cafes, clubs and bars—those are some of the main places I’ve played with the Crux,” Windmiller says. “But there’s a certain vibe and experience that one finds in a theater, and this is a small theater, this is a parlor room, and that’s so exciting to be creating here.

“Our belief and our conviction is that live experience can be sustained, loved and can grow through being different from those experiences that we find in the digital era. Where Netflix and YouTube can provide privacy and distance from the performer, live experiences can provide intimacy, engagement and evenings with the community and art that will be unforgettable. What we need to do is sustain a place where new acts and even established artists can have those experiences with an audience.

“Maybe the time we’re living in is post apocalyptic, maybe the internet has destroyed the world like a robot uprising, and indeed we are creating a theater from the ruins of the old world.”

District Attorney Warns Against Coronavirus Price Gouging

With concern continuing to grow over the possible spread of the Coronavirus, Sonoma County District Attorney Jill Ravitch reminded local businesses of the state's anti–price gouging law last week. "California's price gouging law prevents business from wrongfully profiteering on essential goods, supplies and services during an emergency," Ravitch said in a statement. "I urge all...

Sci-Fi Takes Center Stage

To genre purists, the idea of androids navigating the footlights of a stageplay may lack the obvious Reese's factor ("two great tastes together at last"). There's precedent, however; 2020 marks the 100-year anniversary of the coinage of the word "robot," courtesy of Czech playwright Karel Capek and his play R.U.R.: Rossum's Universal Robots, published in...

A Call for Grit

Sonoma County has a long history of "problems" with law enforcement agencies going back at least 20 years or so. For example, this quote from a Press Democrat story from 2014: "In 2000, a U.S. Civil Rights Commission advisory committee recommended Sonoma County, Santa Rosa and Rohnert Park implement citizen review boards, noting the grand jury's lack...

Meeting Bernie

Bernie Sanders represents many things to many people. To me, he represents a thoughtful and considerate man, and here's why: While living in Vermont in the early '80s, I had the opportunity to meet Burlington's Mayor Sanders under somewhat challenging circumstances. The first took place on a bitterly cold day during the December holidays. I had parked in downtown Burlington,...

Cannabis & Corona

Like every other sector of our society, the coronavirus has hit the cannabis world. Experts say the virus will continue to hit it—causing cancellations or postponements of cannabis festivals and events in the coming weeks and months. Canna-tourism could suffer as people travel less and avoid crowds. Industry observers do not expect overall consumption and...

Cannabis & Corona

Like every other sector of our society, the coronavirus has hit the cannabis world. Experts say the virus will continue to hit it—causing cancellations or postponements of cannabis festivals and events in the coming weeks and months. Canna-tourism could suffer as people travel less and avoid crowds. Industry observers do not expect overall consumption and...

Return to Stage

The renovation and remodeling of Santa Rosa Junior College's 80-year-old Burbank Auditorium is now complete. The venerable 600-seat theater has been reconfigured into two performance venues; a 400-seat proscenium-arch space and a 200-seat, three-quarters thrust studio theater. The JC's Theatre Arts Department, which has had to take their shows "on the road" for the past...

‘Directions to the Dumpster’ Chronicles Homeless Journey

Sonoma County man’s novel offers personal insight

Go to Church

David Bowie once said, "Music itself is going to become like running water." He was talking about how people never think of their tap water: They wash dishes in it, they drink it and the water becomes so commonplace that it's taken for granted until it's not there. For many artists and audiences in the North Bay, the tap for...
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