Buddy System

0

Oscar and Felix.

Even people who’ve never seen the 1965 Neil Simon play The Odd Couple will recognize those iconic names—the slob and the neat freak, forced to become roommates, constantly on each other’s nerves. Adapted to the screen in 1968, The Odd Couple, originally performed on Broadway by Walter Matthau and Art Carney, became a national phenomenon in the ’70s, with the long-running television series starring Jack Klugman and Tony Randall.

In 1985, Simon rewrote the play as a vehicle for two female actresses, and there are those who find The Female Odd Couple, as it was titled, to be even funnier than the original. And there are those among us, myself included, who still prefer the strange 1975 animated TV show The Oddball Couple, in which Oscar and Felix were transformed into a dog and cat—named Fleabag and Spiffy.

Still, it is good, now and then, to return to the source material, and under the direction of John Green, Healdsburg’s Raven Players are giving the original play a jaunty, pleasurable revival at the Raven Performing Arts Theater. Though conspicuously dated, with pop-cultural references that lack the sizzle they once carried, there is much that is genuinely funny about these characters. Oscar (played with a gruff and natural charm by Tim Shippey) is a slovenly, long-divorced sportswriter, who offers his New York apartment to his best friend, the uptight, recently separated Felix.

Felix is played by Stephen Cannon, who curiously adopts a dreamy, distanced, passive-aggressiveness instead of the expected high-strung single-mindedness that defines Felix in most versions, including the one where he’s a cat. Still, Cannon nails much of the physical comedy, including the classic scene where Felix attempts to clear his sinuses with a series of weird nasal noises, a wonderful little gem of a comic moment.

The supporting cast is strong, with Jeremy Boucher leading a pack of local character actors as Oscar’s weekly poker buddies, and Karen Wallace and Tory Rotlisberger delivering delightfully flirty performances as Cecily and Gwendolyn Pigeon, two buxom British sisters whose hilarious double-date with Oscar and Felix leads to irreparable complications.

Director Green keeps the story clipping along steadily, though he misses a few big opportunities to deliver the kind of madcap sitcom energy that playwright Simon built into the script. On the whole, though, this Odd Couple delivers the goods. It’s a gently funny jab at people who carry their mistakes from relationship to relationship, and the ups, downs and ultimate limits of real friendship.

How To Destroy Angels and Scare Yourself Shitless

0

Trent Reznor, the brains behind Nine Inch Nails and many, many other musical projects is in yet another group. This one’s called How To Destroy Angels, and it includes Reznor’s wife Mariqueen Maandig, art director Rob Sheridan and the composer Atticus Ross. The video for their first single, “How Long,” is, to say the least, really scary. Not scary in a The Hills Have Eyes way, more like a that-could-be-the-future-in-my-lifetime way.

Welcome Oblivion, the band’s full-length debut, is due out March 5. They’re also playing Coachella in April.

Slightly Stoopid + Marlon “Ganja Farmer” Asher Sell Out The Mystic Theater

Photo by David Korman

Before Slightly Stoopid took the stage Sunday night at the Mystic Theater, vocalists Kyle McDonald and Miles Doughty were killing time back stage talking about living in Ocean Beach. OB, as locals call it, is still connected to San Diego but far enough away that kids can still skate around town and all your neighbors are at the punk rock shows. It is the last night of the band’s three week tour and the vibe is laid back. People are filtering in and out of back stage, the Jäger is flowing and sax scales are filling up the background.
Trinidad reggae star Marlon Asher is on stage and inside the green room there are stacks of Lagunitas “Hop Stoopid” beer cases. Slightly Stoopid is sponsored by the Petaluma brewery and they are sent truck loads of it for the band’s tours. I hear one or two people say it’s pretty strong for before the show. But as the night wears down and everyone’s sitting around the bong, a nice Double IPA aids the come-down.
Slightly Stoopid was formed almost twenty years ago by McDonald and Doughty. They were two high school kids when Brad Nowell signed them to Skunk Records after opening for a Sublime show in Long Beach. Most of the current members have been with the band half that time and in the last decade they’ve toured the whole world. Now with Karl Denson of the Grey Boy All-Stars, the band is sky-rocketing to new heights, playing venues and festivals that make the Mystic Theater seem like a secret show.

EXTENDED PLAY: California’s niftiest bowling signs

0

Nothing says “Come drink a clearish wheat beer and put on ridiculous shoes” like a bowling alley sign. In honor of this week’s feature, here’s a roundup of California’s most dated, divey, billboard-sized icons of a time gone by.

EXTENDED PLAY: Redwoods Chopped

0

This week’s news story details the $98,000 sale of redwoods planted on Caltrans right-of-way land to the Sonoma County Water Agency. It also looks at land Caltrans will be building on that was supposed to be open space, and consults The Sierra Club as to why no hippies have been chained to the iconic redwoods in protest.

Construction on January 29.

We looked at lots and lots of electronic, scanned and PDFed documents for this piece. Here’s a sampling of some of the main ones.

An outline of Caltrans historic right-of-way, in a project summary of the overall 101 widening project from 2001. The map is around page 27.

A Board of Directors’ agenda document detailing the interchange project.

The Environmental Impact Report for the widening project.

The agenda item talking about the Mark West Creek area open space.

The Caltrans record of Ghilotti’s bid.

Live Review: Yo-Yo Ma at the Green Music Center

0


So Yo-Yo Ma’s deep into the third movement of Stravinsky’s Suite Italienne, right? And he’s plucking and pulling at the strings like a madman, and bouncing his bow all over the strings, and then he starts strumming the cello while grunting and heaving loudly and banging his head. And then, in the midst of all this chaos, Yo-Yo Ma twists his instrument sideways, stands up halfway out of his chair, throws his head backwards and at the same time glides the bow ever so softly to produce one entirely delicate, gossamer note that hangs in the air like silk.
You think you know Yo-Yo Ma; he’s the face of virtually every other PBS telethon, he’s a constant at awards shows and inaugurations, he’s the punchline for cheap standup comics because of his name. But as proven by a jaw-dropping performance at the Green Music Center on Saturday night, you don’t know Yo-Yo Ma until you see the man live, doing unearthly things with a cello and wresting a lifetime of emotion from his sheet music—which, incidentally, he ignores most of the time.

Here is the List of “Influential Albums,” Which Incidentally is Bullshit


Facebook has been abuzz in the last few days with this moronic “Influential Albums” quiz, which users must hand over their personal information in order to take, and then watch as the app automatically posts the results on their wall. Strike one. Also, the 100 albums deemed “influential” are nearly all rock. Strike two. Finally, the mere existence of a list purporting to encompass the 100 most “influential” albums with the implication that if you don’t own these albums you are a substandard music listener is total bullshit and everyone knows it and I feel stupid even getting worked up about it because that’s what these trolling lists are designed to do in the first place but fuck it. Strike three. You know what your most influential albums are? ALL THE ALBUMS YOU OWN, HOLMES. (That’s coming from someone who owns a lot of these albums.)
So anyway, if you want to know what some guy with a computer decided are the most “influential” albums, here’s the list:

Enter To Win A Slightly Stoopid CD Prize Pack!


Enter to win Slightly Stoopid’s newest album, “Top Of the World” along with other great fan prizes!
To enter all you gotta do is log in to your Twitter account, follow @NBayBohemian and upload your best Instagram photo from tonight’s concert at the Mystic Theater. Use the “Mystic Theater” location and include the following tags: #SlightlyStoopid with #NBayBohemian
Our favorite photos will be chosen Monday evening and posted on North Bay Bohemian social media sites. All winners will be notified by email to their Twitter accounts. Good luck!

Live Review: The SFJAZZ Center Opens With Style, Intimacy, and Stars in San Francisco

0


By now, perhaps you’ve heard about, read about or even seen the construction of the new SFJAZZ Center on the corner of Franklin and Fell Streets in San Francisco. Now complete, the 35,000-sq.-ft. building is poised to redefine live jazz in the Bay Area, as it’s funded largely by private donations and handily dispenses with the tables-and-waitresses, two-drink minimum nightclub model.
After the SFJAZZ Center was announced, entirely valid concerns rose about the “museumification” of jazz. Jazz has always thrived in nightclubs—or, for that matter, seedy bars. Charles Mingus’ famous remarks about nightclub chatter notwithstanding, a certain amount of cultural globetrotting is present when the blues is played on the stage of a $64 million performing arts center.
I’m happy to report that the SFJAZZ Center strikes just the right balance between nightclub and theater. Cup holders allow the audience to bring drinks in from the bar, but nobody drops a credit card tray in front of you while the headliner is in the middle of a particularly engrossing solo. The sound, notably, is stunning, thanks to architect Mark Cavagnero and acoustician Sam Berkow. And as a mini-amphitheater set in the semi-round, with a steeply raked floor, the hall is very intimate—capacity is 700, but feels much smaller than that. There are no seats further than 50 feet from the stage.

How To Fix That Death Waltz Record Cover


Death Waltz is a record label from the UK that specializes in re-releasing classic cult soundtracks on vinyl. Their impressive catalog includes House of the Devil, Escape From New York, Zombie Flesh Eaters, Halloween II and III, Donnie Darko, Prince of Darkness, The Living Dead at the Manchester Morgue and more. For these, the company solicits great artists to conceive and design new cover artwork, all of which is outstanding—see above.
There’s just one problem. The label takes this beautiful art, shrinks it, and surrounds it in a style sheet of a blue circle with the Death Waltz logo prominent in the corner.

Buddy System

Raven Players serve up Neil Simon's 'Odd Couple'

How To Destroy Angels and Scare Yourself Shitless

Trent Reznor, the brains behind Nine Inch Nails and many, many other musical projects is in yet another group. This one's called How To Destroy Angels, and it includes Reznor's wife Mariqueen Maandig, art director Rob Sheridan and the composer Atticus Ross. The video for their first single, "How Long," is, to say the least, really scary. Not scary...

Slightly Stoopid + Marlon “Ganja Farmer” Asher Sell Out The Mystic Theater

Photo by David Korman Before Slightly Stoopid took the stage Sunday night at the Mystic Theater, vocalists Kyle McDonald and Miles Doughty were killing time back stage talking about living in Ocean Beach. OB, as locals call it, is still connected to San Diego but far enough away that kids can still skate around town and all...

EXTENDED PLAY: California’s niftiest bowling signs

Nothing says "Come drink a clearish wheat beer and put on ridiculous shoes" like a bowling alley sign. In honor of this week's feature, here's a roundup of California's most dated, divey, billboard-sized icons of a time gone by.

EXTENDED PLAY: Redwoods Chopped

This week's news story details the $98,000 sale of redwoods planted on Caltrans right-of-way land to the Sonoma County Water Agency. It also looks at land Caltrans will be building on that was supposed to be open space, and consults The Sierra Club as to why no hippies have been chained to the iconic redwoods in protest. Rachel DoveyConstruction...

Live Review: Yo-Yo Ma at the Green Music Center

So Yo-Yo Ma's deep into the third movement of Stravinsky's Suite Italienne, right? And he's plucking and pulling at the strings like a madman, and bouncing his bow all over the strings, and then he starts strumming the cello while grunting and heaving loudly and banging his head. And then, in the midst of all this chaos, Yo-Yo Ma...

Here is the List of “Influential Albums,” Which Incidentally is Bullshit

Facebook has been abuzz in the last few days with this moronic "Influential Albums" quiz, which users must hand over their personal information in order to take, and then watch as the app automatically posts the results on their wall. Strike one. Also, the 100 albums deemed "influential" are nearly all rock. Strike two. Finally, the mere existence of...

Enter To Win A Slightly Stoopid CD Prize Pack!

Enter to win Slightly Stoopid's newest album, "Top Of the World" along with other great fan prizes! To enter all you gotta do is log in to your Twitter account, follow @NBayBohemian and upload your best Instagram photo from tonight's concert at the Mystic Theater. Use the "Mystic Theater" location and include the following tags: #SlightlyStoopid with #NBayBohemian Our favorite photos...

Live Review: The SFJAZZ Center Opens With Style, Intimacy, and Stars in San Francisco

By now, perhaps you've heard about, read about or even seen the construction of the new SFJAZZ Center on the corner of Franklin and Fell Streets in San Francisco. Now complete, the 35,000-sq.-ft. building is poised to redefine live jazz in the Bay Area, as it's funded largely by private donations and handily dispenses with the tables-and-waitresses, two-drink minimum...

How To Fix That Death Waltz Record Cover

Death Waltz is a record label from the UK that specializes in re-releasing classic cult soundtracks on vinyl. Their impressive catalog includes House of the Devil, Escape From New York, Zombie Flesh Eaters, Halloween II and III, Donnie Darko, Prince of Darkness, The Living Dead at the Manchester Morgue and more. For these, the company solicits great artists to...
11,084FansLike
4,446FollowersFollow
6,928FollowersFollow