Efren Carrillo Charges Postponed Again

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Charges for Efren Carrillo were delayed for a third time this morning, with the Sonoma County supervisor’s next court date set for Nov. 1. The postponement was requested by prosecutor Cody Hunt, the lawyer with the Napa Valley District Attorney’s office assigned to the case, for more time to review unnamed documents that he said were recently received. Judge Gary Medvigy agreed to the postponement.

The attorney for the woman involved complained about the delays, suggesting the motivation might be political. Hunt denied the allegations. Carrillo’s attorney, Chris Andrian, denied political motivation and said that he’s “taking [prosecutors] at face value.”

This morning’s postponement marks the third time charges have been delayed for the supervisor. Medvigy originally heard the case on July 18, and agreed to an initial postponement to Aug. 30. On Aug. 30, Judge Julie Conger allowed a postponement to today’s date, Oct. 11, stating clearly, “I’m expecting a complaint to be filed at that time. No further delays, please.”

Carrillo was arrested on July 13 when a woman called 911 twice to report someone outside her home at 3:40am in Santa Rosa. Someone had tried to break into her bedroom window, and Carrillo was arrested in his underwear and socks on suspicion of burglary and prowling. Police at the time said they suspected Carrillo of attempted sexual assault. After posting bail, he reportedly checked himself into an alcohol treatment facility. Carrillo returned to the Board of Supervisors on Aug. 20 to harsh criticism from his fellow board members and the public.

Live Review: Reggae On The River 2013

It is hard to put into words what a five day reggae festival in Humboldt County feels like. Senses are heightened and spirits are elevated. The whole experience feels like a time warp, traveling with fellow festivalites to a sacred place deep in the woods, away from the daily grind and the drama of the outside world. It feels like warm sunshine. It smells like homegrown herbs. It tastes a lot like lukewarm coconut water. But more than words can offer, it feels like what Sunday headliners, Morgan Heritage’s, soundtrack tune ‘Down By The River’ sounds like.
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Reggae On The River has been called ‘Reggae’ for as long as anyone can remember. It is considered, by and large, the first reggae festival in the United States, and a lion’s share of the genre’s most famous artists have graced its stage over the last 29 years. Tribulations aside (read up on the Mateel controversy here), ‘Reggae’ has always been at the heart of the international festival scene. The “one-blood” mantra of the event was undeniably reflected in this year’s 6,000 multicultural fans who traveled across the miles to celebrate the French’s Camp homecoming. With nearly 2,500 volunteers and staff on hand to ensure the event went off without a glitch, the party was a huge success and was entirely sold out by Saturday afternoon.

The smaller crowds made for a more chill experience – if you went to any of the Reggae’s between 2003 and 2006 you know what 25,000 people in the bowl feels like.  Although rumors are floating around that the Mateel Community Center will be offering 8,000 tickets next year as opposed to 6,000 this year, the intentionally scaled-down event has become safer and more conscientious. The artists were more militant than flashy, the crowds more hippie than street. A big factor in this year’s attitude was the multigenerational audience. There were a lot of older festival veterans and a lot of little kids, and inevitably, more people were smoking ganja in the sunshine than running around on Molly at 5am.
If you didn’t make the journey, or just want to reminisce, you can tune into the audio archives from Humboldt County’s KMUD radio here. (Scroll down to August 2-4 for the live broadcast) Chill to the tunes by the river and check out some of these amazing shots of the event by some very cool Bay Area photographers (many thanks to James LeDeau, Joe Wilson, and Anthony Postman).

Reggae On The River 2013 | Photo courtesy of Joe Wilson and Bulldog Media

Oct. 13: Paul Galbraith at the Occidental Center for the Arts

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An internationally renowned innovator, Paul Galbraith alters the physical form of the classical guitar and the way that it is played. Eschewing the traditional guitar for his eight-string Brahms Guitar, he plays a guitar supported by a metal endpin, similar to that of a cello, which rests on a wooden resonance box. On record, Galbraith’s back catalog includes critically acclaimed recordings of works by Bach, Haydn and Brahms, along with his own arrangements of folk tunes from various countries. In a concert presented by the Redwood Arts Council, Galbraith performs arrangements of Haydn, Ponce, Albéniz and Granados on Sunday, Oct. 13, at the Occidental Center for the Arts. 3850 Doris Murphy Court, Occidental. 4pm. $30. 707.874.9392.

Oct. 13: Dave Chappelle at the Wells Fargo Center

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Best known for his eponymous TV show, Dave Chappelle’s stand-up comedy style is frequently raunchy, constantly hilarious, and oftentimes explores sophisticated issues surrounding race. At a recent performance in Hartford, Conn., Chappelle was drowned out by a predominantly white audience of crude hecklers that he later called an “arena full of suburban torturers and young, white alcoholics.” Chappelle had no problem plopping down onto a stool, lighting one up, and reading a few excerpts from a book tossed at him by an audience member to kill time, proving that an expensive ticket doesn’t give a crowd the right to be disruptive and rude. One of the most clever comedians of our time, Chappelle plays two sold-out shows on Sunday, Oct. 13, at the Wells Fargo Center. 50 Mark West Springs Road, Santa Rosa. 7pm and 10pm. Sold out (at press time, tickets on StubHub start at $100). 707.546.3600.

Oct. 12: Biketoberfest at FairAnselm Plaza

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Bikes, beer and music galore—it’s Biketoberfest! Offering 35 varieties of beer from 20 West Coast brewers and live performances by Moonalice, Tom Finch Group, Tiny Television, Dogtown Ramblers and the Cradle Duende duo, this annual festival is one-of-a-kind, serving our mass of bike-lovers right in the birthplace of the mountain bike. After a pre-festival group ride from San Francisco or Marin, there’ll be 70 bike exhibitors and a handmade bike show with an array of classic bikes from the good old U.S.A.—you might even catch a glimpse of some of the very first mountain bikes. The kiddos can decorate their bikes at the bike art table and join the parade around the festival grounds while adults wash one (or three) down; get your helmets on and gear up on Saturday, Oct. 12, at FairAnselm Plaza. 765 Center Blvd., Fairfax. 11am. Free; beer tasting $25—$30. 415.272.2756.

Oct. 11: A Tribute to Mike Bloomfield at Sweetwater Music Hall

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Bob Sarl has spent 20 years putting together a 60-minute documentary about in the life of guitarist Mike Bloomfield. In ‘Sweet Blues,’ Bloomfield attests to his obsessions in a long-ago tape recording that plays throughout the film, while his life story, milestone performances and commentary from associates paint a portrait of a tortured genius of rock. After playing with Paul Butterfield, Bob Dylan and Stephen Stills, among many others, Bloomfield’s hard-living, heroin-heavy lifestyle ultimately took his life in 1981. But his legend lives on in Carlos Santana, B.B. King and Charlie Musselwhite, all of whom recall Bloomfield’s influence in the film. Following this week’s screening is a tribute concert featuring Elvin Bishop, Harvey Mandel, Nick Gravenites, Maria Muldaur, Barry Goldberg and others on Friday, Oct. 11, at Sweetwater Music Hall. 19 Corte Madera Ave., Mill Valley. 7pm. $67. 415.388.3850.

Come to Me

In Lerner & Loewe’s 1947 musical fantasy Brigadoon, two traveling American hunters come upon a tiny Scottish village from the 1700s that, as it turns out, appears from the highland mists for a single day only once every 100 years. That’s about how often modern theater companies take on the tuneful yet dated musical, which is remembered primarily for a somewhat creaky 1954 film starring Gene Kelly and Cyd Charisse.

So why did director Gene Abravaya elect to stage the show as part of the current season of the new Spreckels Theater Company?

The answer is simple: the play changed his life.

“There are two shows in my life that have made an incredible impact,” Abravaya reveals. “One was Camelot, the very first show I ever saw, and the other was Brigadoon, the very first show I ever acted in, in high school. That was a time in my life when I was having a lot of personal problems. My parents had just split up, my father left town—and I really needed something to cling to. Being part of the drama club, and being a part of the cast of Brigadoon, with its uplifting messages and magical vibe, it just helped keep me going at a time when things were pretty rough.”

Since, Abravaya has hoped to someday return to Brigadoon, and he’s finally doing it, presenting the beguiling but rare story of a lonely modern-day guy accidentally discovering love, safety and a sense of purpose when he wanders into little Brigadoon on the sole day it rematerializes.

“I’ve always carried an affection for this show, and wanted to someday direct it,” Abravaya says. His production opens this weekend, in a staging that combines authentic costumes, elements of which were acquired earlier this year in Scotland, with high-tech effects and projections that bring the hills and heather of the Scottish countryside onto the stage.

“Spreckels has a stage big enough for a show like this,” he explains, “and we do fill this stage—with actors, with dancers, with gorgeous set pieces and props and slide projections and video sequences. It’s going to be quite beautiful.”

Abravaya believes that the time is right for audiences to rediscover the show that has always meant so much to him.

“The message of the show is simple,” he says. “The message is that there are places, places we long for in our heart—and some of us are lucky enough to find that in our lives.

‘Brigadoon’ runs Oct.11–27, at the Spreckels Performing Arts Center. 5409 Snyder Lane, Rohnert Park. Showtimes vary. $22-$26. 707.588.3400.

Genius at Work

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Mention the name Elizabeth Gilbert, author of the runaway best-selling book Eat, Pray, Love, and you’ll get a host of opinions. As usually happens when women achieve fame, labels start flying; Gilbert’s been called narcissistic, privileged, out of touch and untalented by everyone from respected newspaper columnists to anonymous internet trolls.

This, frankly, is a bunch of baloney. Watch her 2009 TED talk on “Your Elusive Creative Genius” and witness an articulate, self-aware, funny and sharply philosophical mind at work. Steve Almond, a brilliant fiction writer and essayist in his own right, addresses misconceptions about Gilbert—including but not limited to her proven writing ability, her transformation into a cultural icon, her long, workhorse-style writing career before the freakish success of her Oprah-embraced memoir—in a fascinating New York Times profile, titled, appropriately, “Eat, Pray, Love, Get Rich, Write a Novel Nobody Expects,” on the occasion of the publication of her latest effort, The Signature of All Things.

Not a memoir at all, Gilbert’s newest is what Almond calls a “rip-roaring” adventure novel—way more George Eliot than Augusten Burroughs, and an unexpected move from a writer who could have rested on her intellectual laurels and cannibalized from Eat, Pray, Love for the rest of her days. Elizabeth Gilbert appears in conversation with Kelly Corrigan on Wednesday, Oct. 16, at Dominican University. 50 Acacia Ave., San Rafael. 7pm. $35, includes signed book. 415.485.3239.

The Simple Life

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The Johnson family is labeled many things—extreme, obsessive-compulsive, privileged, entitled, out of touch, hypocritical, fanatic. Their minimalist Mill Valley home gets described as cold, void of personality, influence run amok and “as warm and welcoming as a bus station bathroom.”

So what did Bea Johnson—the public face of this family of four—do to deserve such vitriol? Did she shut down the government to keep low-income Americans from getting affordable health insurance? Did she bomb a village in Pakistan in the name of killing terrorists and maim a toddler?

Not exactly. Johnson is the author of the blog-turned-book Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste, the story of an eight-year journey to pare down a household’s consumption to nearly a trickle. What Bea (pronounced Bay-ah) Johnson, along with husband Scott, a sustainability consultant and middle school- aged sons Max and Leo have done is minimized the waste stream leaving their house to such an extent that their yearly trash fits perfectly inside a quart-sized Le Parfait jar. They’ve done this by employing the 5Rs: refuse, reduce, reuse, recycle and rot.

The money saved—a 40 percent reduction in household expenses since 2005, according to Scott’s calculations—is what allows the family to stay in their 1921 two-level cottage in one of the Bay Area’s wealthiest enclaves, says Johnson, brushing off suggestions that her lifestyle is a sign of privilege. “It’s funny because people say, ‘You’re living minimalist because you’re wealthy.’ If we live minimally, it means we’re not buying stuff and we’re saving money.”

During a tour of her home on a drizzly September afternoon, Johnson appears unfazed by the criticism, and, if anything, more energized by the challenge to share the aesthetic, environmental and economic benefits of the zero-waste lifestyle. Today, she’s wearing an electric blue strapless dress (purchased at Goodwill) with a gold-colored necklace and black-heeled booties. It’s one piece from an entire wardrobe that can fit into a carry-on suitcase. Seven pairs of shoes, two dresses, two skirts . . .you get the picture. To keep from buying new clothes and shoes, she’s on a first-name basis with her tailor and her cobbler. “That’s how Charles Ingalls did it,” she says with a laugh.

‘We’re not telling people how to live our lives—that was never our intention,” Johnson says, who’s been critiqued for traveling by plane, driving a car (a used Prius) and depriving her children of Halloween candy and toys. “The blog started because people were asking me how to do zero waste. If I didn’t, it would be a waste of information. It’s better to share what we know.”

Inside the house, the sparse, clean space is the culmination of a journey that began in 2005 when the Johnsons stopped buying big and started living small. Stepping into the living room, the first thing visitors notice is a severe lack of furniture or decoration, with the exceptions of a space-age looking hanging chair (currently occupied by a white Chihuahua), two white sectionals, a brightly-colored set of stripes painted across the facing wall and a living-plant wall. For those accustomed to houses crammed full of family photos, books, toys, plants, rugs and assorted tchotchkes, it’s disconcerting. A deck with a view of Mount Tamalpais holds only a simple herb garden, a white patio set (bought second hand) and two Meyer lemon trees. Johnson mentions with a laugh how she encourages her sons to pee in the pot as a trick for making the soil more acidic.

The kitchen counters are bare and the drawers hold only the most necessary of utensils—not even a vegetable peeler. Under the sink, instead of a trash can, sit two bins: one for recycling and one for compost. A meticulously organized pantry contains rows of glass jars filled with the basics: flour, sugar, pasta, grains. Upstairs, the two bedrooms contain only beds, a bookstand for each boy with one library book each, and a plant in the master bedroom. A family room holds a flat screen TV, a rug, a couple of electronic devices, some well-worn board games and four labeled crates filled with used video games and musical instruments.

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A native of the Provence region of France, where shopping bulk and getting wine bottles refilled isn’t looked at askance, Johnson traveled to California at age 18 to become an au pair. She met Scott soon after. They lived abroad for a while, but returned to the states where a pregnant Johnson, by her own admission, got caught up in living as a pampered soccer mom in Pleasant Hill, complete with a 3,000-square-foot home, a gas-guzzling SUV and Botox treatments.

But something didn’t feel right, and a few years later the family decided to move to a more walkable community, settling in Mill Valley. During the search for a new home, they put most of their stuff in storage and realized that it wasn’t much missed. The couple sold off most of their possessions, in the meantime educating themselves about the devastating effects of climate change on ecosystems and communities. In other words, they woke up: “It was like taking the red pill and waking to The Matrix,” Johnson says, referring to one of her favorite films. “Our whole world has been changed all around.”

“We started to understand for the first time not only how profoundly endangered our planet is but also how our careless everyday decisions were making matters worse for our world and the world we’d leave behind for our kids,” writes Johnson in Zero Waste Home.

Still, Johnson says that, at first Scott wasn’t on board with the zero-waste goal, especially since it involved shopping at places as expensive as Whole Foods. Then he did the calculations. He discovered that they’d saved 40 percent in household expenses when comparing 2005 to 2010 and became as gung ho has his wife. They’ve even collaborated on an app together called Bulk—it’s free, crowd-sourced, and helps people find bulk items in their own communities.

All of this has led to a barrage of media attention. From the New York Times to The Today Show, Johnson’s rhapsodic embrace of zero waste has been featured nationwide. A 2012 Sunset magazine feature stirred up some particularly pointed responses, and if the online comments and letters to the editor were to be believed, it led to an exodus of subscribers appalled by the Johnsons’ decision to return the Netflix plastic strip along with their DVDs (before instant watch became the norm) and “fly in” toothbrushes from Australia. A recent article in the San Francisco Chronicle soon after the release of the new book cast Johnson as an anti-waste stream Carrie Nation, exchanging the famous hatchet-wielding temperance advocate’s saloon raids with imaginary X-ray vision goggles that “see through the hemp shopping tote where you slipped that plastic bag of fair-trade bananas, BPA/phthalate-free container of kombucha and organic Gorilla Munch that’s packaged in a bag inside a box” (italics theirs).

But Johnson says that she’s let go of such judgment towards the unenlightened, with their single-use water bottles, cans and plastic wrap. She’s no street evangelist. “I don’t want to force anyone to go zero waste,” she explains. “I’m not here to tell anyone, ‘You shouldn’t be living the way you are living.’ All I want to do is show the way we live, and if it inspires someone, great, and if it doesn’t, well, just go on about your day. I used to be there myself.”

Johnson shops almost exclusively in the bulk section, and purchases items without any sort of packaging whenever possible. She brings cloth bags to fill with staples like flour, sugar, grains and pasta. She brings jars for cheese, meat, fish and olives. In the book, she advises to act confidently and avoid eye contact to get past suspicious counter people with the Department of Health on their minds. Milk and yogurt are always bought in returnable vessels. Johnson cans tomatoes at the end of the season, makes jam, hot sauce and vanilla essence. She forages Yerba Santa in the surrounding hills for use as a decongestant.

Because of this extra work, some accuse her of being a stay-at-home mom with too much time on her hands, an accusation that Johnson doesn’t take lightly.

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“I really do work professionally full time,” she says. “I would have thought the same thing seven years ago—these people are crazy, forget about it. But how come you don’t have time to live the simple life, but you have time to live the complicated one? Living simply, by definition, saves a lot of time.”

There was a point when she did go overboard, Johnson admits. “I had foraged moss to use in lieu of toilet paper, for God’s sake!” she writes in the book’s introduction. She stopped making butter, cheese and kefir after seeing that these practices had become “socially restrictive and time-consuming, and thus unsustainable.” Now, she’s got her shopping routine down to a science, shopping strictly secondhand for clothes twice a year, in October and April, events that she anticipates with joy, and for groceries on Fridays, all according to an organizational system rivaling the Library of Congress. Yet the way she tells it, the whole endeavor is manageable once the systems are in place. When you own so little, there’s not much left to maintain, clean up or repair.

One thing is certain, and that’s the Johnsons’ chosen lifestyle opens up all sorts of political and philosophical questions. They’ve been called obsessive in their lack of material belongings, but perhaps it’s crazier that the average American uses only about 20 percent of their belongings on a regular basis.

Should we all follow the Johnsons’ lead? Or are their actions so extreme that normal people could never accomplish the same? Or, is it possible that we live in an upside-down world that has normalized a blasé attitude towards the disposal of incredible amounts of packaging and the easy replacement of the broken with the new. It’s convenient to assume that once a plastic container is thrown into the recycling bin, it’ll be turned into something equally useful. It’s even more convenient not to think about it at all.

What’s more difficult is facing the thought of the vast floating plastic debris comprising the Great Pacific Garbage Patch—twice the size of Texas, at last count. It’s even harder to think of how American consumption habits connect to climate change, droughts, food shortages and severe weather events befalling humans the world over, and mainly the poor, sick and young in poverty-stricken developing countries.

But Johnson does think about these things. Hand her a pen—one of those plastic ballpoints that banks hand out on customer appreciation days—and she doesn’t see a harmless writing instrument; she sees the global repercussions brought on by a slavish worship of objects. She sees rising oil prices and the catastrophic results of the thirst for fossil fuel. Hand Johnson a pen, or a business card, a pizza box, or just about anything made from plastic, and she’ll hand it right back to you with a firm “No thanks.”

It’s an aesthetic concern too. Johnson hopes to live by example, proving that being green isn’t just for hippies or bohemians. On her blog, she employs high-fashion poses for photos of stylized thrifted outfits, details how to throw a zero-waste dinner party and explains how to inject chic modernism into waste-conscious living.

“I find zero waste beautiful,” she says, standing in the well-stocked pantry filled with jar upon jar of canned tomatoes, jam and bottles of wine. “I find that using my cocoa powder instead of blush pulled out of a plastic tube is beautiful. I find it beautiful to get my homemade lip balm out of a little tin container. The pantry to me, it’s relaxing. It’s not some big company’s choice about what your pantry should look like. It’s only the food that’s shining itself.”

Notes from Beyond

Chris Cornell was a ladies’ man. Over the years, a string of lovers had kept him occupied, but never very satisfied. Tonight he was with a tall blonde who’d been at every show on his last tour. Soundgarden groupies were a dime a dozen, though, even if he broke their hearts. As he closed his eyes with the girl asleep by his side, a lucid dream began to form in his psyche. . . .

Cornell was awakened by a soft rap at the door. The room smelled of perfume, and the touch of red silk swathed his body. The room was dark, except for a sliver of light through the heavy drapes. A woman’s voice broke the silence. “Bittersweet memories, that is all I’m taking with me.” He could make out the silhouette of a woman. “Please don’t cry,” she said. “We both know I’m not what you need.” Just then a man came charging through the door. “Damn right, you’re not!” He was as big as a bodyguard. His stride was swift and powerful towards the bed, and at that moment Cornell knew something terrible was about to happen. As he threw the silks up to protect his face, he could hear Whitney cry out, “I will always love you!” Everything went dark.

When he opened his eyes, Cornell found himself on a crowded New York City street. He realized he was the only man in a sea of beautiful women. He thought to himself, “I am the one.” They gazed at him lovingly at first, but quickly turned on him, lunging for his arms and legs as he flailed and twisted away. He was being hunted like a fox. In the chaos Cornell fell to the ground, and the sea of bodies parted before him to reveal a man standing on a soapbox. Sprawled and bruised on the concrete, Cornell looked up to see the King of Pop twirl on his heels, a single white glove tipping his black fedora. “The smell of sweet perfume, can happen much too soon,” M. J. proclaimed. “Be careful what you do, because the lie becomes the truth.”

The sky began to darken and the earth began to shake. The women were closing in again. Cornell gripped the cement, hoping to wake up from this nightmare.

Suddenly he opened his eyes, drenched in a cold sweat. The blonde was shaking him with anguish in her eyes. “It must have been a nightmare,” Chris explained. But the blonde was not impressed.

“You were screaming, ‘She’s just a girl, who claims that I am the one,'” she said. “What the hell does that mean?!”

Chris Cornell, who’s recently covered both Whitney Houston and Michael Jackson, plays a solo acoustic show Wednesday, Oct. 16, at the Uptown Theatre. 1350 Third St, Napa. 8pm. $65. 707.259.0123.

Efren Carrillo Charges Postponed Again

Charges for Efren Carrillo were delayed for a third time this morning, with the Sonoma County supervisor's next court date set for Nov. 1. The postponement was requested by prosecutor Cody Hunt, the lawyer with the Napa Valley District Attorney's office assigned to the case, for more time to review unnamed documents that he said were recently received. Judge...

Live Review: Reggae On The River 2013

It is hard to put into words what a five day reggae festival in Humboldt County feels like. Senses are heightened and spirits are elevated. The whole experience feels like a time warp, traveling with fellow festivalites to a sacred place deep in the woods, away from the daily grind and the drama of the outside world. It feels...

Oct. 13: Paul Galbraith at the Occidental Center for the Arts

An internationally renowned innovator, Paul Galbraith alters the physical form of the classical guitar and the way that it is played. Eschewing the traditional guitar for his eight-string Brahms Guitar, he plays a guitar supported by a metal endpin, similar to that of a cello, which rests on a wooden resonance box. On record, Galbraith’s back catalog includes critically...

Oct. 13: Dave Chappelle at the Wells Fargo Center

Best known for his eponymous TV show, Dave Chappelle’s stand-up comedy style is frequently raunchy, constantly hilarious, and oftentimes explores sophisticated issues surrounding race. At a recent performance in Hartford, Conn., Chappelle was drowned out by a predominantly white audience of crude hecklers that he later called an “arena full of suburban torturers and young, white alcoholics.” Chappelle had...

Oct. 12: Biketoberfest at FairAnselm Plaza

Bikes, beer and music galore—it’s Biketoberfest! Offering 35 varieties of beer from 20 West Coast brewers and live performances by Moonalice, Tom Finch Group, Tiny Television, Dogtown Ramblers and the Cradle Duende duo, this annual festival is one-of-a-kind, serving our mass of bike-lovers right in the birthplace of the mountain bike. After a pre-festival group ride from San Francisco...

Oct. 11: A Tribute to Mike Bloomfield at Sweetwater Music Hall

Bob Sarl has spent 20 years putting together a 60-minute documentary about in the life of guitarist Mike Bloomfield. In ‘Sweet Blues,’ Bloomfield attests to his obsessions in a long-ago tape recording that plays throughout the film, while his life story, milestone performances and commentary from associates paint a portrait of a tortured genius of rock. After playing with...

Come to Me

In Lerner & Loewe's 1947 musical fantasy Brigadoon, two traveling American hunters come upon a tiny Scottish village from the 1700s that, as it turns out, appears from the highland mists for a single day only once every 100 years. That's about how often modern theater companies take on the tuneful yet dated musical, which is remembered primarily for...

Genius at Work

Mention the name Elizabeth Gilbert, author of the runaway best-selling book Eat, Pray, Love, and you'll get a host of opinions. As usually happens when women achieve fame, labels start flying; Gilbert's been called narcissistic, privileged, out of touch and untalented by everyone from respected newspaper columnists to anonymous internet trolls. This, frankly, is a bunch of baloney. Watch her...

The Simple Life

The Johnson family is labeled many things—extreme, obsessive-compulsive, privileged, entitled, out of touch, hypocritical, fanatic. Their minimalist Mill Valley home gets described as cold, void of personality, influence run amok and "as warm and welcoming as a bus station bathroom." So what did Bea Johnson—the public face of this family of four—do to deserve such vitriol? Did she shut down...

Notes from Beyond

Chris Cornell was a ladies' man. Over the years, a string of lovers had kept him occupied, but never very satisfied. Tonight he was with a tall blonde who'd been at every show on his last tour. Soundgarden groupies were a dime a dozen, though, even if he broke their hearts. As he closed his eyes with the girl...
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