It’s Raining Bacon

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You know you live in a great place when there is an abundance of local bacon to choose from. There’s Victorian Farmstead and Black Pig Meat Co. from Sebastopol. Napa has its superb Fatted Calf bacon. In the super-ultra-premium category, there’s Mangalitsa pork from Windsor’s Winkler Wooly Pigs.

My new favorite is the excellent bacon from Santa Rosa’s one-year-old Sonoma County Meat Co. The thick-sliced bacon sells for $6.99 a pound in their shop and a bit more elsewhere, and it’s an example of restraint, not a word generally associated with bacon. The folks at SCMC know that good pork belly is best when it isn’t overpowered by too much smoke flavor or salt. I tried the “classic” bacon, slow-cured and smoked over hickory. It’s lightly seasoned with maple sugar and red pepper flakes, but it’s the sweet pork flavor that comes through. There are a few other secret ingredients, but they’re not giving them away. Whatever it is, it’s great stuff. They also make a delicious-sounding honey-lavender bacon.

In the pan, the bacon yields a fair amount of water. Cook it slowly on medium heat to get it nice and crisp but to prevent the sugars from burning. Sonoma County Meat Co.’s bacon is available at Oliver’ Markets, Big John’s Market in Healdsburg, the the West End Farmers Market and SCMC’s retail shop at 35 Sebastopol Ave., Santa Rosa. 707.521.0121. www.sonomacountymeatco.com

Dirty and Rotten

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When singer Kurt Brecht and guitarist Peter “Spike” Cassidy started the punk band Dirty Rotten Imbeciles (better known as D.R.I.) back in 1982, they never imagined the band would be going strong after 33 years.

Besides an extended hiatus between 2006 and 2013 when Cassidy spent time treating and recovering from colon cancer, the band has been touring incessantly, playing places as far-reaching as South America and Indonesia.

“We just recorded a new EP that has three new songs and two re-recorded ones from years ago,” Brecht says, by phone from his home in Houston, Texas. “We don’t have a name for it yet and still no release date planned, but it will be released on Beer City records. We also have a few other new songs, and we’ve been working in our new drummer, Brandon Karns, who joined us last summer.”

Although a contract with Slim’s in San Francisco from a previous booking agent had prevented the band from playing in the North Bay, Cassidy now books all D.R.I. dates, and the band will finally do a proper Sonoma County show on Thursday, April 2, at 755 Afterdark in Sebastopol with Slandyr, Twisted Psychology, Thought Vomit, Trecelenc and Phantasm. 755 Petaluma Ave., Sebastopol. 7pm. $17 advance; $20 at the door (all ages). 707.861.9190. www.755afterdark.com.

Crop Circles

The push to eliminate genetically modified organisms from our food has finally broken the surface of mass consumer complacency. Occupying a slot of infamy once reserved for trans fats and nitrates, GMOs are today’s reigning symbol of the Evil Empire of Big Ag, and the latest target of a health-conscious public.

Genetically modified organisms are those whose genetic materials have been altered by laboratory technology. Such biotech alteration is experimental, and the fear among GMO opponents is that changes of this sort, on a genetic level, produce substances that the human body is not designed to process. Those can lead to cancer, allergies or other health problems.

One unexpected byproduct of the fight over GMOs is the confusion arising over GMOs and organic labeling.

The confusion is in part courtesy of the U.S. Department of Agriculture, whose standards for what constitutes “organic” are far below, for example, the Marin County standard under that county’s Marin Organic Certified Agriculture (MOCA) program.

The USDA bar is set so low for the “organic” label that even China can clear it—”Which is just crazy,” says Jeffrey Westman, executive director of Marin Organic, a Point Reyes Station–based nonprofit that promotes organic agriculture and food access in Marin County.

Organic angst is nothing new, says Westman; it’s what prompted the nonprofit he runs into existence, about 15 years ago. “A group of farmers said what the USDA said was organic wasn’t good enough,” he recalls.

Now, 15 years later, everybody’s jumping on the organic and GMO-free wagon. Even General Mills Inc. has gone “GMO-free” on Cheerios, the popular cereal which enjoyed sales of more than $365 million in fiscal year 2013.

The corporate push over organic-friendly labeling has left organic growers with the fear that consumers will leap-frog over the “organic” label and purchase the often cheaper products that tout non-GMO status.

Such confusion could be devastating for farmers who have earned the USDA “certified organic” label by forgoing toxic fumigants such as methyl bromide—or for those who have earned local organic certifications that are beyond the USDA standard.

The organic label certifies the method of farming; it is not a verification of the final product. “Our farmers are probably a lot less freaked out than others, because they are certified by MOCA,” says Westman.

But Westman sees an unfolding irony as “organic” moves into its second decade as a corporate-embraced buzzword, and loses its power and meaning in the process.

He fears younger farmers might forgo the certification process entirely, since the locals who are buying their crops already know where it’s coming from, and how it was farmed.

“There’s a whole bunch of cool, young growers out there who are really walking the walk” when it comes to true-blue organic farming, says Westman. But they’re working with tough margins already, and not necessarily putting a priority on being certified organic or interested in going through the process, on the logic that, as Westman describes it, “I’m selling locally to people who know my product, so there’s no reason to get certified.”

“The problem there is that there’s no accountability,” Westman says. In other words, if the really hard-core “organic” farmers forsake the labeling protocols, then Big Ag retains its dominance at the labeling table. Westman says he was at a recent conference attended by a staffer from Secretary of Agriculture Tom Vilsack’s office. He was asked why it was so hard to create organic standards that have teeth. “The answer is, show up. They’re listening, but we’re not telling them very loudly.”

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IT’S COMPLICATED

Even if you start with non-GMO seed and farm organically, it’s still possible for compromise to occur if your farm is located near acreage farmed in the “conventional” chemically enhanced method, or for GMOs to sneak into a crop due to cross-pollination. Today, more than 80 percent of U.S. corn, soybean and cotton crops are genetically modified, and at least 90 percent of the sugar beets grown in the U.S. are genetically modified.

The issue is even more complicated than that. The Petaluma Seed Bank doesn’t sell certified organic seeds because it works with small growers and producers from all over the world, says store manager Paul Wallace. The operation is just not big enough to ensure that, say, seeds coming from Africa are certified organic, so their seeds are not certified.

What the seed bank can guarantee, he says, “with our hands on our hearts,” is that all the seeds available are non-GMO, not treated with chemicals and non-patented.

So, how to avoid GMOs—besides by buying non-GMO seeds?

A big question, it turns out, as I discovered attending a GMO panel at last month’s EcoFarm 2015 conference at Asilomar in Pacific Grove. The USDA organic certification—which is a higher standard than the “Made with Organic Ingredients” label—and the Non-GMO Verification Project seal are brands to look for when seeking to avoid genetically modified organisms in foods. The Non-GMO Verification Project’s standards ensure that GMOs are avoided in all aspects of production.

Due to the risk of contamination in processing, however, no product can claim to be 100 percent “GMO free.” As the Non-GMO Verification Project’s website reminds consumers, “the Non-GMO Project only verifies meat and processed foods. Due to the lack of verification for fresh produce, buying certified organic produce is the only way to avoid GMOs in your fresh foods.”

The North Bay puts an emphasis on GMO labeling and supported Proposition 37, the 2012 California ballot initiative which would have required GMO products to be labeled as such, and prohibited such products from using the label “Natural.”

The measure was defeated
(51 to 49 percent), after Monsanto Co, Pepsi Co., Coca-Cola, Kraft Foods, Dow AgroSciences and other corporations spent a combined $47 million opposing it (compared to the $9.2 million spent by supporters).

Consumers continue the push for GMO labeling. Whole Foods Market, according to senior media relations specialist Liz Burkhart, says “people have a right to know what’s in their food. That’s why we have set a deadline to provide full GMO transparency on all of our food products by 2018.”

ORGANIC VS. NON-GMO

For the Seed Bank’s Wallace, emphasizing what is “organic” and what isn’t moves the issue beyond where it should be—which is with local farmers and local consumers who trust their produce. If you’re standing in Walmart perusing the produce and angling for the “organic,” you’re selling yourself short as a consumer.

“It’s important to eat locally and seasonally,” Wallace says. But if you’re going to shop at the big box, he says the emphasis should be on the nutritional value of the food. “The organic red pepper at Walmart is probably better than the non-organic red pepper at Walmart, but those shouldn’t be the only two choices. There are so many opportunities to vote with your fork these days. You want a red pepper? Go to a ‘mindful’ operation, go to a farmers market, grow it yourself on your roof or join a community garden.”

If a seed, vegetable or product such as granola has gone through the years of planting, development and testing to earn “organic” status, it can also be considered as GMO-free as is possible. But there’s no denying that genetic engineering of many things, including seed for large-scale corn and soy crops (keyed to work with toxic herbicides such as glyphosate), has become both more sophisticated, more prevalent. The integrity of “organic” as a non-GMO food source requires that watchdogs such as the Center for Food Safety never sleep.

“Our main concern is making sure that GMO foods are regulated and that health risks are assessed,” says the center’s West Coast director Rebecca Spector.

The problem is that mandatory GMO labeling has run afoul of powerful agriculture and manufacturing lobbyists, who have spearheaded disinformation campaigns such as the one that helped to defeat Proposition 37.

“The FDA made a political decision in 1992 that GMO foods were not materially different than any others,” Spector told EcoFarm panel attendees. “So we work for voluntary labeling such as the non-GMO Verification Project, and lobby at the state level for mandatory labeling laws.”

In October, Consumer Reports described the “fierce opposition to GMO labeling from many seed manufacturers and big food companies, which have spent nearly $70 million in California and Washington state alone to defeat GMO-labeling ballot initiatives.” Vermont is the only state so far to require such labeling and already there have been legal challenges.

But Spector compares the GMO-labeling battle to controversial issues like same-sex marriage and marijuana legalization that faced huge opposition before gaining acceptance.

“It can take many years,” she says.

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ORGANIC CHALLENGES

After 10 months at the helm of the Santa Cruz–based national Organic Farming Research Foundation (OFRF), Brise Tencer sees momentum both in the larger market share that certified organic products gain each year, and the fact that “price difference between organic and conventional produce is also getting smaller.”

Tencer says the three-year transition required to go from conventional to organic is “a challenge for farmers. They have to grow organically for three years, during which time they can’t label their harvests as organic.” Those who know how organic crops are produced, she contends, know that there’s much more diversity in the organic label than the non-GMO label.

Tencer says organic farmers are tackling the problem of accidental GMO pollination head-on. “We are working with varieties that won’t cross-pollinate with GMO varieties. One such project—organic-ready maize—is going really well,” she says. “Non-GMO integrity is still a work in progress, but the results are really exciting.”

Mark Lipson, a Santa Cruz County farmer and former policy program director at OFRF, spent the past four years in Washington as the organic and sustainable agriculture policy advisor at the USDA. He says the non-GMO brand has gained a lot of momentum in the last decade.

“The consumer-safety aura of the non-GMO claim, abetted by social-media chatter, has led many organic producers and processors to include a non-GMO statement on their labels,” he says.

But at the same time, “consumer ignorance has been exacerbated by misleading marketing,” he says, giving a pass to conventional farming “dependent on herbicides, neonicotinoid insecticides and synthetic fertilizers, but not using GMO seeds—at the expense of organic farmers.”

FEEDING THE FUTURE

The choices we confront—”organic” and “non-GMO”—may turn out to be luxuries we can no longer afford. Almost half the land area on earth is used for farmlands and pastures, and fully 70 percent of the earth’s available fresh water goes to provide the food that more than 7 billion humans need to survive.

In a lecture in November, UC Santa Cruz biology professor Lincoln Taiz reminded the audience of the long lineage of agriculture that has led to today’s depletion of space and resources. We need a second “green revolution,” said Taiz, after reviewing the grim facts of population pressures, climate change, drought and starvation. Obesity in the first world is ironically overbalanced by accelerating malnutrition in Asia and Africa.

“Crop yields must double to meet the predicted population increases by 2050,” Taiz warns. “Agriculture is a Faustian bargain. Every expansion involves great ecological costs and loss of biodiversity.” Yet Taiz remains optimistic that “molecular tools” can increase plant productivity.

Yes, GMOs. Genetic engineering, some scientists believe, is the only means of future survival in a world of disappearing natural solutions.

“Gene transfer for crop improvement,” says Taiz, “can engineer new traits that will enable plants to survive climate change, drought and floods.”

But many farmers resist this vision of the future. Organic pioneer Jeff Larkey of Santa Cruz County’s Route 1 Farms reports that organic growing has expanded in the United States “to about a $35 billion slice of the agricultural pie”—still only 5 percent of the total, but growing.

“Along the Central Coast, which some consider ground zero for the movement, it’s grown from a handful of farmers to now include some of the largest organic vegetable growers in the country,” says Larkey.

But he’s concerned about GMO-seed-supply contamination.

“Once these things get out there, there’s no way to remove them. Even pesticides will eventually degrade, but this has the potential to be with us forever,” says Larkey. Unlike Taiz, he sees organic farming and resistance to GMOs as the key to ecological sustainability, and he doesn’t plan on giving up that fight.

“The vast majority of the GMO crops have been created to be resistant to herbicides so that they can be used with impunity,” Larkey explains. “We are looking at water aquifers and soil biology in a huge part of our country becoming negatively impacted from long-term use of the herbicide glyphosate, and that should be of concern to everyone.”

Tom Gogola contributed to this story.

Local Boy

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‘I really do love playing in small spaces,” says multi-instrumentalist Gabriel Kahane, describing the difference between playing enormous shows to thousands of people and doing smaller shows, like the 100-seat fundraiser he’ll be playing this week in Sebastopol.

“With a small show, it’s more fun to ‘run the room,’ as they say in the biz. I’m really looking forward to the Sebastopol show, for a whole number of reasons—and getting to play a focused, intimate show for a few people, that’s just one of them.”

For another, the show at the French Garden—a fundraiser for Main Stage West Theater—is a kind of a homecoming for Kahane. Twenty years ago, he was a student at Santa Rosa High School, best known then as the son of classical pianist Jeffrey Kahane, former conductor of the Santa Rosa Symphony. Today, the younger Kahane is a star in his own right.

As a composer, he’s written original pieces for the Los Angeles Philharmonic, Kronos Quartet and the Orpheus Chamber Orchestra. His own recordings, bearing a style similar to Rufus Wainwright, have made him someone to watch among fans of alternative music. His recent CD, The Ambassador—a sparkling collection of songs inspired by 10 different building in Los Angeles—was proclaimed one of the best albums of 2014 by Rolling Stone magazine. NPR called it a CD that “needs to be heard.”

Currently, Kahane is on tour with the experimental country-bluegrass-classical band the Punch Brothers, working their way across the country. But Kahane will be taking a night off on March 29 to play for just 100 people, tops. It’s a favor to his old friend and mentor, Kahane’s former high school drama teacher John Craven, whose wife Beth Craven is now artistic director of Main Stage West.

“John was one of the more influential figures in my life, as far as my early creative development is concerned,” says Kahane, on the phone from New York where he now resides. “A few months ago, John and Beth came to see a concert of mine in Seattle.” Afterward, Beth Craven contacted Kahane and asked if he’d be open to doing a fundraiser for Main Stage West.

“I got back immediately, telling her I’d be honored,” he says. “I’m delighted to be doing this show, in part as a way of giving back to the community that raised me, in a sense.”

The hot-ticket event on Sunday includes an elegant dinner, auctions and more. Local actor Jeffrey Weissman (Back to the Future II and III, Pale Rider) will be the host and auctioneer.

“I do a lot of big shows now,” says Kahane, whose theatrical roots are still active. He composes regularly for the theater and collaborated with Broadway director John Tiffany (Once,
The Glass Menagerie) to create a full-on theatrical staging for his concert tour of The Ambassador. “But in between New York and L.A., my audience is still very much developing. In the context of the tour I’m doing with Punch Brothers, I’m opening for them, and, yes, those are bigger rooms—a thousand or 2,000 people—but those are the Punch Brothers’ audiences, not mine.

“In a small space like the French Garden,” he continues, “it’s easier to make the audience feel as if they are all having the same experience at the same time. That doesn’t happen when there are 2,000 people in the audience.”

Asked what he learned from Craven, the Art Quest program and the whole Santa Rosa high school experience, Kahane wastes no time in answering.

“For me there was a real rigor and purity to the work that we were doing. It’s pretty improbable that at a public high school we could be doing plays by Chekhov and Oscar Wilde, Caryl Churchill and Tony Kushner. That’s not your typical high school drama fare. And we really dug deep into those plays! It was a pretty extraordinary experience.”

That said, the show Kahane plans for this weekend will be relatively stripped of theatricality, focusing on the drama of the songs themselves, which—as anyone knows who’s listened to Kahane’s work—will be plenty full of drama, comedy and narrative power.

“I will do a sort of tasty menu, sampling various aspects of my work,” he says, playfully nodding to the fact that he’ll be performing in a restaurant. “I’ll do a number of songs from The Ambassador, a couple of songs from Where Are the Arms, my previous album—and probably a classic or two.”

Kahane’s affection for the indelible tunes of the American Songbook is part of his growing reputation.

“That’s just one of the things I learned from John,” he says. “An appreciation for the classics.”

Mar. 20: Man at Work in Napa

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Best known as the vegemite-sandwich-eating lead singer for down-under ’80s band Men at Work, frontman-turned-solo-artist Colin Hay still has his nose to the grindstone, and is making some of the strongest music of his career. Written and recorded in his Los Angeles home studio, his latest album, Gathering Mercury, is Hay’s most personal effort. The passing of his father spurred the creation of the album; Hay shares these emotionally packed songs and more when he makes his way to Napa as part of a national tour on Friday, March 20, at City Winery Napa, 1030 Main St., Napa. 8pm. $30–$45. 707.260.1600. 

Mar. 21: Haunted Showman in Monte Rio

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If you like 3-D movies, you should have seen them in the 1950s; 3-D was invented then after all. But the fun didn’t stop at 3-D. For The Tingler, theaters installed vibrating seats, and flying skeletons circled patrons at screenings of The House on Haunted Hill. These innovations, and many others, were the product of one man, filmmaker William Castle. As strange as his methods were, they worked, and his films are considered classics. Castle gets the book treatment from author Joe Jordan, who comes to the North Bay on Saturday, March 21, to read from Showmanship and talk about Castle and his Haunted Hill—film clips included! Things get spooky at the Rio Theater, 20396 Bohemian Hwy., Monte Rio. 2pm. $5. 

Mar. 21-23: Russian Glory in Rohnert Park

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Moscow-born, New York–based classical pianist Olga Kern returns to the Santa Rosa Symphony after a spellbinding performance in 2013 for the orchestra’s latest performance, ‘Blaze of Russian Glory.’ This time, Kern sits in with conductor Bruno Ferrandis and the symphony for several fiery, passionate piano concertos written by Russian masters. First, the vivacious Piano Concerto no. 1 from Rachmaninoff lights up Weill Hall with spirited scales and unusual time signatures, then Prokofiev’s own Piano Concerto no. 1 heats up with experimental melodies and abundant creativity. Stravinsky’s Firebird Suite caps off the program taking place Saturday through Monday, March 21–23, at the Green Music Center. 1801, East Cotati Ave., Rohnert Park. Saturday and Monday, 8pm; Sunday, 3pm. $76 and up. 707.546.8742. 

Mar. 22: ‘No Ragrets’ in Sonoma

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Tattoos have never been more popular. But it’s really easy to mess up your ink. Sloppy lines can turn a loving portrait into a monstrosity. Overlooked typos can spell disaster for heartfelt messages. Then there are ideas that seem funny on paper but should never be committed to skin (I’m looking at you, Patrick Swayze centaur). If you own unsightly body art, fear not. Now you can stop hiding your shame and embrace your regrets with the Ugly Tattoo Contest, hosted by Kristine & Shotsie’s Tattoo. Win prizes for your ugly tattoos, listen to live music and chomp down on tasty food on Sunday, March 22, at Burgers & Vine, 400 First St. E., Sonoma. 7pm. No cover. 707.938.3000.

Chapter 2: Food & Drink

After a night in the softest sheets he’d ever slept in, Jake took a tip from the bellboy and headed to Aroma Cafe in San Rafael for an egg number called a shakshuka. He had trouble pronouncing it, but it sure was good.

On the way to Bolinas, Sir Francis Drake was clogged with bicycle enthusiasts—a real Tour de France scene. But it was smooth sailing after that, the Roadmaster lapping up the Shoreline Highway like a kitten drinking milk. Nice country, Jake thought, as the dark redwood forest gave way to ocean vistas. The kind of place a person could lose himself in.

Case in point, he realized after half an hour, he’d missed the turnoff to Bo-town.

Cursing his sloppy work, Jake pulled off the road to ask directions at a tidy little farm. Looking around for an Old MacDonald–type, he was surprised to find a bearded fellow in white spaceman rags walking toward him, like some kind of beatnik Flash Gordon.

“Hey, mac,” Jake called out. “Is this the road to Bolinas?”

“Yep. Keep on this road, it’s about 10 miles south of Point Reyes Station.”

“I just came from there. I didn’t see any sign for it.”

“Oh, you didn’t see it, all right,” the farmer said with a laugh. Bees were buzzing his head like Spitfires, but he didn’t seem to notice. “The locals take down the sign on the highway every time they put up a new one.”

“Are you blowing smoke?”

“It calms the bees.”

Jake narrowed his eyes. Farmer Flash was savvy. “I get the picture,” Jake said. Could be worse than beach bums and nature freaks, he thought. Sounds like Molly Pemberton had gone surfing in some murky waters.

Jake nodded toward a greenhouse. “Say, what’s this outfit here?”

“This is Heidrun Meadery. Come on, I’ll give you a taste.”

What the hell, it was almost noon. “Not bad,” Jake said, draining the glass. “What d’ya know—honey, with a kick.” That reminded him, there was a honey-blonde dame who needed finding. “Thanks for the hooch, chief.”

When Jake finally pulled into Bolinas, he circled through town and spied a likely place to start asking questions—some longhairs playing guitar on a dock. Just as he got out of his car, two dames in a Volkswagen bus zipped by in front of him, headed out of town. On the roof was a surfboard—mango orange. . . .

Continue the Story

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FOOD AND DRINK: WRITERS PICKS

Best Big Little Chicken

It’s nothing new to find a chicken-themed business in Petaluma, egg capital of the world, emeritus. It’s only slightly more surprising to learn that Henhouse Brewing Company, a three-year-old, 1,000-barrel operation in Petaluma’s burgeoning industrial “brewery district,” is run by three dudes—this is the craft-beer scene, after all. What’s great about Henhouse is how not-too-weird and actually really savory their signature oyster stout is, brewed with Hog Island oysters; how spicy, clean and refreshing their clove and banana-scented Belgian-style saisons are—and even though their “Big Chicken” is a belated nod to the double IPA category, the focus is on “food-friendly” beer in this arms-race era
of the ultra-hoppy. Here’s where the henhouse comes in: the brewery’s taps were made
from recycled wood from a certain Mrs. Schwarz’s old chicken barn. A black lager called “Mrs. Schwarzbier” is named in her honor. www.henhousebrewing.com.—James Knight

Best Tomales Bay Dining Experience

Up the road from bustling Point Reyes Station, where you can dine on gourmet food at Osteria Stellina or devour fine food at the Station House Cafe, there’s Tony’s Seafood in sleepy Marshall. It might not look enticing, but appearances can be deceiving. Probably the best time to arrive at Tony’s is Friday, community night, when folks who live along Tomales Bay gather to meet, greet, swap stories and feast on barbecued oysters. It’s only open on weekends from noon to 8pm, when folks get ready for bed. Weekenders from the city venture
inside and, if they’re lucky, a waitress will show them the menu that’s designed specifically for locals. Don’t worry.
Nearly everyone is local at Tony’s—
or can be with a smile and a willingness to share a table with strangers and act like old friends. On a clear day you can watch boats bobbing on the water or follow schools of sardines. The entrées might be a tad overpriced. The tables could be a bit cleaner, and the no-credit-card policy can be a hassle when you don’t have the cash, but there’s no place more authentic on Tomales Bay than Tony’s. 18863 Hwy. 1, Marshall. 415.663.1107.—Jonah Raskin

Best Brewery in a Winery That Has Wine in the Brew

And milk in the stout, did I mention the milk stout? Napa’s new City Winery, the West Coast outpost of a New York–based live music venue and fine-wine phenomenon with branches in Chicago and Nashville, puts the emphasis on its wine-on-tap system. Two rooms of kegs, one for reds and one for whites, feed taps with a choice selection of Sonoma and Napa wines. At the end of the hall in back, in a side room with a view of the Napa River, the brewmaster and assistant brewer preside over their own little seven-barrel world, controlled with a sweet touch-screen brewing system. But you can bet there’s wine in the beer: Chardonnay in the IPA, Sauvignon Blanc in the pilsner. None the worse for it, they’re crisp and zippy ales. Oh, and there’s milk in the stout. 1030 Main St., Napa.—James Knight

Best Comforting Chocolate Milkshake

Bustling Fourth Street in San Rafael is chock-a-block with dining options up and down the value chart. And it can be a little tough to make the lunch call when you’ve got further business in town and need to chillax and collect yourself. Theresa & Johnny’s Comfort Food makes it easy with a dab of outdoor seating to lure you, and with its utility of menu, the wide array of diner staples, the total meltdown sandwiches, patties of meat and cheesy things, crab cakes and crispy fried French toast and all the rest. Theresa and Johnny’s nabs a feel-goodness award for its delicious and rich chocolate milkshake served in a big ol’ pint-style glass. You must order it with your midday repast and not after, and appreciate it as a beverage through the course of your luncheon outing. It should be the last bit of lunch left before you, and you should slurp that last bit before heading off, with authority, to that important meeting. You will want the comfort and power it provides to linger. And go ahead and dip your fries into the creamy-thickness of it, everyone does it. 817 Fourth St., San Rafael, 415.259.0182.—Tom Gogola

Best Home-Brewed Green Fairy

Vincent van Gogh used it as a muse for his paintings. Oscar Wilde sipped it as he wrote his plays. Ernest Hemingway found it when he first traveled to Spain and Cuba as a young adventurer. It’s been embraced, banned and mythologized to death—there simply is nothing like absinthe. The “Green Fairy” emerged sometime in the late 18th century in France, crafted by blending herbs and spices into an alcoholic concoction with strong licorice and mint flavors. I first saw the drink for sale outside the U.S. in 2007, though America has since loosened its ban on the import and sales of absinthe. Still, imported bottles of the heady, intoxicating alcohol are and expensive. Your other option is to take the DIY approach and make it yourself. Luckily, your homebrew will be easy to assemble and even easier to acquire. Start with your favorite bottle of hard liquor. Vodka works well, but grab some Everclear if you’re nasty. Pour it into a big old jug. Then head over to Rosemary’s Garden in Sebastopol for your herbs and spices. Wormwood, hyssop, calamus root, fennel seed, cloves, coriander and nutmeg can all go in it. Grind the seeds and roots with a mortar and pestle. Steep the herbs in the alcohol for two weeks, strain, and then add some mint and anise extract to taste. Without this, you’ll have some bitter stuff. Pour the drink into a glass with an ice cube, place a slotted spoon or fork over the glass, set two ice cubes on it and pour cold water over the cubes very slowly so they dissolve. Drink it up, and say hello to the fairy for me. 132 N. Main St., Sebastopol. 707.829.2539.—Charlie Swanson

Best Place to Discover a Passion for Wine

Did you know that in the Napa Valley, you’re never more than 150 feet from a person who’s discovering a passion for wine? Strange but true, or so they say. In fact, Napa Valley plays host to the world’s highest concentration of persons overcome by an intense passion for wine. Not according to social scientists, Napa’s unique terroir creates the perfect conditions for wine passions to develop within the unique microclimates of the imaginations of susceptible individuals—those unburdened by financial concerns are especially at risk. Hailing from backgrounds as diverse as banking, law, banking, banking and banking, affected persons may eventually adopt a firm belief that wine is made in the vineyard, followed by a conviction to make wine that rivals the best of Bordeaux, ultimately in a Tuscan-style villa. Not mathematically speaking, wine passion is increasing at a rate where delta equals Mondavi plus 1976 squared by Pritchard Hill—but experts say the situation could worsen. Next time you’re in Napa, that’s not the wind you hear sighing. Someone is experiencing a passion for wine. Somewhere near St. Helena.—James Knight

Best Use of the Words ‘Free’ and ‘Beer’

Not only is the sidewalk sign in front of Jack & Tony’s in Railroad Square one of
the most photographed objects in the neighborhood, it’s a perfect example of how to get the attention of passersby with a head-turning offer, then make them laugh when they realize they fell for one of the oldest gags in the book. Best seen at a distance.
115 Fourth St., Santa Rosa. 707.526.4347.—David Templeton

Food & Drink: Readers Picks|
Back to Intro Page

Princess in Waiting

Kenneth Branagh’s version of Cinderella has a magnificent palace in it, like a Beaux Arts casino on the edge of an Alaskan fjord. Production designer Dante Ferretti and costumer Sandy Powell fill it up at great expense.

This fantasyland is created after the invention of aniline dyes; as garish as they are cruel, the stepsisters wear all the newly created hues at once. By contrast, the kind yet interesting prince, known as “Kit” (Richard Madden) holds court in a series of elegant Hussar uniforms. If you positively have to wear a military uniform, dress as light cavalry.

Lily James (Downton Abbey) as Cinderella was cast not because she’s this week’s most beautiful girl, but because she’s an actress able to convey an honest heart. Her endurance really changes the story, even if a bit of magic helps—the temporary enchantment melts delightfully during a chase, with the horses growing vast mouse ears and the lizard footmen and the goose coachman metamorphosing in front of us.

Wicked stepmom Lady Tremaine (Cate Blanchett), wrapped in poison-green gowns, makes this poor orphan Ella sleep in a rickety attic as tall as the library in The Name of the Rose. Though screenwriter Chris Weitz devises an intelligent reason why Ella would hide from her prince, the sturdy writing goes too far and overexplains. After all, Blanchett doesn’t need dialogue to explain why she’s bad; she’s Cate Blanchett—she can show us the hurt on the far side of her wrath without any words.

‘Cinderella’ is playing in wide release.

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Princess in Waiting

Kenneth Branagh's version of Cinderella has a magnificent palace in it, like a Beaux Arts casino on the edge of an Alaskan fjord. Production designer Dante Ferretti and costumer Sandy Powell fill it up at great expense. This fantasyland is created after the invention of aniline dyes; as garish as they are cruel, the stepsisters wear all the newly created...
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