ICE raids in Marin and Sonoma

08.29.07


Last March, Immigration and Customs Enforcement (ICE) began raiding the Canal district of San Rafael. In the early morning hours, federal immigration officers pulled up in green-and-white vans and began pounding on doors of houses, shouting “Police!” With them, they had arrest warrants for illegal immigrants; these were their last known addresses.

When the residents of the houses answered the door, the officers demanded proof that they were U.S. citizens. If they couldn’t produce some form of ID, they were arrested. The officers didn’t even allow them to dress, just handcuffed them and led them through the street in their underwear. Children were also arrested, according to witnesses, including at least one seven-year-old who is an American citizen.

Many of those arrested during the raids were not the people named on the warrants. If the person the officers came to arrest wasn’t there, they simply demanded other people in the house prove their citizenship instead.

“In some cases, when someone poked his head out of his door to see what was going on, the officers saw it and used it to go into the house,” alleges Tom Wilson of the Canal Community Alliance.

The raids were part of Operation Return to Sender, a program designed by the Department of Homeland Security to reduce illegal immigration. In the end, at least 55 people were arrested in Marin County.

Following the sweeps, many in the Canal’s predominantly Latino neighborhood were terrified. Many children didn’t show up for school. No one was sure how many people were arrested exactly, since information from ICE was hard to come by. Even elected officials like Lynn Woolsey and Barbara Boxer had a hard time getting clear answers, according to Wilson.

ICE also did not return calls for this article.

Following the raids, area groups held vigils and protests. Marin County supervisor Charles McGlashan compared the raids to something that might have happened in Nazi Germany. Many said that ICE’s actions were racially motivated.

“They would go into a house and ask for Martin Lopez, and if he wasn’t there, they would ask the status of everyone else in the house,” Wilson says. “But if ICE went into Kentfield to arrest the nanny and she wasn’t there, would they ask the rest of the people in the house where they were from? The answer is probably not.”

Since the community outrage, ICE has stopped large-scale raids in Marin, although officers are still active in the area. The arrests are now on a house-by-house basis instead of large-scale sweeps.

But ICE’s strategy doesn’t end there. They have recently partnered with gang task forces at the Santa Rosa Police and Sonoma County Sheriff’s departments. ICE officers are now riding along with local patrol cars to track down gang members who are in the country illegally.

“ICE came to us and said we want to work with you on this issue,” says Matt McCaffrey, the captain in charge of field services for the sheriff’s department. “They are looking for gang members who came into the country illegally or who have been deported and come back into the country.”

The situation has drawn criticism from those who believe that the collaboration between ICE and local police is not just about targeting gang members, but any young Latino man who fits a certain profile.

“In a lot of cases, these are innocent young men who have never been gang members or who were in gangs a long time ago,” says Richard Coshnear, an immigration attorney and member of the Committee for Immigrant Rights. “The magnet members of the police detain the young men and then pass them over to the ICE agent.”

Taking the Fourth

In July, a coalition of groups that included the Committee for Immigrant Rights as well as the ACLU, NAACP and the Peace and Justice Center of Sonoma County, staged an event called ICEcapades in Santa Rosa’s Juilliard Park to protest ICE’s involvement with local police. In addition to speeches and music, the event featured dolls frozen in blocks that slowly melted throughout the day, symbolizing immigrants’ freedom from ICE.

The coalition wants Sonoma County to adopt policies similar to “sanctuary” cities like San Francisco and Oakland, which condemn raids and prohibit ICE from working with local police.

The problem, Coshnear believes, is that the partnership potentially violates the Fourth Amendment, which protects everyone in the United States—whether legally here or not—from unlawful search and seizure. An officer must have probable cause to detain a person on suspicion of criminal activity.

“If you’re driving down the street with your left taillight out and an officer pulls you over, he must focus on traffic issues,” says Coshnear. “He can’t suddenly start searching your car for drugs without violating your Fourth Amendment right. It’s the same thing with stopping someone for being in a gang. They are not allowed to ask about immigration unless there is a reasonable suspicion.”

Coshnear represents several clients who allege that their Fourth Amendment rights were violated because of the partnership between ICE and Sonoma County police. One of these is Luis, who was pulled over by officers on Santa Rosa’s Steele Lane for making an illegal left-hand turn. The officer walked up to the car and asked Luis for his ID. With shaking hands, Luis began to look through his wallet, even though he knew he didn’t have an ID with him. At that point, he claims the officer snatched the wallet out of his hands, looked at it and turned it over to the ICE agent. A routine traffic stop turned into a deportation investigation.

Another client is Francisco, whose says his only crime was being a passenger in someone else’s car. When an officer pulled the car over on the pretense of asking about the “For Sale” sign in the rearview window, Francisco claims the officers asked him to get out of the car, patted him down, took his wallet out, put it on the hood of the car and let the ICE officer question him. He is now in deportation hearings.

And then there’s Jorge, who was arrested for getting into a fight with a protester. When he got to court, the judge dismissed the case when it became clear that Jorge hadn’t thrown the first punch. As Jorge walked out of the courtroom, he says an officer stopped him and asked him for an ID, which Jorge said he didn’t have on him. He was then detained for questioning until ICE came and brought him up on immigration charges.

“Even though he had just been acquitted of the charges against him, the officer had him arrested on immigration charges,” Coshnear reiterates in amazement. “This is not a person who was involved in gangs. This was a way to punish someone who stood up for his rights and won.”

The sheriff’s department claims its only intention in collaborating with ICE is to make the county safer by curbing gang activity—something that has been positively received by the Latino community.

“We’re not out there targeting Mexican immigrants; we’re targeting gang members who are in the country illegally,” McCaffrey says. “When you talk to people who live in these communities, they are fearful to be living with gang members. The ones I’ve talked to think this is the greatest thing ever.”

McCaffrey admits, however, that ICE may make arrests that are not related to the county’s anti-gang agenda.

“There’s always the possibility that when ICE is out with us, they may make an arrest on their own,” says McCaffrey. “Quite frankly, that’s their business. That’s their job: to target people who came into the country illegally.”

In truth, it’s hard to tell whether racial profiling plays into policies like the ones that ICE is establishing in the North Bay. After all, the biggest percentage of illegal immigrants in California is Mexican, so it may simply appear to be racial profiling from the outside looking in. On the other hand, there haven’t been any raids on illegal immigrants who are European or Canadian, either.

“If the actions were about immigration, truly, it would probably be more even-handed,” Wilson charges. “The decisions that are being made seem to be focusing on the Latino community or work places populated with Latino workers. There are a number of undocumented people from Ireland in Marin County, and you don’t hear about crackdowns of this nature with them. It is about stopping what people see as a growing number of brown people in their community.”

Other groups believe ICE is righting a wrong that has been going on for too long. Save Our State, a San Bernardino organization that works against illegal immigration in California, regularly stages protests in towns like Graton, where migrant workers are known to congregate for work.

Contrary to popular belief, the group’s focus isn’t against Latino people so much as it’s against corruption, says spokesperson David Rodrigues.

“The facilitation of corruption in our government and businesses is strong,” he says. “It’s hard to beat. People work here illegally, we support them with our taxes while they cheat the system, and then the politicians are bribed with all the free money floating around out there. The politicians have a moneyed interest to say, ‘Hide, and we’ll take care of you.'”

In his work with Save Our State, Rodrigues focuses on businesses that employ illegal immigrants. He has personally confronted employers who hire immigrants and gathered evidence against them to report to the government. If it weren’t financially beneficial for immigrants to come here, he reasons, there would be less incentive for them to come in illegally.

Rodrigues admits, however, that he can’t tell how much his own racism plays into his beliefs.

“Fraud and corruption are my focus,” he says. “When that is out of the way, whether I’m one-tenth or 100 percent racist, I don’t know. I might be a little bit racist. Hell, most people are. Who could be that perfect?”

Unintentional Bias?

Immigrants aren’t the only people who have to deal with potential racial profiling. Since 2005, African-American residents of Marin City, near San Rafael, have complained that the Marin County Sheriff’s Department is using the area as training ground for new officers.

Residents claim that they have been harassed, manhandled or otherwise discriminated against by police. Others complain that they have been pulled over by police for no discernable reason, a phenomenon nicknamed “driving while being brown.”

“We get a fair amount of calls from Marin City citizens who tell stories that allege abuse of power by law enforcement,” says Cesar Lagleva, chair of the Marin County Human Rights Commission, which acts in an advisory role to the Marin County Board of Supervisors. “We have enough data supporting these complaints to say that this is a pattern in Marin City.”

Abuse of power isn’t direct racism, but it can be a sign of it, Lagleva believes.

“I can’t say for sure that this is a race-based issue, but it does seem to be an abuse of power,” he says. “Racism is a broad term, but one symptom of racism is abuse of power.”

The sheriff’s department does do training in Marin City, as well as by the Marin Civic Center. However, the county says that it employs no racial profiling. “We choose both areas where we currently train because they are the biggest and busiest areas,” says Sgt. Mike Crain. “We have more calls for service there.”

Still, when biases are tested in the North Bay, the results can be surprising. Fair Housing of Marin regularly does audits on racial biases in Marin County and, to a lesser extent, Sonoma County. They test whether property owners are equally willing to rent apartments to African Americans and Latinos as they are to Caucasians.

To do this, Fair Housing sends two applicants to the same apartment complex and looks at how they are treated by the renter. The applicants are comparable in every way—similar jobs, income levels and rental history. The only major difference between them is that one of them is black and the other is white.

“The last audit we did, we found something like 35 percent deferential treatment against African Americans,” says executive director Nancy Kenyon. “The time before that was 42 percent. That means that at least a third of the African Americans are treated differently when they go to look at renting a place.”

Sometimes these differences are subtle. An African American may be told he will have to wait six months for a unit to become available, while a Caucasian will be told just two months. Other times, they are more audacious: a black person is quoted a higher rent or security deposit than a white person, or will be steered away from living in the complex altogether. The renter may make the “friendly” suggestion that a black applicant would be more comfortable living in this other complex in another part of town—one that also happens to have multi-race people in it.

Fair Housing of Marin has also done audits looking at biases against Latino people. In these cases, they’ve compared how those with a Spanish name and accent are treated over the phone compared to a person with an Anglo-American or European name and American accent. They found that 40 percent of the Latino callers were either not called back or called back and given information that was different from what was given to the white caller.

Biases of this sort are illegal under the Fair Housing Act, which says that people cannot be denied housing based on certain factors, including race and color. Still, biases can be hard to prove, since racism is based on thought. On top of that, motives for racism are different. One renter may have a grudge against a certain type of people. Another may dislike something about a particular culture.

“In one complex we worked with, the owner complained that every evening his Latino tenants would come out to the common ground and the husbands would have a beer and the kids would run into each other’s houses and the mothers would chat,” says Kenyon. “And the owner said, ‘The Asians here don’t do that!’ He hadn’t thought that this was a cultural difference he was reacting to.”

Like that property owner, people aren’t always aware of their biases, especially in a place that thinks of itself as liberal and open-minded. It’s one of the reasons the Human Rights Commission is planning a community-wide dialogue later this year to draw attention to issues around race and class in Marin County.

“As much as we’re considered an enlightened and liberal area, racism is well and alive here,” Lagleva says. “There’s a misconceived notion that there is no racism here, so our problems get swept under the rug. There’s an assumption that we’re a bastion of insight and liberalism, but it’s to the contrary.

“It’s really to the contrary.”


Fish Forever

Kinski’s ‘Down Below It’s Chaos’

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08.29.07

Instrumental rock bands never reach the same levels of mass adulation that their vociferous counterparts do. Maybe it’s because people naturally respond more to the charisma of a lead singer, or perhaps music fans prefer to sing songs to themselves rather than hum them. While a lick can be as easily grafted onto memory as a snazzy chorus, people tend to identify songs with stories. Without words, the story of a song is 100 percent music.

Kinski aren’t strictly an instrumental band, though the matter-of-fact nature of their vocals, when they do appear, suggests that their attention lies elsewhere. Totally kicking ass, perhaps? In a land crawling with well-intentioned but musically overindulgent Krautrock/prog fans playing midtempo noodlings, Kinski shine as a beacon of powerful, engaging jams. Since forming at the end of the 1990s, the Seattle quartet have toured frequently and recorded a strong catalogue of blissed-out space rock.

Due to their unfresh faces (Kinski are no spring chickens), woman-on-bass setup and love of feedback, Kinski are often compared unfavorably to Sonic Youth, but they are far less downtown cool and far more acid-soaked. The band recently released their fifth album, Down Below It’s Chaos, and are garnering more attention than ever, having toured with Tool earlier this spring.

True, they don’t bother to make eye contact with the audience, but the best way to experience Kinski is live. They don’t smash anything or punch each other onstage, but their songs are living things whose energy penetrates a crowd.

Alas, one needs to dwell in Seattle to make a regular habit of catching Kinski shows, but their albums are rewarding; too bad Down Below It’s Chaos, despite the presence of strong songs, is their least coherent. Since their first release, 1999’s Space Launch for Frenchie, Kinski’s albums have shifted from sprawling psychedelia to capable but somewhat monotonous shred metal.

Down Below It’s Chaos is too stylistically jumpy to grow monotonous. Power-rocking opener “Crybaby Blowout” is a swift, amped-up take on Black Sabbath-y stoner metal; the crunchy “Passwords & Alcohol” finds a strong groove, and Reid-Martin’s keyboards infuse “Argentina Turner” with a garage-band party atmosphere.

But it never gels. Kinski’s first three albums opened with epic, slow-building space jams that were fraught with musical tension. A bit formulaic, perhaps, but they always delivered a big payoff; at a song’s close, you’d felt like you’d been somewhere profound.

There’s a bright side to the sampler-pack character of Down Below It’s Chaos: it’s probably the best way to get a taste of all the things this band are capable of. Maybe a handful of adventurous Tool fans who caught them this spring (and presumably did not fall asleep) are enjoying a gateway to experimental space music, the kind that tells a story without uttering one word.

Kinski play S.F.’s Bottom of the Hill on Sept. 14.


Out & About: Ubuntu in Napa

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08.29.07

It’s a sign of success, I suppose, when the turnout for the VIP grand opening party of a new restaurant is so well attended that the guests are packed in like sardines who enjoy sipping pricey sparkling wine, fishies dressed to the nines in fancy summer finery.

Such was the case at the invitation-only gala celebrating Ubuntu, the restaurant sensation that opened in Napa last week. By the PR folks’ calculations, and judging by the number of elbows that dented my rib cage as I tried to circulate, more than 400 of the Bay area’s elite pressed themselves into the chic and compact dining room that used to be a furniture store next to the Annalien Vietnamese cafe.

We clogged the back patio, we spilled onto the street and we jostled our fab selves to get wine refills from devastatingly young, handsome bartenders.

Mostly, we struggled to snag hors d’oeuvres from platter-bearing servers who taunted our grasp like dandelion fluff in a storm. Despite the eight chefs working the exposition counter, crafting exquisite-looking dainties of foamed this and shaved that, those waitresses were slippery as EVO oil. Even after I parked myself squarely at the service counter, in fact, the only thing I trapped was a postage stamp of curried something on toast, passed hand-over-head to me from a brave friend buried in the throng.Why the crush? Ubuntu is not simply a restaurant, but a self-described “community-focused mission,” that feeds us while striving to foster “humanity toward others” while “reducing its carbon footprint in the world.” And, oh, it’s a yoga studio, too. It’s true: the open-to-the-dining-room studio upstairs was writhing with Cirque du Soleil—trained contortionists hired for the evening to challenge physics and hype the daylong classes soon to be offered.

Now, if this were simply a hippie dive, I doubt if there would have been any frenzy, but Ubuntu has big names, with apparently buckets upon buckets of cash behind it, and who won’t party on a concept like that? Ubuntu refers to a South African humanist ideology focusing on people’s allegiances and relations with each other. At least that’s what owner Sandy Lawrence, gowned in glittery gold, tittered to us from her second-story perch overlooking the crowds.

It’s got an important roster of kitchen talent, led by chef Jeremy Fox, a Johnson & Wales grad who’s cooked with Gordon Ramsay and was previously chef de cuisine at Manresa of Los Gatos.

The theme is high-end vegetarian—in a pro-veggie rather than anti-meat way, we’re told—with most of its daily-harvested organics coming from its own biodynamic gardens (planted by former COPIA curator Jeff Dawson, no less). Mmm, that means treats like homemade fideo with chanterelles, speckled romaine leaves, lettuce fondue and Cubeb pepper.

But truly mmm? I don’t really know. After an hour of being trampled, with nary a precious peanut to pop in my mouth, I fled, the Ubuntu chant of “humanity toward others” ringing in my ears.Make that: hungry, hungry humanity.


Ubuntu

Address: 1140 Main St., Napa

Phone: 707.251.5656

Hours: Currently open for dinner; breakfast and lunch are coming, but the restaurant isn’t ready to commit to a date yet.

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Essay: Figs a disappearing crop in California

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Fecund: Who’s betting that Eve actually ate a fig, not an apple?

There is no fruit quite like the sweet and silky fig. In addition to being an inside-out flower (really, look it up), it’s got such an intractable link to the deepest chasms of written history that it seems only proper, at the very least, to remove your hat when this fruit is brought through the door. In nearly every fable from the Old World, there seems to be a basket of figs somewhere in the room, and in who knows how many novels, a ripe fig on a branch signifies some tired sexual metaphor. Fanatics tout figs as gems of the garden and idols of the kitchen, and many a chef-cum-author has pondered the fig’s romantic place in Mediterranean Europe, where extinct gods, religious prophets and great athletes all supposedly relished this uncomely fruit.

“Most of our dishes have nothing to do with figs, but it’s such a great symbol,” says Sondra Bernstein, owner of the Girl and the Fig restaurant family, which celebrated its 10th anniversary this month. “The fig represents savory and sweet cuisine. It’s historical, it’s biblical, it’s erotic, and there’s just a general mysteriousness about it that’s very attractive.”

Magnates in the fig biz assert that figs are more popular than ever, but it’s no demand that California can’t handle. The orchards of Fresno, Madera and several other hot-tempered counties produce 100 percent of the nation’s dried figs and 98 percent of those sold fresh. Officials with the California Fig Advisory Board (CFAB) in Fresno report that fresh fig consumption has increased by 60 percent in the last five years, as American consumers gain interest in eating the same foods that the heart-healthy, wine-guzzling societies of Mediterranean Europe enjoy.

At the same time, however, we are steadily uprooting California’s fig orchards. In the 1990s, over 20,000 acres of figs grew in commercial groves, mostly in the San Joaquin Valley. Today, less than 10,000 acres remain. Most of the lost orchards have been sacrificed to housing tracts, while others have been converted to such crops as almonds and pistachios. To combat this crisis, CFAB is waging a fig-appreciation campaign, weighted by the annual Fig Fest. An outdoor gathering of chefs, growers, foodies and fig fanatics, the festival was held Aug. 11—yep, you missed it—in Fresno. Just as well.

Ah, Fresno. Sadly, much of this city festers where fig trees once grew. In fact, a large region of northern Fresno is called Fig Garden, where 600,000 fig trees once produced vast crop loads.

“In the last 10 years, we’ve lost the last of the inner-city fig gardens,” says Felix Muzquiz, who organized this year’s Fig Fest with the help of CFAB and Slow Food USA. “But a lot of people are beginning to appreciate that figs really are a unique heritage of Fresno that we need to celebrate.”

The vast majority of the state’s figs are dried. Only the scantest fraction is sold fresh—so few, in fact, that CFAB doesn’t even bother keeping harvest records. But that’s changing, and many authorities believe that fresh figs represent the future of the industry. They go for a better per-pound price than the dried ones and can be produced on a greater scale. Richard Matoian, manager of CFAB, says that while fig orchards continue to vanish, the conversion of dried fig groves to fresh has balanced the decline.

“When I look at our acreage,” he says, “I see it going down, but the production level is remaining steady.”

Fresh figs are not an easy path to fortune. The logistics of harvesting and distributing such a soft fruit can be a nightmare of time, money and economics. Eric Sorensen, a distributor in Pompano Beach who works with luxury-food-service clients, came west for the Fig Fest to have a face-to-face chat with the men and women who manage the industry. Many of the figs he receives, says Sorensen, are not ripe.

“A lot of the figs we get are substandard, but they’re a mountain of potential, and they’ve got to be picked ripe.”

Figs arrive in two crops annually, the first in June, then a larger one in August that runs late into the fall. During the winter and spring off-season, figs are rarely, if ever, shipped in from the Southern Hemisphere. “Figs may be the very last seasonal commodity,” Matoian says.

Yet California ranchers, through such natural means as altering the schedules of pruning, watering and fertilizing, have recently harvested figs as early as mid-May and as late as mid-January. Matoian expects that in coming years, consumers will find fresh California figs as early, or as late, as April.

“Everything else you can just ship in from other areas, and I feel really good that our own local growers are finding ways to extend their own season without relying on outside regions.”

Young orchards of fig saplings grow sporadically throughout the Central Valley, and it is unlikely that the California industry will ever perish completely. Regardless, residents of the North Bay need not rely on the Central Valley for their figs. The local climate is ideal for producing most varieties, and there is no place like your own backyard for producing the highest quality organic figs available. In fact, many unusual and rare varieties that are not produced commercially can be had no other way than by growing them yourself.

The rare and beautiful tiger-striped Panache, green with white vertical stripes outside and raspberry-red flesh inside, is considered by many to be the most delicious. It and other unusual figs can be acquired from such specialty garden centers as the Wolfskill Experimental Orchards in Winters, which provides those interested with cuttings of any of 275 fig tree varieties. Planted in a pot of rich soil, six-inch “fig twigs” snipped during the dormant winter months will sprout leaves in spring and produce fruit in as little as three years.

And finally, if you covet the fig tree of your neighbor, covet no more. Instead, just ask for permission to take a twig snipping next January. Powder the stub end with a common root fertilizer and plug it into the ground. Your little world will soon become a better, figgier place.

Sondra Bernstein’s Fig, Prosciutto & Roquefort Pissaladiere

Yields two 12-inch pissaladieres (Southern French for “pizza”)

11/4 c. warm water

1/2 tbsp. yeast

1 tsp. sugar

1 tsp. salt

4 + 2 tsp. extra virgin olive oil

3 1/2 c. flour

Toppings

8 tbsp. crumbled Roquefort

6 figs, grilled and cut in sixths

1 c. prosciutto, thinly sliced

1/2 c. onions, sautéed

2 tbsp. extra virgin olive oil

2 tbsp. semolina flour or corn starch

Place warm water in bowl and sprinkle yeast and sugar over the top. Allow mixture to begin to foam. In a food processor, work together all ingredients except 2 teaspoons of oil. Dough may require more water or flour. Work dough until it forms a smooth ball.

In a bowl at least twice the size of the dough, coat the inside with the remaining olive oil. Place dough in bowl, roll with oil and cover with a damp towel. Place in a warm area and allow dough to double in size (about 1 1/2 hours). Punch dough down, recover and let rest for an additional 30 minutes.

Preheat oven to 500 degrees. Divide dough in to two pieces and roll out each piece on lightly floured surface to 1/4 inch to 1/2 inch thick. Sprinkle pan with semolina flour and set dough on it. Cover evenly with ingredients placing cheese on last. Bake until brown for approximately 10 minutes.

Reprinted by permission from The Girl & the Fig Cookbook



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Preview: Madeleine Peyroux

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08.22.07

Imagine Billie Holiday leaving Depression-era America behind, following Josephine Baker to Paris. Such an aural image is easy to grasp when listening to “J’ai Deux Amours” from Madeleine Peyroux’s 2004 breakthrough release Careless Love.

Born in Athens, Ga., in 1974, Peyroux spent her early childhood in Brooklyn and then Southern California, before moving to the City of Lights with her mom after her parents divorced. As a teen, Peyroux hung out with the street musicians in the Latin Quarter. By age 15, she was busking with her friends, passing the hat for the Riverboat Shufflers and singing with the Lost Wandering Blues and Jazz Band. For two years she toured throughout Europe, performing the songs of Fats Waller, Bessie Smith and Ella Fitzgerald.

Signed to Atlantic Records in 1996, Peyroux returned to New York to record her first disc, Dreamland. As Lady Day was surrounded by Teddy Wilson and the rest of the Benny Goodman band for her first recording sessions, Peyroux, too was teamed with the best players in town. Cyrus Chestnut, Vernon Reid, Regina Carter and longtime Tom Waits sideman Marc Ribot all contributed to her debut. With covers of tunes by Patsy Cline, Hank Williams and, of course, Billie, Dreamland was a critical success. It sold pretty well, 200,000 copies, and soon Peyroux was touring the States, including a stint at Sarah McLachlan’s Lilith Fair.

Heady stuff for a 22-year-old mademoiselle. Peyroux returned to Gay Paree and to playing on the street. Other than occasional club gigs and a festival or two, she stayed under the radar for several years. One rumor had her going under a surgeon’s knife for work on her vocal chords; another had her disappearing for long periods of time.

Following Norah Jones’ success in 2002, Rounder Records sought Peyroux out and signed her to a new deal, hooking her up with female-friendly producer Larry Klein (Joni Mitchell, Shawn Colvin). In September 2004, Careless Love was released, again to great reviews. Featuring songs by Leonard Cohen, Bob Dylan and Elliott Smith, her sophomore disc was no jinx, going on to sell over a million copies. Peyroux would never again have to pass the hat.

Now on the road to promote her latest album, Half the Perfect World, Peyroux returns to the North Bay on Saturday, Aug. 25, “with guest” for a show outdoors on the grounds of the Rodney Strong Vineyards. 11455 Old Redwood Hwy., Healdsburg. 4pm. $40&–$65. 707.433.0919.


Fall Movie Preview

08.22.07

Fall Arts:

The less said up front about the fall movie season, the more room there is to write about it. Noteworthy trends include Westerns (Brad Pitt as Jesse James, Russell Crowe as an Arizona hoodlum), the Middle East fiasco (Rendition, In the Valley of Elah, The Kingdom, Lions for Lambs), and rape-revenge (Death Sentence, The Brave One and Rosario Dawson’s Descent, if it ever makes it here).

All dates are subject to the ever-changing whims of neurotic, screaming sub-executives.

Sept. 7

‘3:10 to Yuma’ James (Walk the Line) Mangold’s sweeping but wishy-washy Western remake, with Christian Bale as a broke-down, hollow-eyed rancher facing off against a smooth-as-a-rattlesnake robber (Russell Crowe). ‘Shoot ‘Em Up’ Clive Owen as “Mr. Smith,” a gunman in custody of a baby that the evil Paul Giamatti wants dead.

Sept. 14

‘The Brave One’ Jodie Foster gets it, and so does her boyfriend and so does her dog. Now it’s payback time, but the real question is what kind of payoff got director Neil Jordan involved? ‘Eastern Promises’ Return of the king (David Cronenberg), with Viggo Mortensen as a London gangster.

‘The Hunting Party’ Ex-reporters Richard Gere and Terence Howard head for Serbia to bag a war criminal. It’s a comedy.

‘Mr. Woodcock’ Much-delayed Billy Bob Thornton vehicle. Seann William Scott plays a writer who learns his mom has taken up with the evil gym teacher he hated in high school. ‘Silk’ In France in the 1800s, an industrial smuggler (Michael Pitt) goes to acquire silkworms in Japan; there he falls for a powerful noble’s woman.

Sept. 21

‘In the Shadow of the Moon’ The Apollo astronauts speak out in this much-heralded doc. ‘In the Valley of Elah’ Paul (Crash) Haggis writes and directs this story of an Iraq vet sought by his parents (Susan Sarandon, Tommy Lee Jones) and a police detective who happens to look like Charlize Theron. ‘Trade’ Two-fisted Kevin Kline tracks down international flesh-peddlers.

Sept. 28

‘Across the Universe’ “Hey” Jude (Jim Sturgess) and Lucy (“In the Sky,” etc.) (Evan Rachel Wood) relive those fabulous ’60s under the tutelage of “Dr. Robert” (Bono) and “Mr. Kite” (Eddie Izzard). The coming attractions for Julie (The Lion King) Taymor’s visualization of Beatles’ songs were uproariously bad. The previews have since been fixed. Has the film?

‘The Darjeeling Limited’ Three estranged brothers (Owen Wilson, Adrien Brody and Jason Schwartzman) head to India in hopes of reconnecting. The new comedy by Wes Anderson will either be a Gen X Ishtar or his first unequivocal success. Either way, it’ll have a great soundtrack.

‘Into the Wild’ Sean Penn adapts Jon Krakauer’s bestselling wilderness bio of a well-off student who dropped everything to go live in the Alaskan wilderness. ‘King of California’ Michael Douglas as a recently released mental patient who convinces his daughter (Evan Rachel Wood) that there’s literally gold in them thar hills. ‘The Kingdom’ Thriller about FBI agents Jamie Foxx and Jennifer Garner investigating a Saudi Arabian bombing. ‘Under the Same Moon’ A little boy makes a desperate journey to cross the U.S.-Mexico border to join his mother.

Oct. 5

‘The Assassination of Jesse James by the Coward Robert Ford’ In Missouri, everyone can trace his descent from James, so it’s no surprise that the Show Me State’s Brad Pitt is playing him. ‘Feel the Noise’ Omari Grandberry is a Bronx rapper who discovers reggaeton, Puerto Rico and the papi he never knew (Giancarlo Esposito). ‘The Heartbreak Kid’ Ben Stiller in the remake of the Charles Grodin comedy, playing a honeymooner who dumps his wife for a new girl (Michelle Monaghan). ‘Michael Clayton’ Tony Gilroy, scripter for the Bourne series, directs this story of heartsick fixer (George Clooney) at a large and malevolent New York law film.

Oct. 12

‘Elizabeth: The Golden Age’ Cate Blanchett’s reprises the role of Queen Elizabeth I, with Clive Owen as Sir Walter Raleigh and Geoffrey Rush as Walsingham, father of the modern police state. ‘Lust, Caution’ Ang Lee, Tony Leung and Joan Chen in Shanghai during the Big War. ‘My Kid Could Paint That’ Amir Bar-Lev’s documentary about a kindergarten-aged prodigy—an abstract expressionist painter—already being heralded as a genius. ‘We Own the Night’ Brighton Beach melodrama set in 1988. Eva Mendes, Mark Wahlberg, Joaquin Phoenix as members of a family on either side of the law.

Oct. 19

’30 Days of Night’ Amusing premise, based on a graphic novel. In the Alaskan winter, a gang of vamps attack a small town. ‘Rendition’ Gavin (Tsotsi) Hood tells of an American wife (Reese Witherspoon) who tries to learn what happened to her Egyptian husband, a chemical engineer, at the other end of the line at a U.S.-run “black base.” Jake Gyllenhaal helps with the interrogation. ‘Sleuth’ Kenneth Branagh directs the remake of the two-man thriller, with Michael Caine in the part of the older cuckold, previously taken by Olivier. Jude Law is the young wife-stealer.

Oct. 26

‘Dan in Real Life’ Steve Carell in a rom-com about a widower who loses his heart over exactly the wrong woman. ‘Reservation Road’ A hit-and-run accident ruins the lives of Joaquin Phoenix and Mark Ruffalo. ‘Saw IV’ What sound does a saw make? Zzzzzzzzzzz. ‘Things We Lost in the Fire’Dogma-grad Susanne Bier’s story of a widow who learns to love again. Halle Berry, Benicio Del Toro and David Duchovny co-star.

Nov. 2

‘American Gangster’ Denzel Washington and Russell Crowe in a true story of the great heroin epidemic of the early 1970s. ‘Bee Movie’ Jerry Seinfeld as an average, animated bee about town. ‘Kite Runner’ Northern California author Khaled Hosseini’s story of the downfall of Afghanistan, as adapted by Marc Forster.

Nov. 9

‘The Future Is Unwritten’ Maybe the Clash were the only band that mattered after all. Lead singer Joe Strummer is memorialized by Julien Temple, who already made one irreplaceable punk-roc doc, The Filth and the Fury. ‘Lions for Lambs’ A Babel-icious story of the global war on terror encompassing a professor (Robert Redford), reporter (Meryl Streep) and presidential hopeful (Tom Cruise).

Nov. 16

‘Beowulf’ “No, but I saw the movie!” Computer-animated by Robert Zemeckis. ‘Love in the Time of Cholera’ Mike Newell directs the adaptation of the Garcia Marquez novel. ‘Mr. Magorium’s Wonder Emporium’ Dustin Hoffman is the proprietor of a magic toyshop, Natalie Portman a regular customer.

Nov. 21

‘Enchanted’ Amy (Junebug) Adams as a fairy-tale princess transported via witch’s spell to modern-day New York.

‘The Mist’ Stephen King’s story of a deadly fog must never be mistaken for The Fog.

‘No Country for Old Men’ The Coen Brothers adapt Cormac McCarthy’s grisly novel, with Tommy Lee Jones as the hunter who stumbles into a borderland drug gang’s business.

Nov. 30

‘Thomas Kinkade’s The Christmas Cottage’ The ultimate Yuletide horror story stars Peter O’Toole and Marcia Gay Harden in a tale of a young artist who needs to see the light (and smell the money).

Dec. 5

‘Atonement’ In 1935, a child’s casual lie has fateful repercussions. Ian McEwan’s novel is the source. ‘The Golden Compass’ Philip Pullman’s His Dark Materials hits the screen; Lyra (Dakota Blue Richards), a 12-year-old denizen of a parallel version of London, learns of a secret organization of the Gobblers. ‘Margot at the Wedding’ Noah Baumbach’s follow-up to The Squid and the Whale has Nicole Kidman attending the wedding of her sister (Jennifer Jason Leigh) and encountering the boor she’s proposing to wed.

Dec. 14

‘I Am Legend’ Will Smith is the last man on earth, immune to a plague that has turned over the world to the undead and, worst of all, driven up the price of gas to $6 a gallon. ‘Juno’ Blogger/stripper turned screenwriter Diablo Cody’s script in the hands of Jason (Thank You for Smoking) Reitman. Sad part: it’s another anti-choice thing about a pregnant teen.


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Fall into Arts

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August 22-28, 2007

Fall Arts:

September

Sausalito Art Festival Sept. 1-3. The Sausalito Art Festival combines breathtaking views with endless entertainment. The celebration begins with the festival’s Summer of Love kickoff (Sept. 1), featuring pianist Tom Constanten and rock bands Moon Alice, It’s a Big Bad Beautiful Day, Quicksilver Messenger Service and Jefferson Starship. The mood changes the next day with (Sept. 2), R&B artist Vonda Shepard, gospel group Blind Boys of Alabama, ’80s cover band Tainted Love, rock band Brite-Robinson, bluegrass group Buxter Hootin, jazz artist Pamela Rose and Cajun faves Flambeau. Country group New Riders of the Purple Sage and the Marshall Tucker Band finish the fest (Sept. 3). 2400 Bridgeway, Ste. 220, Sausalito. $5-$20; under 6, free. 415.331.3757. www.sausalitoartfestival.org.

Napa River Festival Sept. 2. Help protect and celebrate the Napa River with performances by the Napa Valley Symphony, gourmet food, fine wine and more. Napa Valley Expo, 575 Third St., Napa. Free. 707.254.8520. www.friendsofthenapariver.org.

Cajun & Zydeco Fest Sept. 8. All ages will enjoy the dancing bon temps of Chubby Carrier, Nathan and the Zydeco Cha Chas, Andre Thierry and the ever-popular Gator Beat Band at this 12th annual fundraiser by the Rotary Club of Sebastopol. Food includes Louisiana gumbo, red beans and rice, boiled crawfish and crawfish étouffée. Sebastopol Community Center, 390 Morris St. $20; under 12, free. 707.824.2550. www.rotarycajun.com.

Think Green World Music Festival Sept. 8. Harry Best and Shabang, the Caribbean Allstars, the West African Highlife Band and Mambo This! perform to promote environmental awareness from a solar-powered stage. With workshops, exhibitions and even ballet. Skyline Wilderness Park, 2201 Imola Ave., Napa. 10:30am to 7pm. $20. www.thinkgreen-worldmusicfestival.com.

Benny Carter Tribute Sept. 8. Saxophonist Mel Martin honors his longtime musical partnership with the alto sax great in a special jazz tribute. Warren Auditorium, SSU, 1801 E. Cotati Ave., Rohnert Park. $8-$12. 707.664.2235. www.sonoma.edu.performingarts.

Russian River Jazz Festival Sept. 8-9. Under new management, the festival goes lite but keeps some stalwart jazz artists to satisfy art lovers from all over. Featured artists include Chaka Khan, Boney James and Poncho Sanchez (Sept. 8). The next day’s lineup includes Norman Brown’s Summer Storm, Christian Scott and Lavay Smith (Sept. 9). Johnson’s Beach, Guerneville. $48-$173. 707.869.1595. www.russianriverfestivals.com/jazz.

Ghosts of Olompali Sept. 8-9, 15-16, 22-23. Promoters who created the original Renaissance Pleasure Faire and the Dickens Christmas Faire go local this time, with a living history celebration of California’s history, circa 1840-1880, held outdoors at the Olompali State Historic Park. Experience the Gold Rush, meet General Vallejo, visit China Camp, flag down a Bear Flagger and learn a more than a little about homesteading at this first annual event. As with the other fairs, come dressed to be a part of the proceedings. Many games and opportunities for children to have a richer experience are found on the website. Olompali State Historic Park, Highway 101 north of Novato, south of Petaluma. $12-$25. www.timegames.org.

The Temptations & the Four Tops Sept. 9. Motown legends the Temptations and the Four Tops unite to make sweet, soulful music together in their only Bay Area concert. Reminisce with hits like “My Girl” and “I Can’t Help Myself (Sugar Pie Honey Bunch) ” at the Marin Center, 10 Avenue of the Flags, San Rafael. $35-$95. 415.499.6800.

Pink Martini Sept. 10. Portland-based “little orchestra” mixes language with cinema with shrieks with music with outrage with fun. Very arty for us folks, this. Wells Fargo Center, 50 Mark West Springs Road, Santa Rosa. $15.50-$39. 707.546.3600.

SF International Comedy Competition Sept. 12. Worldly wits square off for a shot at $30,000 and a fairly high-profile catapult toward fame. Previous contestants include Dana Carvey, Robin Williams and Carlos Alazraqui of Reno 911. Rounds run Sept. 12-Oct. 6. North Bay appearances include Sept. 13 at SSU; Sept. 14 and 21 at the Marin Center; Sept. 28 at the Wells Fargo Center and final rounds Oct. 3 at 142 Throckmorton in Mill Valley and Oct. 5 at the Napa Valley Opera House. www.sanfranciscocomedycompetition.com.

Lewis Black Sept. 14. Angry satirical comic who cut his back teeth with Jon Stewart has plenty of material given to him each day by the Bush administration. He brings his new revue, Red, White and Screwed straight to the top of his lungs. Wells Fargo Center, 50 Mark West Springs Road, Santa Rosa. $47.50-$57.50. 707.546.3600.

Sonoma Word Sept. 14-Oct. 26. Multi-date, multi-venue Sonoma County-wide celebration of the written word tackles an amazingly diverse schedule of events, beginning with a celebration of the Beat generation. Other highlights include Lilith Rogers’ one-woman show, Crossing Nature: Rachel Carson (Sept. 20), the Crosswalks of Poetry and Prose lit walk on the Russian River (Sept. 29), the “Stretching Borders” poetry evening with Chester Aaron and others in Occidental (Oct. 17) and the collaborative work, The Village of Speechless Understanding, conceived by Elizabeth Herron, Corlene Van Sluizer and others (Oct. 21). www.sonomaword.com.

Rita Moreno Sept. 14-15. Multiple award winner and West Side Story star leaves New York’s Café Carlyle to bring her cabaret revue Little Tributes on the road. Will she start the show by screaming “Hey, you guys!,” her tagline from The Electric Company? Napa Valley Opera House, 1030 Main St., Napa. $40-$45. 707.226.7372. www.nvoh.org.

Sonoma County Book Festival Sept. 15. This year marks the eighth year the festival has celebrated books and the people who love them. Features include book-signings by authors and poets, literary discussions and musical performances. Highlights include presentations by cookbook maven Mollie Katzen, novelist and Believer editor Vendela Vida, sci-fi and mystery panels, a travel writing workshop featuring Tim Cahill and more. Events located in Downtown Santa Rosa at the Sonoma County Main Library, the Cultural Arts Council Gallery and Court House Square. Free. 707.527.5412. www.socobookfest.org.

Napa Valley Harvest Festival Sept. 15. Sponsored by the Kiwanis Club of Napa, the festival offers wine, gourmet food, art, auctions, live music by Pan Extasy and much more. Lincoln Theater, 100 California Drive, Yountville. $50. 800.550.6260.

Glendi International Food Fair Sept. 15-16. Live Balkan music and food from around the world, including Eritrea, Kenya and Romania. The savvy Glendi-goer brings a cooler to haul food home. Protection of the Holy Virgin Orthodox Church, 90 Mountain View Ave., Santa Rosa. $8; under 12, free. 707.584.9491. www.glendi.net.

Mill Valley Fall Arts Festival Sept. 15-16. Some 150 artists converge at this storied fair in the tall redwoods of Old Mill Park. Performers include ‘Til Dawn and the Robin Nolan Trio. Throckmorton Avenue at Cascade Drive, Mill Valley. $7; under 12, free. 415.381.8090. www.mvfaf.org.

Trisha Yearwood Sept. 16. Leading lady of contemporary country music tours in support of her new album, Heaven, Heartache and the Power of Love. Wells Fargo Center, 50 Mark West Springs Road, Santa Rosa. $25-$85. 707.546.3600.

Chanticleer Sept. 20. Twelve-man vocal group perform their newest work, My Spirit Sang All Day, featuring early 19th- and 20th-century pieces and world premiere of original works All Things Resounding and Jalapeño Blues, as well as folk songs and spirituals. St. Vincent Church, 35 Liberty St., Petaluma. $25-$44. 800.407.1400.

Jarvis Puppet Workshop & Festival Sept. 21-22. Got the world on a string? Learn the über-classified backstage secrets of puppetry, make your own Sifl or Ollie, and see the pros work their magic. Not appropriate for children under five. Jarvis Conservatory, 1711 Main St., Napa. $10-$20. 707.255.5445. www.jarvisconservatory.com.

Sebastopol Celtic Music Festival Sept. 21-23. The greatest Celtic musicians this side of the Emerald Isle do more than just fiddle around. Confirmed performers include Martin Hayes, Dennis Cahill, Darol Anger, Molly’s Revenge and more. Sebastopol Community Center, 390 Morris St. $10-$142; full fest passes already sold-out. 707.823.1511. http://cumuluspresents.com/celtic.

Napa Valley Open Studios Sept. 22-23 and 29-30. Artists throughout the valley open their doors to the public. Sponsored by the Napa Valley Arts Council. Various locations. Opening reception Sept. 14 at St. Supéry. 707.257.2117. www.artscouncilnapavalley.org.

Redwood Arts Council Sept. 23. The autumn portion of the 28th season commences with the 18th-century string and lutes of the Group Galanterie (Sept. 23). The season continues through June with performances by Ensemble Amarcord, the Nobilis and Peabody piano trios, the Euclid and the Talich string quartets and others. Concerts mostly held at the Occidental Community Church. $10-$20. 707.874.1124. www.redwoodarts.org.

21st Annual B.R. Cohn Fall Music Festival & Celebrity Golf Classic Sept. 28-Oct 1. Huey Lewis and the News headline along with the Doobie Brothers and Tower of Power in annual charity concert. Party on, Wayne! Chardonnay Golf Club, Napa; B.R. Cohn Winery, 15000 Sonoma Hwy., Glen Ellen. $25-$300. 800.330.4064. www.brcohn.com.

Sausalito Floating Homes Tour Sept. 29. Self-guided tour of 15 of the world’s most unique homes. Whatever floats your boat. Kappas Marina, Sausalito. $30 (advance reservations recommended). 415.332.1916. www.floatinghomes.org.

Kiri Te Kanawa Sept. 29. If the Marin Center had buttons, they’d be a-poppin’ with the arrival of one of the world’s most beloved sopranos, stopping on a farewell tour in recital with Julian Reynolds. Hope for the aria “Porgi, Amor, Qualche Ristoro” from her famous role as the Countess in The Marriage Of Figaro. Marin Center, 10 Avenue of the Flags, San Rafael. $35-$95. 415.499.6800. www.marincenter.org.

Country on the River Sept. 29. Bring lawn chairs and a blanket and enjoy refreshments, beautiful scenery and entertainment from Hal Ketchum, Pete Stringfellow, Buckshot Boys, the Trailerpark Rangers and more in the Monte Rio Meadow on the Russian River. Part of the innovative Russian River Food and Wine Fest. $35-$50. www.russianriverfoodandwinefest.com.

Petaluma Progressive Festival Sept. 30. The Progressive Festival highlights the movement’s issues and causes through speakers, live music and information booths. Speakers are still being scheduled, but those confirmed include Texas populist Jim Hightower, peak-oil author and activist Richard Heinberg and NAACP president Ben Terry. Walnut Park, Sixth Street and Petaluma Boulevard South, Petaluma. Free. 707.763.8134. www.progressivefestival.org.

Russian River Food & Winefest Sept. 30. All hail Bacchus and Ceres! This all-day salute to the bounty of the county includes wine, baked goods, cheese and such chefs and authors as Scott Peacock, Mark Stark and Mateo Granados. Proceeds directly benefit river communities. Monte Rio Riverfront Meadow at Rocky Beach, 16467 Hwy. 116, Monte Rio. $20-$60. 707.869.9474. www.russianriverfoodandwinefest.com.

October

Annual Mill Valley Film Festival Oct. 4-14. Now in its 30th year, this prestigious festival showcases over 150 independent films and bigger features destined for the multiplex. Settle in for the fun with some popcorn at various venues in Marin. 415.383.5256. www.mvff.com.

Shaolin Warriors Oct. 5. A return performance by the Buddhist monks who train physically and mentally with disciplined spiritualism in the art of kicking ass. Fun diverting activity: count the Wu-Tang Clan T-shirts in the audience. Marin Center, 10 Avenue of the Flags, San Rafael. $20-$50. 415.499.6800. www.marincenter.org.

Music at the Center Oct. 5-27. Month-long interdisciplinary and interactive mini-fest mixes the poetry of such stellar writers as former U.S. poet laureate with award-winner Jane Hirschfield with fine art and fine music. Inspired by composer Joyce Kouffman’s music, this is a visual art installation that prompts poetry-writing, music-making and art construction. Oct. 5, “River of Words and Music” features Jane Hirschfield and Kouffman’s new music. Opening reception Oct. 7 and other events centering around Toby’s Feed Barn, Highway 1, Pt. Reyes Station. Prices vary. www.joycejazz.com.

Calder Quartet Oct. 6. Appropriately named after the great visual artist Alexander Calder, this chamber group continues to blur the boundaries of the traditional and avant-garde. Works by Terry Riley, Philip Glass and Franz Schubert, presented by the Russian River Chamber Music Society. Healdsburg Community Church, 1100 University Ave., Healdsburg. Free. 707.524.8700. www.russianrivermusic.org.

Sonoma County Harvest Fair Oct. 6-8. For hayrides, the World Championship Grape Stomp Competition, an amazing assortment of outstanding comestibles and more gold medals than can put the “bl” in “bling”—visit the Harvest Fair. Sonoma County Fairgrounds, 1375 Bennett Valley Road, Santa Rosa. $2-$6. 707.545.4203. www.harvestfair.org.

Marc Teicholz Oct. 6. Internationally acclaimed classical guitarist and faculty member of San Francisco Conservatory of Music specializes in works from the 19th century to the present day. Ives Hall, SSU, 1801 E. Cotati Ave., Rohnert Park. $6-$10. 707.664.2235. www.sonoma.edu/performingarts.

Marin Symphony Presents ‘The Battleship Potemkin’ Oct. 7 and 9. Sergei Eisenstein’s silent classic gets loud with orchestration by Marin Symphony. Opening night is preceded by a black-tie gala and followed by a Champagne reception. Not very proletariat, but much more fun. Marin Center’s Veterans Auditorium, Marin Center, 10 Avenue of the Flags, San Rafael. $27-$65. 415.499.6800.

Emmylou Harris Oct. 9. Perennial favorite with a voice like an angel and a rare talent for singing duets swoops in. Wells Fargo Center, 50 Mark West Springs Road, Santa Rosa. $20-$65. 707.546.3600.

Solid Blues Oct. 11. Mavis Staples, Charlie Musselwhite, North Mississippi All-Stars and Joe Krown come together in a night for the history books. Staples, especially, is in top form on her latest, We’ll Never Turn Back, a breathtaking capture of the Civil Rights era. Napa Valley Opera House, 1030 Main St., Napa. $40-$45. 707.226.7372. www.nvoh.org.

Suburban Comedy Tour Oct. 13. Hear four hilarious comedians perform about their suburban lifestyles. Each has a unique style representing a different generation from the ‘burbs. Spreckels Performing Arts Center, Rohnert Park. $21-$24. www.suburbancomedytour.com.

ARTrails Oct. 13-14 and 20-21. Self-guided opportunity to buy directly from an artist, learn about the work from an artist, support an artist . . . or two or three. Throughout Sonoma County. Free. 707.579.2787. www.artrails.org.

El Día de los Muertos Oct. 14-Nov. 3. Day of the Dead celebration in the North Bay kicks off in Petaluma with fine and folk art, altars and performances throughout the town. Sonoma Valley Museum of Art hosts its annual exhibit Oct. 31-Nov. 4. Santa Rosa celebrates with community altars at the Sonoma County Museum and downtown events Nov. 1-2. www.petalumaartscouncil.org.

Bioneers Conference Oct. 19-21. Hear about groundbreaking ideas and discuss building a blueprint for sustainable systems at the 17th annual Bioneers Conference, a meeting of environmentally focused minds. Marin Center, 10 Avenue of the Flags, San Rafael. $208-$405. 877.246.6337. www.bioneers.org.

Terry Bradford Oct. 20. Celine Dion’s duet partner has recorded with Elton John, Linda Ronstadt and others, and is lucky enough to have a PBS special on the air as he tours. Bradford appears with a string quartet, backup singers and the 50-member children’s VOENA choir. Spreckels Performing Arts Center, 5409 Snyder Lane, Rohnert Park. $23-$26. 707.588.3400.

Kathy Griffin Oct. 26. She filmed her special here earlier this year and loves us so much that she’s come directly back with a whole new bag of bitchy, funny tricks. Wells Fargo Center, 50 Mark West Springs Road, Santa Rosa. $20-$65. 707.546.3600.

Mystery Ball Oct. 27. Headlands Center for the Arts throws a killer Halloween party complete with three floors of food, music and dancing. Entertainment includes the French group Les Croque Notes, rock band Kugelplex and DJ Nightbeat. The hippest way to ring in the wiccan New Year. Headlands Center for the Arts, 944 Fort Barry, Sausalito. $90-$100. www.headlands.org.

Savage Jazz Dance Co. Oct. 27-28. Incorporating live music into its new work, the Aton Project, dancers perform to new work by composer Atemu Aton. Spreckels Performing Arts Center, 5409 Snyder Lane, Rohnert Park. $21-$24. 707.588.3400.

November

Pilobolus Nov. 2. Innovative and mind-boggling modern dance ensemble convert bodies into interlocking parts, creating a simultaneous blend of living sculpture and creative dance. Marin Center, 10 Avenue of the Flags, San Rafael. $25-$65. 415.499.6800. www.marincenter.org.

Django Reinhardt Festival Band Nov. 3. There is no working guitarist alive today who both plays and looks as much like Django Reinhardt as Dorado Schmitt, who masterfully leads a group bringing to life Reinhardt’s Quintet of the Hot Club of France, razor-thin moustache and all. Squint your eyes, and you’re in Montmartre listening to the master himself. Napa Valley Opera House, 1030 Main St., Napa. $35. 707.226.7372. www.nvoh.org.

Diana Ross Nov. 3. The website merely lists Ross’ Guinness Book of World Records listing as the most female successful vocalist of all time, but this Dreamgirl has got more than one record to her name. Wells Fargo Center, 50 Mark West Springs Road, Santa Rosa. $19-$149. 707.546.3600.

Jupiter Trio Nov. 3. Young, dedicated chamber group and ensemble-in-residence at DePaul University in Chicago performs Beethoven, Dvorák and Rachmaninoff, presented by the Russian River Chamber Music Society. Healdsburg Community Church, 1100 University Ave., Healdsburg. Free. 707.524.8700. www.russianrivermusic.org.

Wine & Food Affair Nov. 3-4. Russian River Wine Road gathers 64 local wineries for another delicious extravaganza. Various locations in Alexander, Dry Creek and Russian River valleys. $15-$45. 800.723.6336. www.wineroad.com.

Robert Haas & W. S. Merwin Nov. 6. Haas, a former U.S. poet laureate, and Merwin, one of our greatest living poets, team up for an evening titled “On Land and Language: An Evening of Poetry.” A rare treat for those who love words and are honored to hear the very poets themselves speak them. Wells Fargo Center, 50 Mark West Springs Road, Santa Rosa. $10-$35. 707.546.3600.

Sebastopol Documentary Film Festival Nov. 8-11. Enjoy strong, independent films submitted by filmmakers of all ages at Sebastopol’s first-ever doc fest. Sebastopol Center for the Arts, 6780 Depot St. 707.829.4797.

Jake Shimabukuro Nov. 9. If there’s anyone poised to dethrone Israel Kamakawiwo’ole as the king of Hawaiian music, it’s the skinny little kid in glasses who looks like a science major and plays the crap out of the ukulele. His version of “While My Guitar Gently Weeps” is already legendary on YouTube. Napa Valley Opera House, 1030 Main St., Napa. $35. 707.226.7372. www.nvoh.org.

Festival of Harps Nov. 10. Now in its 18th year, the festival this time features multicultural lineup from China to Ireland to Paraguay. However, Joanna Newsom is nowhere in sight. Spreckels Performing Arts Center, 5409 Snyder Lane, Rohnert Park. $21-$24. 707.588.3400.

Trecento & Quattrocento Music Nov. 16-17. SSU Chamber Singers perform rarely heard works by 14th- and 15th-century Italian composers of Padua and Firenze. Featuring pieces by Paolo Tenorista and Johannes Ciconia. Holy Family Episcopal Church, 1500 E. Cotati Ave., Rohnert Park. $8-$12. 707.664.2235. www.sonoma.edu/performingarts.


Museums and gallery notes.

Reviews of new book releases.

Reviews and previews of new plays, operas and symphony performances.

Reviews and previews of new dance performances and events.

First Bite: Odyssey in Windsor

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Editor’s note: First Bite is a new concept in restaurant writing. We invite you to come along with our writers as they—informed, intelligent eaters like yourselves—have a simple meal at an area restaurant, just like you do. This is not a go-three-times, try-everything-on-the-menu report; rather, this is a quick snapshot of a single experience.

There’s something awfully civilized about having hamburger juice dribbling down one’s face when the burger from whence it came is crafted of sirloin stuffed with black truffle, braised short rib meat and foie gras.

It’s hard to feel too sloppy, either, about trying to cram a four-inch tall sandwich into one’s mouth when it’s held together by a clever toothpick designed to look like chopsticks, and when one is paying $22 for the privilege. Or when one is washing the burger down with glass of Domaine Calot Morgon 2005 Beaujolais ($11) that’s been recommended by the waiter-wine specialist hovering attentively over one’s shoulder.And it’s impossible not to love the every bit of it, when experienced at Odyssey, the French-Italian-California bistro in Windsor that opened in May and has promptly stolen my heart. Give credit to chef-owner Rudy Mihal, boasting an impressive résumé from some of New York and San Francisco’s best restaurants (Gramercy Tavern, Cafe Boulud, Fiamma, Zuppa) and now waving his magic wand over this sleepy wine country burg. He’s transformed the tiny grocery-chic space that used to be Amey Shaw’s L’Assiette into a gorgeous little nest of dark woods, soft lighting, cozy banquettes, a curvaceous bar and Fellini films playing on a projector screen above our heads.

Despite the fine food (handmade fettuccine with fresh Sicilian bottarga, fresh fava bean tortelli with lobster and oven-roasted veal chop with shallot marmalade were on the frequently changing menu the night I dined), the mood here is completely relaxed and the prices surprisingly reasonable. My companion and I ate and ate on a basket of pillowy-crisp and salty rosemary flatbread ($3), but couldn’t finish it. A portion of superbly seared, velvety foie gras ($14) was the size small brick, scattered with tangy-sweet peach mostarda and frisée. The liver melted, as close to literally as I’ve ever experienced, on our tongues.

Another appetizer, marinated sardines from Bodega Bay ($12), looked to be an entire filet, expertly deboned and sliced into slabs, then laid atop big chunks of fennel dotted with vinegary carrot dice alongside a slick of arugula jus. Delightful.

My companion declared her salmon ($22) perfect, and it was, the local fish simply decorated with wild mushrooms and English peas. As I licked the hamburger-topping Dijon and sundried tomato from my lips, and nibbled on hand-cut frittes dipped in aioli, I thought, “Does eating out get any better than this?”It does, our server piped in, apologizing for only having a cheese plate for dessert that evening. If we were to return the following night, we would be treated to a flaming rum confection the chef considered one of his best specialties. It would be lit at the table, and the show would be as spectacular as the taste, he promised.

There’s something quite sophisticated about having one’s eyebrows torched off when one can say the damage occurred over dessert at the outstanding, whimsical, wonderful Odyssey.

Odyssey, 426 Emily Rose Circle, Windsor. Open for dinner, Tuesday-Saturday. 707.836.7600.



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Quick-and-dirty dashes through North Bay restaurants. These aren’t your standard “bring five friends and order everything on the menu” dining reviews.

Winery Profile: Blackstone Winery in Sonoma

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The flavor of the week is Tannat. As the name suggests, this grape is an especially tannic varietal that makes a dense bruiser of a wine. Nonexistent to obscure in most wine regions, it’s the main thing going in a widely dispersed few. In far-flung Madiran, in the foothills of the French Pyrenées, wine must contain 40 percent to 60 percent Tannat. Preeminent producers such as the Alain Brumont’s Château Montus have put Madiran on the map.

Since the wine takes a donkey’s age to mellow out, this is the region that invented “micro-oxygenation,” a bit of technical trickery that speeds up the aging process. In the 1880s, Basque settlers brought Tannat to Uruguay, where it has since become the South American nation’s signature grape, like Malbec is for Argentina. Vineyards are grown here and there amid the gently rolling green rangeland, where the climate is tempered by the maritime influence of the Rio de la Plata. Wineries such as the rustic, stucco-walled Establecimiento Juanicó produce a mellow, agreeable version of Tannat more successfully than, say, Cabernet Sauvignon. So when I saw a sign here in Sonoma Valley that said “We Have Tannat,” I was lured in for a taste.

I’d been passing by Blackstone’s Kenwood tasting room for years, assuming it was not of much interest. It was conceived as a “negociant”—the industry’s new pet term for bulk wine brand—owned by Constellation Brands, and widely available in the “fighting varietal” price range. Well, Blackstone’s satellite Sonoma County production facility is tucked in back and pretty much left to do its own thing, producing a variety of ultrapremium-appellation and single-vineyard Sonoma County wines, most sold at the winery only. Learn something new every day.

Even if you’re taking notes and asking über-geek questions, winetasting solo can be tough, especially when the bar is elbow to elbow with couples. The host, who was coincidentally explaining the story of Tannat just at that moment, shunted me on to the bar out back, a blessing. Open on weekends, the patio tasting shack is funky, dressed up just with a tabletop fountain and some piped-in wine country radio. Out of the crowd, this is where the cool folks hang out.

Blackstone Sonoma is big on the reds and unusual varietals like Dolcetto and Teroldego. In the Prestige Appellation Series, the 2003 Lake County Malbec ($20) had an aroma of, according to my notes, industrial cherry fruit—chemical but enticing, with exceptionally supple tannins. Jam fans will love the 2004 Sonoma County Zinfandel ($18), which the backyard bartender says is the jammiest Zin you may currently encounter. “I will argue that,” she declares. I tend to agree, further noting it has the particular nostalgic characteristic of Knotts Berry single-serving raspberry jam packets.

The 2004 Russian River Valley Tannat ($20) was indeed a dense wine; in fact, they add a little Cabernet Sauvignon to mellow it out. It was, um, pretty good. Dark fruit, plums . . . But what have we really learned, what is the flavor of the week? Blackstone, an unexpected surprise for unique local wines.



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