Western Winter

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Sonoma County Americana duo the Easy Leaves (Kevin Carducci and Sage Fifield) are often found singing their perfectly distilled pairing of country tinged tunes and folk ditties in the dusty dives and popular clubs north of the Golden Gate. Yet for the last few years, the Easy Leaves have curated and performed at their special Western Winter Formal concert in San Francisco, and this year, the duo is offering a ride to the show on one of two party buses heading to the Great American Music Hall on Saturday, Jan. 3.

Here’s the deal: a $30 ticket gets you a seat on the bus and a pass to the show, where the Easy Leaves will be tearing up the stage alongside S.F. traditional country and rockabilly band the Better Haves, Sam Doores of the Deslondes and DJ Golden Gram. The buses leave Santa Rosa Park & Ride, at Highway 12 and Brookwood, at 6:30pm, and stop at the Petaluma Fairgrounds at 7pm to pick up the rest of the riders. Then you kick back and relax while heading down, and catch a ride back at the end of the night. Demand is high and seats are limited, so get in on the fun by heading to eventbrite.com or theeasyleaves.com for info on tickets.

Floor-Lickin’ Good

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Chile verde is a simple dish, but so rich and complex that one might expect it to be harder to prepare than it is. The ingredients in my chile verde combine into something greater than the sum of their parts in remarkable fashion, such that the finished product can make an average cook look like a genius.

I call it “my” chile verde recipe, but it’s adapted from bits and pieces I’ve picked up from various other recipes. I kept messing with my recipe until it got to the point of such awesomeness that, when a housemate once knocked a finished batch off the counter before dinner one night, the five-second rule was cast out the window. We scooped it off the floor and into bowls with a spatula, and ate it with the abandon of desperate drug addicts sharing a soiled needle.

Pork is typically used, but most any meat will do. I like it with venison, and recently made a batch with lamb, which resulted in a dish that tasted like something from an Indian restaurant. It seems that chile verde can do
no wrong.

The tomatillos’ tartness penetrates the meat, tenderizing it and creating new flavor combinations. Meanwhile, the tomatillo becomes transformed into a surprisingly rich and edible version of itself, with a softer, less tart and less strange flavor.

Floor-Lickin’ Chile Verde

1 pound tomatillos

1 pound meat (pork, lamb, venison, beef)

1 pound chile peppers (the more variety, the better)

2 c. cilantro, chopped

1 large onion, chopped

1 head garlic, peeled

5 bay leaves

red wine for cooking

1 quart chicken broth

1 tbsp. cumin powder

1 tbsp. garlic powder

Cut the meat into one-inch (or smaller) cubes, and brown it in the pan or under the broiler. Using a tender cut of meat makes the job a bit simpler. After browning, tough cuts of meat should be braised in three parts water and one part red wine, with five or so bay leaves and a sprinkle of salt. Bake at 300 degrees in a covered dish until the meat softens, adding more water and wine as necessary.

With your meat in an oiled pan on medium heat, cook until it begins to sizzle and add the onion and garlic. Savor the aroma as you stir.

Season with salt, pepper, garlic powder and cumin. When the onions are translucent, add one quart of chicken stock (or jus from your braising) to the pan. Simmer for 30 minutes.

As the meat simmers, the next steps take place in the food processor. Remove and discard the husks from the tomatillos, slice them in half and purée, along with the cilantro, garlic and chile peppers, trimmed and de-seeded as necessary per your heat tolerance.

Stir this mush into the meat pan and simmer for another hour or two on low heat, seasoning with salt and pepper, stirring frequently and adding water or stock as necessary. When you’re ready to finish cooking, stop adding water and allow the gravy to thicken a bit. Serve with tortillas or rice, or in a bowl like soup.

Whether made with a succulent piece of pork or a slow-cooked lamb shank, chile verde is a dish worth waiting for. And if necessary, it’s a dish worth eating off a dirty floor.

Crass and Grace

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‘The thing about Edith Piaf,” notes musician Al Haas, of the North Bay music trio Un Deux Trois, “is that her life was really the most interesting thing about her, even more interesting than her music.”

Haas, co-musical director of Cinnabar’s Theater’s upcoming Beneath Paris Skies: The Life of Edith Piaf, does not mean to devalue the worth of Edith Piaf’s musical legacy. The iconic artist’s songs, including the indelible “La Vie en Rose,” are among the most beloved French cabaret tunes of all time.

“But her life was very dramatic,” Haas continues. “To be literally born on the street, to be raised by prostitutes, with a father who was a tightrope walker, learning as a child to perform on the streets to make money—that’s just the beginning of a very colorful, very dramatic life.”

The world premiere show was written for Cinnabar by Michael Van Why, Valentina Osinski and Lauren Lundgren; Van Why and Osinski appeared in last year’s Jacques Brel Is Alice and Well and Living in Paris.

“They really wanted to do something similar but original, as a kick-off to the 2015 year,” says Robert Lunceford, co-musical director with Haas. “A lot of it was inspired by the book Piaf, by Edith Piaf’s half-sister Simone Berteaut. What’s interesting is that, in the show, Edith Piaf is played by four actors, two women and two men, who each play different pieces of Edith Piaf’s personality.”

The play alternates between scenes of Piaf’s life and performances of her best-known songs, with a few lesser-known tunes tossed in for good measure, including the obscure “The Woman in White,” a song about psychiatric nurses.

“It’s a very chaotic song,” laughs Lunceford.

“It’s like Edith Piaf on LSD, is what it is,” says Haas. “It’s fantastic!”

In many ways, the song is a perfect summation of Piaf’s life, which included a stint in an asylum.

“Her life is full of paradoxes,” acknowledges Haas. “Her life story is packed with pain, but there’s also sweetness and romance and beauty. There is crassness and crudity, but then there’s elegance and grace. Bit by bit, as her career rose from the streets, she found teachers and supporters who got a hold of her and taught her what she needed to know to be successful in ‘polite society.’ But she maintained her original crassness all the way through.”

“And for what it’s worth,” Lunceford laughs, “some of that crassness has ended up in the show.”

Top Torn Tickets

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It’s that time again. Each December, as the year draws to a close, I always take a moment to sort through the numerous tickets stubs I’ve saved from the 80-something shows I’ve seen over the previous 12 months.

Carefully, I recall each show, assembling the torn tickets in order, with my 10 favorites on top—my top 10 torn tickets. While many of these could arguably be called the best of they year, my choices are a highly personal assortment, the shows that I most enjoyed experiencing, the plays I couldn’t stop talking about, the ones I often wished I could go back in a time machine and watch all over again.

As usual, some very good shows did not make this list. Spreckels Theater Co.’s delightful Annie Get Your Gun and its moving Book of Matthew, for example, along with Cinnabar’s luminous Marriage of Figaro, the Imaginists’ highly innovative War Circus and Marin Theater Company’s eye-popping Lasso of Truth. I liked those shows. A lot. I just liked these other 10 a little bit more.

And with that, here are my personal top 10 torn tickets of 2014.

1. ‘Of Mice and Men’ (Cinnabar Theatre)

“Tell me again about the rabbits, George.” Propelled by heart-wrenching performances from Samson Hood (the iconic man-child Lenny) and Keith Baker (George, the patron saint of difficult choices), John Steinbeck’s aching American masterpiece was resurrected with grace, verve and raw emotional poetry by director Sheri Lee Miller. Shepherding a strong cast of local character actors, with emphasis on the gritty humanity that defines and unites Steinbeck’s broken men and desperate dreamers, this lyrical Cinnabar production opened in March, and nothing that I saw since could unseat it as my favorite show of the year.

2. ‘The Whale’ (Marin Theatre Co.)

Samuel D. Hunter’s scathingly humane tale of an obese shut-in’s clumsy attempt to connect with his angry, estranged daughter was unlike any other play about father-child relationships I’ve ever seen. As directed by Jasson Minadakis, with an astonishing performance by Nicholas Pelczar, this show transcended the conspicuous trappings of Pelczar’s fat suit, refusing to present typical theatrical resolutions, breaking our hearts as we watched one very large heart break before our stunned and freshly opened eyes.

3. ‘Next to Normal’ (Novato Theater Co.)

A searing rock musical about manic-depression and shock therapy, this one is so far beyond the capabilities of most community theater companies, there is no way it should have worked. And yet it did, rocked hard by a compassionate, power-voiced cast who were nothing short of electrifying, helmed with passion and panache by director Kim Bromley. It was crazy good.

4. ‘Return to the Forbidden Planet’ (Novato Theater Co.)

Shakespeare + outer space + classic rock tunes + sexy robots on roller skates = one loony-tunes delight of a mashup musical.

5. ‘Other Desert Cities’ (Main Stage West)

Jon Robin Baitz’s 2012 Tony nominee (and Pulitzer Prize short-lister) was every theater company’s favorite in 2014. This year, I saw three productions of this sly and shattering comedy-drama in the North Bay alone, including a very good one at Pegasus Theater. My favorite was Main Stage West’s vibrant staging. With masterful direction by Beth Craven, a sensational ensemble of local veterans (John Craven, Laura Jorgenson, Sheri Lee Miller) and relative newcomers (Sharia Pierce, Sam Coughlin) found the right balance in Baitz’s tricky tale of ancient family secrets, luring us with laughter before smacking us with truth.

6. ‘An Ideal Husband’ (Marin Shakespeare Co.)

Nearly 120 years after its creation, Oscar Wilde’s sneaky examination of political power and those who would use secrets as leverage against the decent politician still stands as a broad comedy on the surface, but as directed by Robert Currier (and with a spot-on cast including Nick Sholley, Cat Thompson, Darren Bridgett and Marcia Pizzo), it played out as an edge-of-seat thriller, with one supremely satisfying conclusion.

7. ‘Journey’s End’ (Ross Valley Players)

The alternating boredom and terror of war, as sharply illustrated in R. C. Sherriff’s outstanding WWI trench drama, is at its most excruciating when nothing at all is happening. It’s the experience of waiting underground for the next battle, and the way soldiers fill the spaces between, that made RVP’s season opener so gripping, tense, funny and devastating. With a fine ensemble led by David Yen, Steven Dietz and Tom Hudgeons, director James Dunn expertly paced his claustrophobic tale, a rare story of action in which little ever happens until suddenly, and violently, it does.

8. ‘Mother Jones in Heaven’ (Main Stage West)

Irish-American activist Mary Harris Jones may have been the subject of Si Kahn’s skillful musical monologue, but make no mistake: this was Mary Gannon Graham’s show. Set in Heaven’s tiniest whiskey bar, Kahn’s affecting biographical theater piece, directed with laser-focused energy by Beth Craven, was packed with historical details of Jones’ life as a voice of justice, and punctuated with great songs, but it was Graham’s twinkly, transcendent, angry, loving, raw and nakedly brilliant performance—along with her emotionally engaging singing voice—that coaxed Mother Jones’ spirit and legacy back to sweet, breathtaking life.

9. ‘The Beauty Queen of Leenane’ and ‘Lonesome West’ (6th Street Playhouse)

Two plays by Martin McDonagh—both set in the same Irish village, with overlapping characters and references—were presented in repertory at 6th Street. Essentially one story told in two parts, The Beauty Queen of Leenane (directed by Bronwen Shears) and Lonesome West (directed by Chris Ginesi) were memorably off-the-wall, violent, profane, hilarious and riveting.

10. ‘T.I.C. (Trenchcoat in Common)’ (Main Stage West)

It wasn’t the classiest or most coherent play of the year, but Peter Sinn Nachtrieb’s outrageous comedy thriller was possibly the strangest. Equal parts madness, mayhem and mystery—with one particularly well-timed instance of full frontal nudity—Nachtrieb’s unpredictable fantasia on boredom, bombings and teenage angst was directed by Sheri Lee Miller, and showcased Ivy Rose Miller as the only sane person in an apartment complex crammed with oddballs.

The Leftovers

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It was the day after Christmas and the Tupperware tub was loaded with the last of the Dungeness. I had a mess of crab to contend with, all pre-cooked, cracked and cleaned at wondrous Oliver’s Grocery.

The refrigerator was a little bare beyond the crab, but I did spy the remains of an extra-pungent hard slab of goat cheese, also from Oliver’s. A plan formed in the hungry mind.

Bounce quick to the Bolinas People’s Store for some bacon, eggs, butter, milk. Grab a bouquet of parsley and some fruit. You see where this is going: frittata country, by way of a pastry-free quiche—through the corridor of an attempted omelet. I broke out the junior skillet and sawed off a quarter of the bacon.

Into the pan: some scalloped sweet potato and an old red onion from the larder, diced. Into the bowl: four eggs, a splash of milk, a fistful of chopped parsley, and all the rest of the crab, shredded. Let the baconian activities in the skillet proceed awhile. You’ll know when it’s time. Pour the eggs into the sizzle, add the goat cheese. This is getting good. Let it burble a little while longer.

Now transfer the skillet to the oven for a proper finish, 10 minutes at 350 works for me. In the meantime, make some toast and coffee while cranking Big Mama Thornton’s “Wade in the Water.” Think about the government, or a woman you met. Chunk up a cantaloupe for a refreshing counterpoint to the rich burbling mess in the pan. Eat the damn thing.

Smile On

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It’s official as of Friday Jan. 2: The legendary Smiley’s Saloon in downtown Bolinas will change hands and operate under new ownership. San Francisco attorney Leila Monroe, 35, bought the place, and the ownership transfer’s been a slow-roll over the past month or so.

BoBo locals absolutely love the place, and there was a big musical throw-down last Saturday night to celebrate the 25-year run of the outgoing owner Don Deane.

Word on the street is that Deane transformed Smiley’s from a grim and abject coke-hole to a space wholly dedicated to ramping up the live music—and the gesture was much appreciated in this town of troubadours. So on any given weekend, Thursday included, the joint offers great bands galore, a Sunday night open mic, and by all means, your dog is welcome.

There was a really sweet report on Monroe and the bar in the Marin Independent Journal a few weeks back. The paper noted that Monroe, an environmental lawyer and a surfer, also started a nonprofit organization called Project AMPLIFI, which “stages concerts and events with independent musicians to raise money for worthy grassroots organizations and to heighten awareness of issues facing artists and others of modest means,” according to the Marin paper of record. That’s awesome and explains a lot of the “she’s cool” comments coming from the locals.

I chatted up a Smiley’s regular out on the front deck not long ago, a guy with lots of deep interest and some apparent knowledge of the local history here.

The legend of Smiley’s is that it may be the oldest continuously operating saloon in the state. There are 14 bars in California that have been around for at least a century, the IJ recently reported. But my guy says the history is even deeper, longer and richer than all of that. Smiley’s, he says, may be the oldest continuously operating business of any kind in the state. What?!

The building’s been around since about 1851, and Smiley’s likes to remind you that it served its first drink before Abraham Lincoln was president.

But then they had this thing called Prohibition back in the last century, for a little while anyway. Alcohol exceptions were added to laws written after the constitutional amendment was enacted. Barbers and doctors, for example, could have alcohol on-premises, for sanitizing purposes.

As the story goes, Smiley’s
set up a barbershop in the
front of the saloon when the 18th Amendment took hold.

The Smiley’s regular noted that the bar never closed, it just moved out back and became a speakeasy. Haircuts up front, hoppy ales out back. When Prohibition was repealed, the barbershop closed and the drinking action moved back to front and center.

And that’s the story, dear readers, of why nobody in the hippie utopia of Bolinas has gotten a haircut in 100 years.

Smoke Signals

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The line between what is legal and illegal when it comes to cannabis in California—and the nug-lovin’ nation at large—gets blurrier with every joint-passing minute. The question is: How, when and where will the big repressive pushback come? Oklahoma and Nebraska?

I was one of the 10,000 people to attend this year’s Emerald Cup at the Sonoma County Fairgrounds, earlier in December. A very enjoyable day, no doubt, but one thing that struck me is how much of a “separate but equal” set-up there is to the festival.

This is a matter of legal necessity, wrapped in an enigma of festival logistics. Medical cannabis is legal in California, so if you had your medical marijuana card, you could enter the area of the Emerald Cup where, let’s face it, most of the real fun was taking place. Where all the good medicine was being dispensed.

If you didn’t have a card, you could buy a pipe and a T-shirt if you wanted. Or you could pay something like $200 and get your card on the spot. I don’t know, doesn’t that just seem a little silly?

The Emerald Cup mirrors how a new day in national cannabis policy is unfolding. Entire states have legalized recreational use, while others continue with an anti-cannabis posture that’s sure to reach some kind of critical mass.

And away we go. Just a couple days before the conference, Nebraska and Oklahoma, red states to the brutal core, announced a lawsuit against Colorado over its legalization move. They said the cannabis had spilled across their borders, but offered scant detail in the suit, just a lot of blowhardification about how cannabis is illegal under federal law, and therefore—wait for it!—Colorado is being very unconstitutional.

Colorado’s telling the Okies to stick it and counting the $300 million in pot taxes it collected this year. Meanwhile, Oklahoma’s still trying to figure out whether to be a Free State when it joins the Union. Get with the program, guys. The culture war is over, and you lost.

Tom Gogola is the news editor of the ‘Bohemian.’

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Letters to the Editor: December 31, 2014

Let’s Get Physical

Body Deja Vu (“Body Conscious,” Dec. 24) is so much fun! I love the music, the choreography isn’t so complicated that it takes forever to learn the steps, but it’s more creative than most exercise dance classes. You will sweat and have fun! The atmosphere is friendly and accepting of all, no need to worry about being a beginner, or carrying some extra pounds. I’ve been coming to Body Deja Vu since it opened, and I feel great! And I’m getting better and better!

Via Bohemian.com

Awesome! Love these guys, and their studio is amazing. So much fun!

Via Bohemian.com

Fun! someone should bring it to Parkpoint health clubs in Santa Rosa to help it catch fire.

Via Bohemian.com

Block by Block

If we are going to spend billions every year on healthcare and food assistance programs, then we need to start investing more of that money into sustainable projects that are nearly free or can pay for themselves over time. Community farms on every block would boost every local economy in this country.

I don’ot think it makes sense that we pay farmers to desist from growing certain crops while people go hungry. Farmers should be paid for their surpluses instead. Until we meet the needs of our own people, we are a poor example to the world. Not for long, though—this generation is here to unite us.

This is how we put people back to work. We just need a New Deal that will allow us to build the food system in this country block by block, just like we built up the roads and bridges. It is our most pressing need. Any initial costs would be made up after harvests and sales in the first year.

It will change our society when there is a local food system for every person. God willing, the people will eat and no one will go hungry. Everyone and everything will be free to live in social harmony when our basic needs are met.

Orange City, Fla.

Go Meatless in 2015

It’s time for New Year’s resolutions, particularly those about our health. Although gun violence remains the leading cause of death among young people, our most dangerous weapon is still our fork. Forty-five times as many die of chronic diseases linked to a diet containing animal products, sugar and salt. Hardly a month goes by without another study linking consumption of animal products with obesity, high blood pressure, diabetes, heart disease, stroke and certain cancers.

But times are changing. Hundreds of schools, colleges, hospitals and corporate cafeterias, have embraced Meatless Monday. According to a Gallup poll, 22 percent of American consumers are avoiding meat and 12 percent are avoiding dairy products. Harris Interactive claims that 47 percent of American consumers are reducing consumption of animal products. Accordingly, plant-based alternatives to meat and dairy products are growing explosively, propelled by investments from Microsoft, Paypal and Twitter founders. Fast food chains like Chipotle, Subway and Taco Bell are rolling out vegan options.

Let this New Year’s resolution be about exploring the rich variety of plant-based entrées, lunch meats, cheeses, ice creams and milks in our supermarket. The internet offers tons of recipes and transition tips.

Santa Rosa

Naked Is Beautiful

There’s nothing unbeautiful about any body on the face of this planet (“Twelve Days of Debriefer,” Dec. 24). God made those bodies, therefore there’s nothing ugly underneath your clothing. If you’re looking to ease your way into the nudist lifestyle, nudist resorts, nudist beaches and nudist dating sites (Google “localnudistsingle.com“) are available that offer a slightly less adventurous experience.

Via Bohemian.com

Write to us at le*****@******an.com.

The Eyes Have It

Tim Burton’s mid-’60s comedy Big Eyes is about a fad many would prefer to forget—the reign of the highly marketable art of Walter and Margaret Keane. The Northern California–based couple are played by a luminous, frail Amy Adams and the ever vinegary Christoph Waltz. The Keanes’ specialty was figures of starving children with vastly oversized, pleading eyes, black holes in which gibbous-moon crescents of gold glowed.

The funny thing is that the highly sly script by Scott Alexander and Larry Karaszewski withholds judgment on the paintings. The film is a story of abuse, fraud and the nigh impossibility of fighting back against cuteness. Mostly, though, Big Eyes is a comedy of the ancient endless vaudeville of body and soul.

Margaret, a single mom in an era when that label really stung, is a pure creature who allows herself to be deluded by Walter’s scheming. She ends up enslaved in the attic, cranking out big-eyed kids as if they were SOS messages. Eventually, this soulful painter has her revenge on her greedy, slicker husband. There is a classic film’s faith here that the truth will out, with help from a self-satisfied but dogged press: Danny Huston as San Francisco Examiner columnist Dick Nolan, and Terence Stamp as art critic John Canaday.

It’s also a great movie about San Francisco, envisioned with great nostalgia and depicted with the belief that the past was a more colorful place. The movie pops the eyes in Kodachromish Hawaiian scenes and a tiki mansion in Hillsborough illuminated by a Matisse-blue swimming pool, and the city’s snobby veneer of sophistication instantly dissolves under a cascade of kitsch.

If the gear-shift from tragic-comedy into courtroom comedy is a little strained, Big Eyes is in the zone right between animator Frank Tashlin and genre-busting director Preston Sturges.

‘Big Eyes’ is playing in wide release in the North Bay.

The Year That Was

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The big news in the North Bay this year, if you had to pick one story? Tough call.

Natural phenomenon ruled the above-the-fold headline landscape, or whatever remains of it, and you have to start with the Aug. 25 South Napa Earthquake. That thing shook a 6.1 on the Richter, made national headlines, and the New Yorker even sent a writer to Napa for a predictably boring report about how awful it was. Losing all that wine, that is.

Meanwhile, the Napa jail got hit pretty bad, numerous businesses got hammered, and all told, about $1 billion in damages was assessed. People in Napa are just now getting on the good foot with Small Business Administration loans and other stand-up efforts, even if they haven’t yet re-upped their New Yorker subscriptions. (A Bohemian sub is where it’s at.)

Verdict on the quake: not the big one, but kind of a big one. Stay vigilant. Check your batteries and make sure you got plenty of Lagunitas at the ready, just in case.

Meanwhile, it rained quite a bit in December in the North Bay. But it didn’t rain much this year. The rain was therefore newsworthy, as was this bit of news: If it rains too much, too fast, the Army Corps of Engineers has to drain reservoirs in Sonoma and Mendocino counties so dams don’t get over-flooded. They did it in 2012 after big December rains, but nobody figured on two more years of drought. Like the man says: D’oh!

The blessed bud may be California’s number-one cash crop, but Gov. Jerry Brown would rather you hit the frack pipe to save the state’s economy, not to mention his legacy-humping ambitions. Four more years? You got ’em, Guv. How about four more dabs in return?

Cannabis news in the North Bay was dominated by the December Emerald Cup at the Sonoma County Fairgrounds. Verdict: it was fun.

Less fun were the idiots who made the local news after they blew themselves up trying to extract THC for wax dabs using the dumb and dangerous butane-extraction method.

Meanwhile, state legislators tried, and failed, to come up with language this year that would encode statewide protocols for medical cannabis dispensaries, in business here since 1996.

That did not happen, and the bill bit the dust in a late-game flurry of Tough on Crime language.That’s what happens when you ask the state’s police chiefs to write a cannabis bill that’s supposed to be underpinned by empathy over enforcement. They suck at it, and they loaded the bill with all sorts of last-second hate for those who’ve been working in the illicit pot economy and would like to come out from the shadows into the medi-marijuana light.

So now all eyes are on 2016’s expected legalization referendum.

The state did make strides in the department of criminal justice this year. Lawmakers passed and Brown signed a law that decriminalized numerous drug-related, nonviolent crimes—and in doing so, carved space for lawmakers interested in scampering across the no-man’s-land that is the war on drugs.

It would be cool if Gov. Brown could lead the charge in 2016, with a blazing bong in hand. Hey, it’s not like prominent California Democrats haven’t already been charging through the streets, loaded down with elixirs and marching to their destiny, with impassioned intent. Care for a couple of Plinys?

So, what else? Marin County continued its long battle over this quaint concept of “affordable housing.” The Marin mandarins meanwhile took a cue from Sonoma County and told people it was OK to live in their cars. Given the recent and steep decline in gasoline prices, it’s fair to say that living in your car is what they’re talking about when they talk about “affordable housing” in hyper-monied Marin. Sort of like the way ketchup can be a vegetable..

The North Bay also made a “contribution” of sorts to the national freak-out over policing. Young Andy Lopez was killed by a Sonoma sheriff’s deputy in late 2013, after he was spotted carrying a gun that turned out to be a toy rifle with its “safety” tip cut off. The officer involved in the shooting wasn’t charged, after DA Jill Ravitch spent most of the year reviewing the incident.

Man, we’d love to get on the phone with Robin Williams and get his take on the year in North Bay news. But Williams is unfortunately part of the not-so-great-news checklist. He took his life on Aug. 1. Williams was a funny man with a headful of worry, and his death jolted harder even than the Napa quake. Now he’s gone, just like that.

Western Winter

Sonoma County Americana duo the Easy Leaves (Kevin Carducci and Sage Fifield) are often found singing their perfectly distilled pairing of country tinged tunes and folk ditties in the dusty dives and popular clubs north of the Golden Gate. Yet for the last few years, the Easy Leaves have curated and performed at their special Western Winter Formal concert...

Floor-Lickin’ Good

Chile verde is a simple dish, but so rich and complex that one might expect it to be harder to prepare than it is. The ingredients in my chile verde combine into something greater than the sum of their parts in remarkable fashion, such that the finished product can make an average cook look like a genius. I call it...

Crass and Grace

'The thing about Edith Piaf," notes musician Al Haas, of the North Bay music trio Un Deux Trois, "is that her life was really the most interesting thing about her, even more interesting than her music." Haas, co-musical director of Cinnabar's Theater's upcoming Beneath Paris Skies: The Life of Edith Piaf, does not mean to devalue the worth of Edith...

Top Torn Tickets

It's that time again. Each December, as the year draws to a close, I always take a moment to sort through the numerous tickets stubs I've saved from the 80-something shows I've seen over the previous 12 months. Carefully, I recall each show, assembling the torn tickets in order, with my 10 favorites on top—my top 10 torn tickets. While...

The Leftovers

It was the day after Christmas and the Tupperware tub was loaded with the last of the Dungeness. I had a mess of crab to contend with, all pre-cooked, cracked and cleaned at wondrous Oliver's Grocery. The refrigerator was a little bare beyond the crab, but I did spy the remains of an extra-pungent hard slab of goat cheese, also...

Smile On

It's official as of Friday Jan. 2: The legendary Smiley's Saloon in downtown Bolinas will change hands and operate under new ownership. San Francisco attorney Leila Monroe, 35, bought the place, and the ownership transfer's been a slow-roll over the past month or so. BoBo locals absolutely love the place, and there was a big musical throw-down last Saturday night...

Smoke Signals

The line between what is legal and illegal when it comes to cannabis in California—and the nug-lovin' nation at large—gets blurrier with every joint-passing minute. The question is: How, when and where will the big repressive pushback come? Oklahoma and Nebraska? I was one of the 10,000 people to attend this year's Emerald Cup at the Sonoma County Fairgrounds, earlier...

Letters to the Editor: December 31, 2014

Let's Get Physical Body Deja Vu ("Body Conscious," Dec. 24) is so much fun! I love the music, the choreography isn't so complicated that it takes forever to learn the steps, but it's more creative than most exercise dance classes. You will sweat and have fun! The atmosphere is friendly and accepting of all, no need to worry about being...

The Eyes Have It

Tim Burton's mid-'60s comedy Big Eyes is about a fad many would prefer to forget—the reign of the highly marketable art of Walter and Margaret Keane. The Northern California–based couple are played by a luminous, frail Amy Adams and the ever vinegary Christoph Waltz. The Keanes' specialty was figures of starving children with vastly oversized, pleading eyes, black holes...

The Year That Was

The big news in the North Bay this year, if you had to pick one story? Tough call. Natural phenomenon ruled the above-the-fold headline landscape, or whatever remains of it, and you have to start with the Aug. 25 South Napa Earthquake. That thing shook a 6.1 on the Richter, made national headlines, and the New Yorker even sent a...
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