Offbeat on Stage

0

Two shows currently running in the North Bay fit the bill for theater patrons seeking something outside the realm of a traditional holiday play. Santa Rosa’s Left Edge Theatre would like you to spend some time in Escanaba in da Moonlight while Sebastopol’s Main Stage West invites you to hang out with The Seafarer.

Actor Jeff Daniels wrote Escanaba in da Moonlight a year after he starred in Dumb and Dumber and the movie’s influence is clearly felt. His comedy about a group of Michigan sportsmen on the first day of hunting season is crass, inane, crude, vulgar, gross and—like the aforementioned film—funny.

Director Argo Thompson gender-swapped the roles by replacing Daniels’ good ol’ boys with good ol’ girls, and stuck them in a cabin in Michigan’s Upper Peninsula. Alberta (Sandra Ish) and her daughters Remy (Chandler Parrott-Thomas) and Ruby (Paige Picard) have gathered for their annual hunting trip. They’re joined by a family friend they call “The Jimmer” (Kimberly Kalember) who, after being abducted by aliens a while back, now sports something of a speech impediment.

While the opening of hunting season excites them all, Ruby is a bit worried. If she doesn’t bag a buck this trip, she’ll inherit the ignominious position of being the oldest family member to continuously come home empty-handed. The lengths she’s willing to go to to ensure that doesn’t happen involve things such as moose testicles and porcupine piss.

Yeah, Noël Coward it ain’t; but the ladies have fun with it.

Rating (out of 5): ★★★½

Conor McPherson’s The Seafarer, while set on Christmas Eve, has little to do with the holiday. It involves two brothers (John Craven, Edward McCloud), a couple of friends (Kevin Bordi, Anthony Abaté) and a stranger (Keith Baker) who end up in a poker game with very high stakes. There’s also a lot of drinking, cursing and fighting. Well, it is an Irish play.

McCloud and Baker played the same roles 10 years ago in a well-received production by the late, lamented Narrow Way Stage Company. Director David Lear reunites them and surrounds them with a group of actors who do well with characters who lead lives of not-so-quiet desperation. And that poor Christmas tree…

Rating (out of 5): ★★★★

Escanaba in da Moonlight runs through Dec. 15 at Left Edge Theatre. 50 Mark West Springs Road, Santa Rosa. Thu–Sat, 8pm; Sun, 2pm. $15–$42. 707.536.1620. Leftedgetheatre.com. The Seafarer runs through Dec. 21 at Main Stage West, 104 N. Main St., Sebastopol. 2nd and 4th Thursdays at 8pm; Fridays and Saturdays, 8pm; Sunday, 5pm. $15–$30. 707.823.0177. mainstagewest.com.

Our 2019 Holiday Gift Guide

Last November, the Google Calendar app greeted users with a new day of celebration: Black Friday. The holiday in question appeared courtesy of the app’s setting for “Holidays in the United States” on Nov. 29. It hailed the annual retail bonanza sure to come as well as the implicit suggestion, that in this moment of late capitalism, Thanksgiving is pretty much “Black Friday Eve.”

The retail season is upon us, but that doesn’t mean you have to feed the gaping maw of big-box stores and monopolistic online retailers. When you think outside the big box and support local retailers—and better yet, purveyors of locally-made products—you’re doing wonders for your community and its economy.

According to an infographic released by Sonoma County GO LOCAL Cooperative, which “works to grow the market share of locally-owned businesses,” when you spend $100 at a locally owned business, $48 remains in the local economy. Compared to the $13 that stay from big box stores or the whopping zero for non-local online retailers, the advantage of keeping money in the neighborhood, so to speak, is what’s called the local economic multiplier effect. Dollars retained in a community and re-spent within the local economy result in income growth for local people, increased pay and more tax revenues returned to local governments—ultimately providing for better standards of living for those in the community.

Locally-Made

In The Making
Among those raising the retail standards of the community is In The Making, located in Petaluma’s up-and-coming American Alley artisanal district. Home to the open studios of both Jenn Conner of Pennyroyal Design and Siri Hansdotter Jewelry, In the Making also serves a small curated goods retail shop featuring a variety of artisanal products made or designed by area artists.

Onsite, Handotter offers its jewelry in limited release, one-of-a-kind and made to order collections as well as custom designs—with each piece designed and crafted by hand in the studio. Conner’s bespoke, handmade leather carryalls are expertly hewn from high-quality, American vegetable-tanned leathers and made to grow old with you. inthemakingpetaluma.com

Made Local Marketplace
Proudly celebrating their eighth year and now home to 800 local makers, the Made Local Marketplace in Santa Rosa is essentially an old-world bazaar brought indoors. Moreover, everything for sale is made in the North Bay. From homewares and functional pottery to jewelry, original artworks, greeting cards and essential oils. Perennial gift-friendly items like locally-produced candles, jars of jam and honey and teas are also on hand. There are even gifts for your pets. madelocalmarketplace.com

Indigenous
With a flagship store in Petaluma, Indigenous proffers organic, fair-trade fashion while wearing its ethics, literally, on its sleeve. Placing a premium on transparent and sustainable practices, the 24-year-old fashion venture has remained committed to fair-trade partnerships with culturally diverse artisans since its inception.

Inspired by a trip to Peru in the ’90s, the founders sought to give “modern expression to the ancient traditions of Peruvian textile design.” Known for its tops, sweaters, dresses and accessories, Indigenous is continuing its pursuit of making clothing with consciousness with the formation of a B Corporation—a certification that for-profit companies can attain that attests to their commitment to social sustainability and environmental performance standards. indigenous.com

Katja Designs
Working in gold, silver, platinum, and precious and semi-precious stones, master goldsmith Katja Whitedeer studied with luminaries in her field throughout the lauded goldsmithing capitals of Germany before bringing her talents to the states.

“In the U.S., I was the first to execute a ring shank in platinum and high-karat gold that no other jeweler could produce,” she writes on her website. “It was painstaking, labor-intensive and audacious—and it created a sensation in the jewelry world.”

That renown, among other accolades, led to commissions from a bevy of movie stars, including Michael Douglas, Catherine Zeta-Jones, Diane Keaton and Thandie Newton.

Fortunately, locals need not travel to Regensburg, Munich, Nuremberg or Berlin to enjoy Whitedeer’s one-of-a-kind work—she currently creates her signature jewelry pieces in Healdsburg, near the square. katjadesigns.com

Books

If you’re a regular Amazon shopper, here’s some, ahem, prime numbers for you: In 2016, Amazon and its third-party marketplace vendors sold $18.3 billion of retail goods in California. Good business, right? Civic Economics, an organization that provides a data-driven approach to business and community initiatives, tallied the numbers behind the numbers. Apparently, Amazon’s transactions that year resulted in 6,030 displaced shops (or 52.2 million square feet of retail space), 87,338 displaced retail jobs, and up to $742 million in uncollected sales taxes. Local economists might suggest you keep these stats in mind when you considering where to buy that book you plan to put under the tree.

Copperfield’s Books
There are many bookstores throughout Sonoma and Napa counties, but by far the most ubiquitous is Copperfield’s Books. With 10 locations in the tri-county area (bonus one more for Petaluma Underground, its used and rare books unit, in Petaluma), the local reading retailer has endured not only the onslaught of big-box book stores (it won!) and Amazon but some locations have had to deal with real estate issues, too.

Shelf Awareness, a book-industry blog, reports that Copperfield’s Books in Sebastopol has launched a GoFundMe campaign to help it purchase the building it has rented on Main Street for the past 37 years. Co-owner and founder Paul Jaffe seeks to raise $200,000 for the down payment on the $1.75 million building. The lease expires on Dec. 31, and Jaffe and his team hope to finalize the purchase on Jan. 1, reports the blog. If you find yourself still in a giving mood after crossing all the books off your gift list, you can find the campaign online at GoFundMe.com. copperfieldsbooks.com

“Millennials don’t find buying cars and homes anywhere near satisfying as experiences⁠—and bragging about them on social,” writes Esther Fuldauer on the Smart.City_Lab blog. Fuldauer’s observation echoes throughout the marketing blogosphere, and businesses offering social media-worthy experiential packages have heeded it. Local businesses are paying attention.

Experiences

Wing & Barrel Ranch
Consider one of the Wing & Barrel Ranch luxury packages, which feature lodging, meals, upland bird hunting and clay shooting with world-class vintners. Or put another way—drink wine and shoot guns? Not quite.

Wing & Barrel Ranch is an exclusive, members-only sporting club for the “discerning outdoor and wine enthusiast.” It offers “Ultimate Sporting Experiences” to non-members that grant them a full day of access to the ranch and include a choice of a guided upland bird hunting excursion or shooting on the acclaimed 25-acre clays course with a Vintner Member. Moreover, the luxurious and all-inclusive packages also include a two-night stay at The Lodge at Sonoma Renaissance Resort & Spa, food and wine pairings at the ranch, a winery tour and tasting, and an exclusive dinner at one of Chef Charlie Palmer’s two Wine Country restaurants. Packages are available for singles, couples and groups. wingandbarrelranch.com

Napa Truffle Festival
If your experiential yearnings require less firepower but are no less fueled by an interest in the hunt, there’s always tracking and attacking truffles at the 10th anniversary of the Napa Truffle Festival. Give your giftee the experience of learning, firsthand, the gastronomy, history, mysteries and legendary flavors of the lauded mushroom in a series of scheduled events this January. In the seminar “All About Truffles,” Chef Ken Frank of Michelin-starred La Toque will lead your lucky recipient through a two-hour experiential program where they can touch, smell and evaluate various species of truffles. They will also learn from world-renowned truffle scientist Dr. Paul Thomas of American Truffle Company while enjoying samples paired with a flight of award-winning B Cellars wines. napatrufflefestival.com

SparkTarot
Haunted by the ghost of Christmas Past? What about Christmas Future? Help your loved ones get a sense of their past, present and future with a gift card for a tarot reading from SparkTarot. Karen Hess (the Bohemian’s community columnist) performs private Tarot readings in her office in Petaluma’s Historic McNear Building or for your guests at your holiday party. Her original deck of modern, diverse tarot cards inspired by the divine feminine is available for pre-order at sparktarot.com.

Movies
For a more passive but equally exhilarating aesthetic experience, there’s always the movies. When one thinks of “giving the gift of movies,” however, this often amounts to telling your college student/best friend/ex your Netflix password. You can do better than that. Keep your movie money local by buying a gift card from one of our three local theatrical exhibitors. Cinema West (locally Boulevard Cinemas and Sonoma Cinemas in Petaluma and Sonoma respectively), Rialto Cinemas (Sebastopol) and Santa Rosa Cinemas (throughout Santa Rosa, including the Summerfield Cinemas and Roxy Stadium 14 as well as Healdsburg’s Raven Film Center) all offer premium theatrical experiences—many with wine, beer and gourmet goodies. Get a gift card for the cineaste in your life and enjoy the show together (or savor a couple of hours of alone time). cinemawest.com, santarosacinemas.com, rialtocinemas.com

So, when you’re shopping for presents this gift-giving season, consider how the multiplier effect can help extend the reach of your giving—it will help the local economy, which just might help you. Or, as one retailer’s chalkboard sign succinctly put it: “For it is in giving that we receive.”

Shia LaBeouf’s film has issues

Plagiarists deserve no quarter, particularly plagiarists who plagiarize their apology for plagiarism. But if we can trust Shia LaBeouf—and experience shows we cannot—his childhood was unusually rough. The actor wrote the Honey Boy script while in recovery.

Buff, sullen LaBeouf-surrogate Otis (Lucas Hedges) languishes poolside, after a spree of drunken violence that flashes before our eyes. Under the unflinching eye of Dr. Moreno (Laura San Giacomo), Otis has to deal with the PTSD he acquired growing up as a child actor.

Once, he was a 12-year-old in an L.A. motel beside the railroad tracks. He shared a room with his hectoring father James (played by LaBeouf himself) who young Otis paid to be something between a PA and a manager. James was a motorcycle-riding combat vet and ex-con who did time for a sex offense he was too drunk to recall. Now he’s posing as a laid-back hippie in friendly looking oversized eyeglasses. Four years in AA have done nothing for James’ King Kong–sized temper.

He’s particularly pissed off at his son’s success. Otis gets movie-of-the week roles; James never made it bigger than being an Oklahoma rodeo clown with a live-chicken novelty act. He never misses a chance to humiliate his son.

At 33, LaBeouf’s come a long way. His mature performance in Fury was a far cry from the annoying, plucky-kid acting he did in what seemed like three dozen Transformer movies. This year, he brought credible heft and humor to Peanut Butter Falcon, his best performance yet.

But as a writer, he wallows. There’s the question of authenticity: is this memoir or fiction? Was his career as an actor just a blurry arc from being hit by a pie on a kid’s show to doing a ratchet-pull stunt during the filming of some alien-attack blockbuster? Didn’t he get something out of his career?

In the film, chickens are symbolic—Otis, like a hen, must cross the road if he plans to get to the other side; ultimately he follows a symbolic yardbird into his father’s dwelling, to finally confront him.

It’s the performance-artist in LaBeouf that makes him take this all too far. His characterization of James is reminiscent of the punishing old man in Harmony Korine’s julien donkey-boy, which made an actor as interesting as Werner Herzog boring.
‘Honey Boy’ is playing in limited release.

Heebe Jeebe General Store at 20

0

Small, downtown novelty stores don’t usually last 20 years, but Heebe Jeebe General Store is not your usual small, downtown novelty store.

Engaging the community—particularly children—in creative, fun ways is a top priority for Drew Washer, owner of the Petaluma novelty and gift shop, known locally as Heebe Jeebe (pronounced HEE-bee JEE-bee). Over the years the store has included an art gallery, a photo booth, a Day of the Dead town altar, pop-up Halloween stores, a shop dog named Rheya and the beloved Champion, a mechanical ride-on horse for kids.

“Those things have been the most rewarding parts of the store for me,” Washer says. “It’s kept it fresh and lively.”

Embracing entire families was important to Washer from the store’s inception.

“I wanted it to be active, fun and entertaining, not just shopping,” she says. “I wanted little kids to be able to buy things with their own money and have a place that kids, moms, grandmas and grandpas could all come—even a man could shop here and get a kick out of it so he didn’t have to wait outside.”

When Washer opened the store in 1999, she was a designer in San Francisco for fashion-juggernaut Esprit. She also had her own kids’ clothing line, Kid Poets. Washer later stopped commuting to the city because she wanted to be around for her school-age kids, Phoebe and Henry.

With no experience and a location that, at the time, wasn’t great, she opened Heebe Jeebe in a space half the size of the current store and stocked it with fun toys, gifts, and novelty items. In the past two decades, it’s become a beloved local establishment.

“It was the right time and the right vibe,” Washer says. “I’ve always loved novelty stores—surprises and humor are uplifting.”

Originally called Boomerang and later named the Back House Gallery, the art gallery at the back of the store showcased local art.

“The art gallery was all about community-inspired art,” Washer says. “I knew lots of artists—and I knew lots of artists who were now professionals who didn’t get to do their art as much, so it was a chance for them to do one painting and have it be shown.”

Of course, children were always included, even in the art gallery.

“A child’s art could be right alongside an adult’s art in the gallery,” she says.

At Halloween, for many years, Washer hosted pop-up Halloween stores. Often, she rented an extra location for the month and stocked a huge selection of costumes, wigs—anything you needed for Halloween.

With the advent of the big-box Halloween stores, however, she scaled back to a smaller, dedicated section in Heebe Jeebe. Her inspiration for the Halloween store? The store’s former tenant, The Pet Stop, in addition to selling pets, had a Halloween novelty section. A row of crazy rubber masks on the top shelf was a constant presence, and you could rent costumes or find colored hair spray—a rarity in the ’80s and ’90s.

“I wanted to carry on that lineage,” Washer says, looking up at her own top shelf of crazy rubber masks, carried year-round.

While Halloween is big for Washer, so is Day of the Dead. “Day of the Dead changed my life,” she says. “I did it at first as an extension of the gallery, because I love the culture and art of Mexico and Central America.”

In 2001, Washer and her husband, artist Jack Haye, created an altar in the hallway next to the shop as part of the city’s annual Day of the Dead festivities. People brought photos of their deceased loved ones and wrote messages to them.

“It became an extension of the gallery,” she says. “It was a good place to have an altar because it was accessible to people without the store being open. Every year people would bring new people and bring back previous people and tell me stories about them. I got to know the community in a way that is very personal … and then when I had loss, they did the altar that year.”

Washer’s daughter Phoebe passed away in 2008 and she explains how the altar and the community helped comfort her during that time.

“The altar is for a community of people who have died,” she says. “It’s not just for the people visiting it, it’s also for the people who have passed on. They’re not alone; they are with others—that was comforting.”

The store has always been reciprocal in nature.

“It has really reached out to different aspects of the town that you don’t usually think about with a store,” Washer says. “When Phoebe died, I had customers come in and take over for a while, working for free. I’ve definitely been on the giving and receiving sides.”

Washer began the store on a credit card and her friends pitched in.

“I was naive, and because my budget was small, my mistakes were small,” she says. Her shop is still flexible and responsive today. “It changes with the community.”

After 20 years, Petaluma remains a family town, and her original family-oriented vision still applies, although the products which include humor cards, home decor, gifts, toys, novelty items and more, continue to shift with the current culture.

To celebrate Heebe Jeebe’s big anniversary, every customer will receive a special gift with purchase until they run out.

Washer explains her 20-year success as, “When you stay open to the community, your store becomes a reflection of them.”
Heebe Jeebe General Store is located at 46 Kentucky St., Petaluma, CA. 707.773.3222 facebook.com/HeebeJeebe

Cycling Joe Rodota Trail unsafe

0

Last week’s article discussing the homeless encampment (Dec. 4) on the Joe Rodota Trail (JRT) lacked depth on a key issue: the importance of the trail as a safe, car-free transportation corridor.

The city and county have set ambitious goals for reducing greenhouse gas emissions and traffic congestion. Both depend upon getting people out of their private automobiles and into other forms of transit. Currently, less than 2 percent of Santa Rosa residents commute to work or school by bicycle. Many express an interest in doing so but are stopped by the very real fear of injury or death on our streets. Struck by a motorist driving 20 mph, a cyclist has a 95 percent chance of surviving. Struck at 40 miles per hour, they have a 95 percent chance of DYING. Three bicyclists died on Sonoma County roads in the past month alone.

The JRT is one of a precious few separated Class I bicycle paths connecting our cities and towns. Sonoma County Regional Parks has posted signs at either end of the 1.5-mile-long encampment, advising pedestrians and cyclists to take another route. The alternate routes— Sebastopol, Occidental and Stony Point roads—have some of the highest collision rates in the city.

Our public institutions don’t take the needs of bicyclists and pedestrians as seriously as those of motor vehicles. Bike lanes and sidewalks frequently suffer from poor design and disrepair while street crossings are often lacking or poorly timed. Tents erected in the middle of a street would be immediately removed but have been allowed to proliferate in the middle of a bikeway.

Shelter and mobility are basic human needs that do not easily co-exist in the same space. With adequate permanent housing unavailable, sanctioned camping areas need to be created elsewhere so that the JRT can be restored to its intended use as a safe, car-free transportation corridor.

Eris Weaver is the executive director of the Sonoma County Bicycle Coalition. bikesonoma.org

Occidental Wines’ notable pinot

0

If I’d been asked to find a winery called Occidental Wines without a Google Maps assist, I’d have been lost in the hills.

But if I’d been shown a picture of the property’s old ranch house, which has been a Bodega Highway landmark for countless trips to the coast, I’d have put my finger on a map with a slim margin of error. Somewhat southwest of the actual town of Occidental, the vineyards and winery perch on a hill, about five miles from the Pacific Ocean.

Unlike many touted Sonoma Coast vineyards, this site doesn’t escape above the fog.

“No, never,” confirms Catherine Kistler with a laugh, adding that some days, it’d be nice to see a little sun. This gray afternoon in early December isn’t too different from what’s typical in August. But the gloomy conditions suit Pinot Noir just fine, on this 250-acre former sheep ranch that Catherine’s father purchased around 2008. Steve Kistler cofounded Kistler Vineyards, which gained cult status in the ’80s with wine critic Robert Parker’s high-score blessings. “Back in the day, that was all you needed,” Catherine says, “and you were off to the races.”

Sporting a minimalist “shed” aesthetic, in concrete, glass, and wood, Occidental has a pricey and exclusive look, but surprises with a down-to-earth vibe. Steve Kistler sold his stake in the Kistler brand, and in 2017 stepped away to focus on Occidental, with daughter Catherine as his apprentice.

The winemaking regime is meticulous, yet uncomplicated. They add no yeast, punchdowns are usually few and far between and wines simply rest until bottling.

“We’re very hands-on, to be hands-off,” Catherine explains in the bunker-like cellar. The winery hoes vineyards by hand or machine, and sprays no Roundup.

The 2017 Bodega Headlands Vineyard Cuvée Elizabeth is savory and spicy—think potpourri, dried berries, black tea and dried orange peel. The 2017 Running Fence Vineyard Cuvée Catherine has a smoky aroma, and a tinge of gravel to weight the plum fruit-leather flavor. The 2017 Occidental Station Vineyard, hailing from the far east, at Occidental Road and Highway 116, is more floral, with whiffs of raspberry pastille and roasted green tea.

These wines, which aren’t yet for sale ($65–$100, by mailing list only), should interest anyone charmed by Pinot Noir’s dark-fruited, savory side, expressed without undue tannins, or sweetness. And although the pH is quite low, instead of smacking merely of tangy acidity, a unique taste—which Catherine calls a briny salinity, “Like when the tide goes out”—propels them forward.

Occidental Wines, 14715 Bodega Hwy., Bodega. Tastings by request only. occidentalwines.com.

Christmas Jug Band’s new album

0

Musician, songwriter and producer Tim Eschliman traces the roots of the Christmas Jug Band back to December, 1977. That’s the date marked on the cassette he holds dear that features a live recording of the ensemble’s earliest holiday gathering, playing on Christmas Eve at the long-gone Old Mill in Mill Valley.

“When we first started doing it, we marketed it as Christmas music for people who hate Christmas music,” Eschliman says. “It’s not Perry Como.”

Of course, the band wasn’t called the Christmas Jug Band back then; they were simply a group of friendly musicians who gathered on Mondays to drink Wild Turkey and play jug band music.

Yet, the project snowballed from that first holiday performance, and more than 40 years later, the band is still an annual tradition that features Eschliman (Commander Cody, Rhythmtown-Jive), Gregory Leroy “Duke” Dewey (Country Joe & the Fish), Austin deLone (Elvis Costello, Boz Scaggs), Ken “Turtle” Vandermarr (Dan Hicks), Paul Rogers (Those Darn Accordions), Blake Richardson, Ken “Snakebite” Jacobs (Kinky Friedman) and special guests performing original holiday-themed tunes, parodies and classic songs that all get the raucous, acoustic jug band treatment.

“One of the jokes about the band is, ‘How do you guys stay together so long?’ Well, we have 50 weeks off a year,” Eschliman laughs. “It’s really a band full of band leaders, but for a week or two we can just have fun as a group and drop the need to be the dictator and just enjoy the crowd.”

The Christmas Jug Band’s annual slate of shows this year also acts as an album-release tour for the group’s new album, Live From the West Pole; their first collection of new material released in a decade. The group recorded the entire album last year at Sweetwater Music Hall, their homebase that Eschliman dubbed the West Pole some years back.

“I just decided we’re going to name Mill Valley ‘The West Pole,’ because it’s the birthplace of this silly thing,” says Eschliman. “No one else has claimed that the West Pole is anywhere, so we’re claiming it .”

The Christmas Jug Band performs on Friday, Dec. 13, at the Big Easy (128 American Alley, Petaluma. 8pm. $15. 707.776.4631) & Sunday and Monday, Dec 15–16, at Sweetwater Music Hall (19 Corte Madera Ave., Mill Valley. Sun, 7pm. $19–$27; Mon, 8pm. $24–$27. 415.388.3850).

Sonoma County Sheriff watchdog group IOLERO is underfunded

0

Just as the Sheriff’s Office is facing renewed scrutiny over the Nov. 24 death of a Petaluma man, the community advisory arm of a county law enforcement watchdog held its last meeting with its founding members on Monday, Dec. 2.

Over three and a half years after its formation, the Independent Office of Law Enforcement Review and Outreach (IOLERO) remains underfunded, the office’s supporters argue. Additionally, the community advisory council has been hampered by a lack of cooperation from the Sheriff’s Office for the past year, according to former members council.

But, the public has renewed the conversation around the issue of law enforcement oversight in the wake of the death of David Ward.

Ward, 52, died at a local hospital on Wednesday, Nov. 24, about an hour after a Sheriff’s deputy attempted a controversial neck hold on him, according to an account released by the Santa Rosa Police Department.

The case, which has made headlines nationwide, began when an off-duty Santa Rosa police detective informed the Sonoma County Sheriff’s Office that he had spotted Ward’s car, which Ward had reported stolen several days earlier.

After leading law enforcement officials on a seven-minute car chase, Ward reportedly did not follow orders from law enforcement officials to exit his car.

Santa Rosa Police Lt. Dan Marincik told the Press Democrat last week that, after the chase but before the altercation began, Ward said to law enforcement officers through his car’s open window, “I can’t believe this. I’m the injured party in this. Why are you f—ing harassing me all the time.”

The situation soon escalated, according to the police department’s account. The officers hit and used a Taser on Ward. Then Blount attempted a neck restraint on Ward.

“Deputy Blount who was outside next to Ward’s driver’s door placed one of his arms around the neck of Ward and attempted to administer a carotid restraint,” the police department’s report states.

Because of its potential to injure or kill a subject if administered incorrectly, some law enforcement agencies ban the carotid hold.

And, among a long list of recommended changes to the Sheriff’s Office’s use of force policy released as a draft in November, the IOLERO community advisory council asked the sheriff’s office to prohibit all officers “from using restrictive choke holds and strangle holds including the carotid restraints.”

Karlene Navarro, who has led IOLERO since March, said on Tuesday, Dec. 10, that the Sheriff’s Office has told her they won’t implement the suggested ban of carotid restraints on a temporary or ongoing basis.

“I had a lengthy meeting with the Sheriff yesterday and we discussed a plan to research how other jurisdictions have dealt with this issue and what safer alternatives may exist,” Navarro wrote to the Bohemian. “One of the concerns is that evidence shows that an outright ban on resistance tools such as the carotid hold sometimes lead to a rise in other instances of force and more injuries.”

However, two former members of the CAC who worked on the use of force policy recommendations say that the Sheriff’s Office did not participate in the development of the CAC’s recommendations as the office had done during similar previous processes.

If they had, the CAC would have been able to consider the Sheriff’s Office’s concerns well before they issued recommendations, the council members argue.

Navarro decided not to extend the terms of any of the current members of the advisory council. As a result, the council’s Dec. 2 meeting was its last with its founding members. Navarro is currently searching for new members.

To two former CAC members who worked on the proposals, the use of force recommendation process was a frustrating communication breakdown between the Sheriff’s Office and IOLERO.

“[In previous policy recommendation processes] there was really a lot of good back and forth so that we could end up hammering out a policy that already reflected something that had a good chance of being passed by the Sheriff, because we already kind of worked out the kinks,” Cozine told the Bohemian.

After hearing the Sheriff’s Office comments, the CAC could share the results of the conversations, and the Sheriff’s thinking about the suggestions, at public meetings before issuing final recommendations. However, the relationship started to break down when the CAC started to consider the use of force policies, Cozine said.

Representatives of the Sheriff’s Office stopped coming to as many meetings and “it became clear right away that the new director and the Sheriff were not interested in having the CAC meet with them and discuss policy,” Cozine said.

Sgt. Juan Valencia, a spokesperson for the Sheriff’s Office, says that the office values the input from the IOLERO director and community advisory council, and noted that representatives of the Sheriff’s Office attended the CAC’s Dec. 2 meeting.

Navarro says that, while she wasn’t around for the entire process of creating the use of force policies, she recommended that the CAC include some of the research they had conducted about carotid restraints, instead of offering a one-line request, as they did in the case of the carotid restraint.

Navarro said she “never understood” the CAC’s previous approach to policy recommendations.

”My question to the CAC was why should the Sheriff’s Office dictate what recommendation to me?” Navarro told the Bohemian.

Navarro added that an assistant sheriff had told the CAC at a meeting in July that “I’ve already talked to you about [use of force policies].” Still, Navarro acknowledged that there was “some disagreement” among the CAC about whether the Sheriff’s Office had addressed their concerns.

Jim Duffy, another former CAC member, says that policy recommendations are “where the rubber hits the road” for a law enforcement review office because of the possibility of bringing about change.

However, in Duffy’s view, the CAC’s role is to work “hand in glove with the Sheriff’s Office” in order to craft the best recommendations. Without the opportunity to speak to the Sheriff’s Office earlier in the process, that wasn’t possible.
Underfunded, Overtasked

IOLERO came out of the community outrage and protest stemming from the 2013 death of Andy Lopez, a 13-year old boy who a sheriff’s deputy killed on Moorland Avenue, a then-unincorporated area of Santa Rosa.

After 16 months of meetings, the Community and Local Law Enforcement (CALLE) task force, a 21-member group with representatives from across the county and within the Sheriff’s Office, issued its recommendations, including forming a law enforcement review and public outreach office.

The CALLE task force recommended forming the auditor’s office based on “a desire to enhance community confidence in the delivery of law enforcement services and ultimately to bring law enforcement and the community closer together.”

Ultimately, the supervisors created the office with one full-time auditor and a full-time assistant with a promise to revisit the level of funding for the office once the first auditor advised the board on further needs.

But pretty much everyone involved in the formation and operation of IOLERO says that the state has underfunded it throughout its short life.

Caroline Bañuelos, who served as chair of the CALLE task force, told the Bohemian that she’s had concerns about the level of funding the office has received since it’s approval in late 2015.

Jerry Threet, who served as auditor between April 2016 and March 2019, says he asked for additional staff several times during his time leading the office but never received any.

Navarro, the current director of IOLERO, told KSRO last week that the office is “really underfunded and over-tasked.”



The Board of Supervisors recently allowed Navarro to hire an additional full-time staffer to help her run the office and conduct community outreach.

But Navarro says the new employee won’t begin work until January at the earliest. And, despite the additional staffer, Navarro will still be the only employee who can conduct law enforcement audits, write annual reports or make policy recommendations, tasks considered central to the office’s role.

In the county’s current recommended budget, IOLERO receives $549,793, approximately 0.3 percent the size of Sheriff’s current recommended budget, $180 million.

In a ballot measure proposal aimed at strengthening the office, Threet and other advocates propose increasing IOLERO’s funding to 1 percent of the Sheriff’s Office’s annual budget, approximately $1.8 million under the current budget.

Threet and other backers hope to get the measure, known as the Evelyn Cheatham Effective IOLERO Ordinance, on the county’s November 2020 ballot.
Outside Eyes

Done well, the benefits of community involvement and review could make the Sheriff’s Office stronger and more popular with the community it serves, Cozine says.

One possible benefit could be saving the county money from lawsuit settlements.

“I really think that [increased spending on oversight] would be saved by the county in spending on lawsuits,” Cozine told the Bohemian. “If you have a strong and robust oversight office, you are going to have a well-functioning and best-practicing law enforcement organization.”

In 2018, the county agreed to pay a $3 million settlement to Andy Lopez’s family after years of fighting a case that ultimately went all the way to the U.S. Supreme Court.

Charlies Blount, the deputy who attempted a carotid hold on Ward in November, reportedly has a legal history of his own.

In 2015, the county settled a court case about a 2011 excessive force case involving Blount and other deputies for $375,000, according to KQED.

Another attorney told KQED that her client settled a 2016 case involving Blount for a “low monetary amount.”

Of course, settlement amounts do not include the cost of county staff time and outside legal fees.

It’s Acid, Charlie Brown!

When my son was younger, he loved Charlie Brown and the woebegone world he inhabits. He liked jazz (courtesy of Vince Guaraldi) and he liked the fact the characters play baseball. The only cultural connective tissue I can draw between jazz and baseball is Ken Burns and his documentaries, Jazz and Baseball. If the Peanuts characters became Civil War reenactors, the kid would probably grow to believe Ken Burns and Charles Schultz were his real parents. That’s fine—they can pay for his college.

There there’s the A Charlie Brown Christmas app. It’s a quaint repurposing the source material that features some modest interactivity while flawlessly capturing the signature melancholic vibe. My kid loved the iOS version until Charlie and Linus’ arms came off.
It was a glitch but imagine trying to explain that to a horrified child. Good grief, indeed.

Later, we pored through a “Look and Find” book entitled Merry Christmas, Charlie Brown that takes scenes from A Charlie Brown Christmas with random objects thrown in (a stuffed camel, a maraca, a pipe—basically the decor of the average freshman dorm), intended for young readers to find. Seeing the kaleidoscopic holiday landscapes of the Peanuts characters’ otherwise humdrum world in static, printed form makes apparent just how psychedelic they were.

In fact, the expressions of Linus and Charlie Brown look like the precise moment they realized, “Maybe we shouldn’t have dropped that acid, Charlie Brown.” This also accounts for how Charlie ended up with such a famously crap tree. He was trippin’ balls. In fact, LSD explains a lot of the Peanuts world—from hallucinatory flashbacks of World War II (featuring trippy rotoscoped footage of D-Day reminiscent of Yellow Submarine) to kite-eating trees and Linus’ Syd Barrett-style burnout fixation on a mythical pumpkin.

Rumor is if you turn down the sound on A Charlie Brown Christmas and play the second side of Pink Floyd’s Dark Side of the Moon simultaneously, the Brain Damage track comes on just when Charlie Brown takes his totally f’d-up Christmas tree out into the winter night.

“The lunatic is on the grass” syncs wonderfully with the image of a dazed-and-confused Chuck carrying around his ailing green plant. Naturally, his eyes are big, black pupils when he stops to watch the surreal light display on Snoopy’s doghouse, then bails, disconsolate over his comparatively shabby tree. That’s when his hippy-ass pals show up, wave their arms around (“You rearrange me ’til I’m sane”) and suddenly the twig Charlie Brown ditched becomes a proper Christmas tree. Evidently, everyone is high. The kids start caroling in time with the backing vocals on the chorus. All true. Ken Burns is doing a documentary on it. It’s a holiday treat one can cherish every year (for about 8 hours at 500 micrograms).

Sonoma Watchdog Group Calls For Carotid Hold Ban

0

A Sonoma County Sheriff’s Deputy’s use of a controversial restraint may have resulted in a Petaluma man’s death after an early-morning car chase last Wednesday.

Deputy Charlie Blount implemented a carotid restraint hold after David Ward, 52, reportedly fled from a sheriff’s deputy and two Sebastopol Police Department officers, according to an account of the event published by the Santa Rosa Police Department.

After a seven-minute car chase, Ward reportedly did not follow orders from law enforcement officials to exit his car. After the officers hit and used a Taser on Ward, the deputy attempted to use a carotid restraint hold on Ward.

“Deputy Blount who was outside next to Ward’s driver’s door placed one of his arms around the neck of Ward and attempted to administer a carotid restraint,” the police department’s report states.

Ward’s step-sister told the Press Democrat that Ward had “difficulty breathing and walking” due to injuries sustained after he was hit by a drunken driver twenty years ago.

In implementing the hold, an officer places the subject’s neck in the crook of their elbow, applying pressure on the subject’s carotid arteries which run parallel to the windpipe. Because the technique restricts blood flow to the head – the carotid arteries supply between 70-80 percent of blood flow to the brain, according to a California law enforcement training manual – the subject falls unconscious quickly.

The 2005 training manual also states that “The carotid restraint control hold should not be confused with the bar-arm choke hold or any other form of choke hold where pressure is applied to restrict the flow of air into the body by compression of the airway at the front of the throat.”

However, the risk of death or serious injury associated with improper use of the carotid hold have led to discussion about its use should still be allowed.

On Monday, the community input arm of the county’s Independent Office of Law Enforcement Review and Outreach (IOLERO) unveiled suggested changes to the Sheriff’s Office use of force policy, including banning the office’s use of the carotid hold.

“This most recent incident is a wake up call for the Sheriff’s Office, that they really have to look at this particular aspect of use of force,” the IOLERO Community Advisory Council’s chair, Rick Brown, said during the meeting, according to the Press Democrat.

However, the council can only recommend policy changes. Sonoma County Sheriff Mark Essick will make the final decision.

As of Tuesday, Essick had not made a decision on whether or not to continue the use of the carotid hold, according to the Press Democrat.

“It’s a use of force tool like any tool,” Essick told the paper. “It has its advantages and it has its disadvantages.”

Sheriff’s Use of Force Policy

The office’s use of force policy lays out rules for the implementation of a carotid hold. The office’s full policy, including a section on carotid holds, is available here.

“The proper application of the carotid control hold may be effective in restraining a violent or combative individual. However, due to the potential for injury, the use of the carotid control hold is subject to the following [conditions],” the policy states.

The “hold may only be used when … [circumstances] indicate that such application reasonably appears necessary to control a subject in any of the following circumstances:

1. The subject is violent or physically resisting.

2. The subject, by words or actions, has demonstrated an intention to be violent and reasonably appears to have the potential to harm deputies, him/herself or others.”

According to the office’s use of force policy, a deputy must successfully complete “Office-approved training in the use and application of the carotid control hold” before using the hold in the field.

If a deputy does use or attempt the hold, they must immediately inform their supervisor.

Essick told the Press Democrat that deputies use the carotid hold is “rare.”

Essick reportedly referred questions about whether deputy Blount had undergone the proper training to the Santa Rosa Police Department, which is conducting an independent investigation into the case.

Offbeat on Stage

Two shows currently running in the North Bay fit the bill for theater patrons seeking something outside the realm of a traditional holiday play. Santa Rosa’s Left Edge Theatre would like you to spend some time in Escanaba in da Moonlight while Sebastopol’s Main Stage West invites you to hang out with The Seafarer. Actor Jeff...

Our 2019 Holiday Gift Guide

When you think outside the big box and support local retailers—and better yet, purveyors of locally-made products—you’re doing wonders for your community and its economy.

Shia LaBeouf’s film has issues

Actor Shia LaBeouf wrote the script for Honey Boy while in recovery—now it's an Amazon Studios release.

Heebe Jeebe General Store at 20

Small, downtown novelty stores don’t usually last 20 years, but Drew Washer's Heebe Jeebe General Store is not your usual small, downtown novelty store.

Cycling Joe Rodota Trail unsafe

Last week’s article discussing the homeless encampment (Dec. 4) on the Joe Rodota Trail lacked depth on a key issue: the importance of the trail as a safe, car-free transportation corridor.

Occidental Wines’ notable pinot

Sporting a minimalist “shed” aesthetic, in concrete, glass, and wood, Occidental Wines has a pricey and exclusive look, but surprises with a down-to-earth vibe.

Christmas Jug Band’s new album

The Christmas Jug Band’s annual slate of shows this year also acts as an album-release tour for the group’s new album, Live From the West Pole.

Sonoma County Sheriff watchdog group IOLERO is underfunded

Over three and a half years after its formation, the Independent Office of Law Enforcement Review and Outreach (IOLERO) remains underfunded, the office’s supporters argue.

It’s Acid, Charlie Brown!

Seeing the kaleidoscopic holiday landscapes of the Peanuts characters’ otherwise humdrum world reminds just how psychedelic they were.

Sonoma Watchdog Group Calls For Carotid Hold Ban

A Sonoma County Sheriff’s Deputy's use of a controversial restraint may have resulted in a Petaluma man’s death after an early-morning car chase last Wednesday. Deputy Charlie Blount implemented a carotid restraint hold after David Ward, 52, reportedly fled from a sheriff's deputy and two Sebastopol Police...
11,084FansLike
4,446FollowersFollow
6,928FollowersFollow