Wine, Unmasked

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In normal times, I’m not one to dither about an invitation to a gourmet lunch, with wine—and real Champagne!—at Jordan Vineyard & Winery. But, these times not being normal, dither I did.

I hedged. I even offered up a proxy—wouldn’t Bohemian editor Daedalus Howell rather enjoy this experience?

The experience is called Paris on the Terrace, a $110 wine tasting and lunch in an outdoor setting, which Jordan is offering in summer 2020 to welcome visitors back to their picturesque corner of the Alexander Valley wine region, while complying with an ever-shifting regime of shutdown and reopening guidelines set by state and county authorities in ongoing efforts to limit the spread of Covid-19.

The latest state health order, at press time, limits wine tasting in Sonoma County to outdoor experiences until at least Aug. 2, but does not require food service, an earlier reopening stricture that many wineries found confusing or impractical. Bars, clubs, breweries, brewpubs, and distilleries, however, may only serve drinks in the same transaction as a meal.

Eventually, the winery’s longtime director of marketing, Lisa Mattson, conscripted me to attend the tasting—not virtually, through the video conferencing tools like Zoom that have become indispensable, if also problematic, during the Covid-19 pandemic. This was a real-time tasting, in the flesh, tender parts of which are susceptible to infection by a stealthy, novel coronavirus that continues to stalk every corner of California Wine Country.

If that last line doesn’t sound overwrought, you’re catching up with these times.

Mattson explained that seatings, at 11am and 2pm, Thursdays through Mondays until Sept. 7, are scheduled to allow ample time to wipe down and disinfect high-touch surfaces and objects like tables and chairs. Currently, all tasting rooms must require visitors to secure a reservation, and the three I visited in the past month declared that all such surfaces were cleaned in between parties of visitors.

At first, my visit to Jordan’s terrace tasting felt just like a dream! Well, I’ve been having these dreams for the past several months, in which I’m wading through a happily buzzy pub, and suddenly realize that nobody’s wearing a face mask—good heavens, what are they thinking? Or worse, leaning in to talk to someone, I realize with horror that I am unmasked. It’s the new “naked” dream.

No—you, too?

This is the first time in months I’ve sat down and talked this close, without a face covering, with anyone except my very senior cat (and even then maybe I should, as she would appear to anyone as nothing so much as a hobbling ball of fur and underlying conditions). Speaking with Mattson and her colleagues, who are wearing fashionable—if not entirely medical grade attire—at all times, I self-consciously pull mine back on—since hospitality workers are more at risk over the long term than the visitor—and again when I’m speaking with Howell, who turns up at the table a judicious six-plus feet away from mine.

Yet, when Howell declares halfway into lunch that he’s actually feeling kind of alright about things for once, I have to agree. Who wouldn’t, after half a glass each of Jordan Cuvée by Champagne AR Lenoble; Jordan 2016 Chardonnay, which shows more bright apple and toasty character than previous vintages; two vintages of Jordan Cabernet Sauvignon, the 2016 displaying the remarkable consistency of the supple, leather-and-mixed berries hallmarks of this restaurant favorite wine, despite a recent switch to French oak. And there’s the cuisine, by Jordan chef Todd Knoll: a precious arrangement of greens, vegetables and flowers from the estate garden just below the terrace; charcuterie from Healdsburg’s Journeyman Meats; crispy fougasse and rillette. Completing the pastoral scene, Jordan’s herd of cattle head for pasture, with uncommitted leisure.

Wineries have been hit hard by the pandemic and shutdowns, especially those that rely heavily on “on-premise” restaurant sales. Luckily for Jordan, according to Mattson, they moved to better position themselves in “off-premise” retail back in 2019. Many wineries count on a steady stream of walk-in wine tasters to generate immediate revenue, as well as wine club sign-ups. But are these kinds of limited, if tentatively sanctioned, wine-tasting experiences enough to keep them afloat?

“Yes and no,” answers Suzanne Hagins, co-owner of Horse & Plow Winery. “We get good support from our locals, but people are just not out. And I get it.”

Hagins is also concerned about the musicians and artists who used to regularly appear in afternoon shows and exhibits at their “tasting barn,” which has become a popular hangout in the four years they’ve been open in Sebastopol. But, the patio space, garden and oak-shaded picnic area adjacent to the tasting room has allowed them to separate tables widely and reopen for bottle service only, Fridays through Sundays, noon to 5pm.

Although Horse & Plow shut down voluntarily two days before California’s state-wide order in mid-March, they became the unlucky poster child of Covid-era wine tasting when a Bay Area daily newspaper published an undated photo of their tasting room—that was taken two years previously—as an example of the kind of activity that would have to shut down in the coming weeks.

For guidance, Hagins says she relies on the governor’s press conferences, County of Sonoma health orders and helpful tips from Sonoma County Farm Trails and industry colleagues. But there’s been no direct guidance or auditing, according to Hagins.

In between each seating, tables and chairs are sprayed and wiped down, and the kraft paper that covers picnic tables is changed. On a recent Sunday, groups of two to four adults stop by a table fronting the now-closed tasting room, to make their selection and choose a table. Food is not required here, but cheese and charcuterie plates are available, plus a pack of snacks and juice box for kids. Visitors, many from out of town, are generally quite respectful of the new rules, says Hagins, allowing that some tend to loosen up on their mask strings a little when leaving, after a glass or two of wine.

It’s certainly a must to lower my mask to take a whiff of Horse & Plow’s 2019 Sauvignon Blanc, a rush of juicy, nectarine and grapefruit aromas, or the 2019 Draft Horse Red, a soft and easy-drinking summer red with hints of dried Mediterranean herb and raspberry sour candy.

I’m glad that the unmasked party of four twenty-somethings at the next table, a good 10 or 12 feet away, are enjoying themselves, too. But, while I can’t assume they’re not in the same household, snippets of their conversation suggest otherwise. And I wonder—is this all going to work out OK?

• • • 

My host at the outdoor bar at Iron Horse Vineyards says he’s not afraid of a little “policing,” asking members of groups next to each other who get to talking excitedly, and a little too close—as people do when drinking the bubbly wine—to please don a mask if they’re going to converse. Still, “It’s not a frat party anymore,” he says, “with people six deep at the bar.”

The tastings here are also spaced apart in time, four per day, to allow cleaning. But at the bar, it’s clear it could get a little too close to comfort. In mid summer of 2020, the obsession with blasting seldom-touched objects with sanitizer (remember dubiously dunking your bag of tortilla chips in a tub of chlorine solution—anyone else?) seems a bit quaint, as guidance has moved toward mask-wearing as the best effort to ward off viral infection.

Indeed, an oft-quoted, recent article in The Atlantic dubbed the deceptively reassuring practice of surface disinfecting, “hygiene theater.”

Curiously, the County of Sonoma still has the outdated statement, “CDC does not recommend that people who are well wear a face covering to protect themselves from respiratory diseases,” on their Epidemic Preparedness website page. The CDC currently recommends, “people wear masks in public settings and when around people who don’t live in your household.”

It’s easy to relax with a pour of the latest Iron Horse Brut X, which was particularly rich in 2014, with the sweet, creamy aroma of glazed Danish, and grapefruit, for a wine with zero sugar added to the dosage. Another surprise, and sign of the times, is the winery’s seldom-seen Fairytale Cuvée, a special 500-case lot that’s been sent down south to the Mouse for the past 15 years at Disneyland California, and related cruises and venues. It’s pretty darn tasty—and it’s also hard to beat the view in this corner of California wine country.

Having had enough with driving around Wine Country in post-lockdown traffic, I call up Liam Gearity, director of hospitality at Frank Family Vineyards, to get a perspective from Napa Valley.

“In the beginning, I don’t think anyone saw it dragging on as long as it did,” says Gearity.

Frank Family opted to open up a week after the go-ahead on June 6, in order to focus on preparedness. Like other wineries, they book distinct slots of time for guests, at 1:30pm and 3:30pm, and allow 30 minutes for cleaning. (They also still welcome guests with a glass of sparkling wine.)

The biggest challenge, says Gearity, is the quality of the guest experience.

“Wine tasting is a guided experience,” he explains. “If you want a good glass of wine, there’s a wine bar or a wine shop for that. But people come to Napa for the experience.”

For the month of July, guest counts have only been down 30 percent, says Gearity. Staff presence, on the other hand, has been 100 percent so far.

“That’s the thing about hospitality workers,” Gearity says. “They feel successful when their guests are happy.” 

To help ensure workers take care of themselves, and each other, Frank Family hospitality staff work on the “buddy system,” with a partner.

“We stress to partners: you are each other’s eyes,” Gearity says. “We’re going to keep doing this style of service as long as our guests, and the weather, allow it. People need an outlet; they need a break. It’s still a weekend in Napa … . It’s different, but people still enjoy it.”

Defending Dreamers

Thank you for this explanation of what DACAs face in our court system. (“Dreams Deferred,” News, July 29)

I’m surprised and angry that our (Sonoma County) DA is being so brutal in this case. It seems they are not only ignoring, but violating the Penal Code Sections 1016.2 and 1016.3 mentioned. This was a first time offence (I assume), and the Dreamer had a job and was in school!

Leslie Ronald 

Via bohemian.com

Sad to See

Poignant prose … (“Sadness in His Madness,” Open Mic, July 29). They tug at my heartstrings at the traffic light. I always give them a few bucks; but for the grace of God it could be me on that curb.

JD Compian

Via Bohemian.com

Live Online

I enjoy the online theater (“Out of the Dark,” Feature, July 22) from BroadwayHD, Broadway on demand and National Theater in London. If there were mostly online productions that would be fine with me. 

Since it is difficult to get to Broadway or the West End from Sonoma County, online is the perfect alternative. I would like local companies to do more virtual performances. The time has come to embrace virtual technology.

Larry Loebig

Via Bohemian.com

Waive It 

A working nurse at a Petaluma hospital that cares for Covid-19 patients, emailed me, “How about having the Covid waiver include waiving all rights to medical treatment if you get the virus!” (“Pandemic Fuel,” News, July 22). That is a good point. 

Peter Byrne

Via Bohemian.com

Cannabis and the County

A sense of frustration characterizes the mood of the Sonoma County cannabis community, but cultivators are also smiling more now.

That’s due to Niki Berrocal who runs the county’s cannabis cultivation program, and who has help from analyst, McCall Miller, and from Andrew Smith, the current ag commissioner, who tells me, “It’s a team effort to amend our cannabis policy, and it’s especially challenging with Covid-19.”  

Smith and Berrocal have written and released an extensive report that calls for significant improvements to the county’s cannabis program. (sonomacounty.ca.gov/Cannabis-Program). It ought to be read and studied by everyone in the cannabis community.

Tony Linegar, who recently retired as ag commissioner, tells me “Cannabis can be a significant crop for Sonoma County farmers and ranchers so they’re protected from the fluctuations of the market.” He suggests that the one-acre cap on cultivation ought to be lifted.

I recently caught up with Niki Berrocal on a farm where twenty-five thousand plants were flowering, “I welcome and am grateful for cannabis economically, medicinally and recreationally,” she tells me, Berrocal feels comfortable with pot farmers and at the same time, doesn’t wilt under pressure from Permit Sonoma, which has its head in the sand and has resisted change.

For Berrocal to do her job properly the cannabis program needs more resources and fewer bureaucratic barriers. Sadly, too many applications for the cultivation of cannabis are sitting in an office, begging to be processed. Other changes are also needed.

Four years after California voters approved Prop 64, which ushered in the era of the adult use of cannabis, some growers are stuck in the old outlaw days, and some citizens want to roll back the clock and make the county weed free.

“It’s hard to go beyond long-standing paradigms,” Berrocal tells me. “But I’d like to see the day when the community can work together and make Sonoma a destination for wine, weed and wilderness.”

Berrocal grew up in a small farming community and graduated from University of Idaho and the University of Nevada, Las Vegas. A natural born leader, she has slowly and steadily begun to chip away at the institutionalized barriers to the fledgling cannabis industry.

Berrocal tells me, “Cannabis never should have been made illegal. For a long time it has been a sacred medicine. It helped my dad when he had cancer.”

Berrocal’s father worked in law enforcement and emphasized community police work, now essential in the wake of Black Lives Matter. Like her father, Berrocal wants sustainability. “We need to understand the impact the laws have had on certain communities,” she tells me. “And not leave people behind.”

Jonah Raskin is the author of “Marijuanaland: Dispatches from an American War.”

A call for reform

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This is a plea for any reform-minded citizens to run for the open seats on the Marin Municipal Water District board currently held by Larry Russell, District 5 (Corte Madera, Tiburon, Belvedere) and Armando Quintero, District 2 (San Rafael). We need someone new who will look out for the best interests of the ratepayers.

For years now the Board has turned a blind eye to the corruption at MMWD. The district suffers from excessive management salaries, nepotism and cronyism, financial mismanagement, inefficiency and incompetence. Both Russell and Quintero have approved salary and pension spiking. Russell rarely attends meetings in person. Quintero basically lives and works in Merced. Each one gets $200 per meeting and paid medical insurance.

Here is just one of many examples of corruption at MMWD: Their former general counsel, Mary Casey, whose 2018 total compensation was $376,742, used $35,000 in ratepayer funds to fly out a psychiatrist named Robert Weisman from Rochester, NY. Among Mr. Weisman’s many expenses: $9,468 for travel time; $206 for taxis; $773 for hotels; $56 for parking and $217 for meals. But the most glaring example of corruption is his $2,347 airfare. An online search will show that a roundtrip from Rochester to San Francisco is only $600. It’s no wonder that we pay some of the highest water rates in the country.

So, why didn’t Mary Casey just hire a local doctor and save us all a few thousand dollars? It’s because Mr. Weisman is a friend of one of the members of Mary Casey’s goon squad, Bobbi Lambert, who runs a company called “Confidante” from her home in Novato. Ms. Lambert pulled in nearly $30,000 on this same scam. This is an absolute abuse of power and a waste of ratepayer resources.

If Russell and Quintero succeed in staying in power you can be sure that right after the November election our water rates will go up again so they can continue to finance their wasteful spending. Let’s show both of them the door so we can have a water district that serves the people instead of self-serving bureaucrats.

Eric Morey lives in Woodacre.

Wine Country Women Fight Glyphosate

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Call it Wine Country or call it Glyphosate Country. According to Padi Selwyn, the cofounder of Preserve Rural Sonoma County, and Laura Morgan, a local physician concerned about the health of the environment, millions of pounds of pesticides have been applied, mostly to wine grapes, in Sonoma County. They say that in 2015, for example, 2,839,007 pounds were applied.  

Exact figures for recent years are hard to come by. Winery owners aren’t publicizing that information. It would undermine their claims to be “sustainable.” Still, the scientific evidence is strong enough for Sonoma County to ban the use of synthetic pesticides such as glyphosate—the most important active ingredient in Roundup—on public property, including parks and bike paths. But land owners, ranchers and farmers have been free to go on using synthetic pesticides.

Not only that, but once an old pesticide is banned, the corporate giants concoct new ones that are even more deadly, according to Mitchel Cohen, who has devoted much of his life and work to the study of Roundup and glyphosate.

Selwyn speaks for Cohen and for many others when she says, “Our paradise is poisoned with herbicides and pesticides.” She’s alarmed and thinks her neighbors should start asking questions and taking action to protect children who have been developing cancers at an alarming rate. According to data from Wine and Water Watch, an organization that coalesced during the last big drought, Napa County has had the highest cancer rates for children in California at 22.8 deaths per 100,000 kids. Sonoma is a close second at 20.6 deaths per 100,000 kids. Any number is too high. Nearly everyone knows someone—a mother, a sister, an aunt, a daughter or a friend—with breast cancer.

Dr. Kurt Straif, a key researcher at the International Agency for Research on Cancer (IARC), argues that glyphosate—which can be absorbed by humans though “our daily bread”—is “genotoxic,” which means that it damages human DNA, and can lead to cancer.

Buying organic foods and beverages is beyond the means of most working families. For the unemployed it’s impossible. You have to be wealthy or grow your own fruits and vegetables—which requires land and access to water—to eat healthy. The only real salvation is a total transformation of the for-profit food system and the creation of an alternative that doesn’t trash land and labor. Marketing campaigns like “Sustainable Sonoma” and “Sustainable Napa” are little more than sops meant to disguise what’s really happening in fields and on farms, though some who are eager not to offend say they’re a step in the right direction.

Right now, Covid-19 occupies front and center in the American consciousness, but N-(phosphonomethyl)glycine, aka Glyphosate, has to be confronted and abolished soon or the planet will be totally polluted. Rachel Carson warned about toxic chemicals, especially DDT in Silent Spring, published in 1962. American women who looked to Carson for inspiration are at the heart of the movement today to ban the contemporary equivalents of DDT.

Zen Honeycutt, the founder and executive director of Moms Across America, points out that “moms buy 85% of the food” in the U.S. and that “moms are taking the helm here.” Honeycutt adds, “Husbands and kids help, too.” The organization Honeycutt founded amplifies voices from coast to coast and targets the powers-that-be. All across the U.S. and especially in Wine Country, women’s voices are growing louder and more eloquent, too,

Increasingly, judges and juries are listening to complaints against Bayer, which recently bought Monsanto for $66 billion. Bayer’s stock recently tumbled, but there’s still big money to be made in toxic chemicals and the seeds that the company sells and that are resistant to glyphosate.

Monsanto/Bayer has just developed a new corn seed that can survive bombardment not only from glyphosate but also by dicamba, glufosinate, quizalofop and 2, d-D, one of the ingredients in Agent Orange which defoliated Vietnam. The U.S. Department of Agriculture has been asked to approve Bayer’s new seed for corn. The company also manufactures the pharmaceuticals that are used to treat the illness caused by toxic chemicals, which has prompted activists to say, “They get you coming and going.” 

Marion Nestle, a New York University professor and the author of Food Politics, points to the growing body of evidence that “glyphosate is carcinogenic, promotes weed resistance, and causes genetically modified crops to require even greater use of toxic chemicals.” The more we poison, the more we need to poison, or so it seems in the world according to Bayer/Monsanto.

Welcome to our poisoned planet. The picture is grim, though some activists, including Sonoma County filmmaker Carolyn Scott, use humor to tell stories about cancer-causing chemicals. Her satirical animated short, Roundup Wine, is an official selection at film festivals this summer.

At the start of summer 2020, when Bayer reached a $10 billion settlement rather than go to court and fight thousands of claims, environments were crying, not cheering. After all, Bayer continues to insist Roundup is perfectly safe when used “properly.”

Thousands of farmers, ranchers and gardeners use glyphosate to kill weeds, as though weeds were un-American and had to be exterminated as quickly as possible, no matter what the risks to life itself.

No warnings appear on the labels for the product. A large container of glyphosate sells for $21.99 and comes with what’s called a “comfort wand” that supposedly makes for an easy application on “the toughest of weeds.”

Mitchel Cohen, the editor of the book, The Fight Against Monsanto’s Roundup: the Politics of Pesticides, who recently bought his message to Sebastopol, says that glyphosate is still used widely in New York City where he lives and works, and that kids (and adults, too) come in contact with it every day and are made sick. Jonathan Latham, the director of the “Poison Papers” project, the editor of Independent Science News and one of the contributors to Cohen’s book, suggests that glyphosate is “unsafe at any dose.” He tweaks consumer advocate Ralph Nader, who insisted that Ford’s Pinto was “unsafe at any speed.”

Bob Cannard, who raises organic fruits and vegetables and sells them at Petaluma’s Green String Farm, and who cultivates organic grapes that go into Cline wines, asks, “What business do you know that benefits financially from poisoning its customers?” For years, Cline used glyphosate in his vineyard. Cannard persuaded him that it was harmful to the environment and to all living things, including humans. Now sheep eat the weeds and fertilize the soil.

Cannard wants the state of California to ban toxic chemicals. He calls his cause “Organic California 2050.” Cannard isn’t rushing anyone. Nichole Warwick, who belongs to a new, hardy breed of environmentalists, is eager to have Roundup banned now. Her own friends have cancers. Kids exposed to toxic chemicals often don’t show symptoms for years, Warwick says. Acting today can prevent health issues tomorrow.

A survivor of breast cancer—it was first diagnosed in 2012 when she was 37—Warwick was born and raised in Merced in the Central Valley, where ag is king and glyphosate is ubiquitous.  She thinks she developed cancer because of her proximity to farms and fields that were sprayed with chemicals.

“There is no history of cancer in my own family,” she tells me.

Soon after Warwick moved to Sonoma County, her son came home with a note from his school, Forestville Academy, that said that Roundup would be sprayed on the campus.

“I was  appalled,“ she tells me. “At first, I felt despair and depressed, but I also wanted to protect my son.”

She adds, “My birth as an activist was very personal.” Nichole joined the Petaluma-based organization Daily Acts and became the Environmental Health Program Manager.

She co-founded, and has served as the executive director of, Families Advocating for Chemical & Toxic Safety (FACTS). She also co-founded and co-directs Sonoma Safe Agriculture Safe Schools (Sonoma SASS). The Sonoma SASS has links to the state-wide body of SASS organizations and is affiliated with Californians for Pesticide Reform (CPR).

For a time Warwick taught school. Now, she’s a full-time activist. At her son’s school, she worked with the principal and helped to educate the custodial staff. After her campaign, there was a moratorium on the use of Roundup. Warwick was successful, she says, because she was persistent and wouldn’t take “No” for an answer. She lobbied for a stewardship program at Forestville Academy, but the school wasn’t ready to take that step.

“Schools in Sonoma County, especially in Forestville and Sebastopol, are flanked by vineyards,” Warwick tells me. “Chemicals get into the dirt, the dust, the air. They drift. Kids are routinely exposed to toxic chemicals. They cough, their eyes itch, they get sick, have respiratory problems, stay home and miss school.”

Students aren’t the only population that has reported health issues. Teachers have also been sick.

Warwick and her fellow activists know what they’re up against in a county in which Sustainable Sonoma is more a reflection of greenwashing than genuine ecological awareness or the embodiment of best practices. Philanthropic organizations, which are often dependent on funding from wineries, are loath to fund the groups that Warwick works with, though funding for pesticide education, outreach and policy change has come from the Jonas Children’s Environmental Health Fund and the Rose Foundation. 

Warwick doesn’t go out of her way to make enemies where there’s no need to do that, though she can be persistent and even a tad confrontational, as she was during a recent Zoom meeting with Sonoma County Ag Commissioner Andrew Smith. Still, she wants allies, not foes, and, as she points out, “farmers and their families are also getting sick. There’s Parkinson’s Disease, dementia and non-Hodgkin Lymphoma, a form of cancer that attacks the lymph nodes.”

Sonoma County’s Edwin Hardeman, now in his 70s, was exposed to Roundup for decades. He developed non-Hodgkin’s Lymphoma and was one of the first American citizens to win a suit against Monsanto. A jury in San Francisco determined that his exposure to Roundup was “a substantial factor” in the development of his cancer. Hundreds of others have filed complaints and are ready to go to court. Tens of thousands of them refused to accept the terms of the June 2020 settlement.

In Sonoma County seven environmental organizations work together to ban toxic pesticides and herbicides: Wine and Water Watch, Families Advocating for Chemical and Toxic Safety, Daily Acts, Preserve Rural Sonoma County, Sonoma Safe, Ag Safe and the North Bay Organizing Project.

Local organizations work with groups around the state. Warwick recently spoke at a meeting of the St. Helena City Council and recommended banning Roundup. She also had a recent online meeting (due to Covid-19) with Val Dolcini, the Director of the Department of Pesticide Regulation (DPR), for the state. Warwick told him that citizens had a right to know when fields, vineyards, orchards and parks were going to be sprayed. He seemed to agree with her.

GRAPE, the Graton Pesticides Research Project, in partnership with UCSF and CPR—with funding from the Breast Cancer Research Foundation—has embarked on a much-needed study of the use of pesticides in and around Graton, where Alexis Kahlow has helped to lead the grassroots opposition to toxic chemicals.  

At a West County organic vineyard, Nichole Warwick tells me, “I’m aware of corruption and collusion, but I’m optimistic about changing the trajectory for the health of our children and our children’s children.” 

Champion Chefs Compete in Benefit for Napa Food Programs

Five months into the Covid-19 pandemic, and the North Bay is still largely under sheltering orders that have forced many popular events to cancel their plans for the summer.

One of the most impactful financial fallouts of the canceled summer is the loss in fundraising revenue that these events generate for many local nonprofit organizations.

Case in point: Each year Oxbow Public Market’s Fork It Over benefit and the Hands Across The Valley fundraiser in St. Helena each raise money for the Napa Valley Food Bank and other local safety-net food programs such as Meals on Wheels.

These two benefit events are cancelled due to the Covid-19 pandemic this summer, meaning that the Napa Valley Food Bank and Meals on Wheels stand to lose approximately $250,000 in funding at a time when the number of families using these programs has nearly tripled due to the pandemic and the subsequent economic downturn.

In place of these canceled live events, the organizers behind both Fork It Over and Hands Across the Valley are working together to create a new virtual event to help close the financial gap in funding.

“Participating in Fork It Over is a way of supporting local people who need help at one time or another in their lives,” Steve Carlin, founder and managing partner of Oxbow Public Market, says in a statement. “This year is different in that there are more of us confronting food insecurity challenges. At Oxbow, we are doing everything we can to be part of the solution, and we’re proud to partner with Hands Across the Valley on this creative new fundraising effort.”

On Sunday, August 23, Fork It Over and Hands Across the Valley host the first-ever virtual Napa Valley Champions Cook-Off, pitting two acclaimed Napa Valley chefs against each other in a friendly challenge. Both of the participating chefs have won national televised cooking contests, and now North Bay viewers are invited to watch the live streaming event that will determine the ultimate champion chef.

“We were very disappointed when we had to cancel our annual benefit event due to the pandemic,” Hands across the Valley founder and board president George Altamura says in a statement. “This is a great way to engage some of our talented culinary stars, have some fun and raise money for these very important programs.”

Chef Elizabeth Binder and Chef Chris Kollar are slated to appear in the showdown, and both have plenty of experience cooking in front of a crowd.

Chef Binder, owner of Hand-Crafted Catering in Napa, helped her team “Beat Bobby Flay” on the popular cooking competition show’s seventh episode of Season 23, which aired on January 26, 2020.

Chef Kollar, recently named Yountville’s 2020 Business Leader of the Year, is best known as the owner of Kollar Chocolates. Chef Kollar was named a ‘Chopped Champion,’ winning a sweet and salty challenge on an episode of Food Network’s “Chopped” that also aired in January of this year.

The upcoming Napa Valley Champions Cook-Off will be held at the Culinary Institute of America at Copia’s large teaching kitchens, ensuring the chefs and crew can maintain social distancing.

Radio personality Liam Mayclem, known as the Foodie Chap on KCBS Radio, will host the streaming competition. Chef Ken Frank (La Toque in Napa), Chef Anita Cartagena (Protéa in Yountville), and Chef Tanya Holland (Brown Sugar Kitchen in Oakland) will all be on hand to judge the event.

The Napa Valley Champions Cook-Off will be free to watch via Facebook Live, and viewers will be encouraged to donate money throughout the approximately hour-long program to support The Napa Valley Food Bank and Meals on Wheels. Donations received during the event will be eligible to win $500 in OxBucks, redeemable at any Oxbow Public Market merchant.

The Napa Valley Champions Cook-Off streams online Sunday, Aug 23, at 2pm. Free. Facebook.com/OxbowPublicMarket.

North Bay Musician Responds to San Quentin Outbreak in New Song

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Based in West Marin, world music artist Jai Uttal is renowned worldwide for his mixture of instrumental and spiritual offerings.

Uttal is best known musically for his heartfelt renditions and upbeat adaptations of classic Kirtans, the Indian call-and-response practice of chanting ancient Sanskrit mantras, accompanied by music. He has also released more than 20 albums that blend elements of reggae, jazz, Indian, samba and rock ’n’ roll; most recently unveiling his ambient instrumental album, Gauri’s Lullaby, in May 2020.

Now, Uttal is releasing a new single, “Behind the Walls,” that addresses the ongoing Covid-19 outbreak at San Quentin State Prison, where Uttal has worked with inmates as part of an interfaith program. “Behind the Walls” is available to listen to online now, and Uttal encourages listeners to donate to inmate advocacy group Re:Store Justice.

For more than 40 years, Uttal has brought his music and interfaith spiritual messages to prisons throughout the country, first touring penitentiaries in the early 1970s with his friend, noted spiritual leader Ram Dass.

In 2011, Uttal began performing at San Quentin as part of the interfaith program, ‘Chaplain of the Heart,’ that features a small group of musicians leading semi-regular Kirtan programs in the San Quentin Chapel. Uttal bonded with many incarcerated individuals at San Quentin, and he—like many Marin residents—is disturbed by the ongoing health crisis currently taking place inside the prison.

According to the California Department of Corrections and Rehabilitation, more than 2,000 incarcerated people in San Quentin have tested positive for the coronavirus since June, more than two-thirds of the incarcerated population at the prison. Reports indicate the outbreak at the prison began in late May when infected inmates from the California Institution for Men at Chino were transferred to San Quentin and improperly introduced to the population there.

In “Behind the Walls,” Uttal bemoans the lack of public awareness and action to resolve the prison’s ordeal, which he calls the “San Quentin Blues.” Comprised of an acoustic guitar and Uttal’s voice laid over strings and a trumpet solo, the song is a somber call for help, and proceeds and donations from the single are going to nonprofit Re:Store Justice, which aims to reform the prison system by working with incarcerated individuals as well as recently released persons.

Listen to “Behind the Walls” now and read Uttal’s extensive artist’s statement about the song below.

“I first started singing in Federal penitentiaries around 1973, when I was touring with Ram Dass. We would go into the prisons and I would sing and share a Kirtan as part of his presentation to the inmates. I found those experiences intense and profound. But it wasn’t until decades later that I began to go semi-regularly into San Quentin prison to sing for the inmates and share with them the practice of Kirtan, as part of an interfaith program that had been in place for some time.

Standing outside of San Quentin can be quite intimidating, with its many huge gates and high walls, but, once inside, in the sanctuary of their small chapel, with a room full of enthusiastic men, that trepidation completely disappears. Of course, it took me a while to find my way to be authentic and real with the men; to not see them as ‘other.’ But once that happened, I found a community of brothers there who were so incredibly committed to their spiritual practices and to finding inner freedom within the confines of their incarceration. Their dedication and deep spiritual longing was completely inspiring to me.

So, I went again and again with a small group of musicians and, after a while, I saw that these men, who at first seemed so hard, we’re melting and smiling and singing and expressing so much emotion. In fact, many of the men got off of their seats and danced like wild Bengali Bauls. After one of the kirtans, a man came up to me and said, ‘This is the REAL San Quentin! This is what you have to tell everyone. Nobody believes this. THIS is the REAL San Quentin. We are all brothers here.’ With tears in his eyes, he referred to the prison as ‘The House of Healing.’

So, when I heard about the intense Covid surge inside the prison and how little the authorities we’re doing about it, I was affected very deeply, and personally concerned with the plight of some of my friends there. It’s amazing to me that what’s happening behind those walls is going unnoticed by most of the residents of Northern California. In fact, the devastation that’s occurring because of the virus in so many federal penitentiaries has just been a footnote in the national news. San Quentin was pretty much infection-free until an incomprehensible decision by the prison board transported a bus load of men from a prison in Chino, California, to San Quentin, in Marin County, California. Many of the transportees carried the virus, some already showing severe symptoms. With almost no medical facilities or possibilities for quarantine, the virus spread like a wildfire and began to decimate the San Quentin population. This is still happening.

So I decided to write and record this song, ‘Behind The Walls,’ and release it as soon as possible so people could know what’s happening in their backyard. (San Quentin is about a ten-minute drive from our home!). Thank you so much for listening to my song and reading my words. Much love, Jai”

Jaiuttal.com

Healdsburg Jazz Festival Founder Jessica Felix Announces Retirement

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After more than two decades of booking and directing the Healdsburg Jazz Festival, Jessica Felix has announced her retirement effective at the end of September.

Felix first formed the festival in 1999, focusing her extensive experience in booking jazz bands throughout Northern California on the small North Sonoma County town.

In addition to bringing the world’s foremost jazz musicians to the region for the annual summertime Healdsburg Jazz Festival, Felix also sponsored numerous music education programs in Healdsburg schools and presented masterful concerts throughout the year.

Now, Felix is ready to pass the reigns of the festival on to a new generation of jazz fans, and plans to spend her retirement traveling and returning to her work in jewelry-making.

“I love this music deeply and feel very proud of the vast and diverse array of incredible artists I have presented over the years, bringing many to the West Coast for the first time,” Felix says. “It’s time to be in the audience. It’s time to just enjoy my life.”

As the head of the Healdsburg Jazz Festival, Felix connected the town through music in times both good and bad, facing financial challenges and natural disasters with perseverance and a collaborative spirit that involved the whole town; from the vineyards to the restaurants, hotels, bars, schools and citizens, many of whom became festival volunteers or provided financial support, and some of whom offered up their guest homes to musicians.

With that support network in place, Felix feels confident that the festival will continue without her running the show.

“I have a strong board and staff, and with my artistic director successor—who we’ll be announcing soon—the festival will flourish,” she says.

Drummer Billy Hart, who holds the record for Healdsburg Jazz Festival appearances at 14, says that the festival’s success is due to Felix’s ability to make him and other touring musicians feel like family.

“Healdsburg festivals were around the time of my daughter’s birthday, so Jessica made sure the whole family came up. And she would come by to help us celebrate. You have to understand that being a touring musician puts a strain on families,” Hart says in a statement. “So being able to have your family with you is a special thing. And it wasn’t just me she did that for. Plus, she would find these beautiful homes for us to stay in, peoples’ second homes, where we could have privacy. And had restaurants that gave us great food.”

In addition to hospitality, Felix is an innovative music booker with a deep knowledge of the art form.

“Jessica sort of loves the music like a musician loves it,” Hart says in his statement. “She has some kind of way of communicating with us that shows she understands the creative aspects of what we’re doing. That makes her important to musicians, especially improvising musicians. It makes her very important to me.”

Felix has also earned a reputation as a fierce advocate for the music and the festival.

“Jessica is a warrior,” jazz flutist James Newton says in a statement. “She fights for the music, and ‘no’ is rarely in her vocabulary. You need people like that.”

That advocacy continued up until this summer, when the Covid-19 pandemic forced the cancellation of the 2020 Healdsburg Jazz Festival. Instead of sitting the summer out, Felix led a team to create an entire online program of music and educational offerings including Zoom classes on important jazz figures, listening parties and more. For more information on these programs, visit the festival’s website.

Former festival board member Gloria Hersch sums up Felix’s lasting impact on the North Bay by saying, “Jessica brought the musicians to Healdsburg, but she also brought Healdsburg to the musicians.”

Rancor at Petaluma Protest over Black Teacher Firings

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Hundreds of protesters crowded the St. Vincent’s Church Plaza on Sunday as part of a demonstration organized by St. Vincent’s High School alum Aidan Lynch and local Black Lives Matter supporters. Central to the protest was the firing of two Black women staff members at the Catholic High School.

The demonstration began at the private Catholic high school and culminated at the St. Vincent’s Church Plaza with a press conference communicating the protestors’ concerns, which stem from mid-June, when St. Vincent’s High School (SVHS) dismissed Dean of Counseling Joanna Paun and Physical Education Teacher Kinyatta Reynolds. The terminations came “one week after attempting to engage Principal Patrick Daly, Father Donahue, and the SVHS Board in a dialogue about institutional racism at the school and their proposed solutions,” according to an open letter written to school officials by Lynch and signed by over 200 other alumni.

Daly did not respond to the teachers’ attempts to dialogue about racism, but their positions were eliminated. Incidentally, the date of the teachers’ dismissal was the same as Juneteenth,, the annual observance of the Emancipation Proclamation, which some have observed as adding insult to injury, according to Lynch in an NBC news interview.

“It is ludicrous that SVHS fired all Black faculty under the guise of budget restructuring, while simultaneously accepting federally-insured money,” says Lynch in the alumni letter.

“What I would like to see is for everyone to engage in real, honest conversations without fear of retaliation,” said Paun in the same NBC news interview.

Calls to SVHS seeking comment from Daly went unanswered.

The masked protest was met by a sparse pro-Trump group—mostly without masks—that stood on the front steps of the Catholic church waving flags and signs that said Back the Blue and Trump 2020.

One counter-protester continuously attempted to drown out the press conference by shouting at them from a megaphone. Another counter-protester was seen shoving a BLM protester according to a bystander who wished to remain anonymous. “All of a sudden, I heard yelling and noticed the blonde woman in the red MAGA tank top aggressively going after one of the BLM protestors, shoving her to the ground, and pulling her hair. Several bystanders, including myself, ran over to intervene,” the bystander recounted. “That’s when she shoved her flag pole toward my chest.”

Young children also witnessed the incident. A Petaluma Police Department Press Release states that they have not yet been contacted by any victims.

Daly’s recent in-person roundtable conversation with President Trump about reopening schools was also cause for concern to the alumni and protesters. The SVHS alumni letter states “[Daly’s] decision to appear at the White House soon after [the dismissal of the teachers] served as a clear response, and spoke plainly that racism can occur with impunity at Saint Vincent de Paul on Daly’s watch.”

The SVHS alumni expressed a desire for fuller transparency with the school’s hiring practices budgets, inclusion efforts, and caution over the optimistic school reopening plans. The plans include a contingency plan for fully opening schools in person the week of September 8th, despite “a record-breaking month of fatalities linked to the coronavirus pandemic…500,000 confirmed cases of COVID-19, the most of any state” according to an August 3rd article in the Los Angeles Times.

In a response on the SVHS school website, Daly and school President Rev. William Donahue say that Daly went to the White House Forum not to “pay court to any person,” but to share their “knowledge and experience”. Additionally, they deny any wrongdoing and say that the staff members “were not singled out due to race or any other form of invidious discrimination.”

Principal Daly of St. Vincent’s High School was the only representative of Catholic and West Coast high schools at the July 7th White House roundtable conversation on reopening schools. He was praised by Trump during the meeting for wanting to fully open St. Vincent’s High School this Fall in spite of record numbers of COVID-19 cases.

Long-Running Napa Valley Chamber Music Festival Comes Home

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Wine Country views and world-class music come together each August in the Napa Valley for the Music in the Vineyards chamber music festival.

For 25 years, the nonprofit organization, which hosts fundraising events throughout the year for its musical outreach programs, showcases dozens of artists performing at several winery venues throughout the region.

This August, the 26th annual Music in the Vineyards is forced to move out of the fields and onto the internet, with a virtual iteration of the popular fest, Music in the Vineyards @ Home, streaming via YouTube for free beginning Aug. 5.

The online festival boasts a strong lineup of performers and winery venues partnering together to continue the event’s tradition of pairing wine and music in an intimate setting.

Music in the Vineyards @ Home presents each of the festival’s dozen concerts streaming online at the dates and times of its original concert schedule, running on select dates Aug. 5 through Aug. 23. All streaming concerts will remain online until Aug. 31, and all will be available to watch for free; donations will be accepted in lieu of tickets to help provide funding for the participating musicians and to help plan for a live festival in 2021.

Each concert will feature a unique winery venue, which will each offer discounts for festival patrons to wine order online to enjoy with each performance streamed.

Artistic Directors Michael and Daria T. Adams will introduce each evening’s performance, and the streaming concerts will also include interviews with the musicians, winemaker conversations and other surprise extras.

On Wednesday, Aug. 5, Music in the Vineyards @ Home Festival opens with selections by and inspired by Johann Sebastian Bach, the German composer and master of the Baroque era whom festival organizers write is “the go-to composer for musicians who are sequestered alone.” Broadcast at 7:30pm and hosted by Napa Valley’s picturesque Domaine Carneros winery, the concert begins with a performance of Bach’s “Suite No. 3 in C Major” by cellist Tanya Tomkins. Then, pianist and composer Michael Brown and cellist Nicholas Canellakis perform Brown’s original composition, “Prelude and Dance.” Finally, Music in the Vineyards favorites the Pacifica Quartet perform Felix Mendelssohn’s “String Quartet Op. 44, No.1.”

On Friday, Aug. 7, Leap Frog Winery hosts a streaming concert that musically travels to France to examine classical works by composers such as Chevalier de St-Georges—classical music’s first known composer of African descent—as well as French superstar composers César Franck, Claude Debussy and Maurice Ravel.

On Saturday, Aug. 8, Music in the Vineyards @ Home presents an evening of music, this time presented with host winery Charles Krug, which focuses on a theme of “Virtuosity.” Masterful performers such as the San Francisco–based Thalea String Quartet musically present that notion of expertise, with selections including “Dimensions for String Quartet” by contemporary European composer Garth Knox and the famously difficult Paganini Caprice No. 5 for violin played on the viola by Canadian musician Pierre Lapointe.

Sunday, Aug. 9, features a concert presented in partnership with Chimney Rock Winery that is dedicated to the memory of those who have recently died, with plaintive music from Bach and two Laments from the British Isles.

Many other international artists and acclaimed wineries join the Music in the Vineyards @ Home Festival during the remainder of the online schedule, and a full list of shows and performers can be found online, as well as winery-discount deals from participating venue hosts. Tune in to the free virtual festival on the MITV website and on YouTube.

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Virtual event on Aug 23 supports local food bank, Meals on Wheels

North Bay Musician Responds to San Quentin Outbreak in New Song

Jai Uttal's single, "Behind the Walls," is dedicated to inmates at San Quentin impacted by the Covid-19 pandemic.

Healdsburg Jazz Festival Founder Jessica Felix Announces Retirement

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Long-Running Napa Valley Chamber Music Festival Comes Home

Music in the Vineyards pivots to online format this August
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