The Cold-Coffee Caper—Based on a True Event

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By Henri Bensussen

House-cleaning day, and Liliana bursts through the back door, a quivering exclamation point in polyester and spandex fueled by indignation. 

Robbed while distracted at the outlet store—“A woman by the coffee urn, it must have been her,” she says. Her purse gone, replaced by a coffee cup, a place-holder token and clue. Cops told her this happens all the time. Someone takes the cash, tosses away the bag with its precious contents. Victim left holding a cold cup of coffee.

Fine eyebrows, two little arcs, jumpy as window shades, her skin so fresh compared to mine, no scars or worry lines developed by age from negatives in a chemical bath. I wander through rooms arranging, straightening, while she’s on the attack, moving chairs and dressers, inspecting light fixtures, wielding her efficient mop and vacuum to search out the dirt of decades past as if that would uncover thief and theft.

She brings me a rusty dime and a dollar bill shedding spools of dust. “I found it under the bed,” she says, triumphant. Clear proof of my guilt.

I spread it out, this dusty bill eroded to a dime’s worth, the dime to a penny. Two hours later she heads to the bank holding tight to three well-earned 20s. 

Sitting at the polished table before a spotless window that frames a spring garden where every flowering plant is flowering, and drained by the morning’s dramatic turns, I wish a jinni to appear with a cup of coffee for me, and wonder: Who needed that purse the most—snatcher, owner or the jinni caught in a dust ball?

Henri Bensussen lives in Santa Rosa and is the author of the chapbook of poems, “Earned Colors,” and of essays, poems and stories published in various anthologies.

My Friend the Animal Whisperer—Kickin’ it Over Cowboy Coffee

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By Mark Fernquest

These mornings are heavy with fog which burns off to reveal bright blue sky by about 10am. I sit in the garden and feed sticks into the camp stove to heat the coffee kettle. When the water is hot, my friend the Animal Whisperer joins me and we do pour-overs in the sunlight, surrounded by verdant green grass.

Life was never so good.

The Animal Whisperer is very specific about her coffee and brews not so much a cuppa as a potion replete with oil and God-knows-what-all magical herbs in it. It’s extraordinary stuff. But I prefer mine with a touch of cream, unstirred.

The Animal Whisperer and I go back many years. I’m proud to say I knew her before she whispered to animals. And I’m proud to say I was there the first time she ever spoke telepathically with an animal, when she gave me a message my cat, Shadow, asked her to give me. It was a message the Animal Whisperer couldn’t possibly have understood, but which I did. I later found out that this remarkable moment didn’t occur in a vacuum; it occurred shortly after the Animal Whisperer struggled very hard to hear something very specific in her inner spiritual world—and succeeded.

The Animal Whisperer is an extraordinary person, given to extraordinary ways. I call her a yogini, though she doesn’t practice yoga. She once lived in a Himalayan Tibetan Buddhist monastary, though she is not Buddhist. She is many things, including my muse, and to write about her is to write about love itself, for, though we transitioned from lovers to friends long ago, every thought I have of her is a love poem. Such is the delight between souls.

Over coffee the Animal Whisperer tells me about her conversations with my cat, Elijah, to which we often chuckle, as animals say the damnedest things. For instance, when we set off for town the other day, Elijah told her, as she walked out the door, “I know you love me. But I love you, too.”

The Animal Whisperer has many stories to tell; enough to fill a book. But the fire has died, my joe grows cold and those truly are stories for another day. Join me now as I raise my tin cup to cowboy coffee, kitties and animal whisperers everywhere.


Mark Fernquest lives and works in West County. He imagines he is a writer. His friend, the Animal Whisperer, can be reached at my************************@***il.com.

Travel Log—Sam Weber Brings New Album to North Bay

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Ever since he first formed a rock ’n’ roll band with his father and brother at age 12, Canadian-born and Los Angeles-based guitarist and singer-songwriter Sam Weber has found community in music.

Now 28 years old, Weber is already a well-worn traveler who regularly performed extensive tours before the pandemic took him off the road. This month, Weber returns to touring life with a West Coast trek in support of his new album, Get Free. 

Weber plays an outdoor show with his trio on Sunday, Feb. 6, at Smiley’s Saloon in Bolinas, and is scheduled to play Santa Rosa venue The Lost Church on Feb. 13.

“I tend to write a lot on tour and like to play those new songs at shows,” Weber says. “A lot of the songs are very travel-oriented, I realized.”

Weber wrote most of the songs on Get Free that way, before Covid-19 rendered touring dormant in early 2020. He was actually in the process of booking studio space when the pandemic forced him to go in-house to record the album with partner Mallory Hauser and friend Danny Austin-Manning in his living room. 

“There was a period of the pandemic where it was hard to get people together in the same room,” Weber says. “When we did get around to playing music together, it was really joyous. It wasn’t at all our reality, the travel songs; that was far from our reality at that moment, but it was almost like we were celebrating that joy and celebrating the joy of being together.”

The result of that joyous experience is an intimate recording of emotionally-stirring songs that find inspiration from an eclectic blend of folk, Americana and jazz.

“I’ve never made any record the same way twice, but this was the farthest cry from any other way we’ve made it,” Weber says. “I’m always surprised how creativity can really kill technology. You listen to old recordings with one mic in a room and there’s such life in it. It was humbling to get to experience that effect in what we were doing, in a modest way.”

Get Free comes out on Feb. 4, and Weber is more than ready to return to the road this month.

“I’m looking forward to the whole ritual of touring,” Weber says. “I love traveling by car, seeing new things and, of course, playing music with my friends is unlike anything else.”

For details on Sam Weber’s upcoming concerts, visit samwebermusic.ca/shows.

Letters to the Editor—Metaverse Fury and Teaching Children History

Teach the Children

Imagine German parents saying, “We have decided that we don’t want to teach our children about the Nazis, Hitler, the Holocaust and WWII. We think that makes them feel badly about being German and it makes them uncomfortable.”

I think most of us would find that unacceptable. This is what those who are trying to sanitize American History are saying as they try to control school curricula, purge books and block discussions about our history. It’s not about protecting kids, it’s about protecting white privilege. 

The attack on Critical Race Theory and efforts to block teaching history honestly is a PR campaign. It’s racism: same-old product, different package. I think some white American parents are afraid their kids will be different, believe that everyone should get a fair shake and move into a multi-cultural, multi-colored world. For some, that’s a bad outcome.

German kids learned about their history and didn’t melt. Germany has become a strong defender of human rights as they work to heal from their national trauma. American kids can handle the truth. It’s their parents who are having a hard time.

Moss Henry 

Santa Rosa

Obviously Clueless

Since when did the Pacific Sun—and I am assuming the Bohemian, too, since you are now one and the same—become a tool for Meta/Facebook? (“Integrating the Metaverse,” Jan. 26) 

I hope you charged them a chunk of money for that infomercial you published this week!  “Watches, glasses, other types of wearables we haven’t imagined yet, that will allow people to have a more engaged experience through the metaverse.” Wow, just what we need: more stuff to view more mostly useless stuff.

Selena Anne Shephard

Greenbrae

Culture Crush—Theater Curtains are Up in Marin County, Most Famous Female Skier of all Time Writes a Memoir, and More

Marin County

Staged Returns

This week, two Marin County theaters finally light their stages and open their delayed productions. In Mill Valley, Marin Theatre Company presents acclaimed playwright Antoinette Chinonye Nwandu’s provocative new play, Pass Over, that turns everyday profanities into poetry and illuminates the human spirit of young Black men. Feb. 2–20; marintheatre.org. At Marin Art & Garden Center’s Barn Theatre, Ross Valley Players present Sherlock Holmes and the Case of the Jersey Lily by actor-turned-playwright, Katie Forgette—where the wit of Oscar Wilde meets the cunning of Sir Arthur Conan Doyle. Feb. 4–20; rossvalleyplayers.com. Covid protocols apply.

Mill Valley

Big Reveal

All-star Americana outfit Back pOrchEstra came together during the summer of 2020 on musician/songwriter Tim Eschliman’s back porch. Now comprised of Eschliman, drummer Bowen Brown, violinist Candy Girard, bassist Beau Beaullieu and guitarist Gary Potterton, Back pOrchEstra recently released its first album, Voices in My Head (Genre Whiplash), and announced a series of Bay Area performances—including this week’s “North Bay Reveal” concert with support from the Sean Carscadden Trio on Thursday, Feb. 3, at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley. 8pm. $17. Proof of vaccination and masks required. sweetwatermusichall.com.

Napa

Classical Rebels

Newly formed Bay Area ensemble the Renegade Orchestra contains the beauty of a classical symphony with the heart of a rock band by combining virtuosic musicians and a hard-driving rhythm section. This week, the nine-piece orchestra pushes the boundaries of classical, jazz and rock-and-roll, and performs works from diverse composers such as Nina Simone, Miles Davis, the Mamas and the Papas, and Donna Summer when it takes the stage and cuts loose on Thursday, Feb. 3, at Blue Note Napa, 1030 Main St., Napa. 8pm. $20–$35. Proof of vaccination and masks required. Bluenotenapa.com.

Yountville

Brief Cinema

With three days of screenings in the heart of Napa Valley, the 5th annual Yountville International Short Film Festival returns to a live format this month. The festival boasts 20 dedicated screening blocks that feature more than 100 short films encompassing animation, drama and foreign film selections. In addition to the films, the fest will offer filmmaker Q&A sessions and VIP wine-tasting events when it screens Thursday to Sunday, Feb. 3–6, at two pop-up cinemas, the Yountville Community Center’s Heritage Room and Bardessono Hotel & Spa, in downtown Yountville. $15 and up. Masks required. Yisff.com.

—Charlie Swanson

Have Art, Will Travel—Gallery 300 Goes National

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Gallery 300, located in The Barlow in downtown Sebastopol, is a beautiful space with even more beautiful artwork.

Located next to Barge North and across the street from the one-and-only Fern Bar, there are several other businesses in close proximity worth a mention—but the thing is, every business in The Barlow is worth a mention.

Go check it out—Gallery 300 pulls the wandering eye in immediately. Full of punchy, colorful work ranging wildly in size and medium, Gallery 300 is more than the standard gallery; it’s a studio, showroom and collective all in one, built on the idea that the space where art is generated is often the best place to experience it, and that art should feel vital and accessible to the viewer. No stuffiness or tightness is to be found in this often-sunny, open-fronted art space.

Gallery 300’s first iteration was on A Street in Santa Rosa, in what is known as the SOFA district. It was there that artists Jennifer Heirshfield, Barbara Elliot, Mary Vaughn, Cat Kaufman and Alejandro Salazar met and shared studios with the street number 300, hence the name. Gallery 300 is built as a collective, curated by owner and original ideator Jennifer Heirshfield. Jennifer curated this group of artists based on her appreciation for each of their styles and dedication to their work. “We’re all 100% into our art careers,” Heirshfield says.

Though an eclectic and international group, the Gallery’s motto is “creating locally, showing locally.” Hirshfield and Thorpe both use the space as their studio, and all the artists work within 15 miles of the Gallery. The expansive styles and boundless inspirations still fortify and impact the local community. The goal of the gallery is to represent a group of creators consistently over time, rather than constantly showing a rotating wheel of artists. Hershfield believes there’s something special to be gained by viewing multiple works of art from a standing group of artists and watching their creative development over time.

Gallery 300 survived the pandemic—which we’re now tentatively and hopefully referring to as an endemic—and emerged as strong as ever.

“Business picked up in a big way right before Covid hit,” Hirshfield says. And, though the shutters went down during the hardest months, business stayed strong. In keeping with the undulating rhythm of the rest of the world, things have been up and down since the world semi-reopened, but Hershfield says Gallery 300 is on an overall upswing.

And not only are things on the upswing for Gallery 300’s success in The Barlow—the collective was recently accepted, for the sixth year running, into Art Miami, the internationally renowned annual art fair, which is doubly exciting because they are the only Sonoma County gallery to be represented.

They’re headed to New York this March for the Affordable Art Fair—because yes, their work is both stunning and not impossibly priced—and the next in-house art show will happen this summer when things are a bit less hectic. Between now and then, don’t miss a chance to visit the Gallery, open Monday through Sunday, 11am to 5pm. It’s an amazing creative boost.

Gallery-300.com.

Napa Lights Up—Arts Festival a Downtown Destination

People are gathering in downtown Napa to see dramatic new art installations—like the Electric Dandelions by art collective Liquid PXL, with its explosions of light that shine like persistent fireworks from across the river and glow like slow-motion supernovae when viewed from yards below, along downtown Napa’s waterfront.

The Napa Lighted Art Festival is free, walkable and safely gatherable. All eight lighted art sculptures are located outside in open gathering spaces throughout downtown Napa. For those looking for an opportunity to enjoy a safe return to public space, the thoughtful placement of the installations gives plenty of room for groups to social distance.

According to the City of Napa website, “The Napa Lighted Art Festival is a celebration of creative arts, technology, lights and supports innovative techniques using light and light technologies as a growing art medium.”

What it is, is astounding, playful and worth the drive. Eight lighted art sculptures line the waterfront or are scattered downtown, including both Instagrammable moments and more contemplative possibilities.

An informal survey of light-goers during my visit revealed a clear sense of delight, not only with the specific installations, but in the arrangement of the works around downtown.

Strollers really liked that the artworks were dispersed throughout downtown, saying, “They needed to be found,” and, “You were never really sure where one would pop up.”

Since the installations are all in public spaces, they can be enjoyed by anyone passing by, a fact appreciated by the art-goers.

It was noted that, because many of the installations go through a circle of colors and patterns, it was easy to just settle into a place and appreciate the art at a slower pace. To enjoy the full cycle takes time. “It gives us a chance to practice a little patience,” was one comment from a sitting viewer.

In part, the intention behind the Napa Lighted Art Festival is to be contemporary and inspiring, and what could be more inspiring at this moment than to gather together in the glow of a shared art experience?

Meet the Artists 

Perhaps the most spectacular stretch is the run of lighted sculptures along the river, which includes the aforementioned Electric Dandelions, by art collective Liquid PXL, as well as the otherworldly Lightforms, by the abstract construction-duo HYBYCOZO.

Liquid PXL, lead by experienced Burning Man artist and founder Abram Santa Cruz, created the Electric Dandelions, which were the biggest hit with this writer’s entourage. The patterns, both familiar and strange, continually engage the crowd.

Lightforms by HYBYCOZO, or the Hyperspace Bypass Construction Zone, is the other impressive artwork along the waterfront. Massive geometric fabricated panels cast shadow and colored light around a garden of several such structures. Artists Yelena Filipchuk and Serge Beaulieu developed the project to “investigate geometric exploration through light, shadow and perception.” The rotating interplay of color combinations along the faces of the cubes truly allow the gathered crowds to go through a range of emotions while in the presence of others, something we just have not had the chance to do as much these last couple of years.

According to organizers, “Several of [the artists] visit during the festival [where they are] available for a more intimate perspective into their background, artistic process, story behind their installation and any other question you may have for them.”

Contact the organizers to find out which artists will be visiting when. And then get out among the people. We need to socialize again.

The Napa Lighted Art Festival runs until March 13. Learn more at http://donapa.com/lighted-art-festival.

IOLERO Says Many of Sheriff’s Internal Investigations are Incomplete

Early on the morning of Nov. 27, 2019, David Ward lost his life on a dead-end street in Bloomfield.

Three days earlier, the 52-year-old had reported his green Honda Civic stolen. Ward later recovered the car but did not inform law enforcement. When the police received a report that the supposedly stolen car had been spotted, Sonoma County Sheriff’s Deputies Charles Blount and Jason Little gave chase.

Once Ward’s car came to a stop, still not knowing Ward was driving his own car, the deputies attempted to arrest him. A body-cam video posted on YouTube shows Blount trying to pull Ward out of his car window, slamming his head against the car door several times and attempting a now-banned carotid choke-hold while Ward sat in the driver’s seat.

As the case gained public attention, Sonoma County Sheriff Mark Essick decided to fire Blount, but the deputy quit before Essick acted. In October 2020, a grand jury indicted Blount on two charges, felony involuntary manslaughter and misdemeanor assault. Sonoma County District Attorney Jill Ravitch’s office is pursuing an involuntary manslaughter charge against the former deputy in a trial which is expected to conclude in early February.

Essick placed Little, the deputy who accompanied Blount, on temporary leave after the incident. Following an internal investigation of the incident, the Sheriff exonerated Little of any responsibility in Ward’s death.

Little’s exoneration is one of 13 Sheriff’s Office investigations that the County’s Independent Office of Law Enforcement Review and Outreach found incomplete or not totally accurate. The 2020–2021 report references a total of 25 investigations.

“Deputy Little appears to have had ample opportunity to intercede in Mr. Blount’s egregious behavior,” IOLERO’s report states. “A departmental policy required him to do that and he made no attempt to comply.”

The agency presented its report to the Sonoma County Board of Supervisors Tuesday, Jan. 25. IOLERO can audit sheriff’s investigations and make recommendations based on its findings, but it cannot conduct independent investigations or enforce its recommendations.

Another case the IOLERO report cited involved a deputy who posted anti-Jewish and anti-Black statements on social media. The Sheriff’s Office exonerated the deputy, but the IOLERO report found the investigation to be incomplete, saying the posting violated department policy involving the balance between First Amendment free-speech rights and a deputy’s responsibility as a public servant.

The policy reads, in part, “Due to the nature of the work and influence associated with the law enforcement profession, it is necessary that employees of this office be subject to certain reasonable limitations on their speech and expression.”

The other 12 investigations which IOLERO deemed incomplete range from alleged mishandling of a collision between a deputy’s car and a private vehicle to a deputy using excessive force while arresting a man who was sleeping in his legally parked vehicle. Two of the cases involved jail medical staff.

Nancy Pemberton, a member of IOLERO’s Community Advisory Committee—the group charged with providing community input—said of the auditors’ findings, “We should be very disturbed about the incomplete investigations. If the Sheriff’s Office doesn’t enforce policies, they might as well not have them. There is no motivation for the deputies to follow the policies.”

Established by the Sonoma County Board of Supervisors in 2015, IOLERO’s five tasks include independent review of sheriff’s investigations, an alternative avenue for members of the public to file complaints against the Sheriff’s Office, increasing transparency, conducting public outreach and proposing policy recommendations to the sheriff.

In November 2020, Sonoma County voters approved Measure P, a ballot measure intended to strengthen and expand IOLERO powers, including the right to conduct independent investigations, to subpoena the records of deputies involved in investigations, to publish deputies’ body-cam videos, to sit in on interviews of the subjects of complaints and to recommend discipline measures.

However, two police unions quickly filed a complaint with the state’s Public Employment Relations Board, alleging that the county mishandled the process of putting the measure on the ballot. The complaint has resulted in all portions of the measure involving deputies being invalidated while a court considers the county’s appeal of the Public Employment Relations Board’s ruling.

Although the audits form the core of the agency’s 2020–2021 report, the report also lists some successful efforts at recommending Sheriff’s Office reforms and IOLERO’s ongoing work within the community. The successful actions include agreeing to implement “an overarching de-escalation policy” and a new policy requiring deputies to document every time they point a weapon at a suspect, even if they don’t fire it.

In the community, IOLERO has been working with Angel Turner, the sister of Georgia Leah Moses, a 12-year-old girl whose 1997 murder is still unsolved.

Pemberton, a retired criminal defense attorney who was appointed to the CAC in December, wrote about her concerns with the report’s finding in a letter she sent to the supervisors.

“It is not enough to read and listen to the report. It is time for the board of supervisors to exercise more authority over this rogue sheriff’s department, with whatever tools you have at your disposal,” Pemberton wrote.

At their Jan. 25 meeting, the supervisors also entertained a second agenda item involving IOLERO. They approved Bay Area attorney Garrick Byers as interim director of the agency. Byers will replace IOLERO’s former director Karlene Navarro, who left her position suddenly in November after Gov. Gavin Newsom appointed her to serve as a Sonoma County Superior Court judge.

In an interview last week, Byers said he “expects no change in direction” during what he estimates will be a five-to-six-month stint as interim chief.

“I am moving forward on Karlene’s plans,” he said.

Navarro, who has known Byers for many years, hired him in September 2021 to audit a backlog of cases dating back to 2017.

During his tenure, he expects to take a more active role in the CAC and to further the Sheriff’s proposed community-oriented policing program, Byers said.

In an emailed statement to the Bohemian, Board Chair James Gore said, “The Board of Supervisors is heartened that the Sonoma County Sheriff’s Office expressed a commitment to conducting more thorough and complete investigations. Interim Director Byers has the support of the Board in meeting IOLERO’s mission to strengthen the relationship between the Sheriff’s Office and the community, which could include working to improve the internal process for completing investigations, in the interest of greater transparency of law enforcement operations.”

Beginning in February, the county plans to conduct a nationwide search for a permanent IOLERO director.

In regard to that search the CAC has “strongly recommended” that the supervisors and the county’s human resources department adopt the transparent process employed by King County, Washington when it appointed a new director for its Office of Law Enforcement Oversight.

King County’s process included two virtual public meetings featuring the two top candidates for the position. Meeting participants were asked to complete a survey that was shared with the county’s recruitment committee.

Premiere: The Things of Youth debuts new single, “Brothers in Paradise”

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North Bay musician and songwriter Jon Fee has made music under many different names, from his time in Sonoma County experimental outfit The Rum Diary, to his work on his own solo project, The Things of Youth.

This year, the San Anselmo-based Fee will release his long-awaited sophomore album under his Things of Youth banner, simply titled Volume Two. Today, he releases the first single from that forthcoming album, “Brothers in Paradise.”

Opening with what Fee calls the “NorCal Indie Rock Men’s Choir,” the new single is an indie-rock anthem that takes lyrical inspiration from Joan of Ark and LIFE Science books from the 1960s, and musically calls to mind T. Rex and Broken Social Scene.

Recorded by Daniel Mckenzie and Cory Gray at the Panoramic House in Stinson Beach and The Black Lodge in Fairfax, “Brothers in Paradise” features Jake Krohn (drums, guitar solo, vocals), Adam Cimino (guitar), Josh Staples (vocals) and Mckenzie (synths).

“Brothers in Paradise” is available now on streaming services like Spotify, Apple Music, Pandora, YouTube Music, Deezer, and more. Better yet, a percentage of all sales will go to the National Parks Conservation Association and the National Park Foundation.

Listen to “Brothers in Paradise” by clicking the player below. The Things of Youth’s Volume Two comes out on May 1. Get details at Parksandrecords.com.

Peter Byrne’s Point Reyes Coverage Wins Award

On Thursday, Jan. 27, independent investigative journalist Peter Byrne won recognition from the Society of Professional Journalists’ Northern California chapter for his extensive coverage of the Point Reyes National Seashore for the North Bay Bohemian and Pacific Sun.

Byrne’s articles about the Seashore chronicle the “debates [about] the continuation of dairy and cattle ranching, bacteria contamination at beaches, recognition of Coast Miwok history in the area and treatment of tule elk on federal parklands,” an SPJ NorCal announcement states.

Revisit some of Byrne’s articles below:

Read SPJ NorCal’s full announcement, including the list of winners, here.

The Cold-Coffee Caper—Based on a True Event

Click to read
By Henri Bensussen House-cleaning day, and Liliana bursts through the back door, a quivering exclamation point in polyester and spandex fueled by indignation.  Robbed while distracted at the outlet store—“A woman by the coffee urn, it must have been her,” she says. Her purse gone, replaced by a coffee cup, a place-holder token and clue. Cops told her this happens all...

My Friend the Animal Whisperer—Kickin’ it Over Cowboy Coffee

Click to read
By Mark Fernquest These mornings are heavy with fog which burns off to reveal bright blue sky by about 10am. I sit in the garden and feed sticks into the camp stove to heat the coffee kettle. When the water is hot, my friend the Animal Whisperer joins me and we do pour-overs in the sunlight, surrounded by verdant green...

Travel Log—Sam Weber Brings New Album to North Bay

Click to read
Ever since he first formed a rock ’n’ roll band with his father and brother at age 12, Canadian-born and Los Angeles-based guitarist and singer-songwriter Sam Weber has found community in music. Now 28 years old, Weber is already a well-worn traveler who regularly performed extensive tours before the pandemic took him off the road. This month, Weber returns to...

Letters to the Editor—Metaverse Fury and Teaching Children History

Click to read
Teach the Children Imagine German parents saying, “We have decided that we don’t want to teach our children about the Nazis, Hitler, the Holocaust and WWII. We think that makes them feel badly about being German and it makes them uncomfortable.” I think most of us would find that unacceptable. This is what those who are trying to sanitize American History...

Culture Crush—Theater Curtains are Up in Marin County, Most Famous Female Skier of all Time Writes a Memoir, and More

Click to read
Marin County Staged Returns This week, two Marin County theaters finally light their stages and open their delayed productions. In Mill Valley, Marin Theatre Company presents acclaimed playwright Antoinette Chinonye Nwandu’s provocative new play, Pass Over, that turns everyday profanities into poetry and illuminates the human spirit of young Black men. Feb. 2–20; marintheatre.org. At Marin Art & Garden Center’s Barn...

Have Art, Will Travel—Gallery 300 Goes National

Click to read
Gallery 300, located in The Barlow in downtown Sebastopol, is a beautiful space with even more beautiful artwork. Located next to Barge North and across the street from the one-and-only Fern Bar, there are several other businesses in close proximity worth a mention—but the thing is, every business in The Barlow is worth a mention. Go check it out—Gallery 300 pulls...

Napa Lights Up—Arts Festival a Downtown Destination

Click to read
People are gathering in downtown Napa to see dramatic new art installations—like the Electric Dandelions by art collective Liquid PXL, with its explosions of light that shine like persistent fireworks from across the river and glow like slow-motion supernovae when viewed from yards below, along downtown Napa’s waterfront. The Napa Lighted Art Festival is free, walkable and safely gatherable. All...

IOLERO Says Many of Sheriff’s Internal Investigations are Incomplete

Garrick Byers - Sonoma County
Early on the morning of Nov. 27, 2019, David Ward lost his life on a dead-end street in Bloomfield. Three days earlier, the 52-year-old had reported his green Honda Civic stolen. Ward later recovered the car but did not inform law enforcement. When the police received a report that the supposedly stolen car had been spotted, Sonoma County Sheriff’s Deputies...

Premiere: The Things of Youth debuts new single, “Brothers in Paradise”

North Bay musician and songwriter Jon Fee has made music under many different names, from his time in Sonoma County experimental outfit The Rum Diary, to his work on his own solo project, The Things of Youth. This year, the San Anselmo-based Fee will release his long-awaited sophomore album under his Things of Youth banner, simply titled Volume Two. Today,...

Peter Byrne’s Point Reyes Coverage Wins Award

Tule Elk - Point Reyes National Seashore
On Thursday, Jan. 27, independent investigative journalist Peter Byrne won recognition from the Society of Professional Journalists’ Northern California chapter for his extensive coverage of the Point Reyes National Seashore for the North Bay Bohemian and Pacific Sun. Byrne’s articles about the Seashore chronicle the “debates the continuation of dairy and cattle ranching, bacteria contamination at beaches, recognition of...
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