Robin Oliveira’s Love Letter to Impressionism

0

Toward the end of her life, as her vision steadily declined, American painter Mary Cassatt burned all of the letters to, and from, her friend and mentor, Edgar Degas.

“She burned a significant portion of impressionist history,” says author Robin Oliveira, whose new book, I Always Loved You, uses historical fiction to examine the complex relationship between the two painters, all in the context of a shining Paris positively bristling with artists. Oliveira appears at Book Passage on Feb. 7.

The nature of the relationship between Cassatt and Degas remains a mystery, even to the biographers and historians who’ve spent years poring over musty diaries, journals and letters, trying to find clues. Were they in love? Had they been lovers at any point in time? It’s a historical lacuna into which Oliveira dived with enthusiasm, after discovering the anecdote about the burned letters during a 2009 trip to Paris with her husband.

Set during the Belle Époque—the “beautiful era” of peace and prosperity (for a privileged few) tucked between the early years of the French Third Republic and World War I—I Always Loved You takes readers into the inner lives of Degas and Cassatt, and on a journey through the salons, cabarets, bistros and studios populated by artists and writers like Édouard Manet, Berthe Morisot, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir and Emile Zola.

Taking Mary Cassatt as her centerpiece, Oliveira draws an engaging portrait of the young American painter, whose dedication to her art, combined with talent and innovation, led her to being the only American asked to show work alongside the formidable impressionists, the renegade group that rejected the rules of the Salon, France’s art-establishment giant. She was invited into the insular circle by Degas, who had become intrigued with Cassatt after spotting her at the opening of the Salon, and after seeing much promise in one of her paintings.

Unsurprisingly, the book also digs into the complicated relationship between Cassatt and her father, a wealthy stockbroker and land speculator who didn’t quite approve of his daughter’s artistic impulses. “I like writing strong female characters,” Oliveira says, on the phone from her home outside of Seattle. “To think about the kind of strength and determination that she had to defy her father.”

But Oliveira found the biggest challenge came with Degas. “He was a very difficult person for me to understand,” explains Oliveira. “He was a really irascible guy. He was pretty much difficult to everybody, but he would write these lovely notes to his friends as well.”

Best known for his breathtaking, light-infused paintings of young ballerinas onstage and in the studio, Degas struggled with what was most likely a form of macular degeneration from an early age, says Oliveira. Despite this significant challenge, he managed to create an astounding body of work. In order to find a deeper connection with Degas, Oliveira leapt through a series of hoops to be able to see artifacts from Degas’ studio now kept at the Musée d’Orsay, items stored in the basement and not generally seen by the general public.

The visit helped her create a more nuanced depiction of a man some call a misogynist, though Oliveira doesn’t see him that way. “I think he was a realist. He was reacting against the strict Salon art, and he said, let’s paint women how they really are.”

Along with her visit to the Musée d’Orsay, Oliveira traveled to the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Louvre and the National Gallery in London to view works of art by her main subjects. She read some 50 books on art history, art technique, diaries and biographies of the impressionists, all of which formed the foundation for the novel. The author of one other work of historical fiction, My Name Is Mary Sutter, Oliveira finds the research process to be a “complete blast.”

“My approach is that I don’t change the facts of their lives,” she says. “I don’t move them from place to place. I don’t make up incidents. I’m very careful about the schedule of their lives. I won’t invent things that couldn’t possibly have happened, but I’m very attuned to the creation of who they were. I’m always balancing between fiction and history, and taking a great deal of care [with] why the things that happened, happened.”

Letters to the Editor: February 11, 2014

Not Terrified

As a sex educator who believes deeply in the need for parents and caregivers to feel confident as the primary sexuality educators for their children, I felt the fear-based, alarmist tone of “Teenage Confidential” (Feb. 5) was enough to scare parents, not encourage them.

Rather than addressing the question posed on the cover, “So why should talking about it with your teens be so difficult?” the article perpetuates the notion that it is difficult and scary, without giving advice as to how to make it less scary.

Although I am an admirer of Airial Clark’s work, I don’t agree with her assertion that if she didn’t make a special effort to educate her boys, she would “raise date rapists.” If that were the case, most boys in the world would be date rapists. Nor do I feel terrified or helpless raising my son, as she asserts in her comments we all must feel.

On the contrary, I feel confident and empowered. This is the message I strive to convey to parents. Being the primary sexuality educator for your child is the opportunity to impart your values around sexuality and sexual health to your kids. What I can provide is the education to parents so they have the facts that go along with their personal values. And I encourage parents to take the opportunity to examine their values closely and be open to the possibility that these might change as their children grow and pose new challenges.

The article focuses on talking to our kids to keep boys from raping and to keep teens from suffering unintended pregnancies and sexually transmitted infections. Why not encourage parents to talk to their kids about sex, not just because we’re scared of the consequences of not doing it, but because it’s an incredibly important part of life, because we are sexual beings from birth until death?

We all want our kids to be happy and to have healthy, respectful, loving intimate relationships when they grow up. As parents and caregivers, we are our children’s first experience of love. This education starts the moment they are born, as they learn about love and trust, as we meet their needs for food, shelter and affection with a loving touch.

If we have ongoing age-appropriate conversations with our children about sex and sexuality, including our own, by the time they are teens, it’s all just part of life for them, and there’s nothing to be grossed out about and nothing to be scared of.

Santa Rosa

For Shame

Shame on you for setting up women and girls like this (“Teenage Confidential,” Feb. 5), another notch in your gun of bait-and-switch. How many of the billion boys and men in the world will wave the cover of this issue in the face of 1 billion girls and women as a way to get into their pants? As you note, we “live in a rape culture.” The real problem, as you pointedly failed to mention, is misogyny—lack of respect for women. At least you’re making sexy advertising bucks.

Santa Rosa

Other Funding

I agree with Michele Luna [director of Stewards of the Coast and Redwoods] that we need to find other ways—besides use fees—to generate revenue to help fund our state parks (“Beaches ‘n’ Foes,” Jan. 29). I believe there are revenue-generating options at the state and regional level to supplement operational costs and do away with use fees altogether. I, for one, would be interested in a committee at the regional level to explore alternatives for generating additional income for our local parks and preserves.

Guerneville

Congrats to Wishbone

Congrats on new digs, must check out (“Wish Come True,” Feb. 5). And wow—if these two have kids, they are going to have the best hair color ever!

Via online

Write to us at le*****@******an.com.

Ending Domestic Violence

0

The issue of violence against women is serious. According to the United Nations, one in three women on the planet will be raped, beaten or sexually abused in her lifetime. That is 1 billion mothers, daughters, sisters, aunts, grandmothers and nieces.

The Petaluma Police Department recorded 152 domestic violence incidents in Petaluma in 2011. Countless other incidents go unreported. It is unacceptable that any act of violence should go unreported. It is unacceptable that any victim should carry that pain and anguish without an avenue for release and healing.

One Billion Rising for Justice is a global call to survivors of violence and those who love them, to gather safely in community outside places where they are entitled to justice—courthouses, police stations, government offices, school administration buildings, work places, sites of environmental injustice, military courts, embassies, places of worship, homes or simply public gathering places where people deserve to feel safe but often do not. It is a call to break the silence—politically, spiritually, outrageously—through art, dance, marches, ritual, song, spoken word, testimonies and whatever way feels right.

On Feb. 14, V-Day.org is inviting 1 billion people to rise up for justice, walk out, dance and demand an end to this violence. For the second year, 1 billion rising will move the earth, activating women and men around the world to demonstrate their collective strength, numbers, and solidarity across borders. One billion people rising is a revolution.

While numerous One Billion Rising events are scheduled in the Bay Area, one in particular is scheduled for the North Bay, North Bay Rising (Petaluma). To participate at the event nearest you, go to www.OneBillionRising.org.

Join us, along with over 182 other countries, in rising for justice and saying “No more!” to the violence.

Carol Sanders is a board member of Guided to Safety.
&#10

We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Married, with an Asterisk

Although the number of married heterosexual couples has reached an all-time low in the United States, the term “single” has perhaps never been more complicated.

Filing taxes as a singleton or checking the “single” box in the doctor’s office doesn’t necessarily reflect where many Americans, even those with eventual plans to marry, are with their partnerships or their families. And so some long-term partnered Americans are “upgrading” their terminology to “husband” and “wife,” even as they express wariness about matrimony.

In 2012, 56 million American households were made up of unmarried women and men—that makes up 46 percent of households nationwide. But considering that 40 percent of unmarried straight couples in 2012 lived with at least one biological child (of either partner), “single” still falls short of the contemporary landscape of family.

Twenty-nine-year-old Frances Locke in New York says that her male partner is also adverse to using “girlfriend” because he sees it as implying a lack of a commitment. She uses “partner” interchangeably with “husband” when referring to her children’s father, but reverts to nuptial language when in the presence of those from a “certain generation” due to lingering social expectations.

“The main reason that we use these words is to avoid the judgment that people have for unmarried couples with kids,” says the mother of three. “You would think that this type of attitude would be rare, but we’ve had people call our kids bastards on more than one occasion. Even my mother-in-law has tried to guilt us into marriage, saying, ‘Well, now that the baby is here, it’s not appropriate that you’re not married.’ People see any choice that doesn’t vibe with their life view as an indictment on their own choices, and we’d rather just avoid the drama.”

Early in their relationship the couple purchased rings, and they have discussed getting engaged and/or entering a domestic partnership. But even though Frances and her partner are on the same page regarding commitment, loyalty and monogamy, apprehensions about the institution of marriage remain—particularly as they relate to the LGBTQ community and women.

“As a bisexual woman, I feel it’s pretty messed up that I can only marry because I am in love with a man rather than a woman at this stage in my life, and my partner feels the same way,” says Locke. “Now that DOMA has been repealed, we’ve brought the issue up again, but there are still other problematic aspects of the institution that bother us. Personally, I am uncomfortable with the history of female ownership that marriage comes with.”

Sarah (whose name has been changed to protect her privacy), a 35-year-old medical school student in Washington, D.C., sees the traditional big party as an incentive to get legally married. But five years into a relationship that has yielded a two-and-a-half-year-old daughter, she feels that ship has sailed.

“We’re old enough that our parents aren’t going to throw us a nice wedding, and that would have been the main draw for me—a great big smashing party,” she says. While she supports marriage as an opportunity to validate unions, she is also discomforted by the societal expectation of marriage, which she says “perpetuates gender-normative behavior.”

Nevertheless, she refers to her daughter’s father as her “husband” in her professional and academic setting.

“We did pick up on a certain stigma when we moved to D.C.,” says Sarah, who made the move from San Francisco. “I would say it might be localized to the administration of my school, and maybe some of my younger classmates. But I’ve definitely noticed it.”

The couple currently has no plans to marry, even though Sarah’s partner is not an American citizen. With the birth of their daughter, he has secured dual citizenship. Even if the family decides to relocate to his native country, Sarah would be entitled to the same benefits as a spouse.

But despite resorting to matrimonial language in her daily life, Sarah resists the notion that she would like to pass as married. She views “husband” simply as shorthand for the live-in father of her child, with whom she is entwined financially and emotionally.

Koa Beck is the former editor in chief of Mommyish.com. Follow her on Twitter @Koalani.

This article first appeared in Salon.com, at http://www.Salon.com. An online version remains in the Salon archives. Reprinted with permission.

Bad ‘Date’

0

Four years ago, Sixth Street Playhouse presented playwright Robert Caisley’s action-adventure Kite’s Book, establishing Caisley as an author to watch. Last year, he returned with Happy, one of the best plays of the season. Now, Caisley returns a third time, with Date Night, a triptych of unconnected one-acts, each helmed by a different director, each telling a tale of romantic love gone totally sideways.

The third time, unfortunately, is not a charm.

Yes, there are some strong, committed performances in Date Night (and one truly great one). There’s also one play so off-the-wall and disturbing you may want to tell people about it just to see the stunned look on their faces.

The first piece is the best, largely due to an outrageously entertaining performance by Craig Miller. Titled “The Apology” and tightly directed by Lennie Dean, the fierce, funny monologue follows a stammering goofball apologizing to an unseen woman. What begins with the description of a truly bad date turns rapidly into something much, much darker. Unfortunately, many of the goofball’s explanations and revelations contradict and challenge the logic of his previous remarks, which strains the already thin credibility of the entire piece.

The second one-act is “Hungry
4 U,” directed by Edward McCloud. As a young newlywedded couple (Rose Roberts and Braedyn Youngberg) arrive at their honeymoon hotel, it is clear that there is something slightly off about these two. But who would guess that what these crazy kids are into involves so much blood and so much screaming? What might have been a tasty little shocker worthy of Alfred Hitchcock loses some of its power by taking far too long to get to its creepy, icky (but sort of satisfying) point.

Speaking of taking too long, Date Night‘s third and final piece is a tedious, repetitive slog-fest called “Kissing.” Directed by Miller, the rambling one-act about an extramarital interoffice affair (Jessica Short Headington, Marianne Shine), runs a full 90 minutes, structured as numerous different drafts of what is basically the same scene, intercut with narration about kissing and some stuff about the workmates’ spouses (John Browning, Randy St. Jean) wandering around in a park.

If “Kissing” featured sharper writing or had been directed with some sense of pace and purpose, the endless running time might have been acceptable. But as a capper to an already uneven evening, this dry, boring kiss comes as no consolation after what’s a very unsatisfying date.

Rating (out of 5): ★★

Pipeline Action

A local protest against the Keystone XL pipeline brought out about a hundred people to downtown Santa Rosa on Monday. The action came in response to the release of a final environmental report that raised no major objections to the 1,000-mile pipeline that would run from Canada to the Gulf of Mexico. Environmental activists like Bill McKibben have said that the pipeline will mark the point of no return for climate change, and that energies should be going toward switching to renewable energy sources, such as wind and solar, instead of trying to squeeze more fossil fuels out of an overtaxed earth.

SAFE PARKING

People without homes in Sonoma County will benefit from a new program aimed at allowing cars and vans to be parked at the Sonoma County Fairgrounds on a temporary basis. With shelters at over-capacity, the “safe parking” program was funded by the board of supervisors, part of a series of emergency measures to deal with the growing issue of homelessness in the county. Since 2011, the homeless population has grown 25 percent, according to the most recent data. The safe parking program runs through March, and could be extended, depending on demand. A meal and hot showers, along with sleeping bags, blankets, socks and patio heaters are being provided at the site, which is at the intersection of Meda, Brookwood and Linwood avenues. Open from 8pm to 8am each night, clients must pre-register with Catholic Charities on Morgan Street.
They will also have access
to case-management and benefit-assessment services
from employees stationed at
the fairgrounds site in an overnight supervisorial capacity.

Beer, My Love

0

Forget about Valentine’s Day. The real love fest, for obsessed beer geeks like me, is SF Beer Week, running Feb. 7 through Feb. 16. The North Bay is nicely represented on this year’s packed schedule. The Whole Foods Market Tap Room at Coddingtown (390 Coddingtown Mall, Santa Rosa) has a few events on tap, including a barrel-aged stout and sour beer cellar release on Feb. 8 and a Bear Republic brewing and cheese pairing on Feb. 13.

On Feb. 8, Pizza Antica in Mill Valley will offer a selection of beers from Novato’s Baeltane Brewing along with a menu prepared by chef Bradley Ceynowa. The event begins at 4pm, with brewer Alan Atha will be on hand to talk brewery and beers. He also appears at the Lupercalia Festival on Feb. 15 at Baeltane’s tasting room in Novato
(401-B Bel Marin Keys Blvd.).

On Feb. 12, from 5pm to 7pm, Ninkasi Brewing founder Jamie Floyd comes to BeerCraft to lead a sensory panel presentation explaining the physiology and psychology of flavor perception. Sounds sciency. And delicious. (5704 Commerce Blvd., Santa Rosa). The brewer from cult-beer favorite Prairie Artisan Ales comes to BeerCraft for the “Meet the Brewer Night” on Feb. 15 from 5pm to 8pm.

Green Flash, the stellar brewery from San Diego, will be in town for a couple of different events. Farmshop Marin (2233 Larkspur Landing Circle, Larkspur) welcomes the brewery for a special menu and special brews on Feb. 12 from 5:30pm to 8:30pm. Then Hopmonk Tavern owner Dean Biersch hosts a beer dinner with Green Flash on Feb. 9. (230 Petaluma Ave., Sebastopol). Feb. 9 brings Fresh Is Best: Breakfast and Beer at TAPS (54 E. Washington St., Petaluma) from 10am to 2pm. Fresh breakfast and fresh beer from HenHouse and Petaluma Hills—what could be better?

On Feb. 13. Lagunitas hosts F.U.N. at TAPS to celebrate the release of SF Fusion. The cast and crew of the Petaluma powerhouse brewery will be on hand to answer all dog-related questions. Celebrate the third anniversary of local-boys-done-good HenHouse Brewing Co. on Feb. 15 from 6pm to 11:30pm, also at TAPS. The Petaluma Craft Guild hosts “Meet Your Maker” at Seared Restaurant (170 Petaluma Blvd. N., Petaluma; $70). The evening features craft beer from local breweries along, with food by North Bay food purveyors like Petaluma Pie Company and Drakes Bay Oysters.

Robert Mondavi Winery

0

There’s a place over in Sonoma County, the tour guide tells the group, that’s a little over the top. “It’s kind of like the Disneyland of wine,” he says, as we sit on pews under an arbor, the better to reverentially gaze upon Napa Valley’s historic To Kalon Vineyard. I don’t know if anyone else in the group thinks this is remotely funny or killingly ironic, but it’s a good thing I’m not drinking Cabernet Sauvignon right now, because it just might’ve sprayed out my nose.

We’re at the third stop of the tour at Robert Mondavi Winery, the California-mission-styled facility for which the epithet “iconic” is forever fresh. Mondavi’s gambit, the well-known story goes, was a game-changer who inspired those that followed to create what wags have called a “wine Disneyland” along Highway 29. He was so closely identified with the success of California wine that when the actual Disneyland wanted a taste of wine country in its California Adventure theme park, Mondavi briefly operated the Golden Vine Winery there.

That’s all gone now, as well as namesake Robert Mondavi, who would’ve turned 100 last year had he not passed on in 2008, his life’s work already absorbed by the corporation that cut its chops on Wild Irish Rose. But hell, this is still sacred ground, blessed at the beginning of harvest every year since 1966.

Even if Mondavi needs no introduction, there’s little point in choosing the bar over the tour, which begins in a humble stucco room for a history lesson, winds through the cellars, and ends with a sit-down tasting complete with empanada snack.

Taking the genre to a new level, the 2011 Napa Valley Unoaked Chardonnay ($34) has hints of toffee and pear candy but ends up more like a darn good Pinot Grigio than a Chardonnay of any description. The 2011 Carneros Pinot Noir Reserve ($60) is a plump sweetie of a Pinot, spoiling tasters with all kinds of cherry licorice, clove aromas and vanilla and licorice flavors.

Least costly on the menu, the 2011 Napa Valley Cabernet Sauvignon ($28) is the flagship wine here, and still sports 30 percent To Kalon fruit in the blend. With an aroma reminiscent of the fermentation room that we just left, it’s got a lithe, gentle palate of black licorice and blackberry pie that belies its brooding color and aromas. After the affable tour guide pours everyone a final sip of Moscato, we find ourselves once again beside the St. Francis of Assisi statue in front of the winery. I wonder if his arms are outspread in a blessing, or cryptically pointing in two possible directions.

Robert Mondavi Winery, 7801 St. Helena Hwy., Napa. Daily, 10am–5pm. Signature Tour, $30; family-friendly Discovery Tour, $20. 888.766.6328.

Charlie Brown’s Lovelorn Valentine

0

In the history of sad sacks, is there anyone as gloomy as good old Charlie Brown?

Cursed with equal parts determination and sour luck, the balding, blockheaded leader of the beloved Peanuts comic strip never gets a break. If it’s not the kite in the tree, it’s the rotten advice from his “psychiatrist.” Yet, these hapless insults pale in comparison to his unrequited love for a certain little red-haired girl.

And Chuck’s not the only one who finds himself futilely trying to find love. Lucy pines for the clueless piano-playing Schroeder, and Charlie’s sister, Sally, longs for her “sweet Babboo” Linus. Even Snoopy finds himself stood up at the alter at one point. Certainly, if there’s one cast of characters best suited to represent the pure agony of Valentine’s Day, the Peanuts gang is it.

“Heartbreak in Peanuts,” the new exhibit at the Charles M. Schulz Museum in Santa Rosa beginning Feb. 5, brings together 70 classic comic strips all about the woe and wretchedness of first loves and early crushes. Commiserate with Charlie, Snoopy and friends as they languish in the forlorn funnies that focus on the quest for romance. On Valentine’s Day, the museum continues the tradition of letting in all little red-haired girls (and boys) for free. “Heartbreak in Peanuts” opens Wednesday, Feb. 5, at the Charles M Schulz Museum. Open 11am–5pm, weekdays; 10am–5pm, weekends. Closed Tuesdays. $5–$10. 2301 Hardies Lane, Santa Rosa. 707.579.4452&mdash

Feb. 5: Ratdog at the Sweetwater Music Hall

0

Ratdog.jpg

You might have heard the story: In March of last year, Bob Weir was annoyed by a loud-talking fan while performing at the Sweetwater Music Hall, and yelled a simple admonition: “Shut the fuck up.” The video hit YouTube, we mocked him in these pages as part of a fold-over joke, the Sweetwater started selling T-shirts based on the incident, and the rest is history. Bob Weir returns to the scene of the crime this week as he and Ratdog kick off their spring tour in an intimate hometown show that’s utterly sold-out. Our advice: stand outside, try to find tickets, and, by all means, don’t talk too loud. Wednesday, Feb. 5, at the Sweetwater Music Hall. 19 Corte Madera Ave., Mill Valley. 8pm. Sold-out. 415.388.1100.

Robin Oliveira’s Love Letter to Impressionism

Toward the end of her life, as her vision steadily declined, American painter Mary Cassatt burned all of the letters to, and from, her friend and mentor, Edgar Degas. "She burned a significant portion of impressionist history," says author Robin Oliveira, whose new book, I Always Loved You, uses historical fiction to examine the complex relationship between the two painters,...

Letters to the Editor: February 11, 2014

Not Terrified As a sex educator who believes deeply in the need for parents and caregivers to feel confident as the primary sexuality educators for their children, I felt the fear-based, alarmist tone of "Teenage Confidential" (Feb. 5) was enough to scare parents, not encourage them. Rather than addressing the question posed on the cover, "So why should talking about it...

Ending Domestic Violence

The issue of violence against women is serious. According to the United Nations, one in three women on the planet will be raped, beaten or sexually abused in her lifetime. That is 1 billion mothers, daughters, sisters, aunts, grandmothers and nieces. The Petaluma Police Department recorded 152 domestic violence incidents in Petaluma in 2011. Countless other incidents go unreported. It...

Married, with an Asterisk

Although the number of married heterosexual couples has reached an all-time low in the United States, the term "single" has perhaps never been more complicated. Filing taxes as a singleton or checking the "single" box in the doctor's office doesn't necessarily reflect where many Americans, even those with eventual plans to marry, are with their partnerships or their families. And...

Bad ‘Date’

Four years ago, Sixth Street Playhouse presented playwright Robert Caisley's action-adventure Kite's Book, establishing Caisley as an author to watch. Last year, he returned with Happy, one of the best plays of the season. Now, Caisley returns a third time, with Date Night, a triptych of unconnected one-acts, each helmed by a different director, each telling a tale of...

Pipeline Action

A local protest against the Keystone XL pipeline brought out about a hundred people to downtown Santa Rosa on Monday. The action came in response to the release of a final environmental report that raised no major objections to the 1,000-mile pipeline that would run from Canada to the Gulf of Mexico. Environmental activists like Bill McKibben have said...

Beer, My Love

Forget about Valentine's Day. The real love fest, for obsessed beer geeks like me, is SF Beer Week, running Feb. 7 through Feb. 16. The North Bay is nicely represented on this year's packed schedule. The Whole Foods Market Tap Room at Coddingtown (390 Coddingtown Mall, Santa Rosa) has a few events on tap, including a barrel-aged stout and...

Robert Mondavi Winery

There's a place over in Sonoma County, the tour guide tells the group, that's a little over the top. "It's kind of like the Disneyland of wine," he says, as we sit on pews under an arbor, the better to reverentially gaze upon Napa Valley's historic To Kalon Vineyard. I don't know if anyone else in the group thinks...

Charlie Brown’s Lovelorn Valentine

In the history of sad sacks, is there anyone as gloomy as good old Charlie Brown? Cursed with equal parts determination and sour luck, the balding, blockheaded leader of the beloved Peanuts comic strip never gets a break. If it's not the kite in the tree, it's the rotten advice from his "psychiatrist." Yet, these hapless insults pale in comparison...

Feb. 5: Ratdog at the Sweetwater Music Hall

You might have heard the story: In March of last year, Bob Weir was annoyed by a loud-talking fan while performing at the Sweetwater Music Hall, and yelled a simple admonition: “Shut the fuck up.” The video hit YouTube, we mocked him in these pages as part of a fold-over joke, the Sweetwater started selling T-shirts based on the...
12,118FansLike
4,924FollowersFollow
6,928FollowersFollow