Letters to the Editor: March 30, 2016

Best Ever

Shotsie Gorman Rocks (Cover, March 16)! The Bohemian has great covers—always—but this one really grabbed me. I met Shotsie and his wife, Kristine, when Aubergine had its artist/model/musician nights. The Gormans are genuinely inspiring, to say the least, and the cafe/bistro/art scene had a good energy. We could use a similar venue.

Sonoma County

Thorough and Accurate

Thank you for your continuing coverage of Sonoma County’s IHSS workers (Debriefer, March 23). For years now your articles have been thorough and accurate, making sense of a very complicated program.

Via Bohemian.com

Tenants Unite

Housing should be a right for all citizens, not a privilege based on one’s income level (Letters, March 23). Landlords and real estate speculators, aka “investors,” have treated renters in outrageously unfair ways, slapping down rent increases of $500 to $700 and throwing good tenants, who adhere to rules and pay their rent on time, out into the street so they can make a fast buck. The so-called market seems motivated by greed and lust for profit at all costs.

As for the alleged travails of poor landlords, cry me a river. Those who have enough disposable income to invest in real estate and property “flipping” to make a tidy profit are undeserving of any sympathy whatsoever, especially when many own multiple properties worth millions of dollars. Landowners have powerful organizations and lobbies working for their interests and bending the ear of politicians to keep regulations lax and renters at a disadvantage.

Some sort of control on rent increases along with a just-cause eviction law is the least the politicians who have looked the other way and done nothing the past 20 years in Santa Rosa and Sonoma County can do for the elderly, disabled and working poor, along with the struggling working middle classes, who make up a sizable percentage of the population in this area, and, at times, spend 40 to 60 percent of their income to keep a roof over their heads. Perhaps renters need their own lobby or union to press for their interests, as the landlords have their property owners associations and chambers of commerce.

Santa Rosa

Money Talks

What a useful idea (“Show Me the Money,” March 23): a city/county/state/federal ballot initiative, which would force all elected legislators to wear patches of their top 10 donors any time they speak or take an official action. (My edit from John Cox’s idea printed in the article).

Via Bohemian.com

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Female Retail

The value of Women’s History Month (which concludes March 31)
is up for debate depending on how you approach it. Some believe it only serves to highlight the gender gap; others advocate for its importance in balancing the scale. But regardless of the angle, risk-taking women who support each other is always worth celebrating.

Female entrepreneurship—in fields ranging from the arts to tech—has seen steady growth in recent years, in big cities and rural areas alike. Success can be especially challenging when the business is based away from central hubs. Being a female business owner in the North Bay often means cultivating community support and joining forces with other like-minded women. A number of such female-powered ventures are sprouting up across Northern California, and they deserve recognition—whether it’s Women’s History Month or not. From a chic co-working space to a knitting haven, here is a sampling of businesses that make sure local woman power is alive and kicking all year long.

Jam Jar, Santa Rosa The best collaborations are often multidisciplinary. Jam Jar, located in Santa Rosa’s SOFA district, is a great example. Artist Molly Perez and jewelry designer Jamie Jean Wilson decided to join forces, and opened the colorful, chic Jam Jar. “We’ve known each other for 15 years and often talked about going into business together,” Perez says. “I couldn’t handle it all by myself.” Inside, you can find quirky collages and paintings by Perez, earrings and necklaces by Wilson and guests designers, vintage finds and décor items. Jam Jar is a decidedly “neighborhood” shop—one of the two owners will usually greet you with a big smile, and the store is an active participant in all of SOFA’s happenings and events. 320 South A St., Santa Rosa. 707.480.8506. mollyperezstudio.com.

428 Collective, Healdsburg An all-women arts collective, 428 organizes art events and presentations and serves as a marketplace for some of the area’s most cutting-edge artists. Among them are multimedia artists Alice Sutro and Jessica Martin, photographer Caitlin McCaffrey, filmmaker Flora Skivington, painter Christina Hobbs and six other creative women. In addition to art-themed parties and lectures in the Healdsburg headquarters, the collective keeps an online art store and supports its individual members by promoting new shows and exhibits on their Facebook page.

“We all bring something different to the table in terms of our experiences, vision, circumstance and general outlook, having a deep respect for one another and an unwavering belief in art’s ability to educate, enhance and unite us in the human condition,” says collective member Victoria Wagner. “There was no presumption or foresight regarding gender; it had much more to do with a sense of community that we naturally formed around having really high regard for one another.” 428 Moore Lane, Healdsburg. 707.433.6842. 428collective.com.

The Soap Cauldron and Three Sisters Apothecary, Sebastopol Soap, family and female friendship: sounds like a recipe for a Hallmark mini-series—or the story behind the Soap Cauldron. Emma Mann began her small soap venture with her daughter, now a student at UC Berkeley, who manages the company’s social media accounts. Located in the Barlow since 2013, the Soap Cauldron is a family business that happens to employ all women, and the theme thrives in Three Sisters Apothecary, a line of beauty and soap products that the Cauldron produces.

“I named it for my sisters and I, who are all two years apart,” Mann says. “My sister Marlo was killed in her home back in 2010, which mobilized me on many fronts. My sister Pandora is a payroll and [human resources] specialist, and weighs in on our business structure. Her daughter Roxanne and my daughter all work actively in the business with me.”

Together, the group of women makes herbal bar soaps, body butters, shampoo and salves,
all packaged in simple, retro-inspired tins. 6780 McKinley Ave., Ste. 120, Sebastopol. 707.888.5659. soapcauldron.com.

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Cast Away & Folk, Santa Rosa For lovers of all things yarn, Cast Away & Folk must feel like heaven on earth. Leslee Fiorella, a textile designer, Isla Corbett, wool artist extraordinaire and Justine Malone, an entrepreneur with a passion for knitting, came together in this adorable Railroad Square space to establish a crafty empire. Along with an elaborate shop that sells fabrics, yarn, crafting and weaving supplies, the bright, cozy spot offers knitting, weaving, crochet and tapestry workshops—for absolute beginners to ambitious knitters—led by the three ladies. “We strive to support each other in running a successful retail store,” says Corbett, who rightfully calls
the store’s merchandise “inspiring goods.” 100 Fourth St., Santa Rosa. 707.546.927. castawayandfolk.com.

Farmers Jane Wine Company, Napa The collaborative effort of two female winemakers, Farmers Jane is a refreshing voice in the local wine industry. Angela Osborne, the woman behind A Tribute to Grace Wine Co., a Southern California label, and Faith Armstrong Foster, who’s based in Napa and makes Onward Wines, have known each other since working a Healdsburg harvest together in 2002. Their joint label produces rosé, field white and field red wines, craftily constructed from a variety of California grapes. The logo alone—two free-spirited ladies balancing on a wine barrel—is worth some kind of an award; the wine is an instant favorite. 707.812.1456. farmersjanewine.com.

The Hivery, Mill Valley Breathtakingly beautiful and welcoming, this brand-new coworking space and “inspiration lab” is owned by Grace Kraaijvanger, a woman of many talents. A former ballet dancer, Kraaijvanger has worked in marketing and consulting, and now pours her heart into the Hivery. Catering to an all-women clientele, the space offers a peaceful, creative environment in the best traditions of coworking spaces. There are personal and professional development events and a focus on empowering women—whether they’re going back to work after a long break or starting a fresh business.

“I started the Hivery because of a deep conviction that every woman has unique gifts that are meant to be brought forth in this world,” Kraaijvanger says “I believe that women have an instinctual desire to support each other, and that creativity flourishes when women feel connected.”

The Hivery encourages women to use their skills, expertise, wisdom and passions in different ways while exploring new phases in their lives, such as childbirth, and starting a new business. “Navigating these new chapters alone can feel isolating and depleting,” Kraaijvanger says. “Acting on them together is invigorating and inspiring.”
38 Miller Ave., Ste. 20 Mill Valley. 415.569.7760. thehivery.com.

Rikshaw Design, Greenbrae Looking at this brand’s impressive, globally inspired website, it’s hard to believe that the business is practically right here in our own backyard. Rikshaw Design founder Catherine Hedrick was motivated by her love for Indian textiles when she launched the brand’s first collection in 2008. Since then, the business has grown and has started manufacturing children’s clothing and women’s collections, adorned in colorful Indian prints and made out of 100 percent cotton. Although Rikshaw Design is based in Marin, the brand’s activity takes place mainly in its online store, and through a series of trunk shows that anyone can apply to host—so be on the lookout. 243 Sir Francis Drake Blvd., Greenbrae. 877.474.5742. rikshawdesign.com.

Flourish and Thrive Academy, Sausalito “Supportive” and “nourishing” are accurate attributes of many female-owned businesses, and Tracy Matthews and Robin Kramer turned them into a business. Matthews, a jewelry designer, and Kramer, a marketing expert based in Sausalito, joined forces over their love of jewelry and launched a virtual “academy” of tools and materials for budding designers and entrepreneurs in the accessories industry. Together, the women craft online courses with promising names like “Multiply Your Profits” and “Dream Client Intensive,” and help women (and men) across the country realize their dream venture. The Flourish and Thrive website offers a variety of complimentary materials—podcasts, short lectures and 101 videos led by the witty, fast-paced duo. flourishthriveacademy.com.

Edition Local Shop & Outpost, West Marin Although not exclusively female, this collective of artists and makers includes quite a few talented ladies—jewelry maker Marion McKee, soapmaker Olivia Johnson of Fat + Fallow (whose products are made of tallow), felter extraordinaire Patricia Briceño of Raw Felt, indigo artisan Carrie Crawford of Mineral Workshop and woodworker Gwen Gunheim of Hendley Hard Goods. The collective gathers its members on one beautiful website, where goods by each maker can be purchased, and it “strives to build resilient local economies and champion neighborliness.” While you can find each artisan in his or her own studio, the “power of many” makes Edition Local a real local gem. 9940-A Hwy. 1, Olema. 844.326.3260. editionlocal.com.

Breeze In

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I have been attending the Carneros Wine Alliance’s annual barrel tasting for several years now, only partly because of the high-quality commemorative coffee mugs they hand out at the end of the event. I’m also trying to answer a question: Is there such a thing as a Carneros style?

But let’s back up for a minute—I realize that, if you aren’t familiar with the wines from this region, Carneros does sound a bit like an optional filling for your burrito. Taking a historical name for the region, Spanish for “the rams,” Los Carneros was established as an American Viticultural Area (AVA) in 1983. The region is unusual in that it’s shared between Napa Valley and Sonoma County, and was the first AVA to be defined mostly by its cool, windy climate rather than arbitrary boundaries—resulting in the ugliest mug on the map. I think it resembles the head and shoulders of a dragon, with whiplash.

The wines are much prettier. Carneros may seem dominated by sparkling wine producers, but most of the wines on offer recently at an intimate tasting at Cornerstone Sonoma were Pinot Noir and Chardonnay table wines. Sparkling wine producer Domaine Carneros offered a 2015 White Pinot Noir, a surprisingly fleshy, toasty wine infused with red fruit notes in the way a mineral water might be—with hardly more hue. After all, Pinot Noir is a major ingredient in traditional sparkling wines, and it represents
44 percent of the grape varieties grown in Carneros.

Chardonnay trumps Pinot at 46 percent of the appellation’s 8,000 vineyard acres. The 2015 Chardonnays I tasted were extraordinarily lean and refreshing, with the sweet tang of pink grapefruit and crisp apple; they were barrel-fermented but saw little if any malolactic fermentation. Is that what you can expect from Carneros Chardonnay? Not at all. Carneros is a top source of Chardonnay for Napa Valley’s butterball leaders—it’s all in the winemaking.

So what’s the point of an AVA designation, if not to guarantee a style of wine? An AVA is more of a signpost. To my eyes—or nose, rather—the Carneros signpost points mostly to a style of Pinot: waxy aromas of Christmas candle, cinnamon, dried rose petals and fruits—a smoky, sensuous potpourri.

While this impression held up for some of the member wineries’ exciting 2015 Pinots, consistency was, unfortunately, elusive, even for the most iconic of Carneros Pinot Noir vineyards. Case in point, Garnet Vineyards’ bright, lively, red-cherry-toned Pinot from Stanly Ranch, which dates from the 1950s, reminiscent of Jayson Woodbridge’s Cherry Pie Pinot from that same vineyard. So, aha? Not according to Starmont Winery’s lush, darkly fruited 2015 Stanly Pinot Noir. More study required.

Hog Heaven

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The Naked Pig is expanding with a dinner-only restaurant in downtown Santa Rosa called Flower and Bone. The rootsy, farm-driven Naked Pig has been a hit, in spite of its tiny, 300-square-foot size, since it opened two years ago. The new place will occupy a roomier, 1,600-square-foot space in a 100-year-old mercantile building at 640 Fifth St. that owners Jason Sakach and Dalia Martinez are restoring to its tongue-and-groove-floor and brick-wall glory.

Sakach says Flower and Bone’s menu will follow the Naked Pig. He says it will marry art and food with a “dinner series” concept that revolves around Martinez’s changing menus of what Sakach calls “peasant cooking,” hearty, soulful food traditionally made by women in clay pots and over an open fire. Preserved and pickled food will also play a big role on the menu. Shelves of preserved fruit and vegetables will line one wall of the restaurant and will be available for purchase.

Sakach and Martinez are also making plates and tiles for the restaurant to create
“a living, working art space that you can
eat at,” says Sakach.

What’s with the name? Flower and Bone refers to the fundamental ingredients of cooking, Sakach says. Most fruit and vegetables we eat are mature forms of flowers, and slow-cooked bones derived from whole animal cooking are the basis for flavorful broths and stocks. The name sounds really cool, too. Sakach hopes to open in early summer.

Secrets and Lies

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People hide things. We bury our sins, secrets and hidden thoughts down deep, or we simply disguise them behind a mask of pretense. Theater is the ultimate exercise in pretense as art, and in two first-rate plays, those secrets are uncovered in very different ways.

Outside Mullingar by John Patrick Shanley (Doubt), now running at Main Stage West, features strong performances from a well-matched cast of four, with fine, frisky direction by David Lear. In rural Ireland, two awkward neighbors—having rarely spoken despite having lived their whole lives on adjoining farms—are suddenly forced to take very bumpy steps toward cordiality, friendship and possibly love, spurred along, more or less, by their crotchety elderly parents.

As the central pair, Rosemary and Anthony, Sharia Pierce and Jereme Anglin are thoroughly charming and ferociously odd, blending humor and heartache as smoothly as Guinness flows from a tap. Each carries a weighty secret that has held them in place for years, the unfolding of which carries a touch of Irish magic.

As Tony, Anthony’s crustily fuming father, Clark Miller is wonderful, a gentle heart buried beneath a roguish snarl. As Aoife, Rosemary’s recently widowed mother, Elly Lichenstein gives one of the sweetest and loveliest, most relaxed and engaging performances of her career.

About the story, the less said, the better. The biggest surprise is in how deeply it reaches into one’s emotions, like a good Irish ballad, and how much fun it has doing it.

Rating (out of 5): ★★★★½

In Frederick Knott’s classic thriller Wait Until Dark, Spreckels Theatre Company tackles a nail-biter of a story made famous by the 1967 Audrey Hepburn film. Directed by David Yen, this intimate staging of the clever mystery-drama features a vulnerable, increasingly fierce performance by Denise Elia-Yen as a terrified blind woman holding her own against a trio of criminals (Nicolas Christenson, Chris Schloemp and Erik Weiss) dead set on retrieving a stolen stash of drugs they believe she’s hidden in her Greenwich Village apartment.

A few technical issues aside, with some bumpy pacing late in the show, the cast and crew nevertheless deliver, giving audiences a thoroughly riveting, fully entertaining thrill ride from darkness into full, satisfying light. ★★★★

A $13 Victory

Homecare workers employed by Sonoma County and represented by SEIU 2015 recently ratified a contract boosting their wages from $11.65 to $13 an hour by 2017, the largest wage increase since these workers voted to unionize in 2002.

Homecare, or In-Home Supportive Services (IHSS), workers provide subsidized personal assistance and nonmedical care for low-income elderly and disabled adults, enabling clients to live at home.

A majority of county IHSS workers are women, new immigrants and people of color. Turnover is high due to low wages, inadequate hours and lack of benefits. Nearly half receive Medi-Cal and food stamp subsidies, and one-quarter hold second jobs.

In 2014, North Bay Jobs with Justice and other organizations comprising the Living Wage Coalition proposed a $15 an hour living-wage ordinance that would cover employees of the county and county contractors, including 5,000 IHSS providers.

The Sonoma County Board of Supervisors exempted homecare from living wage legislation last December. Now the board has taken an important step forward by raising wages for these workers.

However, IHSS workers deserve a wage of no less than $15 an hour. According to the California Budget and Policy Center, a living wage in Sonoma County is more than $22 an hour for two parents, each working full-time, to support two children and pay for basic needs without relying on public assistance.

Over the last two years IHSS workers and the Living Wage Coalition have organized demonstrations, public forums, signature gathering and board presentations, which helped caregivers to be “invisible no more” and raised public awareness about the need to increase wages so that homecare workers can raise their families with dignity and provide quality services to their clients. Homecare workers have joined fast food, childcare, security and building services workers in the nationwide Fight for $15 movement to raise the wage floor for 42 percent of the nation’s workforce earning less than $15 an hour.

Recently, the growing power of the movement has enabled unionized homecare workers in Massachusetts, Oregon and New York to win $15 an hour. It can happen here too.

Martin J. Bennett is instructor emeritus of history at Santa Rosa Junior College and co-chair at North Bay Jobs with Justice

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Letters to the Editor: March 23, 2016

Full of Bias

I was deeply disappointed on reading the highly slanted and biased feature “Taking the 5th” (March 9). This meandering article was ridiculously misleading and inspired me to ask two questions: Save the West County from whom? And for what? From the very same people who backed Efren Carrillo in his two election bids? And to keep the strings of power attached firmly to someone who has never held public office, who has never written a piece of legislation which has actually affected the lives of community members, and who has never, ever cast one single vote for or against a resolution, an item or a bill?

As far as I’m concerned, this article is so full of biases, inaccuracies and intentionally misleading meanderings that it has been rendered completely meaningless and worthless to anyone who was looking to your publication for an investigative treatise on the two candidates’ respective backgrounds, qualifications and abilities to represent, inspire and lead the community members of the 5th District.

Sadly, you fritted away a grand opportunity to do so and seriously impaled your journalistic integrity in the process. The 5th District voters surely deserve better than this.

Sebastopol

Paying the Rent

The rents are high (“Troubled Tenants,” March 9) because of the increased costs to the landlord: taxes, garbage and water rates (when they are paid by the landlord), insurance costs and the cost of labor to make repairs. Manna doesn’t just fall from heaven, you know. Banks give you no return on your savings in today’s world, so you are always robbing Peter to pay Paul, so to speak.

Perhaps some landlords are greedy, but most are just trying to cover their butts because owning investment property comes with increased risk today. Often tenants don’t hold up their end of the bargain and want to create their own rules, which often leads to trouble. They don’t really get that they are merely paying for rented space that is not theirs. I’d say get over the rents, folks; we live in a high-priced and affluent area of the country. It’s not like living in the Midwest or the South, where rents are considerably lower. If you want lower rents, move inland or out of California. That’s my take, and I have been a landlord for over 30 years, and, no, I’m not a slumlord, nor am I in the upper income bracket.

Via Bohemian.com

Our community belongs to all who live in it, not only those who happen to own the land and the houses. It’s clear that we are forcing low-income people out of the county. That’s bad for all of us and for the environment. I support strong rent control.

Via Bohemian.com

Write to us at le*****@******an.com.

Lady Gaga

Mortality shades director Michael Showalter’s comedy Hello, My Name Is Doris. The slight, but endearing plot has an armature—a significant mention of The Glass Menagerie sets the stage. Like poor Laura in the Tennessee Williams play, the aging Doris (Sally Field) has been walled up tending her frail mother and is gradually turning into a trash-picker and a cat-pamperer.

Doris still works 9 to 5, rocking her batty personal style at a chic clothing manufacturer in Manhattan; she’s bedecked with bows and found objects, and a double pair of glasses. Doris has an excellent pair of vintage mother-of-pearl-encrusted cat’s spectacles that she can’t give up even if she can’t read with them. Her eyesight, however, is good enough to see a new marketing person, John (The New Girl‘s blandly cute Max Greenfield); Doris falls for him hard and fast, even though he’s about 40 years younger than she is.

Speaking of eyes, they’re the last thing to go on an actress, and Field’s are sharp, dark and expressive. I’d like to speculate that Field was the subject of Amy Schumer’s “Last F***able Day” sketch because Schumer had seen Field in person and witnessed her charm. It’s a strange experience to see an actress evolve from a 1960s beach bunny to an elder, but there’s a lot that time hasn’t worn away. Field plays her comedy in a hushed ladylike voice, and she’s lithe enough to fit into spandex when she descends into Brooklyn.

“These people have welcomed me into their world,” Doris says, and the excursion, of course, is bittersweet. Despite agile support from Natasha Lyonne and Tyne Daly, the film doesn’t fire on all cylinders; we’re not allowed to take the crush all that seriously. Still, Field—in nearly every scene—savors the material and runs with it. Likability has never been her problem, and you see through her age to a strange, merry spirit that never seems too manic or pixie-ish to bear.

‘Hello, My Name Is Doris’ is playing in wide release in the North Bay.

Show Me the Money

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Eighteen life-size politicians have assembled in San Jose on the first day of the state’s Democratic Party convention in late February, and they all look stupid. Their suits and skirts and pantsuits have been flattened and covered from neck to toe in corporate and union logos. One elected official stands not far off but apart from the group, and he looks genuinely mystified by the scene of cardboard cutouts.

Rich Gordon, an assemblyman representing Palo Alto, Mountain View and other parts of the Peninsula, has stumbled upon a protest against the influence of money on state politics. Before he can shrug and make his way into the San Jose McEnery Convention Center, however, another man races toward him with a small group of photographers in tow.

John Cox, a 60-year-old Midwesterner who made his fortune in law and real estate, confronts Gordon with a cardboard version of the assemblyman in his hand. Cox moved to San Diego to play golf and upend the state’s political system, he says, and he wears black wingtips, dark jeans and a white dress shirt under a slate-gray blazer. His hair is white, with a sweeping part that thins at the base, and his eyebrows and nose sprout dark and white whiskers that lock like fingers.

Cox wastes no time in educating Gordon about his ballot initiative, which would force all state legislators to wear patches of their top 10 donors any time they speak or take an official action on the Senate or Assembly floor. While holding Gordon’s grinning cardboard cutout in one hand—his donor patches include Chevron, Walgreens, Time Warner Cable (none of which actually top his list) and a collection of unions—Cox tells the assemblyman that he and his colleagues should be scared of the ballot measure he’s organizing. After a brief exchange, Cox shifts tone and boldly asks Gordon if he wants to team up.

“Would you be willing to introduce this to the Assembly?” he says.

“No,” Gordon says, turning to go inside the convention.

The brief confrontation leaves Cox a bit disappointed but undeterred. “I don’t even know who he is,” he says. “I feel sorry for him. I guess he was offended. But it’s not that he’s corrupt; it’s that he works in a corrupt system.”

SHAME GAME

No pretenses are being made that Cox’s potential ballot measure will actually improve the system. Disclosure of all campaign contributions after raising $2,000 is already required by law, and those interested in the way money moves in politics can find reports on the Secretary of State’s website. The title of Cox’s initiative, Name All Sponsors Candidate Accountability Reform, was a clever goof to use the acronym NASCAR. Just like the stickered racecars that require funding to roar around in varying degrees of left turns, or the drivers whose flame-retardant suits double as fitted billboards, it’s a nod to the fact that politicians in near-constant election cycles also have their influencers.

But considering the recent wave of corruption scandals engulfing California’s capital, the timing for such an outlandish initiative could be politically ripe. A little less than two years ago, the State Senate voted 28–1 to suspend Leland Yee, D-San Francisco, Ron Calderon, D-Montebello, and Roderick Wright, D-Inglewood. Wright resigned in September after being found guilty of felony perjury and voter fraud. Calderon, who termed out of the Senate after being indicted for allegedly accepting $88,000 in bribes, still awaits trial. Earlier this month a federal judge sentenced Yee to five years in prison for racketeering and accepting bribes in exchange for political influence. A few days after the verdict, Cox ferried his collection of cardboard cutouts to San Francisco and San Jose to preach for political reform.

Slapping sponsors’ logos on an elected official’s suit won’t stop the money from coming in or dissuade felonious legislators from attempting to personally benefit from their public offices, but it might make legislators feel a little more self-conscious as they sing for their supper before the Senate and Assembly. Logistics, such as the size of patches or placement, are of little concern to the organizer.

“You understand: I don’t care how it works,” Cox says. “It’s just to shame them.”

Perhaps. But it could also be a way of raising the profile of a serial candidate in pursuit of elected office.

In 2000 and 2002, while still living in Illinois, Cox twice ran for Congress and lost. He had a stint as chair of the Cook County Republican Party and made another unsuccessful run for county recorder in 2004. Four years later, Cox became the first Republican candidate to declare for the 2008 presidential nomination. He says he spoke to standing-ovation crowds in Iowa and South Carolina but called off his run because he couldn’t get traction compared to better-known candidates. He says he debated a young Barack Obama and marched in parades with currently incarcerated former Illinois governor Rod Blagojevich.

“I’m a Republican and he’s a Democrat, so we didn’t have that much contact,” Cox says. “I marched a couple parades with him and knew he was an empty suit.”

Cox’s political NASCAR push, which has reportedly collected more than 70,000 signatures
out of the 365,000 required by April 26 to qualify for the November ballot, is part of his larger goal to overhaul the entire State Legislature. Cox wants to break the state’s districts—40 in the Senate, 80 in the Assembly—into thousands of smaller districts: 12,000 to be exact. Of these people, 120 members would then be appointed to “working committees” to make laws in Sacramento. To accomplish this, Cox has committed to spending a million dollars of his own money to support NASCAR and set the stage.

“[NASCAR] is not going to make a difference just by itself, but it will get the public agitated and interested in reform,” says Cox.

“The reform we’re talking about is the ‘Neighborhood Legislature,'” he continues. “It’s not about expanding the Legislature; it’s about shrinking the size of districts and getting money and influence out of the picture.”

Multiplying the number of state representatives, he argues, will remove the incentive for donors to throw around as much money. Votes would be diluted and influence would dissipate. It would also make Sacramento a joke and completely unmanageable, according to a few of the individuals who cast votes.

“We have campaign disclosure,” Assemblyman Gordon says, “so to have somebody wear a uniform is pretty ridiculous.”

The attention being paid to NASCAR could be a new starting point for Cox, who admitted he might have an interest in running for governor after his current initiative. And after shaking up the statehouse, of course.

“You ask me if I’m going to run for governor,” Cox says, his voice rising. “I’m going to change the Legislature.”

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‘CLEAN SUIT’

The Voters’ Right to Know Act is a serious-sounding ballot initiative because it is. It intends to amend the state constitution by adding language about campaign finance disclosures. Crafted with the help of Bob Stern, the godfather of political reform in California, and Gary Winuk, the former chief enforcement officer for state political watchdog the Fair Political Practices Commission (FPPC), the measure offers substance over form.

It would prohibit lobbyists from handing out gifts to legislators, revise the rules on how big donors are disclosed in ads, double penalties for violations of the state’s Political Reform Act and update the state’s database to better track the way money flows between candidates and political action committees, or PACs.

Despite collecting more than 146,000 signatures—25 percent of its goal—as far back as Feb. 9, the biggest opponent to Voters’ Right to Know might not be special interests or shadow organizations affiliated with the Koch brothers, but other government reform initiatives like NASCAR. Competing measures often make it more likely that all proposals, even those with actual teeth, will fail.

Stern, who co-authored California’s Political Reform Act in 1974, called Voters’ Right to Know “the most significant” effort to police political contributions since the state’s landmark legislation more than 40 years ago.

Billionaire GOP activist Charles Munger Jr. is also pushing a constitutional amendment to make the system more transparent. Titled the California Legislature Transparency Act, the initiative would require the language of all bills to be finalized 72 hours before a vote is taken, preventing any sneaky late additions; make all floor sessions and committee meetings available online within 24 hours; and allow anyone to video-record these meetings, which is currently a misdemeanor.

“I would recommend this for all states,” Munger, a Stanford alumnus, recently told the school’s newspaper. “It’s time for all state legislatures to join the 21st century.”

Cox says he and Munger have met and discussed ideas to reform the state’s political system, but it doesn’t sound like the two saw quite eye to eye.

“I was president of the Cook County Republican Party,” Cox says. “I don’t take a back seat to any Republican.” In regards to Munger’s constitutional amendment, he adds, “It’s not going to move the needle.”

It’s that kind of talk that makes a Republican like Cox, who says he is anti-Trump and respectful of unions like the one that his schoolteacher mother was a part of, tough to pin down. He decries “cronies” and purchasers of political influence and then recommends a Washington Post op-ed—written by Charles Koch—that disingenuously laments a government designed to advance the interests of the nation’s wealthy elite.

As part of his NASCAR campaign, Cox has created 121 cardboard cutouts—one for every state legislator and Gov. Jerry Brown, who is one-third bigger than the rest. The ease with which Cox can explain the idea and the familiar acronym make it a humorous proposal to pitch to journalists and voters on the street. There aren’t too many people who would pass up a chance to dress down politicians by making them dress up in donor logos.

“This is a means to an end,” Cox says, “and we’re doing this to ridicule the system. I hope what happens is everybody walks into the legislature with a clean suit.”

Or an ugly one.

[page]

WHEN THE REALTOR HITS THE ROAD

If the North Bay delegation to Sacramento were a NASCAR driving team, the four elected officials it comprises would be wearing big patches to indicate that the California Association of Realtors has been a major sponsor of their respective races. The powerful lobby—one of the largest in the state and a subsidiary of the National Association of Realtors—has contributed a total of $60,200 to the four elected officials from our area in recent elections. Does the organization wield influence over these pols? You be the judge. Last year, a bill sponsored by Sen. Mike McGuire that would have pushed out a state-wide regulatory scheme for the growing vacation-home-sharing economy was pulled after the association demanded that the real estate agents it represents be eliminated from its regulatory reach.—Tom Gogola

District 4 Assemblyman Bill Dodd

California Association of Realtors: $16,400

California State Association of Electrical Workers: $16,400

California Department of Forestry and Fire Protection Local 2881: $12,300

Sheet Metal Workers Local 104 District 2: $12,000

State Building and Construction Trades Council of California: $8,200

American Federation of State, County and Municipal Employees: $8,200

California State Firefighters Association: $8,200

District 10 Assemblyman Marc Levine

California Association of Realtors: $16,400

California State Council of Laborers: $16,400

Northern California Carpenters Regional Council: $9,035

California Correctional Peace Officers Association: $8,200

Pechanga Band of Luiseno Mission Indians: $8,200

Western Manufactured Housing Communities Association: $8,200

Domestic Workers Local 3930: $8,200

District 2 Sen. Mike McGuire

California State Association of Electrical Workers: $16,400

California Teachers Association: $16,400

California Association of Realtors: $15,400

AFSCME District Council 57: $12,800

California School Employees Association: $12,000

Operating Engineers Local 3: $10,000

Northern California Carpenters Regional Council: $9,595.20

District 3 Sen. Lois Wolk

California Association of Realtors: $12,000

California Teachers Association: $11,400

State Building and Construction Trades Council of California: $11,000

California State Association of Electrical Workers: $11,000

California State Council of Laborers: $10,4000

Northern California Carpenters Regional Council: $9,000

Time Warner Cable: $7,800

Data assembled from VoteSmart and the National Institute on
Money in State Politics.

Debriefer: March 23, 2016

0

TOUGH ROE TO HOE

Lawmakers from around the state, including Rep. Jared Huffman, issued responses last week to the Pacific Fishery Management Council’s three-option approach to the upcoming 2016 salmon season, which promises to be a bust. The PFMC is calling for the implementation of catch reductions in the recreational and commercial fishing season by shortening the season by a factor that ranges from 20 percent to 45 percent of what it was in previous years. Coming hard on the heels of a Dungeness crab shutdown this season (the crab fishery opened last week, but it came too late to make much of a difference for many fishermen) the salmon season is looking bleak for California fishermen.

North Bay lawmakers used the PFMC announcement to remind constituents that, despite
El Niño’s best efforts, there’s still a drought on, and lots of competing pressure on the Sacramento River Delta, whose flow keeps the crops from withering in drought-afflicted agricultural areas to the south. Huffman last year introduced the Drought Relief and Resilience Act, which offers, he notes, short- and long-term solutions to stretch water supplies, and directs the U.S. Fish and Wildlife Service to come up with a plan to help drought-stricken salmon populations survive the onslaught of drought. Huffman is one of numerous lawmakers to highlight the drought’s deleterious impact on salmon, due to, as he notes in a statement responding to the PFMC plan, “the constant push to divert more water from the Bay-Delta estuary.”

Huffman’s bill has been kicking around in Congress even as the salmon season is upon us; the recreational season for most of the California Coast runs
April 2–30. The PFMC will set the commercial season in April and issue its dates by May 1.

Huffman was joined by Rep. Mike Thompson, D-St. Helena, in a statement last week from California Democrats who felt compelled to respond to the PFMC plan. Their proposed regulations, he says, “confirm that five years of drought have been devastating for the health of the delta and the critical species that depend on the estuary for their survival. We’re now faced with three options for a limited fishing season, each one more devastating than the last for a $1.4 billion industry that supports 23,000 jobs.”

$13 AN HOUR

The good news is, if you’re an In Home Supportive Service worker and not a California fisherman, Sonoma County just hammered out an agreement with the Service Employees International Union (SEIU) to give county IHSS workers a raise to $13 an hour. The deal was announced last week after many months of protest and prognostication by those workers, who faced a Sonoma Board of Supervisors determined to not break the county’s bank over this critical and emergent industry. The wage will be enhanced from $11.65 to $13 by 2017 for the roughly 5,000 IHSS workers in Sonoma County—bringing the local wage in line with what’s paid by Marin County for those same services (which are aimed mostly at the elderly and infirm).

The problem? As Marty Bennett argues in the Open Mic this week (p7), even at $13 an hour, IHSS workers’ pay remains well below the $22-an-hour living wage needed to support a Sonoma family of four. But it sure beats looking at a bunch of empty
crab pots and unpaid bills.

Letters to the Editor: March 30, 2016

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Homecare workers employed by Sonoma County and represented by SEIU 2015 recently ratified a contract boosting their wages from $11.65 to $13 an hour by 2017, the largest wage increase since these workers voted to unionize in 2002. Homecare, or In-Home Supportive Services (IHSS), workers provide subsidized personal assistance and nonmedical care for low-income elderly and disabled adults, enabling clients...

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Eighteen life-size politicians have assembled in San Jose on the first day of the state's Democratic Party convention in late February, and they all look stupid. Their suits and skirts and pantsuits have been flattened and covered from neck to toe in corporate and union logos. One elected official stands not far off but apart from the group, and...

Debriefer: March 23, 2016

TOUGH ROE TO HOE Lawmakers from around the state, including Rep. Jared Huffman, issued responses last week to the Pacific Fishery Management Council's three-option approach to the upcoming 2016 salmon season, which promises to be a bust. The PFMC is calling for the implementation of catch reductions in the recreational and commercial fishing season by shortening the season by a...
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