Revival Jazz

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At a glance, it would appear that singer and composer Roberta Donnay stepped straight out of the Roaring Twenties, with her feathered boas and flapper dresses. But as soon as she opens her mouth to sing, the longtime Bay Area performer proves that her take on classic swing and jazz music is timeless.

Known best as a vocalist with Dan Hicks & the Hot Licks, Donnay has also sung with the likes of David Grisman, John Hammond and Herbie Hancock. In between these gigs, her passion project is fronting the appropriately named Prohibition Mob Band.

Donnay has made a career out of revisiting various eras of American music, and lately her focus on the 1920s and 1930s has contributed to her most acclaimed album yet, Bathtub Gin. Roberta Donnay and the Prohibition Mob Band celebrate their new album with a release party on Sunday, July 26, at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley. 8pm. $15–$17. 415.388.1100.

Into the Fold

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Singer and songwriter Charlie Davenport, 23, was largely unaware of the North Bay’s independent music scene until he saw a few local bands like the Crux at a backyard party in high school. That’s when his descent into the rabbit hole of local DIY rock and roll began.

“That kept me here,” says the Santa Rosa resident. “There’s always been a sweet, supportive community of people making pretty high-quality music [in the North Bay].” After high school, Davenport briefly considered moving out of state. He lived in Santa Cruz for a year, but was drawn back to Santa Rosa by a close-knit group of friends and musicians.

For the last five years, Davenport has been the guiding voice of the acoustic power-pop band Rags. Well known in the underground house-show scene, the group has grown from a solo outfit to a four-piece band playing melodic, heartstring-tugging indie jams. Those jams will be on display this week when Rags headline a show at 775 After Dark in Sebastopol. Performing with Rags is an impressive lineup of like-minded DIY bands. San Francisco acts Foxtails and Owl Paws bring their ethereal pop, and Santa Rosa trio Snake Walk open the show.

Rags have not only evolved in size, but in sound as well. Davenport says he likes to tinker with his material to keep it from getting stale. “We’re really into reworking the songs,” he says. “Every few months, we go through a process of doing a lot of surgery on them.”

Up until now, the only way to hear these constantly updated tunes was to see the band live. This fall, Rags will debut their first full-length album, Grounding, which features Davenport’s songs backed by bassist Travis Hendrix, drummer Zak Garn and cellist Jiordi Rosales.

The music on Grounding is exceptionally groovy for an acoustic rock band. Davenport and drummer Zak Garn have spent almost 10 years working together, and their rhythms are deeply in-sync. Angular beats and riffs keep it interesting, while Davenport’s emotional lyrics add to the atmosphere and the cello “sings” along, creating an immersive listening experience.

After this week’s performance, Rags take a break from local shows to focus on producing Grounding and readying it for release in three months. The album is being funded with a Kickstarter campaign, which can be found at ragstheband.com.

Rags headline on Thursday, July 23,
at 775 After Dark (Aubergine),
775 Petaluma Ave., Sebastopol. 7:30pm. $5–$10.

A Bug’s Life

In Ant-Man, set in San Francisco, scientist Hank Pym (Michael Douglas) must keep the shrinking suit he invented back in the ’60s, which he believes is too dangerous, out of the hands of his former employers, S.H.I.E.L.D.

When Pym discovers that S.H.I.E.L.D. is duplicating experiments on the “Pym particle” formula, he hires burglar Scott Lang (Paul Rudd), just released from San Quentin, to steal the new iteration of the ant-suit. Called the “Yellowjacket,” a bee-size carapace equipped with tiny lasers, the rival suit is the perfect instrument for surveillance and assassination. It will take a village of ants, led telepathically by a pea-size hero, to steal back this terrible weapon.

Ant-Man has to negotiate a narrow path between honoring superhero conventions and avoiding clichés. And for the most part, it delivers what was promised, as well as a few surprises: a fall through the cracks in the floors of a Tenderloin tenement; an itty-bitty fight atop a speeding toy train; and a journey deep into the heart of matter itself, featuring psychedelic chrome doodads that pop out of the ether in 3-D.

Director Peyton Reed sets up the movie as the story of a parallel set of fathers levered into action by their daughters. Scott has to turn to crime to pay child support for an adorable daughter with two front teeth missing; Pym quarrels with his restless thirty-something offspring, Hope (Evangeline Lilly). She’s bitter, with the full wrath of a would-be superheroine whose father won’t let her wear the amazing ant-suit.

There are multiple in-jokes tying this film into the entire Marvel Studios roster. Hearing of the villain’s plot, Scott says, “I think our first task is to call the Avengers!” When one of his pet ants is killed, Scott threatens the villain with a wee fist: “You’re going to regret this!”

This movie about shrinkage has a nice sense of proportion.

‘Ant-Man’ is playing in wide release in the North Bay.

Letters to Editor: July 22, 2015

HOMEWARD

Nice job on the investigative article by Tom Gogola regarding the accumulation of single-family homes by mega-corporate interests (“Homewrecker,” July 8).

 The tax code should be changed to limit or eliminate mortgage interest deduction on “investment” homes in order to dis-incentivize investors and keep that housing stock available for buyers who want to live in them. Tax incentives for single-family homes should be geared for owner-occupiers, not for speculators.

San Francisco

DON’T FORGET IMAGINISTS

I was glad to see a critique/discussion of the quality of theater in this area (“Over-Oaked Theater,” July 15). However, I am shocked that David Templeton does not mention the Imaginists, a theater company that pushes the envelope at every turn.

Santa Rosa

OR SONOMA ARTS

Great piece. So true and so frustrating. I saw the opening night performance of Jake’s Women as part of the Sonoma Arts Live season. It was the best theater performance in Sonoma in ages, and it wasn’t sold-out. This was opening night! It’s so frustrating.

Via Bohemian.com

>UNSUSTAINABLY GROWN

Like many of my Graton neighbors, I am upset by the full-page ad posted last week by the Sonoma County Wine Commission in the Press Democrat about its “sustainable” growing practices. [Note: The ad ran in the Bohemian too.] These local winegrowers claim they are “growing a better place for us all to live, work and play.” This was published the same week I called the county agricultural commissioner after my housemate had six rounds of vomiting after nearby Dutton Ranch sprayed its vineyards. The biologists think it was from a fungicide with the charming name of Luna Experience. We have little or no recourse.

For 14 years, I used to enjoy inhaling the sweet, pure country air on my wild 11 acres. Now I rush into the house to get away from the smell of pesticides, and fear I am being poisoned. I enjoy the atmosphere of conviviality of my local wineries, but there are too many now. They suck the water from the water table and are dangerous to creatures tiny and large. They used to lift my spirits. Now they break my heart.

Graton

Dept. of Corrections

Last week’s story “Lethal Rejection” mistated the state’s schedule for issuing a new draft execution protocol. It will be issued by late October.

Write to us at le*****@******an.com.

Off the Eaten Path

When it comes to putting together our annual food and wine issue, we often look to the bounty of local farms, ranches and vineyards for inspiration. And they are inspiring. But this time around we decided to look off the beaten path for foods and food experiences that range from the esoteric to the straight-up bizarre. So instead of farm-to-table think far out–to-table.—Stett Holbrook

THE EYE OF THE FISH

I had to eat that fish eyeball. I just had to.

Let me explain. I came up with a recipe years ago that’s proven to be a real hit, though it’s a challenging recipe to do on California’s beaches.

“Fish on a Rock” is the recipe, and it’s simple: Catch a fish and gut it. Do not remove the skin, or the head. Start a fire on the beach and place a big, flat rock on top of the fire. Wait for the rock to heat up, put the fish on top of the rock, and cook the fish in the salty breeze as you do a sun dance or whatever.

Take a moment to enjoy your surroundings, and squeeze a lemon if one’s handy. Eat the fish as you commune with your inner Survivorman. Eat the whole damn fish.

One time, I was out on the beach cooking up a big porgy on a rock. Porgies are a kind of sea perch, wicked popular in the African-American community on the East Coast (“Fry it hard!”). These little scrappers are hella fun to catch—they’re in the same fish family as seabreams.

Problem is, California beaches just don’t have the variety of rocks you find in Montauk, N.Y., the mother country out on Long Island’s East End.

That’s a land carved out of departing glaciers, and as such, there’s wild variety of stones of various shapes and sizes that were left behind. So says Walt Whitman: “Even to my unscientific eyes there were innumerable wonders and beauties all along the shore, and edges of the cliffs. There were earths of all colors, and stones of every conceivable shape, hue, and destiny . . .”

Alas, Fish on a Rock may not work here—we’ve got crumbly sandstone, volcanic rocks, not much else on our beaches, at least insofar as I’ve experienced them. Fish on a Surfboard won’t work, and anyway, for the most part, you’re not supposed to be lighting a fire on the beach. I suggest you tote an iron skillet to the beach to compensate for the lack of stones.

Picture this. It was a fine late-summer afternoon, the porgy was roasting on a rock, and the porgy eyeballs started to bulge as the white fish-flesh sizzled.

The eyeballs started to speak to me, like that freaky mounted fish from The Sopranos.

They demanded that I eat them! It was a craving such as one might have for a pint of Ben & Jerry’s, but this wasn’t no Phish Food.

I fashioned some chopsticks from beach reeds and kept staring at that eyeball, flipped the fish over and stared at the other.

It was eyeballing me!

I ate the fish fillets, carved out the cheeks—and then moved on to the eyeballs.

They weren’t bad; in fact they were quite tasty: salty, squishy, heavy with a fish-fat fishiness—and the trick, I’ve learned, is to let the eyeball linger on the tongue before it slithers down yon gullet.

The idea is that you want to extract the micro-burst of fish-fat flavor. If that triggers your inner ewww, I suggest you think happy thoughts about oysters and other enjoyably slippery things. Activate your inner Anthony Bourdain, close your eyes, and go for it.—Tom Gogola

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CALL OF THE WILD

In Barbara Kingsolver’s Animal, Vegetable, Miracle, she and her family commit to eating only what they can grow and source locally. Given their homestead in southern Appalachia, that means going without many warmer weather crops. To make it a bit easier, they each get to choose one food from afar they can’t do without—coffee, bananas, pineapple . . .

If it were me, I’d have a hard time choosing my one imported food. I love avocadoes. And chocolate. And coffee. But if push came to shove, and peak oil peaked out sooner than predicted and cargo ships and trucks could no longer make it here, I think I’d be OK. Kevin Swift clued me into a local source for those foods, or at least an approximation of them: the California bay laurel tree.

Swift lives in Occidental and is a wild-food forager with a fondness for the aromatic and ubiquitous bay laurel. The leaves are good for seasoning pasta sauce, and the seeds are an underappreciated source of food, one used by local Pomo and Miwok indians for millennia.

It takes a bit of work and proper timing, but it’s possible to make “chocolate” and “coffee” from the pods. The trees are related to the avocado, so it’s even possible to make an analogue of guacamole from the seed husks. And like chocolate and coffee, food from bay trees packs a caffeine-like buzz.

The time to gather the seeds is about four to six weeks from now. You want them when they start to fall to the ground. Bay seeds are about as big as marbles and quickly turn from green, to yellow, to purple and to black mush. You want them in the purple stage.

“They are very ephemeral,” says Swift.

Once you find a suitable source, remove the flesh to expose the shell. Raw, the nuts are exceedingly astringent. But roasted for 20 to 30 minutes at 250 or 300 degrees and then shelled, they lose their bite and go from nutty to chocolatey to coffee-y.

Grind them up with a little sugar and milk, and you’ve got homegrown, homemade chocolate. But be careful how much you eat.

“It definitely has a buzz in it,” Swift says.

Coffee is trickier because the nuts are so fatty and oily, but devotées say you can put the ground nuts in a French press and brew as you would a good Ethiopian yirgacheffe.

The bay nut can be pickled too. Last month, Swift pickled a batch of nuts in their immature green stage. They turn out like cocktail onions, he says—cocktail onions with a coffee-like buzz.

Swift says he prefers taking to the woods than going to the grocery store for food.

“I’d rather look for what’s around me,” he says. “There’s so much deliciousness in our backyards.
We just don’t look for it.”
—Stett Holbrook

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SEA FARMER

Heidi Herrmann co-owns Healdsburg’s 1.5-acre Strong Arm Farm. She used to make the rounds of local farmers markets, but found selling carrots and lettuce yielded too little money for the effort. Now she focuses on growing more lucrative crops like tuberose lilies for wholesale markets. She’s carved out a niche for another crop that has proven to be profitable as well. She doesn’t even have to grow this one, because it’s seaweed.

Herrmann, who teaches sustainable agriculture at Santa Rosa Junior College, is a commercial seaweed harvester on the side. About 10 times a year, when the tide is particularly low, she dons rain boots and an external frame backpack and picks her way across the rocky reefs north of Jenner in search of nori, kombu, wakame and a few other species of seaweed. After hauling the sea vegetables up from the shore, she rinses and dries the seaweed and bags it up.

The kombu adds a rich, umami flavor to soups and stews. Wakame is great toasted and eaten by itself or added to salads and soups. Nori, the seaweed used to wrap sushi, is best toasted and crumbled over salads and vegetables.

Given the demand, Herrmann could harvest more, but she wants to keep her operation small.

Keeping the business small keeps it fun, she says. She doesn’t surf or fish, so gathering seaweed gives her a connection to the ocean.

“Many people have done this before,” she says. “It feels part of a continuum.”

Herrmann enjoys gathering an ancient food that requires a degree of risk and more than a little hard work. She gathers about 250 pounds of wet seaweed on each outing.

“You’ve to lug it out. There are dangers. It’s slippery. There are urchins. I like that it’s not easy.”

And unlike farming, there’s no weeding or planting required.

“I let the ocean do the work.”
—Stett Holbrook

Herrmann is leading a sunrise seaweed-gathering outing with Forage SF Aug. 1 that includes a presentation and meal featuring local seaweed at the Jenner Inn the night before. Go to foragesf.com/seaweed-foraging for more information.

BERRY GOOD

The goji berry tree became known across the Pacific Rim thousands of years ago for its nutritional value and sweet taste. Asian immigrants first brought the hearty shrub, Lycium barbarum, to California 200 years ago. These days, the goji berry is touted as a superfood, and now Goji Farm USA is growing the plants right here in Sonoma County.

“There’s no aspect of this plant that isn’t highly nutritious,” says founder and CEO Tibor Fischl. The Santa Rosa resident and outdoor enthusiast, who, among his other credits, co-invented the world’s first full-suspension mountain bike 20 years ago, has moved into food production with the same focused attitude.

Goji Farm USA produces a beverage called Goji Phyto-Brew from berries and seeds that are roasted, ground and brewed as an organic tea. “With the roasting and milling, we got so much more of a concentrated impact of the gojis than anything else we could do,” says Fischl.

For the past three years, Fischl has sourced his berries from organic farmers around the country. More recently, Fischl teamed up with Jay Jensen at NovaVine, a family-run propagation farm in the hills just east of Santa Rosa. The farm specializes in growing grape-vine stock, for wineries, and now goji berries.

The current goji crop of 550 “mother plants” is predicted to top a quarter of a million within a few years.

Available in the North Bay at retailers like Whole Foods and Pacific Market for about $4, the slightly tart and earthy tea is refreshing and has a mildly uplifting effect.

Unlike caffeinated or sugary beverages, the anti-oxidant and vitamin-rich drink offers a natural alternative to powering through the day. The tea is reportedly high in “oxygen radical absorbance capacity” and is touted as a way to combat free radicals, which cause aging and illness. The tea is also very high in folic acid and vitamin B6, two key nutrients,

“But the biggest test of the beverage is how you feel when you down one of these bottles,” says Fischl.

The roasted quality of the tea, best consumed chilled, offers a complex natural berry flavor. “It’s a really rich beverage, almost like a goji espresso,” says Fischl.

Goji Farm’s next harvest is set for this fall, and to celebrate, they are throwing a harvest party Oct. 9.
For more information, go to GojiFarmUSA.com.—Charlie Swanson

Star Gazer

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Chef Jamil Peden, bearded and tattooed, thoughtful and soft-spoken, walks me through the garden at the Applewood Inn & Restaurant in Guerneville.

“Every day I walk through the garden, and I touch everything and I observe it,” he says. “I try to feel the earth a little bit.”

In addition to raised beds with herbs right outside the kitchen, the restaurant has a small orchard with fig trees, Gravenstein apples, pluots, Mirabelle plums and quince, all at Peden’s fingertips. The verdant garden is dotted with strawberries, cucumbers, heirloom tomatoes, tomatillos, summer squash, peppers and corn. A flock of hens provide the eggs, and eight beehives, the honey. Ultimately, Peden wants 70 percent of his produce grown on-site.

After working at Woodfour Brewing in Sebastopol as chef and general manager, Peden landed the executive chef job at Applewood three months ago. The restaurant and inn is tucked into the redwoods a mile outside of downtown Guerneville.

Applewood, which once held a Michelin star, had grown stagnant. Peden wants to remake it into a dining destination. “I want that star,” he says with a smile. “It’s something that I really believe is just going to take time, and I want to do it my way.”

That starts with great ingredients, but what matters more is what Peden does with them. His favorite dish on the menu right now is quinoa with green beans dressed in Champagne vinaigrette, fried quinoa-crusted avocado, dashi-poached carrots, lacto-fermented carrots and cilantro blossoms. Each component requires a different cooking method, resulting in a cohesive variety of textures and flavors.

Most of Peden’s dishes include a fermented element, a smoked element and a colorful array of vegetables. His plating style is modern. He uses the whole space of the plate, and he mixes it up plate-to-plate.

“Before it goes to the plate, I think we should earn our salaries,” Peden says. “Anybody can go to the farmers market and pick the same beets. But do we roast them at the proper temperature for the right amount of time? Do we compress it afterwards to really solidify the sugars and flavors? Do we dress it properly? Do we dice it perfectly?”

His work ethic and attention to detail are embodied in a tattoo on his forearm that reads “Cut the Mustard.” The tattoo has two meanings. On the literal side, Peden says, it reminds him of how much skill it takes to cut through a mustard seed, and, figuratively, it reminds him to strive to exceed expectations.

Peden was raised on the Oregon coast on a vegan diet. After a period of time resenting his parents’ decision to control what he ate, he came to see the positives. “It makes me very comfortable cooking for anybody’s needs,” he says.

Peden started cooking at 17, and earned his chops in restaurants in Seattle, Santa Cruz and Las Vegas. When he was working as Wolfgang Puck’s sous chef in Vegas, he noticed that a lot of the produce was grown in Sonoma County, so he moved to the source.

As we talk in the kitchen, Peden effortlessly fillets fish, helps complete an order and directs the waitstaff. He keeps his cooks laughing and relaxed.

In a style he calls “interpretive American,” Peden pulls from Japanese, Nordic, Italian and French cuisine. His most important food philosophy is “Don’t fuck it up”—meaning, treat the ingredients with respect, and listen to the seasons.

A refreshing chilled buttermilk soup with cucumbers, fennel, edible flowers and sweet balls of bee pollen reflects the Nordic and Southern influences in his cooking. The rich sourness of the buttermilk plays well with the fennel and honey-like bee pollen.

Peden’s creative mind is never satisfied, and he likes to keep up with the work of other chefs. “On Instagram,” he says, “I follow a lot of chefs that I’ll probably never meet, never actually taste their food, but I get a lot out of the presentations. One of my favorite things to do is go to [San Francisco] and visit different restaurants for dinner.”

By keeping up with the trends of the culinary world, Peden stays away from those he doesn’t like or that are too pricey. “I don’t have lobster on the menu, I don’t have foie gras on the menu,” he says. “That’s not me at all.”

When a guest orders the tasting menu, Peden utilizes his three years of serving experience and brings the plate out to the dining room to explain the dishes. He wants to elevate ubiquitous farm-to-table cuisine to something it hasn’t reached in Sonoma County.

“The thing that gives me the chills, that makes me the happiest, is when a guest tells me that I brought back a childhood memory,” Peden says.

Unfair

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Macaroni-stuffed cheeseburgers on Krispy Kreme doughnut buns with a side of deep-fried watermelon. What struck me most about the offerings at last year’s Sonoma County Fair wasn’t the calorie count, but the far-flung locales listed on the cardboard boxes stacked high behind each food vendor.

This year, for nearly three weeks, we’ll embark on the same epic undertaking to import enough food from other counties, states and countries to feed the few hundred thousand visitors coming to celebrate this county’s agricultural heritage. The sheep-shearing and cow-milking demos—and, of course, the horse races—will impress, but the fair’s most astounding marvel will be the complex distribution system funneling in enough sustenance from abroad to feed the local food mecca we call the North Bay.

I sincerely applaud the efforts of those hosting the fair, in particular the 4-H programs that will, we hope, encourage a new generation of growers in a county where the average age of farmers has risen to nearly 60. But when those crowds get hungry, it won’t be the winning kid’s handsome hog they eat, but pork imported from an Iowa feedlot by a Chinese conglomerate.

This summer’s “Down on the Farm”–themed fair offers us an accurate representation of our county at large; besides a few apple pies, ice cream and ol’ Willie Bird turkey legs, we import the vast majority of our food. And while it’s hard to grab lunch in this county without running into that ubiquitous “Eat Local” sign, how many of those local eateries (who remind us of our moral obligation to support the local economy) source their ingredients from local farms?

Nearly $2 million has been raised to build Saralee & Richard’s Barn, a pavilion on the fairgrounds that will be a center for agricultural education. “Eating is an agriculture act,” wrote visionary writer and farmer Wendell Berry. My prayer for the new pavilion is that it draws connections between production and consumption, the fair’s bucolic decor and its food vendors. Because even when it comes to macaroni-stuffed cheeseburgers and deep-fried watermelon, most of the ingredients can—and are—being grown here. So let’s fire up that deep fryer and support our local farmers!

Evan Wiig is the director of the Farmers Guild, whose new project, Follow the Rooster (www.followtherooster.com), celebrates local businesses who support our local farms.

To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Debriefer: July 22, 2015

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ALL THE WAGE

Just as this paper was going to press on Tuesday, July 21, Sonoma County home-care workers took to the streets of Santa Rosa to protest the county’s ongoing refusal to enact a $15 an hour wage.

It’s been a big fight in town, and protesters marched to the Sonoma County Administration Building to agitate for a wage hike for the 5,000-plus workers who take care of the elderly and disabled. The county contract for these workers ends in October. The Tuesday protest went down as union and county leaders met for collective-bargaining talks.

The county has passed a $15 an hour living wage bill for municipal employees—but not home-care workers, who are licensed and managed under a state program, the In-Home Supportive Services.

In a statement, Anita Torres, a home-care worker from Sonoma, highlighted the unfairness of it all: “If you take care of plants and grass, you get the minimum wage, but if you take care of people, the county deems you unfit to be paid the minimum wage. It’s time the supervisors get their priorities in line and apply the living-wage ordinance to home-care workers, who are providing one of the most valuable services in the county.”

Sonoma County leaders like Supervisor David Rabbitt agree that the workers are underpaid at $11.65 an hour, but he says the county can’t raise the wage to $15 without real pain. Plus, he notes that there are rules under the state Public Employees Relations Board that say you can’t just raise wages willy-nilly, even if it’s the right thing to do.

The local wage issue is complicated because the state has already set out to raise wages for in-home workers throughout California as a phased-in program, which was initiated in 2011 through the creation of a public authority called the Coordinated Care Initiative.

Under that program, the county has until 2018 to raise the wage to $15 an hour in a collective bargaining arrangement with the Service Employees International Union. But Rabbitt told the Bohemian recently that union efforts to jack wages were more about getting cheapskate counties to boost home-worker hourly rates beyond $8.50 an hour, which is as ungodly as it is unlivable.

Rabbitt says Sonoma County is already in the top tier in what it pays home-care workers.

It was not immediately clear whether the protest had dislodged a few more shekels from the supervisors, but it is unlikely.
—Tom Gogola

GANJA QUIXOTIC

The Santa Rosa law firm Adams & Fietz held a mixer and book event for the local cannabis industry this past Thursday night. The main attraction: a book signing of The Cannabis Encyclopedia by Jorge Cervantes.

The crowd of about 35 people came “out of the shadows” for this event. In the house: the Sonoma County Growers Alliance; Women Grow, Sonoma County chapter; Citizens for Responsible Access; a cannabis lab owner; a cannabis garden center owner; and several growers.

Cervantes was the star of the show. His book was published on April 20 and he describes it as his magnum opus.

“It took me six years beginning to end to write it, and many more years of research,” he said.

“It’s the only book you’ll ever need about cannabis cultivation, says cannabis enthusiast and mixer attendee Suzanne Cardiff. “Every bit of information is in it.”

Attorney Benjaman Adams has practiced criminal defense law for about two decades, and is keenly interested in keeping cannabis users out of prison.

“I’ve seen all kinds horrendous crimes caused by alcohol, spousal abuse, child abuse, violent assault—all kinds of nasty stuff,” he says. “Other than getting caught with it or growing it, I’ve never seen cannabis ever cause a crime. I think the ‘reefer madness’ and the idea that marijuana is somehow on par with heroin or meth is just insane.”

Change is in the air. State Sen. Mike McGuire authored a bill that would create a regulatory apparatus around California’s hodge-podge of medical cannabis laws.

“I enjoy how the cannabis community is becoming bolder in its ability and willingness to adopt sound regulations,” says Craig Litwin, a founding member of Citizens for Responsible Access, a cannabis-advocacy group.

A statewide set of regs is considered a necessary prerequisite if California expects to enact a general legalization regime in 2016.

“We are at the bottom of the iceberg, and there is this huge amount of opportunity for people,” says Adams, “not only for the marijuana itself, but you have all the ancillary businesses, which can be even more lucrative.”

Government officials will be involved in making sure it’s
a safe product but won’t necessarily be “putting people
in a cage over it,” says Adams.
—Haley Bollinger

Ziggy Marley Speaks

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Reggae star Ziggy Marley plays the Sonoma Mountain Village Event Center in Rohnert Park on Aug. 12, with Steel Pulse opening, as part of his Fly Rasta Tour. We spoke with him about the tour, his music, organic food, love and ganja.

What are you looking forward to about your North Bay show?

I’m very excited about coming up to your spot there, you know. I like playing music and spreading this message that we have to spread, and hopefully inspiring some people. I’m always happy about doing that.

What is your favorite part of touring?

Playing the music and meeting different people and seeing different parts of the country and the world. I really enjoy that.

How did it feel to win the Grammy this last year for best reggae album?

It felt good, but that is not the purpose [of my music]. But it was nice.

What messages are you trying to convey through your music?

My main message is love, and that is the most important message the world needs, you know, so I want and hope when people come they leave with more love and spread that love all around—spread that love to other people and keep it spreading until one day there will be so much love in the world that there is no way that war and hate or violence can take hold. That’s the objective to spread love, you know.

Do you have any new projects you are excited about?

After we finish this tour I’m going straight into the studio to work on the next album. So I am excited about that. Putting out new music and writing songs, experimenting with ideas in the studio and seeing how we can come up with a different sound than the last record, and keep things exciting. I’m looking forward to that.

Why did you start Ziggy Marley Organics?

I like food. I like cooking. I make breakfast and dinner for the kids. It turned into an extension of who I am, but also it gives me a chance to talk about health, nutrition and that we should eat properly and be aware of what we are putting into our bodies, especially since a lot of the processed food in America is manufactured and manipulated and has been genetically modified. We should be aware of these things, and this is a platform to talk about that and make people be aware. Food does affect us. Food affects the world.

How do you feel about the legalization of marijuana?

It’s going in the right direction and it’s a positive thing for society. Obviously, there’s the medical value of it, which helps everybody, and then there is the recreational value of it, which can help people, too. Being conscious of its use and educating people about it and educating children and making sure that it is used in a proper way and not abused. Even though we support it, we still have to be conscious that if not used properly it can be destructive, just like anything else.

Heritage Fire

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The summer’s meatiest, smokiest and porkiest event is back on Aug. 2. Cochon 555’s Heritage Fire is going down again at St. Helena’s Charles Krug Winery. The goal of the event is to showcase local chefs and farms, and to promote awareness of locally raised heritage livestock.

The event will feature more than 50 local and nationally known chefs cooking some 3,000 pounds of heritage-breed animals, everything from wood-roasted duck, dry-aged beef, spit-roasted local rabbit, goat, oysters, roasted clams, sturgeon and even octopus. All this animal flesh will be paired with great wines from California and Germany, and beers from San Francisco’s excellent Magnolia Brewery.

A portion of ticket sales will benefit the
St. Helena Farmers’ Market and the American Institute of Wine & Food. A pop-up butcher market presented by Williams-Sonoma will benefit the Culinary Institute of America at Greystone.

Participating chefs include Mark Ladner (Del Posto), Matthew Accarrino (SPQR), Joshua Schwartz and Tony Incontro (Del Dotto), Chris Marchino (Cotogna), Brandon Sharp (Solbar), Jason Kupper (Heritage Eats), and John Stewart and Duskie Estes (Zazu).

In addition to pounds of meat and seafood, the event includes butcher demos, seminars, lawn games and live music. Tickets are $105.95. For more info and to purchase tickets, go to cochon555.com/2015-tour/heritage-fire-napa.

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Heritage Fire

The summer's meatiest, smokiest and porkiest event is back on Aug. 2. Cochon 555's Heritage Fire is going down again at St. Helena's Charles Krug Winery. The goal of the event is to showcase local chefs and farms, and to promote awareness of locally raised heritage livestock. The event will feature more than 50 local and nationally known chefs cooking...
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