Debriefer: September 16, 2015

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FLAMING LIST

Two notable real estate casualties of the dread 2015 Valley Fire that are haunting the hell out of us:

Hoberg’s Resort, Cobb Mountain. This 53-acre mountain redoubt went up in flames on Saturday. The Hoberg was perhaps most famous for having once been owned by Beatles’ guru the Maharishi Mahesh Yogi. A sad press release from the new owners released early in the week—they’ve been on site only since 2014 and were renovating the resort at the time of the fire—is dominated by words like “devastated.”

Harbin Hot Springs. We saw the photos of this legendary retreat, and they were bad. Real bad. The San Francisco Chronicle sent up a reporter to check out the scorched grounds, and the reporter sent back poetry: “The previously pristine spring-fed pools were a sludgy black and littered with fallen, charred tree limbs, melted roof tops and broken tiles. The water remained lukewarm from the natural hot springs nearby. Dead fish floated upside down in the koi ponds on the once terraced hillside while several blackened stone Buddha statues gazed peacefully across the scorched landscape.”

POT BILL NOT GREAT

The Medical Marijuana Regulation and Safety Act of 2015 was hashed out of three different medical-cannabis bills before the California Legislature this session; late last week a final bill emerged that’s expected to get the Jerry Brown signature.

While a generalized sense of relief settles over the medical cannabis community, the Drug Policy Alliance (DPA) opposes the emergent bill. The DPA generally supports decriminalization efforts and has been a great go-to resource for proponents of sane drug policies both here and nationally. The state has struggled to get its medical-cannabis house in order since passing the landmark 1996 bill that provided access to patients in need, and this was seen as the year that it finally would. A statewide medical-cannabis regime is widely considered a necessary prerequisite for any full-on legalization push, and that’s expected to unfold via a 2016 referendum.

“We’re not as happy as you might think,” says Lynne Lyman, the San Francisco–based California state director of the DPA. The act would exclude individuals with cannabis-related felony offenses from participating in the new, legalized cannabis economy by denying them the licenses everyone now needs to get. Lyman adds that the economic impact of this move will be felt disproportionately among members of minority communities who want to get in on the legal-weed action. Blacks, whites and Latinos use drugs at roughly the same rates, but blacks and Latinos are far more likely than white to wind up locked up over it.

The felony-charge language? That’s been a dogged demand from the Man, and you can sniff the hard-ass section of the bill in question right back to input from the California Police Chiefs Association, which had yielded a steady and heavy hand of law enforcement on recent efforts to cue up a statewide medical cannabis bill.

And the League of California Cities appeared to get its pay-off, too. Thanks to that lobbying group’s efforts on behalf of localities, whatever the state medical cannabis law says, localities will still be able to limit patient access by prohibiting cultivation and dispensaries in their midst. Patients in declared no-cannabis towns and counties would have to drive elsewhere to get their legal cannabis, and Lyman says that’s a bad move, especially for disabled patients who might not have the means to access their medicine.

Together Again

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Lowell Levinger thinks of himself less as a songwriter and more as a “singer of songs.”

In his lifetime, the guitarist and vocalist has amassed a varied repertoire of folk and bluegrass tunes and has toured the globe. Around the North Bay, though, Levinger will always be known as “Banana,” the nickname he adopted when he co-founded 1960s folk outfit the Youngbloods, best known for their hit single “Get Together.”

On the 50th anniversary of the Youngbloods’ formation, Levinger looks back with a retrospective album of re-recordings, Get Together: Banana Recalls Youngbloods Classics, released last week and featuring many guest musicians and friends. Though the arrangements of some of the songs may have changed, Levinger’s passion and activist spirit have not.

“I’ve written a letter to Congress and asked them to try to work together,” says Levinger, in a phone interview from his longtime home in Inverness. “We did this with ‘Get Together’ 50 years ago. I sent a copy to every member of Congress 50 years ago, and I’m going to do it again.”

Since many of the Youngbloods songs are lyrically relevant today, Levinger decided to incorporate his favorites into his live repertoire. Pretty soon he had enough for a full album, and the idea to record the old songs anew crept into his head.

“I started dreaming this miracle dream of getting all these people together on the same day, at the same time, in the same place, to be a grand chorus,” says Levinger. “And damned if I didn’t pull it off.”

The chorus he refers to is a who’s-who of North Bay vocalists, including Maria Muldaur, Dan Hicks, Peter Rowan and others, all of whom contributed their voices to the new version of “Get Together.”

Many songs underwent extensive rearrangements, notably tracks like “Darkness, Darkness,” which features guests Ry Cooder and Darol Anger dueling it out on guitar and violin, respectively, in a very moving, though quite different rendition of the song.

Other notable guests on the album include Youngbloods singer Jesse Colin Young, guitarist Nina Gerber, drummer and co-producer Ethan Turner and mandolin master David Grisman. With these friends by his side, Levinger hopes the message of the songs will resonate with a new generation.

“We’ve got to find some way to have a little compassion, understanding, cooperation and maybe even a little love for our fellow man,” says Levinger. “The same old stuff, I know, but you’ve got to keep trying.”

Lowell Levinger performs solo on Saturday, Sept. 26, at the Capp Heritage Tasting Room (1245 First St., Napa; 707.254.1922). Levinger then joins the Barry Melton Band on Sunday, Sept. 27, at Rancho Nicasio
(1 Old Rancheria Road, Nicasio; 415.662.2219).

Beer Bash

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Craft brewers are always looking out for flavorful inspiration, and often find it in unusual places—like doughnuts and mustard. And sometimes their muse crosses over from culinary to musical. Such is the case with Russian River Brewing Company’s HUGElarge Sound Czech pilsner, made in collaboration with the Santa Rosa rock band and returning this fall.

HUGElarge is guitarist and vocalist Robert Malta (Paw Paw Blowtorch, Bermuda Triangle Service) and drummer Matt Norelli (American Music Club). Together, they crank out heavy, fuzzed-out riffs and grinding beats that fans of the Black Keys will swoon over.

Since forming in 2005, this stripped-down duo has kept it simple, utilizing vintage equipment and playing in Norelli’s garage for the pure joy of rock and roll. That joy is on display throughout the duo’s upcoming self-titled record, a raucous collection of classic proto-punk and glam-rock gems inventively revisited and invigorated with raw energy.

Inspired by the band’s classic sound and simple, powerful delivery, Russian River Brewing co-owner and brew master Vinnie Cilurzo went about crafting the classic Czech pilsner first in 2009, releasing it every other year. Light in color, yet packed with flavor, the HUGElarge Sound Czech pilsner will be available again when HUGElarge celebrate the release of their debut album with a show at Russian River Brewpub in Santa Rosa on Saturday, Oct. 24.

Let’s Be Clear

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When it comes to discussing water in the North Bay, the conversation couldn’t be more polarized.

Either you support the struggling salmon in our creeks and point your finger at the vineyards dotting the landscape, or you support our agriculture and adamantly object to any suggestion that the wine industry’s treatment of the environment is anything less than exemplary. This fractured conversation has been stuck on replay for decades and has festered into a lack of trust, a lack of transparency and a lack of productive work toward a sustainable water future.

The dearth of data on our water resources has allowed this unproductive dialogue to persist. When we don’t know how much water is in our creeks and aquifers, and when we don’t know how much water is being used to support people and to irrigate vineyards, it is equally easy and equally pointless to argue that the impact is huge or that the impact is minimal. We can argue all day long, but when wells remain unmetered and comprehensive studies of our watersheds have not been done, no progress can be made.

So how do we move forward? First, we must remove the veil of secrecy. Residents and the wine industry alike need to disclose how much water they are using and from what sources. This is basic information we need in order to properly manage our water resources. Second, we need comprehensive monitoring and modeling studies of all of our watersheds. These studies should provide estimates of groundwater recharge, stream/aquifer connectivity and both residential and agricultural water use. These studies can then provide the basis for conducting water-availability analyses whenever permits are requested for new residential, vineyard or winery development.

So since everyone has a right to know how much water is being recharged and withdrawn from the aquifers we all share, let’s call for transparency and urge our county and state governments to develop comprehensive watershed models and integrate them into the land-use planning process.

Jeremy Kobor is a hydrogeologist from Sebastopol.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Mild in the Streets

Director Crystal Moselle was on the street in Manhattan one day when she encountered the Angulo siblings, a group of long-haired, teenage boys dressed like Reservoir Dogs characters, in black suits and sunglasses.

Over the course of four and a half years, Moselle got to know the boys and their mother, the gentle Suzanne, a reticent woman from Michigan who was homeschooling her sons out of the apartment building where they lived. Moselle learned of the Angulo’s bizarre history. Their Peruvian father, Oscar, is an ex–Hare Krishna who gave his seven sons names from the Hindu religion. Oscar refused to let them leave the house, sometimes for a year at a time.

One question the film doesn’t answer is why a religious maniac would allow movies into his home, when the power of cinema to mold and change people should be apparent even to the most blinkered New Ager. The boys got their views of the world watching Tarantino, the Halloween series and Christopher Nolan. Besotted, these captives recreated the films as best they could with cardboard sets and duct-tape costumes.

Moselle doesn’t identify the boys every time, and since they’re born a year or so apart and have similar mannerisms, we do get a sense of them being a pack—a pack of playful puppies. Any actual violence between the cooped-up teens is kept offscreen, as is the commented-upon violence between Oscar and Suzanne. It’s clear that discretion was the price of Moselle’s access.

The director’s camera feasts on the unselfconscious male beauty of these adolescents. The film has great goofy charm during a trip to Coney Island. But there’s an element of manipulation in the way Moselle frames this family history—in essence, a story of appalling child abuse—as a tale of success, complete with a happy ending down on the farm.

‘The Wolfpack’ is available on-demand from Vudu and Amazon.

Furrowed Brau

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When UC Davis–trained brewer Kevin Robinson left a brewing job at San Francisco’s Speakeasy to work at a St. Helena winery, he aimed to learn more about using wine barrels, which were becoming increasingly important in the craft-brew business. But he found a key insight for his current business a little further down the bottling line: wine has a better presentation than beer.

“I mean, literally,” says Robinson, “some of the best beers in the world have cartoons on them.” So he designed the packaging for his Belgian-inspired Divine Brewing beers (“Vintner’s Brew,” April 4, 2012) so that they’d look good on a white tablecloth, and they’re only sold in bottles through distributors that regularly deal in wine.

While his Divine beers may hold a nose to the firmament, Robinson’s newer Plow Brewing Company is squarely planted in terra firma. Plow beers, canned on-site at the Santa Rosa taproom, are meant to be plunked on a rusty workbench, says Robinson.

A tour of Robinson’s brewery reveals that it’s almost as much workbench as brewery. His mash tun, for instance (where cracked barley is steeped in hot water to release its sugar content), is an ingeniously converted self-dumping hopper. His fermenters are dinged-up old dairy tanks. And the heat exchanger is a hand-me-down from a Gatorade plant. A tinkerer and fix-it guy, Robinson got all of these to work for his purposes.

Waiting in the corner is his surprise salvage score: Russian River Brewing Company’s former 50-barrel brewing setup, which was, in turn, purchased from Delaware’s Dogfish Head Brewery. Robinson says he knows how to optimize the old tanks: after all, he operated the setup as a brewer for Russian River Brewing for three years.

Plow Brewing Company is a 15-barrel brewhouse that opened in April. Optimistically, Robinson installed 12 taps in his spartan, darkly detailed taproom in northwest Santa Rosa. Bar stools are black-painted tractor seats; farming implements hang from the walls.

Currently, he’s got just three taps open. Beers are also available off-sale: Belgian-style Divine beers by the 750ml bottle, Plow pilsner and double IPA in 32-ounce cans, custom-filled to order and sealed with a modified beer-canning system developed by Colorado’s Oskar Blues Brewery.

Now, all he needs are those barrels.

Plow Brewing Company, 3334 Industrial Drive, Santa Rosa. Open Monday–Friday, 4–8pm; Saturday–Sunday, 2–7pm. 707.843.4583.

Last Hurrahs

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Some sad news came to the Napa Valley Opera House this month when City Winery officially announced it would be leaving the historic downtown Napa space at the end of this year. Apparently, the venue has simply failed to sell enough tickets despite booking popular headliners.

The only silver lining is that City Winery will continue to offer a full slate of concerts up until Dec. 31, and this weekend is a prime example of their eclectic quality bookings. The venue’s week starts with surfer-turned-songwriter Donavon Frankenreiter appearing on Thursday, Sept. 17, with opener Peter Harper. Frankenreiter’s new album, Start Livin’, is a joyful call for simplicity, and drips with the singer’s thickly sweet vocals and intimate folk guitar.

Friday, Sept. 18, a songwriter of another color performs, in Deer Tick frontman John McCauley (pictured). The Rhode Island native’s introspective style has set a high bar for alt-country artists everywhere, not only through his work with Deer Tick, but through his many acclaimed collaborative projects like Middle Brother and Diamond Rugs.

As if that wasn’t enough, the weekend also sees former Hüsker Dü frontman Bob Mould playing an early “solo electric” show that will feature new songs, old favorites and a few surprises, on Saturday, Sept. 19.

City Winery, 1030 Main St., Napa. 707.260.1600.

Gastro Station

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Pub grub . . . bar bites . . . tavern
trayf . . . There are only so many ways to generalize about the eats you’ll find at your typical beer joint.

There’s nothing wrong with pulling up to the stool at Dino’s Dive to be greeted with a Bud and a choice from the usuals: burgers and wings, potato skins gloopy with the cheddar, the mozzarella-marinara dippity-doo-dah routine, maybe some stuffed mushrooms or a cuppa that greasy turkey soup. You know the score.

Well, the Mill Valley Beerworks gives the slip to those saloon-slop conventions. It’s a low-lit and sleekly publike place on the quieter end of Throckmorton Avenue, in Mill Valley, that splits the difference between pleasuring a haute-hops scene and embracing Marin County’s convivial kickback sensibility.

There’s a burger on the menu, but I have a feeling Beerworks doesn’t necessarily want you to order it. See, the Beerworks bacon-cheeseburger is going to set you back $18—pricey!—and represents the only gesture in the direction of pub-grub.

Oh, it’s pleasing, don’t get me wrong. There’s a slab of bacon to chew on, a sharp slather of aioli dressing, a pleasantly greasy brioche bun. Order the burger and you’ll be hard-pressed to work through half the fries in front of you. Especially after you’ve just taken a tour through half the items on the small-plates menu—which are anything but small.

Let’s just dive right in. A crisp, cool salad, the Little Gem caesar ($12), features romaine fronds and thin ribbons of kale and romaine in a toss brought to crunchy pleasure with seasoned breadcrumbs. This was shareable for two and with a slightly redolent backbite of anchovy, bespeaking caesarian authenticity.

Then on to a wooden bowl of wee mussels brimming in a fennel and garlic broth ($12). The mussels were firm, plump and clean—nary a grain of sand or off-flavor bivalve in the mix—and the rich, slippery broth was made for slurping, spooning or otherwise sopping with hearty hunks of levain toast. A classic.

If you had to pick a small-plate comparison dish with which to compare the burger, it would be the maitake mushroom toast ($14). It’s a signature item, a heap of thinly sliced, char-flavored mushrooms over toast with some ricotta and beet greens. It’s meaty like the burger, yet suitable for vegetarians.

And then there was the burrata. The burrata ($10) is an oozy dollop of made-from-mozzarella soft cheese, here served with coins of marinated beet root, red quinoa, and sesame and poppy seeds. The numerously noncompeting textures and flavors conspired to win this dish the most points for complexity.

Off the mains, we had to try the halibut. A little pricey at $28, given the diminutive filet, an iron-shaped offering roasted to golden-brown goodness and served over shelling beans and heirloom tidbits of broccoli di cicco.

There’s a starters menu at the Beerworks—and, no, you aren’t going to be able to order fries and be done with it. Try a couple of cheese choices ($7 each). The Wabash Cannonball was a soft, round wad of goat cheese served with peach jam. The cheese was rich without being overly goaty. The Smokey Blue, from Rogue Creamery in Oregon, was the standout choice between the two—smoked over hazelnuts and served with a half fig.

Beerworks is basically a sister restaurant of the new Fort Point Beer Company, founded in 2014 in San Francisco by some young cats, and the menu offers options from the house selection and from guest brewers. Two of the owners had previously opened the Beerworks in 2010.

The four-beer sampler for $12 is a good deal and better still for Beerworks’ restraint in the department of suggested “beer pairings.” That’s kind of a twee gesture that has no place in a pub, even a gastro-pub like Beerworks.

I stayed with the house brews. Fort Point’s KSA holds up the light-and-satisfying-ale end of the deal. The St. Francis Belgian offered subtle and nearly metaphysical undertones of molasses, as advertised; by contrast, the Treble Hook rye was sharp and pointed—like its namesake says it ought to be. Beerworks Black was stoutlike and delivered on promised notes of toffee.

You’re wondering about service and the general vibe here? My guest and I arrived at Beerworks at 8pm and perched at a two-top in the front window, where we could overlook Throckmorton and the Beerworks crowd. There was a full house when we got there, and a full house when we waddled out around 10:30.

And it was mostly the same full house. In that time I saw a total of one group exit the restaurant. Our waitress confirmed that Beerworks has staying power in spades. You’ll want to linger.

The night wore on and we lingered over port and dessert. A dark chocolate torte ($8) for me; for my friend, a dollop of elderflower mascarpone ($8) over sliced melon, rendered sushi-roll style. The mild, creamy mascarpone only served to remind us of the burrata.

We lingered some more and on the way out the door, the crew fired up some music: Karen O of the Yeah Yeah Yeah’s singing that great song, you know the one.

It was the perfect accompaniment to dance out the door to as we spilled into the cool Marin night: “Wait!! They don’t love you like I do! Wait!!”

Mill Valley Beerworks, 173 Throckmorton Ave., Mill Valley. 415.888.8218

Letters to the Editor: September 16, 2015

Fade Away

Steve Heilig’s “Burn Out” (Open Mic, Sept. 2) is a thinly veiled attempt to disguise his contempt for Burning Man with a critique of the carbon footprint of the event. Although I have never been to Burning Man, I can appreciate the artistic and cultural values that it nourishes, and can even imagine that future events could focus on innovative ideas for climate action. Canceling the event is the opposite of radical. We need opportunities to learn from each other and how to work together. That will add to our carbon footprint in the short term, in the same way that traveling to a climate-change conference also adds to carbon emissions, but the alternative is more polarization and fewer solutions.

Let’s focus on solutions that will make a real difference, such as using renewable energy instead of fossil fuels, rather than trying to pick apart such an insignificant contributor to emissions as Burning Man.

Occidental

After living up here in Sonoma Valley these past two years, I have come to understand this area is no different than any other small town in Middle America. Small town, small minds.

I could bitch about the stupid little arguments over a drive-though restaurant, leaf blowers, whether dogs should be allowed to hike with their owners or the one lady who wanted more tickets written to all the so-called dangerous bike riders. I have to stop and remind myself: this is what people worry about in small towns while the walls of the world cave in all around them.

No, I am more pissed off about the “radical” idea that Burning Man should take a year off because of all the pollution from the traveling to and back. I don’t care one way or the other about BM, but that’s a radical idea? I’m so tired of people with too much time on their hands, who think they know better telling others what to do. Here’s a radical idea: stop polluting the world’s water. What’s the point of worrying if we have enough or not when we allow the dumping of our waste into our greatest resource? Radical idea? What are we going to do about the islands of trash, several larger than the size of Texas, floating aimlessly around the oceans?

Worried about serious emissions? Stop eating meat. That ain’t too hard. The raising and transporting of beef is one of our greatest polluters. And then you won’t have any drive-through issues either! Ha!

Sonoma Valley

Steve Heilig condemns Burning Man for its supposedly horrible environmental impact, yet admits that 87 percent of the greenhouse gases generated stem from travel to and from the event. If Burning Man were canceled next year, as Heilig suggests, does he think those 70,000 playful adventurers would all stay home for the holiday weekend? Really?

If Heilig means to suggest that the time has come to cease all recreational travel due to global warming, then he should say so. But to single Burning Man out from all the other carbon-intensive leisure activities people still eagerly pursue makes no rational sense, and sounds a bit like sour grapes.

Healdsburg

Write to us at le*****@******an.com.

Films al Fresco

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Making the most of the picturesque Sonoma Valley, the Wine Country Film Festival returns for a 29th year of independent and major studio films sharing the spotlight in Glen Ellen and Kenwood, Sept. 16–21.

The festival offers a high-quality al fresco setting at Deerfield Ranch Winery to screen the biggest films of the week, complete with VIP tables and wine service. Under the stars, you can see the upcoming Nancy Meyers–directed comedy The Intern, which pairs Robert De Niro and Anne Hathaway. The twist? He’s the intern and she’s the boss. Spoiler alert: they become friends and both learn a little something about themselves along the way.

Also showing outdoors is the documentary Poet of Havana, which explores the life of Carlos Varela, a poet and songwriter instrumental in the Cuban revolution. Director Ron Chapman will be on hand for that showing, as will many other filmmakers and producers, as they introduce and discuss their works at several of the screenings.

Other festival highlights include Paulo Coelho’s Best Story, the dramatic retelling of the Brazilian author’s journey from troubled youth to influential figure, and the in-depth documentary Steve McQueen: The Man &
Le Mans
, which chronicles the actor’s dream-turned-obsession of racecar driving.

Wine Country Film Festival runs from Wednesday, Sept. 16, through Monday,
Sept. 21, in various locations throughout Glen Ellen and Kenwood. $25 and up. Residents of Sonoma and Napa counties are eligible for a local pass, good for all regular screenings. Info and schedule at wcff.us.

Debriefer: September 16, 2015

FLAMING LIST Two notable real estate casualties of the dread 2015 Valley Fire that are haunting the hell out of us: Hoberg's Resort, Cobb Mountain. This 53-acre mountain redoubt went up in flames on Saturday. The Hoberg was perhaps most famous for having once been owned by Beatles' guru the Maharishi Mahesh Yogi. A sad press release from the new owners...

Together Again

Lowell Levinger thinks of himself less as a songwriter and more as a "singer of songs." In his lifetime, the guitarist and vocalist has amassed a varied repertoire of folk and bluegrass tunes and has toured the globe. Around the North Bay, though, Levinger will always be known as "Banana," the nickname he adopted when he co-founded 1960s folk outfit...

Beer Bash

Craft brewers are always looking out for flavorful inspiration, and often find it in unusual places—like doughnuts and mustard. And sometimes their muse crosses over from culinary to musical. Such is the case with Russian River Brewing Company's HUGElarge Sound Czech pilsner, made in collaboration with the Santa Rosa rock band and returning this fall. HUGElarge is guitarist and vocalist...

Let’s Be Clear

When it comes to discussing water in the North Bay, the conversation couldn't be more polarized. Either you support the struggling salmon in our creeks and point your finger at the vineyards dotting the landscape, or you support our agriculture and adamantly object to any suggestion that the wine industry's treatment of the environment is anything less than exemplary. This...

Mild in the Streets

Director Crystal Moselle was on the street in Manhattan one day when she encountered the Angulo siblings, a group of long-haired, teenage boys dressed like Reservoir Dogs characters, in black suits and sunglasses. Over the course of four and a half years, Moselle got to know the boys and their mother, the gentle Suzanne, a reticent woman from Michigan who...

Furrowed Brau

When UC Davis–trained brewer Kevin Robinson left a brewing job at San Francisco's Speakeasy to work at a St. Helena winery, he aimed to learn more about using wine barrels, which were becoming increasingly important in the craft-brew business. But he found a key insight for his current business a little further down the bottling line: wine has a...

Last Hurrahs

Some sad news came to the Napa Valley Opera House this month when City Winery officially announced it would be leaving the historic downtown Napa space at the end of this year. Apparently, the venue has simply failed to sell enough tickets despite booking popular headliners. The only silver lining is that City Winery will continue to offer a full...

Gastro Station

Pub grub . . . bar bites . . . tavern trayf . . . There are only so many ways to generalize about the eats you'll find at your typical beer joint. There's nothing wrong with pulling up to the stool at Dino's Dive to be greeted with a Bud and a choice from the usuals: burgers and wings,...

Letters to the Editor: September 16, 2015

Fade Away Steve Heilig's "Burn Out" (Open Mic, Sept. 2) is a thinly veiled attempt to disguise his contempt for Burning Man with a critique of the carbon footprint of the event. Although I have never been to Burning Man, I can appreciate the artistic and cultural values that it nourishes, and can even imagine that future events could focus...

Films al Fresco

Making the most of the picturesque Sonoma Valley, the Wine Country Film Festival returns for a 29th year of independent and major studio films sharing the spotlight in Glen Ellen and Kenwood, Sept. 16–21. The festival offers a high-quality al fresco setting at Deerfield Ranch Winery to screen the biggest films of the week, complete with VIP tables and wine...
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