Beef of Burden

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Litigants in the battle over the future of cattle grazing on the Point Reyes National Seashore will head to federal court later this spring.

A lawsuit filed by a trio of environmental organizations in February is aimed at the National Park Service and Cicely Muldoon, superintendent of the park. Its stated purpose is to force the NPS to better manage the 18,000 acres of dairy and beef cattle that graze the park’s pastoral zone, along with the not-so-occasional tule elk that wander into those lands, located in the southern end of the park.

But the stakes are potentially higher. A successful outcome for the plaintiffs, says Huey D. Johnson of the Mill Valley–based Resource Renewal Institute, could impact other cattle operations, including ranches located within the Golden Gate National Recreation Area and beyond.

“Sure. It will transfer over to the nation,” says Johnson, a local titan of environmentalism and a former state resource secretary under Gov. Jerry Brown in the 1970s. His organization is joined in the suit by the Center for Biological Diversity and the Western Watersheds Project. “There are a number of national parks with cows,” says Johnson, “and powerful special interests that promote grazing in federal landscapes.”

The suit calls on the National Park Service (NPS) to update its Point Reyes documents, especially the 1980 General Management Plan to include, for example, an environmental impact review of the ranches. The lawsuit claims, among other negative impacts, that the cattle cause erosion and manure impacts salmon downstream.

Following hard on the hooves of a bad-blood lawsuit with the now-closed Drakes Bay Oyster Company, the latest Point Reyes lawsuit comes as the NPS is working on its Ranch Comprehensive Management Plan as part of its responsibilities under the National Environmental Policy Act.

On that front, the lawsuit appears to demand the NPS do what it is already doing—come up with a plan for managing the ranchlands—with the kicker that there are still too many cows (about 4,000). The park’s point-person on ranching issues, Melanie Gunn, couldn’t comment on the pending litigation, but NPS officials have stated that the agency is determined to keep the ranchers in the park.

While the battle to save Drakes Bay is over, those iconic “Save Drakes Bay” signs are still up all over the North Bay—as are signs along ranch fences around West Marin that call for more fencing in the park to keep the elk and cow herds separated.

The oyster and cattle suits appear similar—commercial activity undertaken with ad hoc leases on public land—but the potential elimination of cattle ranching in Point Reyes is on a higher order of magnitude when it comes to the potential economic impacts.

Ranching advocates highlight that the milk that flows from the Holsteins and Jerseys is some of the finest and that the ranches support numerous other jobs in the area—from truckers to veterinarians to graphic artists to the Marin Sun Farms restaurant and retail outpost on Highway 1 in Point Reyes Station. Marin Sun’s ranch is located in the park.

Johnson says he loves his beef and his ice cream, too, but that’s not the point. The point, he says, is to enforce accountability on an agency that’s mucked through its management of the cows (and the elks) for decades.

Johnson says that opposition to the suit is coming from a “funny little cabal of dairy lovers out there. They’ve gotten well-rooted, the local press often favors them, they are nice people and it seems like a good idea. . . . I would say that there’s been something of a public relations war, not really a war but an ongoing struggle, and a handful of well-meaning elderly environmentalists have long ago fallen in love with dairy cattle.”

But it’s not just the green elders of Inverness who are supporting new leases for the ranchers; the West Marin Environmental Action Committee was a driving force behind the Drakes Bay lawsuit, but is not onboard with the current litigation. The former executive director, Amy Trainer, moved on in October, and the current director, Morgan Patton, says the organization is supporting a pledge made to ranchers to grant longer leases made by then–secretary of the interior Ken Salazar as the Drakes Bay battle waged.

To ease the concerns of ranchers that they were next on the get-out list—including Kevin Lunny, who ran Drakes Bay and operates one of the cattle ranches in Point Reyes National Seashore—Salazar said he would work on securing 20-year leases for the ranchers.

“We support the decision,” says Patton of the Salazar pledge, in an interview at the Environmental Action Committee office in Point Reyes Station (which was vandalized during the Drakes Bay fight). The ranchers are now on ad hoc, year-to-year leases which can both foster financial insecurity and don’t provide a whole lot of incentive to properly manage one’s ranch.

The organization, says Patton, is working with the park and ranchers on the management plan. Patton notes that a key difference between the respective suits was that Drakes Bay Oyster Company was operating in an area with a wilderness zoning designation; the cattle are all on land zoned as pastoral in the enabling legislation that gave rise to the Point Reyes National Seashore in 1962. In other words, the cattle occupy land that was originally zoned so that they could occupy it.

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“We have to make our decisions based on the law and policy,” Patton says.

Johnson sees things a little differently when it comes to Salazar’s deal with the ranchers: “I want that land to be managed properly, I want there to be grass growing, and I don’t have time to fool around with their demands for longer leases and whatever.”

The Marin Agricultural Land Trust, also based in Point Reyes Station, fosters voluntary agricultural conservation easements aimed at preserving agricultural and keeping development at bay. Executive director Jamison Watts says the parkland ranches are a vital resource for the area and the world at large, providing not just superior organic, GMO-free products, but a model for how to do it on environmentally sensitive land. He readily acknowledges that park service management of cattle isn’t perfect, but says that’s exactly why they are working on a ranch-management plan. A sustainability framework in the park would be economically viable (if not profitable to the ranchers), Watts says, not to mention “environmentally sustainable, and contributing to a high quality of life for the community.”

“We have a great opportunity to continue demonstrating sustainable ag in Point Reyes,” Watts adds, noting that the cattle in the seashore and in Golden Gate National Recreation Area comprises 20 percent of Marin County’s annual agricultural yield of about $100 million.

“We’re not saying anything about getting any cattle out of there,” Johnson says of the lawsuit. “We want the park service to do what they haven’t done,” he says, “because they are in the pocket of the dairy interests.”

In Johnson’s vision of a properly managed national park, Point Reyes National Seashore would resemble an English park in the plains, which often have, he says “a few cows grazing out there with the grass up to their belly. Here, you see pictures of pastures that are just mud and manure with no grass on them.”

He sees a future Point Reyes National Seashore with ranching continuing on a “much more reduced scale—they’ve got several times the number of cattle that should be on that land. The parks service should tell them to take care of the land, but they don’t.”

The lawsuit comes as the NPS’ management of the elk herd has itself been under a cloud of criticism. Johnson says his impetus was the plight of the reintroduced tule elk who also live and graze in the park; many dozens died during the drought.

“I was so upset that the parks service [said], ‘Yeah, we lost 250 elk, they died of thirst and hunger.’ What the hell kind of organization are they running when animals are dying of thirst?”

Anti-rancher activists have also raised concerns around the killing of elk that were culled by the NPS because they’d been exposed to Johne’s disease, an illness that leaves the animals emaciated. The NPS says that while a few animals tested positive for the bacteria that causes the illness, none of the elk in PRNS have exhibited symptoms of the disease.

Marin rancher and attorney Nicolette Hahn Niman has been speaking up on behalf of the Point Reyes ranchers and says that concerns for the elk and the culling of diseased animals have been conflated into accusations that the ranchers are themselves calling for the eradication of the elk, serving a cow-vs.-elk dynamic that’s convenient for the plaintiffs but isn’t backed up by the facts.

She cites a recent Wall Street Journal video that features one of the plaintiffs and “an almost exclusive focus on the elk. Is this what is actually motivating these individuals? Because I was really surprised at how central it is to their argument. Ranchers as a group are not advocating for the elimination of the elk and have repeatedly called for nonlethal methods to get rid of them when they have to.”

In a 2014 letter to Muldoon, the Point Reyes Seashore Ranchers Association said that the elk and cows ought to be kept apart from each other. There’s no mention in the letter of killing the elk to achieve that end. That letter also goes to lengths to talk about best management practices, including, for example, “managing the rangelands in a fashion proven to sequester carbon.”

Properly managed, grazing animals can help trap climate-changing carbon in the soil. Hahn Niman says that while there is real concern about what the suit might mean for ranchers, she doesn’t anticipate that it will go anywhere—though as an attorney, she says you never know. “There is a distinct possibility that it will be dismissed fairly early on,” she says. “I know what the park’s been doing to update the management plan, and it’s a lot.”

Hahn Niman questioned the wisdom of filing a lawsuit about a particular set of concerns in Point Reyes National Seashore, while the plaintiffs concede that the suit, if successful, would create a precedent that could be applied elsewhere.

“If you read the lawsuit, it’s not that ambitious—manage it better, the park’s not keeping its management plan up to date—but when you understand that the plaintiff wants to get all the cattle out of all [public lands], the ranchers are right to be alarmed.”

Hahn Niman says she is only speaking for herself and her husband, sustainable livestock pioneer Bill Niman, as she notes that ranchers are “extremely concerned about this lawsuit and rightly alarmed because not only is [Johnson] making this statement, but the two other groups—that’s all they do is try to get grazing out of public lands, and there’s no question that’s what is motivating the lawsuit.”

Johnson is standing his ground. He has an expert opinion on grazing, he says, which found Point Reyes National Seashore to be “the worst example of overgrazing that he has seen.”

He is looking forward to his day in court. “We obviously had such difficulty communicating with the parks service, given the interests and their special deal with the ranchers,” Johnson says. There was no way to do this except to say, ‘Go talk to a federal judge.’ It’ll do them a world of good. I look forward to the process.”

Correction: An earlier version said there were 6,000 cattle in PRNS. Also, the story has been updated to include additional information and clarification from the National Park Service about Johne’s Disease in the park, and the Drake’s Bay Oyster Company lawsuit, which was filed by the oyster company and not the NPS. We regret the errors.

Triple Shot

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If Ramen Gaijin left things the way they were, it would still be a great place. The ramen is superb, as is the menu of salads and starters. Friendly folks and cool vibes add to the appeal.

But owners Matthew Williams and Moishe Hahn-Schuman didn’t leave well enough alone. They closed for three months late last year and gutted the place. They demolished the woodburning oven (it didn’t really fit in a Japanese restaurant). They ripped out the redwood-slab bar top and moved it to an adjacent counter space and built a new concrete bar. The addition of beautiful reclaimed barn-wood paneling, and new tables and chairs in the lounge area make the place look downright sexy.

But the restaurant got more than a makeover. Gaijin added an exciting

izakaya (Japanese tapas) menu and a cocktail program created by spirit wizard Scott Beattie, one of the prime movers behind the craft-cocktail movement. The menu he created runs with the Japanese theme, and the bar is now a destination in its own right.

The Japanese tea highballs, made with tea-infused Japanese whiskies, are great with a bowl of ramen; the bubbles in the seltzer cut through the rich broth of the soup. Gillian Tyrnauer, late of the Healdsburg Shed, now manages the bar at Ramen Gaijin and brought her shrub-making skills. The sweet and sour fermented creations appear in the changing list of seasonal “tonics” like the Winter Ball ($11)—Spirit Works gin, grapefruit-juniper shrub, lime and pickled juniper. Shrubs also appear in the ginger beer–based bucks and mules served in copper mugs like the eminently refreshing Mujina Mule (vodka, ginger-turmeric shrub, lime and nutmeg).

The list of Spirited Away drinks is a treat—lighter, stirred cocktails made with Japanese plum wines, Japanese spirits and aromatic bitters and essential oils. The drinks’ names are taken from Japanese pop culture and mythology, and refer to various phantoms and avenging ghosts.

The Teke Teke (El Dorado eight-year-old rum, St. Elizabeth Allspice Dram, Alessio Vermouth Chinato and honey umeshu; $11) is named after the ghost of a girl severed at the waist by a train who spends her days dragging her upper torso around looking to slice others in half.

I loved the refreshing Ashimagari ($11), a pale purple cocktail made with Torikai shochu, shiso/plum liqueur and an ethereal, floating sheet of purple nori seaweed. Ashimagari is a ghostly phenomenon said to feel like a kitten wrapping around your feet at night, impeding your ability to walk—a sensation akin to drinking too many of these.

In addition to the Japanese-inspired drinks there’s a list of a dozen classic cocktails.

Like Forchetta Bastoni, the restaurant that came before it, Ramen Gaijin is two restaurants in one, but this one is much more cohesive. There’s the ramen side of the restaurant, and the izakaya and bar side. The full izakaya menu is not available on the ramen side. And you can’t order ramen at the bar or in the lounge. The idea was to create two distinct dining experiences. That it is, with great drinks to boot.

Ramen Gaijin, 6948 Sebastopol Ave., Sebastopol. 707.827.3609.

Off the Charts

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From intimate dinners to gala events, the second annual Yountville Live once again pairs platinum-selling musicians with Napa’s finest restaurants and wineries for a weekend of tasteful must-see events.

March 31, day one, kicks off the festivities with a reception at Napa’s contemporary French-inspired Brix Restaurant and Gardens. Chicago-based pop rock outfit Plain White T’s, best known for their massive 2005 ballad “Hey There Delilah,” complement dishes from executive chef Cary Delbridge in an acoustic afternoon.

Day two, April 1, is a chic way to spend April Fools’ Day with Yountville Live’s Red Carpet Gala. Bottega’s chef Michael Chiarello, Stella Artois chef ambassador Grant MacPherson and James Beard Award–winning pastry chef Gale Gand rub elbows and show off their stuff while the Goo Goo Dolls play their biggest hits in a stripped-down fashion. A duo since 2013, songwriters Robby Takac and John Rzeznik (pictured) are still writing new material in addition to celebrating the 20th anniversary of their double-platinum album, A Boy Named Goo.

April 2 is a full day of foodie-centric events featuring chef demonstrations and tastings before a VIP after-party that sees Grammy-nominated soul singer Mayer Hawthorne offering up a DJ set. April 3 finishes off the weekend with a bubbly brunch boasting mimosas and American Idol winner Kris Allen.

Yountville Live goes live on March 31 at various locations. $75 and up. yountvillelive.com.

Take Two

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The foundation of any theatrical production is the script. True, it is possible to conjure a first-rate show from a second-rate play, but it’s never easy.

Currently, two shows I’ve never liked are running in the North Bay. One production ultimately fails to overcome the inherent problems of the script, despite some excellent acting and directing, while the other show comes closer, mainly by ably tricking us into believing there is more going on than there actually is.

First, there is Left Edge Theatre’s rambunctious new staging of Yasmina Reza’s perplexingly popular comedy God of Carnage, playing one more weekend at the Luther Burbank Center for the Arts. The play follows two married couples who meet to discuss a playground scuffle between their sons. Faster than you can say “People are basically animals,” the convivial confab devolves into pouting, shrieking, name-calling, some vigorous vomiting and general suburban mayhem.

Featuring a stellar cast of North Bay veterans (Heather Gordon, Melissa Claire, Ron Severdia and Nick Sholley) and directed by Argo Thompson with minimal fussiness and a smart emphasis on physical humor, the play still suffers from its aimless storytelling, the assaulting unpleasantness of the story and an overall absence of anything fresh or truly engaging to say. And, no, graphic onstage vomiting does not qualify as a social statement.

Rating (out of 5): ★★★

The essential failure of Amy Herzog’s 4000 Miles—the story of an angry cyclist and his passive-aggressive relationship with his testy, suspicious grandmother—is its lack of direction and absence of coherent plotting, along with characters who, with one exception, start off being largely unlikable and reveal themselves so slowly that by the time we see something admirable, it’s too late.

So credit must be given to director Norman Hall for casting an intrinsically appealing cast for the play’s run at the Novato Theater Company: Shirley Nilsen Hall and Jesse Lumb as the grandmother and grandson, and Emily Radosevich and Courtney Yuen in supporting roles. Hall allows them to show their vulnerable sides even in the midst of some off-putting, occasionally repellant behavior, and they prove expert at mining laughs from the long, uncomfortable silences that often hang between their halting words.

I still don’t think much of the play itself, but this amiable and occasionally moving production definitely makes me dislike it less.

★★★½

Shine On

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Songwriter and bandleader Giovanni Di Morente can do it all. The founder and frontman of the eclectic alternative pop ensemble El Radio Fantastique describes himself as a free-range artist, meaning that his approach to music is categorically indefinable yet surprisingly accessible.

This weekend, El Radio Fantastique unveil their new EP, Shine, with a raucous release show on April 2 at McNear’s Mystic Theatre in Petaluma that also features San Francisco’s animated Extra Action Marching Band.

Di Morente, a Point Reyes Station native, grew up on a steady stream of Sinatra before discovering the Sex Pistols and playing punk rock. “We were out in the woods, and I was just left to my own devices,” says Di Morente. “I had no boundaries musically, and punk got me delving into Old World music—Gypsy, Brazilian songwriters—all these paths that I took with open ears.”

In the mid-’80s, Di Morente moved to Los Angeles and, under the pseudonym Johnny Dollar, was part of the one-hit wonder pop group Times Two, whose single, “Strange but True” peaked at number 21 on the pop charts in 1988. Yet he compares the experience to selling his soul. He spent the next decade depressed and being bounced around from label to label.

Finally, Di Morente left L.A. for New Orleans, working as a gravedigger by day and playing jazz and blues clubs by night. Newly inspired, Di Morente formed his first incarnation of
El Radio Fantastique in 2002. “I felt redeemed,” he says.

Originally a darkly classical take on New Orleans jazz, the band expanded its sound to encompass all of Di Morente’s musical influences, from the Beatles to Bowie to the Sex Pistols and beyond. “With El Radio Fantastique, I felt like I was able to put everything I love together,” he says.

After the devastation of Hurricane Katrina in 2006,
Di Morente moved back to Point Reyes Station and started up the band anew. Currently, El Radio Fantastique is a seven-piece outfit, with Di Morente sharing songwriting duties alongside bassist Colin Schlitt and pianist Robin Livingston.

Shine, the first EP in a planned series of five releases expected over the next two years, is a perfect example. The five tracks encompass Space Oddity–era Bowie, baroque pop, sizzling zydeco jazz, growling punk rock and even Persian-inspired orchestration.

“I really want to write pop songs,” Di Morente says. “But in my own fashion.”

Ag Is Open Space

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While sometimes convenient, abbreviations of otherwise unwieldy titles can backfire. Take the SCAPOSD, or the Sonoma County Agricultural Preservation and Open Space District, these days referred to by most as simply the Open Space District. Yet those few missing words are today jeopardizing the original intent of a public entity voters created in 1990, an omission that last week threatened to derail an innovative proposal to help prepare a new generation of local food producers and land stewards.

“Open space just means untouched land,” declared Rohnert Park mayor Gina Belforte before voting to oppose plans for an incubator farm on the 45-acre Young-Armos property just north of the city.

Nearly 20 years ago, SCAPOSD acquired the property and, with the UC Cooperative Extension, recently drafted a proposal to restore its native wetlands, while simultaneously establishing a program that would provide small, temporary parcels to beginning farmers, allowing them to develop skills to run a successful small-scale farm.

The proposal comes at a time when the average age of farmers in this county surpasses 60, a trend that threatens the viability of our local food system. Despite Rohnert Park councilman Joseph Callinan’s inability to equate agriculture with a business enterprise—a misperception thankfully corrected by the project’s lone supporter on the city council, Jake Mackenzie—it is precisely the refinement of business skills that agricultural aspirants need and the very aim of the incubator project.

While the city council is responding sympathetically to neighbors’ concerns over the project—ranging from obstruction of view to impact on wildlife—for the council to echo residents’ assumptions that the land would remain “untouched” attempts to redefine the original mission of the SCAPOSD: “to permanently protect the diverse agricultural, natural resource, and scenic open space lands of Sonoma County for future generations.”

Not only are diversified farms scenic, while providing us life’s essentials, the support of beginning farmers is in fact an exponential investment in the preservation of even more open space. The greatest tool we have to prevent sprawl is the protection of healthy, working, bountiful lands. This will require a new crop of stewards. Let’s start growing them.

Evan Wiig is director of the Farmers Guild.

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write op*****@******an.com.

Letters to the Editor: March 30, 2016

Best Ever

Shotsie Gorman Rocks (Cover, March 16)! The Bohemian has great covers—always—but this one really grabbed me. I met Shotsie and his wife, Kristine, when Aubergine had its artist/model/musician nights. The Gormans are genuinely inspiring, to say the least, and the cafe/bistro/art scene had a good energy. We could use a similar venue.

Sonoma County

Thorough and Accurate

Thank you for your continuing coverage of Sonoma County’s IHSS workers (Debriefer, March 23). For years now your articles have been thorough and accurate, making sense of a very complicated program.

Via Bohemian.com

Tenants Unite

Housing should be a right for all citizens, not a privilege based on one’s income level (Letters, March 23). Landlords and real estate speculators, aka “investors,” have treated renters in outrageously unfair ways, slapping down rent increases of $500 to $700 and throwing good tenants, who adhere to rules and pay their rent on time, out into the street so they can make a fast buck. The so-called market seems motivated by greed and lust for profit at all costs.

As for the alleged travails of poor landlords, cry me a river. Those who have enough disposable income to invest in real estate and property “flipping” to make a tidy profit are undeserving of any sympathy whatsoever, especially when many own multiple properties worth millions of dollars. Landowners have powerful organizations and lobbies working for their interests and bending the ear of politicians to keep regulations lax and renters at a disadvantage.

Some sort of control on rent increases along with a just-cause eviction law is the least the politicians who have looked the other way and done nothing the past 20 years in Santa Rosa and Sonoma County can do for the elderly, disabled and working poor, along with the struggling working middle classes, who make up a sizable percentage of the population in this area, and, at times, spend 40 to 60 percent of their income to keep a roof over their heads. Perhaps renters need their own lobby or union to press for their interests, as the landlords have their property owners associations and chambers of commerce.

Santa Rosa

Money Talks

What a useful idea (“Show Me the Money,” March 23): a city/county/state/federal ballot initiative, which would force all elected legislators to wear patches of their top 10 donors any time they speak or take an official action. (My edit from John Cox’s idea printed in the article).

Via Bohemian.com

Write to us at le*****@******an.com.

West End Wonder

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When Allen Thomas moved to Santa Rosa from San Francisco in 1990, he settled in the West End neighborhood, the block of houses and businesses that stretches from the west side of Highway 101 to Dutton Avenue, and from West Third Street up to West College.

The urban setting in a small community appealed to him, though at the time, West End was considered the wrong side of the tracks for many living in Santa Rosa. Much has changed there in the last 26 years, thanks in part to the many community events that Thomas and others have initiated, most visibly the West End Farmers Market, which Thomas co-founded in 2012.

Previously located on Donahue Street near the historic DeTurk Round Barn, the West End Farmers Market is moving to Railroad Square at Wilson and West Fourth streets, offering more space and more vendors for the weekly event that takes place every Sunday morning starting April 3.

“When I moved in, many homes were considered undesirable, but through the years, things have changed for the better,” says Thomas of the West End.

Thomas says local businesses like Franco American Bakery and Western Farm Center and the city itself have all been involved in the neighborhood’s transformation. “It’s not just one person,” he says, “it’s a whole group that have moved the neighborhood in the right direction.”

The West End Farmers Market is a culmination of many of those efforts, says Thomas. “We’ve always tried to make this a positive place for families and kids, with picnics, bike parades, things like that,” he says. “So a farmers market just seemed like the right thing for the neighborhood and the whole community.

“The whole market has been a labor of love for a lot of people,” Thomas continues. “There was a whole group of people that came out to help and volunteer, and I think they all cherish having this market in an area that’s within walking distance of their homes.”

The market also offers low-income patrons a chance to enjoy the offerings with a special EBT program that matches funds for those with food stamps. By collecting donations from various businesses, the market allows food-stamp users to swipe their cards at the market in exchange for tokens, and the market will match up to $20 of what the user spends, meaning that $20 spent yields $40 worth of purchases. This way, those with less can still take advantage of the fresh, locally grown produce and foods at the market, and the farmers can still make a profit on their goods.

Now, with the farmers market moving to Railroad Square, Thomas hopes the larger community will join in on the fun, and he anticipates a day when the SMART train will drop folks off right at the market’s doorstep.

“It’s been a dream of mine,” he says, “and of many in the community to have something by the new station that celebrates the agricultural ties of Sonoma County to the whole Bay Area and makes Santa Rosa a focal point.”

The West End Farmers Market starts Sunday, April 3, at Railroad Square, 9:30am to 2pm. www.wefm.co.

Female Retail

The value of Women’s History Month (which concludes March 31)
is up for debate depending on how you approach it. Some believe it only serves to highlight the gender gap; others advocate for its importance in balancing the scale. But regardless of the angle, risk-taking women who support each other is always worth celebrating.

Female entrepreneurship—in fields ranging from the arts to tech—has seen steady growth in recent years, in big cities and rural areas alike. Success can be especially challenging when the business is based away from central hubs. Being a female business owner in the North Bay often means cultivating community support and joining forces with other like-minded women. A number of such female-powered ventures are sprouting up across Northern California, and they deserve recognition—whether it’s Women’s History Month or not. From a chic co-working space to a knitting haven, here is a sampling of businesses that make sure local woman power is alive and kicking all year long.

Jam Jar, Santa Rosa The best collaborations are often multidisciplinary. Jam Jar, located in Santa Rosa’s SOFA district, is a great example. Artist Molly Perez and jewelry designer Jamie Jean Wilson decided to join forces, and opened the colorful, chic Jam Jar. “We’ve known each other for 15 years and often talked about going into business together,” Perez says. “I couldn’t handle it all by myself.” Inside, you can find quirky collages and paintings by Perez, earrings and necklaces by Wilson and guests designers, vintage finds and décor items. Jam Jar is a decidedly “neighborhood” shop—one of the two owners will usually greet you with a big smile, and the store is an active participant in all of SOFA’s happenings and events. 320 South A St., Santa Rosa. 707.480.8506. mollyperezstudio.com.

428 Collective, Healdsburg An all-women arts collective, 428 organizes art events and presentations and serves as a marketplace for some of the area’s most cutting-edge artists. Among them are multimedia artists Alice Sutro and Jessica Martin, photographer Caitlin McCaffrey, filmmaker Flora Skivington, painter Christina Hobbs and six other creative women. In addition to art-themed parties and lectures in the Healdsburg headquarters, the collective keeps an online art store and supports its individual members by promoting new shows and exhibits on their Facebook page.

“We all bring something different to the table in terms of our experiences, vision, circumstance and general outlook, having a deep respect for one another and an unwavering belief in art’s ability to educate, enhance and unite us in the human condition,” says collective member Victoria Wagner. “There was no presumption or foresight regarding gender; it had much more to do with a sense of community that we naturally formed around having really high regard for one another.” 428 Moore Lane, Healdsburg. 707.433.6842. 428collective.com.

The Soap Cauldron and Three Sisters Apothecary, Sebastopol Soap, family and female friendship: sounds like a recipe for a Hallmark mini-series—or the story behind the Soap Cauldron. Emma Mann began her small soap venture with her daughter, now a student at UC Berkeley, who manages the company’s social media accounts. Located in the Barlow since 2013, the Soap Cauldron is a family business that happens to employ all women, and the theme thrives in Three Sisters Apothecary, a line of beauty and soap products that the Cauldron produces.

“I named it for my sisters and I, who are all two years apart,” Mann says. “My sister Marlo was killed in her home back in 2010, which mobilized me on many fronts. My sister Pandora is a payroll and [human resources] specialist, and weighs in on our business structure. Her daughter Roxanne and my daughter all work actively in the business with me.”

Together, the group of women makes herbal bar soaps, body butters, shampoo and salves,
all packaged in simple, retro-inspired tins. 6780 McKinley Ave., Ste. 120, Sebastopol. 707.888.5659. soapcauldron.com.

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Cast Away & Folk, Santa Rosa For lovers of all things yarn, Cast Away & Folk must feel like heaven on earth. Leslee Fiorella, a textile designer, Isla Corbett, wool artist extraordinaire and Justine Malone, an entrepreneur with a passion for knitting, came together in this adorable Railroad Square space to establish a crafty empire. Along with an elaborate shop that sells fabrics, yarn, crafting and weaving supplies, the bright, cozy spot offers knitting, weaving, crochet and tapestry workshops—for absolute beginners to ambitious knitters—led by the three ladies. “We strive to support each other in running a successful retail store,” says Corbett, who rightfully calls
the store’s merchandise “inspiring goods.” 100 Fourth St., Santa Rosa. 707.546.927. castawayandfolk.com.

Farmers Jane Wine Company, Napa The collaborative effort of two female winemakers, Farmers Jane is a refreshing voice in the local wine industry. Angela Osborne, the woman behind A Tribute to Grace Wine Co., a Southern California label, and Faith Armstrong Foster, who’s based in Napa and makes Onward Wines, have known each other since working a Healdsburg harvest together in 2002. Their joint label produces rosé, field white and field red wines, craftily constructed from a variety of California grapes. The logo alone—two free-spirited ladies balancing on a wine barrel—is worth some kind of an award; the wine is an instant favorite. 707.812.1456. farmersjanewine.com.

The Hivery, Mill Valley Breathtakingly beautiful and welcoming, this brand-new coworking space and “inspiration lab” is owned by Grace Kraaijvanger, a woman of many talents. A former ballet dancer, Kraaijvanger has worked in marketing and consulting, and now pours her heart into the Hivery. Catering to an all-women clientele, the space offers a peaceful, creative environment in the best traditions of coworking spaces. There are personal and professional development events and a focus on empowering women—whether they’re going back to work after a long break or starting a fresh business.

“I started the Hivery because of a deep conviction that every woman has unique gifts that are meant to be brought forth in this world,” Kraaijvanger says “I believe that women have an instinctual desire to support each other, and that creativity flourishes when women feel connected.”

The Hivery encourages women to use their skills, expertise, wisdom and passions in different ways while exploring new phases in their lives, such as childbirth, and starting a new business. “Navigating these new chapters alone can feel isolating and depleting,” Kraaijvanger says. “Acting on them together is invigorating and inspiring.”
38 Miller Ave., Ste. 20 Mill Valley. 415.569.7760. thehivery.com.

Rikshaw Design, Greenbrae Looking at this brand’s impressive, globally inspired website, it’s hard to believe that the business is practically right here in our own backyard. Rikshaw Design founder Catherine Hedrick was motivated by her love for Indian textiles when she launched the brand’s first collection in 2008. Since then, the business has grown and has started manufacturing children’s clothing and women’s collections, adorned in colorful Indian prints and made out of 100 percent cotton. Although Rikshaw Design is based in Marin, the brand’s activity takes place mainly in its online store, and through a series of trunk shows that anyone can apply to host—so be on the lookout. 243 Sir Francis Drake Blvd., Greenbrae. 877.474.5742. rikshawdesign.com.

Flourish and Thrive Academy, Sausalito “Supportive” and “nourishing” are accurate attributes of many female-owned businesses, and Tracy Matthews and Robin Kramer turned them into a business. Matthews, a jewelry designer, and Kramer, a marketing expert based in Sausalito, joined forces over their love of jewelry and launched a virtual “academy” of tools and materials for budding designers and entrepreneurs in the accessories industry. Together, the women craft online courses with promising names like “Multiply Your Profits” and “Dream Client Intensive,” and help women (and men) across the country realize their dream venture. The Flourish and Thrive website offers a variety of complimentary materials—podcasts, short lectures and 101 videos led by the witty, fast-paced duo. flourishthriveacademy.com.

Edition Local Shop & Outpost, West Marin Although not exclusively female, this collective of artists and makers includes quite a few talented ladies—jewelry maker Marion McKee, soapmaker Olivia Johnson of Fat + Fallow (whose products are made of tallow), felter extraordinaire Patricia Briceño of Raw Felt, indigo artisan Carrie Crawford of Mineral Workshop and woodworker Gwen Gunheim of Hendley Hard Goods. The collective gathers its members on one beautiful website, where goods by each maker can be purchased, and it “strives to build resilient local economies and champion neighborliness.” While you can find each artisan in his or her own studio, the “power of many” makes Edition Local a real local gem. 9940-A Hwy. 1, Olema. 844.326.3260. editionlocal.com.

Breeze In

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I have been attending the Carneros Wine Alliance’s annual barrel tasting for several years now, only partly because of the high-quality commemorative coffee mugs they hand out at the end of the event. I’m also trying to answer a question: Is there such a thing as a Carneros style?

But let’s back up for a minute—I realize that, if you aren’t familiar with the wines from this region, Carneros does sound a bit like an optional filling for your burrito. Taking a historical name for the region, Spanish for “the rams,” Los Carneros was established as an American Viticultural Area (AVA) in 1983. The region is unusual in that it’s shared between Napa Valley and Sonoma County, and was the first AVA to be defined mostly by its cool, windy climate rather than arbitrary boundaries—resulting in the ugliest mug on the map. I think it resembles the head and shoulders of a dragon, with whiplash.

The wines are much prettier. Carneros may seem dominated by sparkling wine producers, but most of the wines on offer recently at an intimate tasting at Cornerstone Sonoma were Pinot Noir and Chardonnay table wines. Sparkling wine producer Domaine Carneros offered a 2015 White Pinot Noir, a surprisingly fleshy, toasty wine infused with red fruit notes in the way a mineral water might be—with hardly more hue. After all, Pinot Noir is a major ingredient in traditional sparkling wines, and it represents
44 percent of the grape varieties grown in Carneros.

Chardonnay trumps Pinot at 46 percent of the appellation’s 8,000 vineyard acres. The 2015 Chardonnays I tasted were extraordinarily lean and refreshing, with the sweet tang of pink grapefruit and crisp apple; they were barrel-fermented but saw little if any malolactic fermentation. Is that what you can expect from Carneros Chardonnay? Not at all. Carneros is a top source of Chardonnay for Napa Valley’s butterball leaders—it’s all in the winemaking.

So what’s the point of an AVA designation, if not to guarantee a style of wine? An AVA is more of a signpost. To my eyes—or nose, rather—the Carneros signpost points mostly to a style of Pinot: waxy aromas of Christmas candle, cinnamon, dried rose petals and fruits—a smoky, sensuous potpourri.

While this impression held up for some of the member wineries’ exciting 2015 Pinots, consistency was, unfortunately, elusive, even for the most iconic of Carneros Pinot Noir vineyards. Case in point, Garnet Vineyards’ bright, lively, red-cherry-toned Pinot from Stanly Ranch, which dates from the 1950s, reminiscent of Jayson Woodbridge’s Cherry Pie Pinot from that same vineyard. So, aha? Not according to Starmont Winery’s lush, darkly fruited 2015 Stanly Pinot Noir. More study required.

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I have been attending the Carneros Wine Alliance's annual barrel tasting for several years now, only partly because of the high-quality commemorative coffee mugs they hand out at the end of the event. I'm also trying to answer a question: Is there such a thing as a Carneros style? But let's back up for a minute—I realize that, if you...
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