Let There Be Light

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“What if the Bay Bridge was a canvas of light?”

The Bay Bridge is often overshadowed by its cross-bay counterpart. When conceptual visionary Ben Davis, founder of Illuminate the Arts in Larkspur, first posed this question, it seemed an ambitious project at best and an impossible dream at worst. Not to be deterred, Davis enlisted Leo Villareal, a New York-based sculptor and interactive artist, and dozens of technical and creative partners who spent two years conceiving and installing the Bay Lights, the largest LED light sculpture in the world.

Filmmaker Jeremy Ambers was there every step of the way. Now, a year after the Bay Lights opened in stunning fashion, Ambers’ new documentary, Impossible Light, captures the dreamers from far out idea to reality with breathtaking footage and inspiring interviews. In an interview, Ambers talks about the exhilaration and challenges that came with making his debut independent documentary.

“I’ve always felt a personal affinity to the bridge. It represents home to me,” he says. The Bay Bridge was the first sight of San Francisco that Ambers ever saw, coming down Route 80 in a U-Haul van, moving to the Bay Area from New York. “It’s an engineering marvel, and it deserves more attention.”

Living near the bridge in the South of Market neighborhood, Ambers was introduced to Ben Davis at a party in 2010, and that’s when Davis posed the impossible question to him.

“He started telling me about this crazy idea,” recalls Ambers. “His vision was to make the Bay Bridge into an abstract light sculpture.”

Ambers immediately knew he wanted to document the experience on camera.

In the film, Ambers follows Davis, artist Villareal, and the host of dedicated people who designed and constructed the 1.8-mile long light sculpture. The 25,000 LED lights that adorn the towers and suspension cables across the west side of the Bay Bridge are all individually programmed, creating sparkling displays that never repeat. The suspense in Impossible Light comes mainly from the arduous task of installing the light sculpture on a bridge that constantly shakes from traffic and 40-50 mph winds. “There is no book on how to do this, they pretty much made it up as they went along,” explains Ambers.

Completing such a daunting project mirrors Ambers’ own struggle to fund and complete the film. A self-described “one-man crew,” Ambers scaled the bridge himself several times to capture the vast scale of the work.

Ambers moves the film at a brisk and suspenseful pace, while composer Kevin T Doyle creates a stirring, emotionally resonant score. The result is a captivating document of a once in a lifetime art project.

Sausage Party

Butchery is an art, but in an ironic twist, two former processing facilities, in Fulton and Healdsburg, have been turned into art galleries, leaving meat cutters with nary a space to show off their work. “There’s a demand again for locally raised meat,” says Jenine Alexander, co-owner of Sonoma County Meat Company. “We are providing the infrastructure for processing meat. It’s pretty simple, but it didn’t exist.”

The custom butcher shop holds its grand opening Saturday, celebrating with a whole smoked pig party open to the public. The event marks the first day their meat cases will hold retail cuts available to the public, from both local, highest-quality, pasture-raised animals and “economy priced” options from other parts of the country, says Alexander.

The rub here is that this is the only facility in the area that’s USDA and state/custom exempt. “We’re able to take in meat from hunters, FFA, ranch kills and all that, and we’re able to process it,” explains Alexander. “We’re also USDA-inspected, meaning we can also take meat coming from any USDA-inspected slaughterhouse like Marin Sun Farms, etc., and cut and wrap for resale at places like farmers markets.” There are only two other facilities in the state like this that she knows of, and it’s no riddle as to why: the permitting process is onerous.

The grand opening party takes place Saturday, May 31 at Sonoma County Meat Company. 35 Sebastopol Ave., Santa Rosa. 2-5pm. Free. 707.521.0121. —Nicolas Grizzle

Debriefer: May 28, 2014

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Fillet of Feinstein

Sen. Dianne Feinstein’s Emergency Drought Relief Act of 2014, passed in the Senate last week, much to the dismay of salmon and their statewide advocates.

“This measure could decimate California’s salmon industry and seriously harm Oregon’s ocean salmon fishery,” says a statement from a coalition of fishermen and others led by the Golden Gate Salmon Association.

S. 2918 would allow more pumping from the San Joaquin River to farms and municipalities than government studies determined to be safe for juvenile salmon. The practice would continue until Gov. Jerry Brown lifts the state drought emergency. The fishermen’s concern is that the last drought emergency lasted three years, and that more pumping from spawning grounds could be catastrophic. —Nicolas Grizzle

The Mailer Man

A new mailer from Vote the Coast contains endorsements for Gov. Jerry Brown, Sonoma County District Attorney Jill Ravitch, state Controller candidate Betty Yee, Sonoma County auditor candidate Gary Wysocky and state Assembly candidate Erin Carlstrom. Vote the Coast notes, in very small print, that everyone but Brown paid for and authorized the endorsement from the organization.

It doesn’t note, however, that Carlstrom is the registered agent of Vote the Coast’s parent company, Tidal Voice, Inc. Her husband, Nick Caston, is its president, according to filings with the California Secretary of State.

The Vote the Coast website explains that “all the candidates we support have pledged to make protecting the coast and bays a top priority.”

Calstrom’s campaign manager, Carrie McFadden, says there is no conflict of interest and that the candidate used campaign funds to pay her husband’s company for the endorsement, “just like every other candidate on the slate.” —Nicolas Grizzle

Andy Lopez Update

An attorney working with the Justice Coalition for Andy Lopez contacted Debriefer about last week’s item on the circumstances around Sonoma County District Attorney Jill Ravitch’s review of Sheriff’s Deputy Erick Gelhaus.

Jonathan Melrod had been the source of information reported in local news outlets that said Ravitch was poised to make a decision on charges against Gelhaus, who shot Andy Lopez last year.

Melrod told Debriefer that he was signaled that a move from Ravitch could be forthcoming because of recent filings in federal district court over a separate lawsuit against the Sonoma County Sheriff’s Department.

That lawsuit was prompted by the Lopez shooting.

Melrod says that Ravitch had previously supported delays in proceedings on the suit, which rests on broad use-of-force issues at the sheriff’s office.

“In the past, the D.A. had sought a stay in the proceedings,” says Melrod. “A number of attorneys extrapolated that there was no declaration [by Ravitch] in support of continuing the stay to mean that a decision is imminent.”

Lopez activists launched a “Andy Lopez countdown clock” effort last weekend to highlight what they call Ravitch’s politically motivated foot-dragging on the case. Ravitch is up for re-election June 3.

—Tom Gogola

Having a Ball

The history of baseball in the Bay Area goes beyond “Say Hey Kid” Willie Mays, the Oakland A’s World Series “three-peat” in 1972–74 and controversial home-run king Barry Bonds. It extends beyond the broadcasts, bobbleheads and billionaire owners—and it started long before the Major Leagues even came to town. North Bay fans fondly remember the Sonoma County Crushers, the independent Rohnert Park team that ran from the ’90s to the early 2000s and featured an ATV-driving Bigfoot lookalike as its mascot and a Major League MVP as its manager. But independent teams were playing here as far back as the 1930s, when the Sonoma Merchants entertained baseball fans around the Bay Area. They played games at Sonoma’s Arnold Field and San Rafael’s Albert Park. This summer, those parks will play host to a new era of North Bay baseball.

The Sonoma Stompers, an expansion team in the independent Pacific Association, are fixing up historic Arnold Field and will share it with high school baseball and football teams. The league has no connections to Major League Baseball and spun off from the larger North American Baseball League last year after beginning in 2012 with six teams. This year it includes four Bay Area teams: The Sonoma Stompers, San Rafael Pacifics, Pittsburg Mettle and Vallejo Admirals.

Fan Experience

In the 1950s, “all the towns would play against each other,” says San Rafael Pacifics general manager and co-owner Mike Shapiro. “Community-based teams would play on the weekends, and they would also play barnstorming teams.” Those visiting teams included major leaguers like Frank Robinson, Billy Martin and Satchel Paige.

“This is the real heart and soul of baseball,” he says.

“Being independent gives us freedom we wouldn’t have otherwise,” says Stompers general manager Theo Fightmaster. It’s also a way to get around the San Francisco Giants’ territorial rights granted by Major League Baseball, which dictates that MLB teams, including A, AA or AAA minor league teams, can’t call the area home without the Giants’ approval. The MLB recently quashed the Oakland Athletics’ decade-long attempt to move to San Jose, a city even farther away from San Francisco than Sonoma, citing the Giants’ territorial rights.

Between the drive, the parking, the ticket prices and the inevitable concessions, attending a major league game for anyone who lives north of the Golden Gate is an all-day affair that starts at around $100.

Independent teams, based in smaller markets, set their prices lower and plan fun and off-the-wall promotional events. At these games, rooting for the team is almost secondary to having a good time.

“I remember going to Crushers games, sitting right at the field, and when the game was over, 15 minutes later I’d be home and have no idea who won any of those games,” says Fightmaster. “If you can be competitive and create a great fan experience, you’re doing your job.”

Tickets for Sonoma Stompers games at the 1,300-seat Arnold Field start at $3, and the most expensive seat is literally on the field, includes food and drink service, and costs $20. At 1,200-seat Albert Park in San Rafael, tickets range from $10 to $25, and should the nuances of a pitcher’s dual in a scoreless game prove to be less than enthralling for younger fans, there are plenty of activities for kids like a separate Whiffle Ball park and between-inning challenges on the field.

As for promotions, creativity is the key. Pacifics media relations manager Vincent Espinosa says the team toyed with having a monkey throw out the first pitch this year, but the logistics might be too much to overcome. Last year, the Pacifics gave one lucky fan a casket, sponsored by a local funeral home, and during one game, umpires wore eye charts on the back of their jerseys, promoting a local optometrist.

This year, giveaways include shirts, beach balls and rally thongs, and there will be special appearances by Jose Canseco, Eric Byrnes, Jerry “the Beav” Mathers and, for the third consecutive year, “Spaceman” Bill Lee. Byrnes, 38, and Lee, 67, are former major leaguers who will play on the Pacifics on one-day contracts. Byrnes is donating between $500 and $100,000—that high figure is for a grand slam—to the Pat Tillman Foundation for each play he makes.

Players

It’s not all about gimmicks and former stars on one-day contracts. The players aren’t millionaires complaining on Twitter about instant replay— they’re mostly minor leaguers proving they’ve still got something left or former college stars looking for an opportunity to get signed by a pro team. The team finds them host families or shared rental spaces, and they make about $800 a month, says Fightmaster. “These guys are committed and devoted and understand that this is professional, this isn’t a recreation league.”

Joel Carranza, the Sonoma Stompers’ power hitting first baseman, has been playing professional baseball for four years. Like all other players, he says, he has a job in the off-season. Carranza is an administrative assistant as an elementary school, a job he loves. But his first love is baseball. “We’re out here, all trying to live the dream,” he says after the Stompers’ first-ever scrimmage against the Pacifics in Sonoma Sunday afternoon.

Not just anyone can walk on the field and play. “We’re a little bit more scrupulous than people expect,” says Fightmaster. “If you couldn’t play in college, you probably couldn’t play for us.”

“Players in this league are really playing for the love of the game,” he adds. “They understand that a big part of this level of baseball is community baseball.”

In Sonoma, that means accepting that fans can walk up to a waist-high fence and ask pitchers warming up in the bullpen what they had for lunch. And it means being OK with wearing a dress for “A League of Their Own” night, in reference to the movie about a women’s professional baseball league. And sometimes that means playing against guys who made it and made it big like Byrnes, who earned $10 million per year.

As for Carranza, he understands the nature of the league, and he’s OK with the promotional nights. “It goes hand in hand with baseball,” he says. “You’ve got to keep people into the game.”

Crushers

A pennant hangs in the Sonoma Stompers unassuming office in the city’s town square. It’s a pennant from the Sonoma County Crushers 1995 inaugural season, and it’s in mint condition—as if the season started last week. “I put it up as a reminder of the legacy the Crushers left in Sonoma County,” says Fightmaster, “and to try motivate us to try our best to recreate the great atmosphere they created.”

The Crushers, who existed for eight years as part of the Western Baseball League, still evoke fond memories. Fightmaster says the comment he hears most when he talks about Sonoma’s new team is, “You’re bringing back the Crushers?” Well, not exactly. Instead of the Abominable Sonoman teasing the opposing team between innings, it will be Stomper the Bull, a mascot rescued from the former San Francisco Bulls minor league hockey team.

The Rohnert Park team had its share of fun promotions and former Major Leaguers, too. Former San Francisco Giant Kevin Mitchell, the National League MVP in 1989, signed on as a player-coach for the Crushers final two seasons, giving fans a chance to snag autographs and watch him hit the daylights out of the ball—and sometimes opposing players (he was suspended twice for the latter as Crushers manager).

The Crushers were always competitive. They won a league championship in 1998, and pitcher Chad Zerbe, who later went on to record a win in the 2002 World Series with the Giants, started out as a Crusher. Games were consistently well attended throughout the team’s history, but the Crushers never played after the 2002 season when the WBL folded. Crushers Stadium, built in Rohnert Park in 1981 for the California League’s Redwood Pioneers, was razed in 2005 for a shopping center that was never built, and attempts since then to bring baseball back to the North Bay have failed.

The Business
of Baseball

Shapiro, who also co-owns the Stompers, knows the Crushers’ saga well; as a lawyer, one of his clients was looking into buying the team, and Shapiro did a lot of research into the league. “Bob Fletcher, who owned the Crushers, did a terrific job of entertaining the fans and making it a great experience,” he says. “But a league is only as strong as its weakest owner. If you have one weak owner in the league, it jeopardizes the entire league.

“What happens to a lot of these independent leagues is you get these owners who become absolutely enamored with the idea that they are going to be a baseball team owner, and they have no business being a baseball team owner,” says Shapiro. “They get swallowed up by the whole sizzle of it and lose all their business sense.”

Shapiro has been involved with MLB teams for decades, including a stint as counsel for the San Francisco Giants. “We’ve done a lot of thinking and a lot of smart things to ensure that the mistakes of the past aren’t repeated.”

“There’s no ‘business of baseball,'” Fightmaster says. “There’s marketing, public relations, hot dog and beer businesses, and bringing those elements together creates the element of a baseball game.” The actual sport is secondary. “We’re not competing with the A’s and the Giants in terms of product on the field,” says the Stompers’ general manager. “The product you see on the field is ancillary to the operation. You’re creating an atmosphere.”

Let It Bleed

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I like dry, pink wine because it’s cool, crisp, and mostly honest. Ready within months of the vintage, it delivers the fresh flavor of the grape with little wait and no fuss.

There are those who would make a fuss over whether whole-cluster pressed rosé is more authentic, or more French than that made from the saignée method, which sounds a lot more honest when translated from the, er, French—it means the juice has been “bled” from a tank of crushed grapes. That’s why a lot of rosé is available in limited quantities—it’s basically a byproduct, but one with a respectable tradition. For me, Rhône grapes like Syrah and Grenache are particularly well suited to the task. But when life, or current trends in the wine market give you Pinot Noir, make rosé of Pinot Noir.

Red Car 2013 Sonoma Coast Rosé of Pinot Noir ($25) Pressed whole cluster, aged in both stainless steel and neutral oak, it’s the palest blush of salmon pink. Lush nose of strawberry, pink rose, orange sherbet; maybe fresh sourdough. Dry and searingly acidic, it’s a tough customer on its own—maybe better with brunch fare—and I can’t help but wonder if it would be happier if it was sparkling and aged in the company of its dead yeast for several years. Still, quality stuff, and my top pick. 12.7 percent abv.

J Vineyards 2013 Russian River Valley Vin Gris ($20) Mostly saignée, pale hue, with strawberry candy and pink bubble gum aromas; ditto on the palate. Crisp, dry, with weight—maybe from the higher alcohol. Just imagine a cold slice of strawberry-flavored honeydew melon, there’s the gist. 14.3 percent abv.

Balletto 2013 Russian River Valley Rosé of Pinot Noir ($18) A blend of whole-cluster pressed and free run juice. Reticent aroma, like a strawberry daiquiri on the other side of the ice bar at an ice hotel. Some clean, fresh, vinous flavor, but a little watery. 13.9 percent abv.

Fort Ross 2013 Fort Ross-Seaview Rosé of Pinot Noir ($24) Saignée. The deepest hue of the lot, rhubarb red, with Red Vines and raspberry candy, plus a hint of smoke and earth reminsicent of a light, “red wine” Pinot Noir. Still, the chewy, cherry skin flavor remains fresh. Good for rich cheeses and salumi. 13.5 percent abv.

Toad Hollow 2013 Eye of the Toad, Sonoma County Dry Rosé of Pinot Noir ($11.99) “Third pressing.” Good pink color. Bubblegum snaps the nose; the ice melted in your crantini. Refreshing, dry, if a bit watery, but at 11.5 percent abv it won’t hurt much to knock back a few cold glasses at the end of a hot afternoon.

Palm Drive 2.0

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Sebastopol’s Palm Drive Hospital and emergency room have been closed for about a month and after much discussion, its elected district board has put the hospital’s future in the hands of a hotly debated, doctor-led plan.

“We selected the [Palm Drive] Foundation as the one to negotiate with,” says board member James Maresca, referring to a proposal by members of the Palm Drive Foundation.

But there are still big challenges — state and federal regulations at every turn, and broader questions of financial sustainability that are being faced by small hospitals around the country.

And, of course: Can the Palm Drive emergency room reopen or are West County residents looking at the prospect of an “urgent care center”?

Meanwhile, Dr. Jim Gude, a driving force behind the doctor-driven plan now under consideration, is no longer the foundation’s top administrator.

“I’m stepping back,” says Gude, whose new role, he says, is to help Palm Drive staff-up on doctors and nurses in its new guise.

“I’m not going to be doing what I did earlier, which was doing everything I could to prevent the closing of this hospital,” says Gude.

Also out of the picture: Tom Harlan, the hospital’s embattled CEO, who resigned late last week. Prior to his departure, Harlan told the Bohemian, “I am supportive of an objective review of any and all serious proposals that will allow our board to reimagine and reinvent this hospital.”

West County residents are being offered the promise of local hospital, streamlined of bureaucratic fat, that would point the way forward in the new, post-Affordable Care Act world of health-care delivery.

The hospital is not alone in struggling to gain purchase in the new normal of Obamacare.

According to the industry journal Becker’s Hospital Review, seven small hospitals around the country either filed for bankruptcy or closed in the first quarter of 2014 – “a tipping point for many financially beleaguered hospitals and health systems,” Becker’s noted.

The shuttered hospitals included community health centers in rural areas and localized health networks, and their eventual fates range from outright closure to buyouts from larger health providers and insurers. For example, a regional hospital in Casa Grande, Ariz., filed for bankruptcy to complete a sale to Banner Healthcare.

A Long Beach, New York hospital was absorbed by a larger area health system. The fate of others is in limbo.

The challenges faced by smaller hospitals like Palm Drive is systemic. Much of the pressures facing all hospitals – but especially smaller ones – are tied up in cost-saving, healthy-living efforts to reduce in-patient care and rely on outpatient services and treatment.

Another hurdle: Medicare regulations designed to excise fraud have essentially outlawed doctor-run hospitals.

Board member James Maresca says federal Medicare officials have overreached in their anti-fraud efforts, which was the upshot of a recent U.S. House of Representatives hearing two weeks ago that criticized the Centers for Medicare & Medicaid Service along those same lines.

“It is possible to have physician-run hospitals without having fraud,” says Maresca.

Even still, Palm Drive isn’t taking any chances: Exit Dr. Jim Gude, enter as-yet-unnamed hospital administrator.

“We will have a hospital director who is not a physician,” Gude says.

Yet Medicare remains linchpin for success at Palm Drive. And, ironically, the foundation plan basically flips the Obamacare model on its head and emphasizes elder care as a key component to financial viability for the hospital.

By contrast, the Affordable Care Act’s success hinges on buy-in from younger people to subsidize high-use consumers.

Over half the people who used Palm Drive were Medicare patients, says Maresca, and the foundation plan would enhance services of special benefit to seniors, ramping up Alzheimer’s treatments, for example.

“If we don’t have Medicare on board, nothing is viable,” says Maresca.

Board members also hope to engage in some sort of general services contract with the physician-led effort, which would keep Palm Drive operating within state law.

The elephant in the room is the fate of the emergency room, which reopens under the foundation’s proposal, even as the same proposal notes the facility needs an upgrade.

Harlan summed up the ER dilemma facing the hospital: State regs require any hospital with an emergency room to also provide acute care beds – which Palm Drive had a hard time filling.

Given the proximity of three major hospitals to Palm Drive, Harlan notes, operating “a full service inpatient acute care hospital with less than nine occupied beds…is financially unsustainable without significantly augmented funding sources.”

The rub? “Without acute care beds, a ‘stand-alone’ emergency department may not be operated in the State of California,” Harlan said.

But Gude says not to get caught up in talk over a separate “urgent care center” to solve the acute-bed dilemma: “Ambulances don’t go to urgent care centers,” he says. “Our goal is to provide a true emergency room. We think it’s economically viable.”

Baby Boom Bits

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Bay Area comic Will Durst was born in 1952, making him a card-carrying member of the baby boom generation. And yes, he really does carry a card.

“I do,” he says with a wry laugh. “I’m now officially old enough to have had my AARP card for 12 years.”

Durst has a new one-man-show, BoomeRaging: From LSD to OMG, that’s coming to Petaluma’s Cinnabar Theater next week. “A few years ago, I was doing this really funny one-man-show about the upcoming 2012 election,” says Durst, one of the Bay Area’s best-known comics and political satirists. “It was called ‘Elect to Laugh.’ It was a hit. And then the election happened, and it all evaporated.”

Durst wanted to create a show that wasn’t dependent on the instantaneous twists and turns of politics or the 24-hour news cycle. After some personal reflection, the 62-year-old veteran of comedy clubs and theaters decided to write a show about being a baby boomer.

“I am a baby boomer,” he says. “I will always be a baby boomer. That’s not going to change every four years. I decided to call it ‘BoomeRaging‘—and it’s very, very funny—and I also keep writing new political stuff, some of which works its way into the show, so I’m able to keep my hand in that, too.”

Durst says that, unlike the one-man-shows of fellow Bay Area comic Brian Copeland, BoomeRaging isn’t autobiographical.

“Everybody loves the autobiographical thing, but I don’t want to do that,” he says. “I really don’t care about me. I’m not that interesting. What BoomeRaging is, is my observations about being a boomer. I like to call it a celebration of the maturation of the boomer nation, a theatrical experience with stand-up timing, and not less than a modicum of poetry.”

Durst believes BoomeRaging contains some of the best material he’s written.

The show includes an inspired section where he finds himself waxing nostalgic. “I talk about the poor kids who will never be able to experience the taste of Green Stamps, or the joys of slamming down a phone in frustration,” he says. “There’s another section where I talk about how I no longer know where the nearest 24-hour-restaurant to my house is, but I have memorized the precise location of every public restroom within a two-mile radius.”

There’s even a happy ending.

“I explain the meaning of life,” he says. “It’s uplifting—and pretty hilarious.”

‘Boomer-aging’ runs Thursday, June 5 and Sunday, June 8 at Cinnabar Theater, 3333 Petaluma Blvd. N., Petaluma. Both shows 8:00 p.m. $20. 707.763.8920

Live Review: Charlie Hunter & Scott Amendola Duo at Sweetwater

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Charlie Hunter, man of 1,000 faces

Charlie Hunter and Scott Amendola Duo have released vinyl records, a series of cover tunes on CD, and even their own lip balm. Maybe their next release should be a coffee table book—you know, one of those oversized ones with really nice photography—of the faces they make while playing live.
Watching the two is only half the fun, though, of their live show. The music is always going to be different from the recordings, and they’ll throw in jams, unexpected cover tunes, and jaw dropping solos, to boot. Watching the pair together at Mill Valley’s Sweetwater Music Hall on Wednesday was like seeing a finely polished, but largely improvised, comedy duo. After performing together for over 20 years, they know each other pretty well. They’re both so talented, that they’ll make little musical jokes inside solo sections, just to make each other laugh. And the crowd laughed along with them, because the jokes translate to non-musicians, too.
Plenty of covers dotted the evening, and each was in their own style. The thing about cover bands is that it is tempting to just be a karaoke cover band—that is, playing the song exactly as it was recorded, with maybe a couple twists for live performance. But these guys take them apart and leave only the melody, the memorable hook and some chords underneath, and make the tunes completely their own. When the crowd realized the refrain they were playing during “Walk On By” was the hook from “California Love” by 2Pac Shakur, some giggles broke out from the back of the intimate room. The mashup was so well put together that it took about six turns through to realize they were two very different songs.
Although they play instrumental music, there was a bit of singing. Before the Cars’ classic, “Let the Good Times Roll,” Hunter urged the crowd to sing along, especially during the chorus. They did so, with rising enthusiasm, and when the duo was ready to wrap up the song, Hunter proclaimed to the crowd, “Ladies and gentleman, let’s tag that shit!” Not one to disappoint, the crowd continued its sing-along three more times, holding the last note while Hunter and Amendola played out the ending. Hunter was quite pleased.
They played two sets, allowing the crowd to buy records, order fancy drinks from the bar or dinner from the cafe (I suggest the pork posole and fried calamari). Just before the break, they played a blazing bop tune, with Amendola leading on the hi-hats, grabbing them with his left hand to open and close. His fills in the two-minute jam were even faster—faster than I could even think.
It is often said that musicians speak in a different language than “regular” people. Hunter spoke to the crowd without a mic (in English), and since Sweetwater is so small it was perfectly audible. But these two musicians have refined that to their own musical language, and other musicians may be able to discern what they’re saying but cannot speak it back to them. That’s fine, because I wouldn’t be able to top the poetry of their language, anyway.

May 22: Jarekus Singleton at KRSH Station House

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Twenty-nine-year-old Jarekus Singleton is changing the rules of blues music, invigorating the genre for a new generation of fans. Singleton was born in the heart of the blues, Mississippi, and raised on gospel, where he first cut his chops playing bass. Growing up in the ’80s, Singleton was also influenced by hip-hop and rap, and now on his latest release, Refuse to Lose, the guitarist combines all those influences for a rhythmically tight and lyrically honest album. Singleton plays live on Thursday, May 22, as part of the Backyard Concert Series at the KRSH Station House, 3565 Standish Ave., Santa Rosa. 6pm. Free. 707.588.0707.

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May 23: Melanie Devaney at Hopmonk Novato

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Singer and songwriter Melanie Devaney writes what she knows. The small-town talent from Epworth, Iowa, brought her guitar and expressive folk styling to Los Angeles in 2009, but she still looks to the pastures of her home on her latest solo release, Single Subject Notebook. The performer has come into her own on this third album, guiding the listener through relatable tales with a sound that expands on her folk rock with elements of Americana and pop. As part of her latest round of touring, Devaney makes two appearances in the North Bay when she plays on Friday, May 23, at the Pear (720 Main St., Napa; 6pm; 707.256.3900) and on Sunday, May 25, at Hopmonk Novato (224 Vintage Way, Novato;1pm; 415.892.6200).

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Let There Be Light

"What if the Bay Bridge was a canvas of light?" The Bay Bridge is often overshadowed by its cross-bay counterpart. When conceptual visionary Ben Davis, founder of Illuminate the Arts in Larkspur, first posed this question, it seemed an ambitious project at best and an impossible dream at worst. Not to be deterred, Davis enlisted Leo Villareal, a New York-based...

Sausage Party

Butchery is an art, but in an ironic twist, two former processing facilities, in Fulton and Healdsburg, have been turned into art galleries, leaving meat cutters with nary a space to show off their work. "There's a demand again for locally raised meat," says Jenine Alexander, co-owner of Sonoma County Meat Company. "We are providing the infrastructure for processing...

Debriefer: May 28, 2014

Fillet of FeinsteinSen. Dianne Feinstein's Emergency Drought Relief Act of 2014, passed in the Senate last week, much to the dismay of salmon and their statewide advocates. "This measure could decimate California's salmon industry and seriously harm Oregon's ocean salmon fishery," says a statement from a coalition of fishermen and others led by the Golden Gate Salmon Association. S. 2918 would...

Having a Ball

The history of baseball in the Bay Area goes beyond "Say Hey Kid" Willie Mays, the Oakland A's World Series "three-peat" in 1972–74 and controversial home-run king Barry Bonds. It extends beyond the broadcasts, bobbleheads and billionaire owners—and it started long before the Major Leagues even came to town. North Bay fans fondly remember the Sonoma County Crushers,...

Let It Bleed

I like dry, pink wine because it's cool, crisp, and mostly honest. Ready within months of the vintage, it delivers the fresh flavor of the grape with little wait and no fuss. There are those who would make a fuss over whether whole-cluster pressed rosé is more authentic, or more French than that made from the saignée method, which sounds...

Palm Drive 2.0

Sebastopol's Palm Drive Hospital and emergency room have been closed for about a month and after much discussion, its elected district board has put the hospital's future in the hands of a hotly debated, doctor-led plan. "We selected the Foundation as the one to negotiate with," says board member James Maresca, referring to a proposal by members of the...

Baby Boom Bits

Bay Area comic Will Durst was born in 1952, making him a card-carrying member of the baby boom generation. And yes, he really does carry a card. "I do," he says with a wry laugh. "I'm now officially old enough to have had my AARP card for 12 years." Durst has a new one-man-show, BoomeRaging: From LSD to OMG, that's coming...

Live Review: Charlie Hunter & Scott Amendola Duo at Sweetwater

Charlie Hunter and Scott Amendola Duo have released vinyl records, a series of cover tunes on CD, and even their own lip balm. Maybe their next release should be a coffee table book—you know, one of those oversized ones with really nice photography—of the faces they make while playing live. Watching the two is only half the fun, though, of...

May 22: Jarekus Singleton at KRSH Station House

Twenty-nine-year-old Jarekus Singleton is changing the rules of blues music, invigorating the genre for a new generation of fans. Singleton was born in the heart of the blues, Mississippi, and raised on gospel, where he first cut his chops playing bass. Growing up in the ’80s, Singleton was also influenced by hip-hop and rap, and now on his latest...

May 23: Melanie Devaney at Hopmonk Novato

Singer and songwriter Melanie Devaney writes what she knows. The small-town talent from Epworth, Iowa, brought her guitar and expressive folk styling to Los Angeles in 2009, but she still looks to the pastures of her home on her latest solo release, Single Subject Notebook. The performer has come into her own on this third album, guiding the listener...
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