Duo Vision

0

music & nightlife |

By Gabe Meline

In 1998, then-27-year-old Brad Mehldau recorded a very elegant rendition of “Exit Music (For a Film),” sourced from Radiohead’s then-recent opus OK Computer. It exploded Mehldau’s visibility, turned a young generation on to jazz, and summarily overshadowed his entire repertoire. To fuel public demand, more Radiohead songs followed, along with introspective interpretations of Nick Drake, George Harrison and Paul Simon.

That Mehldau is an iconoclast is a generally accepted, though largely untrue, point of view owing mostly to his flirtation with non-jazz idioms (the first time Mehldau performed in the Bay Area, he appeared at a small club specializing mostly in hip-hop). What unfortunately has gotten lost is Mehldau’s own intricate compositional skill and heroic ability to infuse deserving beauty into hoary, sentimental tunes (“Young at Heart,” “Someone to Watch Over Me,” “Secret Love”). Like Sonny Rollins, he lets melody be the judge, even while pleading insanity on the stand.

The pianist recently teamed up with electric-fusion guitarist Pat Metheny for an eponymous release, Metheny/Mehldau, to explore the simplicity of harmonic invention as one half of a pair. Though Mehldau hates being compared to Bill Evans–even going so far as to explain why in the liner notes to his albums–any piano/guitar duet in the realm of jazz must be weighed against the two albums of infinite treasure that Evans made with guitarist Jim Hall, Undercurrent and Intermodulation. Amazingly, Metheny and Mehldau capture the same telepathic brilliance as their predecessors, and for the most part their intimate work together is breathtaking; Metheny’s compulsion for guitar effects pollutes only a small percentage of the dialogue.

Mehldau has found rare time for collaboration outside of his trio with bassist Larry Grenadier and drummer Jeff Ballard, and a four-man follow-up, Quartet, arrived last month as no surprise. It is just as much a rewarding listen as Metheny/Mehldau, if slightly less voyeuristic, and points further toward the hope that Mehldau’s fantastic talent will eventually dilute his reputation as “the Radiohead guy.”

Brad Mehldau and Pat Metheny appear with Larry Grenadier and Jeff Ballard this Tuesday, March 27, at the Napa Valley Opera House. 1030 Main St., Napa. $55. 707.226.7372.




FIND A MUSIC REVIEW

The Byrne Report

March 21-27, 2007

It was a balmy evening in late February at the Sausalito Cruising Club. Inside the shiplike restaurant, a political organizing group called Democracy for America-Marin was holding a forum, “presenting evidence of a direct link between breast cancer and the environment.” About a hundred people, mostly women, attended the informative event.

The panel sported an array of environmental experts, including Barbara Brenner of Breast Cancer Action, Deborah Raphael of San Francisco’s Department of the Environment, two Marin County supervisors and several activists, among them, Peter Coyote, the movie actor. Although the speakers focused on the chemical causes of breast cancer, many other cancers were implicated in the sad story of how our watery bodies are infused with toxic cocktails mixed from 100,000 industrial chemicals.

Coyote was vastly entertaining. The lanky baritone actor, who drove a vegetable-oil-combusting car to the Cruising Club, addressed the question of why people living in green-leafed, ocean-breeze-swept, affluent Marin County should care about the environmental degradation of less fortunate demographic zones. He recounted, “A wise old Indonesian peasant once told me the tale of a goose with two necks, one short and one long. The mouth on the long neck was able to reach the greenest and cleanest of leaves and find the healthiest of bugs to eat. The short neck ate only poison filth lying on the ground. The goose died, of course. Here in Marin, we are the long-neck goose.”

Coyote went on to excoriate our corporate-run government for putting the profit of capitalists before the health of the planet. “It will only get worse before it gets better,” he remarked. “It makes me feel homicidal, and I am a practicing Buddhist for 32 years.”

Brenner made a PowerPoint presentation showing the correlation between cancer and xenoestrogens, which are industrial chemicals that mimic estrogen in our bodies. These compounds are found in many household cleaning products, pesticides, herbicides and ubiquitously licked, sucked and fondled plastic artifacts, including chewable toys tendered to infants. Brenner presented State of Evidence, a collection of facts, scientifically informed essays and political analysis produced by Breast Cancer Action and the Breast Cancer Fund, both headquartered in San Francisco. I learned from this zine that professional journalists are at a particularly high risk for contracting the Big C. Yipes!

Other at-risk groups include dental hygienists, librarians, farmworkers, social workers, nurses and radiologic technologists. Mammograms, which are ionizing radiation, can cause breast cancer. The fatty tissue of most newborn babies is laced with carcinogenic chemical traces; eating barbecued meat is a very bad idea; certain brands of sunscreen can ignite skin cancers. The appendix of the report lists hundreds of chemical sources of cancerous pain, including urethane, the cancer-curing pharmaceutical tamoxifen, alcoholic beverages and (sigh) wood dust.

Raphael’s presentation was sharp. She talked about how San Francisco has legislated use of the precautionary principle, which means not asking if a possibly unhealthy product or chemical substance is legal or safe, but asking if it is necessary and, if not, banning it. San Francisco did that with plastic grocery bags and immediately got hit with a lawsuit by the American Chemistry Council. “They want to keep their right to put known carcinogens in teething rings,” says Raphael.

Activist Sandy Ross spoke about the struggle to mandate integrated pest management in Marin, which would use the precautionary principle to regulate the use of insecticides. Trade groups from the agricultural industry oppose this reasonable approach, naturally. Their friends in the California Legislature passed a law that allows state agencies to preempt local environmental-protection ordinances in favor of the state’s looser standards. Plus, federal law tends to preempt state environmental rules–and we all know what Bush-Cheney did to environmental protections at the federal level: eviscerated them. Worse, the pollution-loving World Trade Organization has the power to preempt the scarred stumps of those castrated protections.

Marin County supervisors Susan Adams and Charles McGlashan were articulate and greenish. Adams bragged about wetland restoration and getting rid of junk-food vending machines in county offices. Those are steps forward, but too little and too late to save us. McGlashan, who has worked with the Natural Step Foundation, was more profound. He laid out several principles for fixing our world. Do not pull anything out of the earth’s crust that does not belong in the biosphere, like coal, oil, mercury, etc., he counseled. If you must, keep it contained in closed loops. Allow no artificial chemicals to build up in the biosphere. Keep habitats natural by not pushing nature away. Create an equitable society.

Those laudable goals will require the long necks to do more than invest in socially responsible mutual funds, which was one of the solutions proffered by Coyote. I wonder what our short-necked brethren have to offer?

or


Deadly Force

0

Photograph by Michael Amsler
Memento: An informal memorial in Sebastopol’s Plaza features a photo of Jeremiah in meditation pose.

By Peter Byrne

On March 12, Jeremiah Chass, a 16-year-old teenage boy, was shot and killed in the driveway of his Sebastopol home by Sonoma County deputy sheriffs. The sudden violence of his death has not only traumatized the Chass family, but the local community as well. Close to a thousand people attended a Sebastopol memorial for Chass on March 17. Mixed with expressions of grief by young and old alike was a resolve to find out exactly what had happened.

The morning after Chass’ death, his parents, Mark and Yvette Chass, asked two close friends to visit them. In person, the shocked couple told Beth Pisani and her husband, Marc Ripley, about the circumstances surrounding their son’s killing. Pisani and Ripley have a six-year-old son, Tyler, who is close friends with and a classmate to the Chass’ youngest son. Pisani says she has received Yvette Chass’ blessing to talk on the record about the tragic event.

The Chass’ account as told to Pisani and Ripley differs from inconsistent narratives released by the Santa Rosa Police Department and Sonoma County Sheriff-Coroner Bill Cogbill. Pressing questions about whether or not deadly force was used unnecessarily remain unanswered because law-enforcement officials have so far refused to release 911 tapes of the event. Like many other people, Pisani and Ripley are concerned that important facts and analysis are missing from both official and press accounts.

According to Pisani and Ripley, on the morning of Monday, March 12, Jeremiah Chass suffered a psychotic breakdown after a period of declining mental health. His frightened parents called Sonoma County emergency services for help in restraining him. Deputy Sheriff John Misita arrived on the scene at 8:43am, followed a few minutes later by another deputy, John Ryan. What the two white deputies saw upon arrival was a white couple (Yvette and Mark) and a white child (their six-year-old son Isaiah Chass) and a severely agitated black man (Jeremiah) with a jackknife. Instead of backing off and verbally de-escalating the situation as first responders are trained to do, the deputies attacked, reportedly using pepper spray, a baton and fists. It appears that the paranoiac, frightened Jeremiah kicked at least one deputy in the face, drawing blood.

What is not disputed is that the deputies shot him multiple times.

Pisani says, “When I talked to Mark early in the morning on the day after it happened, when he called to see if we could take Isaiah to be with Tyler for a while, I asked him, through my tears, if excessive force had been used. He replied, ‘Yes, no question.’

“I talked to Yvette on Thursday about speaking to the Bohemian,” Pisani continues. “Reiterating conversations we had before about racism in our county, and our personal experience with it, Yvette said, ‘The truth has to come out.’ I asked her if she thought that racism influenced what happened. She said, ‘Yes.’ Yvette says that she forgives the deputies. She is a very spiritual person.”

The Chass’ attorney, Eric Safire, underscored that Pisani and Ripley do not speak for his clients, who remain in seclusion, and declined to comment for this article.

Jeremiah Chass was known as a peaceful, loving, philosophical, articulate teenager. He was a vegan. He enjoyed the study of physics and mathematics. Along with his mother, he had a strong spiritual practice, which included meditation and chanting. His simple, meticulously organized bedroom was adorned with prayer flags and a poster of Mahatma Gandhi.

Born to a Caucasian mother and an African-American father who died when he was a small child, Jeremiah was a fan of Ladysmith Black Mambazo. He had recently chatted with a member of the a cappella chorus from South Africa after a concert. The group’s music inspired him to save money by performing odd jobs for neighbors so that he could travel to South Africa after he graduated from high school.

Marc Ripley, a general contractor, admired Jeremiah, who occasionally worked for him. “I was impressed with his maturity,” Ripley says. “The way he held himself. We had many philosophical discussions. He smiled a lot; he was happy, he was very present.”

Being close to Jeremiah, Ripley was able to see that the youngster had changed over the past few months. Ripley says that Jeremiah seemed to be retreating from reality, disassociating from the present even when surrounded by the adoring children he coached in soccer.

Last Presidents Day weekend, Pisani and her mother’s group, including Yvette, made an overnight trip with their respective first-graders to Monterey to visit the aquarium and lounge on the beach. Jeremiah accompanied them. “On the drive down, Jeremiah meditated most of the time. He quietly held his hands in his lap, thinking,” Pisani remembers. When one of the moms asked him what he was pondering, Jeremiah replied that he was working to integrate his scientific and spiritual sides, developing an equation of unity, acceptance, love and peace.

During the last few months, Ripley and Pisani say, Jeremiah ate and drank very little and lost a lot of weight. They attributed it, in part, to his asceticism and principled, minimalist approach to living in a materialist society. “He was self-disciplined, on a spiritual path of purity,” says Pisani, who is a registered nurse, adding that both she and Yvette, who works as an occupational therapist, were increasingly concerned about Jeremiah’s well-being. “Yvette reached out to friends, brainstorming about what is normal behavior for teenagers and what is not. At the same time, she had a lot of faith in him and who he was. They had deep conversations about what he was thinking. They were very connected.”

On Sunday, March 11, Pisani and Ripley saw Jeremiah at Tyler’s soccer game. “His parents were checking in with him during the game, patting him on the back, chatting with him,” says Pisani. Jeremiah had decided to allow the team to “self-coach.” He had appointed one child as team captain, and he purposefully stayed out of the game. “I looked over at him and he was not agitated, but absent,” Ripley recalls.

“Yvette believes that for Jeremiah the line between his two worlds [the spiritual and the physical] was becoming less defined,” says Pisani.

After the soccer game, Jeremiah went home with his parents. That was the last time that his friends saw him alive.

According to Pisani and Ripley, Yvette started making telephone calls to mental health specialists after the game on Sunday. She gathered information from five different healthcare professionals. Given Jeremiah’s increasingly bizarre behavior, she was advised to admit him to emergency care if she felt it was an unsafe situation. She made the decision to wait until Monday morning. She stayed with him all night. He woke up once in an agitated state. She sat with him and calmed him down.

In the morning, he showered and dressed. Yvette told him she was taking him to see a doctor. He did not want to get into the family minivan. He did not seem to recognize his parents. His usually fluid speech emerged as broken, disconnected. He began talking about irrelevant things. He talked about army boots. He asked for ice cream (a friend of his had recently told him he needed to eat more dairy products to gain weight). He went back into the house to get an It’s-It.

When he came back out of the house, he was clutching a Leatherman (a small multipurpose tool with folding pliers, screwdriver, can opener and several jack knives). He had a two-inch blade open as he advanced toward the minivan in which Isaiah sat, waiting in the front seat. Yvette was scared. She got in the driver’s side to use the power locks–too late.

When Jeremiah got into the front, Isaiah leapt into the back seat. Jeremiah followed and sat on his brother; he did not hold him at knife-point. According to the informed narrative of Pisani and Ripley, Jeremiah sat on Isaiah and yelled out a death threat. He did not seem to know his brother’s name. Isaiah told him, “You do not want to kill me, Bud.” Mark Chass began madly clicking through the phone book on his cell phone, looking for preprogrammed emergency service numbers. He dialed what he thought was the fire department, asking for manpower and medics to help him subdue Jeremiah.

Yvette began singing and chanting to Jeremiah–meditation chants that they often did together with their spiritual group–trying to bring him back to reality, to connect with him, to show him who she was.

When Deputy Misita arrived, Mark was struggling with all his strength to hold his son down inside the minivan. Mark had pinned Jeremiah’s Leatherman-holding hand to the seat. According to Pisani and Ripley’s account, Misita waded right in and tackled Jeremiah. He may have used pepper spray on the teenager, but the Chasses did not mention the use of that weapon. Struggling, Jeremiah probably kicked the deputy in the face, causing bloodshed.

When the second deputy arrived, Yvette motioned him to stay back. He reportedly said, “No, that’s my partner!” and moved in with his baton. In the confusion, Isaiah had escaped from the minivan and was screaming in meltdown. Yvette took him into the house. Still struggling with his son in the minivan, Mark heard a shot.

Mark told Pisani and Ripley that he turned to a deputy and said, “Is that a pellet gun?” Then he turned toward Jeremiah and saw his chest was open with blood gushing and his eyes rolling back inside his head.

A preliminary autopsy press release notes that Jeremiah was shot in his chest, right arm, right leg and left knee, suffering what the Sheriff’s department terms “lethal injuries” to his heart, left lung and arteries. The release does not report on non-lethal injuries Jeremiah may have incurred during the altercation. The final autopsy report being prepared under the supervision of Sheriff-Coroner Cogbill is not scheduled to be released for 90 days.

This is not the first time that Deputy Misita has had a questionable encounter with a mentally distressed person. The deputy’s nose and thumb were broken near Two Rock in June 2005 after he had a physical tangle with a man whose mother had called to have his mental state evaluated. According to the sheriff’s report on the incident, Misita pepper-sprayed the subject because “he reached for his pocket.”

As with Jeremiah, it was reported that the pepper spray had “no effect,” and that it was “unfortunate [that] Deputy Misita was not equipped with a TASER.” Nor did Misita have his TASER–which law-enforcement protocol requires to be used in these situations–with him when he confronted Jeremiah.

At 9am, paramedics who had apparently been parked at the bottom of the driveway during the fracas pronounced Jeremiah dead. Santa Rosa police arrived to take charge of the “violent crime” scene. The Chass’ nightmare was just beginning. Mark, Yvette and Isaiah were transported to the Santa Rosa police station without being told by officers that they had the options of not going to the station and not being questioned. The police took the Chass’ cell phones. At the station, they were held for several hours and interrogated. The police asked if they could interview six-year-old Isaiah. Mark refused. While the shocked, grieving family was being interrogated, police investigators swept through their house, removing computers, medical record files, soccer game schedules and the individual doses of daily vitamins for each family member that sat in a row on a kitchen counter.

The day after Jeremiah was killed, the Chasses asked Pisani and Ripley to take Isaiah to be with Tyler for a few hours. Looking to make some sense of the tragedy, Pisani says that as she was driving the two children to her home, Isaiah told his friend what had happened to his brother in excruciating detail.

“Jeremiah is not going to be jumping on the trampoline with us anymore,” Isaiah concluded.

“Why not?” Tyler asked.

“Because he is dead,” Isaiah responded.

“No, he is not dead,” Tyler said. “His soul is still with us, as his spirit.”

“So now he is flying free with God,” Isaiah mused.

“I believe good people go to heaven,” Tyler said. “Bad people just die.”


Dead Rock Stars

0

music & nightlife |

By Gabe Meline

Death can really make you look like a star.–Andy Warhol

The house that Jared Powell inhabits, from the entryway to the back porch, is a living monument to the obsessed artist: canvases laid vertically against furniture, a coffee table blanketed in supplies, the walls in each room covered with finished and half-finished works. His kitchen on a recent evening is perhaps the most cluttered, as Powell, pushing aside pens, paints, markers and notebooks, pulls together material for “Cottonball Resurrection,” a silk-screen art show celebrating iconically troubled musicians that opens this weekend at Santa Rosa’s A Street Gallery.

In mostly collaborative pieces, Powell and artists Joe Leonard, Jayson Taylor, James Williams and Sal Lopez apply a crisp acrylic makeover to the bedraggled faces of great talents who deserved better in life. The top two images on the kitchen table tell the story. One is Lightnin’ Hopkins, his gold teeth shining beneath sunglasses and a fedora, concealing the ex-con who notoriously signed the world’s worst record contracts. Next to him is Ol’ Dirty Bastard, or, as the sprouting apparitions of crucifix-adorned milk bottles hint, “Big Baby Jesus,” his preferred nickname imagined in the deranged haze of cocaine that would eventually turn fatal.

Digging deeper into the pile, there’s penetrating perspectives of Marc Bolan, Sonny Boy Williamson, Wendy O’Williams and Keith Richards–“People who were fucked up,” Powell explains with a small trace of admiration, “but who still were prolific and put out quality work.” Adventurously presented on 12-inch LPs and sheet metal, the images contain so much detail and filigree that a second or third look yields miniscule, sometimes hidden clues to the stars’ woes (Richards, the only living musician in the show, floats among syringes).

Though the process does not imitate its subject to an illicit degree, it’s a well-known fact that Powell, Taylor, Leonard, Lopez and Williams pride themselves on burning both ends of the clock under a self-ordained “can’t stop, won’t stop” philosophy of insomniac obsession, explaining the collective drive behind the show. “It’s as much about educating people as it is about art,” Powell says. “Some girl came by and saw Leadbelly and was like, ‘Who’s that?'” With this, Powell pauses, leans forward to mimic his irritation, and reenacts his direct response: “The reason you have music.”

‘Cottonball Resurrection’ opens Saturday, March 24, at A Street Gallery. 312 S. A St., Santa Rosa. Live music will be provided by The Aces; very limited T-shirts from the show will be available. 5:30pm to 8:30pm. Free. 5707.578.9124.




FIND A MUSIC REVIEW

News Briefs

March 21-27, 2007

Trail troubles

Those who build and maintain trails and the folks who like to pedal them at high speeds are clashing again in Marin County. Dana Beckstoffer, 43, of Petaluma, is one of three mountain bikers who say they narrowly missed being injured by barbed wire and bent fence posts on a narrow pathway off the official Split Rock Trail above Fairfax. “We came upon two barbed wire barriers or booby traps,” Beckstoffer recalls angrily. “The barbed wire was strung about neck or head level. For anyone not looking up, it would be very, very hard to see. It would hit you in the head or neck.” When she discovered that the barriers were placed by the Marin County Open Space District, she was outraged. Beckstoffer is convinced the goal was physical harm. There was no such intent, says district director Sharon McMamee. The trail, built illegally about 10 years ago, passes through sensitive habitat. It’s closed to all traffic–hikers, equestrians and bikers–but McMamee says that the “restoration area” signs are stolen almost as soon as they’re posted. “We block it routinely, mostly with habitat such as rolling a tree or a boulder over the trail,” McMamee explains. “Unfortunately, this time one of our staff got a little more zealous with barbed wire and posts. It was not a booby trap. I feel so bad that word is being used.” The wire and posts were removed immediately, McMamee assures, and the habitat signs reposted. Beckstoffer says she’s been riding the trail for years. “I’ve never seen any signs,” she argues. “It’s a well-ridden and very well-known trail in the biking community. People ride it without getting citations all the time, so it has been believed to be kind of in the gray area.” Mountain bikers want access to more single-track trails rather than just wide fire roads. McMamee says, “We’d love to find a way to [give access to single-track trails] in areas that aren’t through sensitive preserves.”

Full disclosure

As discussed extensively in these pages, a San Francisco-based insurance agency that has promoted itself to Medicare recipients nationwide as Senior Educators, a “free” service for seniors, now has to add “Insurance Services” at the end of its name, according to Melinda Aval of the California Department of Insurance. Advocates for seniors charged that shortening the company’s legal DBA from Professional Senior Educators Insurance Services to just Senior Educators was misleading and obscured the fact that the company earns its income through commissions from private insurance companies. State officials determined that using “Senior Educators” was a technical violation, Aval says. The company agreed to always use the name Senior Educators Insurance Services and the investigation is closed. “This appears to solve the problem,” Aval says. The company could not be reached for comment.


The Bohemian’s Best of the North Bay 2007

0

Trapped within the airless confines of a Writing for the Web conference last fall, I learned many things. I learned that most of the presenters hadn’t actually seen the World Wide Web since we stopped calling it that, for one thing. But the most valuable lesson I came away with was presented by one of those slick youngsters who rule today’s media. While daily newspapers are throwing reporters overboard and TV news becomes viewer-driven, alternative newsweeklies, he said, have a special role. I yawned, thinking of the box lunch ahead. The alt weekly, as with the Bohemian, he counseled, offers two things that other media don’t. I idly wondered if there would be a cookie. And then he startled me with a three-word blurt: “Love and soul.”

Pardon? Yes, he repeated, love and soul are what alt weeklies can give to their communities that no one else can.

I wrote that baby directly down. But because I can’t translate it to Latin, we aim close with “Hand and Heart,” the spirit of this year’s Best Of issue in which we offer as much love and soul as can be packed into one super issue, highlighting all the many things that make the North Bay such a wonderful place to extend hand, live with heart, offer love and experience soul.

Contributing to the Best Of Writers Picks this year are editorial heroes Brett Ascarelli, Sara Bir, Ethan Hartmann, Andrea Hollingshead, Molly T. Jackel, James Knight, Gabe Meline, Matt Pamatmat, Lois Pearlman, Bruce Robinson, David Sason, David Templeton, Christopher Tomera and Tara Treasurefield. We’re hepped to the Love and Soul beat.

–Gretchen Giles

Culture Writers’ Picks | Readers’ Choice

Everyday Writers’ Picks | Readers’ Choice

Food & Drink Writers’ Picks | Readers’ Choice

Kids Writers’ Picks | Readers’ Choice

Recreation Writers’ Picks | Readers’ Choice

Romance Writers’ Picks | Readers’ Choice

Stand Down Rudy

0

music & nightlife |

By Gabe Meline

Straight out of Kingston, Jamaica, the Skatalites are a sufficiently epochal act that naming them the real deal would be almost facetious. While the band can’t claim to have invented the genre–ska was already a growing concern in its native Jamaica by the time the Skatalites formed in 1964–the group have long established themselves as the venerable standard and soul-bearers for the genre, presiding over every major ska wave that has come and passed in the four decades since.

Many members have cycled through the Skatalites, as the group at times has resembled more of a loose collective than a traditional band lineup. In the early days, the collective served as a backing band for the likes of Bob Marley, Peter Tosh, Jimmy Cliff and countless other reggae and ska icons. But if one thing remains constant with the group, it’s the snare-drum-tight arrangements the ensemble have become recognized for, a rhythmic chug that has persisted through decades of ebbing and flowing interest. But with an emphasis on collective collaboration, the individual members are less crucial than the group as a whole. The Skatalite’s philosophy is typified by the recording process behind their new record, On the Right Track, the group’s first original set in seven years. They appear March 24 at the Last Day Saloon.

According to the band’s keyboard player and manager Ken Stewart (who is a relative newcomer to the group, having joined in 1989), On the Right Track was recorded and written in a manner similar to those early ’60s Skatalites records that fetch enormous sums on eBay nowadays. Songs were composed on the fly, and recordings were done in-between, before and after sets, Stewart explains. “We didn’t have any material, so we had to scramble,” he says. “Each member of the band composed a track, so 11 of the 12 songs are originals.”

For a band that once spent innumerable hours in the studio, seven years is a long time to go without recording, even if in the Skatalite’s case, it’s a relatively short period of their history.

Stewart isn’t a huge fan of the third-wave punk-ska revival, believing “that the really fast punk ska loses some of the soul,” but he notes that the founding and long-term Skatalites members preside over the considerable legacy they helped establish with an enormous sense of pride. Traveling across the world, they find that legacy remains as vital and relevant today as it did decades ago. “They say imitation is the highest form of praise,” Stewart says. “Well, every country we go to we meet people playing their version of the Skatalites. We’re flattered by this. We go to Russia, and they know more about the Skatalites than even the Americans do.”

The Skatalites perform on Saturday, March 24, at the Last Day Saloon. Sol Horizon opens. 120 Fifth St. (at Davis), Santa Rosa. 8pm. $20-$25. 707.545.5876.




FIND A MUSIC REVIEW

Come Together

0

March 14-20, 2007

We use the same vehicle, share a joint bank account, give each other the same colds. When we go out, I drink half his beer and he could care less. Our married life is fully integrated–almost. Forget kids, pets, a house; it’s music. You may be in my heart, dear husband, but keep your hands off my CDs.

Up until now, we’ve kept our CDs separate. There are very few things in our lives we have complete control over, and I find solace in knowing exactly where all of my CDs are and that their spines are flush with the edge of the shelf and their titles are all facing the same direction.

But both of our CD collections have grown too large and unwieldy to store in different areas. So Mr. Bir Toujour and I are going to bring them together, and I am having combination anxiety.

As a former library employee, I have a deep affinity for the alphabet–the indisputability of its sequence, the way one letter flows to another so naturally. I shelve my CDs just as one would shelve novels in a library, grouping albums by artist, then arranging one artist’s multiple albums chronologically by release date.

Mr. Bir Toujour also organizes albums by letter, but not the right way. He’ll put an Ian McCullough CD with the I‘s not the M‘s. In an especially distracted moment, he might even put Ian McCullough with Echo and the Bunnymen. And he lumps each letter together generically, so that you might see a random sequence like this: Pell Mell, Pale Saints, Polvo, Pell Mell, Pelican, Pale Saints. What cruelty, to separate Pale Saints and Pell Mell from their album kin!

It’s the miserly part of me that blanches at the thought of blending my CDs with Mr. Bir Toujour’s. I might wear one of his T-shirts every now and then and I will happily spend the money he earns, but I am unhappy to think of my CDs in danger of disorder.

Back when we were first dating, each of us bought a copy of Ride’s excellent three-CD box set. At the time, it made sense, because I wanted my own copy and I had no idea that we would wind up spending the rest of our lives together. And after I moved in, we still each had our own copy. Until one day, when I noticed Mr. Bir Toujour’s was gone. “I sold it back to the record store,” he said. “We don’t need two copies.”

I would argue that anyone’s happiness would double according to the number of Ride box sets they own, but that was not the root of my objection. “What if we get divorced?” I said. “If we split up, I would need my Ride box set to get me through.” Though I neglected to say so, I’d seen St. Elmo’s Fire enough times to vividly remember the scene where Judd Nelson and Ally Sheedy, in the midst of a messy breakup thanks to Andrew McCarthy, fight over who gets to keep the Police album.

I didn’t want that to happen to us. I didn’t want us to split up, either, but I like to think of preparation as a talisman to ward off disasters. Remember which one of us bought that reissue of Pavement’s Wowee Zowie? Terrific–we’ll stay married forever!

A friend I went to school with lived out of his backpack. He fancied himself a vagabond, and though he loved music, the only CD he owned was a battered copy of T Rex’s Tank. That’s not hard to organize at all: “Hey, where’s Tank?” We lost touch, but he and Tank are out there somewhere, perhaps happily settled with the right woman, because in the end, unless you are married to Donald Trump, you are with a person for the person, not his stuff. Even so, I do very much enjoy Mr. Bir Toujour’s music, wrong order and all.

But I’ll still extract Polvo from Pell Mell before adding my Pulp CDs.


Morsels

0

March 14-20, 2007

This August, the Olympics of the coffee world will take place in Tokyo. Qualifying baristas from all over the world will strut their shots, compare microfoams and vie for the best latte art before a panel of discerning judges.

Last year in Bern, Switzerland, Klaus Thomsen of Denmark took home first place at the most important international coffee competition, the World Barista Championship (WBC). In an interview on TheCafeGuide.com, he credited the people who had counseled him during intensive training. In addtion to his roast master, a sports psychologist, a glass designer and his girlfriend, whom he said “watch[ed] my techniques and performance like a hawk for almost every day for three months,” one of the key players was Anita Klemensen, among the best chefs in Denmark. She helped Thomsen turn his idea for a “signature” drink–something each contestant must devise and serve–into reality. The result was called Symphony of Coffee, a drink of espresso, coffee panna cotta and frozen foam.

After the competition ended, a photograph of the Symphony ran in a CoffeeGeek.com article about WBC controversies. Among other things, the author mused that the judges hadn’t drank enough of the signature drinks to be able to judge them accurately. CoffeeGeek.com also expressed ambivalence over the fact that one of the judges had also been hired by several of the competitors as a consultant. But in the end, the article concluded that, for the most part, he served as a fair judge with a remarkable palate.

The road to Tokyo begins this spring with the Specialty Coffee Association of America’s round of regional competitions. Contestants will make espresso, cappuccino and a signature drink, and will be judged on both the technical execution and the sensory aspects of the coffees. Hopefuls in the North Bay should already be working on those extraction times (20 to 30 seconds is ideal) and perfecting the hue of their crema.

The Western Regional Barista Competition (WRBC) is open to baristas in California and Hawaii, and to those members of the public who want to watch them give it a shot. The WRBC is hosted by the North Bay’s own Flying Goat Coffee, Taylor Maid Farms and Dolce Neve. It also includes a trade show, damned good free coffee and educational seminars for coffee consumers (that’s probably you) and for industry professionals. The event runs from Friday-Sunday, March 16-18, at the Sheraton Sonoma County, 745 Baywood Drive, Petaluma. Registration for full roster of educational lectures, $75; competition registration, $50; viewing the fun, priceless (and free). Visit www.wrbc2007.com for more information than you could possibly imagine.

Quick dining snapshots by Bohemian staffers.

Winery news and reviews.

Food-related comings and goings, openings and closings, and other essays for those who love the kitchen and what it produces.

Recipes for food that you can actually make.

The Byrne Report

March 14-20, 2007

Sen. Dianne Feinstein has resigned from the Military Construction Appropriations subcommittee. As previously and extensively reviewed in these pages, Feinstein was chairperson and ranking member of MILCON for six years, during which time she had a conflict of interest due to her husband Richard C. Blum’s ownership of two major defense contractors who were awarded billions of dollars for military construction projects approved by Feinstein.

As MILCON leader, Feinstein relished the details of military construction, even micromanaging one project at the level of its sewer design. She regularly took junkets to military bases around the world to inspect construction projects, some of which were contracted to her husband’s companies, Perini Corp. and URS Corp.

Perhaps she resigned from MILCON because she could not take the heat generated by the Bohemian’s exposÈ of her ethics (which was partially funded by the Investigative Fund of the Nation Institute). Or was her work on the subcommittee finished because Blum divested ownership of his military construction and advanced weapons manufacturing firms in late 2005?

The MILCON subcommittee is not only in charge of supervising military construction; it also oversees “quality of life” issues for veterans, which includes building housing for military families and operating hospitals and clinics for wounded soldiers. Perhaps Feinstein is trying to disassociate herself from MILCON’s incredible failure to provide decent medical care for wounded soldiers.

Two years ago, before the Washington Post became belatedly involved, the online magazine Salon.com exposed the horrors of deficient medical care for Iraq War veterans. While leading MILCON, Feinstein had ample warning of the medical-care meltdown. But she was not proactive on veteran’s affairs.

Feinstein abandoned MILCON as her ethical problems were surfacing in the media, and as it was becoming clear that her subcommittee left grievously wounded veterans to rot while her family was profiting from the occupations of Iraq and Afghanistan. It turns out that Blum also holds large investments in companies that were selling medical equipment and supplies and real estate leases–often without the benefit of competitive bidding–to the Department of Veterans Affairs, even as the system of medical care for veterans collapsed on his wife’s watch.

As of December 2006, according to SEC filings and www.fedspending.org, three corporations in which Blum’s financial entities own a total of $1 billion in stock won considerable favor from the budgets of the Department of Defense and the Department of Veterans Affairs:

  • Boston Scientific Corporation $17.8 million for medical equipment and supplies; 85 percent of contracts awarded without benefit of competition.
  • Kinetic Concepts Inc. $12 million, medical equipment and supplies; 28 percent non-competitively awarded.
  • CB Richard Ellis The Blum-controlled international real estate firm holds congressionally funded contracts to lease office space to the Department of Veterans Affairs. It also is involved in redeveloping military bases turned over to the private sector.
  • You would think that considering all the money Feinstein’s family has pocketed by waging global warfare while ignoring the plight of wounded American soldiers, she would show a smidgeon of shame and resign from the entire senate, not just a subcommittee. Conversely, you’d think she might stick around MILCON to try and fix the medical-care disaster she helped to engineer for the vets who were suckered into fighting her and Bush’s panoply of unjust wars.

    Note to those feminist-minded liberals who hold-up Feinstein as a “role model” for women: She is not a feminist, she is not a liberal. She is every bit as patriarchal as the amoral neoconservatives who have militarized America for profit. Here is a sample from a speech the California senator made at the “Power of Women” Luncheon in Century City last March:

    “We need more women in the House, in the Senate and in the boardroom as well. We are going to be in a war of terror for a considerable period of time. You can reposition men in Kuwait; we need more in Afghanistan where the Taliban has a resurgence. We know there are problems in the horn of Africa, and we know that Southeast Asia remains a place for terrorists and a place for insurgents. . . . There are terror cells operating in this country and in some 60 countries, so we are going to be fighting this war for some time to come.”

    Feinstein is chanting the mantra of endless terrorism and war without end in tandem with the neoconservative Heritage Foundation, which calls for increasing military spending until domestic programs for the poor are deader than an Iraqi baby run over by a Humvee filled with Halliburton engineers.

    If “breaking the glass ceiling” means more power for Feinstein and her ilk, beware.

    or


    Duo Vision

    music & nightlife | By Gabe Meline ...

    The Byrne Report

    March 21-27, 2007It was a balmy evening in late February at the Sausalito Cruising Club. Inside the shiplike restaurant, a political organizing group called Democracy for America-Marin was holding a forum, "presenting evidence of a direct link between breast cancer and the environment." About a hundred people, mostly women, attended the informative event. The panel sported an array of...

    Deadly Force

    Photograph by Michael Amsler Memento: An informal memorial in Sebastopol's...

    Dead Rock Stars

    music & nightlife | By Gabe Meline ...

    News Briefs

    March 21-27, 2007 Trail troubles Those who build and maintain trails and the folks who like to pedal them at high speeds are clashing again in Marin County. Dana Beckstoffer, 43, of Petaluma, is one of three mountain bikers who say they narrowly missed being injured by barbed wire and bent fence posts on a narrow pathway off the official...

    The Bohemian’s Best of the North Bay 2007

    Trapped within the airless confines of a Writing for the Web conference last fall, I learned many things. I learned that most of the presenters hadn't actually seen the World Wide Web since we stopped calling it that, for one thing. But the most valuable lesson...

    Stand Down Rudy

    music & nightlife | By Gabe Meline ...

    Come Together

    March 14-20, 2007We use the same vehicle, share a joint bank account, give each other the same colds. When we go out, I drink half his beer and he could care less. Our married life is fully integrated--almost. Forget kids, pets, a house; it's music. You may be in my heart, dear husband, but keep your hands off my...

    Morsels

    March 14-20, 2007 This August, the Olympics of the coffee world will take place in Tokyo. Qualifying baristas from all over the world will strut their shots, compare microfoams and vie for the best latte art before a panel of discerning judges. Last year in Bern, Switzerland, Klaus Thomsen of Denmark took home first place at the most important international...

    The Byrne Report

    March 14-20, 2007Sen. Dianne Feinstein has resigned from the Military Construction Appropriations subcommittee. As previously and extensively reviewed in these pages, Feinstein was chairperson and ranking member of MILCON for six years, during which time she had a conflict of interest due to her husband Richard C. Blum's ownership of two major defense contractors who were awarded billions of...
    11,084FansLike
    4,606FollowersFollow
    6,928FollowersFollow