Apr. 19: Past & Present in Mill Valley

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Students at the Ali Akbar College of Music in San Rafael first formed the world fusion group Ancient Future in 1978. While they were together, Ancient Future anchored the North Bay world music scene, though in the last 30 years, the ensemble turned into a cross-cultural and collaborative effort. For the first time in the 21st century, Mindia Devi Klein (flutes), Benjy Wertheimer (tabla) and Matthew Montfort (guitars) hit the stage together as the original Ancient Future lineup, weaving their textural and rhythmically experimental music once again on Sunday, April 19, at 142 Throckmorton Theatre, 142 Throckmorton Ave, Mill Valley. 7:30pm. $20–$25. 415.383.9600.

A True Crime

Simultaneously condemning and promoting exculpatory baloney, True Story, directed by Rupert Goold, contrasts two evildoers. One is Mike Finkel, a New York Times Magazine writer, disgraced after he used composite characters in a cover-story about modern-day slavery on the African cocoa plantations. The other is Christian Longo (played here by Palo Alto’s own James Franco). Longo was merely a multiple murderer.

Finkel (Jonah Hill) is barred forever from the Times—literally in the wilderness, since he’s hiding out in snow country in Montana. There he learns that an arrested suspect in a multiple homicide stole Finkel’s identity while he was on the run in Mexico. The reporter heads to the coast of Oregon to meet the jailed Longo, in custody as the prime suspect for killing his wife and kids.

As Finkel and Longo later collaborate on a book, we’re meant to wonder whether this suave Hannibal Franco is going to make Jonah Hill his Clarice. Franco is a lot of things, but is he scary? Is he either diabolical or scary in the banality-of-evil way, or the seductive, diabolical way? Is he indeed too self-charmed to really let the evil in?

Cinema doesn’t have to moralize, but it ought to teach us some pity. The announcement that Longo finally got published is spun as a triumph of hustle—in fact, Longo was trying to do some good, using his notoriety for an op-ed piece to allow organ donation for prisoners. I don’t fancy the way True Story shackles the viewers in a chain of guilt: you want easy answers from your newspaper, ergo you’re complicit. You want to understand the criminal mind, ergo you’re an accessory after the fact.

The movie seems small-minded in a cinematic world that contains Hitchcock’s works—say, Shadow of a Doubt—films that place a dark mirror before us, so we understand both the passions of a killer and the killer inside us.

‘True Story’ opens Friday, April 17, at Boulevard 14 Cinemas (200 C St., Petaluma; 707.762.0800) and Summerfield Cinemas (551 Summerfield Road, Santa Rosa; 707.522.0719) and at Rialto Cinemas ( 6868 McKinley Street, Sebastopol, 707.525.4840

Debriefer: April 15, 2015

GATEKEEPERS

Marin County officials shut down the Western Gate Book Common and Teahouse for operating without all its permits in order. Co-owner Scott Traffas tells Debriefer via email that he’s working toward a resolution and hopes to be officially up and running before summer.

The Western Gate swung open late last year as a sort of soft opening. The Japanese-style teahouse is located in a tiny strip mall that used to house a pop-up consignment shop. This paper wrote a profile, then the Point Reyes Light wrote them up. Someone in Marin County must be able to read, since the county then showed up and said: Um, you need a permit to serve tea, yo. Whoops.

But you can’t keep a good idea down—and the Western Gate is a great one. Traffas hopes to cultivate a sort of community space at the edge of West Marin, a spiritual kind of welcome mat, with tea and great books, and conversation too.

“From here it looks like a mid- to late-May grand opening,” Traffas writes. “From what I saw during our prelude, I’m feeling good about the overall project. Unless the county really throws a wrench into it, I feel confident we are going to be able to bring something creative and vital into being.”

CLASSROOM IMPASSE

Santa Rosa public school teachers are singing the post-recession blues this week as contract negotiations with the school board remain at an impasse and state mediators are on the way to try and break the logjam. On April 15, all parties will meet behind close doors to try and hash out the details of a new contract; the current one runs out June 30.

Santa Rosa Teachers Association president Amy Stern says a major haggle point with the district is over medical benefits. According to a district-funded study from November 2014, Santa Rosa City Schools’ salaries are on a par with others around the state—about $80,000 a year. The study asks: “Are benefits competitive in the district? No, they aren’t.”

The two sides tangled over a longstanding arrangement where the district doesn’t provide health insurance but instead kicks a $1,400 annual subsidy for teachers to purchase their own. That arrangement has run its course in the face of rising healthcare costs and salaries that can’t keep up. The district offered a 2 percent retroactive wage hike; teachers rejected that and said they want a 5 percent hike, split between wages and the healthcare subsidy.

“We’ve agreed that we can’t agree,” says Stern. She adds that a teachers’ strike is the least-desired outcome for all parties. The contract that expires June 30 has a no-strike clause in it, she says. That clause would expire along with the rest of the contract, should it come to that. Stern says it probably won’t: “I don’t think the teachers or the district want to get it to that point.”

Letters to the Editor: April 15, 2015

Prohibit Pot Prohibition

The war on peaceful cannabis consumers has been raging for more than 80 years (Debriefer, April 1). How much more blood needs to be spilled before the prohibitionists finally give up the fight or the more sensible public demands immediate change? Cannabis prohibition has never been about public safety; it has always been about money—and lots of it. Please demand full legalization and nothing less! Let’s end this war as soon as possible!

Via Bohemian.com

Hippies in Cages

Great article about a great citizen (“Reefer Badass,” April 8)! Favorite quote: “Ending prohibition means law enforcement can re-prioritize. Figueroa hopes that if California goes legal, the police will redeploy resources, for example, to go after identity-theft cases.” But for now, he says, “It’s easier to point a gun at a hippie and put him in a cage.”

Sebastopol

Fifty Shades
of Lame

In regards to the article about Venus in Fur (“Getting Kinky,” April 8), while I have heard good things about this play, I must say that I was left feeling dismayed. It greatly concerns me that there is a trend to connect anything BDSM to the novel Fifty Shades of Grey. In no way does this work of fiction represent the BDSM community, nor does it attempt to realistically portray its dynamics. The book itself violates our most highly regarded principle, which is that all BDSM relationships should be based on communication and consent. At its worst, it puts our members back in the dark ages when those with an interest in BDSM were considered mentally ill, who needed a “healthy relationship” to cure them.

This concept of cure where there is no illness is just as insulting in my mind as the concept that if you sit and think happy thoughts you can “pray away the gay.” While I do not speak for the entire BDSM community at large, I will say that this book in no way represents me. I am sad to say that most things that are popular are neither accurate nor even “good.”

Emeryville

Starving Artists

I’m disappointed (“Iconic Opening,”
April 8). I’ve been pretty excited about the opening of the Art Museum of Sonoma County, only to find out that admission to its Studio 54 themed party, complete with red carpet, is $200, $175 if you’re a member. I didn’t see a “normal” cost of admission for the exhibit that runs through May 24 in this article or on the museum’s website. Way to isolate a lot of us, especially the starving artist. Sheesh!

Via Bohemian.com

Editor’s note: Admission is $7 for adults. Students and seniors $5. Children under 12 are free.

Write to us at le*****@******an.com.

To a T

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Born and raised in the East Bay, siblings Erika, Rachel and Chloe Tietjen of the sassy folk outfit the T Sisters have spent a lifetime harmonizing and songwriting, and it shows. Now based in Oakland and dedicated full-time to music, the band makes its way to the Occidental Center for the Arts on Saturday, April 18.

“From a young age, we sang a lot,” said Erika Tietjen. “It was my natural form of creative expression.” With both parents steeped in music and dance, the girls spent their days “experimenting with harmony without knowing it,” as Tietjen says.

The sisters also spent childhood summers immersed in musical theater camps, and by the time college separated the siblings, they were performing and writing original pieces during their summers together.

Back in the Bay Area, the sisters performed in San Francisco in 2008 when they took some of their songs to an open mic. Asked back to be the featured act, they needed a name, and Erika credits Rachel with coming up with T Sisters on the fly.

“It was never a conscious decision to become a band,” explains Tietjen. “We just continued to play music and produce shows as part of different creative communities. It happened very organically.”

After five years of playing, that organic seed bloomed in 2013 when the sisters developed into a full band and quit their day jobs.

“It was well planned; we were raised with pragmatic artistic values,” assures Tietjen. “By the time it happened, we were ready to dive in, we were antsy to work.”

For their 2014 debut album, Kindred Lines, the T Sisters brought in a bevy of guest musicians, like guitarist Grant Gordy, bassist Todd Phillips and others. “It was a very collaborative process,” says Tietjen of that album. “Now we have a much more concrete ideas about our arrangements.”

Primarily vocalists and songwriters, the sisters are now focused on creating both subtle and shifting song arrangements as well as harmonic vocals and lyrics. This new focus is apparent on their recent EP, Ready for Love, which also features an arresting a cappella cover of the Grateful Dead’s “Attics of My Life.”

The sisters also have a slew of new material, ready to be unveiled at their upcoming concert. If you can’t make the show this week, fear not; the trio will be back in the North Bay soon, playing at Oysterpalooza in Valley Ford on May 24, and the inaugural Railroad Square Music Festival in Santa Rosa on June 7.

T Sisters perform on Saturday, April 18, at the Occidental Center for the Arts, 3850 Doris Murphy Court, Occidental. 8pm. $15–$20. 707.874.9392.

Do No Pharma

In late February, former Santa Rosa Junior College student Jane Moad lodged a series of complaints with the state and SRJC against the Mountain Vista Farm alcohol and drug rehabilitation center in Glen Ellen.

The complaints from Moad allege that the residential treatment center utilized college interns, herself included, to dispense medication to residents, something she says they were not legally authorized to do. She also alleges that medications were dispensed to residents who didn’t have a prescription for them. Those medications, Moad says, included Valium.

Moad, 55, was an intern and then a per-diem counselor at the facility last year when she was instructed, she says, to dispense medications to residents. Moad says she dispensed the medications under protest until she was terminated on Feb. 2.

“My issue isn’t that they have medication or that they dispense it,” she says. “My issue is that there’s no training. Within a month of working there, they had me giving out Valium.”

Moad is no longer associated with the school or the rehab center, one of the nation’s oldest. She’s a recovering alcoholic and an attorney who says she went back to school after she “decided to use my time and energy to help people who have similar problems to me.”

Moad’s complaint, filed with the California Department of Health Care Services (DHCS) by Sonoma attorney Robert A. Edwards, alleged that there was a medical cart at Mountain Vista Farm that contained prescription drugs, and that residents without prescriptions for these drugs were able to access them.

“[P]rescription drugs such as diazepam and Suboxone are kept in a middle drawer of the cart, the property of no particular client but with past clients’ names attached to prescription bottles,” Moad alleged in her complaint. “[T]he facility felt it could dispense these ‘leftover’ medications to any and all clients as needed, even without a prescription.”

Spokeswoman for DHCS Carol Sloan couldn’t confirm or deny whether they had received Moad’s complaint. Moad provided the Bohemian with a letter from the state dated March 5 that says they did.

Moad also filed her complaint with SRJC, which conducted an investigation of its own. The college clarified its protocols for interns following Moad’s complaint, which she also sent to the Novato-based Accrediting Commission for Community and Junior Colleges (ACCJC).

That organization provides accreditation to schools like
SRJC and is regulated by the
U.S. Department of Education.

“Our role here is to nudge a resolution to this complaint,” says ACCJC vice president Jack Ford.

Junior college spokeswoman Ellen Maremont Silver says resolution has occurred. The college offers internships throughout the area, she says, and even though the school’s priority is to protect its interns, “it is not possible for us to do an extensive legal screening of every company and know every situation.”

“Mountain Vista has since revised their polices,” says Maremont Silver. “We’ve confirmed that they no longer request that any interns handle patient medications. We’re comfortable with that. We also looked to see if we could do anything differently here. We reviewed how we were handling internships. We have very clear practices and procedures to protect students, faculty and staff.”

The college has two interns serving at Mountain Vista this semester, she says. According to the new protocols, they “will not be permitted to dispense, administer or handle in any way patient prescription medication.”

The college also pledged to include the relevant state laws that govern rehab centers into its curriculum, and relevant faculty at SRJC are now subjected to training on the state laws too.

Sloan, the DHCS spokeswoman, says that non-medical rehabilitation facilities such as Mountain Vista are subject to state licensing requirements, and that clients are permitted to see doctors and take prescribed medications. She drew a distinction between Mountain Vista and places like the Betty Ford Clinic, which is a licensed medical facility.

In an email, Sloan detailed the licensing requirements for places like Mountain Vista: “Medications at DHCS-licensed facilities are self-administered, must have the proper prescription label and must be prescribed to the person taking it. Facilities may store all resident medications, and facility staff members may assist with a resident’s self-administration of medication.”

Mountain Vista Farm’s founder, Lee Hamilton, defended the practices at the facility, which has historically emphasized the 12-step, Alcoholics Anonymous approach to addiction. The center gets generally high marks for offering a comparatively affordable 30-day treatment in the neighborhood of $10,000, according to online resources that rate rehab clinics.

“This is a non-medical facility, and this state takes a lot of care to tell us what we can’t do,” says Hamilton. Mountain Vista is “set up for non-licensed people to do the oversight of the self-administration.”

Hamilton says interns are not allowed to dispense medication, and that Moad was wearing two hats while engaged at the clinic—intern and then paid staffer. “It’s not our problem if she was confused over the role she played,” he says.

Hamilton stressed that medications are not being given to residents who don’t have a prescription for them. “That is not happening at Mountain Vista Farm at this time” he says.

“If that was happening, the staff certainly had a big correction,” adds Hamilton. “We’re really clear with our staff that medications may not be borrowed.”

The California Senate Office of Oversight and Outcomes in 2012 published a report called “Rogue Rehab” that was critical of DHCS for its regulation of residential rehab programs. The study was prompted in part by a series of 2008 deaths at a Riverside County facility, and linked at least one of them to a resident there who died after taking an unprescribed antidepressant. The report said this was not an isolated incident, and examined the “widespread flouting of the state’s ban on medical care at residential drug and alcohol programs.”

Sloan says that the “DHCS has taken several actions to address recommendations in the ‘Rogue Rehab’ report. DHCS implemented a new death investigation policy and procedure and also implemented a quality review process to ensure that red flags are detected during the application review process and during routine licensing. Currently, residential facilities licensed by DHCS are statutorily non-medical and medications are not allowed to be dispensed by staff.”

Debriefer can be found online at Bohemian.com this week.

Bury the Problem

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What if it were possible to reverse climate change by efficiently disposing of diseased vineyards, dead trees and invasive plants? At the same time, suppose one could also improve water quantity and quality in vineyards, agricultural lands and open space?

Award-winning astrophysicist Frank Shu of UC San Diego will be explaining how all of this is possible in a lecture April 20 at Sonoma State University. Part of the “What Physicists Do” series, Shu’s talk, “The Future of Energy,” focuses on the production of a material called “biochar.”

Biochar is a particular type of charcoal destined for a particular purpose: it’s a carbon-negative energy alternative to burning fossil fuels that can also be used as a soil amendment. It’s created by burning plant material like grape vine cuttings. Biomass otherwise degrades to produce greenhouse gases, contributing to the problem of climate change.

When transformed into biochar and buried in the ground, biomass is prevented from releasing more greenhouse gases; additionally, its carbon-sequestration properties keeping carbon in the ground.

Shu is concerned that if the most pessimistic projections for climate change become reality, the effects could disrupt civilization. As a result, he has chosen to devote his attention and considerable scientific acumen to the issue. Shu speaks April 20 at 4pm in Darwin Hall, Room 103, at Sonoma State University, 1801 East Cotati Ave., Rohnert Park.

It’s a Malbec World

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We should celebrate World Malbec Day on April 17, according to Wines of Argentina, because a bit of legislation submitted on that day in 1853 resulted, just 150 years later, in Malbec becoming that nation’s darling on the world wine market.

Malbec makes an intensely colored red that’s somewhere in between Cabernet Sauvignon and Merlot, and is a natural choice for barbecue—or asado, as they call it down south.

To promote a “virtual tasting” that will be led on April 17 by Master Sommelier Gilles de Chambure on the wine video website, toutsuite.com, a press agent sent us a few bottles of Argentine Malbec. So we asked around for some of the local product to match them up against, and were surprised at the bounty that showed up—plus more from Argentina. Most remarkable was the varietal consistency across the continents. Here are the standouts.

Viña Cobos 2012 Bramare Luján de Cuyo Malbec ($45) Ultra–purple wine from an ultra-modern winery south of Mendoza, Argentina. Controversial, but I thought the quality aroma of graham cracker, brown bread crust and herbal notes introduced an intense, blueberry syrup palate with aplomb.★★★★

Chateau St. Jean 2012 Estate Sonoma Valley Malbec ($50) A hit of purple ink on the nose, stone, oak and char; stuffed with luscious plum compote flavor and grippy tannins, yet not too drying on the finish. ★★★★

Arrowood 2011 Sonoma County Malbec ($42) A more savory aroma, with earth, creamy blueberry and smoky oak; intense, inky fruit, easygoing finish.★★★★

Imagery Estate 2012 Upper Ridge Pine Mountain-Cloverdale Peak Malbec ($42) Graphite on the nose, at first; simple blueberry syrup; simply enjoyable.★★★½

Viña Cobos 2013 Felino Mendoza Malbec ($19) Smoky, with hints of animal that had me thinking cat fur—even though the feline-inspired label was covered for our blind tasting. Plush as a Persian cat, and the sweet, intensely plummy fruit clings to the palate.★★★½

Chateau St. Jean 2012 Alexander Valley Malbec ($40) Stone dust and savory notes; more of that Malbec fruit, but not a standout. ★★★½

Windsor Oaks 2012 Block 35 Chalk Hill Malbec ($35) I like the blackberry pastille aroma over stone; tasters were split on the very tangy, grapey, puckery finish. ★★★

Tomero 2011 Reserva Mendoza Malbec ($25) Treated to French oak, this is high style, Mendoza-style: reduced aromas resolve to savory notes; tannic and juicy. ★★★

Master of Puppets

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The handcrafted puppets in the Independent Eye’s dreamlike staging of Shakespeare’s King Lear are eerily lovely.

The aging Lear, who hands the reins of his kingdom over to his daughters, believes he is still in control of his destiny, but his family has plans of its own. Clearly, none of Shakespeare’s works is better suited to the puppet-show treatment than this, a tragedy of weak-willed people becoming puppets to their own desires and to each other, helpless in the hands of fate.

Conrad Bishop and Elizabeth Fuller of Sebastopol have worked sixteen-months on their Lear, building over 30 puppets for the production now running at the Emerald Tablet in San Francisco.

Bishop appears as Lear; Fuller, in full clown makeup and red nose, is Lear’s faithful fool. All the other characters are played by puppets, voiced and manipulated by Bishop and Fuller, the latter delivering a number of humorous, non-Shakespeare passages that serve as modern-language narration to summarize the goings on. That’s helpful, because even cut down to a slim 100 minutes, Lear is a play with a whole lot going on: dozens of primary characters, multiple sub-plots and some of Shakespeare’s loveliest and saddest writing.

What might have seemed a mere stunt in other performers’ hands is here clearly a work of passion and artistry. The puppets are truly magnificent, and at times, under Bishop and Fuller’s manipulation, their blank faces come alive with no more than a tiny adjustment of angle. It is nothing short of genius. The sound design by Fuller is
also amazing, constructed entirely from Fuller’s own voice, transformed through a vocal processor into a soundtrack of haunting reverberations and otherworldly music.

For all its visual and auditory glory, however, the production—as currently constructed—is frustratingly confusing and muddled. Though Bishop easily ranks as one of the best, most heartbreaking Lear’s I’ve ever seen, his performance is hampered by the need to play scenes against puppets he’s voicing himself (with not a lot of vocal variation from one puppet character to another) and adds to a strangely muddled flow in the proceedings. At times, it’s hard to tell who’s saying what to whom.

An additional puppeteer would free Bishop to engage and interact unencumbered. A performance this good deserves it. In the end, how much you enjoy this eerie Lear may depend on your ability to ignore the problems and simply surrender to the strange, lush beauty of it all.

Rating (out of 5): ★★★½

‘King Lear’ runs Friday and Saturday through April 25 at the Emerald Tablet. 80 Fresno St., San Francisco. Shows at 8pm. $20–$25. Tickets are available online at www.brownpapertickets.com and at the door.

Double Standards

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‘California Puts Mandatory Curbs on Water Use” reports the April 2 front page of the New York Times. “Steps to Confront Record-Setting Drought,” a headline reads. The article describes
Gov. Jerry Brown’s executive order—California’s first time restricting water use. A 25 percent reduction over the next year is required of residents and many businesses.

But wait. “Owners of large farms . . . will not fall under the 25 percent guideline,” reads another story. Big Ag can continue to dig deep wells into our common water table and extract as much of our limited water supply as they want, for free. This includes vineyards. It takes around 30 gallons of water to make one glass of wine. This sounds like a double standard.

“California has about one year of water left. Will you ration now?” a Los Angeles Times article from last month asks. Many residents ration. We’re still waiting for responses from large wineries.

“Experts say ag exception may defeat program. Agriculture consumes 80 percent of the water that Californians use,” an AP article reveals. The drought plan calls for “personal responsibility.” What about corporate responsibility?

“There is something fundamentally unjust when one segment of the population is given unrestrained access to a vital natural and shared resource while another segment is constrained. Without proper protections, a temptation is created to take more than one’s share of a common shared resource,” says Geoff Ellsworth, member of Napa County’s Vision 2050, a coalition challenging winery over-development in rural areas.

“The proposed Dairyman Winery/Event Center [near Sebastopol] would use over 1 billion gallons of water annually to produce 500,000 cases of wine and 250,000 gallons of brandy,” adds Preserve Rural Sonoma County’s Padi Selwyn in an interview. “It’s not justifiable to expect residents to let their lawns go brown and curtail water usage while allowing wineries to expand.”

“We’ve gone from an agriculture that benefited all, to a monoculture that benefits a few,” says Sebastopol grape-grower Bill Shortridge. “We have 70,000 Sonoma County acres planted with wine grapes, and only 12,000 acres of food crops.”

So much for the diversity that nature relies upon.

Shepherd Bliss (3s*@*****st.net) teaches college at Dominican University, farms and has contributed to 24 books.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Apr. 19: Past & Present in Mill Valley

Students at the Ali Akbar College of Music in San Rafael first formed the world fusion group Ancient Future in 1978. While they were together, Ancient Future anchored the North Bay world music scene, though in the last 30 years, the ensemble turned into a cross-cultural and collaborative effort. For the first time in the 21st century, Mindia Devi...

A True Crime

Simultaneously condemning and promoting exculpatory baloney, True Story, directed by Rupert Goold, contrasts two evildoers. One is Mike Finkel, a New York Times Magazine writer, disgraced after he used composite characters in a cover-story about modern-day slavery on the African cocoa plantations. The other is Christian Longo (played here by Palo Alto's own James Franco). Longo was merely a...

Debriefer: April 15, 2015

GATEKEEPERS Marin County officials shut down the Western Gate Book Common and Teahouse for operating without all its permits in order. Co-owner Scott Traffas tells Debriefer via email that he's working toward a resolution and hopes to be officially up and running before summer. The Western Gate swung open late last year as a sort of soft opening. The Japanese-style teahouse...

Letters to the Editor: April 15, 2015

Prohibit Pot Prohibition The war on peaceful cannabis consumers has been raging for more than 80 years (Debriefer, April 1). How much more blood needs to be spilled before the prohibitionists finally give up the fight or the more sensible public demands immediate change? Cannabis prohibition has never been about public safety; it has always been about money—and lots of...

To a T

Born and raised in the East Bay, siblings Erika, Rachel and Chloe Tietjen of the sassy folk outfit the T Sisters have spent a lifetime harmonizing and songwriting, and it shows. Now based in Oakland and dedicated full-time to music, the band makes its way to the Occidental Center for the Arts on Saturday, April 18. "From a young age,...

Do No Pharma

In late February, former Santa Rosa Junior College student Jane Moad lodged a series of complaints with the state and SRJC against the Mountain Vista Farm alcohol and drug rehabilitation center in Glen Ellen. The complaints from Moad allege that the residential treatment center utilized college interns, herself included, to dispense medication to residents, something she says they were not...

Bury the Problem

What if it were possible to reverse climate change by efficiently disposing of diseased vineyards, dead trees and invasive plants? At the same time, suppose one could also improve water quantity and quality in vineyards, agricultural lands and open space? Award-winning astrophysicist Frank Shu of UC San Diego will be explaining how all of this is possible in a lecture...

It’s a Malbec World

We should celebrate World Malbec Day on April 17, according to Wines of Argentina, because a bit of legislation submitted on that day in 1853 resulted, just 150 years later, in Malbec becoming that nation's darling on the world wine market. Malbec makes an intensely colored red that's somewhere in between Cabernet Sauvignon and Merlot, and is a natural choice...

Master of Puppets

The handcrafted puppets in the Independent Eye's dreamlike staging of Shakespeare's King Lear are eerily lovely. The aging Lear, who hands the reins of his kingdom over to his daughters, believes he is still in control of his destiny, but his family has plans of its own. Clearly, none of Shakespeare's works is better suited to the puppet-show treatment than...

Double Standards

'California Puts Mandatory Curbs on Water Use" reports the April 2 front page of the New York Times. "Steps to Confront Record-Setting Drought," a headline reads. The article describes Gov. Jerry Brown's executive order—California's first time restricting water use. A 25 percent reduction over the next year is required of residents and many businesses. But wait. "Owners of large farms...
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