Senate Bill 350

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It was supposed to be three big 50s: 50 percent doubling of energy efficiency in buildings, 50 percent of our electricity power mix coming from renewable energy sources and a whopping 50 percent reduction in petroleum use in transportation—all by the year 2030. That was the ambition of Senate Bill (SB) 350, authored by Senators Kevin de León and the Bay Area’s Marc Leno.

Near the end of the legislative session, under heavy lobbying and statewide negative ad campaigning from the fossil fuel industry, the 50 percent petroleum reduction component was removed.

It might be argued that two out of three ain’t bad. The process of achieving the two remaining provisions will undoubtedly spur innovation and investment in a sustainable California economy, improve public health and reduce greenhouse gases. And Gov. Brown and other proponents have indicated there is still plenty of enthusiasm in Sacramento for achieving the petroleum reductions through executive, regulatory and other means.

But here’s the deal. The 50 percent reduction in petroleum use by 2030 is coming. Battery-powered electric vehicles and the charging stations for them are already available, affordable and practical; fuel cell electric vehicles and the fueling system for them are also emerging rapidly. The fall of the fossil empire will come about from a combination of new laws and regulations that tilt the playing field toward renewables and the rise of superior technologies that help us end our fossil dependency. The gasoline-powered internal combustion engine has had a good 100-year run, and the time for it to go is upon us, legislation or no.

There are already over 2,000 petroleum-free electric vehicles on the road in Sonoma County and about four new EVs are purchased here each day. For buyers of EV vehicles, it’s already 2030 and a visit to the gas station is a thing of the past. Who will be next? If you want to leapfrog into the future and be part of the solution, take a look at the new petroleum-free options available at your nearby auto dealer.

Woody Hastings is the Renewable Energy Implementation Manager for the Center for Climate Protection. He can be reached at wo***@***************on.org

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your
contribution. To have your topical essay of 350 words considered for
publication, write op*****@******an.com.

Letters to the Editor: October 21, 2015


Smash Hit

Thank you so much for giving me the idea of making a Donald Trump piñata and for furnishing the photo with which to make it (“Trump Up The Volume,” Oct. 7). It’s already been a very cathartic experience. And now for that stick…!

Glen Ellen

Actually, you should be touting piñatas for Hillary and Bernie: They’re the ones giving away “candy and goodies”—billions and billions of taxpayer dollars for ever more entitlements, which will raise the cap on “our” debt by trillions.

Lily Zahrt
(not a Republican)

Marin County

Shocked

What a shock it is that District Attorney Jill Ravitch took a pass (“Legal Lockdown,” Oct. 14). I’m sure ever since she faked her investigation of Eric Gelhaus, she will double down from now on. Those local defense attorneys must have been pretty sure these allegations had meat on ’em to get attorney Izaak Schwaiger involved. I bet if the attorneys with huevos in the area did a little digging, they’d find a can of worms at that jail.

Via Bohemian.com

Waves Not Wine

Our coastal hills need stronger protections from the permitting of industrial enterprises such as wineries on roads too small, water too scarce and the environment too fragile to accommodate more development. Emergency services cannot deal with the tourism as it is on the coast so rezoning and allowing more wineries on our scenic coastal hills is a big mistake.

Supervisor Efren Carrillo wrote recently in defense of the Local Coastal Program, that there are only 3 acres planted in grapes on the coast and no wineries, yet the advertising at the Sonoma County Airport claims there are 500 acres on the coast already and wineries from where you can see the ocean. Whom is he trying to fool (or whom is he working for?) with this mumbo-jumbo? I say expand the protections for our precious Sonoma County Coast and don’t allow any more wineries to take root on hillsides where they don’t belong. It’s time we separate alcohol producing viticulture from food producing agriculture. We need a Neil Young song about this stuff.

Jenner

Doll House

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The internet can be regarded as a giant general store, ready to cater to our wildest desires.

But should you look for a handmade, designer rag doll for a girl who deplores anything pink, frilly or girly, Google will raise an eyebrow, and then give you Jess Brown, a Petaluma designer who pretty much dominates this niche category.

Brown’s daughter Stella, now 17, was such a girl, drawn to gray and black and admiring Coco Chanel when she was all of three years old. To accommodate her daughter’s taste, Brown, then a preschool teacher, took to designing and creating rag dolls, with a twist: she made them lanky and elegant, and equipped each with a stylish outfit.

Fast forward to 2015, and the dolls are an international sensation. Brown ships to Dubai and London, and even collaborates with couture fashion labels.

“I wanted my daughter to have everything handmade, and there was nothing sophisticated for kids,” says Brown in her Petaluma Mill studio. “I wanted a doll she could play with, but made out of beautiful materials. She would come antiquing with me, and we’d find vintage fabrics and design the doll’s clothes.”

Ten years ago, Brown helped open Mod, a children’s clothing store in Petaluma, where the dolls made their debut. The pattern came together after a challenging process. Manufacturers told Brown the skinny, fragile hands and legs will be difficult to stuff and sew. The face was even tougher.

“I wanted the eyes to twinkle, and the mouth took forever,” Brown recalls. “A smile didn’t work, the color [of the lips] couldn’t be red or pink.”

The result is a sophisticated, almost enigmatic look on the doll’s face that appears friendly from one angle and nonchalant from another.

In her studio, dolls in feathers, printed dresses and dainty headpieces share space with an all-female staff of five. “We’ve established a pretty good fan base,” says Brown. “Our clients are anyone from a brand-new baby to 80-year-old women, and pretty sophisticated shoppers who appreciates craftsmanship and are interested in design.”

About half of the dolls are sold for children’s playthings and the rest become stylish home accessories, she says. The prices range from $100 to $234.

The fashion element is strongly present in Brown’s work. Like a designer, she issues four collections a year: spring and fall for smaller dolls; holiday and summer for larger ones. Each collection has a clothing theme, a hairpiece style and a color scheme.

During New York’s Fashion Week in 2012, Brown collaborated with the Italian fashion powerhouse Bottega Venetta to create life-sized dolls that appeared in the windows of the brand’s flagship stores in Milan and Paris. This month, she’ll collaborate with the San Francisco children’s boutique Peek Kids on a series of limited-edition dolls dressed in outfits matching pieces from the kids’ collection.

Devoted customers had joked that they would wear the tiny clothes if they could, so three years ago, with no formal education in fashion design, Brown started making women’s clothes. With nothing more than a good eye and the help of a pattern maker, she was motivated to recreate some of the pieces in her antique clothes collection. Unlike some of the more elaborate dolls, the dresses and blouses are reserved and muted, created from gray and beige linens and wools, with rare explosions of fuchsia. Often, Brown uses scraps from the women’s garments to make the dolls’ tiny jackets and skirts.

While her clothes are sold in a small number of boutiques across the country, the dolls have sold worldwide: Australia, China, Japan and numerous European countries. But Brown is perfectly content with basing herself in Petaluma.

“It’s a very exciting time to be a business owner in this town,” she says. “When I opened a sophisticated baby store 10 years ago, people were surprised, but stores started opening with that same level of curation and passion.”

When asked about the tempting fashion scene of New York, where Brown lived until she was 11, she claims New York often comes to Petaluma.

“People from New York or even Europe design their vacations around Petaluma,” Brown says. “In New York, you’re a needle in a haystack, but here, people are seeking you out.”

She should know.

Creature Feature

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no more pitchforks Robert Parsons brings a wounded dignity to his role as the Creature.

In Mary Shelley’s Frankenstein, as everyone knows, a creature is assembled from dead body parts and granted the spark of life. In Trevor Allen’s The Creature—a daring, artful, but ultimately problematic adaptation—the playwright puts Victor Frankenstein’s creation process in reverse, taking the original story apart and reassembling it into something similar, but entirely different.

Like Victor Frankenstein’s infamous original science project, it’s a bold idea that almost works, but ultimately goes more than a little bit wrong.

As directed by Jon Tracy—mixing up a meta-theatrical cocktail of misty atmosphere and sheer guts—Allen’s poetically minimalist take on the 1818 novel uses little more than three chairs, a snowy slab of white, a journal and a trio of actors. Eschewing special effects, action scenes and monster makeup, the three barefooted narrators of Shelley’s 1818 novel—Victor Frankenstein (Tim Kniffin), Captain Walton (Richard Pallaziol), and the Creature (Robert Parsons)—all take turns telling their side of the story, rarely moving or even interacting, as they spin together a long string of beautiful but oft-tangled words.

Unlike the novel—a tale within a tale within a tale—Allen places the narratives side by side, with the narrative bouncing back and forth like a ping-pong ball, every sentence or two. Confusion and exhaustion are just some of the by-products of the playwright’s fiendish experiment. Even worse, by breaking each man’s tale into such tiny fragments, the power of Shelley’s original story is almost entirely diminished, literally smashed to pieces.

As Walton, the ship’s captain who discovers Frankenstein near the North Pole and takes his deathbed confession, Pallaziol is quite good, and Kniffin, as the dying mad scientist, nicely captures the last-gasp desperation of the character, but his delivery becomes one note, flat and cold.

The Creature, played by Parsons, brings an impressive sense of wounded dignity to the role of an abandoned child, but Allen goes too far in trying to make the character sympathetic, even altering the details of the Creature’s various murders. In a deliberate deviation from Shelley’s text, Allen turns each murder—including the calculated act of framing an innocent woman for one of the deaths—into a regrettable but mostly unintentional accident.

Despite the best intentions, the play turns out to be less than the sum of its parts.

★★★

‘The Creature’ runs Friday–Sunday through Nov. 1 at Cinnabar Theater, 3333 Petaluma Blvd N, Petaluma. Fri-Sat, 8pm; Sunday, 2pm matinee. $15–$25. 707.763.8920

Harp On

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Indiscriminate and cunning at once, artful wine makes the witless more so, even as it loosens the most rigorously trained mind. Seduced by its siren song away from the service of Asclepius, see how they fall, grinning widely, into the bawdy lair of Dionysus.

That’s a fanciful synopsis of winemaker Marc Krafft’s circuitous path to founding Orpheus Wines in 2011, anyway. Krafft (pictured) joined the Navy at age 17, and later signed on with the Army National Guard Reserve while completing university work in microbiology—with a minor in dance. While taking some time off to travel and think about the future, he got to talking to an apprentice winemaker on the train from Amsterdam to Paris. He’d had no idea that winemaking was a career one could just choose.

“I thought you had to be born into it!” he says.

Later, while working in the dimly lit underworld of the hospital lab, he began his winemaking career by moonlighting in, of all places, Illinois wine country. “It has its own challenges,” Krafft says.

Today, you’ll find him in his Kenwood tasting room, when he’s not working in the two vineyards he leases, experimenting in limiting water use and environmental impact with cover crops and by spraying vines with ozone instead of the usual fungicides. Krafft and his wife, the winery’s chief “visioneer,” Rachel Friedman, take their triple principles of community, artistry and sustainability seriously: they live in community co-housing, and switched vendors for printing organic inks on their wine bottles when they found one that could do the job with a smaller carbon footprint.

The spacious, cleanly styled tasting room functions dually as an art gallery, with wire sculptures (the originals of each wine label design) by artist Steve Lohman on permanent display.

I like the nutty intrigue of the 2013 Viognier ($20), which plays up the varietal’s sweet orange notes more than stone fruit. Also an individual, the rich 2013 Sonoma County Sauvignon Blanc ($18) charms with tarragon and lemongrass notes. Filled with boysenberry goodness, the 2013 Bacigalupi Vineyard Zinfandel ($42) is a solid Russian River Valley Zin, showing depth without heat. From a grape that’s unrelated to “moscato,” the 2013 Orange Muscat ($26) wasn’t ready to be put to bed when it was bottled, waking up with bubbles in the bottle: the flavorful, frizzante wine makes an irresistible music of its own.

Orpheus Wines, 8910 Sonoma Highway, Kenwood. Open Thursday–Monday, 12am–6pm (winter hours: Friday–Sunday 12pm–5pm; Monday–Thursday, by appointment). Tasting fee, $10-$15. 707.282.9231.

Dive In

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For Spencer Burrows and Kris Dilbeck, Frobeck are family. The longtime friends and principle songwriters of the Sonoma County band are celebrating a decade of making larger-than-life music in the vein of funk and R&B bands like Tower of Power and Sly & the Family Stone.

While the band may possess a slightly throwback sound, they are living in the here-and-now, with 2015 shaping up to be one of their best years yet.

In August, Frobeck won the

Bohemian‘s annual NorBay Music Award in the “Rock” category, and this weekend, the band unveils their new album, Sea of Truth, with a blowout record-release show on Oct. 24 at HopMonk in Novato.

The band began as a quartet, with keyboardist and vocalist Burrows co-writing original songs with guitarist Dilbeck. Over time, the group’s sound expanded, and about five years ago, Burrows says the band honed its focus.

“We asked ourselves, ‘What could we add to the band?'” says Burrows. “We grew up listening to Sons of Champlin, stuff like that, so we said, ‘Let’s add some horns.'”

In fact, Frobeck added three horns, courtesy of Alex Scammon, Alex Garcia and Cayce Carnahan, as well as the powerful pipes of vocalist Callie Watts. All was looking up until the band lost founding drummer Jonathan Lazarus to suicide in 2013.

“It was a huge loss,” says Burrows. “We were all so taken aback by it.”

Frobeck’s Sea of Truth, their first album since the drummer’s death, is dedicated to the memory of Lazarus, who the band calls their fallen brother. The title of the record sums up Burrows’ reflections in the aftermath of that loss.

“The ‘sea of truth’ is this idea that the truth is a vast, huge thing, much bigger than us, and it can either be a beautiful thing or it can be tragic,” says Burrows. Despite its heavy undertones, the album is anything but somber, as Frobeck bursts out of their past for a robust, upbeat and vivacious collection of songs.

Now eight members strong, Burrows says the band is moving forward and stronger than ever, musically and emotionally. Frobeck’s newest members, bassist Ben Burleigh and drummer Paul Spina, are both monster musicians, says Burrows. And last year, the band celebrated as Watts and Dilbeck tied the knot.

“It always feels special when we play together,” says Burrows. “This band is the best thing I’ve ever done, and I know Kris would say the same.”

Frobeck get their groove going and play Sea of Truth in its entirety on Saturday, Oct. 24 at HopMonk Tavern, 224 Vintage Way, Novato. Singer-songwriter Erin Honeywell opens.
8pm. $10. 415.892.6200.

Phil Lesh is Battling Cancer

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Photo by Stuart Levine
Photo by Stuart Levine

Grateful Dead founding member and Terrapin Crossroads owner Phil Lesh announced late last week that he has been diagnosed with bladder cancer and is currently undergoing treatment.
Lesh made the announcement on the Terrapin Crossroads website, stating he was diagnosed early in October and that he has spent the last several weeks being treated at the Mayo Clinic in Scottsdale, Arizona.
Fortunately, Lesh indicates that the tumors in his bladder were not aggressive and that recent surgery to remove the cancerous tissue has been so far successful. From the venue’s website, Lesh writes:

I am very fortunate to have the pathology reports show that the tumors are all non aggressive, and that there is no indication that they have spread.
So thanks to my local doctor Cliff Sewell, and the incredible team at the Mayo Clinic, all is well and I can return to normal activities in two weeks from my surgery.

Obviously, this prognosis is encouraging news, though Lesh will have to cancel his two upcoming shows with Chris Robinson, originally scheduled for Oct 24 and 25 at Terrapin Crossroads. More info and the complete statement from Lesh can be found here.
Our thoughts are with Lesh and his family, Get well, Phil!

Listen to a Perfect New Single by the Imperfections

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theimperfections
Northern California slacker-art house garage band the Imperfections fall somewhere between the Velvet Underground and Sonic Youth in the underground rock spectrum. Their heavy distortions screams rock and roll, yet their tight rhythms and addictive hooks display a pop sensibility that’s practically (college) radio friendly.
Active since 2013, the band already has two nicely fuzzed and noisy albums under their belt, and last month, the Imperfections released their latest single, “Maureen.” An upbeat and lo-fi ditty, this throwback power pop song is toe-tapping and sunny with an awesomely off-kilter guitar solo that gets slightly shoegazing.
Tonight, the band plays Spancky’s Bar in Cotati with fellow North bay acts Flyover States and Bucc Nyfe. You can get more details of the show by clicking here. And get in the mood by listening to the single below.

Trails & Ways Get Visual in Mill Valley

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Oakland’s indie pop outfit Trails & Ways spent four years toiling in their bedroom recording set up, perfecting a bubbling, shimmering brand of ethereal pop music infused with the bossa nova sounds that songwriter Keith Brower Brown soaked up in his time in Brazil.
Those toils came to fruition this past summer when the band released their debut full-length album, Pathology, on indie label Barsuk Records. Praised for it’s infectious melodies, DIY aesthetic and sweet samba rhythms, the album is a gem.
This week, Trails & Ways bring the pop to Marin, in a special show at Sweetwater Music Hall on Friday, Oct 16, presented by the Mill Valley Film Festival. For the occasion, Trails & Ways is getting visual. The band worked with San Francisco visual artist and director Gonzalo Eyzaguirre and developed a system that takes the live stage feed from the band’s instruments and translates the audio signals into ever-changing visual shapes and patterns that plays simultaneously with the music.
To get a taste of what’s in store, watch the band’s recent music video for “Jacaranda,” directed by Eyzaguirre, and featuring a slew of trippy visuals that perfectly match the spacey music. For more information on the upcoming show, click here.
[youtube]https://www.youtube.com/watch?v=Cq-g4ku9NTg[/youtube]

Breaking Away at the Jensie Gran Fondo

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No great surprise that the first-ever Jensie Gran Fondo of Marin was a big success. Held Oct. 10, the biking event had a lot going for it: a charismatic host, incredible West Marin roads and a perfect early October day.

But I sure was surprised to find I’d made it 70 miles to the finish line before they rolled it all up. Me, just a bike commuter—who works from home.

The ride kicked off at Stafford Lake Park, in a quiet little valley east of Novato. Headliner Jens Voigt, a legend in pro cycling who retired from racing in 2014, pumped up the crowd for the 8am start.

“If it weren’t for the Tour of California he may have retired from cycling many years ago,” Scott Penzarella, owner of Studio Velo in Mill Valley, told me earlier this year. “He has stated that he loves California many a time.” Penzarella, on the board of the Marin County Bicycle Coalition, helped to connect with Voigt and get the Gran Fondo rolling. The ride was a benefit for MCBC’s bike safety and advocacy programs.

Although the inaugural Jensie was just the junior of Levi’s Gran Fondo, with some 1,200 riders compared to 7,500, they seemed to form an uber-peloton indeed.

But when would it start moving? Minutes had passed, and we were still standing in the staging area. The peloton was arranged with Jensie and the Founder’s Club, the ride’s $749 elite level, in the lead, followed by those who had signed up for the 100-mile Shut Up Legs route and the 70-mile Presidential. I’d ended up in the middle of the 40-mile Breakaway group, which was just as well. A friend, who I’ll call “Mr. Century” because he recently tackled the 100-mile Best Buddies ride in San Simeon, had condescended to hang back and help me out on this one.

Then I saw the flow of riders snaking east through the park, then, farther out, west, climbing Novato Boulevard. They’d started out all right—seems it just takes a while to get 1,200 riders moving.

“Thank you for making us feel like we’re in the Tour de France!” one woman shouted out to the volunteers, waving flags at the starting line.

It was a postcard-perfect Marin County morning as the fog clung to clefts in the hills, and we rode past cow pastures up a gentle slope, traffic-free thanks to CHP controlling the roll-out until Point Reyes-Petaluma Road.

Far ahead of us, the competitive types were racing to establish their time rank, recorded digitally from chips embedded in seat post tags that entrants were given at check-in. But I would have continued blissfully pedaling along with the yellow-tagged Breakaway bunch if my friend, having had enough of the lollygagging, hadn’t pulled out way ahead.

But later, as I paused in the middle of a long, steep climb through the redwood forested hills, a group of fellow riders asked if everything’s OK. “I’m just waiting for ‘Mr. Century,’” I said.

I’d trained for this ride, if you could call it that, on my commuter bicycle with a leaky tire. But when I brought it in to the Trek Store of Santa Rosa for a new tube, they set me up with a Domane 4.5 store demo bike just for this ride: a carbon frame endurance bike with dual hydraulic disc brakes, 700×25 tires, and Shimano 105, 11-32, 11-speed cassette. What some of that means, I’m not sure, but it means the bike ate up the inclines like foie gras, leaving “Century” in the dust.

There was no stopping in bike-friendly Fairfax, site of this weekend’s Biketoberfest event on Oct. 17. “They’re going to make us work for that first rest stop!” A woman says to me as we climb south out of town. It’s a well-chosen route: car traffic is minimal after a few miles, until it’s mostly the Gran Fondo support vehicles. There are a number of flat tire changers on the side of the road, but the event sees no major emergencies.

Hoping to avoid one, I reluctantly passed on 21st Amendment Brewery’s offer of beer at the first service stop. Where were they on the last one? Two service stop provided water only, three offered tasty hummus and falafel bites, cookies, fruit and fig bars. Possibly oversold was a promise of the “best food Marin County has to offer” at the gourmet service stop at Point Reyes Station—I’m thinking grilled oysters and Devil’s Gulch Pinot Noir, right? But Equator Coffee’s cold-pressed brew helped me to make it back to Stafford Lake Park for a hearty German-style lunch of brats and sauerkraut catered by Farm Shop, and a pint of Lagunitas Little Sumpin’ Sumpin’.

I was feeling fairly fleet on the descent to Alpine Lake Dam, when a small group cheering on riders at the end of the dam said, “So, are you the last ones?”

At the top of the next ascent, through steep, fern-shrouded slopes in the redwoods, a message written in chalk on the road, Jens Voigt’s signature phrase: “Shut Up Legs!”

Breaking out into the sunshine for the Seven Sisters leg, the views just got wider: the fog rolled back over the Pacific to reveal Stinson Beach and Bolinas Bay far, far below. Then, the white-knuckled zoom down to sea level, the disc brakes chattering.

A cadre of cow bell ringers greeted riders at the finish line, assisted, after he returned, by Voigt himself with a shout out: “Welcome back home!”

Voigt’s time was seven hours, thirty seconds, but his actual time on the bike was five and a half. Where’d the extra hour and a half go? The gregarious pro cyclist was meeting and greeting and taking selfies with some of the faster folks, like Bohemian ad director Lisa Santos, who tamed the ride in five hours (4.44 hours she says, according to the activity app Strava).

Rolling in almost two hours later, I place as finisher 301 out of 321 men riding the Presidential 70-mile route. So is this a younger person’s game? Not exactly. The top two finishers were separated by two minutes—and two decades of age category. And from the top ten finishers on the female Breakaway route, seven are over 40.

But the legs were not shutting up, even for Voigt, the retired pro admitted to the crowd at the finish line. “I’m good for two hours, I’m good for three hours, I’m good for four. But when it gets to five hours—my legs are tired!”

Senate Bill 350

It was supposed to be three big 50s: 50 percent doubling of energy efficiency in buildings, 50 percent of our electricity power mix coming from renewable energy sources and a whopping 50 percent reduction in petroleum use in transportation—all by the year 2030. That was the ambition of Senate Bill (SB) 350, authored by Senators Kevin de León and...

Letters to the Editor: October 21, 2015

Smash Hit Thank you so much for giving me the idea of making a Donald Trump piñata and for furnishing the photo with which to make it ("Trump Up The Volume," Oct. 7). It's already been a very cathartic experience. And now for that stick...! —Noelle Oxenhandler Glen Ellen Actually, you should be touting piñatas for Hillary and Bernie: They're the ones...

Doll House

The internet can be regarded as a giant general store, ready to cater to our wildest desires. But should you look for a handmade, designer rag doll for a girl who deplores anything pink, frilly or girly, Google will raise an eyebrow, and then give you Jess Brown, a Petaluma designer who pretty much dominates this niche category. Brown's daughter Stella,...

Creature Feature

no more pitchforks Robert Parsons brings a wounded dignity to his role as the Creature. In Mary Shelley's Frankenstein, as everyone knows, a creature is assembled from dead body parts and granted the spark of life. In Trevor Allen's The Creature—a daring, artful, but ultimately problematic adaptation—the playwright puts Victor Frankenstein's creation process in reverse, taking the original story apart...

Harp On

Indiscriminate and cunning at once, artful wine makes the witless more so, even as it loosens the most rigorously trained mind. Seduced by its siren song away from the service of Asclepius, see how they fall, grinning widely, into the bawdy lair of Dionysus. That's a fanciful synopsis of winemaker Marc Krafft's circuitous path to founding Orpheus Wines in...

Dive In

For Spencer Burrows and Kris Dilbeck, Frobeck are family. The longtime friends and principle songwriters of the Sonoma County band are celebrating a decade of making larger-than-life music in the vein of funk and R&B bands like Tower of Power and Sly & the Family Stone. While the band may possess a slightly throwback sound, they are living in...

Phil Lesh is Battling Cancer

Grateful Dead founding member and Terrapin Crossroads owner Phil Lesh announced late last week that he has been diagnosed with bladder cancer and is currently undergoing treatment. Lesh made the announcement on the Terrapin Crossroads website, stating he was diagnosed early in October and that he has spent the last several weeks being treated at the Mayo Clinic in Scottsdale,...

Listen to a Perfect New Single by the Imperfections

Northern California slacker-art house garage band the Imperfections fall somewhere between the Velvet Underground and Sonic Youth in the underground rock spectrum. Their heavy distortions screams rock and roll, yet their tight rhythms and addictive hooks display a pop sensibility that's practically (college) radio friendly. Active since 2013, the band already has two nicely fuzzed and noisy albums under their...

Trails & Ways Get Visual in Mill Valley

Oakland's indie pop outfit Trails & Ways spent four years toiling in their bedroom recording set up, perfecting a bubbling, shimmering brand of ethereal pop music infused with the bossa nova sounds that songwriter Keith Brower Brown soaked up in his time in Brazil. Those toils came to fruition this past summer when the band released their debut full-length album,...

Breaking Away at the Jensie Gran Fondo

No great surprise that the first-ever Jensie Gran Fondo of Marin was a big success. Held Oct. 10, the biking event had a lot going for it: a charismatic host, incredible West Marin roads and a perfect early October day. But I sure was surprised to find I’d made it 70 miles to the finish line before they rolled...
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