Musical Boon

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Back in April, Creative Sonoma, a division of the Sonoma County Economic Development Board, hosted the inaugural Next Level Showcase and Conference in Santa Rosa. The three-day event highlighted dozens of Sonoma County bands in all genres and offered a daylong workshop to learn about entrepreneurial aspects of the music industry from experts.

In addition to that weekend of activity, Creative Sonoma initiated a grants program, made possible with funds from the Hewlett Foundation, to offer five bands or artists the chance to receive $2,500 to go toward their choice of projects. Creative Sonoma last week announced that Avery Hellman (Ismay), the Bootleg Honeys, Black Sheep Brass Band, Shaun Hunter Wagner and the Easy Leaves are the five recipients of the grant program.

Avery Hellman is already having a breakout year. She toured old ghost towns this past spring by horseback and hosted concerts at Sonoma Mountain in her hometown of Petaluma. Next month, Hellman’s musical project Ismay performs at Hardly Strictly Bluegrass in San Francisco’s Golden Gate Park, an event her grandfather founded.

Harmonizing honky-tonk outfit the Bootleg Honeys have quickly won hearts around Sonoma County since forming in 2012. Featuring vocalists Katie Phillips, Alison Harris and Karen Joy Brown, with Mark Tarlton on drums, the band can deftly play venues large and small. Last year, the Bootleg Honeys released

Paint It Red, featuring original Americana tunes that ring out with authentic melodies and boot-stomping fun. This weekend, the band plays at the Bodega Seafood Art & Wine Festival, Aug. 27–28.

We profiled Black Sheep Brass Band in our July 13 issue, chronicling the group’s eight-year evolution from buskers to touring band. Their new self-released and self-titled album is available now.

Shaun Hunter Wagner’s music experience and passion extends beyond the stage. A musician for over 10 years in punk and indie bands like Starskate and Teenage Sweater, Wagner also runs his own record label, Goth Horse Records, from his home in Santa Rosa. Wagner plans on using the grant money to release new records and continue touring with his three current bands, the Acharis, Undo and Diesel Dudes.

In addition to the Next Level grant, country folk duo the Easy Leaves will also receive a complimentary day in the EMG-TV Studio to shoot up to three live-performance videos. The Easy Leaves are on the road this summer but they’ll be back in the area and performing at HopMonk Tavern in Sebastopol on Sept. 16.

Broiled Again

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I was preparing the steak, the broiler was heating up and I lavished the dry-aged New York sirloin with a wet smear of grated garlic. I then turned to the sack of crimini mushrooms I’d grabbed at the co-op and fell into a spiritualized meat-reverie. A moral moment had revealed itself. A beefy ethical question was raised.

The dogs had assumed their usual position on the big chair, and shook with bug-eyed anticipation at what they knew was coming. My little duo of chop-licking freaks of the Mexican hairless-dog persuasion watched with growing eagerness as I hovered over the steak and offered the usual flow of pre-dinner patter to them, “Ohhhh, it’s going to be good!” We’ve been through this before.

Of course you’ll get some steak, little ones, yes, yes, of course you will, even at $18 a pound from Willowside Meats, the legendary butcher shop out past the Santa Rosa city limits on Guerneville Road. I had earlier made the pilgrimage to the shop’s dusty parking lot and beheld, with some certain glee, its humble, shack-like repose in the afternoon sun. Big fans were whirring inside as the dust settled in the lot and I made my way inside . . .

I rinsed the mushrooms and started to crumble them around the steak and, as I was doing so, recalled a story I once read about the breed of my dogs, known officially as the Xoloitzcuintli, the national dog of Mexico and roughly pronounced as “cholo-its-squintly.”

As I understand the story, these animals, an ancient, primitive breed, were held in high spiritual regard by the Aztecs, and especially among Aztec royalty, who believed that upon one’s death, your Xolos would be the spirit guide to the next place, over the well-marbled meat bridge, as it were. So when some Aztec big-wig died, his Xolos were killed and placed next to him in the burial crypt.

I shuddered at the thought and remembered I needed to make a vet’s appointment for my guys and tried to forget the part of the story where Xolos were also eaten in large numbers—as I arranged the mushrooms around the steak and then folded the meat packet into its aluminum-foil pouch and shoved it into the broiler, where it would remain for all eternity, or 20 minutes—whichever came first.

Then I broke out the head of purple-red cabbage and ran it through the grater until I had a nice pile. That was for the dogs. Dog-loving readers out there might think they take the cake when it comes to spoiling their animals, and who am I to argue, but can anyone say that they prepare shredded cabbage mixed with chopped-up bits of $18-a-pound steak for their beasties? Does anyone make sure their dogs enjoy an appetizer slice of fresh pear smeared with a chunk of ferociously stinky bleu cheese? Am I alone in the regular Sunday ritual of boiling up a couple of Mary’s chicken legs and dropping them into the bowls for a supervised frenzy of dog-joy chomping at the chicken?

Well fine. I am ridiculous, foolish, over-indulgent with my little guys, who I think are grateful for the attention, but you never really know. I do know that they also love their vegetables, and especially cabbage, as do I—just not as much as we all love meat.

I stood over that steak and faced facts. We’re all just a bunch of meat in the end, a slab in a casket or a pile of dusty corn-meal scattered to the wind. I stood there and thought of how I really do believe that people who refrain from eating meat operate on a higher ethical plane than the rest of us loathsome, bloodthirsty carnivores. Always have. Yet getting there is the hard part, the temptations of the flesh are all-abounding, and when you step into Willowside Meats, all bets are off. All is lost. Bring the meat coma, fire up the red-meat rationales, and tell yourself that if the tables were turned—well, that chicken would eat your liver like nobody’s business.

I hate the expression “old school” almost as much as I hate the tailgater in that jumbo black SUV who almost rear-ended me on the Guerneville Road when I slowed down to turn into the Willowside lot. And that’s saying something. But if the marinated beef-flaps fit, I guess you’ve got to wear them, and “old school” is kind of apt when it comes to describing this place. Willowside smells like meat, it oozes meat particles through every offal pore of its being, it offers numerous meat-map diagrams on the walls, and there’s a fleshy meat man out back with a white shock of hair and beard, who is wearing a Motörhead T-shirt beneath his bloodied apron. Born to lose, live to broil.

And behold the meat, for it is legion: There’s a freezer-full of house-made sausage of every persuasion to check out, from your brats to your Italian spiced deals, and for certain there is grass-fed beef galore and the sign out front says as much. Another freezer houses all sorts of chopped meat and various animal parts, and the guy ahead of me in line just ordered over $300 of product and seems to be enjoying every last minute of the transaction as he chews on some jerky.

I just want a pound of the dry-aged New York sirloin. Nothing too fancy or extravagant. The meat-clerk takes the big beef slab out of the glass case and carves off the requisite portion, wraps it in butcher paper and I’m off.

Later I stood over the steak as it rested in the broiling pan, a firm and sturdy chunk of beef, and felt that teenie pang of guilt for the cow that had been slaughtered so that I might indulge the beast within.

I imagined myself as the steak itself, a slab of dead flesh faced with an uncertain and perhaps broiling-hot afterlife. As I surrounded the steak with them, I came to see those mushrooms, those lusciously earthy crushed criminis, playing the role of spirit guide to the aftertaste.

I lowered the steak into the broiler, that holy sarcophagus of arteriosclerosis, and said some little bullshit prayer for the cow, who probably had it coming anyway. Then I popped a couple of fish-oil pills and poured another glass of sake, then sat with the dogs on the big chair where we slobbered together as one.

Willowside Meats, 3421 Guerneville Road, Santa Rosa. 707.546.8404.

Swirl Quiz

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Put your North Bay wine knowledge to the test with Swirl’s back to school wine quiz—we told you this was going to be for the test, didn’t we?

1. Where is Zinfandel native to?

A) California, where early Spanish makers of sacramental wine called it “Mission”

B) Italy, where it’s called Primitivo

C) Austria, where it’s called Zierfandler

D) Croatia, where it’s called Crljenak KaÅ¡telanski

2. The slang term “Waukesha jockeys,” found only in “Swirl,” refers to winery workers and:

A) A cooperage that makes American oak wine barrels

B) A manufacturer of wine presses

C) A widely used wine pump

D) A brand of ATV commonly used to ride around vineyards

3. Which of these is not a wine made by Bolinas winemaker
Sean Thackrey?

A) Pleiades

B) Sirius

C) Perseus

D) Fifi

4. Which of these North Coast sparkling wines featured in President Nixon’s 1972 trip to China?

A) Schramsberg Blanc de Blancs

B) Iron Horse Chinese Cuvée

C) Korbel California Champagne

D) Hanns Kornell Rouge

5. St. George is which of these:

A) Another name for Zinfandel

B) A phylloxera-resistant root stock native to France

C) Rupestris

D) The patron saint of Waukesha jockeys

6. Charbono is also known as:

A) Bonarda

B) Barolo

C) Berlandieri

D) Boffo

7. When you find yourself amid Baccarat crystal skulls and mannequins dressed in club/bondage attire, you are in a tasting room decorated by:

A) Francis Ford Coppola

B) Jean-Charles Boisset

C) Treasury Wine Estates

D) Jean-Charles Shaw

8. Who is the real Charles Shaw?

A) The founder of the second-oldest winery in Napa, he was Charles Krug’s brother-in-law

B) An English nobleman who went bust prospecting for gold in the Napa River in the 1850s

C) A businessman who dreamed of making Beaujolais-style wine in Napa

D) Nobody, just a name made up by Fred Franzia to sell $2 wine at Trader Joe’s

Answers

1: D (Primitivo came from there, also) 2: C 3: C 4: A 5: C
6: A 7: B 8: C

7–8 points, Bohemian Rhapsody; 5–6 points, La Bohéme; 3–4 points, jaunty beret; 2 points or less, Pinot Grigio

Porn Again

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Last week, it was announced that paraplegics are learning to walk again—with the help of virtual reality. Doctors have started incorporating the technology into the treatment of cancer patients. Others insist it will soon revolutionize the way we perform surgery.

But perhaps the most profoundly affected arena lies elsewhere. Because when it comes to technology, there’s one industry that tends to get to the deep-dive first, and that’s porn.

The porn industry has had a few hard years. Thanks to the proliferation of free content on the web, studios are producing less content, and in order to stay afloat, many have taken to the niche scene. If you’re going to fight the free stuff, you’re going to have to start shooting something tube sites can’t offer.

Trans-porn, for instance, has become a niche goldmine on paid platforms. Incest scenes are another flourishing fetish. BDSM and porn “for women” are also starting to pay off. Soon enough, there’ll be virtual reality porn for every fetish you can imagine and some you can’t.

“We’ve tried to figure out how consumers are consuming content,” says Jeff Dillon, the director of business development for porn distributor GameLink. “To me, this seems really similar to when we started with video on demand.”

According to Dillon, virtual reality has the potential to reach the same heights as other technological milestones like mobile browsers and streaming. Though GameLink just started offering VR content in mid-July, the investment has already started to pay off.

“At first we started out with just 30 movies or so, but I was super-surprised with the results,” says Dillon. “Once I started to see how well they were doing, I kept thinking, how can we get more of this content?” Right now, VR videos produced by adult entertainment studio BaDoinkVR are among his top sellers.

Most consumers tend to be—wait for it—young and male. GameLink’s VR enthusiasts are slightly younger than the company’s predominant customer base, most falling somewhere between the ages of 25 and 35. And many are located in tech-friendly hotspots like San Francisco. Though Dillon admits the majority of porn audiences haven’t yet made the leap, he says it’s time to start anticipating who will in the future. “When you hit an early market, it’s tough to really see these things,” he says.

Though VR carries its own futuristic flavor, there are still a few major hurdles ahead. Streaming is slow. Almost all content is available exclusively on mobile devices (for which you need an additional app to access). Graphics can, at times, seem underwhelming. Viewing spectrums are often limited. You also need the right gear, something that can turn into an impressively expensive endeavor.

While Google cardboard goggles are reasonably priced, ranging anywhere from $15 to $30, there are other options on the table, and they’re going to cost you. The Oculus Rift, which comes loaded with sensors, integrated headphones and a display for each eye, costs upward of $600. With that, it seems likely that older viewers—some of whom are still consuming pornography in print—aren’t likely to jump on the VR bandwagon anytime soon.

And price isn’t just a consumer concern. “VR material requires an expensive update. You need new camera equipment, there’s a learning curve in understanding how to edit it, which, from what I understand, is pretty technical,” says Dillon. Studios, it seems, are nervous about the shift. And while that industry anxiety will likely be remedied in the future, it has led to one particular issue at present, and it circles back to representation.

VR allows consumers the special ability to virtually sink into someone else’s skin. But because so few studios are currently producing the content, that skin often looks very white, very young and very male—something not everyone is particularly pleased about.

Only a few “alternative” studios—that is, studios whose films include a greater cast of bodies, genders and sexualities—have fallen into the VR engine. Ersties, a German studio backed by an exclusively female team, recently released the first in what it hopes will be a series of “authentic” VR eroticism. “If technology can help us create and deliver even better porn, then absolutely we are in,” the website promises. “Our commitment however remains the same, real girls, real porn, for you, except now we might just have you thinking you’ve reached the final frontier.”

Others have expressed interest in using VR content for reasons other than entertainment. Recently, BaDoink launched Virtual Sexology, a self-help program that “dovetails adult entertainment and sex education.” While guided by a licensed sex therapist, the material relies on some of the industry’s most popular stars to help transform viewers into better, “more attentive” lovers.

But some think that’s something that needs to be taught in the flesh. Michael Aaron, a New York–based sex therapist, told Vocativ, “Most people who seek me out as a sex therapist . . . are looking for real-life human interaction and to feel seen and understood, which goes far beyond the physical experience provided by VR.”

Whether or not the series can successfully deliver on its promises remains to be seen. What we do know, at least according to the GameLink team, is that it has a good shot at selling. “There’s a good market for the educational stuff,” says Dillon.

For those armed with the money and the time, VR could be a welcome introduction to a newly pivoted porn scene. But embracing a new format means leaving some familiar features behind. Traditional porn tends to cater to our voyeuristic side. VR is different. VR is about immersion. The things that are typically edited out of traditional shoots are exactly what need to be edited in to VR. The shuffling of feet on the floor. The sound of setting a cup on the table. Because to have truly great VR experience, you’ve got to believe in the subtleties of that reality to begin with.

At least until the glasses come off.

NorBay Memories

Two Sundays ago, on Aug. 14, the Bohemian and our sister paper, Marin’s Pacific Sun, hosted the 2016 NorBay Music Awards at Juilliard Park in Santa Rosa. It was one of our biggest and best events, drawing over 300 people to the park for two hours of music and dancing while we handed out awards to several bands and promoters onstage.

As the arts editor for the past 12 months, this was my first go at heading up the annual awards show, and I don’t think it could have gone any better. That’s in thanks to the many partners and the bands, the Crux and the Rhythm Rangers, who joined us to entertain our friends and fans.

I want to give a special thanks to Tara Thompson of Santa Rosa’s Recreation and Parks department, who enthusiastically worked with us to coordinate the event as part of the city’s annual “Live at Juilliard” concert series. Going back to January, Tara was instrumental in making things happen, and I can’t wait to work with her again next year.

I also want to thank the many people in our community who not only helped promote the NorBays but who dedicate themselves to making the North Bay a musical haven. The North Bay Hootenanny’s founding father Josh Windmiller ended up taking the award for Best Promoter, though folks like the North Bay Cabaret’s Jake Ward, Gather Booking & Management’s Ernest Wuethrich and groups like Notable Talent and Second Octave have propelled local music and musicians to new heights over the last few years.

I also want to thank you, the readers, who participated in voting online for bands, promoters and DJs. We had a huge turnout of voters for our survey this year and it’s a testament to how passionate the North Bay is about its music. Here’s to another year of packed concerts, local festivals and an ever-expanding variety of great music in our little corner of the world.

Charlie Swanson is the arts editor for the ‘Bohemian.’

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Buck-Thrifty Releases New Album This Week

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Santa Rosa folk-punk band Buck-Thrifty has been around less than a year, and though their new album is titled “The Slacktivist,” the band is anything but slackers. Already, their bluesy and swinging brand of music has put them on the North Bay map. With the new record, these young bucks are taking things to another level.
This week, Buck-Thrifty unveils “The Slacktivist” with a show in Sonoma. Joining them on the bill is an eclectic lineup that includes Oddjob Ensemble and the Timothy O’Neil Band. Below, check out a live performance video of the band playing “Sweatin’,” featured on the new album, from a house show last April.
Buck-Thrifty gets the crowds dancing once again on Friday, Aug 26, at Rossi’s 1906, 401 Grove St, Sonoma. 7:30pm. $10. 18 and older. 707.343.0044.

North Bay Cabaret Goes Medieval…Again!

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Knights are so hot right now, from Game of Thrones fandom to sword and sorcery video games and comic books that abound. Tonight, local troupe North Bay Cabaret commences with their second annual Hot August Knights burlesque and variety show featuring shining armor and damsels in distress.
This medieval affair features live sword fighting, sketch comedy, acrobatics and several sideshows from a bevy of local talent. Local DJs keep the beat going with a late night dance party, and costume contests and photo booths get the crowd involved. Dress up and show up tonight, Aug 19, at Annie O’s Music Hall, 120 Fifth St, Santa Rosa. Doors at 7pm, 21 and over only. $15.

Aug. 18: Dark Genius in Santa Rosa

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In the world of filmmaking, no one can touch director David Lynch for sheer surreal insanity. This week, the CULT Film Series shows a double feature of Lynch’s two best films, screening 1986’s Blue Velvet and 1977’s Eraserhead in the series’ most daring offer to date. Blue Velvet was called the most controversial film of the ’80s, a noir thriller with Dennis Hopper in the scariest role of his lifetime. Eraserhead, Lynch’s debut, black-and-white art film, is a stark and unsettling exploration of fatherhood and isolation that was reportedly Stanley Kubrick’s favorite film at one time. CULT fans can see both films on Thursday, Aug. 18, at Roxy Stadium 14 Cinemas, 85 Santa Rosa Ave., Santa Rosa. 7pm. $10. 707.525.8909.

Aug. 19: Beyond Barbie in Petaluma

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Don’t be fooled by the subject matter, the dolls on display in the art exhibition ‘Journeys Through Light & Dark’ aren’t mere playthings; they’re storytellers. The group show, co-curated by sculptor Sherri Morgan and Sonoma State University psychology professor Geri Olson, features over a hundred dolls, sacred or fanciful, from ancient and modern times. Running through Sept. 25, the show offers a curator tour with Morgan and Olson talking about various pieces, the artists behind them and techniques used to create them on Friday, Aug. 19, at the Petaluma Arts Center, 230 Lakeville St., Petaluma. 7pm. $10. Advance tickets required. 707.762.5600. petalumaartscenter.org.

Aug. 20-21: Squeezebox Summer in Cotati

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You don’t have to be a polka fanatic to love the Cotati Accordion Festival. The musical extravaganza turns 26 this year and presents a weekend’s worth of musicians from all walks of life sharing in the joy of the accordion. This year’s honorary director is Lou Jacklich, who’s spent a lifetime squeezing and strutting around the Bay Area. Artists lined up for the fest include Chinese sensation Jianan Tian, Finnish wonder Viivi Maria Saarenkylä and local favorites like the Vivants, Haute Flash Quartet and many others. Last year, the festival raised over $23,000 for local nonprofit groups, and this year they’re aiming even higher. Get your polka on Saturday and Sunday, Aug. 20–21, at La Plaza Park, Old Redwood Highway, Cotati. 9:30am–8pm both days. $19–$29. 707.664.0444.

Musical Boon

Back in April, Creative Sonoma, a division of the Sonoma County Economic Development Board, hosted the inaugural Next Level Showcase and Conference in Santa Rosa. The three-day event highlighted dozens of Sonoma County bands in all genres and offered a daylong workshop to learn about entrepreneurial aspects of the music industry from experts. In addition to that weekend of activity,...

Broiled Again

I was preparing the steak, the broiler was heating up and I lavished the dry-aged New York sirloin with a wet smear of grated garlic. I then turned to the sack of crimini mushrooms I'd grabbed at the co-op and fell into a spiritualized meat-reverie. A moral moment had revealed itself. A beefy ethical question was raised. The dogs had...

Swirl Quiz

Put your North Bay wine knowledge to the test with Swirl's back to school wine quiz—we told you this was going to be for the test, didn't we? 1. Where is Zinfandel native to? A) California, where early Spanish makers of sacramental wine called it "Mission" B) Italy, where it's called Primitivo C) Austria, where it's called Zierfandler D) Croatia, where...

Porn Again

Last week, it was announced that paraplegics are learning to walk again—with the help of virtual reality. Doctors have started incorporating the technology into the treatment of cancer patients. Others insist it will soon revolutionize the way we perform surgery. But perhaps the most profoundly affected arena lies elsewhere. Because when it comes to technology, there's one industry that tends...

NorBay Memories

Two Sundays ago, on Aug. 14, the Bohemian and our sister paper, Marin's Pacific Sun, hosted the 2016 NorBay Music Awards at Juilliard Park in Santa Rosa. It was one of our biggest and best events, drawing over 300 people to the park for two hours of music and dancing while we handed out awards to several bands and...

Buck-Thrifty Releases New Album This Week

Santa Rosa folk-punk band Buck-Thrifty has been around less than a year, and though their new album is titled "The Slacktivist," the band is anything but slackers. Already, their bluesy and swinging brand of music has put them on the North Bay map. With the new record, these young bucks are taking things to another level. This week, Buck-Thrifty unveils...

North Bay Cabaret Goes Medieval…Again!

Knights are so hot right now, from Game of Thrones fandom to sword and sorcery video games and comic books that abound. Tonight, local troupe North Bay Cabaret commences with their second annual Hot August Knights burlesque and variety show featuring shining armor and damsels in distress. This medieval affair features live sword fighting, sketch comedy, acrobatics and several sideshows from...

Aug. 18: Dark Genius in Santa Rosa

In the world of filmmaking, no one can touch director David Lynch for sheer surreal insanity. This week, the CULT Film Series shows a double feature of Lynch’s two best films, screening 1986’s Blue Velvet and 1977’s Eraserhead in the series’ most daring offer to date. Blue Velvet was called the most controversial film of the ’80s, a noir...

Aug. 19: Beyond Barbie in Petaluma

Don’t be fooled by the subject matter, the dolls on display in the art exhibition ‘Journeys Through Light & Dark’ aren’t mere playthings; they’re storytellers. The group show, co-curated by sculptor Sherri Morgan and Sonoma State University psychology professor Geri Olson, features over a hundred dolls, sacred or fanciful, from ancient and modern times. Running through Sept. 25, the...

Aug. 20-21: Squeezebox Summer in Cotati

You don’t have to be a polka fanatic to love the Cotati Accordion Festival. The musical extravaganza turns 26 this year and presents a weekend’s worth of musicians from all walks of life sharing in the joy of the accordion. This year’s honorary director is Lou Jacklich, who's spent a lifetime squeezing and strutting around the Bay Area. Artists...
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