A Fence Too Far

If the state gets its way, Kathleen Miller’s disabled adult son and some 400 other patients will be forced to leave the care of Glen Ellen’s Sonoma Development Center for a destination unknown.

“[State officials] say they want to collaborate with us, but this is a fast-track for closure,” Miller says. “They want to close it very quickly, and almost dangerously.”

Miller is the head of the Parent Hospital Association at the Sonoma Developmental Center (SDC), which the state has scheduled to close in 2018. Last week she was one of several local advocates for the center who teed off on the proposed closure plan offered by the state Department of Developmental Services.

State Sens. Mike McGuire, D-Healdsburg, and Bill Dodd, D-Napa, share her concerns and took issue with a plan that they said doesn’t address the fate of the developmentally and behaviorally disabled people now living at the facility.

“We are incredibly disappointed with the draft plan that was put forward last week,” the lawmakers asserted in a Sept. 21 press release. “The report is inadequate and lacks the specific details that we as a community expected, and quite frankly, were led to believe would be delivered.”

The question hanging in the air is what happens if efforts at community placement of residents fail by the time the facility closes?

Closing the SDC means closing a facility of last resort for some residents who might otherwise find themselves getting their mental-health services in locked-down hospital psychiatric wards or, worse, in jail.

“We already know that the Sonoma Developmental Center is home to the state’s most medically fragile residents,” the lawmakers wrote, “and we know that, in past transitions, some residents have struggled to succeed in community placement. It is unacceptable that this draft plan lacks any details about contingency planning for these residents, and others who may not thrive in the community. This report essentially takes a wait and see position on care: Wait and see if residents struggle or fail in the community, and then act to make changes.”

The state has slated the facility for closure as a cost-cutting move. It’s been in operation at the Sonoma Valley location since 1891. The state push is part of a years-long effort to get out of the pricey mental-health-services business and privatize care in smaller, group-home settings.

But the SDC is a unique asset—”the largest and most significant unprotected land in the Sonoma Valley,” says the county website—and part of the treatment for residents has historically been open access to the natural wonders around it.

Miller says the lawmakers are spot-on in their critique of the closure plan, which, she says amounts to “close it first and then let’s see what happens.”

Miller has welcomed efforts from county officials and other agencies to create an alternative to the closure, an effort that is ongoing. Susan Gorin, president of the Sonoma County Board of Supervisors, is a supporter of the parents’ coalition.

Patient advocates have called on the state to continue using the SDC. McGuire and Dodd want to use the space for specialty services and propose transitioning the facility to a health center for those with severe behavioral issues.

The state has said that while it won’t put the property into the “surplus” category—which might have meant its eventual sale to commercial interests, such as a vineyard operator—it has not shown interest in any continued use that provides services to those living there now.

Local advocates for SDC have called for a facility that provides, for example, specialized dental services for the developmentally disabled, as well as housing for the behaviorally challenged. The closure plan from Developmental Services generally rebuffs those plans while simultaneously claiming that the first priority of the state is to find adequate housing for the residents.

Many have lived there for decades, including Miller’s son. Those patients may find a tough transition road ahead.

“It feels like we have this strong local voice with this strong local vision that has been ignored by Sacramento,” Miller says.

A key issue for Miller is that the SDC is a facility of last resort for residents like her son, who is in his late 40s and has a dual diagnosis of mental illness and autism. Over the years, Miller has tried to find housing for him in smaller group homes, but he always wound up back at SDC, where he lives now.

Miller is also concerned about a state effort to replace long-term, state-run centers such as the SDC with smaller facilities that would be built to “delayed egress/secure perimeter” standards. Those are facilities surrounded by a fence where residents can’t go outside unless they are let out.

The concern is that these would wind up being a “one size fits all” solution for developmentally challenged adults.

The state of California is mandated to provide safe housing for the developmentally disabled with a minimum of restrictions on their mobility, but Miller fears that the state may over-rely on these homes as a catch-all for whoever comes out of the SDC when it closes in 2018.

State disability advocates have noted that these “delayed egress/secure perimeter” buildings are a good deal for people who would otherwise be forced into more secure facilities, such as jail. As such, the state launched a pilot program in 2014 to develop six of the facilities around the state, and loosened restrictions on existing group homes of less than 15 beds to allow for delayed egress/secure perimeter upgrades. But what about residents at SDC who are used to living in a less secure facility, have lived there for practically their whole lives and now face the prospect of being locked behind a fence?

John McCaull, land acquisition property manager at the Sonoma Land Trust, echoes Miller’s concerns. McCaull’s organization is keenly interested in the fate of the SDC grounds, which provide critical habitat and act as a wildlife corridor straddling Sonoma Regional Parks land and Jack London State Park.

The grounds originally comprised some 1,600 acres, but about 15 years ago, 600 acres were cleaved into the adjacent Jack London State Park. Of the roughly 1,000 remaining acres, about 200 are dedicated to the SDC campus itself, which contains multiple buildings, some in better shape than others; the remaining land is undeveloped and open to the public. The main building is structurally unsound and not in use.

McCaull shares Miller’s concern about the advent of secured off-site facilities and what it might mean for residents. He notes that even as the SDC campus has been downsized, there remains “a huge environmental asset that the state has managed quite well.” His organization was relieved at the state pledge to keep the land out of the surplus pile.

“Of course we care about the land, but the wellbeing of the 400 people and the thousands of people that have lived there over the years is connected to the fact that they can get around, they can move freely,” McCaull says. “It’s an open setting and being in nature has helped a lot of the people there.”

Fresh Pleasures

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The New Mastersounds formed in Leeds, England, nearly 20 years ago, and though much has changed in the lives of guitarist Eddie Roberts, drummer Simon Allen, bassist Pete Shand and keyboardist Joe Tatton, the tightly knit and funky foursome have never lost their musical connection to each other.

On Oct. 2, the New Mastersounds release their 10th album, Made for Pleasure, on the Royal Potato Family label. The band plays from the record when they hit the Sweetwater Music Hall in Mill Valley on Sunday, Oct. 4, a day after they play San Francisco’s Hardly Strictly Bluegrass Festival.

The upbeat, dance-inducing Pleasure was recorded in New Orleans, a city that has long influenced the band’s larger-than-life funk sound. Frontman Eddie Roberts spent a few years living in the city, after a stint living in San Francisco and before moving to Denver, where he resides now.

The lively sounds of the French Quarter are prominent throughout the new record, which also includes several guest appearances by the likes of multi-instrumentalist Mike Dillon (Les Claypool’s Fancy Band) and soul singer Charly Lowry (Dark Water Rising), as well as a full horn section courtesy of band mates from Roberts’ former San Francisco jazz combo, West Coast Sounds.

The New Mastersounds play from
Made for Pleasure on Sunday, Oct. 4, at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley. 8pm. $22–$24. 415.388.1100.
—Charlie Swanson

Hammerhead Swims into Santa Rosa Next Week

hammerheadpaintingbyJonnyKelson
painting by Jonny Kelson

If you were (or are) a fan of noise rock, you were (or are or should be) a huge fan of Hammerhead. The Minneapolis-based trio formed back in the not-so-halcyon days of 1991 and unleashed a flurry of pummeling rock and post-punk heaviness upon the country for six years before disbanding. Though, like a bad penny, the band turned up once again, regrouping in 2010. Since then, they’ve been expanding and compounding on their throttling experimental sound, and last month Hammerhead released, New Directionz, their first full-length album in almost 20 years.
New Directionz is one of those rare gems of a return album for a reunited band. It both revels in the same rumbling, punishing bass lines and searing, dissonant guitars of the group’s early days, and progresses the sound in new and interesting ways. There’s definitely more nuanced post-punk atmospheres throughout, a darker edge to the fuzzed-out noise, yet there’s still that old familiar thundering rhythm to bang your head along to.
Hammerhead continue to be unapologetic and awesome, and with the new record they are taking the show on the road for a massive tour with another immense figure in noise rock, Qui. The Los Angeles duo of Matt Cronk and Paul Christensen have themselves had a bit of an on-again-off-again tenure, though it looks like their as strong as ever these days. Much more angular, vocally-melodic and playful, Qui nonetheless possess a raw and exciting sound and provide a perfect alternative pairing to Hammerhead.
Next Saturday, Oct 10, Hammerhead and Qui both invade Railroad Square in Santa Rosa to play the Arlene Francis Center. Also joining them on the bill is Hot Victory, an experimental drum duo out of Portland that put on amazing, space-oddity shows and features former Santa Rosa rock star Caitlin Love (Desert City Soundtrack / the Lead Veins). Kicking off the night is Eat My Shit, the electronic solo project from PRIZEHOG’s Vern Acular.
You can get more details of the show here and preview Hammerhead’s new album below.

Sept. 24: Preservation Dinner in Healdsburg

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Nancy Singleton Hachisu
moved from California to Japan in 1988 with a plan to stay for a year. She wanted to learn the language, see some sights, no big deal. As it turns out, she fell in love with the culture, and has made the country her home. These days, the author and cooking instructor spends her time offering authentic and approachable ways to experience Japanese cuisine. Her latest book, Preserving the Japanese Way, is essential for anyone interested in traditional practices of preserving fish, fruits and vegetables. Hachisu brings theses recipes and her book with her when she hosts a dinner on Thursday, Sept. 24, at SHED, 25 North St., Healdsburg. 6:30pm. $60–$80. 707.431.7433. 

Sept. 24: Wry Cowboy in Napa

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San Francisco singer-songwriter Maurice Tani has been a fixture at Bay Area clubs, venues and roadhouses for more than 30 years. Back in the day, Tani rocked a fiery punk sound with acts like the Flamin’ Groovies and toured the country with Big Bang Beat. Since 2000, he’s taken on the life of a cowboy and perfected a dusty alt-country twang. Mixing his tenor voice with acoustic guitar, Tani formed his current band 77 El Deora, whose latest album, Blue Line, has been called both ethereal and swinging. Tani goes solo when he makes his way to the Napa Valley, performing on Thursday, Sept. 24, at City Winery, 1030 Main St., Napa. 8pm. $15. 707.260.1600. 

Sept. 25-27: Very Vintage in Sonoma

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California’s oldest festival is back for its 118th year, as the Valley of the Moon Vintage Festival once again takes over Sonoma Plaza, just like it has every last weekend of September since 1897. A full lineup of music includes Mustache Harbor at the Friday-night gala, as well as Danny Click and Lydia Pense & Cold Blood over the weekend. An abundance of fine art, delicious food and family activities like the grape stomp and the night parade mean fun for everyone, and if you’re really serious, sign up for the 12k or 5k run, which takes you through stunning wine country. The Vintage Festival runs Friday–Sunday, Sept. 25–27, Sonoma Plaza & Barracks, First Street East, Sonoma. valleyofthemoonvintagefestival.com. 

Sept. 26: Sound On in Mill Valley

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Legendary soul singer and multi-instrumentalist Booker T. Jones put Memphis label Stax Records on the map back in the 1960s, yet more than 40 years passed between his 1971 release Melting Pot and Jones’ return to the label in 2013 with Sound the Alarm. For both parties, it’s a welcome return, and Jones makes the most of the comeback, enlisting varied guest stars like Mayer Hawthorne and Vintage Trouble, and blasting out 12 tracks of classic Memphis blues with pop edges and hints of hip-hop. The Grammy Lifetime Achievement Award recipient hits the stage with Bay Area favorites the John Brothers Piano Company opening on Saturday, Sept. 26, at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley. 8pm. $57–$62. 415.388.1100.

Night at the Shelter

I got a miniscule taste of what it is like to be a refugee when I attempted to return home to Lake County from Napa last week.

At the intersection of Tubbs Lane and Highway 29 in Calistoga, the police informed me that the only open route home would be to drive all the way north to Hopland, cut across the notoriously circuitous Hopland Grade to Lake County, and then home to Clearlake. Since it was far too late for this drive, I was directed to the Calistoga Fairgrounds fire evacuation center to stay for the night.

Upon arriving at the evacuation center, I pulled my car into the far side of the fairgrounds, hoping to get some shut-eye in the back seat. I tried about four pretzel poses to get some sleep, though the night was restless at best. At one point, a light rain began, and I hoped it was also falling where the fire was, in order to help put out the flames. Not so.

At breakfast, I met fellow Lake County residents who shared first-hand accounts of exploding propane tanks and gas stations, and walls of fire in Middletown and Hidden Valley Lake. I met people who had lost their homes, and others who’d been able to rescue their horses, but couldn’t save the rest of their pets because the animals were overcome with fear. They had to walk away from their burning homes, leaving their beloved animal friends behind, though, fortunately, they’d gotten their families out. Their losses carved deep lines in their faces.

During my drive home, I heard on the radio about the many people who had lost homes or businesses. Their nightmare had just begun. I counted myself incredibly blessed to have only experienced a three-hour driving inconvenience. I was sleep-deprived and impatient—nothing compared to what others were going through.

The experience of being a temporary refugee brings to mind those in our world who are real refugees, like those now fleeing the conflict in Syria. May we keep all of the refugees, both known and unknown, in our hearts and prayers. And, where possible, may we do what we can to create situations where there are no refugees, or be there to help them when there are.

Leslie Sheridan is editor and publisher of the ‘Carpe Diem Voice,’ where a version of this story appeared.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Opening Spotlight

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When Soundgarden songwriter Chris Cornell announced his acoustic concert tour earlier this year, he originally planned it as a solo gig—until he heard acoustic rock songstress Hemming (aka Candice Martello), and invited her to open for him. Hemming and Cornell perform in Santa Rosa on Sept. 24.

Growing up near Philadelphia, Martello has played guitar since she was a kid. She first made noise in the city of brotherly love as part of the punk duo Omar, with drummer Nick Fanelli. Omar caught the eye of producers at VH1 in 2014, who called to recruit the band for a new reality show, Make or Break, hosted by Linda Perry of 4 Non Blondes.

Taking a chance on television, Martello ended up transitioning into a solo performer for the first time in her public life when Fanelli had to drop out of the competition mid-season. Showing off her own emotionally charged acoustic songs to the judges, Martello went on to win the whole thing and secured a record deal with Perry’s label.

Working with Perry in the recording studio, Martello formed Hemming as her solo project and released her self-titled debut album this summer. The album is being praised for its resonating mix of compelling melodies and Martello’s commanding voice.

Hemming opens for Chris Cornell on Thursday, Sept. 24, at the Wells Fargo Center for the Arts, 50 Mark West Springs Road, Santa Rosa. 8pm. $50–$60. 707.546.3600.

What’s Yours Is Theirs

YOURS IS THEIRS

A funny thing happened on the way to Senate Bill 443 crashing and burning in the California State Assembly a couple weeks ago. The bill was the latest effort to reform California state law that governs asset forfeiture in law enforcement efforts, but after sailing out of the Senate on a nearly unanimous vote (38–1) in June, the bill flopped, 44–24, in the lower house when it came to a vote on Sept. 10.

In a legislature that boasts a Democratic supermajority, the votes looked weird on paper. But they weren’t a surprise to the California office of the Drug Policy Alliance, which has pushed for reforms to state asset-forfeiture rules so that innocents on the periphery of (mostly) drug cases aren’t separated from their assets—and can get their assets back without having to fight a law that puts the onus on the dispossessed.

“We knew that it was coming,” says Lynne Lyman, California state director of the Drug Policy Alliance, based in San Francisco. She says that any appearance that the bill was headed toward passage was a mirage, given that “law enforcement didn’t pay us any attention until after we got it out of the Senate.”

Once the powerful law enforcement lobby tuned into it, there was a “full court press” to kill the bill, says Lyman. It succeeded. Among other reforms, SB 443 would have demanded a criminal conviction as a precondition for seizing assets.

Asset forfeiture cases often involve innocent people in “conviction-free seizures” who have to have to prove their innocence to get their cash and property back. Oftentimes, they don’t bother, says Lyman, given the expense. She says the typical cash grab in an asset-forfeiture case is between $5,000 and $8,000.

A Fence Too Far

If the state gets its way, Kathleen Miller's disabled adult son and some 400 other patients will be forced to leave the care of Glen Ellen's Sonoma Development Center for a destination unknown. " say they want to collaborate with us, but this is a fast-track for closure," Miller says. "They want to close it very quickly, and almost dangerously." Miller...

Fresh Pleasures

The New Mastersounds formed in Leeds, England, nearly 20 years ago, and though much has changed in the lives of guitarist Eddie Roberts, drummer Simon Allen, bassist Pete Shand and keyboardist Joe Tatton, the tightly knit and funky foursome have never lost their musical connection to each other. On Oct. 2, the New Mastersounds release their 10th album, Made for...

Hammerhead Swims into Santa Rosa Next Week

If you were (or are) a fan of noise rock, you were (or are or should be) a huge fan of Hammerhead. The Minneapolis-based trio formed back in the not-so-halcyon days of 1991 and unleashed a flurry of pummeling rock and post-punk heaviness upon the country for six years before disbanding. Though, like a bad penny, the band turned...

Sept. 24: Preservation Dinner in Healdsburg

Nancy Singleton Hachisu moved from California to Japan in 1988 with a plan to stay for a year. She wanted to learn the language, see some sights, no big deal. As it turns out, she fell in love with the culture, and has made the country her home. These days, the author and cooking instructor spends her time offering...

Sept. 24: Wry Cowboy in Napa

San Francisco singer-songwriter Maurice Tani has been a fixture at Bay Area clubs, venues and roadhouses for more than 30 years. Back in the day, Tani rocked a fiery punk sound with acts like the Flamin’ Groovies and toured the country with Big Bang Beat. Since 2000, he’s taken on the life of a cowboy and perfected a dusty...

Sept. 25-27: Very Vintage in Sonoma

California’s oldest festival is back for its 118th year, as the Valley of the Moon Vintage Festival once again takes over Sonoma Plaza, just like it has every last weekend of September since 1897. A full lineup of music includes Mustache Harbor at the Friday-night gala, as well as Danny Click and Lydia Pense & Cold Blood over the...

Sept. 26: Sound On in Mill Valley

Legendary soul singer and multi-instrumentalist Booker T. Jones put Memphis label Stax Records on the map back in the 1960s, yet more than 40 years passed between his 1971 release Melting Pot and Jones’ return to the label in 2013 with Sound the Alarm. For both parties, it’s a welcome return, and Jones makes the most of the comeback,...

Night at the Shelter

I got a miniscule taste of what it is like to be a refugee when I attempted to return home to Lake County from Napa last week. At the intersection of Tubbs Lane and Highway 29 in Calistoga, the police informed me that the only open route home would be to drive all the way north to Hopland, cut across...

Opening Spotlight

When Soundgarden songwriter Chris Cornell announced his acoustic concert tour earlier this year, he originally planned it as a solo gig—until he heard acoustic rock songstress Hemming (aka Candice Martello), and invited her to open for him. Hemming and Cornell perform in Santa Rosa on Sept. 24. Growing up near Philadelphia, Martello has played guitar since she was a kid....

What’s Yours Is Theirs

YOURS IS THEIRS A funny thing happened on the way to Senate Bill 443 crashing and burning in the California State Assembly a couple weeks ago. The bill was the latest effort to reform California state law that governs asset forfeiture in law enforcement efforts, but after sailing out of the Senate on a nearly unanimous vote (38–1) in June,...
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