Jan. 5: The Manzarek-Rogers Band at the Napa Valley Opera House

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Before the arrival of Ray Manzarek, organs were pretty much limited to either the church or to jazz greats like Richard “Groove” Holmes. Lacking a bassist, Manzarek busted out the Fender Rhodes and the Vox Continental combo with his new band the Doors, and another chapter in rock music history was opened. Nearly 50 years later, the legendary Napa-based keyboardist is still at it, playing with local bands in the area, occasionally showing up to for video cameos with young punk bands in abandoned warehouses, and recording albums with slide blues guitarist Roy Rogers; their 2011 album Translucent Blues mixes the best sounds from Rogers’ Delta Rhythm Kings years, overlaid with Manzarek’s signature keyboard sounds. The resulting blues, jazz and rock hybrid is something that could only be created by these two forces. The Manzarek-Rogers Band gets with the blues on Saturday, Jan. 5, at the Napa Valley Opera House. 1030 Main St., Napa. 8pm. $20—$25. 707.226.7372.

Jan. 4: Beso Negro at Hopmonk Tavern in Sebastopol

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On a warm summer night, a woman goes to a literary reading, where she’s introduced to a flaxen-haired poet. The poet has left his home in the woods for a night out on the town, and seems immediately enamored of her. After the reading, they go to a nearby restaurant, where they feast on Spanish tapas and drink glass after glass of red wine. The poet never leaves her side, whispering into her ear; she has become the center of his universe. A band takes the stage. They break into soul-swelling Gypsy swing imbued with the ghost of Django Reinhardt but completely at home in the 21st century. The poet and the woman dance for hours. That night, she dreams of a lost kiss as the poet’s face recedes into darkness, back to his woods, never to be seen again. Beso Negro whips up a romantic frenzy with the Highway Poets on Friday, Jan. 4, at Hopmonk Tavern. 230 Petaluma Ave., Sebastopol. 8:30pm. $10—$13. 707.829.7300.

Watch Patti Page in 2010 Singing “Tennessee Waltz” at a Senior Expo

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The great Patti Page died today at age 85. She was a singer I loved, whose albums on Mercury are mainstays in my easy listening, and whose song “Let Me Go, Lover” changed my life one night on 960-KABL AM while driving back from San Francisco at 1:45 in the morning.
So it warmed my heart tonight, while searching YouTube for later-era live performances, to find this footage of Patti Page singing “Tennessee Waltz” for a group of seniors in 2010. (It appears to be her latest-uploaded live clip, just after this appearance on Eat Beluga, a television show from the Philippines.) Here she is, a legend who sold millions of records, who would have accepted a Grammy Lifetime Achievement Award next month, who could easily rest on her laurels, and instead she’s bringing some sunshine to people who surely remember her in the twilight of their own lives.

The Best Books of 2012

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This week’s issue features a list of the top-selling books at Copperfields Books for 2012. Spoiler alert: Fifty Shades of Grey, the erotica series by E.L. James written for those who want their S&M draped in a gossamer lens, takes the top spot. The rest of the trilogy lodges into the third and fourth spots.

Confession: I didn’t read Fifty Shades of Grey, and don’t plan on ever cracking its lightly illicit cover unless I’m somehow engaged in some sort of Guantanamo-styled book torture. I’m a bit like Josh Radnor’s character in Liberal Arts when he berates Elizabeth Olsen for reading the entirety of the Twilight series “unironically”: “With the many amazing books in the world, why would you read this?”

That said, here’s a list of books that I loved in 2012. Mention these to me at a cocktail party and you’ll certainly get a smile instead of a tongue-lashing.

1. A Working Theory of Love by Scott Hutchins

Hutchins’ story of a man who struggles with intimacy after a divorce (and working on a project that involves his dead father’s diaries and a computer) became one of my “can’t put it down” books for 2012. It’s always great to be surprised by a book’s elegance and depth.

2. Wild by Cheryl Strayed

Here is the one place I crossed paths with Sonoma County readers. Cheryl Strayed’s memoir about hiking the Pacific Crest Trail as a way to exorcise ghost and demons was one of the best-written books of the year. Masterful, devastating and inspiring, all at once.

3. Violence Girl by Alice Bag

Bag is one of the L.A. punk originals. Her autobiography is raw, contagious and burning with feminist power. At the same time, the musician and artist doesn’t glorify the end results of punk rock and its many casualties.

4. This Is How You Lose Her by Junot Diaz

It was a big year for the Dominican-American author. He won a MacArthur Genius grant, published an acclaimed collection of short stories, and made an appearance at Copperfields in Montgomery Village that included liberal use of the words “motherfucker” and “fuck” and “interlocuter.” This collection is riveting and ragged; it captures the dilemma of masculinity and the failure inherent in the blind drive to “man up” even as the world around crumbles and decays.

5. The Danger of Proximal Alphabets by Kathleen Alcott

Alcott is a young writer, but you wouldn’t know it from this gripping, beautifully written debut novel. The Petaluma native, who now lives in New York, writes with the confidence of someone who’s been fine-tuning her work for a long while. The book is a fractured love story, a story that falls into lyricism more often that not, and one that flirts constantly with a sense of the tragic.

6. How Should a Person Be? by Sheila Heti

Warning: this book is not for everyone, and if you read it and hate it, please don’t stop me in the street and berate me for recommending something to you that you hated. Some (like Gawker, which called her one of the 50 Least Important Writers of 2012) have labeled Heti’s “novel” of artists living in modern-day Toronto as self-indulgent and navel-gazing. And it is! But Heti happens to have a navel that I find very interesting! I found this book to be brave and painful in the best possible way.

Deciphering the Code of Rihanna

I have always had a hard time accepting Rihanna’s extreme popularity. Her music, to me, is bland, and she’s not a good performer. The fact that she is a victim of extreme domestic violence who has since climbed back into the arms of her abuser, fellow pop star Chris Brown, sets a terrible example for others in her situation and actually upsets me.
I’ve never had a way to explain these confusing opinions until Sasha Frere-Jones apparently climbed into my head, organized my thoughts and wrote them for me in the New Yorker’s Dec. 24&31 issue.
He nails the social impact with this:
“With all this drama, it is difficult to think of Rihanna’s stated version of independence, of being a ‘Good Girl Gone Bad,’ as the title of her biggest-selling album would have it, is being the object of badness, being subjugated… What makes this attitude even more disturbing is that it seems to have served only to make Rihanna more popular.”
Without missing a beat, Frere-Jones flings more thought-goo from the cauldron of my stewed brain and it sticks on the wall in this elegant, concise phrasing: “She has an exceptional physical beauty married to an unexceptional, almost disengaged sense of performance–she may be the most successful amateur ever.” I’ve already applied this lightbulb concept to other pop stars that suck, like Lana Del Rey, Ke$ha and Nickelback.
And, as a good critic should do, he calls out the pop star for what should be an obvious “phone-it-in” moment, her “performance” last month on Saturday Night Live. “She moves, in Timberland boots and a fatigue jacket, as if she had perhaps beard the song a few times before. There was one bit that reminded me of dancing.”
Unfortunately the article is paywalled, only available with a subscription or by purchasing the whole issue. But it’s a luxury worth paying for, if for nothing else than Frere-Jones’ music columns.

Think You Know About Music, Huh?

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If you’re like me, you woke up on New Years Day and listened to the ultimate soothing hangover cure album, 20 Jazz Funk Greats by Throbbing Gristle.
If you’re not like me, you were probably paying attention to more popular music throughout the year 2012. Good news for you, then! Every year I compile a pop music quiz for you, the oh-so-smart CSI reader, eager to test your attention span for music (which, as the here-today-gone-tomorrow spotlight on Lana Del Rey taught us this year, is sometimes very short).
Sharpen your pencils and take the quiz here. Answers are at the bottom. And give yourself one extra point if you never made yourself look silly by doing the “Gangnam Style” dance in public.

(Keyboard image via Shutterstock)

Swine & Wine

If watching Iron Chef on TV just isn’t cutting it, consider heading to Healdsburg to catch some real live culinary action. In the adrenaline-packed Tournament of the Pig, two teams of high-profile chefs are given a whole pig and two hours to create two distinct dishes using ingredients found in the kitchen at Dry Creek Restaurant. In the Ultimate Pinot Smackdown, four master sommeliers will go head-to-head pitching their four favorite Pinot Noirs to a lucky audience who will get to taste the picks and then decide on a winner.

These events and more are part of Charlie Palmer’s eighth annual celebration of Pigs and Pinot at the Hotel Healdsburg on March 22–23. Featured chefs include Elizabeth Falkner, Dean Fearing, Craig Stoll and Iron Chef Jose Garces and winemakers from De Loach, Martinelli and Sea Smoke (among others), whose creations and libations will be featured in a five-course gala dinner on Saturday evening.

Comedian and actor Mario Cantone (Anthony from Sex and the City, pictured) hosts the pig tournament, which, like all of the events, will likely sell out quickly (tickets go on sale Thursday, Jan. 10). All proceeds (yopping $110,000 last year!) benefit local charities, as well as Share Our Strength, a national nonprofit devoted to ending childhood hunger.

Raising My Hand

I have not come out and directly expressed this previously, but now it is required of me as a patriot, an advocate for a vulnerable subclass of Americans and a fighter for justice.

I have bipolar disorder. I have had it since I was 19, and was diagnosed when I moved to California early this decade. I have had my struggles, but I am a productive member of society. My profile is right there on LinkedIn or Google if you want evidence.

So now we are engaging in a national dialogue about guns and mental illness. And it’s gotten ugly.

When there’s a mass shooting, inevitably the NRA calls for people to carry more guns, paradoxically. In Newtown, as we all know, a disturbed 20-year-old annihilated almost 30 people, most of them children. The NRA was silent, except to say that they would be making a statement later. Well, the NRA made their statement, and missed a chance for constructive dialogue. “Scapegoating” is the word for what they are doing.

In a change in tactic, the NRA is calling for a national database of the mentally ill—me and others like me being rounded up and fingerprinted and our movements tracked. Even The Atlantic‘s staff writer Jeffrey Goldberg is nonchalantly considering taking away the Second Amendment rights of the mentally ill who haven’t been charged with a crime or judged mentally ill by the courts.

The mentally ill are not sex offenders or parolees. We’re human beings who are doing our best to plod along and maintain relationships and work and live and take care of our families and build careers and get educated just like everyone else in the country.

We will not be scapegoated. We will not be tracked and monitored like pedophiles on parole wearing ankle bracelets. Count on us to fight for our rights—we are Americans, only with different brain chemistry than most. That makes us assets, not liabilities.

The answer to psychopathic shooters is absolutely not to infringe on the Constitutional rights and privileges of the 1 percent of the population of the United States who take Prozac or Seroquel or go to therapy. That much we will make known—and are making known.

Kris Magnusson is a professional writer for a large software company and is the coauthor of ‘Java Enterprise In a Nutshell.’ He lives in Sonoma.

Open Mic is a weekly op/ed feature in the Bohemian. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Garnet Vineyards

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When we talk about a wine’s perfume, that’s when we lose some people. Where do we get hints of anise, Meyer lemon and, for gosh sakes, Chinese five spice out of a squirt of grape juice? Seriously, those aren’t actually in the wine, like some kind of eau de cologne?

Yes, in a way, they are. “They’re the same compounds, shared between different plant organisms,” Garnet Vineyards winemaker Alison Crowe explains. “One just happens to end up in a barrel, and the other one happens to end up in a bottle of Guerlain Eau Impériale.”

Crowe, who pluckily announced that she wanted to be a winemaker at age 16, has a secret hobby. She collects perfume and is fascinated by its history. But ever since graduating from UC Davis, Crowe has worked in vineyards and cellars, where the dress code is sneakers and a fleece jacket, and where no career-minded person wears perfume.

“It’s kind of like forbidden fruit,” she muses, “something I can’t indulge in every day.” When she assembles a blend of wine from barrel lots, each having its own characteristics, she sees it as being similar to a traditional perfumer’s task. “You’re taking a perishable, seasonal, organic product, and you’re trying to capture time in a bottle.”

Garnet’s 2011 Monterey County Pinot Noir ($14.99) surely captures the essence of carob and nutmeg, while flooding the palate with deep cherry flavor, checked by tense cranberry fruit on the finish. Crowe calls the 2010 Carneros Pinot Noir ($19.99) her “shiny happy people wine.” It’s scented with Christmassy cinnamon, clove and potpourri, the dark fruit brightened with strawberry jam. But her “goth, Tim Burton” 2010 Sonoma Coast, Rodgers Creek Vineyard Pinot Noir ($29.99) gets over its dark, brooding phase after a day uncorked, becoming silky and quenching—bing cherries, rhubarb, licorice, orange zest and cinnamon. Or, you know, their organic chemical kin.

Created by Pinot house Saintsbury in 1983, Garnet was sold to Silverado Winegrowers in 2011. Crowe is a partner in the brand, which is nationally distributed to restaurants and retailers. Jill of all trades, she’s tasked with everything from overseeing vineyards to traveling for the brand, while personally responding to customers on Facebook, and climbing barrels—although, with her second son well on the way, she’s had to give that up for a while.

Sampled out of ground-level barrels, two different clones of newly fermented Rodgers Creek smell sort of peanut buttery to me—they’re just finishing up malolactic. But Crowe can pick out the dark, fresh fruit aromas lurking beneath. She’s going to enjoy blending this fragrance: 2012 in a bottle.

Garnet Vineyards, Sonoma. For wine availability and retail locations, see www.garnetvineyards.com.

Old Wisdom Anew

The “new thing” is green religion—which is actually the reappearance of an ancient thing. Can it help place the brakes on Earth’s decline? In his 2010 book, Dark Green Religion: Nature Spirituality and the Planetary Future, environmental studies scholar Bron Taylor examines the rise of earth-based religion as a trend he suspects might be good for the planet.

“When people say this kind of religion is perhaps the oldest,” Taylor tells the Bohemian, “it’s because the earliest roots of the word ‘religion’ mean to be bound to that which ones considers ultimately meaningful and transformative. To feel a sense of belonging to the natural world, and even considering it sacred in some way, is part of the human emotional repertoire. In fact, these feelings existed before the axial, or world, religions emerged.”

According to Taylor, feelings of connectedness to nature can intertwine with traditional faiths, but for the most part they exist separate, because axial religions tend to promote “some kind of divine rescue from this world rather than a feeling of belonging to it.”

Taylor’ book defines two categories of nature spirituality: Gaia and animism. Gaia refers to the hypothesis that earth is a living organism; animism is a term used to refer to relationships people have with natural entities, such as pets or other organisms. “Animism can be part of the religion and can be entirely about the perception of intelligence and value in the natural world,” explains Taylor.

For some, the Gaia hypothesis is completely scientific, and for others it has a religious dimension—that a divine source is orchestrating all this. “Either way,” says Taylor, “we find increasing numbers of people arriving at these perceptions: that the world is interdependent. Combined with the kinship ethic—that all organisms are literally related—it makes sense to talk about the world as sacred in some way.”

Whether this rapidly growing movement will exhibit what Taylor calls the dark side of religion is yet unknown. “Religion involves drawing the boundaries of who or what is included within the moral community,” says Taylor. “The dark side of religion is that those outside the boundaries are not accorded the same levels of respect or care. So if green religions have a dark side, we need to make corrections as necessary.”

So far, Taylor is hopeful that green religion may aid all forms of life.

“I’m convinced that our species has ethical obligations to other species, and that they have inherent value,” says Taylor. “And whether they are useful to us or not, we ought not to be driving other species off the planet.”

Jan. 5: The Manzarek-Rogers Band at the Napa Valley Opera House

Before the arrival of Ray Manzarek, organs were pretty much limited to either the church or to jazz greats like Richard “Groove” Holmes. Lacking a bassist, Manzarek busted out the Fender Rhodes and the Vox Continental combo with his new band the Doors, and another chapter in rock music history was opened. Nearly 50 years later, the legendary Napa-based...

Jan. 4: Beso Negro at Hopmonk Tavern in Sebastopol

On a warm summer night, a woman goes to a literary reading, where she’s introduced to a flaxen-haired poet. The poet has left his home in the woods for a night out on the town, and seems immediately enamored of her. After the reading, they go to a nearby restaurant, where they feast on Spanish tapas and drink glass...

Watch Patti Page in 2010 Singing “Tennessee Waltz” at a Senior Expo

The great Patti Page died today at age 85. She was a singer I loved, whose albums on Mercury are mainstays in my easy listening, and whose song "Let Me Go, Lover" changed my life one night on 960-KABL AM while driving back from San Francisco at 1:45 in the morning. So it warmed my heart tonight, while searching YouTube...

The Best Books of 2012

Leilani Clark rounds up her favorite books of 2012, including work by Junot Diaz, Cheryl Strayed, Scott Hutchins and Sheila Heti.

Deciphering the Code of Rihanna

I have always had a hard time accepting Rihanna's extreme popularity. Her music, to me, is bland, and she's not a good performer. The fact that she is a victim of extreme domestic violence who has since climbed back into the arms of her abuser, fellow pop star Chris Brown, sets a terrible example for others in her situation...

Think You Know About Music, Huh?

If you're like me, you woke up on New Years Day and listened to the ultimate soothing hangover cure album, 20 Jazz Funk Greats by Throbbing Gristle. If you're not like me, you were probably paying attention to more popular music throughout the year 2012. Good news for you, then! Every year I compile a pop music quiz for you,...

Swine & Wine

If watching Iron Chef on TV just isn't cutting it, consider heading to Healdsburg to catch some real live culinary action. In the adrenaline-packed Tournament of the Pig, two teams of high-profile chefs are given a whole pig and two hours to create two distinct dishes using ingredients found in the kitchen at Dry Creek Restaurant. In the Ultimate...

Raising My Hand

On the NRA and bipolar disorder

Garnet Vineyards

Making sense of scents with Alison Crowe

Old Wisdom Anew

Bron Taylor's 'Dark Green Religion'
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