Sugar and Gas

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Friday, Feb. 27, was the drop-dead date for lawmakers in Sacramento to introduce new bills for consideration. Hundreds of bills were introduced at the last minute that day, and there are now over 2,000 new bills for the State and Assembly to consider. They include everything from the two big, hot culture-war ones making headlines (mandatory vaccination for measles and an assisted suicide bill) to other single-issue type stuff, such as a law calling for mandatory bike helmets for adults.

Each year there are bills that get introduced, only to be shot down in a flurry of high-volume industry lobbying and corporate meddling in the democratic process. Two issues that jump to mind this year and which fall into that category: soda taxes and fracking bans.

This year, for the third year running, a state lawmaker introduced a sugary beverages bill, which would force Big Soda to put a warning on the label that says this junk will give you diabetes. State Sen. Bill Monning, D-Carmel, introduced SB 203, a bill that will likely go nowhere, if history is any indication.

Who needs the Koch brothers when you have the Coke lobby? The soda pop industry has pushed back hard against these bills in years past, and the bills have died on the vine in Sacramento. A recent report on KQED radio highlighted that the soda war has been lost in Sacramento but rages on in enlightened localities eager to push back against staggering rates of childhood diabetes.

Stymied in Sacramento, some municipalities around the state have taken it on themselves to regulate soda consumption, with varying degrees of success. Last year the debate went local, as Berkeley and San Francisco both attempted to levy a tax on fizzy sugar drinks. Berkeley prevailed in its effort, but intense industry pressure—to the tune of
$7.7 million spent by Big Soda—swatted back the San Francisco move to tax soda.

So too fracking. The Western States Petroleum Association lobbying group (WSPA) has poured millions, if not bazillions, into defending the earthquake-enhancing, water-wasting, toxic process of hydraulic fracturing in the state. Fracking’s been going on here for three decades, but only recently fell under legislative scrutiny through 2013’s SB 4.

And, as the debate over fracking intensified in the state, so to did WSPA’s lobbying efforts. A well-traveled factoid that emerged from the California Secretary of State earlier this year: WSPA spent nearly $9 million in lobbying in 2014—twice the previous year.

It appears that state lawmakers have moved on from throwing hopeless bills across the transom that call for a ban. Instead they are trying to hold the industry accountable for groundwater contamination and other fallout. A bill from Das Williams, D-Santa Barbara, would force the industry to bring its practices into compliance with federal water-safety standards.

As in the soda fight, numerous localities around the state have taken it on themselves to pass local anti-fracking measures in the absence of tough statewide legislation. An environmental review mandated by SB 4 is expected in July.

When SB 4 passed in 2013, the industry was given until July to expand its operations without any meddling from the state whatsoever. Meanwhile, the industry has poured money into places like Santa Barbara through Big Oil front groups such as Californians for Energy Independence. According to numerous online sources, that group spent nearly $7 million to defeat a local anti-fracking proposition in 2014.

Meanwhile, does anyone remember a recent U.S. government study that said 96 percent of Monterey Shale gas and oil resources are unreachable by fracking or other means?

Wine Times

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Aventine Glen Ellen is pairing up with pioneering California winemaker Sam Sebastiani for a special winemaker dinner March 31. Sam Sebastiani, patriarch of the Sebastiani winemaking family, will pair four of his
La Chertosa wines with four dishes.

Chef Adolfo Veronese’s meal includes a crudo plate with ahi, shrimp and marinated octopus paired with La Chertosa 2012 reserve Chardonnay; house-made veal tortellini with English peas, fried porcini mushroom in a sage cream sauce and the 2012 reserve Zinfandel; roasted prime beef tenderloin paired with the 2012 reserve Sangiovese; and a cheese course featuring the 2010 La Chertosa Cabernet Sauvignon “Winemaker Remembrance.

La Chertosa wines are produced primarily from grapes grown in red, Tuscan-like soils in Sonoma and Amador counties. The wines are named for the 14th century Renaissance monastery in the Tuscan valley of Farneta where the Sebastiani ancestral roots began. It’s the place where Sam Sebastiani’s grandfather Samuele Sebastiani reportedly learned to make wine. Samuele came to Sonoma in 1893 and compared the area’s soil, climate and hills to Farneta. He founded Sebastiani Winery in 1904, one of the first wineries in California.

The winemakers dinner is $100, plus tax and tip. Call 707.934.8911 or visit glenellen.aventinehospitality.com for more information.

New Score

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For legions of fans, Stewart Copeland is beloved as founder and drummer of the Police. But his vast body of work also includes numerous film scores and, recently, a full-time gig composing orchestral works.

March 8, Copeland performs his newest work at the Green Music Center’s Weill Hall. Titled “Off the Score,” it’s a collaboration with famed concert pianist Jon Kimura Parker. Originally commissioned by the University of Texas, the music mixes classical works and a freewheeling rock sensibility.

“There is very sharp divide in the two great families of musicians: readers and players,” explains Copeland from his office in L.A.. “And they each approach music in a very different way. The orchestral player, reading [music], connects to the music with his eyes, it’s a visual connection with the conductor, the baton, the notes on the page. All of those players have to be dedicated to the page, and their fingers wait for a signal from their eyes.

“The rock or jazz musician,” he continues, “connects to the music with his ears. His eyes can be closed, but his ears are guiding him. And he’s thinking on his feet, he can make it up as he goes along.”

For Copeland, a lifetime of worldly influences and decades as a film composer have allowed him to cross the boundary between these two types of players with relative ease.

The “Off the Score” concert reflects the two sides of this musical coin, with occasionally spontaneous renditions of classical works, as well as original compositions. Copeland illustrates his technique through a recollection.

“When I was a kid walking along in two-four time, I had the music of Stravinsky and Ravel going around in my head, in all kinds of different exotic meters,” he recalls. “But in my mind, playing along in two-four time, I developed this thing of applying contrary rhythms to those meters. I’ve been playing rock drums to Ravel for as long as I can remember.”

Further inspiration for this program came after Copeland met Parker.

“He’s been interested in improvisation,” says Copeland. “He’s always felt he’d love to jump off the cliff and transgress the line of improvisation, which fills most orchestral players with dread.”

Joining the two onstage are three immensely talented players, including Yoon Kwon, first violin in the Metropolitan Opera Orchestra, who also plays in rock bands around New York City.

“She has a technique beyond anything I’ve ever found in session players, even the triple-scale cats here in Los Angeles,” says Copeland.

The performance continues Copeland’s lifetime of innovative and transformative work. Chamber music may never be the same again.

The Dispossessed

Andrey Zvyagintsev’s magnificent Leviathan sources the Book of Job and perhaps Tolstoy’s variation on that story, “God Sees the Truth, But Waits.”

Jehovah’s question in Job 41:1 (“Can you pull in Leviathan with a fishhook or tie down its tongue with a rope?”) gives the fascinatingly somber film its title. It is, among other things, the ultimate fictional study of life under Putin, and I don’t doubt it’s the kind of film they could kill you for making.

On Russia’s frosty northern Pacific coast, Kolya (Aleksei Serebryakov) is in the final stages of a lopsided battle with his town’s childish, self-satisfied mayor Vadim (Roman Madyanov), who wants to grab the house Kolya lives in—the house built by Kolya’s grandfather. The mayor offers him a fraction of what the property is worth.

Determined to fight, Kolya recruits his old army comrade, Dmitri (Vladimir Vdovichenkov), now a well-connected Moscow lawyer, who, despite his courage, only accelerates the crisis. The lawyer’s smoothness contrasts with Kolya’s half-drunken, coarse demeanor, and pretty soon, Kolya’s pretty, dissatisfied wife (Elena Lyadova) becomes sexually interested in the stranger.

The seascapes grow on you as Kolya’s ramshackle wooden place becomes more homey, more worth fighting for. The sunrises on that iron-cold sea are heartbreaking, but so is the waste and corrosion in this widescreen landscape—the rotting skeletons of boats, the houses left half-burnt. Dispossession is the big story of the last 500 years—probably longer—and this masterpiece of Russian cinema presents the search for justice and a God’s-eye view of human greed.

“Everything is everyone’s fault,” a bystander says at one point in the film, but director Zvyagintsev lets us know who’s to blame. When Vadim and his confederates meet in his office, we see on the wall above them a photo of Putin, head cocked, his pose saying, “I’m watching you.”

Letters to the Editor: March 4, 2015

WHAT A WASTE

Nice article on the composting and cover-cropping practices by Chateau Montelena (“Dirt Farmers,” Feb. 25). One thing that jumped out at me and that’s worthy of another article is how much more work needs to be done to prevent food waste in the first place. When food waste or food scraps are generated, we need to make sure that what is perfectly edible and nutritious gets to hungry people first and then to compost or energy generation. The work of groups like Food Shift or ExtraFood.org needs to be front and center in this effort. Also, businesses in the waste-management sector need to transform their models from making money off waste to making money by preventing waste.

Nick Papadopoulos

Via Bohemian.com

IDIOTS

It’s only a matter of time before the Press Democrat announces Sonoma County Supervisor Efren Carrillo’s reelection campaign, and endorses him. All I can say to the people of Sonoma County is: Fool us once, shame on you. Fool us twice, shame on us. Fool us over and over again, we must all be Efren idiots.

Thomas Morabito

Sebastopol

NO MORE MEGA-WINERIES

Thanks for running Shepherd Bliss’ excellent Open Mic column (“Enough Is Enough,” Feb. 25) about the growing backlash against winery overdevelopment.

Despite the fact that the Guy Fieri winery project was recently rejected by the Sonoma County Planning Commission, this was only one of two winery projects to be rebuffed in the past several decades.

With California in the middle of one of the most severe droughts on record, it’s hard to fathom why proposals for winery/resort/event center projects continue to be considered by our county.

Napa Valley supervisors have had an ongoing discussion about limiting new wineries because they are running out of space and water.

It’s time to consider a moratorium on major winery/event center developments. Let’s take a lesson from Napa County and learn from their mistakes before it’s too late.

Padi Selwyn

Sebastopol

DEPT. OF CORRECTIONS

In last week’s “Ghost Stories” article, Tom Gaffey’s name was misspelled. We apologize to Tom, and we regret the error.

The Ed.

Haunted by Errors for All Eternity

Write to us at le*****@******an.com.

Cider 101

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Cider drinkers are thirsty. Not only for a low-alcohol, refreshing alternative to beer and wine, but also for knowledge, insight and tips on how to appreciate and evaluate the apple-based beverage category that’s growing by 70 to
90 percent a year.

Tilted Shed Ciderworks and cider blogger Tom Wark have teamed up to help.

Over a year ago, having spent some 25 years in the marketing and writing side of the wine business, Wark had never heard anyone mention cider much, until one day a friend twisted his arm to try a few over lunch. “No, no,” the friend answered his objections, “this is different.” And none of the six or seven craft ciders tasted anything like the “liquefied Jolly Rancher” he had expected from mass-market cider. “It was a revelation to me,” says Wark.

When he looked for more information on craft cider, he found it lacking. So he started his own blog, the Cider Journal.

Tilted Shed Ciderworks’ Scott Heath and Ellen Cavalli opened a tasting room at their Windsor production space in October 2014, and cleared out a spot amid a jumble of tanks and barrels for their first cider appreciation seminar last fall.

“There’s an upper echelon of cider makers in America,” Wark told a crowd of budding cider fans, “and you’re in one.”

After a look at the history of cider—the first mention is in 55 B.C.— Cavalli and Wark introduced the aroma and flavor categories used to evaluate cider. A cider’s spicy component may range from sweet cinnamon to white pepper, for instance, and its “funk” can vary from the yeasty/bread side of the spectrum, to tangy/sour and on to musty/barnyardy—not in a bad way at all.

Tilted Shed’s Graviva! is a Gravenstein blend, and at just
1 percent residual sugar (similar to a Brut sparkling wine) is the sweetest they offer. Barred Rock is aged in Hooker House bourbon barrels; Inclinado is a cloudy, Spanish-style sour cider; January Barbecue is reminiscent of the smell of a wool sweater after a campfire at the beach. A version released this February was made with apples smoked with Zazu Kitchen’s Black Pig bacon.

Also look for Tilted Shed when they pair up with cheese specialist Janet Fletcher at the Flavor Summit at the Culinary Institute of America-Greystone, March 13, and the California Artisan Cheese Festival, March 21.

7761 Bell Road, Windsor. Cider Salon #2: Cider Appreciation 101, Saturday, March 7, 2–4pm. $30 (waiting list only). Tasting room closed day of seminar, open most Saturdays, 11am–4pm. 707.657.7796.

Choose Wisely, Supervisors

Back in December of 2013, in the aftermath of the police shooting death of Andy Lopez, the Sonoma County Board of Supervisors created the Sonoma County Law Enforcement Task Force.

I cannot overemphasize the gravity of the work that this task force has performed, and how important it is going to be for our supervisors to pay heed to its many forward-thinking recommendations.

Accordingly, I ask all supervisors to meet their true responsibilities as leaders and resist any temptation to shirk and scuttle these recommendations; rather, these must be strengthened where necessary and adopted with enthusiasm and gusto, including sending Sheriff Steve Freitas a letter asking him to remove Erick Gelhaus from patrol duty and the creation of a community oversight board with both subpoena and investigatory powers.

The task force recommendations were born out of the concept of participatory community discussions. These discussions were sponsored by the Community Engagement and Healing Subcommittee and are reflective of an abiding desire to ensure that law enforcement is fully accountable to the public. We in this community well understand that in a post–Andy Lopez world, the failed policies of the past, if allowed to stand, will continue to serve as impediments to meaningful change.

Here are questions the public should be asking the supervisors: Will you take a bold, brave stand against police brutality, police shootings and in-custody jail deaths? Will you intrepidly display your power as a chartered governmental body and take proactive measures to curb these shameful occurrences so that you may take your place in history on the side of right?

That choice, ultimately, is going to be up to them.

I will close with these inspiring words from poet Ezra Pound, which I urge our supervisors to keep in mind as they ponder the message above: “It was you that broke the new wood, / Now is a time for carving.”

Thomas D. Bonfigli lives in Santa Rosa.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Man at Work

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Any list of hardest working musicians should include the name Martin Sexton. He’s released 10 full-length studio albums over a 20-year career, and has commonly spent a year or more touring behind each release. But when he steps onstage for his March 7 show at City Winery in Napa, he won’t be complaining.

“You can do anything for 20 years. You could be a taste tester at Ben & Jerry’s, and that can get old after 20 years,” Sexton, who recently released a new CD, Mixtape of the Open Road, says in a recent phone interview.

“But by the grace of God, I love the work,” he says. “I love finishing an album and getting on the horse and starting the [touring] cycle like we are right now, doing the interviews, meeting people, throwing the shows, signing the records. I love all that. And I love the performance most of all.”

Audiences have obviously responded to what Sexton brings to the table. A career that started with the 1992 debut release In the Journey (he sold some 20,000 copies of that album while busking at shows) went on to include a pair of major-label releases for Atlantic Records (The American in 1998 and Wonder Bar in 2000), and since then, has featured six more albums on his own Kitchen Table Records label.

Sexton has never had a radio hit. Nevertheless, he now headlines theaters and large clubs nationwide, largely due to word-of-mouth raves that draw fans year after year. As its title suggests, the new album was inspired in part by mixtapes—those collections of songs friends put together for each other on cassettes back in the old days, and more recently on CDs.

The album boasts the diversity that’s common on mixtapes. There’s shuffling retro-country (“Do It Daily”), acoustic folk (“Set in Stone”), rootsy jazz (“Doin’ Something Right”), bluesy soul (“Give It Up”), Grateful Dead–ish rock (“Shut Up and Sing”) and rowdy, fuzzed-up rock (“Remember That Ride”).

“My records have always been very rangy,” Sexton says. “I’ve always taken a tip from [the Beatles’] Abbey Road and
the White Album, to range from ‘Blackbird’ to ‘Helter Skelter’ on the same album. I’ve always dug that. I’ve loved the whole journey of an album, where it ranges from this quiet thing to a big thing. So on this record, I just stepped on the gas and headed in that direction, and made it even more of a mixtape.”

Around the World

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This week, neo-Celtic folk duo Four Shillings Short come to the North Bay for a series of educational concerts titled “Around the World in 30 Instruments.” Look for them to do exactly that, as they pick banjos, mandolins, sitars and more along their musical trek.

At the heart of Four Shillings Short, which has become a musical institution in the South Bay Area since 1985, is Irish-born, multi-instrumentalist Aodh Og O’Tuama. Anchoring a rotating group of Northern California’s foremost Celtic and world-music players, O’Tuama has lived the minstrel life, performing his eclectic array of folk around the country and around the world. And since the late 1990s, he’s done it with his wife, musician Christy Martin, by his side.

Martin is a native Californian, and her previous folk band, Your Mother Should Know, showed off her abilities at exotic instruments. Now, as a permanent part of Four Shillings Short, she joins O’Tuama in exploring the music of India, Ireland, Scotland, Medieval and Renaissance Europe, and America’s blues and folk. The pair will also offer captivating storytelling, dazzling vocal harmonies and family-friendly humor when they perform this week.

Four Shillings Short perform “Around the World in 30 Instruments” on Wednesday, March 4, at the Healdsburg Library
(139 Piper St., Healdsburg, 7pm. Free. 707.433.3772) and on Friday, March 6, at the Occidental Center for the Arts, (3850 Doris Murphy Ct., Occidental, 7pm. $10–$15. 707.542.7143)

Dish by Dish

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When I was a full-time restaurant critic, there were two things I loved about the job. Not surprisingly, I enjoyed dining out for a living. There are worse ways of putting food on the table than eating food on the table. But just as enjoyable was learning about the sources of inspiration and personal history that commingled to create a chef’s vision.

As a rule, chefs are an eclectic, creative and, dare I say, bohemian lot. How and why they stepped into the kitchen is bound to offer up some good stories and, more often than not, some delicious food. As Sonoma County Restaurant Week (March 9–15) kicks off next Monday, we thought we’d check in with some of the participating chefs and ask them what dishes and people had the greatest impact on them. I hope it makes you hungry. If it does, check out the many restaurants offering special meals at great prices for restaurant week right here, www.sonomacountyrestaurantweek.org.—Stett Holbrook

FRANCESCO TORRE

Canneti Roadhouse Italiana

It’s just like your Italian grandma used to make is, perhaps, the most overused cliché in food writing, but in Francesco Torre’s case, well, what can you do?

“Everyone has a grandma who chefs, and oftentimes, it’s just a story they tell. This is a real story,” says Torre. His old-school inspiration takes the form of a daily ritual he learned as a child in Italy.

“I put the ragu on at eight in the morning,” says Torre, which is just how grandma Fina used to do it back in their small Tuscany town. Torre cooks the meat sauce all day long at Canneti Roadhouse Italiana in Forestville, where his bolognese joins other dishes inspired and inherited from grandma’s cookbook.

Torre is a 41-year-old middle child who got dropped off at grandma’s and helped her make dinner. These fondly recalled boyhood days inspired him to go to cooking school, he says, as he lays out some other of grandmother’s finest from his homeland: the prosciutto ravioli, the pasta e fagioli.

Those days also inspired his Sunday trattoria menu that’s all about family and sharing at the roadhouse. Torre mostly works a modern Italian menu that can also transport you to a Tuscan village with all kinds of goodness on the Sabbath.

There’s a deep, direct inspiration at work here: Torre wanders the surrounding fecundity of the Forestville eatery for ingredients. They make charcuterie, the bread and the olive oil, and they cultivate a lot of the produce that winds up on the menu. He’ll pick herbs for the rosemary focaccia, check in on the sheep on the farm. “I pick wild flowers and wild lettuces every day,” he says, “and of course we source a lot of our stuff locally.”

Which brings him to his second inspiration: Giuseppina Mosca.

“She changed the course of my life,” says Torre, who worked under Mosca at the Michelin two-star Il Bottaccio in Montignoso, Italy before graduating to executive chef—and before emigrating to the United States. “Everything was made to order,” he says. “It was difficult but it was the best quality food.”
—Tom Gogola

Canneti Roadhouse Italiana,
6675 Front St., Forestville. 707.887.2232.

MATEO GRANADOS

Mateo’s Cocina Latina

It’s that busy time before dinner service, and Mateo Granados’ kitchen is in full swing. Smiling and energetic, he feels at home here after years in fine-dining spots such as 42 Degrees, Masa’s, Manka’s Inverness Lodge and Healdsburg’s Dry Creek Kitchen. Granados came to the United States when he was 23, and his family still lives in Mexico. Not surprisingly, an inspirational dish for him has been Yucatán tamales.

“My mom used to make them for the whole family,” he says.

After proving himself in respected, high-end establishments, Granados decided to go back to basics—a farmers market stall, then a mobile restaurant touring wineries—and he found himself thinking of his roots.

“I think I was looking for a personal, comforting food, being homesick, and decided to replicate it. I want to show the world what I loved eating when I was growing up,” he says. “The tamales are made with organic olive oil, toasted banana leaves, tortillas and gravy. We serve them with a fried egg. They’re amazing.”

He’s well aware of the cultural and culinary gaps between the Yucatán and the decidedly moneyed Healdsburg, but prefers to celebrate them.

“Cooking tamales at Mateo’s taught me consistency is very important, every ingredient
matters and the technique has to be precise, otherwise the price of the tamale we charge is not worth it.”
—Flora Tsapovsky

Mateo’s Cocina Latina,
214 Healdsburg Ave., Healdsburg. 707.433.1520.
Joseph Zobel

JOSEPH ZOBEL

Peter Lowell’s

If you have yet to visit Peter Lowell’s in Sebastopol, it’s time you did. The strictly organic, rustic Italian menu is far from ordinary. Take such examples as the pizza tedesco with shaved potato, sauerkraut, bacon, Gruyère and crème fraîche, or the gnocchi alla romana with rabbit sugo and wild mushrooms—nothing typical here. The restaurant is farm-fresh (they have their own and draw from a hyper-local roster of purveyors) and proud of it .

Chef Joseph Zobel’s culinary education (that’s Zobel on the cover) began with mom.

“My main inspiration comes from my mother, who is a great cook,” says Zobel.

From mom, he attended the California Culinary Academy in San Francisco and continued to work in the city for eight years for many talented chefs. What dish most inspired him?

“There are so many dishes I love to eat and cook, but the dish that sticks out is a simple roasted chicken. There is something so perfect about a roasted chicken that simultaneously makes me hungry and inspires me.” (See the recipe at the end of this article)

Simple doesn’t mean easy. “The roasted chicken is very simple, but simple dishes are sometimes the most difficult to execute because they need finesse in the technique. With my food, I try to keep it simple and focus on solid technique while taking some risks with flavor profiles.”—Mina Rios

Peter Lowell’s, 7385 Healdsburg Ave., Sebastopol. 707.829.1077.

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BRIAN ANDERSON

Bistro 29

When Brian Anderson was a kid, his grandmother was cook for reform-school youngsters released from the Preston Castle boys prison in Ione, Amador County, in northeastern California, which the Bistro 29 chef-owner says was “about as exciting as it gets.”

The youth were sent to a firefighters’ camp associated with the prison once they turned 18. His grandmother cooked food for the reform schoolers as they’d go fight forest fires for the state of California. How cool is that?

“She cooked there, she worked there for years,” recalls Anderson, 44. “She was an Italian woman, and she always made food for us too.”

Favorite dishes? “Her gnocchi and the ravioli that she made were our favorite things. I do one form of gnocchi on and off the menu here and there,” he says, which includes a fromage blanc and potato, garlic, mushrooms, kale and parmesan cheese version.

“I steer away from the marinara sauce or the meat sauce that my grandmother used to feed me,” Anderson says with a laugh—before moving on to his other inspiration: “The food that my mother-in-law made.” More to the sweet point, her profiteroles with homemade ice cream.

The story: Anderson was a former professional bike racer before he became a chef, and was riding in France in the early 1990s. “I lived with my future in-laws for a short period of time,” he says, recalling that first encounter. It was . . . love at first bite?

“I was, like, these are the best things ever!” he says. And Anderson wasn’t just being a cream puff with his mother-in-law: “I’ve always had profiteroles on the menu. Crepes, too.”—T.G.

Bistro 29, 620 Fifth St., Santa Rosa. 707.546.2929.

ARI WEISWASSER

Glen Ellen Star

The shining star of Glen Ellen Star is undoubtedly the wood-fired oven. Around it is a casual but professional space fit for chef Ari Weiswasser’s relaxed yet intense persona. The menu is almost classic California fare, with pop-ups of sumac, feta and harissa.

“I grew up in Philadelphia and started working at a restaurant at 14. One of the first things I got to make—and taste—was the Mediterranean mezza plate: hummus and tabouli, moussaka, babaganoush,” explains Weiswasser. “Fourteen is an impressionable age as it is, but I was especially impressed with the colors and flavors. I was discovering olive oil, preserved lemons, sumac. It was my favorite food to eat, an eye-opening experience to true ethnic cuisine.”

A couple of years later, Weiswasser visited Israel, which took him a step further. “Eating street food like shawarma made me realize what I love about food,” he said.

Glen Ellen Star opened in 2012 and came after a fruitful career on the East Coast and the farthest place from shawarma imaginable—the French Laundry. Glen Ellen Star is a mixture of both worlds—high-end style and big, approachable flavors.

“At the restaurant, we cook food that’s inspired by Argentina and Spain and anything with a wood-fired oven,” explains Weiswasser. “Both cuisines are bold, fresh, interesting and inspiring. Having said that, the restaurant has a classical French foundation. It’s nice to apply that foundation and knowledge with fresh vegetables and local ingredients.”—F.T.

Glen Ellen Star, 13648 Arnold Drive, Glen Ellen. 707.343.1384.

BRANDON GUENTHER

Rocker Oysterfeller’s

With a name like Rocker Oysterfeller’s, the restaurant demands your attention and beckons you to stop for a closer look. Located in the Valley Ford Hotel south of Bodega Bay on Highway 1, the restaurant is a pearl of a find. As you might expect, the restaurant’s oysters, including an appetizer featuring Tomales Bay Oysters, arugula, bacon, cream cheese and a cornbread crust, are the specialty here. And it’s OK to overindulge; overnight accommodations are just steps away.

Chef and owner Brandon Guenther was schooled in hotel and restaurant management and cuisine at Le Cordon Bleu in Scottsdale, Ariz. Why he became a chef may have something to do with a gut feeling he once had. Literally.

“Inspiration came from my hearty appetite and need to fulfill it,” he says. “My parents were great cooks, each with their own strengths, which I learned and which began my journey in the kitchen.”

The one dish the fed Guenther’s yearning to cook:—”Tacos!”

“I grew up near the Mexican border and spent a fair amount of time on the other side. I developed a passion for the street tacos of Sonora, Mexico, and have been taco-ing ever since.”

And there’s our answer for why beer-battered fish tacos appear on a mostly Southern-inspired menu.

“The foods of Mexico taught me a great deal about balance of flavor,” he says. “Salty, sweet, savory, spicy and sour can be found in a majority of dishes throughout Mexico; this is the basis for all cooking—using contrasting flavors in harmonizing ways to tantalize the palate and excite the senses.”—M.R.

Rocker Oysterfeller’s, 14415 Shoreline Hwy., Valley Ford. 707.876.1983.

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MARIANNA GARDENHIRE

Backyard

Marianna Gardenhire at Backyard, in Forestville, peruses her Restaurant Week menu and stops at the coppa salad.

The charcuterie . . . ah, the charcuterie, here offered as offerings of cured Tamworth pig with wild fennel, fennel pollen, pickled mustard seeds and dried kalamata olives.

“What I like about this dish and what it means to me is that I grew up with a single mother who cooked every day,” says Gardenhire, a full-blooded Greek on her maternal side.

She grew up with her mom and her widowed grandfather, and part of the ritual was to go to market every day. Her mother’s meals, she says, were so much more than mac and cheese.

“They were full meals, well-rounded and drawn from seasonal ingredients. So much was about what was coming from the garden, what was fresh,” says Gardenhire.

She took the inspiration from her mother, Carol, all the way through the Culinary Institute of America where she met her husband and Backyard co-owner/chef Daniel Kaden.

Gardenhire grew up in the Mojave Desert and recounts how her grandfather “always had buckets of olives curing.” She, in turn, cures them every year too, and offers just-unsealed 2013 olives with the coppa, untouched by lye. That’s just one of the “the old traditions that you continue to do,” she says—while keeping it local and sustainable. (The Tamworth pork comes fromSebastopol’s Green Star Farms.)

“For me, this dish encompasses seasonality,” she says. “The seasonality, and using every piece of the animal, and making something beautiful out of it.”—T.G.

Backyard, 6685 Front St., Forestville. 707.820.8445.

LIZA HINMAN

The Spinster Sisters

Santa Rosa’s Spinster Sisters eatery has been on the local and national radar since it opened in 2012. Having won the attention of Wine Enthusiast, Wine & Spirits and Gayot says a lot about this modern American hot spot whose momentum continues to build.

Chef and co-owner Liza Hinman says her introduction to the kitchen was a practical one. “I realized that if I wanted to eat better, I’d need to teach myself how to cook, so I became a chef out of a need to explore and eat better food than I did as a child.”

A stint at the late Gourmet magazine deepened her education. “I absorbed so much knowledge,” says Hinman. “My eyes were opened to a world of food and restaurants I never knew. From there, I moved to San Francisco and attended the California Culinary Academy and worked at some great restaurants before migrating up to wine country.”

Surrounded by such ethnically diverse cuisine, it’s understandable why no single dish alone influenced Hinman’s desire to cook.

“There is no one dish that inspired me, but rather a thirst to understand lots of dishes: polenta, pad Thai and mole—how these dishes are made by the cultures that created them and how I can recreate them at home. It’s an ongoing learning process.”

Diners get to be part of that process.

“I consider the Spinster Sisters a laboratory allowing me to use both the new and familiar flavors— and share them with our diners and my fellow cooks.”—M.R.

Spinster Sisters, 401 South A St.,
Santa Rosa. 707.528.7100.

Joseph Zobel’s Roasted Chicken in Herb Butter

1 whole local chicken, (preferably organic) giblets removed

2 heads garlic, cloves separated, still in the skins

1 carrot

1 leek

1 medium yellow onion

2 stalks celery

1/2 bunch Italian parsley

1 tablespoon thyme leaves chopped

1/2 stick softened, unsalted butter

3 tablespoons good extra virgin olive oil

1 cup dry white wine

1 quart chicken stock

Salt as needed

Preparation: To ensure a crispy skin, dry the chicken well and salt heavily, inside and out. Then place in the refrigerator for 2 or more hours. Drain off excess moisture and pat dry.

Pre-heat oven to 450 degrees. Cut 1/2 the onion and one carrot and celery stalk. Cut 1/2 of one leek, add garlic, and evenly line the bottom of a heavy roasting pan with the vegetables.

Mix butter, herbs, and 2 tablespoons of oil together. Rest the chicken on-top of vegetables in roasting pan and carefully lift the chicken skin along the breast, leg and thighs to slide the herb butter between the flesh and the skin, saturating the interior and exterior of the chicken skin. Wipe off excess butter and truss the chicken with twine.

Rub chicken with the remaining olive oil and roast for 1-1/2 hours. Halfway through roasting, add the white wine.

Caramelize the remaining vegetables in some butter in a sauce pan. Add the chicken stock and pan drippings, making sure to skim off and discard the chicken fat.

Let the bird rest for 15-20 minutes, carve and serve with roasted potatoes, Calabrian chiles, braised kale and some good crusty sourdough bread.

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