Hashing It Out

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The Santa Rosa Veterans Memorial Building, home of rock-ribbed American ideals of law, order and country, played host to a most curious road show last week.

Officials from California’s Bureau of Medical Cannabis Regulation (BMCR) and Office of Medical Cannabis Safety (OMCS) convened the third of eight pre-regulatory workshops they are holding across the state aimed at soliciting feedback from the medical-cannabis community on how the industry should be regulated.

To see representatives from two newly minted state agencies with the word “Cannabis” in their names mingle with a diverse crowd of about 200 medical-marijuana-industry workers hashing out the finer points of policy under the bright fluorescent lights of the auditorium was a clear example that marijuana in the Golden State has entered a new era. The state officials even provided snacks in the form of Cheez-Its and peanut butter crackers.

The meeting follows Gov. Brown’s signing of legislation in 2015 that created the bare-bones regulatory framework for the medical-cannabis industry. While medical cannabis was legalized in the state 20 years ago, there have been no regulations or standards. The Medical Marijuana Regulation and Safety Act provides for licenses (and an array of yet-to-be-determined fees) from no less than three state agencies: the Department of Consumer Affairs’ BMCR, the Department of Public Health’s OMCS and the Department of Food and Agriculture.

Thursday’s meeting focused on licensing for medical-cannabis dispensaries, distributors, manufacturers, testing labs and transporters. The Department of Food and Agriculture is holding separate hearings for growers. While it may have a profound effect on the medical-cannabis industry, Proposition 64, a November ballot initiative that would legalize recreational cannabis, was not under discussion.

The state’s goal is to have a set of regulations in place by Jan. 1, 2018, but it’s early in the process, and the state and medical-marijuana industry, once adversaries, are just getting to know each other. The BMCR, which used to be called the Bureau of Medical Marijuana Regulation (BMMR), changed its name because “bummer” didn’t send the right message to the cannabis community. On more substantive matters, BMCR chief Lori Ajax and her staff did their best to tell the crowd they were there to solicit regulatory feedback rather than dictate what the new regulations would be.

“We’re here to listen,” she told the crowd. “This is just the beginning.”

After introductory remarks, attendees broke into groups based on the particular license they would be seeking to discuss their ideas and concerns. Facilitators with flip boards jotted down their suggestions. Under discussion were topics like how the state should prioritize applications, how business owners are defined and how to handle applicants with criminal records.

“Why should the cannabis industry be treated any differently than the wine industry?” asked one dispensary worker.

The cost of the coming regulations was the chief concern of a pair of Mendocino County medical cannabis providers who grow and produce their products for gravely ill clients under the label Lovingly and Legally Grown.

“For some small farmers, this is an issue of survival,” said the grower, who wished to remain anonymous. She said she makes about $30,000 a year, and fees and distribution costs could cripple her business and deny her clients the medicine they need.

She wants to see a provision in the new regulations for small-scale “cottage industry” providers like her. “We would just as soon stay illegal, and we may have no choice but to stay illegal,” she said.

Her partner said entering the process and submitting their names without knowing what all the fees will be at the other end is unnerving.

“They should be driving adoption of the regulations rather than cashing in,” he said.

Still, he felt it was important to represent his views at the workshop. “We feel you’re either at the table or you’re on it.”

Ajax said she’s heard these concerns at the previous meetings in Redding and Sacramento, and wants to hear from the industry on how to avoid those pitfalls.

“They know better,” she said. “That’s why we’re here.”

Ajax served with the state’s Department of Alcoholic Beverage Control when it brought the craft-beer industry under regulation, which some point to when looking at how the cannabis industry can be regulated. But she said the alcohol industry is very different from the marijuana business.

As the cannabis entrepreneurs hashed out their concerns with each other and shared them with the state officials, Humboldt State University anthropologist Fred Krissman sat in the back of the room taking it all in.

“To see an industry being born is unbelievable,” he said.

He is studying the medical-marijuana industry on a state supported grant.

Krissman and his colleagues have attended all these workshops, and said confusion over the thickening regulatory climate and how businesses get right with the law is of great concern within the cannabis industry. “How do they get out of the shadows?” he said.

Looming over the room is the Drug Enforcement Agency, which continues to classify marijuana as a dangerous, Schedule I narcotic with no medical value.

“In the background is a federal government that still sees this as a black market,” he said.

Shaking It Up

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Stolen Fruit would like to steal a little shelf space away from conventional, high-fructose, corn-syrup-saturated, artificially flavored and colored cocktail mixers. And it’s about time.

Taking a cue from craft cocktail recipes, the Healdsburg-based company uses verjus, a slightly sweet, somewhat sour unfermented grape juice that’s historically been used in European cooking, as a base. Verjus is traditionally made from unripe grapes picked before the wine harvest, and that’s also the inspiration for the brand’s name, says cofounder Doug Provisor.

“We’re sort of taking it from the winemakers before they get their hands on it,” Provisor explains. They wanted something “a little edgy—not wine country cliché, if you will.”

It all started out innocently enough. Provisor, his wife, Susan, and their friend, chef Peter Brown, were all enjoying some drinks one fine evening in wine country when someone posed the puzzler: “OK, what are we going to drink when we’re not drinking alcohol?”

They were inspired by the fresh, nonalcoholic grape juice made by Navarro Vineyards from their Mendocino County Pinot Noir, Gewürztraminer and Chardonnay grapes. “We love them,” says Provisor, “and we couldn’t understand why varietal grape juice isn’t bigger than it was. Then we learned the reasons why.”

The production of a stable, nonalcoholic grape juice product is tricky, since grapes want to ferment. Persisting with their experiments, the partners came up with a product that gets its essence of fermentation from soaking dried grape skins in the mixture. A byproduct of winemaking at Kendall-Jackson, the grape pomace comes from the same source as Barbara Banke and Peggy Furth’s gluten-free WholeVine flour products.

The verjus is sourced from fresh Napa Valley grapes, while the varietal concentrate comes from Lodi and Amador counties. “Those regions are warmer,” says Provisor, “and that drives the high sugars we’re looking for in this type of product. There’s no added sugar in any of them.”

Provisor grows four acres of Grenache around his house in the hills west of Healdsburg, but these are coveted by up-and-coming vintner clients like Jolie-Laide Wines, Leo Steen Wines and Angela Osborne’s A Tribute to Grace Wine Company.

The property itself comes thanks to Provisor’s former career in the music-software business. He’s no longer involved in that, but stays in the tech game with a startup that promises to help young girls learn entrepreneurship via a print-on-demand service.

With their prototype “mocktail” mixer in the jar, the group sought the counsel of Healdsburg-area bartenders. “This is delicious,” they said, “you really have to add this to alcohol!” They advised against focusing exclusively on the mocktail aspect, explaining that from a business perspective, “alcohol is your friend.”

Chef Brown took the setback in stride, and got to work in the kitchen. “I’d get these texts late at night,” says Provisor. “‘Oh, with spirit X, it was fucking fantastic!’ So we went down the slippery slope where everything has alcohol in it.”

Stolen Fruit’s five blends are each based on a winegrape variety, plus a sort of mixologist’s interpretation of a classic cocktail. Jasmine Juniper Viognier, for instance, contains verjus, filtered water, Viognier grape juice concentrate, organic juniper berries, green jasmine tea and dried grape skins.

Sampled straight up, it’s rather tart, with just five grams of sugar per one ounce serving, and a bitter finish from the juniper and the tea. It needs the sensation of sweetness and body that a spirit like Spirit Works Distillery’s new Navy Strength gin provides at, well, Navy strength, or 114 proof.

Matched up one to one and shaken with ice, the Stolen Fruit mixer contributes to a kind of martini that benefits from the sweet character of this distillery’s winter wheat-derived base alcohol (a regular, dry vermouth martini made with the Navy Strength demonstrates quite plainly that you don’t need sugary mixers—especially of the grotesque, conventional variety that have ruled the mixer shelf for too many decades—to enjoy a sweet sensation on the palate), and is plenty aromatic with its double dose of gin and spices. Easy does it with this tipple, though, or you’ll soon be sailing three sheets to the wind, indeed.

One part of Jasmine Juniper Viognier is plenty with two parts Hanson ginger-flavored vodka, also made in Sonoma County. Here, the sweet spiciness of the ginger offsets the bitter, acidic bite of the Stolen Fruit mixer. At $18 suggested retail, these mixers, available at a few local retail locations like Bottle Barn, Oakville Grocery and Wilibees Wine & Spirits, stand a bit higher on the shelf than others, but offer the quality of a $15 cocktail from some tattooed mixologist.

Styled as a Manhattan mixer, like red vermouth, Fig Grains of Paradise Zin makes a stygian concoction in the suggested recipe of two ounces mixer to two ounces bourbon, with a dash of bitters and a maraschino cherry. It’s a potent brew, almost over-the-top, deriving a fig-roll flavor from the same Central Valley supplier that Brown uses as chef for Jimtown Store’s fig and olive spread products.

“According to Peter,” Provisor says, “they’re the only one doing high-quality stuff in California.”

At two parts rye whiskey to one part mixer, the woodiness of the rye cuts in, but it’s still intense and fragrant with a hint of fermented grape skin—the sweet scent of freshly spent grapes heaped in compost piles. Smells like fall in wine country. Compared to most Manhattans, it’s like having shaved asiago for the first time, after a lifetime of shaking dried cheese product from a can.

According to Provisor, the mixers provide a bridge between wine and wine country culture, and cocktail culture—”if people would like a cocktail, but feel it’s a little gauche if everyone’s drinking wine.” Other flavors include hibiscus Grenache, lemongrass ginger Sauvignon Blanc and blood orange Muscat, all paired with nonalcoholic recipes, as well, for those mocktail moments.

Fishing Report…Goes Fishing. Plus: Skitzo Roolz!

The Bohemian and Pacific Sun are sharing a cover story this week about an awesome Bay Area guy named Kirk Lombard who just published his Sea Forager’s Guide to the Northern California Coast—a great, fun read and I hope you’ll check out my long feature on Kirk in Wednesday’s paper. Had a lot of fun writing it. We did some fishing in Bolinas and he caught almost all the fish. Hilarious stuff. Check it out tomorrow. Today, who knows. The whole country’s in the grip of a post-debate moment that is basically saying that Hillary Clinton demolished Trump last night but of course Rudy Giuliani says it’s all Lester Holt’s fault. I watched the debate but only after it ended, which is to say that I went to Youtube and fired it up and then hit the mute button whenever Trump opened his mouth so I didn’t have to listen to his mindlessly hateful prattle. I’ve been listening to Blood on The Tracks lately and burst out into song during some of his more memorable moments that I had muted, singing, of course, the Dylan classic “Idiot Wind,” which blows every-time he moves his teeth. It’s a wonder Trump can even breath at all (especially given those sniffles)….

Meanwhile, there was a really great piece of mail in my box yesterday, a big box of goodies from Sonoma County heavy-metal veterans Skitzo, who sent a package that included: 

1. One CD of their Dementia Praecox record, released in 2015.
2. One DVD of Skitzo performances
3. One puke-green Skitzo 45 with a large vomiting person on the sleeve
4. One baseball card of Vixen’s Share Pedersen, from 1991. 
5. One small plastic rat
6. One Skitzo button
7. A selection of Skitzo stickers
8. A big pile of Skitzo press materials, including a letter from an editor at People magazine from 1999 following a Skitzo appearance on Jerry Springer that included some vomiting. 
9. Some other weird and random stuff.

The Skitzo record is ferocious and diverse and features new and old songs that date way back to the 1980s—the shrieking, driving “Sick Son of a Bitch” was written about the Ted Bundy trial. I had the record cranked in the car headed home yesterday and then cranked it again for the drive to Santa Rosa today. Darn near blew the windows out listening to “Sick Son of A Bitch” over and over again. My ears perked up about halfway through the drive, about halfway through the song “World War 666,” which features a mention of Donald Trump in there—though it’s tough to suss out the context for a mention of such Satanic import, given the surrounding frenzy of metal and screaming that characterizes the record. Given the song title I’ll go on a limb and say it’s not an especially favorable mention of the candidate, no sir. Sniffle sniffle.

It’s been pretty darn hot out there and when I pulled in to Jack’s for a Coke and a burger last night, with Dementia Praecox blaring down Washington St., the car’s thermometer said it was 101 degrees in Petaluma and I checked out the album sleeve waiting for the grub on the drive-through line—and saw that the guitarist from Blue Cheer, Tony Rainier, plays on Dementia Praecox. Blue Cheer, as in, there ain’t no cure for the summertime blues Blue Cheer. Now let us cheer for blue states and 270 electoral votes, and cooling temperatures, and very loud metal 4eva.  

Skitzo is celebrating 35 years of vomit-drenched thrash metal with a big event at the Phoenix in Petaluma on Nov. 12—after the election and whatever that might bring, WWIII included but let’s hope not. My colleague Charlie Swanson’s on the case and we’ll have more on the force of nature that is Skitzo in coming weeks, just as we’ll have more on this American Schitzo moment that’s stinking up the joint before our very sniffling noses.  

Listen to Picture Atlantic’s Single, “Billy Banker”

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14225551_1215032411888483_4715319036013332146_n (1)Bay Area alternative indie band Picture Atlantic possess a rapid fire rock and roll sound that harkens back to the festive pop of British Invasion bands while repping an authentic West Coast brashness.
Recently, the band released the quick, acerbic and memorable “Billy Banker,” the second official single off the upcoming full length album, Assouf, due out October 21.
Take two minutes out of your Friday to hear the high-energy single below, and head over to Silo’s in Napa tonight to see the band perform with Napa natives and fellow indie rockers Anadel. The first fifty in the door even get that sweet show poster to take home.

Sept. 22-25: Cinema Blend in Kenwood

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An eclectic celebration of cinema and culture, the Wine Country Film Festival marks its 30th anniversary this year and offers four days of international and independent films screening in Kenwood. Highlights of this year’s film festival include Mexico’s submission to the Academy Awards, 600 Miles; the Mediterranean-set animated film The Prophet, produced by Salma Hayek; and The Seasons in Quincy: Four Portraits of John Berger, a vivid look at the philosopher written by Tilda Swinton. The fest also boasts several short films, live music, special guests and more, Thursday through Sunday, Sept 22–25, at various venues in Kenwood. $25 and up. wcff.eventbrite.com.

Sept. 23-25: Vintage Fun in Sonoma

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The second oldest festival in California, the Valley of the Moon Vintage Festival, is 119 years old, though it’s still a fresh mix of music, food and fun for the whole family. This year’s opening gala on Sept. 23 features ’80s dance band Notorious belting out the hits while attendees sample food and wine from local Sonoma restaurants. The party continues through the weekend, and features everything from 5k and 12k runs, grape stomps, the annual firefighter bucket brigade, art and music galore and a Saturday-night parade sure to light up downtown Sonoma. The community gets vintage Friday to Sunday, Sept. 23–25, Sonoma Plaza, First Street East, Sonoma. Free admission. valleyofthemoonvintagefestival.com.

Sept. 23: Sunny Sounds in Petaluma

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Petaluma native Stella Heath grew up on the jazz of greats like Louis Armstrong and New Orleans–infused swing and Gypsy music, and she incorporates all of that into her work as vocalist for French Oak. A worldly blues and jazz outfit, which also features members of Gypsy dance band Dgiin, French Oak is ready to unveil its debut album, Sunnyside, this weekend. Recorded in Santa Rosa and performed in both French and English, Sunnyside’s collection of standards and originals spotlights Heath’s magnetic vocals and the band’s tight rhythms, all of which is on display in an appropriately underground speakeasy-esque jazz club on Friday, Sept. 23, at the Big Easy, 128 American Alley, Petaluma. 8pm. $5. 707.776.4631.

Sept. 24: Visionary Work in San Rafael

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Twenty years ago, a group of Marin residents conceived of a plan to transform a piece of their community and connect with others through an art center. That idea is now known as Art Works Downtown, a multi-gallery space chock-full of talented artists and exciting exhibits. This weekend, the collective commemorates the last two decades with a new show, ‘20/20 Vision,’ that looks on the past, the present and to the future. The opening reception boasts live music from Danny Click, Jerry Hannan and Shana Morrison, art demonstrations and plenty of local food and wine. Saturday, Sept. 24, at Art Works Downtown, 1337 Fourth St., San Rafael. 6:30pm. $45–$55 and up. 415.451.8119.

Barleycorn’s Revenge

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Good and fed up with John Barleycorn last fall, I plowed him down in the ground and, as in the ballad by ol’ Robert Burns, “put clods upon his head.” Would that it was the end of him.

I was inspired by my visit last year with brewer Nile Zacherle, who experimentally grew barley on four acres of fallow Napa Valley vineyard land for his Mad Fritz beer (“Craft Malt,” Bohemian, Sept. 23, 2015) and tantalizing rumors of other such projects. Up in Ukiah, Mendocino Grain Project’s Doug Mosel has grown wheat for Almanac Beer Co., and says there’s interest from brewers for locally grown barley. Malted barley is, after all, the main ingredient in beer—besides water—and in an industry that constantly emphasizes pride of place like craft brewing, locally grown barley is sorely lacking.

Native to the Middle East, Hordeum vulgare, which is barley’s stripper name—wait, no, barley’s Latin name, sorry—grows just about anywhere that hay grows OK. Hay is for horses, while beer made from homegrown barley is for heroes. Besides a little honest toil, a bead of sweat or two off the brow, what could be easier?

After growing, malting and brewing my own barley into a sort of beer, I am completely amazed that ancient civilizations ever discovered brewing in the first place, and having gone through the hassle, why they didn’t quit at once and go back to fermenting goat’s milk. Yak’s milk. Pinot Grigio—anything.

A SIMPLE PLAN

I bought a pound or two of barley at a farm-supply store, scattered the seeds over an area of 700 or so square feet and raked them in the ground with a sort of harrow, the design of which the less said, the better. And waited for rain.

On schedule, John Barleycorn got up again, and was easy to spot. Stout green blades of grass sprung out of the dirt, promptly catching the eye of a resident jackrabbit, also. For several months, I figured the well-mown barley crop was merely a donation to said bunny. Nevertheless, John Barleycorn, “weel arm’d wi’ pointed spears,” as our friend Burns put it, did sprout from the low-growing grass. By May, the seed heads had drooped and dried, and were ready to harvest.

This crop was too small even for the compact research plot combine operated by the Mendocino Grain Project that harvested Zacherle’s barley. I could have gone old-school with a scythe, but recalled what a grim (anyone?) failure it was when, years ago, I once tried mowing tall grass that way. I settled on kitchen scissors, which made for a slow-going spectacle. Indeed, I more than once heard a mocking voice—if only in my own head—quip, “That’s a hell of a way to brew a pint of beer, buddy!”

AN UNDERQUALIFIED PEASANT IN THE WRONG CENTURY

You’ve heard about separating the wheat from the chaff? Same goes for barley. The kernels had to be separated from the mass of straw I’d collected, but without machinery of any kind, I turned to ancient Egyptian murals for reference. One way to thresh a crop is to beat the straw with a stick, but I settled on stomping and hopping around on an oil-stained garage, or threshing, floor. For this step, there was no imagined voice to mock me—just a few imagined, sadly shaking heads.

But when I brushed aside the spent straw, something wonderful was revealed, and gave me an ancient thrill to behold: a healthy pile of perfect, golden grains. After winnowing the remaining chaffs and spikes, I had 12 pounds of barley to brew.

THE UNEXPECTED HABITS OF THE ENDOSPERM

But not just yet. To prepare the starchy endosperm of the grain for brewing, it must first be malted, a process I’d only vaguely understood to have something to do with sprouting. In pictures I’ve seen of the malting floors of Scottish distilleries, this looks picturesque and tidy enough; up close, sprouting barley—trigger warning!—resembles a tangled mass of wriggling white spiders, or, as a friend to whom I’d texted a photo of this said, “Will looking at this make me pregnant?”

While the chits, or rootlets, emerge from the kernel and search for Mother Earth, inside the grain the turgid acrospire reaches for the sky. So you can see where ancient pagan cultures might have got some of their racier religious ideas.

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TOASTED DUST-BUNNY BLUES

After it was dried and kilned, or whatever facsimile of this process I managed (most was air-dried or dried at low temperature in the oven, while a small portion was pan-roasted on a Coleman camping stove), the frizzy mass looked like something I’d brushed out of my cat’s tail. Then it was cleaned—again, tediously—through a sieve and brought to the Beverage People for grinding.

These homebrew suppliers charge only 10 cents per pound for the service, and their advice is free. If I’d asked it of them earlier, I might not have mashed my grain in water at 160 degrees Fahrenheit—a little too high, says the Beverage People’s Bob Peak, but probably not the reason I ended up with a wort, or unfermented beer, with the unimpressive specific gravity of 20 points. This would make a sort of beer, but almost a temperance beverage, a barley tea of 2 percent or so alcohol by volume (ABV)—perhaps it might aid the digestion, but not so nonalcoholic that the Feds wouldn’t crack down on health food stores for it, as they have for .5 percent ABV kombucha. Is my terroir telling me to tone it down?

A CURIOUS CULTIVAR

Another culprit could be the cultivar that I planted, a barley by the name of UC 603. According to a helpful pamphlet from UC Davis that I only consulted after the fact, UC 603 sports a long-haired rachilla, and, should you need to know, “the glume is longer than one-half the length of the lemma.” Released in the 1980s, it was bred to be resistant to net blotch, scald, powdery mildew and leaf rust, but is already susceptible to some of those—so look over your shoulder, UC 603. More to the point, UC 603 is a six-row feed barley, which means it’s higher in protein, less so in starch, which is all-important to beer making. I might have done better with a two-row malting barley.

The malting process is where things most likely went awry, but it’s hard to say exactly how, since there are so many variables in temperature, timing and so on. Again, it’s a wonder that ancient Mesopotamians and Germanic tribesmen alike figured it out without a BS in fermentation science.

If God created wine, it doesn’t follow that the devil made beer; worse, it seems that beer was designed by committee. A committee of nerdy engineers. Drunk, nerdy engineers.

RICE TO THE RESCUE

Peak suggested I add rice extract to boost the alcohol potential of the ale without affecting the flavor profile. I settled on three pounds of rice extract and one pound of light dry malt, and fermentation proceeded without a hitch thereafter. (I had planned to add hops that were grown quite locally in my yard, but like the groundhog of lore, they came up in spring and, not finding it to their liking, retreated once more into the ground. So I brewed with purchased, mellow Golding hops, plus a smidgeon of Columbus and Spalt.)

After adding a dash of corn sugar to produce CO2 bubbles in my “Ranch barley Sonoma Valley terroir amber ale,” I brought a bottle to the Bohemian to get the staff’s reactions.

“Rooty” described the richly colored, amber ale’s aroma best; “sarsaparilla” put a sweeter spin on that. It’s malty, all right, but “fleeting,” with a hint of lemon that develops after time in the glass. Confusion reigned as to which was which when I cracked open a bottle of curiously citrusy, amber Altbier I’d made with purchased malt, and brought for thirsty Bohos in case “ranch barley” was a flop.

The dry finish was noted to drop off, like Budweiser—which makes sense, since Bud is made with a good helping of rice, too. But that rooty, malty flavor, like a soft caramel candy that’s just been dug up from the gravelly clay loam soil? Maybe that there’s the terroir—a fuzzy concept in beer, for sure, as fuzzy as the logic of growing, malting and brewing one’s own barley in the North Bay.

Of course I’ll try it again.

Fest First

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Sour and hoppy beers are sharing the stage with a lineup of funky jazz bands at the first-ever Fünkendänk Oktoberfest, happening next month at SOMO Village Event Center in Rohnert Park.

Gordon Biersch cofounder and HopMonk owner Dean Biersch and RateBeer.com founder Joseph Tucker conceived of the idea, a twist on the traditional German harvest celebration, as a way to spotlight what are today the two most innovative craft beers being produced in the United States.

“We think they’re great companions, not only because they’re the two most popular styles of beer right now, but they’re also balanced flavors,” says Tucker of the sour and hoppy selections. As he explains, sour beers cleanse the palate after hoppy brews coat the tongue, and hoppy beers smooth out the prickly flavors of the sours.

Biersch adds that the event is taking a page from Belgian brewers, where wild yeast produces more random flavors in the beer, in contrast to the German practice of precise beer making.

“You don’t expect to taste exactly the same beer every time around,” Biersch says. “I think that’s appealing to the small-batch beer culture happening right now; rather than looking for the same flavor every day, [people are] looking for the nuance.”

When hoppy and sour beers first emigrated here from Europe, American brewers pushed the flavors to their extremes. Tucker notes that beer makers are now concerned more with balance, subtly and complexity in their flavors.

“We’ve arrived with sour,” Tucker says. For German beer purists, Biersch will also be pouring traditional Hefeweizens and pilsners from huge oak barrels.

Fünkendänk Oktoberfest not only highlights these flavors from breweries like HenHouse, Lagunitas, Marin Brewing, Russian River and many others; it also boasts a lineup of nationally touring bands to add to the party atmosphere.

Headlining Fünkendänk is New Orleans institution Galactic, a funky favorite of the Crescent City for more than two decades who have cultivated a massive following. Also from New Orleans, Big Sam’s Funky Nation mixes in everything from hip-hop to rock ‘n’ roll into their jazzy grooves. Frontman Big Sam (pictured) is a veteran of the Dirty Dozen Brass Band, and his ensemble’s credentials could fill a jukebox.

Brooklyn Afrobeat soul band Pimps of Joytime also make their way to the North Bay for the show. Local trad and Gypsy-jazz groups the Dixie Giants and Royal Jelly Jive do their thing as well.

“These are jammy bands, great technical bands and super fun,” Biersch says. “The focus is to get the party started and make this an annual event.”

Hashing It Out

The Santa Rosa Veterans Memorial Building, home of rock-ribbed American ideals of law, order and country, played host to a most curious road show last week. Officials from California's Bureau of Medical Cannabis Regulation (BMCR) and Office of Medical Cannabis Safety (OMCS) convened the third of eight pre-regulatory workshops they are holding across the state aimed at soliciting feedback from...

Shaking It Up

Stolen Fruit would like to steal a little shelf space away from conventional, high-fructose, corn-syrup-saturated, artificially flavored and colored cocktail mixers. And it's about time. Taking a cue from craft cocktail recipes, the Healdsburg-based company uses verjus, a slightly sweet, somewhat sour unfermented grape juice that's historically been used in European cooking, as a base. Verjus is traditionally made from...

Fishing Report…Goes Fishing. Plus: Skitzo Roolz!

The Bohemian and Pacific Sun are sharing a cover story this week about an awesome Bay Area guy named Kirk Lombard who just published his Sea Forager's Guide to the Northern California Coast—a great, fun read and I hope you'll check out my long feature on Kirk in Wednesday's paper. Had a lot of fun writing it. We did...

Listen to Picture Atlantic’s Single, “Billy Banker”

Bay Area alternative indie band Picture Atlantic possess a rapid fire rock and roll sound that harkens back to the festive pop of British Invasion bands while repping an authentic West Coast brashness. Recently, the band released the quick, acerbic and memorable "Billy Banker," the second official single off the upcoming full length album, Assouf, due out October 21. Take two minutes out of your Friday...

Sept. 22-25: Cinema Blend in Kenwood

An eclectic celebration of cinema and culture, the Wine Country Film Festival marks its 30th anniversary this year and offers four days of international and independent films screening in Kenwood. Highlights of this year’s film festival include Mexico’s submission to the Academy Awards, 600 Miles; the Mediterranean-set animated film The Prophet, produced by Salma Hayek; and The Seasons in...

Sept. 23-25: Vintage Fun in Sonoma

The second oldest festival in California, the Valley of the Moon Vintage Festival, is 119 years old, though it’s still a fresh mix of music, food and fun for the whole family. This year’s opening gala on Sept. 23 features ’80s dance band Notorious belting out the hits while attendees sample food and wine from local Sonoma restaurants. The...

Sept. 23: Sunny Sounds in Petaluma

Petaluma native Stella Heath grew up on the jazz of greats like Louis Armstrong and New Orleans–infused swing and Gypsy music, and she incorporates all of that into her work as vocalist for French Oak. A worldly blues and jazz outfit, which also features members of Gypsy dance band Dgiin, French Oak is ready to unveil its debut album,...

Sept. 24: Visionary Work in San Rafael

Twenty years ago, a group of Marin residents conceived of a plan to transform a piece of their community and connect with others through an art center. That idea is now known as Art Works Downtown, a multi-gallery space chock-full of talented artists and exciting exhibits. This weekend, the collective commemorates the last two decades with a new show,...

Barleycorn’s Revenge

Good and fed up with John Barleycorn last fall, I plowed him down in the ground and, as in the ballad by ol' Robert Burns, "put clods upon his head." Would that it was the end of him. I was inspired by my visit last year with brewer Nile Zacherle, who experimentally grew barley on four acres of fallow Napa...

Fest First

Sour and hoppy beers are sharing the stage with a lineup of funky jazz bands at the first-ever Fünkendänk Oktoberfest, happening next month at SOMO Village Event Center in Rohnert Park. Gordon Biersch cofounder and HopMonk owner Dean Biersch and RateBeer.com founder Joseph Tucker conceived of the idea, a twist on the traditional German harvest celebration, as a way to...
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