Children of Folk

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Songwriters Kenneth Pattengale and Joey Ryan were both at a musical crossroads when they met in 2011. Each was going nowhere fast in their hometown of Los Angeles, so they joined flat-picking forces and their harmonizing voices to form the Milk Carton Kids.

Four years later, they’ve got a Grammy nomination under their belts, and their fourth LP,

Monterey, is wowing Americana audiences across the country. The Milk Carton Kids play the Uptown Theater in Napa on Wednesday, Dec. 2.

“We did not want to make [Monterey] in the studio,” says Ryan. “We feel a little stifled in the studio—a heightened sense of pressure where you’re always critiquing and making judgments about your performance.”

For Ryan and Pattengale, the last five years of constant touring meant that their most natural state of creativity was on the stage, and they used that as inspiration for the new record.

“We wanted to make the album in the natural course of the day while we were on tour,” says Ryan. “We tried to have it feel more akin to our performances every night.”

The album was recorded during the Kids’ 2014 tour, on the very stages of the venues where they were performing, rolling tape during the day before the evening’s show.

Live, the pair perform an intense, but approachable set of songs, playing mere inches from each other with their acoustic guitars and often singing into a single mic. Monterey impeccably embodies this aesthetic with up-close-and-personal tales of “Asheville Skies” and “High Hopes” delivered seemingly right to your ear. No backing bands, no fancy productions, just two talented songsmiths picking strings and singing from their hearts.

Recording at venues that included a church in Edmonton, Alberta, a condemned theater in Birmingham, Ala., and the Musical Instrument Museum in Phoenix, Ariz., Ryan says the experience was liberating.

“Knowing that there was always tomorrow, that each take didn’t have to be the one, we never put pressure on ourselves,” he says.

They also didn’t listen to a single recording for the entire length of the tour, which meant that returning to the sessions three months later allowed them to hear and appreciate the songs more objectively.

“It’s hard to be yourself when you’re constantly evaluating,” says Ryan. “This album is a little looser that way. There are imperfections, but it sounds right.”

Paris in my Heart

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Ever since the abominable attacks on Paris, I’ve been emailing French friends for first-hand news. From what I understand, I believe that my friends have been carrying on as best they can, as though nothing has happened, all the while knowing that something terrible has happened.

I carry on, too, though I feel the weight of sadness and grief. I can’t get Paris out of my head. I remember the city’s cafes, streets, bars, bakeries and the Parisians I have known since 1961 when I first went to Paris, when the French were at war with the Algerians. Bombs exploded. Bullets punctured the walls, and life went on then as now.

Yesterday, to make myself feel better, I took to wearing my French beret. I suppose I look a bit absurd, though no one has laughed or pointed a finger. I don’t know what else to do except go on wearing my silly hat, sending and receiving emails, reading the news, looking for rays of hope and talking to friends here in Sonoma County, which has long maintained cultural ties to France, through French wines, French food, French culture.

I would like to be in France now. I would like to see my friends, to share their sorrow with them, though I know that now isn’t a good time to go. I don’t want to be a voyeur or an emotional thief living off the tragedy of others. I will have to nurse my own wounds, remember my adventures in Paris, the French language and French words, the music and the movies, the City of Light tugging at my heart.

It feels strange to have this kind of connection to a place so far away, geographically speaking, yet so close to my innermost feelings. I wish that my friends here in Sonoma County might put away their bickering, their big and their little annoyances, and pay homage to the spirit of the French who have welcomed Americans to their shores and brought their ideals to America.

Jonah Raskin is the author of ‘A Few French Scenes.’ He lives in Santa Rosa.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Letters to the Editor: November 25, 2015

A Musician
and More

John Trubee (“Music at the Margins,”
Nov. 18) is a wonderful, crazy guy whom I met first in the mid-1970s when he was a teenager. He performed at the Avant Garde Festival in Trenton, N.J., and slowly grew into one of the most interesting and quirky musicians I’ve ever known. And he is more than “just” an unknown musician. He donated a kidney. He recorded and distributed prank phone calls. He was the subject of a lecture at Rensselaer Polytechnic Institute by a guy who’d never met him. A famous composer flew across the country just to meet him in person. He’s been the subject of a documentary. And he had (still has?) a mechanical monkey. And much more. Too much more. This article is well deserved!

Via Bohemian.com

It’s About Time

I concur 100 percent with each and every one of the excellent points that you have expressed (Open Mic, Nov. 18). And to this, I will add that we are now living in a post–Andy Lopez world where the marginalization of our disempowered youth, as well as the disparagement of the neighborhoods in which they just happen to reside, is no longer going to be tolerated. It is my sincere hope that those who have been so deeply affected by this horrific incident will continue to speak out about the injustices which still plague us, many of which were catapulted to the forefront of the public’s consciousness after Andy was gunned down. In the meantime, let us continue to do all that we can to ensure that a park in Andy’s neighborhood— which, as of Oct. 22, 2013, hadn’t even been conceptualized, 25 years past the original date that one was promised—will finally come to fruition and that it will, indeed, bear Andy’s name.

Via Facebook

Sea Sick

I was very distressed by this article (“Wait and Sea,” Nov. 18). While I can commiserate with the crab fisherman and the good organizations affected, I was struck by the failure to see the big picture.

We all need to be extremely concerned about what’s going on with the health of our oceans. Toxic algae and the resulting domoic acid problems are getting increasingly worse. This latest event is unprecedented. Coral reefs are dying. Whales are dying. Entire ocean ecosystems are breaking down because of warming and acidification. If our oceans die, we all die.

The other thing that struck me when reading the article is the absurdity that fire departments, educational facilities and health facilities need to rely on such fundraising events for a major part of their budgets. We’re a rich country, and Sonoma County is one of the richest areas of a rich country. If corporations and the wealthy were paying their fair share, all these vital services would have adequate funding. It’s simply despicable that our economic system is so skewed and corrupted by the 1 percent that we can no longer provide basic services to American citizens. It’s time to say enough is enough. The working people of this country deserve much better.

Madison, Wis.

Write to us at le*****@******an.com.

Lighting Up

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The buzz around Matthew Lightner’s Ninebark in downtown Napa preceded the restaurant’s opening last month.

The curly-haired, bespectacled chef came to Napa from New York, where his cooking at Atera earned him wide acclaim, including two Michelin stars. The Tribeca restaurant offers an 18-course tasting menu that goes for $235, with an additional $195 for wine pairings. That’s not what you’ll find at Ninebark.

Ninebark’s à la carte menu is much more casual and far less pricey than Atera, but Lightner’s approachable yet exciting and technically precise cooking is a wonder. The three-level restaurant and bar is a gem that somehow feels like New York to me with its tin-stamped ceiling, brick walls and tiny bathroom sinks made to fit in small spaces. The handsome, first-floor bar offers a few well-chosen snacks—and by all means, order the salt cod beignets ($10), a savory dish of two moist, honey-dabbed, doughnut-like buns piped full of a garlicky cod and potato purée.

The top floor is a swankier lounge with a more inventive cocktail menu (try the Old Ball Game, $16, a riff on an Old Fashioned made with popcorn and peanut–infused rye—think Cracker Jack) and a whiff of leather-steeped grain alcohol served with a single, hand-shaped ice globe. It’s supposed to taste like a baseball game complete with essence of catcher’s mitt).

The top floor’s list of “provisions” is a more sophisticated menu of snacks. The beautifully composed pickle plate ($12) is a must. Seasonal vegetables, like turnips, cherry tomatoes, chile peppers and green beans, are each individually pickled and served with edible flowers on a bed of crushed ice, as is the bracingly fresh flavors of the smoked and cured fish (market price). In addition to the food and drink, the main attraction of the third floor is the rooftop terrace with its sweeping view of the Napa River and Third Street Bridge. The ideal plan is to grab a cocktail on the roof terrace before descending to the second floor to the dining room. That’s where the real action is.

An elevator takes you to each floor, and given the distinct personality of each, it feels like riding in a department-store elevator of old (“First floor, women’s lingerie; second floor, housewares . . .”). Stepping onto the second floor reveals an open-air kitchen with a tabletop-size Big Green Egg smoker perched on the counter.

The poised kitchen staff is clothed not in the stiff kitchen whites you’d expect of a crew from a top New York restaurant, but in a combination of civvies and snap-button kitchen shirts, a casual style the befits the easy-going vibe of the restaurant. Several of the staff followed their chef out West, a fact that speaks well of Lightner, who runs the kitchen with a cool but careful eye for detail as he sends plates out.

The professionalism extends to the dining room floor. Bartenders, servers and managers move with grace and ease, and know the menu cold. There’s a difference between rote memorization and true knowledge of the menu.

My one gripe is the overloud classic rock played in the restaurant. I know this is California and we’re cool and casual and all, but the Doobie Brothers and smoked foie gras are a poor match.

Lightner is known for his use of smoke in savory and sweet dishes alike. The Big Green Egg, a ceramic-lined smoker, is a key tool in his kitchen. But this isn’t barbecue. Lightner uses smoke as an accent, applying it with a fine brush rather than a mop. Case in point is the smoked foie gras ($25), a quivering orb of duck liver lanced with a needle-like skewer and waved over the smoke, then served with saucy white beans and flecks of fermented black truffle. The barely warmed foie gras picks up the smoke flavor but not enough to overwhelm the dish. It’s outstanding.

I also loved the smoke-perfumed roasted sturgeon belly paired with the piney sweetness of shaved raw matsutake mushrooms ($14). So good. The citrus-dressed, barely grilled avocado salad ($12) with kohlrabi was chilled and firm yet retained the flavor of its moments on the grill.

It’s not all smoke. The aged beef tartare ($25), coarsely diced ground beef, lobster tail, ahi, pickles and raw egg yolk gets my vote for best of class. I could go on. And I did.

From the list of entrée-sized plates, the charcoal-roasted duck ($38), fanned out like a winning hand of cards, was juicy, tender and meaty. My favorite was the roasted pork neck ($28). I expected pork pulled from the fatty and cartilaginous upper vertebrae, but instead got uncommonly moist slices of meat, like pork tenderloin but with no hint of dryness. Where have butchers been hiding this cut of meat?

The hits kept coming with dessert, also made by Lightner. I’ve had several variations of s’mores, molar-aching sugar bombs of gummy marshmallow and chocolate, but here the campfire classic ($9) never tasted so good. Best of all was the fig leaf softserve ice cream served with a dried fig wafer dotted with fig and red wine jus and nasturtium petals ($9). Beautiful, light and delicious.

Napa’s once moribund dining scene continues to grow in depth and I predict Lightner’s elevated but approachable cooking will blow it wide open. Welcome to Napa, chef.

Ninebark, 813 Main St., Napa. 707.226.7821.

Bruno Ferrandis to Depart from Santa Rosa Symphony

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photo credit: Clay McLachlan
photo credit: Clay McLachlan

Santa Rosa Symphony board president Sara Woodfield recently announced that music director and conductor Bruno Ferrandis will end his tenure with the Symphony when his contract expires at the end of the 2017-2018 season.
Ferrandis, only the fourth musical director in the Symphony’s 88-year history, plans to pursue an international role as a guest conductor.
Of the decision, Ferrandis said he hopes to conduct more opera, collaborate with contemporary composers and travel the world. He also thanked the community in Sonoma County for their “fabulous faith and support for the Santa Rosa Symphony over so many years.”
Highlights of Ferrandis’ time with SRS include the Symphony’s move to the Green Music Center’s Weill Hall in 2012. Also, in 2013, the Symphony was awarded an ASCAP Award for Adventurous Programming of Contemporary Music, in recognition of Ferrandis’ balance of traditional classic repertoire with newer works.
Woodfield also announced the Symphony’s board of directors will begin an international search for the next music director, with finalists conducting five of the seven classical concerts in the 2017-2018 season before Ferrandis leads the orchestra for the final two concerts, both of which are sure to be filled with personal favorites and emotional works.

Matt Bauer Sings in Sonoma

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mattbauer
New York City songwriter Matt Bauer just released his latest, Dream’s End, an enchanting album of orchestral folk and acoustic rock. And he’s celebrating with a west coast tour that wraps in Sonoma this weekend.
In the tradition of old-fashioned folk laments and murder ballads, Dream’s End is a head trip of lyrically fragile and musically melodic songs, like the lead single “I Am Trying to Disappear.” While Bauer assembles a more sonically diverse palette for this conceptual effort, it’s his emotional depth that again lays a strong foundation for his striking and often stark arrangements.
On Sunday, November 22, Matt Bauer will be in Sonoma, performing at a house show. Write ma************@***il.com for details, and listen to “I Am Trying to Disappear” below.

High Concept

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Santa Rosa’s ZDCA Design & Development today announced the creation of a sister agency that will exclusively serve Northern California’s cannabis industry. The Hybrid Creative will provide web design and branding services as well as business and consulting for medical and hydroponic marijuana.

“The whole landscape is changing with all the new laws and regulations,” says Laurel Gregory, Hybrid Creative’s new CEO. Gregory was the long-time art director and production manager for ZDCA. “Northern California doesn’t have an agency that focuses on the cannabis industry and that’s the niche we’re trying to carve out for ourselves.”

Gregory she said the cannabis has a large number of female CEOs and she’s proud to be part of the movement.

ZDCA has been the product design, marketing and web development agency for cannabis industry producers like Absolute Xtracts, Care By Design, Cutting Edge Solutions, The Emerald Cup, GeoPot, True Liberty Bag and Left Coast Garden Wholesale.

“I believe in cannabis not only as a medical and agricultural crop but as an industry that can really elevate the growth of Northern California,” said Zack Darling, co-founder and CEO of ZDCA. “After many years of very limited sales opportunity, this industry is on the verge of a massive expansion in sales and product development. The Hybrid Creative is here to bring our clients into the market place in big,
innovative ways.”

According to a statement, the creation of a cannabis-specific subsidiary will allow ZDCA to focus on sustainable enterprises, e-commerce and renewable energy clientele.

North Bay Cabaret Goes For Bro

brovember
The monthly North Bay Cabaret always brings a new, distinct flavor to their ongoing variety shows, incorporating themes that range from Renaissance Fairs to David Lynch’s Twin Peaks in their imaginative array of burlesque dancing, live readings, standup, acrobatics and more.
This weekend, the Cabaret busts out the tanning spray and tank tops for their upcoming “Brovember” event that features everything from a special beer pong burlesque to a “bro” puppet show, fashion show, fire dancing, slam poetry and music.
Recent NorBays Music Award winner DJ Beset is the special guest in the Vinyl DJ Dance Room, and San Francisco’s Riflefeet bring an electronica backdrop to the main room. As always, the entire thing is hosted by the ultimate “Bro,” Jake Ward.
Now, remember haters, this is a satirical show, so bring a sense of humor when you “bro down” with the North Bay Cabaret on Friday, Nov 20, at Whiskey Tip, 1910 Sebastopol Rd, Santa Rosa. 7pm. $10. 21 and over. Details and lineup are here.

Nov. 19: Imaginative Americana in Rohnert Park

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While vaudeville flourished in America in the 1920s and 1930s, Mexico had its own theatrical movement called the carpa, or tent show. This week, the always innovative Imaginists theater presents a new take on the old tradition with a one-time performance of their original work titled ‘La Carpa Americana.’ Employing all of the physical comedy, music, satire and politics of the classic shows, the group turns these staples into a surreal look at current social and cultural issues with five enlightening acts, performed in Spanish and English. Carpa Americana plays out on Thursday, Nov. 19, at the Green Music Center, 1801 E. Cotati Ave., Rohnert Park. 7:30pm. Free (tickets required). 866.995.6040.

Nov. 21: Santana’s Choice in Napa

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Photographer Jim Marshall first met Carlos Santana 50 years ago while shooting Santana’s band. The two became friends and have now spent half a century as close compadres. This weekend, Marshall’s career as a photographer is chronicled in a new exhibit at Mumm Napa, curated by Santana himself. In partnership with San Francisco Art Exchange, ‘Jim Marshall Seen Through the Eyes of Carlos Santana’ features over 40 of Marshall’s photos of Santana and other musicians, and opens in concurrence with the release of the limited Santana Savor wine. The show welcomes the public to a reception on Saturday, Nov. 21, at Mumm Napa, 8445 Silverado Trail, Napa. 6:30pm. $60. 800.686.6272.

Children of Folk

Songwriters Kenneth Pattengale and Joey Ryan were both at a musical crossroads when they met in 2011. Each was going nowhere fast in their hometown of Los Angeles, so they joined flat-picking forces and their harmonizing voices to form the Milk Carton Kids. Four years later, they've got a Grammy nomination under their belts, and their fourth LP, Monterey, is wowing...

Paris in my Heart

Ever since the abominable attacks on Paris, I've been emailing French friends for first-hand news. From what I understand, I believe that my friends have been carrying on as best they can, as though nothing has happened, all the while knowing that something terrible has happened. I carry on, too, though I feel the weight of sadness and grief. I...

Letters to the Editor: November 25, 2015

A Musician and More John Trubee ("Music at the Margins," Nov. 18) is a wonderful, crazy guy whom I met first in the mid-1970s when he was a teenager. He performed at the Avant Garde Festival in Trenton, N.J., and slowly grew into one of the most interesting and quirky musicians I've ever known. And he is more than "just"...

Lighting Up

The buzz around Matthew Lightner's Ninebark in downtown Napa preceded the restaurant's opening last month. The curly-haired, bespectacled chef came to Napa from New York, where his cooking at Atera earned him wide acclaim, including two Michelin stars. The Tribeca restaurant offers an 18-course tasting menu that goes for $235, with an additional $195 for wine pairings. That's not what...

Bruno Ferrandis to Depart from Santa Rosa Symphony

Santa Rosa Symphony board president Sara Woodfield recently announced that music director and conductor Bruno Ferrandis will end his tenure with the Symphony when his contract expires at the end of the 2017-2018 season. Ferrandis, only the fourth musical director in the Symphony's 88-year history, plans to pursue an international role as a guest conductor. Of the decision, Ferrandis said he...

Matt Bauer Sings in Sonoma

New York City songwriter Matt Bauer just released his latest, Dream's End, an enchanting album of orchestral folk and acoustic rock. And he's celebrating with a west coast tour that wraps in Sonoma this weekend. In the tradition of old-fashioned folk laments and murder ballads, Dream's End is a head trip of lyrically fragile and musically melodic songs, like the lead single...

High Concept

Santa Rosa's ZDCA Design & Development today announced the creation of a sister agency that will exclusively serve Northern California's cannabis industry. The Hybrid Creative will provide web design and branding services as well as business and consulting for medical and hydroponic marijuana. "The whole landscape is changing with all the new laws and regulations," says Laurel Gregory, Hybrid...

North Bay Cabaret Goes For Bro

The monthly North Bay Cabaret always brings a new, distinct flavor to their ongoing variety shows, incorporating themes that range from Renaissance Fairs to David Lynch's Twin Peaks in their imaginative array of burlesque dancing, live readings, standup, acrobatics and more. This weekend, the Cabaret busts out the tanning spray and tank tops for their upcoming "Brovember" event that features...

Nov. 19: Imaginative Americana in Rohnert Park

While vaudeville flourished in America in the 1920s and 1930s, Mexico had its own theatrical movement called the carpa, or tent show. This week, the always innovative Imaginists theater presents a new take on the old tradition with a one-time performance of their original work titled ‘La Carpa Americana.’ Employing all of the physical comedy, music, satire and politics...

Nov. 21: Santana’s Choice in Napa

Photographer Jim Marshall first met Carlos Santana 50 years ago while shooting Santana’s band. The two became friends and have now spent half a century as close compadres. This weekend, Marshall’s career as a photographer is chronicled in a new exhibit at Mumm Napa, curated by Santana himself. In partnership with San Francisco Art Exchange, ‘Jim Marshall Seen Through...
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