Down to the Wire

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On a warm evening in Graton, Lynne Koplof and Richard Flasher, the founders of the alternative Nonesuch School in Sebastopol, gathered with their neighbors at the Graton Community Club.

It was standing-room-only for two solid hours at a meeting sponsored by the League of Women Voters. The five candidates for 5th District supervisor—Marion Chase, Noreen Evans, Lynda Hopkins, Tom Lynch and Tim Sergent—sat at the front of the room and looked out at a sea of attentive faces.

Alice Richardson, the moderator, explained the ground rules. “This is a forum, not a debate,” she said, and, while each of the five candidates tried hard to stand out from the pack, no one came away a decisive winner.

If nothing else, the forum—and others equally well attended in Sebastopol, Monte Rio and Santa Rosa—showed that Sonoma County voters, like Koplof and Flasher, take local politics as seriously, if not more so, than they take national politics. In the 5th Supervisorial District, which runs from Santa Rosa to Sea Ranch and then south to Bodega Bay, voters have been witness to a fractious, complicated and expensive campaign in which three former supervisors—Ernie Carpenter, Eric Koenigshofer and Mike Reilly—as well as outgoing board member Efren Carrillo, have taken sides and backed their favorites.

Now at last comes the June 7 primary when voters have to choose one of the candidates, all of them liberals, all ready to put their civic shoulders to the wheel and make a difference for the better. But whom to believe, whom to trust and whom to fund? There’s the rub.

Evans told the crowd in Graton, “There’s not a lot of difference between us.” But again and again she emphasized the trust factor. “Who can you trust to represent your interests?” she asked. “That’s the question.”

No one else in Graton played the trust card and no one else emphasized, as Evans did, the need for community monitoring of the police in the wake of Andy Lopez’s death at the hands of law enforcement in 2013. Nor did anyone else join with Evans to urge the creation of a dedicated phone number, similar to 911, that would be used solely for mental-health issues, including depression, schizophrenia and suicide.

Hopkins, who owns a small farm with her husband, emphasized the need to think outside the box and bring alternative ideas—like composting toilets—into the mainstream. She criticized what she called “the failures of our leadership,” including the failure to create affordable housing for the middle and working class, and warned about the drought and climate change.

Sergent, a public school teacher, emphasized local issues: free beaches, quality public school education and the need to preserve rural lifestyles. He praised the county for its general plan and argued that Sonoma County ought to follow the lead of Mendocino and Humboldt counties and ban GMOs.

Lynch, a building contractor, threw his weight behind pension reform, which he regards as the number one issue.

Chase, a social worker for the county, has proposed that undernourished school kids ought to receive a free lunch all summer. She has also called for a literacy program to teach English to Spanish-speaking adults, and an agricultural program that would encourage dry-farming of grapes, conservation of water and protection of the environment.

More than anyone else at the forum in Graton and at other public events, Lynch has challenged Evans nearly every step of the way. When she argues that taxing legal cannabis enterprises will provide funds to fix the thousands of potholes on county roads, he insists that pot revenues won’t be sufficient to do the job.

Lynch is also suspicious of the financial backing that Evans has received from labor organizations that, in his view, will likely tie her to trade unions and their political agendas. Evans hits back and suggests that real estate agents and developers have bought Lynch’s loyalty.

Citizens have repeatedly asked Hopkins if she can accept money from wineries and real estate interest and still maintain her independence. Again and again she has said, “Yes, I can.” Her father-in-law, who has grown grapes in Sonoma County for decades, made the largest single contribution ($2,894) to her campaign. Chase, Sergent and Lynch have also received donations from family members.

At the forum, none of the candidates was as candid as they might have been when Richardson of the League of Women Voters asked them about campaign contributions and spending. Still, they issued finance reports a few days later. From Jan. 1 to April 23, Hopkins raised $117,763, Evans $116,615, Sergent $10,407, Lynch $1,670 and Chase $100.

Evans and Hopkins have a long way to go if they are to break the all-time campaign spending record set in the race for 4th District Supervisor when James Gore and Deb Fudge spent a total of $923,000 in 2014.

For the moment, Hopkins seems to have that all-important factor: momentum. In the past five months, her supporters have grown, and her name, once largely unknown, is now widely recognized by voters, though she is still, according to informal polling, running behind Evans.

Less than a month before the election, many voters are still undecided. Others have made up their minds to cast a ballot to defeat the candidate they dislike the most. Community activist Ken Sund said that Sergent was the best-qualified candidate. He wasn’t going to vote for him, however, because he didn’t think he had a chance of winning and because he wanted to make sure that Hopkins, who did have a chance—and whom he regards as a shill for big wine—would not be elected.

Koplof, who has lived in the county since 1969, expresses conflicting sentiments about the candidates. She regards Chase as the most “trustworthy,” and, while she describes Hopkins as “smart, quick and articulate,” she notes that, “Evans has a vision of the county that is closer aligned to mine than Hopkins.”

But she adds, “My perspective might change between now and Election Day.”

Jonah Raskin has lived in Sonoma County since 1976. He is the author of ‘Marijuanaland’ and ‘Field Days.’

Double Down

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In a one-two punch of excellent Americana music, Sonoma County country-folk collective Frankie Boots & the County Line and San Francisco folk rockers the Sam Chase & the Untraditional will share the stage on May 14 in Petaluma for a dual album-release showcase.

Frankie Boots is unveiling his sophomore release, Leave the Light On, while the Sam Chase’s new record, Great White Noise, gets a North Bay premiere. Both albums exhibit superb songwriting and top-notch production born out of personal passion and plenty of sweat.

For Frankie Boots, a Sebastopol-based bandleader whose County Line formed in 2012, Leave the Light On is “an album we’ve bled over for the last two-and-half years,” he says. The bulk of the album was recorded at Frogville Studios in Santa Fe, N.M., the same location that Boots made his first, self-titled album.

“A lot of folks ask why we choose to go all the way down to Santa Fe to record, and it’s hard to explain if you haven’t been there,” says Boots. “Magic happens at Frogville, and it’s inspirational as hell.”

His first album was recorded in two weeks, but Boots and the County Line took their time on this record, adding elements like strings, piano, horns and even some synth to the guitars and banjos. What wasn’t done in Santa Fe was completed in Sonoma County, at Greenhouse Recording in Petaluma and White Whale Recording Studio in Santa Rosa.

Leave the Light On features a dozen stellar country rock, Southern gospel and Texas two-step songs with engaging instrumentals and Boots’ dusty voice singing about barstools and a “Duel at Dawn,” conjuring images of Wild West living. Yet, thematically, the album hits much closer to home for Boots.

“The record is about trying to stay positive and keep moving forward in the face of adversity,” he says. “As an independent artist, there are days when you wake up and it feels like the weight of the world is on your shoulders. You wonder if you’re going to be living hand to mouth like this for the rest of your life. Those are the times you have to remember to leave the light on.”

Still, Boots considers himself lucky to live and play in Sonoma County’s tight-knit musical community.

“These dudes,” he says of the County Line, “are my best friends, and we’ve shared a lot of unbelievable times together. I feel like we’ve come a long way.”

Bon Voyage

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One show takes place under the sea; the other above it. Both are worth a voyage to the theater.

Visually inventive and surprisingly emotional, writer-director Mary Zimmerman’s richly reimagined Treasure Island, adapted from Robert Louis Stevenson’s novel, is a show that literally rocks, employing a stunningly engineered stage that actually swings back and forth like a ship rolling on the ocean.

It’s just one of many delights as Zimmerman launches her wildly effective, subversively psychological pirate adventure at Berkeley Repertory Theatre. With Zimmerman at the helm, the production cleverly uncovers the buried beauty, pathos and human comedy in the classic tale of Jim Hawkins (John Babbo), an adventurous boy who befriends the one-legged pirate Long John Silver (Steven Epp) and embarks on a journey that will test his strength and transform him into a man.

One can hardly say that Treasure Island was a deep book, despite the depths of fondness many still feel for it. That’s why it’s such a surprise that Zimmerman has so deftly turned the tale into something so rewarding. Packed with poetic touches, this rollicking success is achingly lovely, frequently sweet, occasionally weird and a tad upsetting. Which is just as it should be. It is, after all, a tale of murder and pirates. Arrrrrr.

Rating (out of 5): ★★★★½

In Spreckels Theater Company’s splashy new production of Disney’s Little Mermaid, colorful, costumed fish appear to swim across the stage. Seagulls fly and mermaids frolic, huge waves splash and crash, and octopus women grow to six times their normal size (thanks to massive screened projections).

But of all the special effects unfurled in this elaborate, Gene Abravaya-directed production, the most impressive is the strong-voiced, agile and energetic cast. Led by Julianne Thompson Bretan as the adventurous title character, Ariel, with memorable turns by Mary Gannon Graham as the villainous sea-witch Ursula and Fernando Sui as Ariel’s BFF (best fish friend) Flounder, the show succeeds primarily due to the delightfully cartoonish and moving performances.

Despite some glaring script flaws, an overstuffed score and a confusing, undercooked climax, this Mermaid delivers a level of onstage dazzle that is largely unmatched by any other local musical in recent memory. ★★★★

Back to Paris!

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The Russian River Valley used to be the kind of place where, if you were driving down Westside Road, you might see a dog lying in the middle of the street. That’s what Rod Berglund, winemaker at Joseph Swan Vineyards, recently told a crowd assembled for a very special blind tasting Chardonnay at Bacigalupi Vineyards. His punchline: “An hour later, when you come back, it’s still there.”

Berglund, sharing the stage (which was, as befits the farming family’s style, the flatbed of an old Peterbilt truck) with three other panel members, was making the point that in the 1970s, this world-renowned wine region was an agricultural backwater where selling some Zinfandel for jug wine was a farmer’s best option. Grapes just weren’t the “main thing,” according to panel moderator and sommelier Christopher Sawyer. “Fifty dollars a ton,” affirmed Helen Bacigalupi, shaking her head in an aside to those seated next to her.

Billed as “Return to Paris,” the April 30 event celebrated the Bacigalupi family’s 60th year on their Goddard Ranch property, and the 40th anniversary of a small wine competition in Paris that changed the way the world looks at California wines. The event is known forevermore as the “Judgment of Paris.”

The play on words refers to the ancient Greek myth in which a trio of goddesses cause mortal mayhem in vying for nothing more than a tchotchke, a golden apple—except with the French doubling as both hapless shepherd-judge and spurned deities.

It’s the golden apple that’s the thing, for the Bacigalipis. They supplied a good percentage of the fruit for Chateau Montelena’s Burgundy-busting Chardonnay, delivered with a Volkswagen pickup truck and trailer by Helen Bacigalupi herself. The truck’s still going strong, the nonagenarian points out. And so is she, making sure to correct the fellows on the dais when they’ve stumbled on a fact or figure.

But to be honest, she whispers to granddaughter Nicole Bacigalupi Dericco, she’s not sure which of six mystery wines in front of her is their own. I’ve decided, mistakenly, that wine number six, which turns out to be 2012 Domaine William Fèvre Puligny-Montrachet Le Clavoillon, is the Bacigalupi Chardonnay. I pegged wine number one, which shows rich, toasted aromas of butterscotch and apple pie, as a Meursault “ringer” meant to throw us off the scent. But it’s the 2014 Bacigalupi Chardonnay ($56), and although this contest was no formal judgment, it won the audience pick by round of applause.

Bacigalupi Vineyards, 4353 Westside Road, Healdsburg. Daily, 11am–5pm. Tasting fee, $15. 707.473.0115.

It’s All Gravy

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Poet, activist, clown, ice cream flavor—Wavy Gravy has been many things. An icon of the counterculture movement since the 1960s, Wavy Gravy, born Hugh Romney on May 15, 1936, turns 80 this month.

To celebrate, he’s throwing two festive birthday parties. On May 15, Gravy welcomes Doobie Decibel System, Steve Kimock and others to the Sweetwater Music Hall in Mill Valley. On
May 22, Gravy hosts a blowout bash with headliners Yonder Mountain String Band, Steve Earle, John Popper and many others at the SOMO Village Event Center in Rohnert Park.

Both shows also act as benefit fundraisers for Gravy’s Seva Foundation, an organization that restores eyesight to millions of people around the world through cataract surgery, in addition to other health programs.

Though he’s entering octogenarian territory and doesn’t get around as spryly as he used to, Wavy Gravy says he still feels like a teenager.

“I think I approach [life] one breath at a time, and I try to be enthusiastic with each breath,” he says from his home in Berkeley.

Looking back on a life spent spreading messages of peace and love, Gravy’s philosophy boils down to a line he took from author Ken Kesey. “Always put your good where it will do the most,” he says. “Where my good will do the most is Seva and Camp Winnarainbow,” his ongoing circus summer camp.

Gravy’s professional journey started as a beat poet in Boston in the late 1950s, putting together jazz and poetry shows in the basement of a local bar. He soon moved to New York City and began reading in Greenwich Village coffee houses, finally landing at the famous Gaslight Cafe, where he he started hosting folk-music nights.

“God, I remember when [Bob] Dylan came into the Gaslight, he was wearing Woody Guthrie’s underwear,” says Gravy. “He asked me if he could go on. I grabbed the mic and said, ‘Here he is, a legend in his own lifetime—what’s your name kid?'” Gravy would end up sharing a room above the Gaslight with Dylan.

By the mid 1960s, Gravy and his Hog Farm collective of performers and pranksters were roaming across the country touring and opening shows for acts like Peter, Paul & Mary and Thelonious Monk.

That’s when Gravy’s hippie nature took hold. “I began to realize there was more to the universe than ‘Hey mom, look at me,'” he says. He worked tirelessly to stop the war in Vietnam, and appeared at Woodstock, where he famously said “Good morning, what we have in mind is breakfast in bed for 400,000.”

His adventures and performances range from building moats of Jello around a stage to building playgrounds in Kathmandu and distributing medical supplies to Tibetan refugees.

In 1978, Gravy joined forces with his friend Dr. Larry Brilliant (a leader in the World Health Organization’s smallpox-eradication efforts), spiritual philosopher Ram Dass and others to form the Seva Foundation, which has helped restore sight to millions.

“Eighty percent of the people in the world who are blind don’t need to be blind,” Gravy says. “They could get their sight back for about five bucks an eyeball when we started it. It’s about $50 per eye today. Seva is going towards 4 million people who aren’t bumping into shit anymore.”

The upcoming birthday bashes, both at the Sweetwater and at the SOMO Event Center, will raise money on behalf of Seva. While the Sweetwater show is an intimate celebration, the SOMO concert is a full-scale music festival.

In addition to icons like Steve Earle and John Popper, the daylong concert also features New Riders of the Purple Sage, Achilles Wheel, Dead Winter Carpenters, Grateful Bluegrass Boys, T Sisters and other surprise guests. Food and craft vendors, an art gallery and silent auctions are also part of the fun.

As dear as Seva is to Wavy Gravy, he is equally proud of his work with Camp Winnarainbow, his longtime summer camp located in Mendocino County near Laytonville. The camp teaches circus and theatrical arts, but is at heart a community and a compassion-building enterprise. “We’re creating universal human beings who can deal with anything that comes down the pike,” says Gravy.

“In 20 years, I’ll be 100,” he says. “Methuselah says the first 100 years are the hardest—it’s all downhill from there.”

Letters to the Editor: May 11, 2016

It’s a Scam

Phil Graf (Letters, May 4) denounces rent control as a scam lottery that would be unnecessary if Santa Rosa decreased its building fees and respected the “laws of economics.”

The truth is slightly deeper. Since Proposition 13, cities must collect their costs for infrastructure, schools and security (police and fire) up front in building fees or Mello-Roos assessments, or diminish the level of service for the rest of the community.

A more intelligent solution to the shortage of affordable housing is mandating mixed-income neighborhoods. This means that multi-family housing would have to be scattered among the mansions. Mansion owners might pay slightly more, but would have neighbors who were not quite so preoccupied with the almighty dollar (never mind those mythical “laws of economics”).

Mr. Graf is correct in pointing out that “planning” as conducted throughout most of California is an illegitimate abuse of power, but building fees aren’t the nexus of that abuse.

Orangevale

Call Me a Dreamer

The Hil gets indicted over her emails. The Donald gets exposed for his ties to organized crime. Bloomberg and Bernie each emerge as third party/write-in candidates. The country gets its first New York Jewish president.

Where is Hunter Thompson when we need him?

Santa Rosa

GMOs No, Noreen Yes

The citizens of Sonoma County have long been concerned with the risks associated with the planting of genetically modified crops. The vast majority of GMO crops are engineered to be herbicide-resistant. As a result, farmers who plant them tend to use more herbicides per acre than if they had planted conventional crops.

In 2006, a proposed ordinance to ban GMOs, Measure M, was defeated here in the county, thanks to an expensive campaign largely funded by the Monsanto Corporation. Monsanto (surprise!) makes a lot of money from GMOs.

In November, a new ordinance to ban GMOs will be on the ballot. You can read it at www.gmofreesonomacounty.com/ordinance. It is very clear: it does not ban the sale of GMO products; it does not ban research into GMOs; it only bans their cultivation.

In the 5th District supervisorial race, one major candidate has hired the consultant who ran the campaign to defeat Measure M. The other, Noreen Evans, is very clear on where she stands: for the ordinance and opposed to the planting of GMO crops. Noreen has my vote.

Sebastopol

Write to us at le*****@******an.com.

Revealing Dance

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Showcasing new dance works from local students, as well as a world-renowned artist, Secrets is the Santa Rosa Junior College dance department’s biggest performance of the year. The show features modern, ballet, jazz, hip-hop and contemporary dance, all of which are used to explore our deep and sometimes dark aspects, such as depression and obsession.

This performance is significantly more personal and enigmatic than previous shows put on by the department. Guest artist and choreographer Malaya (pictured), an international talent who teaches master classes at the famous Edge Performing Arts Center in Los Angeles, will perform a lyrical dance piece based on the idea that each dancer has his or her own form of addiction—a relevant contemporary topic.

Secrets will also be the last show that director Susan Matthies choreographs after working with the SRJC for 25 years. Matthies is a longtime icon of Sonoma County dance, best known as a major influence in the aerobic dance movement of the ’80s and ’90s. She and co-director Lara Branen, along with faculty member Carrie Stillman, chose student choreographers through a competitive selection process, and their work will be featured as well.

Secrets reveals itself Friday through Sunday, May 13–15, at the Burbank Auditorium, SRJC, 1501 Mendocino Ave., Santa Rosa. Friday–Saturday, 8pm;
Saturday–Sunday, 2pm. $10–$17. 707.527.4343.

Soul Food

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The soup has crossed the 30-ingredient line, but is still missing something; it’s a little bland, it needs help, some key but as-yet-unidentified addition that will bring it all home.

I open the refrigerator door, but every last scrap of vegetable has been scoured from the produce bin, given a bath and a trim, and chucked into the simmering pot, which now bubbles and froths, casting a fragrant steam through my silent cottage.

It’s quite a rolling experiment in kitchen frugality and efficiency—the sort of thing you do when the wolf is at the door and the refrigerator’s brimming at the edge of stinky decadence with uncooked gatherings. You cook that wolf, as the protean foodie M. F. K. Fisher famously wrote in 1942. My aunt would not have been interested—her culinary tastes lined up more with the likes of Guy Fieri, and this soup is coming in as a self-involved exercise in the creation of sanctimonious medicine. You should have seen my aunt the time I suggested she become a vegan, after the doctors removed a foot of her large intestine. That just wasn’t going to happen, and she’d have thrown all those vegetables away if they’d been in her fridge.

The red potatoes are a little soft but, hey, I want them to break down and become one with the broth, so in they go. I find two half-cut onions from previous stovetop adventures, brown and dry at the fragrant edge but salvageable at the core. I save from oblivion a trio of delicious, withered parsnips at the bottom of the vegetable box, along with some wee old sugar beets I’d forgotten about, and a wad of old butter stuck to a jar of salsa. It goes on and on like this down to the last wilt of parsley, every damned daikon and flaccid carrot—in you go!

But the soup, sadly, still isn’t quite there yet, after hours of simmering and lots of salt to ramp up the flavor factor. I reach in the fridge for another ingredient-grab and poach that box of blue-tinged local eggs, crack three of them right there into the bubbling mess. A light stir, keep those yolks intact. Then I find another onion wedged between an old half-bagel smeared with peanut butter and an empty mayo jar.

Up to this point, the soup has been a meatless and generally local and organic affair, with allowances for, say, that half-bag of Trader Joe’s shredded Brussels sprouts, which kicked off the soup hours earlier as ingredient number one, along with some similarly shredded broccoli from TJ’s.

I peer into the freezer for another hopeful look, and locate some frozen ginger on the door and run it through the grater and into the soup. I take another look and rummage around the freezer, and then—there it is, emerging like a vision from my blue-collar family roots: the key ingredient, lost under a frozen loaf of flavorless spelt bread, something I used to see in my late Aunt Mary’s freezer. Total white-trash trayf. The soup needs some of that.

I pull the red bag out of the freezer and stand over the soup pot awhile and think about Don DeLillo and a scene at the beginning of his novel Running Dog. Two detectives have just come onto a murder scene in an apartment:

“I don’t know what it is but with me the body’s in the kitchen. Always the kitchen.”

“Poor people like to be close to the food.”

“What do you think, seriously here, one entry?”

“They don’t like to stray from the food, even in the middle of a knife fight.”

II

If I had told Aunt Mary I had gone to Garlic Johnny’s in Santa Rosa? I could only imagine the conversation that would ensue. Was he there?! Did you meet him?! What did you eat?!?

Diners, Drive-Ins and Dives was one of Mary’s favorite television shows—right up there with Dancing with the Stars and Atlanta Braves baseball on TBS. It was one of those shows where, if I dared to call my aunt while Guy Fieri’s Food Network hit was on the air, I’d get a quick and harried order to “call back later, Tommy! Guy’s on!”

I was waiting on a meeting in the late afternoon at Johnny Garlic’s in Santa Rosa recently, Fieri’s formerly co-partnered joint in his home turf, out on Farmers Lane at Neotomas. Fieri’s not there anymore, and neither is Aunt Mary, who died just over a year ago. I’ll have these funny imagined what-if conversations with myself in the car, and I know she’d have gone totally nuts if she knew I was headed to Johnny Garlic’s.

And Fieri’s signature, branded dishes are still part of the menu, even though Fieri is no longer a partner in the business. The Fieri menu holdovers are highlighted as Guy’s Thangs or something like that on the menu—and the biggest jumbo signature dish of them all is, of course, his elaborately comforting and award-winning burger.

I visited the place in the in-between time before dinner; there was more staff than patrons and a kind of pre-bustle feel filled the air. It was just me for a while before a family four-top came in. I eased back alone and checked out the three televisions that offered sports, noted that the lemonade and iced coffee were both tasty, as was the boar special offered on a board and in the menu proper. The pig-with-apples dish is sort of a he-man offering that lends to a feeling here of sub-exotic culinary survivalism of the Anthony-Bourdain-meets-Bear-Grylls variety, if such a thing can be imagined. You’re not slaying that boar, but they sure make you feel as though you did at Johnny Garlic’s.

But there’s another hybrid feel to tough-guy, micro-chain Johnny Garlic’s (there are two other locations): its everyman signage and slick, fun menu clearly offer mass-market aspirations that would bespeak a celebrity starchild fronting the place, even if he’s nowhere to be seen. Sorry, Aunt Mary.

Even the receipt can’t decide whether, moving forward in the post-Fieri era, this place is “Johnny Garlic’s” or “Johnny’s Garlic.” And that, to me, is a kind of homey, appreciated touch.

I read a foodie story online recently that wondered what happened to the food-tower trend of the 1990s? Gee, I wonder. It’s right here at Johnny Garlic’s, whose burger represents a recasting of the trend from its 1990s haute cuisine pretensions to an everyman theme in this era of reality TV and blue-collar how-to hits of the Dirty Jobs persuasion.

Aunt Mary would not have cared about any of that gibberish and would have changed the subject to when was I going to try out for Jeopardy. She would have asked after that burger, and she would really have wanted to know: What happened with Guy?

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The mac’n’cheese bacon burger, at its most rarefied state of stacked Guyness, contains 22 ingredients, a whole bunch of fromage among them to gild the lily. The burger is a steaming pile of comfort on a brioche bun slathered with garlic, and there is no way you are picking this thing up and taking a bite, unless you are drunk.

Lift this burger at your peril, and watch as the Donkey sauce—Fieri’s siggie combination of mayonnaise, Worcestershire, mustard and roasted garlic—ruins your shirt, and quite possibly your mood. But the masses have spoken, again and again, with awards and endless greasy-lip accolades from the likes of Rachel Ray.

Properly dissected, the burger is a delicious encounter with varied flavors, lightly intermingled in the separation. The bacon, for example, is revealed as a full-flavored glory of smokiness met with a hint of dripping cheese-tang excess.

As for Guy Fieri himself, if I was forced to explain the situation to Aunt Mary, it seems that he was kind of run out of his own hometown. His proposed winery/event center conjured images of unhinged biker bacchanals and terrified citizenry forced to endure Twisted Sister winetasting events. The burger can stay, but Guy’s got to go. And so he went.

Aunt Mary wouldn’t have liked that version of events. She loved Guy, and I worried that she loved him more than she loved me.

Who was I in the face of Fieri’s latest Emmy-winning, gullet-shove moment of high-volume mastication? The grunts, the groans, the shouts—Aunt Mary shouted right along with him, squealed with delight at his high-critic “This is good” observations and badgered me about when I’d get my own act together, which to Aunt Mary meant: “You should go on Jeopardy.”

I was the college-educated nephew in the face of Aunt Mary’s love of lumpen couch potatoes, and Fieri was so burly and accessible, I never had a chance.

He occupied the highest pinnacle of comforting anti-intellectualism that’s all over TV these days, where blue-collar hit shows depict the dirty parts of life with heroic panache. With Guy, you also saw the sausage being made. It was kind of disgusting to behold the full demonic frenzy of Fieri’s assault on meat, an assessment about which Aunt Mary would no doubt take issue.

We shared a lot of meals at and near Aunt Mary’s condo outside of New Orleans over the years; we watched her favorite TV shows on Sundays with the nuked turkey meatloaf and the iceberg salad with the Dollar Store dressing; we slammed the heavy and rich buffet at the Piccadilly and gorged to the heights of mad spectacle at mighty Golden Corral; and we settled on Chinese lo mein that was right out the door when no-one felt like cooking or driving. One thing was for sure: Aunt Mary never let me cook. That was Guy’s job.

III

The simmer has come to a full boil and the soup is all but ready for its final desecration—or, more fairly, its necessary leavening with the rich, old spice of the blue-collar palate-pleaser.

We’re at 40 ingredients and counting this Sunday afternoon, the Braves are playing the Mets and they are losing—and this would have been a day I headed to Aunt Mary’s for dinner. Sundays are for family and what you make of it, and the meals we enjoyed together weren’t “comfort food” in the sense of some superficial and meaningless “authenticity” around cheese and macaroni. But they were comforting in the sense of your soul and what it craves—which, above all else, is connection. A connection with your world, with the people closest to you, with strangers who then become friends.

I lived in a neighborhood in New Orleans that Aunt Mary did not approve of. That isn’t saying anything, since she didn’t approve of any New Orleans neighborhood, whether I lived in it or not. But Hollygrove was a fine place to live, and I used to frequent the local Dollar Store and a corner market pretty often.

The market was one of those tight-corner grocers that had a meat-and-sandwich counter in the back and offered various options for boxes of meat-for-the-week. You could get the one with the beef liver, the turkey necks and the ham hocks, or you might load up on a box with chopped meat, a bag of chicken wings and some pork chops. It is fair to say that none of this meat enjoyed any free-range time, and the living conditions were probably deplorable. But the food was cheap and plentiful; at the Dollar General, it was cheap and plentiful, but you couldn’t actually call some of that canned stuff “food,” though I ate it anyway.

Right down the street from these places there was a polar opposite encounter with food. The Hollygrove Market and Farm grew and offered an array of organic foods from regional farms and ranches. I volunteered there for a few months and they’d let me load up a big box with food at the end of your shift—oranges, jars of honey, herbs, yams, lots of great goodies to fill the unemployed larder.

I’d make collard greens and kale from the farm in the skillet, and throw in a turkey neck or two from the hoochie mart to give it the proper balance of conceits.

IV

I was reading Allen Ginsberg’s “A Supermarket in California” recently, a poem that finds the great Beat poet imagining Walt Whitman in a neon-lit California grocery store, among the cans and the vegetables.

Where will they go when the store closes, Ginsberg asks:

Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we’ll both be lonely.

Will we stroll dreaming of the lost America of love past blue automobiles in driveways, home to our silent cottage?

I’m standing over the simmering pot, in my silent cottage with the contents of the red bag ready to go. The first little bits pour out, and then the full pour, the gushing of garbage that is nonetheless so very vital and comforting.

Mmmm, who doesn’t love them some Jimmy Dean sausage in what would otherwise be bland if disgustingly healthy soup? I know Aunt Mary would, and Guy, too.

Dinner is served.

Pipe Down

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As spring weather greets the Napa Valley, we are again disturbed by loud noise from motorcycles that have illegally altered exhaust systems.

Most of the noise is created by Harley-Davidsons, which have large V-twin engines. Statistics indicate that somewhere between 60 and 80 percent of V-twin motorcycles have had their legal (and quiet), factory-installed, EPA-approved mufflers modified (baffles or muffler removed) or removed and replaced with loud, noncompliant, aftermarket exhaust mechanisms. These modifications make the bikes very loud. They emit two to six (or more) times the legal maximum motorcycle noise emissions specified by the EPA. Yet police officers look the other way, even when they hear and see these bikes and could easily issue citations to offenders.

For over seven years, I have asked local police, CHP, the sheriff and politicians why no citations are issued. I have spoken before city council meetings, have had meetings and discussions with police and politicians, and have written many letters to the editor. Excuses are always made as to why nothing can be done. I have been told that they don’t want to discourage bikers from spending money here (from a city council member); that it is not a priority and is too difficult to do (from a police chief); that we need more bikes coming here, not fewer (a mayor); that this issue would not be addressed as long as he held his job (city manager); and that it is a unique problem, as the bikes are “transient” (from the head of local CHP).

When you consider the degree of disturbance of the peace caused by the bikes, combined with the millions of taxpayer dollars that support the local police departments, sheriff’s office and CHP, allowing the noise to continue unabated is a travesty and a rip-off imposed upon all of us who reside here. We deserve to have the authorities address this problem. We pay our taxes, and with that, there is an implied contract with the government that it is the duty of law enforcement officers to protect the public.

Don Scott lives in Napa Valley. He retired from a career as a land agent for the county of Sonoma. He is passionate about conservation of the environment and preserving old MG sports cars.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Debriefer: May 11, 2016

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Sonoma County’s border with San Francisco Bay is underexplored, but that could change with a soon-to-open trail.

Sonoma Land Trust, the San Francisco Bay Trail and the San Pablo Bay National Wildlife Refuge are hosting an event on Sunday, May 15, to officially open a new 2.5-mile section of the San Francisco Bay Trail through the land trust’s Sears Point Wetland Restoration Project.

The new stretch of trail is at Reclamation Road, south of the Highway 37 and Lakeville Highway intersection.

The celebration will begin with a ribbon-cutting ceremony at 2:30pm with emcee Doug McConnell of NBC’s OpenRoad. Speakers will include U.S. Representative Mike Thompson’s chief of staff Stephen Gale, Sonoma County Supervisor David Rabbitt and representatives of the Sonoma Land Trust, San Francisco Bay Trail, San Pablo Bay National Wildlife Refuge and Nancy Wiseman of the Dickson Family, former owners of the ranch. Following the speech-making, the trail will be opened to the public and will remain open daily. McConnell will lead the first official hike down the trail.

“We are overjoyed to be sharing this long-planned trail with the community, and to also be turning this property over to the San Pablo Bay National Wildlife Refuge to manage for the future,” said Sonoma Land Trust executive director Dave Koehler in a statement. “This is the best access point to the bay in Sonoma County, and people are really going to enjoy walking along here and watching the new tidal marsh evolve.”

The new trail flanks the tidal wetlands at Sears Point, the focus of a marsh-restoration project 10 years in the making. Last fall, Sonoma Land Trust breached the levee at Sears Point to allow the tides to return to 1,000 acres of land that was diked off from the bay in the late 1800s. The new trail section is part of a planned 500-mile path around the entire San Francisco Bay.

The Sears Point Wetland Restoration Project could become part of larger restoration plans if voters pass Measure AA in June. The measure, on the ballot in all nine Bay Area counties, is a $12 parcel tax to raise funds for trash removal, habitat restoration and enhancing wetlands and increasing public access. If approved, the measure will raise $25 million a year for 20 years.

The new trail will also link to the older 1.5-mile Bay Trail at Sonoma Baylands, which starts at Port Sonoma, allowing hikers and birders to trek four miles each way.

“This new 2.5-mile segment of Bay Trail represents the best in collaboration and highlights the myriad benefits that can accrue from wetland restoration,” says Laura Thompson, San Francisco Bay Trail project manager. “Between the Sonoma Land Trust and its many partners, the U.S. Fish and Wildlife Service and the Association of Bay Area Governments’ San Francisco Bay Trail Project, the public at large will be able to access
yet another spectacular piece of the Bay shoreline.”

Down to the Wire

On a warm evening in Graton, Lynne Koplof and Richard Flasher, the founders of the alternative Nonesuch School in Sebastopol, gathered with their neighbors at the Graton Community Club. It was standing-room-only for two solid hours at a meeting sponsored by the League of Women Voters. The five candidates for 5th District supervisor—Marion Chase, Noreen Evans, Lynda Hopkins, Tom Lynch...

Double Down

In a one-two punch of excellent Americana music, Sonoma County country-folk collective Frankie Boots & the County Line and San Francisco folk rockers the Sam Chase & the Untraditional will share the stage on May 14 in Petaluma for a dual album-release showcase. Frankie Boots is unveiling his sophomore release, Leave the Light On, while the Sam Chase's new record,...

Bon Voyage

One show takes place under the sea; the other above it. Both are worth a voyage to the theater. Visually inventive and surprisingly emotional, writer-director Mary Zimmerman's richly reimagined Treasure Island, adapted from Robert Louis Stevenson's novel, is a show that literally rocks, employing a stunningly engineered stage that actually swings back and forth like a ship rolling on the...

Back to Paris!

The Russian River Valley used to be the kind of place where, if you were driving down Westside Road, you might see a dog lying in the middle of the street. That's what Rod Berglund, winemaker at Joseph Swan Vineyards, recently told a crowd assembled for a very special blind tasting Chardonnay at Bacigalupi Vineyards. His punchline: "An hour...

It’s All Gravy

Poet, activist, clown, ice cream flavor—Wavy Gravy has been many things. An icon of the counterculture movement since the 1960s, Wavy Gravy, born Hugh Romney on May 15, 1936, turns 80 this month. To celebrate, he's throwing two festive birthday parties. On May 15, Gravy welcomes Doobie Decibel System, Steve Kimock and others to the Sweetwater Music Hall in Mill...

Letters to the Editor: May 11, 2016

It's a Scam Phil Graf (Letters, May 4) denounces rent control as a scam lottery that would be unnecessary if Santa Rosa decreased its building fees and respected the "laws of economics." The truth is slightly deeper. Since Proposition 13, cities must collect their costs for infrastructure, schools and security (police and fire) up front in building fees or Mello-Roos assessments,...

Revealing Dance

Showcasing new dance works from local students, as well as a world-renowned artist, Secrets is the Santa Rosa Junior College dance department's biggest performance of the year. The show features modern, ballet, jazz, hip-hop and contemporary dance, all of which are used to explore our deep and sometimes dark aspects, such as depression and obsession. This performance is significantly more...

Soul Food

The soup has crossed the 30-ingredient line, but is still missing something; it's a little bland, it needs help, some key but as-yet-unidentified addition that will bring it all home. I open the refrigerator door, but every last scrap of vegetable has been scoured from the produce bin, given a bath and a trim, and chucked into the simmering pot,...

Pipe Down

As spring weather greets the Napa Valley, we are again disturbed by loud noise from motorcycles that have illegally altered exhaust systems. Most of the noise is created by Harley-Davidsons, which have large V-twin engines. Statistics indicate that somewhere between 60 and 80 percent of V-twin motorcycles have had their legal (and quiet), factory-installed, EPA-approved mufflers modified (baffles or muffler...

Debriefer: May 11, 2016

Sonoma County's border with San Francisco Bay is underexplored, but that could change with a soon-to-open trail. Sonoma Land Trust, the San Francisco Bay Trail and the San Pablo Bay National Wildlife Refuge are hosting an event on Sunday, May 15, to officially open a new 2.5-mile section of the San Francisco Bay Trail through the land trust's Sears Point...
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