Petaluma Chef Fundraises to Restore Community Kitchen Used to Feed Thousands During Fires

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When chef Miriam Donaldson started her fundraiser to revamp the kitchen at Petaluma Fairgrounds’ Herzog Hall this past July, her plan was to get ahead of fire season. During the Tubbs Fire and the Kincade Fire, the dilapidated kitchen was used to cook thousands of meals for evacuees.

“I have a hard time keeping up with the needs that we have for when we catch on fire because we keep catching on fire,” Donaldson said in a Sunday, Aug. 16 interview, the same day that thunderstorms brought more than 10,000 lightning strikes to Northern California, sparking hundreds of wildfires.

The wildfires—and the Covid-19 pandemic—have highlighted many of the weaknesses in America’s safety net. For Donaldson, who thinks of Petaluma’s community kitchens as public assets, the North Bay’s repeated crises have revealed how we have allowed these kitchens to deteriorate.

“As I see it, these kitchens are public infrastructure and public utilities which have just not been maintained in the way that they will need to be maintained for the direction that climate change is going to keep leading us,” Donaldson says.

In July, Donaldson launched a GoFundMe campaign seeking $20,000 to improve the infrastructure and appliances in the Herzog Hall kitchen. These changes will maximize the kitchen’s safety and efficiency, as well as reduce the environmental impact of cooking for so many.

Donaldson, who owns the Petaluma restaurant Wishbone with her husband, Joshua Norwitt, got to know many of the community kitchens of Sonoma County while working as a tireless volunteer during the 2017 and 2019 fire seasons.

On the fundraiser page, Donaldson explains that, while there are nonprofit groups that provide food and care to those in need, the on-the-ground labor of cooking and serving meals during these disasters has mostly been done by volunteer chefs and community members who just show up to help.

In at least one important way, Petaluma is an ideal location for a kitchen used to serve evacuees. Petaluma is a triangle of land less prone to fires, prompting Donaldson to call it “a little croissant of Not-Fucked.”

“During fires,” Donaldson says, “Petaluma Fairgrounds ends up housing most of the county’s evacuees who need shelter. Fragile elders, Latinx people, disenfranchised people with nowhere else to go—if you don’t have a friend with a big house [outside of an evacuation zone], you end up at the Petaluma Fairgrounds.”

“A kitchen that is built to perform relief is cheaper and safer to run than one cobbled together in a panic,” she wrote. By Monday, Aug. 31, she had raised $8,412 of her goal.

Disaster Response

As with so many other residents looking for ways to contribute, Donaldson’s disaster response work began in 2017. During the Tubbs Fire, tens of thousands of people were evacuated from their homes, lost power or lost their homes entirely. This left thousands of people needing to eat.

In the early days of the Tubbs Fire, Donaldson received calls from other food-industry professionals, including Heather Irwin, a longtime food critic for the Press Democrat and Sonoma Magazine, and chef Duskie Estes, who were all scrambling to arrange and distribute meals to thousands of evacuees and first responders.

This was the fiery birth of Sonoma Family Meal (SFM), Irwin’s nonprofit emergency food network that has served more than 400,000 meals to Sonoma County residents impacted by crises. Donaldson was SFM’s founding chef.

Restaurant people, Donaldson observes, excel at hosting and comforting. In an agricultural area like Sonoma County, they’re also well-connected to farmers. That first year was about establishing a network of food suppliers, volunteers and available kitchens, as well as figuring out what everyone was good at.

Both the Tubbs and Kincade fires happened during October, each time leaving a community of farmers with harvested food they suddenly weren’t able to sell.

“Red Cross shows up with food, but they’re bringing in cold meals and packing up what doesn’t get eaten,” Donaldson explains. “That food isn’t cycling through our local food infrastructure.”

Donaldson says that when people are experiencing the trauma of displacement, they should have real, nourishing meals available.

“They shouldn’t have to eat a cupcake-flavored Pop-Tart unless that’s what they want,” Donaldson says.

Between farmers and restaurateurs, Sonoma County has abundant resources to feed its own residents fresh food in times of crisis. While Irwin amplified SFM’s cause, Donaldson worked on infrastructural logistics.

One of Donaldson’s first tasks was to go to the evacuation sites and take stock of their kitchens. She went to the Lucchesi Center, Petaluma Veterans Hall and Herzog Hall at the Petaluma Fairgrounds doing inspections, finding out what equipment was there and what functioned. She created posters explaining health-code protocols and how to operate things.

“I’m a great lover of community kitchens—whether it’s the Women’s Hall, the Grange or whatever random, amazing kitchen 12 bitches built in 1943—I love those kitchens a lot,” Donaldson says, noting that the county has a lot of kitchens that were built between the 1940s and 1970s.

“Some have been really well maintained,” she says. “A lot of the larger kitchens have not. I dispatched a chef to the Lucchesi Center [in Petaluma] to make an inventory. He came back with, ‘There’s a pair of tongs.’”

In 2019, when fire ravaged Sonoma County for the second time in three years, Donaldson says everyone was able to organize quickly and address more varied needs than in 2017.

The first time around, volunteers weren’t always prepared to assist people with needs beyond food, but in 2019, they knew what to anticipate, so things ran more smoothly. Every menu was translated into Spanish, and bilingual volunteers were there to assure people that ICE was not allowed on the premises. Kitchen crews worked to consciously reduce plastic waste. Cooks knew how many children to anticipate needing to feed.

When Covid-19 hit, Donaldson felt dreadful anticipation about how it might impact fire season.

“We normally house people at the big barn at the fairgrounds, but this year, there are Covid patients in quarantine there,” she says.

Additionally, Donaldson says that many of the strongest kitchen volunteers from past years are older people who cannot put themselves at risk of infection by cooking during the pandemic.

When this year’s Wallbridge Fire and Meyers Fire prompted evacuations, Donaldson’s core team quickly reassembled. When we spoke on Tuesday, Aug. 25, most of those evacuations were being lifted and she was feeling more confident about their ability to feed people displaced by fire during a pandemic.

As devastating as the LNU Lightning Complex Fires have been, they did not prompt the same degree or duration of food-need in Sonoma County as past fires have, Donaldson says.

Additionally, SFM, which now employs a full-time chef, has been feeding families in need for months—since shelter-in-place orders began.

But, with months to go before fire season ends, the risk of new fires and further displacement continues. As far as her team is concerned, Donaldson described the most recent fires as “a really good dress rehearsal.”

“What I think we’re going to end up doing—if it’s needed—is a food distribution center, with a combination of fresh prepared foods from local farms and also pantry items that don’t need heating or cooling,” she says.

For now, Donaldson is focused on fixing up Herzog Hall—whether or not there are more fires in the North Bay this year.

Donaldson says, “The best possible outcome is that we improve a community kitchen and don’t have to use it to feed desperate people. My whole goal is to have resources, and those will last more than a year …. We need a war chest.”

Find information about Donaldson’s fundraiser at bit.ly/herzogkitchen

Riding the Storm: North Bay Artist Crafts Music at Home

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North Bay multi-instrumentalist and singer-songwriter Daniel McKenzie has been making his own brand of musical mechanisms for 20 years.

His long-running musical tenure began in post-rock band The Rum Diary, locally known as the “Cotati Sound Machine,” with bandmates Schuyler Feekes, Jon Fee and Joe Ryckebosch. These days, McKenzie stays busy with his two-person project Built For the Sea, collaborating with vocalist and songwriting partner Lia Rose.

“In the last six years I’ve been working heavily on that project,” McKenzie says. “The band got signed to a label, we started getting publishing contracts with movies and television, so I stuck with that. Then in between, I would write, and of course I have 40 different songs on my computer that are totally unfinished.”

When he’s not working on Built For the Sea, McKenzie’s writing is directed towards his solo project Identical Homes, which has largely been on a backburner since 2014’s release A. Hydrophilia.

Now living in Fairfax, McKenzie is using the free time from the ongoing shelter-in-place to return to his solo output. Earlier this month, Identical Homes unveiled its first record in six years, Language Lessons.

“I work half from home anyways, and now that I’ve bought a house and have my own studio in the house, I didn’t really want to leave that much anyways,” he says. “I think it’s been good to set aside personal time to work on music, and I know my friends are in that zone too; they’ve been very active with music.”

The new seven-track instrumental album is a collage of darkly ambient electronic beats mixed with post-rock rhythms provided by live instruments that coalesce into shoegaze soundscapes that emotionally reflect the stormy days we are living in without the need for lyrics.

“I think the biggest freedom is of course doing anything I want,” McKenzie says. “I try to put no limits on it, the only criteria is that I listen to it and am engaged.”

Written, performed and mixed by McKenzie in his home studio, dubbed The Black Lodge, Language Lessons is quite a collaborative effort for a solo album. The record features McKenzie’s musical friends Jake Krohn, Demetrius Antuna, Eric Kuhn, Jon Fee, Cory Grey and Matthew Solberg pitching in on drums, guitar, organ or bass, and adding to the electronic foundations that McKenzie creates on the computer.

“A lot of the songs were headed one direction, and then when I asked my friends to collaborate, the songs totally took another direction,” McKenzie says. “I think that might be the case for every song on here, and that’s a nice surprise for me because it makes the album more listenable to me when I return to it. It takes turns I would not have expected.”

Still, McKenzie notes that he’s the final judge of the music. To that effect, the seven tracks on Language Lessons average over six minutes each, and McKenzie embraces the extended space and time that the songs take up. “In every band I’ve ever been in, everybody says, ‘that intro is too long, you’ve got to cut that part down,’” McKenzie says. “So that is just me being able to express how I want to make music.”

‘Language Lessons’ is available as a digital album at Identicalhomes.bandcamp.com.

Hardly Strictly Music Relief Fund Offers Helping Hand to Local Artists

Founded by Warren and Christine Hellman in 2001, Hardly Strictly Bluegrass is one of the Bay Area’s biggest parties of the year.

The free bluegrass and folk music festival that attracts thousands to Golden Gate Park each October was due to celebrate its 20-year anniversary this fall, though the Covid-19 pandemic forced organizers to cancel the in-person event due to health concerns.

Instead, Hardly Strictly Bluegrass putting together a virtual version of the festival for this upcoming October, and leading a new campaign to support Bay Area musicians who’ve been hit hard financially due to Covid-19.

In partnership with the Alliance for California Traditional Arts and the Center for Cultural Innovation, the festival launched the Hardly Strictly Music Relief Fund: Bay Area on August 24. The 1.5 million-dollar charitable initiative is open to American roots musicians living in San Francisco, Alameda, Contra Costa, Marin, San Mateo, and Sonoma Counties who can apply for grants up to $2,000 until September 14.

“With this effort, we seek to recognize, appreciate, and care for the people who lend their creativity, heart, and hard work to the American roots music ecosystem in the Bay Area,” Hardly Strictly Bluegrass organizers write on their website. “Recognizing that the large-scale shutdown needed to stem the spread of the virus has put the entire arts sector on hold, disrupting the ability to earn income, the Fund recognizes the unique contributions of individual musicians as an important backbone to the arts and culture sector.”

Applicants must be current, full-time residents in the Bay Area and must be 18 or older. They must also be practicing roots musicians, though that genre is broadly defined for the purpose of the relief fund.

“Roots music is characterized by its deep connection to people and the communities that practice them, reflecting a sense of place, history, values, language and aesthetics. This includes genres such as Native/Indigenous music, blues, bluegrass, Cajun, zydeco, gospel, old-time music, spirituals, Tex-Mex, western swing and hip-hop,” organizers write on the fund’s website. “Additionally, successive waves of immigrants whose musical traditions have taken root over time enhance the diversity of the U.S. musical landscape and include genres such as mariachi, taiko, bomba y plena, and klezmer music. These widespread practices and evolving traditions are essential to this definition of roots music. What all of these musical forms share are roots in a cultural community of practice.”

Funding is limited, and if demand exceeds funding available, priority will be given to musicians from populations that have suffered historically from economic disadvantages and, therefore, will be disproportionately impacted by the pandemic, including Black, Latinx, Indigenous, immigrant, trans and disabled communities. Applications must be completed online by September 14, and grant notices will be sent out by September 25.

After supporting Bay Area musicians in September, Hardly Strictly Bluegrass will celebrate the music with an online broadcast, streamed on the weekend that the festival was scheduled to take place, October 2-4. The virtual program, dubbed “Let the Music Play On,” will include newly recorded performances, archival footage, fan-submitted footage and photos, interviews and more. Get more information on the relief fund and the streaming event at HardlyStrictlyBluegrass.com.

Sonoma County Evacuation Zone Waiver Program Sparks Labor Concerns

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The North Bay’s latest batch of wildfires comes as a perfect storm for the region’s agricultural industry and its workers, raising renewed concerns that some workers, already at risk of catching Covid-19, are being put in harm’s way by being allowed to work in evacuation zones.

Sonoma County’s grape harvest officially started in the first week of August this year. Just a few weeks later, wildfires caused by lightning storms threatened to interrupt the harvest and other local agriculture work.

By Tuesday, Aug. 25, the LNU Lightning Complex fire had engulfed 352,913 acres. The Walbridge fire, located west of Windsor and Healdsburg, sat at 54,503 acres, causing emergency officials to evacuate thousands of residents. But, in an effort to safeguard local agricultural products, the County also began allowing some employers and their workers to reenter evacuation zones to complete agricultural work deemed critical.

During the October 2017 wildfires, the County allowed 280 groups to complete agricultural work in evacuation zones, according to a December 2019 Sonoma County Farm Bureau newsletter written by the County’s former Agriculture commissioner Tony Linegar. The County’s new Agriculture commissioner, Andrew Smith, told the Bohemian on Monday, Aug. 24, that he had allowed 268 employers permission to access evacuation zones during the first week of fires.

Although the permission slips issued by the County have been called “permits” in previous press coverage, Smith says that his department simply verifies that an employer has legitimate and necessary agricultural business to conduct in the evacuation zone and forwards their information to the Sheriff’s Office, which patrols the evacuation zones. Smith calls his department’s approval document an Access Verification.

But, while they acknowledge that it is necessary to complete some agriculture work during wildfires, labor advocates raised concerns this week that workers may be being compelled to work in dangerous conditions without adequate labor protections as a result of the verification program.

Omar Paz, Jr., an organizer with North Bay Jobs with Justice, fears that workers living in financially precarious conditions which have been worsened by the pandemic, would not be in a position to turn down work in a fire zone even if they felt it was unsafe.

In a letter to local elected officials on Aug. 20, he wrote he had heard from a local worker that “Workers are being told to work in extreme heat, terrible air quality, and ashes in these areas versus focusing on preparing themselves and their families for potential evacuation as it’s been reported that some live in the evacuation zones as well.”

Smith, the Agriculture commissioner, defended local companies’ safety records. “Our Sonoma County ag producers are very responsible with their regulatory obligations,” he said on Monday, Aug. 24.

Access Verification

In order to receive an Access Verification, an employer must sign a brief legal waiver which, essentially, shields the County from legal liability if anything goes wrong while the company is working in an evacuation zone. There may be a problem with one aspect of the agreement, though, according to a local attorney.

In addition to waiving the company owner’s right to sue the County, the agreement also appears to waive certain rights of the company’s employees as well.

“Requester is solely responsible for the safety of those individuals included in this request and is solely responsible for any damage to property or equipment arising from restricted access,” the agreement states in part.

Shown the legal agreement, Kendall Jarvis, an attorney with Legal Aid of Sonoma County, responded in an email: “The question in my mind is: What does it actually mean?”

“Generally, one party can’t sign away another party’s right without their consent,” Jarvis explained. “So, unless employees are voluntarily signing similar agreements, it may mean that the County could still be sued but that they would have the ability to defend against that suit by demonstrating that the employer volunteered to be liable to the plaintiff under certain circumstances.”

In an interview on Monday, Aug. 24, Smith, the Agriculture commissioner, said that only the responsible party—usually the owner or operator of an agricultural business—is required to sign the agreement, not their employees.

Legal Protections

In 2018, the Occupational Safety and Health Standards Board, the state board which creates labor regulations, passed an emergency order requiring employers to offer employees respirators if the Air Quality Index (AQI) exceeds 151 parts per million of fine particulate matter found in wildfire smoke. Under the rule employers must offer workers respirators—graded N-95 or higher—when the AQI exceeds 151.

This year, despite a shortage of N-95 masks due to the pandemic, the state has tried its best to stay ahead of the problem. On Thursday, Aug. 20, the state announced it was distributing approximately 1.3 million N95 masks throughout the fire-affected areas, via county Agriculture commissioners. Smith said that his office distributed many N-95 masks to local employers during the wildfires and continues to do so by request.

Still, enforcing the state’s new wildfire smoke safety regulation seems tricky if some employers are indeed breaking the rules.

As most Bay Area residents have experienced over the past few years, wildfire smoke can concentrate in areas far from the source or change considerably from hour-to-hour based on wind patterns. For example, according to BAAQMD data, air quality conditions were much worse in the East Bay for much of the past week than they were in Sonoma and Napa counties.

While air quality certainly exceeded 150 AQI at certain times in the North Bay, under the letter of the state rule, employers must simply offer workers N-95 masks. If a worker does not accept, the employer has technically fulfilled their duty.

Furthermore, Cal/OSHA, the state’s labor regulator, typically only responds to complaints instead of being on-site. A spokesperson for the agency stated that Cal/OSHA “responds to complaints and referrals of unsafe conditions” and “works proactively to inspect high hazard worksites … and does compliance-assistance visits to correct issues on the spot.” They did not respond when asked if the agency had deployed worksite inspectors during the wildfires.

In the case of the recent wildfires, large swaths of the state burned while agricultural work continued throughout the state. By the time Cal/OSHA is able to investigate all of the complaints about violations of the wildfire smoke rule, the smoke will have long since cleared.

Record Store Day Plays On at North Bay Vinyl Shops

In its hundred-year history, the vinyl record has had ups and downs, though the classic method of musical enjoyment is still setting record sales numbers in the high-tech 21st century as more new artists release their music on vinyl and classic records keep getting deluxe reissues.

In fact, vinyl album sales in the United States have consistently increased since 2006, and more than 18 million vinyl albums were sold in the U.S. last year, up nearly 15 percent from 2018.

This renewed interest in vinyl, driven by music aficionados who enjoy the analog embrace of physical media over digitized tracks, has also renewed interest in independent record stores, highlighted each year since 2008 when thousands of indie record retailers participate in the annual Record Store Day.

Normally, Record Store Day takes place in April, with many exclusive albums and other vinyl releases available for one day only at indie record stores. At the risk of sounding like a broken record, 2020 has been far from normal, and Record Store Day was postponed this past April in the face of the national pandemic.

Now, Record Store Day adapts to the ongoing Covid-19 crisis with a three-part “RSD Drops” celebration that incorporates special, properly distanced record-release events on three upcoming Saturdays; beginning Aug. 29 and continuing Sept. 26 and Oct. 24.

On the Record Store Day website, organizers write that, “Prior events have been as much about the gatherings, parties, concerts and ‘group hang’ element of a celebration as the special releases, but in this unprecedented global situation, the focus of these RSD Drops dates is on bringing revenue to the stores, as well as to the artists, labels, distribution and other business behind the scenes making record stores work.”

Across the North Bay, several record stores are joining the national event, stocking up on exclusive albums and opening in a safe way for music fans who still want to get their hands on stacks of wax.

Normally on Record Store Day, Mill Valley Music (millvalleymusic.com) owner Gary Scheuenstuhl sees an around-the-block line of customers waiting to get in, and his small record store usually overflows with bins of special RSD releases.

“This year is going to be a lot of work,” Scheuenstuhl says. “It’s going to be nuts.”

Scheuenstuhl is opting to open early, at 8am, and practice social distancing by moving RSD products to different parts of the store, rather than displaying them all together.

Mill Valley Music will also limit the number of people allowed in the store to 5, with a time limit if people are waiting. Masks will be mandatory, and the store will have masks supplied by the Mill Valley Chamber for any forgetful music lovers.

For this first RSD Drops event, Scheuenstuhl is excited to sell The Very Best of Jerry Garcia 5-LP release, as well as the 5-LP Grateful Dead live-album, Buffalo 5/9/77.

Overall, Scheuenstuhl has seen an uptick in business since reopening after being closed for three months due to the pandemic.

“This is going to be a good experiment to see what happens, if people are going to avoid it or come out for it,” he says.

Novato’s long-running Watts Music (wattsmusicnovato.com) is also participating in the upcoming RSD Drops, and proprietor Darin Chace is taking many similar precautions for the event by also opening early at 8am and limiting capacity to five customers in the store at a time.

“We’re going to do it just like we have in all the years prior, except we’re going to have a smaller capacity in the store now,” Chace says. “We’re going to have a coffee truck giving away free coffee like we’ve done in the past too, courtesy of Red Whale Coffee.”

For this first RSD Drops event, Chace says that record-buyers have a wide swath of musical selections to choose from, and he’s seeing a lot of demand for the 40th Anniversary Edition of Judas Prist’s British Steel as well as releases by Elton John, Billie Eilish, the Black Crowes and others.

“We have a pretty eclectic crowd,” he says. 

Now in its 41st year of business, Watts Music stayed active under Marin’s sheltering orders earlier this year by offering curbside pickup and home delivery. Now, Chace says the store is busier than ever.

“Our sales are actually up the last three months versus the year prior,” he says. “We’re a success story, I hope we’re not one of only a few.”

In San Rafael, Barry Lazarus, owner and proprietor of Red Devil Records (reddevilrecords.net), has also seen an upswing of business in recent weeks.

“It’s been better than expected,” Lazarus says. “Even last week was almost an average week.”

During the store’s extended closure earlier this year as part of Marin County’s shelter-in-place orders, Lazarus also benefited from his customer email list, providing mail orders and curbside pickup.

Red Devil Records, one of two San Rafael shops that celebrates Record Store Day (Bedrock Music & Video is the other), is usually the scene of a major RSD party, though Lazarus is scaling it way back this year with appointment-only shopping at the store.

“Like most other stores, I’m toning it down,” Lazarus says.

Still, Red Devil Records will have several exciting releases on hand, and Lazarus is looking forward to selling releases and reissues from David Bowie, Bob Marley, Charlie Parker, Black Keys, the Pretenders and Roxy Music, as well as a long out-of-print vinyl release of Canned Heat and John Lee Hooker’s appropriately-titled 1971 collaboration Hooker ’N Heat.

For Aug. 29, Red Devil Records is taking appointments for up to four people every half-hour, and as of press time, the day is already half-booked. Lazarus recommends that interested customers call the store now to reserve a spot for the day.

The same goes for The Last Record Store (thelastrecordstore.com) in Santa Rosa, which is operating by appointment-only for RSD Drops as well.

“We’re doing appointments, seven people at a time, and you get 20 minutes,” store co-owner Hoyt Wilhelm says. “All the (RSD) records are going to be in alphabetical order around the store on the racks; it’s almost going to be like personal shopping.”

As of press time, The Last Record Store only has a few dozen slots left, so customers should call ahead to reserve a space.

“It’s amazing that we’re doing as well as we are,” Wilhelm says. “People are just going crazy. It’s one disaster after another, and (buying) records is the one thing they can do.”

For this upcoming RSD Drops day, Wilhelm says everyone is most excited about the first-ever vinyl release of Tyler, The Creator’s 2015 album, Cherry Bomb, as well as two releases by animated super-group Gorillaz. He’s also looking forward to Hooker ’N Heat, as well as a 1994 Bone Thug-N-Harmony album, Creepin’ On Ah Come Up, that’s been out of print for over 25 years.

While shops such as The Last Record Store are staying busy, Wilhelm worries about live music venues in the North Bay.

“I haven’t gone this long without seeing a show since I was in 8th grade,” he says.

RSD organizers are still planning to hold a special Black Friday event as they normally do, on Nov. 27, and vinyl shops across the country are keeping their fingers crossed for the return of Record Store Day in April 2021.

Find more info on participating stores and releases at recordstoreday.com

Marin County Asks For Input On Plan to Combat Climate Change

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With wildfires raging in Marin and surrounding counties, we can’t afford complacency about climate change, a major cause of the infernos we’ve endured for the last three years.  

Though we’re struggling with the overwhelming consequences of the coronavirus pandemic right now, Marin hasn’t relegated climate change to the back seat. In fact, it has spent more than two years developing a strategic plan to identify local climate change issues. The County isn’t just talking about these problems; they’ve come up with local solutions, too.

Prior to implementing the plan, they want public input on their efforts. We have until the end of August to give our feedback, so let’s examine the Drawdown: Marin program and its strategic plan.

Drawdown: Marin is a community-driven campaign created to dramatically reduce greenhouse gas (GHG) emissions, sequester carbon and prepare for climate-change impacts. Backed by Marin’s heavy hitters, Drawdown: Marin was launched in October 2017 by the Marin County Board of Supervisors and coordinated by the County’s Sustainability Team. More than 150 volunteers, including technical experts, community members, County and city staff, academia, and financial specialists, were recruited to work with a large network of local towns, cities, community-based organizations and individuals.

The vision for Drawdown: Marin involves reversing the County’s impact on climate change “by implementing local solutions as we create a thriving, equitable and resilient future for all.” The ambitious goal is to substantially reduce GHG emissions: a 60 percent reduction below 2005 levels by 2030; and below zero by 2045.  

To help achieve these objectives, Drawdown: Marin planners presented 29 climate-change solutions to the Executive Steering Committee. Seven were selected for immediate implementation and plan organizers would like your comments on those solutions: 

1)   Marin Carbon Farming Initiative

By expanding carbon-capture practices to 180 Marin farms and ranchers across 90,000 acres, the County could sequester 525,000 megatons of carbon dioxide equivalent by 2045.

2)   Zero Emission Vehicles – Drive Clean Bay Area

With 52 percent of Marin’s total GHG emissions resulting from transportation, zero-emission vehicles are key to helping the County significantly reduce climate change. Drive Clean Bay Area, a new campaign, aims to accelerate widespread adoption of zero-emission vehicles by Marin residents and employees.

3)   Agricultural Institute of Marin (AIM) – Center for Food & Agriculture

The Center for Food & Agriculture and Zero Waste Farmers Market intend to connect underserved communities needing healthy foods with farmers providing local, sustainably grown foods.

4)   Microgrids – Fairfax Pavilion Pilot Project

Together with its partners, Fairfax proposes to build a Community Resilience Center at the Fairfax Pavilion. Clean energy such as solar power, batteries and a new inverter will supplement existing solar photovoltaic systems at the Pavilion and fire and police stations. The Pavilion will provide a community gathering space and a childcare center during public safety power shut-offs. It’s the ideal venue to showcase technology and inspire other municipalities to develop similar public spaces.

5)   Community Resilience Hubs

Community Resilience Hubs built at the Albert J. Boro Community Center/Pickleweed Park in San Rafael and the County Health and Wellness Campus in the Canal District would be a boon to area residents. The hubs plan to feature community gardens, health clinics, a communications center, green power and recreational and education opportunities.

6)   Biomass Study/Recovery Pathways

Marin would study biomass, which is simply plant material and animal waste. What are its existing sources and uses? Is there an impact on GHG emissions and wildfire protection? How much and what types of biomass are generated by the county? The study seeks to support the sustainability of existing biomass uses. For example, can we convert biomass to usable energy or reuse woody material for ground cover on ranches?

7)   Resilient Neighborhoods – Climate Preparedness and Reduction (CPR) for the Planet

Resilient Neighborhoods is a proven program in reducing consumption-based GHG emissions and becoming resilient to climate related emergencies. Drawdown: Marin recommends adapting this model, which outlines specific objectives to reduce GHG emissions. Five pilot training programs would reach a variety of participants, including Spanish speakers, low-income residents, seniors, parents and folks with high carbon footprints. The desired outcome is to “engage everyone in achieving climate protection goals.”

Now that we have a basic understanding of Drawdown: Marin, visit www.drawdownmarin.org to learn more about the initiatives. Before you put it off to binge Netflix, take a deep breath of that wildfire smoke outside your front door and let it motivate you to provide feedback on the strategic plan.

After citizen input is received, a revised plan will be presented to the Board of Supervisors later this year for their approval. The deadline for comments is Aug. 31, 2020.

“Solving the climate crisis is within our grasp, but we need people like you to stand up and act,” said Al Gore, founder and chairman of the Climate Reality Project.

Amen to that.

email:  ni***************@***oo.com

Phoenix Theater’s Tom Gaffey Makes Covid Call

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Had you dialed the phone number for the Phoenix Theater in the late 1990s, you would have heard an outgoing answering machine message that went something like this: “Hello, and thank you for calling the amazing Phoenix Theater. We’re located at 201 Washington St. in beautiful Downtown Petaluma …”

From there, the gregarious voice of theater manager Tom Gaffey listed upcoming shows and explained how much it cost to gain entry to the always all-ages events. The internet and cell phones have rendered the voice message machine all but extinct today. Similarly, the Covid-19 shutdown now threatens many Bay Area performance venues themselves, including The Phoenix, with extinction. 

Like every other live-music venue in the Bay Area, the Phoenix Theater hasn’t booked any live acts since March and has remained mostly closed due to the Covid-19 threat. While the loss of live music has compounded the mental burden of a societal lockdown, the Phoenix Theater’s temporary closure also bears down on North Bay youth, as the Theater has long been an ad hoc teen center where teens can hang out, skateboard, and play and listen to live music. 

Theater manager Gaffey says, “With the size of our stage we are able to let up to five-piece bands rehearse here occasionally and maintain social distancing, so the Phoenix is still getting live music, albeit without audiences. Also, I can let four or five skaters in at a time to skate the ramps and maintain appropriate distances. So there is still some life in the building.”

Yes, you read that right. The Phoenix has also morphed into an indoor skate park with large wooden ramps set up on the theater’s spacious floor.

With 37 years at the helm, one would assume Gaffey has seen multiple closures and shows gone awry; however, that number is actually less than one might think.

“Over the years the Phoenix has been involved in a row or two that has resulted in us canceling two shows,” Gaffey says. “One show was going to be a money-losing trainwreck, so I was glad for the chance to reschedule it. The second show was a one-off that we never got back and I was sorry to lose it.”

But Gaffey says he’s never seen, let alone endured, anything like this.

“The pandemic is quite different and I agree with erring on the side of caution in this case,” he says. “Shutting down our live shows absolutely feels like the right thing to do. The thing about the pandemic is that it leaves us with the uncertainty of when we might reopen. We have been [mostly] closed since March and I have a feeling we might not be opening our doors for shows until next spring or summer or possibly longer.”

Indeed, the theater has endured past closings and more recent run-ins with overzealous local lawmakers. Following the devastating Oakland “Ghost Ship” fire in late 2016, many local fire departments cracked down on perceived safety violations in live music venues throughout the Bay Area. The Phoenix was a target, as was Petaluma nightclub The Big Easy. But the Phoenix survived that with the help of the community, who helped raise almost $40,000 for improvements—yet another tip of the hat to the Theater’s current name, which symbolizes rebirth from the ashes of destruction.

Alongside skateboarders, budding musicians, writers and poets, the Phoenix has long been a place where youth can discover their creativity. (Note: amongst said youth of the past are the writer of this article as well as editor Daedalus Howell, who could both be seen roaming theater grounds throughout their teens in the 1990s.) Seemingly so inspired, Jim Agius, who has been booking shows at the Theater since 2006, started a podcast called Onstage with Jim and Tom in 2016. The podcast features local musicians in conversation with Agius and Gaffey, with a few live performances scattered in. Yet what does one do when live music is deemed “unsafe?” In the case of Onstage, they pivoted to some truly excellent podcasts on Petaluma history and included guests such as longtime Argus-Courier writer Katie Watts and Petaluma historian John Sheehy who, along with local photographer Scott Hess, wrote a book about Petaluma history titled On a River Winding Home.

The recent podcasts do a deep-dive into local history starting in the days of local Native Americans who originally settled the region. These conversations were particularly eye-opening to Gaffey, who says some of his favorite episodes reacquainted him with the story of “the spiritual power and environmental significance of the Tolay Lake which played a large part in the lives and culture of Northern and Central California’s native population before Western Europeans came to town and some asshole drained it to grow potatoes.”

Other episodes feel similar to Stephen King’s Stand by Me as Gaffey and Sheehy, who grew up together in Petaluma in the 1960s, rehash old stories of famous Petalumans as well as booze runners, charlatans, artists and more. 

Onstage with Jim and Tom provides an outlet for Agius and Gaffey; it also offers invaluable and intriguing information about Petaluma. Yet, they are free to listen to and don’t include advertising.

As such, Gaffey says, “Our war chest is kind of drying up right now due to a lack of shows and the income they were bringing in. If anyone wants to help out with a donation, we are a 501c3 and all donations are tax-deductible and you can help by going to our website and clicking on the donation prompt.”

For more information, visit thephoenixtheater.com.

The Morning After

Kamala Harris is an inspiration. She gives me hope. Last night (Aug. 19), her passion was contagious. Authenticity shone through her smile and in her words. She embodied love. 

Justice, fortitude, dignity, resilience, strength, stamina, hope, commitment; these are all words we need to hear and expect to hear, but love? Only the bravest can voice this word and mean it, a word of such strength and tenderness that it sits like a shy bird on the palm.

We need that word and we need that sensibility in our leaders now more than ever. We need them to care deeply: to love what they do and to love us, the people they represent, enough to do the hard work that is required. I think Kamala Harris has what it takes. The guts to use the word and the sincerity to mean it.

I hope Joe Biden wins and surrounds himself with more strong, capable women who hold love as their sword and their shield. The collective strength of women is what makes us extraordinary. Ours is not a solitary power, based on personal striving and achievement; ours is the power of sisterhood, compassion, mutual service and caring. It is the power of love. Fierce love when called for, tender love when needed. 

Now is our time to take back and to heal this nation and the world. Our time to offer what we have as a group: the strength to endure, the vision to inspire and the guts to lead.  I saw that possibility revealed in Kamala Harris. I wish her Godspeed.   

Laura Bachman

San Anselmo

Open Mic: America boils over

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The boiling frog is a fable describing a frog being slowly boiled alive. The premise is that if a frog is put suddenly into boiling water, it will jump out, but if the frog is put in tepid water, which is then brought to a boil slowly, it will not perceive the danger and will be cooked to death.

As the decision draws near for a change of the guard, our “illustrious leader,” Mr. Trump, is again challenging the fundamental premises of democracy and free speech. By carefully and consistently raising “issues,” he raises the water temperature as well. Little by little, we sense the corrosive heat, and the strength of our democracy wanes as we swim around, bumping into each other. We witness the continual erosion and poisoning of our sacred soil—the political swamp having overflowed its banks. From the condoning of violence against protesters, by his supporters, the National Guard and the U.S. Military, for citizens to freely assemble; to voter suppression, in its various forms, with primary election polling places being moved, downsized or eliminated at the last minute; to appointing an attorney general and postmaster general to carry out his orders regarding mail-in ballots and the defunding of the U.S Post Office; and/or to legally contest the election, should he lose—the flame’s calibration and heat increases.

As the saying goes, “he might be crazy, but he’s not stupid.”

The American People are anxious and fearful—desperately trying to hold on to faith. Seeing the temperature rise—the water go from tepid to simmering and higher—they watch family, friends, co-workers and many more fall ill—it is beyond comprehension. 

But we are also a family—the family of man, as they say—that somehow rises above during crises, to make the right choices, most of the time. We are at an inflection point, (a too-often-used phrase now) in our country, but more critically, we, as a human species, are coming to the boiling point in our existence.

E.G. Singer lives in Santa Rosa.

The End Is Meh

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Any other Gen Xers remember, back in the ’80s, when the Gipper was going to push the Button, causing the world to bloom with mushroom clouds? We didn’t know how good we had it. That atomic version of the apocalypse was swift and blessedly scientific. Moreover, it was backed by an “us versus them” dogma that was at least comprehensible.

Fast forward into the aberrant timeline we’ve managed to trip into (anyone read the Berenstein Bears lately?), where the moral calculus of our leaders is even more dubious and the End is Nigher than ever, thanks to the cowboy quartet cantering on the edge of town—war, disease, death and famine. Which is to say, I expected the world to end more like a sci-fi flick than the biblical ballyhoo we’re currently experiencing. A plague? How medieval. It’s embarrassing, really, since a modicum of handwashing and mask-wearing would’ve made it manageable. Extreme weather events? Just pony up the million bucks already so that Bond villain turns off his weather machine. Is it any surprise that the storm system that brought Wagnerian-like thunder and lightning to our coast came from Tropical Storm Fausto—so named, I surmise, for the Faustian bargain we made for a century of fossil fuels. Well, it’s here to collect. 

• • •

Meanwhile, it took University of California, Berkeley, computer science student Liam Porr a week to harness the abilities of San Francisco–based research lab OpenAI’s “most powerful language-generating AI tool to date.” According to the MIT Technology Review, Porr made an artificial intelligence-generated blog that convinced thousands of readers its bits and bytes were actually the sturm and drang of a creative soul. Naturally, it went viral—algorithms apparently like reading work of other algorithms. Called GPT-3, the AI engine debuted in mid-July, just in time to hasten the coming media doomsday. Fake news is bad enough—fake news written by fake writers is some next-level shit.

“It was super easy, actually, which was the scary part,” says the student.

Soon, there will be a tsunami of robot-generated content that will drown writers like me in its wake. It’s over—unless they create an AI editor who can ruthlessly hack and slash the overrun. After all, brevity is the soul of bits.

Editor’s Note: This column was written using GPT-3. See the Daedalus Howell bot in action at DaedalusHowell.com.

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The Morning After

Kamala Harris is an inspiration. She gives me hope. Last night (Aug. 19), her passion was contagious. Authenticity shone through her smile and in her words. She embodied love.  Justice, fortitude, dignity, resilience, strength, stamina, hope, commitment; these are all words we need to hear and expect to hear, but love? Only the bravest can voice this word and mean...

Open Mic: America boils over

The boiling frog is a fable describing a frog being slowly boiled alive. The premise is that if a frog is put suddenly into boiling water, it will jump out, but if the frog is put in tepid water, which is then brought to a boil slowly, it will not perceive the danger and will be...

The End Is Meh

Any other Gen Xers remember, back in the ’80s, when the Gipper was going to push the Button, causing the world to bloom with mushroom clouds? We didn’t know how good we had it. That atomic version of the apocalypse was swift and blessedly scientific. Moreover, it was backed by an “us versus them” dogma that was at least...
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