Politicos’ Kids Not Fair Game

Like many others, I wept watching vice presidential candidate Tim Walz’s son, Gus, express his sheer admiration of his dad during the Democratic National Convention.

Gus had tears in his eyes. As an expression of pure joy, when he pointed his index finger at his dad during his speech, he said, “I love you, dad” and “That’s my dad!”

Much has been made about the fact that Gus has a nonverbal learning disorder as well as anxiety and ADHD. While none of that matters in regard to his elated show of affection for his dad, it did perhaps offer some people the chance to think about those issues and to consider how the Walz family has admirably supported Gus.

What should not have happened is that hateful people took to the Internet to make fun of Gus. But it did. For example, conservative columnist Ann Coulter wrote on the platform X, “Talk about weird.” The comment has since been deleted, but that does not erase the despicable sentiment behind making fun of a teenager who expressed his love for his father.

Trump supporter and podcaster Mike Crispi referred to Gus as Walz’s “stupid crying son” and wrote on X, “You raised your kid to be a puffy beta male. Congrats.” Another Trump supporter, Alec Lace, who actually hosts a podcast about fatherhood, wrote, “Get the kid a tampon already.”

The issue goes beyond people saying disgusting comments about Gus Walz, however. It brings to light the fact that to some in the United States, politician’s kids are fair game. They should never be. Sadly, there is a long history of trolls attacking politician’s kids. Remember all the comments about Chelsea Clinton? How about the grotesque things people said about Sasha and Malia Obama?

It is not just conservatives who play dirty and attack the kids. Like Chelsea, Barron Trump was also ridiculed on Saturday Night Live after his dad took office. Barron faced more mean-spirited attacks when he decided to get involved politically as he was turning 18.

This really is quite simple: Leave the kids alone. They have nothing to do with their parent’s choice to run for office. There are plenty of policy issues that desperately need to be the focus of the upcoming election. Let’s pay attention to those and not to bullying kids. We can do better.

Laura Finley, Ph.D., teaches in the Barry University department of sociology & criminology.

Your Letters, 8/28

Grain Reign

While it is true I hold degrees from both Deep State and California State University, Deep, I no longer believe that Chef Boyardee conspires with Franco-American to perpetuate the myth of canned noodle supremacy over boxed Golden Grain.

Perhaps it is time for all of us to face the whole grain truth: Rice-A-Roni, the San Francisco treat, beats the shit out of any Iron Curtain-based rice pilaf, regardless of how much neofascist salt it contains. Because after all, Generalissimo Franco, despite his brutal persecution of the poet, Garcia Lorca, is still dead.

Craig J. Corsini

San Rafael

Real Change

Trump sure does stand for real change. Very much like the changes Hitler wrought in the 1930s. Thumbs down to that!

As for the military industrial complex, I thank our stars we can resist the True Believers out in the world who want to tear down our relatively progressive society.

Christopher Emley

San Rafael

Bolinas Film Fest, David Luning and a Lethal Shark

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Bolinas

Four-Day Movie Par-tay

Film buffs should definitely not miss a trip out to West Marin when the second annual Bolinas Film Festival comes to town. Some of the movies set to play at this four-day film festival extravaganza include Planetwalker, La Chimera, Giants Rising, and Maya and the Wave. Between the opening night gala, film screenings galore, plenty of panel discussions, Q&As to one’s heart’s content and a spaghetti dinner to boot, there’s enough entertainment for everybody. To learn more or purchase a pass to one or all of the days, visit bolinasfilmfestival.com. The second annual Bolinas Film Festival is set to show Sept. 19 through 22 at The Starlight Theater, 5 Brighton Ave.

Cloverdale

‘Lessons’ Learned

Americana singer-songwriter and local David Luning is set to release his highly anticipated third album, Lessons, just before heading out on a 20-date Southeast tour following his appearance at the AmericanaFest conference in Nashville. Catch Luning live at Cloverdale Arts Alliance on Thursday, Sept. 5, at 7:30pm, where he’ll bring his storytelling prowess to the stage. Lessons drops the next day. Tickets are $40 and available now at bit.ly/luning. 204 N Cloverdale Blvd., Cloverdale.

Napa

Nine Centuries of Singing

The Bay Area’s own 23-voice choir, Aeternum, is performing in Napa next month with two separate shows in its Echoes of Light concert series. Aeternum’s Echoes of Light concerts offer a choral performance so nice, it’ll take to the stage twice—its first showing is set to take place at 7:30pm, on Sunday, Sept. 8, at Mont La Salle Chapel, with the second at 7:30pm, on Saturday, Sept. 14, at St. Mary’s Episcopal Church. Tickets to see Echoes of Light are sold at aeternumchoir.org and cost $25 apiece, though students, first responders and veterans may pay a discounted price. Mont La Salle Chapel is located at 4405 Redwood Rd. in Napa, and St. Mary’s Episcopal Church is located at 917 Third St. in Napa.

Santa Rosa

DUN-DUN…DUN-DUN

There’s a screening of Jaws coming soon to a Charles M. Schulz Museum nearby! This showing of Steven Speilberg’s classic 1975 thriller, Jaws, coincides with the museum’s exhibition of “Bravo, Snoopy! Peanuts and Pawpet Theater.” Who in their right mind wouldn’t want to come out to Santa Rosa’s iconic Charlie Brown-themed museum to see the world’s most famous movie about a murderous shark? Tickets to the Friday Movie Night showing of Jaws cost only $10 per person, though museum members receive an additional discount of 20% off. And everyone will enjoy free popcorn to chomp on, just like the scary shark chomps in the movie. Tickets can be purchased in advance at schulzmuseum.org or at the door. ‘Jaws’ will play on Friday, Sept. 6, at 7pm, at the Charles M. Schulz Museum, located at 2301 Hardies Ln., Santa Rosa.

Wonder Wall: Cloverdale Muralist Blanca Molina

This is a story about a mural and the community it embraces. To see a picture of the mural, scan that QR code, or better still, take the old cruising route down Cloverdale Boulevard and wave. It’s on Cloverdale and Second, fronted by blooming crape myrtles and backed by soaring redwoods.

The business end or brush of this mural project is artist Blanca Molina, but it’s a Cloverdale family affair—La Familia Sana initiated the project, and pepster Niko Kimzim facilitated its development through many stages. Encore Dance studio contributed their 60-by-14 foot wall which the mural hugely fills.

One may recognize Molina through her art. Her distinctive and maximalist style can be seen in commissions all over Sonoma County, memorably with special addition IPA cans from Cooperage and Hen House Brewing. She is also famed for her rippling and giggling laugh.

The ‘unveiling’ of the mural is 6 to 8pm, Friday, Sept. 20, 201 N. Cloverdale Blvd., Suite B, Cloverdale.

CH: Blanca, this mural is a straight continuation of your graphic work, and its template is a vintage American, “Greetings from X,” postcard style. What more can you say about your style?

BM: That my color palettes are Mexican.

CH: They got sabor. Blanca, I understand that while this mural faces visitors, the most important audience is Cloverdalians—which it is meant to bring together in unity and pride. How did you bring the communities and factions of Cloverdale into the process?

BM: We included Cloverdale through its youth, conducting three workshops with students from Cloverdale High. We asked them what they love about Cloverdale and what were their hopes and wishes for the future. I gave them blank printouts of the block letters of the mural that they could fill with symbols and inspiring words.

CH: I understand that they and the wider community are helping you paint it. Let’s take a tour down the letters of “CLOVERDALE,” which are flanked by Sonoma roses, Cloverdale citrus, California poppies and Mexican cacti. What symbols are in the letter “L?”

BM: The letters of “DALE” are about community. The “L” has a car and a guitar, referring to the car shows and the Friday night music. The ballerina refers to Encore Dance.

CH: I see you have highlighted the letters “LOVE” in “C-LOVE-RDALE,” which front a rising sun.

BM: Yes, I gave it a pink color and flower flourishes. I want people to feel joy, happiness and pride when they see it.

Feel the Love: The ‘unveiling’ of the mural is 6 to 8pm, Friday, Sept. 20, 201 N. Cloverdale Blvd., Suite B, Cloverdale. It’s going to be a Cloverdale party, and everyone’s invited!

Bartholomew Estate Winery Leans Into Legacy

Before The Press Democrat partnered with Benovia Winery to produce a bottle dubbed “Good Press” (with proceeds benefiting local journalism), Sonoma’s Bartholomew Estate Winery started the presses on their own journo-themed bottling.

A brilliant, relatively recent rebrand frontlines the winery’s newsy backstory, with subtle cues nodding to founder Frank “Bart” Bartholomew’s past as a reporter, WWII correspondent and eventually president of global news wire service United Press International. For example, the new logo suggests a “B” key pried from a vintage typewriter. Likewise, “Press Release” is a red blend that Wine Enthusiast awarded 93 points last April.

Comprised predominantly of syrah from Viviano’s Block (a six-acre vineyard site at the estate so named for the Native American homesteader who was baptized Viviano and originally planted it in 1832), the wine also features the venture’s estate cabernet sauvignon. The result is a rich, aromatic splash into dark berries, underscored with a dusty chocolate and baking spices.

Leaning further into the syrah—and weighing in at a commendable 100%—is 2021 syrah Viviano’s Block, which ups the game with an earthy spin on blueberry jam with notes of allspice and nutmeg and an inky hue that reminds that your wine should be more purple than your prose. Both wines are excellent and a compliment to the efforts of winemaker Kevin Holt. Moreover, they pair well with an array of delectable Lebanese-inspired comestibles available to nosh al fresco through a charming tiffin arrangement the winery has with Sonoma’s Spread Kitchen.

Winemaker Holt joined the newly minted Bartholomew Estate Winery in 2019 when it opened its doors thanks to the efforts of foundation trustee Anna Pope. And though the history of the grounds is long and storied, a certain mid-century chapter set much of its current iteration in motion.

In 1943, Bart and his wife, Antonia, took over the 375-acre property and, with a vision for its future, established the Frank H. Bartholomew Foundation, a non-profit trust dedicated to preserving the property for generations to come. To wit, the park remains open to the public at no charge, offering hiking trails, walking paths, horseback riding, three picnic areas, stunning vineyard views, ponds, streams and stands of majestic oaks. All of the wine produced by the winery is certified sustainable, with profits directly supporting the park’s preservation and protection—an enduring gift to the community the Bartholomews cherished.

All that said, I’d be remiss if I didn’t share a sampling of Bartholomew’s written work, which is as wonderfully understated and whimsical as the wines that now bear his name. Note the repertorial drollery evident in how he opened Bart, Memoirs of Frank H. Bartholomew: “She was a femme fatale, if ever I met one. She had six toes on each foot—fascinating because she never wore shoes, so you could count for yourself. And she set fire to my house after attacking it with a hatchet.”

The femme fatale in question was actually the six-year-old neighbor girl with whom the then five-year-old Bartholomew was infatuated. Fortunately for us, he later found Antonia—and wine.

Bartholomew Estate Winery, 1000 Vineyard La., Sonoma. 707.509.0540. bartholomewestate.com.

New Orleans in Napa with Trombone Shorty

In the span of seven studio albums—the first three of which were released on the small independent label, Treme Records—Trombone Shorty has reached the pinnacle for a New Orleans musician.

Leading the 10-person band, Orleans Avenue, is trombonist/trumpeter Trombone Shorty (whose real name is Troy Andrews), who brings the act to Napa’s Meritage Resort as part of the Blue Note Summer Sessions on Sept. 2.

Andrews is widely considered to be the leading musician carrying forward the rich sounds, styles and heritage of New Orleans music to the rest of the world. It’s a position he treasures and treats with great respect.

“We come from a very magical place, and to be able to do my part and continue to add on to what the greats have done, it’s a special thing,” he said in a phone interview. “To be able to carry that torch and bring (New Orleans music) all over the world, it’s just an emotional (experience), like I carry that badge of honor in my heart. So whenever I go out and you see me, you know that I’m representing New Orleans to its fullest. And like I say, I stand on the shoulders of people who helped lift me up to that area.”

Now 38, Andrews has immersed himself in the music of the Crescent City almost from the day he was born. He spent his early years growing up in the musically vibrant Treme neighborhood of New Orleans, where, as a toddler, his parents first took him to second line parades and he began hearing the jazz and R&B sounds played on the streets of this storied district.

Andrews was all of four years old when he started playing trombone and showed an immediate aptitude for the instrument. That year, Bo Diddley spotted him in a crowd at the New Orleans Jazz & Heritage Festival and invited the young trombonist up on stage. He began building his skills by playing along with the musicians in second line parades and had his own band at age six.

By his teens, he had played with the Neville Brothers, joined the Stooges Brass Band and was attending the New Orleans Center for Creative Arts alongside close friend Jon Batiste. (Andrews won a Grammy in April 2022 for his contributions to the Batiste album, We Are.)

Along the way, Andrews was befriended and mentored by some of the city’s most notable musicians. A year after he graduated from high school in 2004, he toured with Lenny Kravitz as a featured member of Kravitz’s horn section. By the end of 2005, he had released his first three albums under his Trombone Shorty name.

On a local level, he continued the city’s long tradition of supporting young musicians by donating instruments to New Orleans schools and starting a popular music program for high school musicians that provides a host of courses in music, navigating the music business, sound engineering and more.

Andrews’ blossoming talents as a musician and songwriter, meanwhile, earned him a deal with Verve Records, which released three acclaimed albums—2010’s Backatown, 2011’s For True and 2013’s Say That to Say This—that propelled him onto the global stage. That earned him opening slots on tours with the Foo Fighters, Hall & Oates and the Red Hot Chili Peppers and had him being touted as New Orleans’ next great artist as he established a robust and lively musical style that spans New Orleans jazz, funk, R&B, rock and hip-hop.

His status was further affirmed when Andrews was chosen to follow Professor Longhair and the Neville Brothers as the closing act of the city’s famed annual Jazz & Heritage Festival—perhaps the greatest honor a New Orleans musician can achieve.

“I’m just blessed that Quint Davis (producer and director of the festival) thought I was strong enough as a performer to be able to take over that spot,” Andrews said. “We have hundreds of bands in New Orleans, and for him to think that I was ready to give me that opportunity, it’s unbelievable.

“So it’s a big honor for me,” he added. “We travel so much and play around the world. That is a moment where people, the fan base that I’ve built traveling and touring around the world, get a chance to come see me on my home turf.”

As all of this happened, Andrews’ global popularity continued to expand. His next album, 2017’s Parking Lot Symphony, went No. 1 on Billboard magazine’s Jazz Albums chart and marked his debut under a new deal with Blue Note Records.

This brings things to Lifted, an album on which Andrews sought to set aside some of the precision of his previous studio albums in favor of capturing more of the power and energy of a Trombone Shorty and Orleans Avenue live show

“That’s exactly what I was going for. I didn’t play it safe,” Andrews said. “And the big key point of it was let’s perform. Let’s not worry about the studio. I’m glad I thought about that. I don’t know what made me feel like that. Because normally what we would do is we’ll record and then for some reason, we always take our song that we record and we learn it as it is on the album and then rewrite it—not rewrite it, we re-frame it, I should say—we re-frame it to fit what we do live. But this album, I wanted to go there first.

“We went in there and tried to get as much of the live sound that we could get in the studio while continuing to make it as tight as we possibly could,” he said. “But the energy and the way that we played, we didn’t think about being in the studio.”

Several songs from Lifted figure to be included in the shows Trombone Shorty and Orleans Avenue play on their current tour. On recent outings, shows lasted two hours or more, and Andrews said that might happen again on his current tour.

“We have so much fun on stage, we don’t really feel it until we hit the last note, and our bodies are all tired and beat up,” he said. “We’re like ‘Oh, we didn’t realize we played that long.’ But you know, when the audience, when the love is there between the audience and the musicians, it’s hard to keep time. We just play.”

Trombone Shorty & Orleans Avenue play with special guest Big Boi, at 7pm, Monday, Sept. 2, at Meritage Resort, 850 Bordeaux Way, Napa. Tickets at bit.ly/trombone-shorty-napa.

News Blues: Google, AI and Media Money

California lawmakers are abandoning an ambitious proposal to force Google to pay news companies for using their content.

Instead, the tech giant has agreed to pay millions to support local media outlets and start an artificial intelligence program.

The first-in-the-nation agreement, announced last week, promises $175 million for local journalism across California over the next five years, but represents a significant departure from the bill pushed by news publishers and media employee unions earlier this year.

Rather than Google and Meta being forced to negotiate usage fees with news outlets directly, Google would deposit $55 million over five years into a new fund administered by UC Berkeley to be distributed to local newsrooms—and the state would provide $70 million over five years.

Google would also continue paying $10 million each year in existing grants to newsrooms.

The Legislature and the governor would still need to approve the state money each year; the source isn’t specified yet. Additionally, Google would contribute $12.5 million each year toward an artificial intelligence “accelerator” program, raising labor advocates’ anxieties about the threat of job losses.

Publishers who initially pushed for the proposal forcing Google to pay them said the deal was still a win. The UC Berkeley fund will be overseen by news industry groups; the money will be distributed according to the number of journalists employed at each publication, with some reserved for smaller or ethnic media outlets.

“This is a first step toward what we hope will become a comprehensive program to sustain local news in the long term, and we will push to see it grow in future years,” Julie Makinen, board chairperson of the California News Publishers Association, said in a statement.

Santa Rosa’s Mike McGuire, whose chambers considered a bill “to hold Big Tech companies accountable for the profits they make off” linking to news articles, also raised concerns. In a statement, he said the deal “lacks sufficient funding for newspapers and local media, and doesn’t fully address the inequities facing the industry.”

The agreement replaces two bills lawmakers had pursued the last two years as they tried to secure a cut of tech money to prop up California’s struggling local news industry. Following a nationwide trend, the state has lost one-third of its newspapers since 2005 in a trend experts say worsens civic engagement, polarization and misinformation.

To try to keep their readers, publications increasingly rely on social media and online search. Google controls the lion’s share of search in a way the U.S. Justice Department and one federal judge have said violates antitrust law.

The proposals to impose fees on Google’s use of news content in its search results prompted a flurry of tech company lobbying. In the past 18 months, for instance, Google spent more than $2.1 million lobbying lawmakers against those bills and others—more than triple what it spent in the same time period two years earlier, according to a review by CalMatters.

Introduced in February 2023, the first bill, by Oakland Assemblymember Buffy Wicks, would have required platforms such as Google and Meta to either pay a fee or negotiate with news outlets for using their news content.

It was sponsored by the news publishers association, whose members include major newspapers such as the San Francisco Chronicle and the Los Angeles Times. The bill passed the Assembly last year, but Wicks paused it to try to bridge a split among media companies over how the money would be divvied up.

Australia and Canada both passed similar measures in recent years—but the political headwinds were different in the tech companies’ home state.

Google has argued the bill would unfairly force it to pay for sending free traffic to news sites, and disadvantage smaller sites. In a legislative hearing in June, the company’s vice president of global news partnerships, Jaffer Zaidi, called the proposal “profoundly unconstitutional and problematic” since it could compel platforms to show content that they were forced to pay for.

The second bill, introduced this February by Orinda Sen. Steve Glazer, would have imposed a fee on major tech platforms to provide news outlets a tax credit to employ local journalists. The measure would have raised $500 million a year.

In response to the Wicks bill, Google temporarily removed links to California news websites from its search results. And in response to the Glazer bill, Google said it might stop funding nonprofit newsrooms nationwide.

At the time, McGuire called the threats “an abuse of power.”

Glazer shelved his bill in May, after failing to scrounge up the two-thirds majority he needed, and said he would focus on trying to improve the Wicks bill.

Tech companies doubled down on threats to stop linking to news sites in California if Wicks’ bill passed. And publishers had an incentive to support an agreement that would give them the money quicker. In Canada, the government has estimated Google is paying $73 million a year to news outlets under its new journalism industry law. But proponents of California’s deal say the money has been slow to be distributed.

By committing to pay into the new UC Berkeley fund, tech companies succeeded in killing the bill they opposed while appeasing both legacy print media and some digital-only news outlets with five years of support.

The Media Guild of the West, which represents reporters in Southern California, slammed the agreement and accused publishers and lawmakers of folding to Google’s threats.

“Google won, a monopoly won,” said Matt Pearce, the group’s president.

The guild said it was particularly concerned the deal involved a program promoting artificial intelligence technology, which it saw as a concession to the tech industry that could result in a further loss of reporting jobs. The Pacific Media Workers Guild, which represents journalists in Northern California, also opposes the deal.

The AI program appears to only be partly related to journalism: In its announcement, Wicks’ office said the program will give businesses, nonprofits and researchers “financial resources and other support to experiment with AI to assist them in their work,” addressing challenges such as environmental issues and racial inequities. OpenAI will contribute tech services, said former lawmaker Bob Hertzberg, who helped negotiate the deal. Proponents expect other tech companies to join in.

The AI accelerator would also create “new tools to help journalists access and analyze public information.” Makinen, of the news publishers association, said more details of the program “need to be made public as soon as possible,” and added that she wants to see “more of those resources directed toward publishers.”

Free Will Astrology: Week of Aug. 28

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ARIES (March 21-April 19): Although there are over 7,000 varieties of apples, your grocery store probably offers no more than 15. But you shouldn’t feel deprived. Having 15 alternatives is magnificent. In fact, most of us do better in dealing with a modicum of choices rather than an extravagant abundance. This is true not just about apples but also about most things. I mention this, Aries, because now is an excellent time to pare down your options in regard to all your resources and influences. You will function best if you’re not overwhelmed with possibilities. You will thrive as you experiment with the principle that less is more.

TAURUS (April 20-May 20): Taurus comedian Jerry Seinfeld, now 70 years old, has testified, “As a child, the only clear thought I had was ‘get candy.’” I encourage you to be equally single-minded in the near future, Taurus. Not necessarily about candy—but about goodies that appeal to your inner child as well as your inner teenager and inner adult. You are authorized by cosmic forces to go in quest of experiences that tickle your bliss.

GEMINI (May 21-June 20): I’m not saying I would refuse to hire a Gemini person to house sit while I’m on vacation. You folks probably wouldn’t let my houseplants die, allow raccoons to sneak in and steal food, or leave piles of unwashed dishes in the sink. On the other hand, I’m not entirely confident you would take impeccable care of my home in every little way. But wait! Everything I just said does not apply to you now. My analysis of the omens suggests you will have a high aptitude for the domestic arts in the coming weeks. You will be more likely than usual to take good care of my home—and your own home, too. It’s a good time to redecorate and freshen up the vibe.

CANCER (June 21-July 22): These days, you are even smarter and more perceptive than usual. The deep intelligence of your higher self is pouring into your conscious awareness with extra intensity. That’s a good thing, right? Yes, mostly. But there may be a downside: You could be hyper-aware of people whose thinking is mediocre and whose discernment is substandard. That could be frustrating, though it also puts you in a good position to correct mistakes those people make. As you wield the healing power of your wisdom, heed these words from Johann Wolfgang von Goethe: “Misunderstandings and lethargy produce more wrong in the world than deceit and malice do.”

LEO (July 23-Aug. 22): Wolfgang Amadeus Mozart had an older sister, born under the sign of Leo. Her nickname was Nannerl. During their childhoods, she was as much a musical prodigy as he. Supervised by their father, they toured Europe performing together, playing harpsichord and piano. Nannerl periodically got top billing, and some critics regarded her as the superior talent. But misfortune struck when her parents decided it was unseemly for her, as a female, to continue her development as a genius. She was forcibly retired so she could learn the arts of housekeeping and prepare for marriage and children. Your assignment in the coming months, Leo, is to rebel against any influence that tempts you to tamp down your gifts and specialties. Assert your sovereignty. Identify what you do best, and do it more and better than you ever have before.

VIRGO (Aug. 23-Sept. 22): When an infant giraffe leaves its mother’s womb, it falls six feet to the ground. I suspect that when you are reborn sometime soon, Virgo, a milder and more genial jolt will occur. It may even be quite rousing and inspirational—not rudely bumpy at all. By the way, the plunge of the baby giraffe snaps its umbilical cord and stimulates the creature to take its initial breaths—getting it ready to begin its life journey. I suspect your genial jolt will bring comparable benefits.

LIBRA (Sept. 23-Oct. 22): Many people living in the Napo province of Ecuador enjoy eating a dish called ukuy, which is a Kichwa word for large ants. This is not an exotic meal for them. They may cook the ukuy or simply eat the creatures alive. If you travel to Napo anytime soon, Libra, I urge you to sample the ukuy. According to my reading of the astrological omens, such an experiment is in alignment with the kinds of experiences you Libras should be seeking: outside your usual habits, beyond your typical expectations and in amused rebellion against your customary way of doing things.

SCORPIO (Oct. 23-Nov. 21): The theory of karma suggests that all our actions, good and bad and in-between, send ripples out into the world. These ripples eventually circle back to us, ensuring we experience events that mirror our original actions. If we lie and cheat, we will be lied to and cheated on. If we give generously and speak kindly about other people, we will be the recipient of generosity and kind words. I bring this up, Scorpio, because I believe you will soon harvest a slew of good karma that you have set in motion through your generosity and kindness. It may sometimes seem as if you’re getting more benevolence than you deserve, but in my estimation, it’s all well-earned.

SAGITTARIUS (Nov. 22-Dec. 21): I encourage you to buy yourself fun presents that give you a feisty boost. Why? Because I want you to bring an innovative, starting-fresh spirit into the ripening projects you are working on. Your attitude and approach could become too serious unless you infuse them with the spunky energy of an excitable kid. Gift suggestions: new music that makes you feel wild, new jewelry or clothes that make you feel daring, new tools that raise your confidence and new information that stirs your creativity.

CAPRICORN (Dec. 22-Jan. 19): On a Tuesday in August 2012—one full Jupiter cycle ago—a Capricorn friend of mine called in sick to his job as a marketing specialist. He never returned. Instead, after enjoying a week off to relax, he began working to become a dance instructor. After six months, he was teaching novice students. Three years later, he was proficient enough to teach advanced students, and five years later, he was an expert. I am not advising you, Capricorn, to quit your job and launch your own quixotic quest for supremely gratifying work. But if you were ever going to start taking small steps towards that goal, now would be a good time. It’s also a favorable phase to improve the way your current job works for you.

AQUARIUS (Jan. 20-Feb. 18): Three years ago, an Indonesian man celebrated his marriage to a rice cooker, which is a kitchen accessory. Khoirul Anam wore his finest clothes while his new spouse donned a white veil. In photos posted on social media, the happy couple are shown hugging and kissing. Now might also be a favorable time for you to wed your fortunes more closely with a valuable resource—though there’s no need to perform literal nuptials. What material thing helps bring out the best in you? If there is no such thing, now would be a good time to get it.

PISCES (Feb. 19-March 20): For many years, I didn’t earn enough money to pay taxes. I was indigent. Fortunately, social programs provided me with food and some medical care. In recent years, though, I have had a better cash flow. I regularly send the U.S. government a share of my income. I wish they would spend all my tax contributions to help people in need. Alas, just 42% of my taxes pay for acts of kindness to my fellow humans, while 24% goes to funding the biggest military machine on earth. Maybe someday, there will be an option to allocate my tax donations exactly as I want. In this spirit, Pisces, I invite you to take inventory of the gifts and blessings you dole out. Now is a good time to correct any dubious priorities. Take steps to ensure that your generosity is going where it’s most needed and appreciated. What kind of giving makes you feel best?

Homework: What supposedly forbidden thing do you want that maybe isn’t so forbidden? Newsletter.FreeWillAstrology.com

Sound Summit Returns to Mt. Tam Park

Mount Tamalpais’ intimate and always hip music festival, Sound Summit, returns on Saturday, Sept. 7 at Mount Tamalpais State Park.

This year’s event features headliners Courtney Barnett and Kurt Vile & the Violators, as well as the California Honeydrops, 17-year-old guitar phenom Grace Bowers & the Hodge Podge and musician James Wallace, a.k.a. Skyway Man.

That’s an impressive lineup for any festival, let alone a small, single-day one atop beautiful Mt. Tam. Yet, an amazing lineup is nothing new for those who have attended Sound Summit in the past.

When asked how he manages to pull in such relevant and popular acts every year, festival producer and Roots & Branches Conservancy board president Michael Nash said, “Like anyone who loves music and wants to create a resonant event, I think it’s just about staying tuned to what’s happening musically on various fronts and trying to put pieces together that add up to something cool.”

He continued, “Hopefully we’ve done that to the degree that there are artists every year who strike the right chords, so to speak. Ultimately, there are countless options, so it’s at once a creative challenge and adventure.”

Produced as an annual celebration of Mt. Tam by Roots & Branches Conservancy, Sound Summit has raised over $250,000 for Mount Tam to date and funded a broad range of meaningful projects on the mountain, from trail and bridge restorations to fire prevention and water conservation, emergency equipment, visitor services and more.

Some acts that have graced previous Sound Summit stages include Wilco, Lord Huron, The War on Drugs and Kevin Morby. Local Grateful Dead fave Bob Weir frequently shows up unannounced to jam with friends such as Grace Potter, Herbie Hancock and Jim James of My Morning Jacket.

Asked if there have been any acts he’s wanted for the fest but just couldn’t land, Nash plays it cool. “There are so many performers we’d love to have. Some are simply beyond our financial resources; with others, it’s often about timing or plans they already have in the Bay Area. We have a few pursuits we’ve been persistent about that will hopefully bear fruit,” he noted.

The aforementioned intimate setting of Sound Summit is indeed a huge draw. But, as anyone who has attended the festival or any other event at Mount Tamalpais State Park would know, it can be a challenge to ascend the mountain. Buses transport concert goers to the stage while some braver, more athletic souls hike in and out. Yet it often feels like the pilgrimage to the show binds the audience closer together.

Nash agreed, saying, “There is something about this community that’s formed for a day. Bound by an awareness that they’ve all ascended the mountain, one way or another, and come together at this special place in the neighborhood for a memorable and, dare I say, elevated experience. You can absolutely feel that vibe. Everyone can see another, as they gaze out over a stunning vista with a stirring soundtrack to match. You feel like you’ve actually been somewhere.”

Tickets for Sound Summit are $138.50 for adults and $70 for youth 12 & under. Parking at the Summit is now sold out, and bus tickets are $35.The festival encourages attendees to bring blankets or low back chairs as well as seat cushions. Small coolers are welcome with sealed, non-alcoholic beverages, and food and beverages (alcoholic and non) will be sold but are cashless, so bring a credit card.

Previewing SoCo & Napa Theater

The predominant story in Bay Area theater in the past year continues to be company closures and the regular announcement of emergency fund raisers to stave off further closures.

No theater company is immune to the financial pressures created by the combination of the increase in costs of doing business and the reduction of income that comes with smaller audiences.

Other than the closure of Sebastopol’s Main Stage West in 2023, North Bay theater companies have managed to survive and even occasionally thrive in this difficult time for the performing arts. Companies have announced their plans for the 2024/25 season, with one company even announcing plans for an ambitious new venue.

That company, Petaluma’s Cinnabar Theater, has vacated their home of over 50 years and will be taking their shows on the road while they raise the funds to construct a new theater in the Petaluma Village Outlet Mall. For the foreseeable future, Cinnabar has relocated to Sonoma State University’s Warren Auditorium in Ives Hall on the SSU campus in Rohnert Park. The auditorium was the university’s original performing space before being supplanted by Person Theatre and the Green Music Center.

Cinnabar will open their season there on Sept. 13 with Rodgers and Hammerstein’s Oklahoma! Director Zachary Hasbany hopes audiences “Cain’t Say No” to this classic musical.

Just a stone’s throw from SSU, the Spreckels Theatre Company opens their season on Aug. 30 with You’re a Good Man, Charlie Brown. Elly Lichenstein directs a bunch of adults as a bunch of kids and, of course, a certain dog in a series of musical vignettes based on… well, you know.

Santa Rosa’s 6th Street Playhouse opens their season with Four Guys Named José… And Una Mujer Named María. Director and choreographer Erin Rose Solorio says that it’s “a heartfelt musical full of silly fun. It celebrates Latin culture and pride, creates nostalgia for the homeland through songs telling family stories and unifies everyone with its beautiful universal message. Love, family, music and dance connect us all.” The show opens in the GK Hardt Theater on Aug. 30.

Left Edge Theatre veers right with their season opener, Heroes of the Fourth Turning. The play, about a group of graduates from an ultraconservative/religious college having a reunion of sorts, was a favorite of conservative and religious media as well as a 2020 Pulitzer Prize finalist. It opens Sept. 5 at The California in Santa Rosa.

Young Frankenstein will be stumbling around Sonoma starting Sep. 6. Larry Williams directs the Sonoma Arts Live season opener that’s based on Mel Brooks’ beloved 1974 film. The film wasn’t a musical (but for one classic scene), but Brooks turned it into one after the enormous success of The Producers.

Healdsburg’s Raven Players open their season on Sept. 5 with a premiere production of a work by a local playwright. Steven David Martin directs Francine Schwartz’s The German Upstairs. It’s a fictional love story inspired by true events and set in Paris during its occupation by the Nazis.

Monte Rio’s Curtain Call Theatre unleashes the God of Carnage on Sept. 6.

Napa’s Lucky Penny Productions hopes audiences won’t object to Legally Blonde The Musical. Elle Woods and Bruiser begin traipsing around Napa on Sept. 13.

From musical comedies to thought-provoking dramas, North Bay theater companies seem to be offering something for everyone seeking to support live theater in our community. Go see something.

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The predominant story in Bay Area theater in the past year continues to be company closures and the regular announcement of emergency fund raisers to stave off further closures. No theater company is immune to the financial pressures created by the combination of the increase in costs of doing business and the reduction of income that comes with smaller audiences. Other...
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