Dirt Farmer

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Early one morning in September, Paul Bernier prepares for a day of work in Healdsburg’s Dry Creek Valley. He grabs a mortar and pestle, a sugar meter, a sack of home-dried pears and a three-foot-long temperature probe. We pile into the cab of his scruffy pickup, dogs in back, and bounce down the road. We’re going to spend the day working the dry-farmed Zinfandel vineyards he manages. But this time of year he doesn’t call it work; he calls it “goofing off.”

Bernier, 65, is lanky, with a head of darkish, curly steel wool and an impish grin. A farmer at heart, he settled on grapes by way of attrition. Grapes were the one crop he didn’t kill.

“I’m not too sensitive around plants,” he says. “But grapes can stand me.”

Bernier’s methods do at times appear to push the boundaries of tough love and benign neglect. But for all of his professed horticultural limitations, his services are in high demand. And he only takes on the hardest cases.

“Most of my grapes are on marginal land,” Bernier says. Which is to say, old vines, usually hearty Zinfandel grapes, clinging to thin-soiled hillsides, planted by stubborn Italian immigrants.

These “old Italian guys,” as he calls them, began hiring Bernier to implement their methods when they became too old to do it themselves. By way of micromanaging him, these growers initiated Bernier into an agriculture practice that is still very much alive in the Mediterranean basin (which includes parts of Europe, Asia and North Africa) and is catching on in California. That an insensitive plant person like Bernier, who grows grapes on the steepest, boniest hillsides he can find, can produce such impressive yields is a testament to the power of these methods. They boil down to one simple, if counterintuitive, practice: don’t water the grapes.

Dry farming came over from the Mediterranean with Bernier’s mentors. It depends on wet winters and dry summers, also known as the Mediterranean climate, which California famously has. There are dry-farming methods used in the East Coast and Midwest that depend on summer rains, but the aim of Mediterranean-style dry farming is to store as much of the winter rains in the earth as possible. The following summer, when it hasn’t rained for months, dry farmers like Bernier won’t give their crops a drop, because they don’t need it. In fact, surface irrigation would only water the weeds. Vines that have been weaned from irrigation, on the other hand, grow deep roots with which to tap those stored winter rains.

As Bernier learned and refined the techniques passed on to him by the old Italian guys, he built a reputation as a rescuer of vineyards on the edge of failing, regularly coaxing three to four tons’ worth of grapes from an acre of dry hillside. If he were growing on prime, valley bottomland, and irrigating his grapes, he says he’d get closer to six. But then his grapes wouldn’t be in such high demand.

Bernier calls himself a sharecropper. It’s a humble word in California’s high-brow wine community, but entirely accurate. He cultivates vineyards on other peoples’ land, in exchange for 65–85 percent of the harvest. Many of his clients come to him because they’ve heard he can rescue the dying vineyards that experts have told them should be torn up. And winemakers seek out his harvests, because it turns out that grapes grown on marginal land, without irrigation, produce some great wine.

Our day includes a stop at Dry Creek’s Nalle Winery, for a quick tour and a sip of wine. Andrew Nalle, the manager and owner, uses Bernier’s grapes in his Bernier-Sibary Zinfandel, Nalle’s top-selling label, and his Dry Creek Zin blend. All three of Nalle’s top-selling wines are from dry-farmed grapes. The wines are remarkably dry and smooth for Zinfandels, with all of the dark complex mystery that Zins often miss because of the higher alcohol, fruit laden–style produced by irrigated vines.

The flavors imparted by dry-farmed grapes “are more vibrant, and linger longer,” Nalle says. “The sugars are more in line with the ripeness of the fruit. The sweetness matches the flavor.”

Later in the day we do a similar drill at Peterson Winery, also in Dry Creek, where Tom Peterson explains how it is that dry-farmed vines produce superior grapes.

“The plants aren’t there to make you wine,” Peterson says. “The fruit exists to disperse the seeds. So the seeds need to ripen at the same time that the fruit ripens. In the vinifera [grape] family, the vine wants to grow like hell, above the other plants. When you irrigate the vines, it tricks them into thinking they should keep growing.”

When the sugars are where you want them for winemaking, the fruit doesn’t have any flavor and the seeds aren’t ripe, he says. The fruit isn’t physiologically mature. “The nuances that make great wine happen in the last few weeks of the grape’s maturation. If they ripen too quickly, they don’t develop the esters and aromatics that attract creatures.”

Also, Peterson notes, the deeper roots tap into mineral flavors from down below, adding to coveted claims of terroir.

When one considers the water savings associated with dry farming, plus the higher quality of produce and higher price it fetches, it should all amount to more than enough incentive for a farmer to give it a shot. But the advantages don’t end there.

“I dry-farm because I’m lazy,” Bernier says, with a coyote’s glint in his eye.

He’s kidding, of course. Sort of. Bernier keeps a ferocious pace through the day. But there is an undeniable time-savings enjoyed by dry farmers that can’t be ignored. They don’t need to bother setting up, operating and repairing irrigation equipment, much less paying the associated costs. Bernier says he can manage an acre of wine grapes for only about $1,800 a season, compared to the $5,000 per acre charged by the average irrigated vineyard manager.

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That cost savings, combined with the premium Bernier can charge for his grapes, more than makes up for the slightly reduced yield a dry farmer can expect. In late summer, when I visited, there isn’t much for Bernier to do but monitor the sugar content of his grapes and taking his compost pile’s temperature.

The old timers, Bernier explains, have so little to do this time of year, they would “hit them with sulphur, pack up their wagons and go fishing for rock fish and abalone at the coast.” They wouldn’t come home until it was almost time to harvest the grapes. Bernier keeps this tradition alive in his own way. Walking through downtown Healdsburg one day, he pulls out his camera and shows me a selfie he took 300 feet up a redwood tree, a half-day climb. He also does a lot of sailing with his grandkids on Lake Sonoma above Dry Creek Valley—a reservoir that, ironically, was created in part to capture water with which to irrigate grapes.

Grapes aren’t the only crop that can be dry-farmed in California. Early Girl tomatoes from Monterey Bay are legendary for their rich flavor and surprising juiciness. There are dry-farmed potatoes, squash, quinoa, apples and nuts, as well as the juiciest melon you will ever try—the Crane melon from New Family Farm in Sebastopol. Even almonds, perhaps the most notorious of California’s water-wasting crops, can be dry-farmed. Indeed, almonds once thrived, water-free, in San Obispo, southern Monterey County and in the Sierra Foothills.

While there is a lot of pre-harvest goofing off to do later in the year, a dry farmer has to pay his dues in spring. When the rain stops and the soil dries, a dry farmer gets cultivating. This means working to break up the soil, uprooting the weeds and generally disrupting the ground’s structure, especially the soil capillaries formed by escaping water that become conduits for more water to follow.

Bernier only works with “head-trained” vines, which are free-standing little trees, rather than viney plants that hang on trellises. He uses a small, crawling tractor to cross-cultivate his grapes on two axes, something you can’t do with trellised vines. The work, he admits, “can be a bit diesel-intensive.”

After cultivating, the broken earth is left to dry into dust as the summer wears on. With no irrigation happening, weeds don’t have a chance to get started. And without any capillary structure to the soil, the dry earth acts like a seal, keeping the moisture in. In the heat of summer, the water “wants” to get out of the ground and into the dry air. The dry farmer gives the water no avenue of escape but through the plant.

In between visits to local wineries, we make the rounds of the “ranches,” as he calls them, that Bernier manages. (He also has a few acres planted at home, which he calls Paul Bernier Zinyards.) At each stop, his dogs, Finn and Wasabi, scamper about, sniffing at the bases of the vines, chasing mice and nibbling the occasional fruit, as does Bernier.

As he cruises his ranches, Bernier effuses old-Italian-guy wisdom. He points out the various grape varieties, which he can distinguish according to the differing hues of green in their leaves. While all of his ranches grow primarily Zinfandel, they contain other varieties, such as Carignane, a classic blending grape.

“Back in the day,” says Bernier, “they would hide Carignane underneath the Zinfandel vines, because they bear more and are worth less.”

The ranches also grow the occasional Petit Syrah, Cabernet Sauvignon and other varieties. Those are fine, Bernier says, but he avoids white wine grapes. “They’re too fussy.”

Sensitive, that is.

At each stop, Bernier grabs grapes from a scattering of vines. Back at the truck, he mashes them together with a mortar and pestle, and pours the pulp into the brix meter. After registering the sugar content of the vines at each ranch, Bernier tips back the leftover grape juice.

The first grapes in California were dry-farmed. The practice was still commonplace, but on the decline, in 1976. That year, dry-farmed Napa Valley wines swept the prestigious Paris Tasting Competition, which was expected to be won by French wines. It was a watershed moment for California wine, and put the Napa region on the map as a wine heavyweight.

Irrigation was first brought to California’s wine country in the form of overhead sprinklers that were initially used to thwart frost in spring. In freezing temperatures, a coating of water will shield the emergent buds, buying a few precious degrees of wiggle room.

Growers quickly realized that irrigating throughout the growing season would produce larger yields, and the practice became widespread. In 1971, drip irrigation arrived in Napa, and was hailed as water-saving technology at the time.

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Thus, as dry-farmed California wines stole the 1976 show in Paris, drip irrigation was steadily advancing into wine country. As it did, yields and acreage began to grow, many say wine quality began to suffer and the water table began to drop in some areas. Though California’s surface water has been carefully regulated for more than a century, its subsurface water has not. “Whoever has the deepest straw gets the water,” Bernier laments. (But that’s about to change. See News, p8.)

Those deep straws have replaced the deep roots that grape vines would normally grow. Instead, thanks to drip irrigation, grape roots congregate near the drip nozzles at the surface, rather than going to the trouble of plunging deep into the terroir-rich earth in search of moisture. The shallow roots, as well as other softening effects of too much water—mold, for example—are a big reason why it’s common for vineyards to be torn up and replaced every 20 years.

Dry-farmed vineyards, by contrast, can produce for centuries. There are still a handful of vineyards in Sonoma, Napa and San Joaquin counties that haven’t been watered since the 1800s, if ever. Today, wine grapes are dry-farmed as far south as Paso Robles.

Dry Creek, and the Russian River it feeds, are salmon and steelhead streams. But in 2001, only 10 coho salmon returned to the river. Since then, over
$10 million has poured into restoring salmonid habitat, resulting in only marginal improvements that have been severely hampered during the drought. The National Marine Fisheries Service lists agriculture as the number one threat to the Russian River coho. And by “agriculture” they mean vineyards.

Between 1997 and 2013, Sonoma County vineyard acreage grew from 40,001 to 64,073 acres, according to the Sonoma County Agriculture Department, with most of that expansion occurring in the Russian River watershed.

Sonoma County, like many parts of California, is currently home to a heated battle over water. Residential landowners are being told they can’t sprinkle their lawns, while grape growers are left to self-police their own water use, unmetered. Vineyard wells put tremendous pressure on the aquifers, while many pump water directly from creeks and the river, with intake pipes as wide as 24-inches across. The vineyards pump not only for irrigation, but for frost protection as well—the timing of which puts immense pressure on the waterways, and the fish that live there.

While dry farming has become a buzzword of late, it’s what Bernier does with his compost that has allowed him to excel. The old Italian guys taught him to pile pumice—the remains after pressing—around the base of the vines. Eventually, Bernier began composting his pumice, and bringing it to his vines by the wheelbarrow load. One fall, he ended up making a bigger pile of compost at the base of a particular vine, such that it piled around the vine’s trunk. The following spring, he noticed the excess compost, and pulled it off the vine.

There were grape roots crisscrossing the compost. The plant had sent roots through its own bark, straight out of the trunk and into the compost.

“The plant sensed the nutrients and wanted it,” Bernier says. He’s been laying it on thick ever since. Today, he puts 30 tons of pumice compost on each acre of grapes. Compost is the only thing Bernier irrigates.

The piles live on rented land, and Bernier pays rent by assessing a fee to wineries in exchange for permission to dump their waste from pressing. They pay him, in other words, to deliver the raw materials for the compost in which his success is rooted.

When we arrive, the 100-yard piles are steaming. As his dogs frolic about and munch the gorgeous, multicolored pumice, Bernier sticks his thermometer into the center of the pile and takes its temperature. Then he shows me the compost turner that he designed and built, fashioned from old truck parts. Bernier is, at heart, an engineer and tinkerer. The design of his compost turner has been widely copied by farmers from as far away as India.

As we stand among his piles, Bernier points to some grapes on a neighboring property. Irrigation pipe weaves through the trellised plants. The same nozzles used to deliver water, he says, often pump fertilizer to the plants as well, in a process dubbed “fertigation.”

Vines become addicted to fertigation, Bernier says, “like the alcoholic who shows up at the bar at 6am waiting for it to open.”

Bernier compares these vines—addicted, helpless and disoriented—to dry-farmed vines. “When you add water in summer, it sends the plant mixed messages. They don’t know if it’s May or July or whatever.”

With a mix of pity and bemusement, he waves at the fertigated grapes next door, in front of a large house with a manicured green lawn.

“They don’t know if they’re coming or going,” he says.

And then we go back to goofing off.

Life Story

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‘Hope. Do we ever give up on hope? Even in the face of hard evidence?”

That’s the question at the heart of Si Kahn’s succinctly titled musical memory play Hope, a surprisingly innovative, if not always smooth, world premiere at Main Stage West.

Kahn (Mother Jones in Heaven) is nationally renowned for his politically fueled folk songs and progressive activism. In his fourth Main Stage West collaboration with director Elizabeth Craven, Kahn mines his own family’s past, using songs from his celebrated discography to augment tales he learned as a boy about his aunts and uncles, parents and grandparents. Theirs are stories of hope in the midst of unspeakable loss and sacrifice, one piece of the massive story of European immigration to America in the 1900s.

In presenting Kahn’s loosely connected stories, Craven and her troupe of four actor-singers and three versatile musicians have created something altogether unexpected. Kahn’s first-person narrative has been spread out among cast members, each of whom tells bits of the author’s family history.

While ultimately effective, this approach takes a while to figure out, and leads to some initial befuddlement. In future productions, the script should probably allow all of the narrators to identify themselves early on as Si Kahn, so the audience doesn’t have to spend the show’s first 15 minutes wondering who all of those people are. That said, the stylized storytelling does yield some supremely satisfying fruit.

The expert cast (Mary Gannon Graham, Sharia Pierce, John Craven, Alia Beeton) dig remarkably deep, working their way through tales of determination, love, resilience and grief, playing an array of characters: members of Kahn’s family, Cossacks engaged in pogroms and even a hilarious Angel of Death (“Oy, what a day I’ve had!”).

At such times, Hope resembles nothing so much as a Jewish-immigrant Hee Haw, the popular TV show that combined country music with sketch comedy. The main difference, of course, is that Hee Haw went solely for belly laughs, while Kahn’s deeply personal assemblage of memories aims straight at the heart.

The ensemble is first-rate, and under the musical direction of Jim Peterson, the songs are simply and precisely orchestrated for maximum emotional impact. Craven’s gracefully energetic staging, though a bit uneven at times, is always strikingly novel and inventive. Despite its wobbly moments, much like a good folk song, Hope serves up its scraps of dreams and slivers of joy with quiet power and deep, wholehearted emotion.

Rating (out of 5): ★★★★

Bottle Shop

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Tired of the hustle and bustle of conventional holiday shopping, or the clickety-clack of online shopping, fingers worn out from pawing at endless product screens? What if there was a place out in the fresh air where you could stretch your legs and sip fine wines, all while you’re still shopping? I’m telling you there is such a place.

Gifting while shopping locally is easily accomplished with wine—it’s no small slice of the local economy, and the product may be as painstakingly crafted as any handmade holiday tchotchke. Seek out small, family wineries for maximum value in those respects, and ask about their best single-vineyard efforts. Some of your wine-loving friends and relatives may have seen a Dutton Ranch Chardonnay or two before, for instance, but Dutton Estate’s My Father’s Vineyard Russian River Valley Syrah ($42), procured from the tasting room, is a much rarer treat with a nice story.

If it’s tchotchkes you’re really after, here’s a list of top destinations for a winning blend of entertainment value, one-of-a-kind tchotchke shopping and a broad slate of wines.

Francis Ford Coppola Winery We’re told that the legendary auteur personally selects, approves and sometimes even designs the gift stock here, which is interspersed with film-buff memorabilia such as the original desk from The Godfather. Pick up a four-pack of Sofia sparkling wine or a “vinoflage” wine country camo shirt you’ll find nowhere else. 300 Via Archimedes, Geyserville. 707.857.1400.

Virginia Dare Another Francis Coppola presentation, this American winery revival sports an FFC-approved selection of Native American–themed gifts and items inspired by the Virginia Dare story, like stag’s head bottle spouts. 22281 Chianti Road, Geyserville. 707.735.3500.

JCB Tasting Salon & Atelier “We wanted to bring top brands together, to dream,” says wine impresario Jean-Charles Boisset of his luxury gift shop within a winetasting room attached to a gourmet deli. Pointing out one item, a holder of some kind, from over 250 producers and artisans, he says, “And it’s not crazy expensive, you know—it’s $400.” Here you’ll find chocolate and cheese and caviar, jewelry of swans and skulls, and, of course, lots of fine crystal. 6505 Washington St., Yountville. 707.934.8237.

Gundlach Bundschu Winery While getting the scoop on the new regime at Gun Bun, wherein visitors are scheduled on the spot during busy weekends so as to improve the experience inside the old stone cellar, I’m told they proudly stock some of the most “innovative merch” in wine country. Check it out in between historic photographs and memorabilia. 2000 Denmark St., Sonoma. 707.938.5277.

Dear Fellow Christians

A small and violent minority of Americans is pushing hard for things like mandatory registration of Muslims, mass deportation of illegal immigrants and an openly, violently, unapologetically white-supremacist America.

Those who voted for Donald Trump—and an agenda that included hatred of women, incitement to racial violence and total disregard for facts, among other inhuman and un-Christian plans of action—may not all be actively violent racists, but they have agreed to be on the same team as those violent racists.

And though I cannot understand how, many of these people are Christians.

Somehow, many Trump supporters think that they have done the world, and even God, a holy service by renewing violence, oppression—or tacit acceptance of the same—toward people who have never been given the rights and freedoms afforded to white Christians.

My fellow Christians, I am begging you: Do not remain silent, even to keep peace with one another. To prevent violence, we must face the violent. We white male Christians, especially, must put an end to our complacency and speak truth to power—and to our neighbors and families—before more lives are lost.

It should be us: we can do so with the least risk of being shot.

Our fellow Christians have hardened their hearts to the needy and hungry, often cherry-picking from the pre-Jesus parts of the Bible to justify their judgment. But we believe in Jesus Christ. We believe in a gentle, tolerant, self-sacrificing savior who is the way, the truth and the life. His example is what we are called to follow. Though it drive us into poverty ourselves; though it be very painful, we have an opportunity, and a mission, to be like Christ.

Let’s not wait until violence is breaking out against black, LGBTQ, native and female Americans. Let’s put ourselves at the front. Let’s show Jesus to Christians. Gently, kindly, in a way that diffuses violence, let’s do our best to be Jesus to those who may have lost him most. Let’s stand up now, before we are the only ones who can.

Trevor Hoffmann is a Petaluma-raised actor and director.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

New Era on Tap

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Call it a tale of two counties. A new state law requires that local governments regulate groundwater for the first time.

Sonoma County has begun a lengthy process to create long-term sustainable groundwater management plans for its at-risk water basins. Napa County, by contrast, is taking an alternate route, as it argues its groundwater use is already sustainably managed.

While Sonoma County has been praised for its go-slow process, critics say Napa County is fast-tracking its plan in an effort to avoid substantive changes to water use dominated by the wine industry. But Napa County officials counter that a recently written groundwater analysis says that, in effect, while there are challenges, the county’s groundwater is sustainable and it has a plan to keep it that way. Approval of the plan comes before the Napa County Board of Supervisors on Dec. 13.

Up until last year, when the law went into effect, groundwater could generally be pumped with impunity. “It was in essence a race to the bottom,” says Michael Kiparsky, director of UC Berkeley School of Law’s Wheeler Water Institute.

But in the wake of the state’s unprecedented drought and widespread well failure in the Central Valley, Gov. Brown signed the Sustainable Groundwater Management Act (SGMA) in 2014. The legislation requires groundwater management plans that avoid half a dozen “undesirable results,” such as lowering groundwater levels, degraded water quality, land subsidence and saltwater intrusion into groundwater.

The SGMA will usher in a new era for agricultural areas like Napa and Sonoma counties. Since agriculture consumes the greatest amount of groundwater in the state, the law represents a sea change for farmers who used to be able to pump water without concern for impacts on water supply.

In water basins designated medium- and high-priority by California’s Department of Water Resources, the state requires the creation of a groundwater management plan, a blueprint for managing groundwater over the long-term.

But rather than dictate how local governments manage their groundwater, the SGMA directs local agencies to create their own sustainability plans, lest the state impose one on them. To do this, local jurisdictions must form a groundwater sustainability agency (GSA). It’s these agencies’ responsibility to create and implement a plan.

Sonoma County has three medium-priority basins and is in the process of creating GSAs for each of them. The Sonoma County Water Agency, which is spearheading the county’s groundwater management plans, has reached out to about 30 organizations in response to the SGMA and has conducted some 20 public briefings on the process at various boards of supervisors and city council meetings around the county. The county has until 2017 to create its GSAs and until 2022 to submit groundwater sustainability plans (GSP).

Napa County has one medium-priority basin, the Napa Valley Sub-Basin, which runs along the valley floor from Calistoga to Napa. Because it believes its groundwater has been sustainably managed for the past 10 years, the Napa County Board of Supervisors is taking advantage of a loophole that allows it to avoid the lengthy public process required to create a GSA and GSP. The SGMA allows local jurisdictions to submit an alternative plan if they can prove their groundwater is being sustainably managed. Alternative plans must be submitted by
Jan. 1, 2017.

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Part of the rationale for Napa’s alternative plan is that the county has already conducted extensive work on groundwater sustainability before the SMGA came along, said Patrick Lowe, natural resources program manager with Napa County’s Department of Public Works. He pointed to the 16 meetings held by the county’s groundwater resources advisory committee between 2011 and 2014.

“We were already in a pretty good position,” Lowe says.

Napa County presents a test for the SGMA and state regulator’s ability to enforce it. “SGMA is monumental, path-breaking and game-changing,” says Kiparsky. “But it’s only as good as the backstop.”

The backstop is the state Water Resources Control Board. Part of a political tradeoff for the new regulatory regime is allowing local authorities to come up with their own plan, he says. It will be up to the the Department of Water Resources to vet Napa County’s plan. If the plan doesn’t meet sustainability standards, the state board could reject it and require the county to form a GSA and GSP.

That’s what Chris Malan would like to see. Malan, executive director of the Institute for Conservation Advocacy, Research and Education in Napa County, an environmental nonprofit group that focuses on water issues, calls the county’s pursuit of an alternative plan an “end run” around the SGMA.

In particular, she says the Napa Valley Sub-Basin shows signs of undesirable results, like subsidence and poor water quality, and says plans for monitoring are inadequate and based on poor well sampling. She says the alternative plan sidesteps the conversion of Napa Valley hillside woodlands into vineyards, a practice she says reduces critical groundwater recharge.

“This is the hallmark water issue of our time,” says Malan.

Geologist Jane Nielsen doesn’t think Napa’s plan will pass muster with the state. Nielsen is a California-licensed geologist who worked for the U.S. Geological Survey. She co-founded the Sebastopol Water Information Group and the Sonoma County Water Coalition. She represents the water coalition on the Santa Rosa Plain Groundwater Management Panel.

After reading Napa County’s sub-basin analysis, she said the groundwater monitoring program is “aspirational” and lacks sufficient enforcement to bring its goals and into reality.

She adds that the report provides a “very barebones” sketch of the kind of data that SGMA requires and there is no integration of the data sources.

“I would not be too optimistic that this program will be accepted as equivalent to a GSP,” she says

Nell Green Nylen, a senior research fellow at Berkeley’s Wheeler Water Institute, says it’s important to note that the SGMA is still a work in progress.

“I would think the state will take a hard look at [Napa County], but I don’t know how it will play out,” she says. “The devil is in the details.”

Letters to the Editor: December 7, 2016

Left Coast Writhing

In reading the article by Robert Reich (“Left Coast Rising,” Nov. 30), I was surprised by his argument, extolling California’s virtues, that the state’s high tax rate gives it the ability to insure more than 12 million poor Californians. He concludes that California’s progressive policies are far better for the citizenry than those of conservative states like Texas and Kansas. Mr. Reich misses the most obvious and glaring fallacy of his argument: that he classifies nearly one-third of California’s population as poor. The policies he lauds are indeed at the heart of the wealth and income disparity in California. The reality of Mr. Reich’s California is that the wealthy are doing quite well; the poor, not so much. There are many great things about California, but those argued by Mr. Reich condemn a third of Californians to a certain and lasting life of poverty.

Sebastopol

Fracking Funders

Thank you for shining a bright and badly needed light on the practices of some Marin-based investment firms that make huge investments in oil pipelines, oil wells and the fracking industry (“The Spigot,” Oct. 26). It is very disappointing and a shame that, at the same time that thousands of people are at Standing Rock, N.D., to bravely demand protection of our water and environment, the named Marin financial firms are “fracking funders.”

I applaud [your] investigative journalism and also naming some of the national firms that continue to invest in industries that pollute our planet and our lungs. The investing public should know that many of the very largest mutual fund companies, such as Vanguard, continue to heavily invest in oil and tobacco industry holdings such as ExxonMobil, Dominion Resources, Chevron Corporation, Philip Morris International, British American Tobacco, Suncor Energy and Occidental Petroleum.

The investing public should also know that there are other local investment and financial planning firms that work hard to limit or completely avoid investing in these and other dirty industries. There are many other ways to responsibly and prudently invest capital. Thank you again for calling attention to this important issue.

Via Pacificsun.com

Tread Here

Please find attached my much-improved version of the Gadsden flag. The sooner we put this particular snake underfoot, the better.

Healdsburg

Write to us at le*****@******an.com.

Cooks’ Book

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Cookbooks published by restaurants give a glimpse into the tastes, techniques and worldviews of their chefs and owners.

Such books generally come out once a restaurant becomes an institution, famous enough to attract readers. Santa Rosa’s four-year-old Spinster Sisters is a lively, culinary oasis in the city’s South of A arts district that now has a book out, too—but it’s not what you might expect.

Instead of offering a collection of recipes, author Lizzie Simon created

The Spinster Sisters’ Guide to Sonoma County as a book full of tips, recommendations and insights, out of conversations with the restaurant’s staff and customers, and its neighbors and suppliers.

“Oftentimes, travel coverage focuses on the luxury market, which is frankly way beyond the realm of most people, including 99 percent of the people in our book,” says Simon.

Simon and her husband, Eric Anderson, a Santa Rosa native and one of the restaurant’s founders, live in New York City but visit Santa Rosa often. A writer for the Wall Street Journal and American Theatre, Simon fell in love with the area and the restaurant over time, and interviewed all parties involved over a month-long stay that was fueled by dinners and lunches at Spinster Sisters. “I wrote the book in exchange for free food,” she jokes.

The main motivation for the guide is an upcoming Spinster Sisters inn, currently in development above the restaurant. “I wanted to figure out a way for future guests to connect both with locals and with exceptional experiences in Sonoma County,” says Simon.

The result is an insider’s guide from the perspective of Sonoma County’s leading tastemakers and foodies. Among them: Spinster Sisters head chef Liza Hinman; winemakers like Duncan Arnot Myers from Arnot-Roberts winery, Eric Sussman from Radio-Coteau, and Kelly and Noah Dorrance from Reeve Wines; Sonoma County Meat Company’s Jenine Alexander and Rian Rinn; Weirauch Creamery cheesemakers Joel and Carleen Weirauch; Moonlight Brewing Company’s Brian Hunt; and Flying Goat Coffee’s Phil Anacker. Each specialist recommended local favorites in their category, from small-batch wines to secret creameries and biking trails.

“It was important to try and represent the diversity and multitude of people who come together to make the restaurant what it is,” says Simon. “You’re getting recommendations from people who are experts, and it puts a human face, many faces, really, to the county.”

‘The Spinster Sisters’ Guide to Sonoma County’ is available at the restaurant, 401 South A St., Santa Rosa or at thespinstersisters.com ($15).

Debriefer: December 7, 2016

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Last week we learned one Lord Christopher Monckton would be hosted at the Lomitas Schoolhouse in Santa Rosa in a talk titled “Using ‘Climate Change’ to Attack Rural America.” But by popular, if not populist, demand, the event was moved late last week to the city-owned Finley Community Center, which will host Monckton Dec. 7 in its senior wing.

The Monckton talk in Santa Rosa is one of four taking place in California this week sponsored by the Eagle Forum (and co-sponsored locally by North Bay Patriots). The Eagle Forum is the hard-right organization founded by the late Phyllis Schlafly, known for its stridently anti-immigration, anti-feminist, “pro-family,” anti-globalist agenda.

The president of the California Eagle Forum is a woman named Orlean Koehle, who founded the Sonoma County Land Rights Coalition back in 2006. The county resident recently published a book that warned of an upcoming one-world religion. Her website warns that “many believe [it] will be an Islam/New Age/pagan religion.”

Monckton is a British climate-change denier and Brexit proponent, and a press release announcing his appearance says the issues are indeed related. “The control that the European Union was exercising over the British people and their property and water rights is similar to the controls we are experiencing in rural America today—using the excuse of climate change.”

A review of online resources and reports that have popped up over the years highlights that Monckton, besides the climate-change denial, has been a proponent of the birther lie about President Barack Obama and has also, in the past, called for the quarantine of HIV-AIDS patients in internment camps. That’s a pretty grim tidbit to read during a week of moving World AIDS Day remembrances—and during a month when hard-right fearmongers have raised the specter of similar camps for American Muslims.

The press release for the event says to contact Sebastopol Eagle Forum member Carol Pascoe to reserve a space for the event. I did so while it was still booked at the schoolhouse and asked Pascoe, while I had her on the phone, about Monckton’s embrace of birtherism. She says she “wasn’t sure about that one” but has seen “a lot of evidence,” including the movie on the subject by Dinesh D’Souza, who is both a conservative and a convicted felon. “It does bring up a lot of questions.”

The city official who oversees the rentals says there is one standard for potential renters of city-owned space: “I rent to any group that pays,” says Loretta Van Peborgh, an administrative secretary with the city. That would include David Duke or the Ku Klux Klan, if someone wanted to host them in Santa Rosa, she says. “We would have to rent to them” under First Amendment free-speech protections.

Long live the First Amendment, which also protects the free speech and free assembly rights of citizens who might take issue with the assertion that Lord Monckton is, as the press release announcing his imminent arrival says, “a very well informed authority on the fraud of climate change.”

The Monckton talk takes place Dec. 7 at the Finley Community Center, Person Senior Wing Auditorium, 2060 West College Ave., Santa Rosa. There’s a potluck dinner at 6pm and the program runs from 7pm to 9pm.

Raining Music

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At the heart of longtime North Bay jam band New Monsoon is the instrumental and songwriting collaboration among founding members Bo Carper (acoustic guitar and banjo), Jeff Miller (electric guitar) and Phil Ferlino (keyboards).

Yet the sound that set New Monsoon apart when they debuted nearly 20 years ago was their robust and worldly four-man rhythm section. This week, New Monsoon—
a quintet since 2008—welcomes original percussionists

Brian Carey and Rajiv Parikh for a special Rhythm Reunion show on Dec. 10 at Terrapin Crossroads in San Rafael.

New Monsoon’s origins date back to 1997, when Jeff Miller moved from Boston to Marin County, where Bo Carper, an old college buddy from Penn State, was living in Bolinas. “I just fell in love with the whole thing,” Miller says.

The first incarnation of New Monsoon had Miller and Carper playing Fairfax cafes as a duo, with their mutual friend Parikh on the tabla, an Indian percussion instrument.

“It was really unique. Not too many electric rock and roll projects have a tabla,” Miller says. “That was inspiring. And it was the impetus of a lot of the music we wrote in that world-influenced style.”

Also largely influenced by Bay Area legend Santana, New Monsoon’s up-tempo jams and global rhythms were further bolstered when Brian Carey, who plays congas and timbales, joined the group soon after, offering his own Afro-Cuban influence and style. “That was the engine as we call it. The percussion set the table for our sound,” Miller says.

By 2003, New Monsoon was a full seven-piece touring band that regularly traveled the country with jam bands like the String Cheese Incident and Umphrey’s McGee, and played festivals like Bonnaroo and Austin City Limits.

Yet the waning viability of supporting seven members through touring forced the band to scale back. Carey moved to the East Coast to teach music and Parikh moved to the South Bay, while New Monsoon retooled into a tighter, more vocally fronted five-piece in 2008. Today the band features Miller, Carper and Ferlino with bassist Marshall Harrell and drummer Michael Pinkham.

“The sound of the band changed pretty drastically then,” Miller says. “So we’ve got a lot of different musical facets of the group we can tap into now.”

Which is precisely what Miller plans to do for the upcoming reunion show, featuring Carey and Parikh for a night of old jams and deep tracks. “For fans that know our music, they’ll hear some surprises on our set list for sure,” Miller says.

Best Fin Forward

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After an evening surf session at Dillon Beach, Klaus Dilling sat in his hot tub for a relaxing soak. As a woodworker and avid tinkerer, he’d been pondering surfboard fin design. Sitting in his tub, an idea popped into his head.

“It was that quintessential light-bulb moment,” says Dilling. “I realized in an instant that the center fin could become steerable. The design came to me in that moment.”

The next morning he headed into his workshop and set to work.

Dilling lives in Santa Rosa and teaches woodworking at Sebastopol Charter school and coaches soccer at Credo High School (disclosure: I serve on the board of directors at Sebastopol Charter). He built a prototype out of wood and was eager to see how his invention worked.

“Right off the bat, I felt it,” Dilling says. “Instantly, I knew it was something worth pursuing.”

For the past six years, Dilling has been developing his design, a device he says improves a flaw in modern surfboards and boosts performance. His patent for the fin was approved in September.

Most modern surfboards use a three-fin system: one center fin and two smaller side fins. The side fins are toed in slightly relative to the center fin. That helps hold a board on a wave, but creates drag and a slight snowplow effect as a surfer glides over the water.

Dilling says he’s solved the problem with a foot-activated tiller that pivots the center fin a few degrees during a turn to align with the side fin that’s making the turn, to create what he says are turns with more speed and flow. When the turn is complete, the center fin snaps back into place. He calls the design the TunaFin, and says it “just cuts through the wave cleaner and faster. It’s not really open to debate. It is a fundamental truth that less drag equals more speed.”

Brad Sykes, a surfer and product developer from Marin County, hasn’t seen or tested the latest model of the fin, but he’s excited about Dilling’s invention.

“The fin is an area that needs a lot for evolution and his fin is really radical,” he says. “I really think it’s going to go somewhere.”

The design is admittedly nichey stuff that only surfers could love, but since the patent for a key fin design recently expired, Dilling hopes his innovation will be the next big thing in the $7 billion U.S. surfing industry.

After countless iterations and design changes (it’s made with fiberglass and PVC fittings now), Dilling has retrofitted many of his old boards with the fin system, as well as having his brother, who shapes surfboards, make him new boards using the TunaFin.

“It has helped keep me going all these years,” he says, “because every time I ride one it’s like, ‘Wow.'”

The Southern California–based surfing industry can be hard for newcomers to break into with new concepts and products. So what chance does Dilling have way up here in Santa Rosa? He’ll soon find out. He’s launching a Kickstarter crowdfunding campaign later this month to raise money for a fleet of demo boards that he wants to take on a tour of West and East Coast beaches next summer to give surfers a chance to try them.

“It could well be the next big thing in surfboard design,” he says, “but I don’t know where this whole thing is going to lead.”

For more info, visit thetunafin.weebly.com.

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Last week we learned one Lord Christopher Monckton would be hosted at the Lomitas Schoolhouse in Santa Rosa in a talk titled "Using 'Climate Change' to Attack Rural America." But by popular, if not populist, demand, the event was moved late last week to the city-owned Finley Community Center, which will host Monckton Dec. 7 in its senior wing. The...

Raining Music

At the heart of longtime North Bay jam band New Monsoon is the instrumental and songwriting collaboration among founding members Bo Carper (acoustic guitar and banjo), Jeff Miller (electric guitar) and Phil Ferlino (keyboards). Yet the sound that set New Monsoon apart when they debuted nearly 20 years ago was their robust and worldly four-man rhythm section. This week, New...

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After an evening surf session at Dillon Beach, Klaus Dilling sat in his hot tub for a relaxing soak. As a woodworker and avid tinkerer, he'd been pondering surfboard fin design. Sitting in his tub, an idea popped into his head. "It was that quintessential light-bulb moment," says Dilling. "I realized in an instant that the center fin could become...
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