March 15: Peak of Rock in Sonoma

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Formed in 2004, Vancouver rock and roll outfit Black Mountain have more than lived up to their moniker with four monumental albums of psychedelic rock. Infusing their style with classic guitar riffs, vintage synth flourishes and rolling harmonies from lead singers Amber Webber and Stephen McBean, the band continuously finds new plateaus of sound. Last year’s widely acclaimed release, aptly title IV, is the band’s first record in more than four years, and a forceful return to form. Black Mountain bring their heavy helping of music to the North Bay on Wednesday, March 15, at Gundlach Bundschu Winery, 2000 Denmark St., Sonoma. 7:30pm. $28.50. 707.938.5277.

Dare to Dream

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In her cover story this week, Santa Rosa native (by way of Mexico) “Dreamer” Maria De Los Angeles writes about how President Barack Obama had been “spiritually pardoned” from the sins of his early administration, which featured record numbers of deportations, when he subsequently moved to protect children of undocumented immigrants from deportation.

As Obama was leaving office, he made a pledge to speak out if he believed Trump was intruding into true-values territory and targeting vulnerable populations, which these days include Mexicans, Muslims and the media—yes, Obama pledged to protect the media, too. Last week he added “accusations of wire-tapping” to the list when his spokesman pushed back against that doozy from Trump.

I joked with Maria last Friday afternoon as we were working on her story that I’d call Michelle Obama to see if I could get her to model one of Maria’s art-couture dresses, featured on the cover this week. But this is no laughing matter and that night I got home and said what the heck, I’ll see if I can get the Obama people to engage at some level. After all, they’re the ones who encouraged Maria to come forward and register as a Dreamer.

So I jumped onto Obama’s new website—you can’t just “call” Michelle Obama, as it turns out— and headed to the press portal, and left a long note to the effect of “Hey, anyone over there care to chime in on this remarkable woman? She just left her apartment and gave up her art studio because of Trump.” I followed with a few emailed and tweeted attempts to grab the attention of the president’s spokesman, Kevin Lewis. A comment, or how about an Open Mic from the former president—did somebody say something about the audacity of hope? That if you work hard and play by the rules that . . . oh, well.

So here’s Obama at his January press conference, pretty powerful stuff: “The notion that we would just arbitrarily, or because of politics, punish those kids when they didn’t do anything wrong themselves, I think would be something that would merit me speaking out.”

Tom Gogola is the news editor of the ‘Bohemian.’

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Cops and Dollars

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It’s a case that Santa Rosa defense attorney Izaak Schwaiger calls “over the top and unprecedented as far as Sonoma County goes.” A 2016 domestic-abuse call in Boyes Hot Springs led to a felony excessive-force charge against (now former) deputy Scott Thorne of the Sonoma County Sheriff’s Office (SCSO).

Schwaiger is in the midst of settlement negotiations with Sonoma County over the deputy’s actions, which included use of a stun gun on the victim, who was also struck with a nightstick. Thorne has pled not guilty in the October 2016 incident and is due back in court later this month. The incident occurred barely a year after the county paid out $1.25 million in another excessive-force incident at the county lockup.

The negotiations are underway as other aspects of the incident are about to come to a head. Last week, a sheriff’s office internal investigation of the actions of two other deputies on the scene with Thorne was sent to Sonoma County Sheriff Steve Freitas for his review. From there, the report will go to Jerry Threet at the county’s Office of Independent Law Enforcement Review and Outreach. Threet’s job is to audit the review and see if he agrees with its conclusions.

To date, the two other deputies have not been charged or implicated in anything related to the incident. Records at Transparent California show that one of the deputies, Beau Zastrow, has been on the force since 2013 and Deputy Anthony Diehm joined the agency in 2015. As has been widely reported, Thorne had worked for the sheriff’s office for less than a year and was a probationary officer without civil service protections.

The SCSO investigation of the officers’ actions is not a public record. It may find that Zastrow and Diehm were complicit in some way—or that they were in the unenviable position of having to subdue an irate suspect who was reportedly resisting arrest in his bedroom, while also dealing with a colleague whose actions would end up with him being charged with a felony.

All charges against the suspect were dropped. Schwaiger has identified him only as a Latino man and a veteran in his late 30s with no criminal record.

In a recent interview with the Bohemian, Threet praised the sheriff’s office for its initial handling of the Boyes Hot Springs incident, based on the SCSO’s actions in the immediate aftermath. After the incident, Freitas swiftly reported that Thorne was no longer working for sheriff’s office. It’s unknown whether he was fired or resigned because of state law that shields peace officers’ personnel records from public scrutiny. The SCSO conducted an administrative review of body-cam footage that revealed a crime may have been committed. Investigators at the Santa Rosa Police Department, which conducted a review per the sheriff’s office request, concluded that a crime had been committed and forwarded a felony excessive-force charge to the Sonoma County Office of the District Attorney. Thorne was arrested and charged in January.

Meanwhile, an explosive investigation by reporter Julie Johnson published in last Sunday’s Press Democrat revealed that Thorne was hired by the sheriff’s office even as he had three complaints filed against him in Richmond over 10 months, which included an incident that involved a Latino suspect and two other officers—and a domestic-abuse call. That incident was settled via a civil rights lawsuit and a $172,500 payout to the victim. Johnson reported that Thorne and the other two officers were cleared of excessive-force charges after an internal investigation.

Richmond city attorney Shannon Moore told the Bohemian that Thorne worked on the Richmond force until 2002, but couldn’t provide further information about the circumstances of his departure.

Johnson’s report may serve to raise the settlement stakes for Sonoma County, which assists the sheriff’s office in screening candidates for deputy positions. According to sheriff’s spokesman Sgt. Spencer Crum, the Sonoma County Human Resources Department does initial application screening, provides guidance into civil service rules and tests prospective sheriff’s deputies employees.

The California Peace Officers Standards and Training (POST) is responsible for setting the guidelines for the hiring of law enforcement officers in California, which Crum says the agency adheres to. “[The] sheriff’s office does interviews, background and hiring. [The] initial job interview is conducted by a panel of three deputies, sergeants or [a] combination. If a candidate scores high enough on the interview they are sent to background investigations. Background investigators would review previous personnel files.”

In his recent interview with the Bohemian, Threet noted that he is also charged with reviewing hiring policies at the SCSO.

Meanwhile, the Sonoma County Counsel’s Office says it can’t comment about the ongoing negotiations with Schwaiger. In response to a records requests from the Bohemian, the office says it has no records of correspondence of any sort related to negotiations with Schwaiger.

“At this point, this case is in a pre-litigation stage,” says deputy county counsel Petra Bruggisser via email, “and our office does not comment on matters related to pending or impending litigation, including settlement discussions.”

This is the second time in a year that Sonoma County has found itself in pre-litigation settlement negotiations with Schwaiger stemming from an excessive-force charge leveled against deputies at the SCSO. In January 2016, the county paid $1.25 million to Esa Wroth. An intoxicated Wroth had been Tased some two dozen times in the intake and booking area at Sonoma County’s Main Adult Detention Facility, which gave rise to the settlement.

The agreement Schwaiger hammered out with the county came with a stipulation that Wroth wouldn’t pursue any further legal action against the county or its employees. And the county made the payout—which was signed off by the board of supervisors—without admitting any complicity in the eventual settlement.

But unlike the recent arrest in Boyes Hot Springs, no officers were arrested in connection with the Wroth incident, and there was no ongoing criminal complaint against a former deputy animating the pre-litigation negotiations. Schwaiger could not say when negotiations with the county would conclude.

“We’re not even close to this being finalized,” he says.

Sought After

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The cult of Rafanelli Zinfandel is an unusual one. Like others that have earned the “cult” badge, this winery does not participate in barrel tasting weekends—their wine sells out when it’s released, once a year, to a mailing list. And you can bet there’s a waiting list for that mailing list.

Yet being fourth-generation Dry Creek Valley grape growers, Rafanelli still opens its cellar to anyone who’s curious, free of charge, with just one catch: you’ve got to ring up Rafanelli on the phone. No email or handy web app thingy will get you an appointment here.

“They’d rather just talk to you,” explains my host at the tasting room. It’s not that they eschew social media; it’s that this small winery and residence at the end of a one-lane driveway can’t accommodate much traffic and parking.

It is a tidy arrangement—from the way the terraced vine rows curl up just below the ranch house to the way barrels are nestled inside the wood-paneled, jewel box of a wine cellar, everything seems fitted and styled just so.

Lucky visitors may get a tour beyond the little cellar where Zinfandel mellows in big, oval casks before it’s transferred to smaller oak barrels, on through the larger fermentation room, which is also warmed by the glow of wood—the walls are covered with plastic during punchdown season every year.

A passageway reverently illuminated via stained glass windows leads to a wine cave drilled into the hillside in the modern way. Here’s an alcove nicely furnished with a big table and decor—surely this is the high-ticket winery event space? Not really. The last event might have been a harvest party given for the staff, says my host, who, like others here, is not a marketing professional but a local who goes way back with the family, and is filling in at the tasting room today.

Back in the 1990s, Rafanelli wines got approving remarks from Robert Parker, but the winery has since dropped out of the wine-score scene. Their Cabernet Sauvignon, Merlot and a blend from terraced vineyards are sold-out, leaving only one wine to taste today. The 2014 Dry Creek Valley Zinfandel ($42), the largest bottling at 7,000 cases, pours as dusky as blackberry juice, and speaks of a long slumber in casks that have known many slumbering wines—it’s not “casky,” which is something of a wine slight, but smells cleanly of rich, dark fruit steeped in wine-soaked wood, an aroma that’s worth the wait.

A Rafanelli Winery, 4685 West Dry Creek Road, Healdsburg. Daily 10am–4pm by appointment only; no fee. Pick up the phone and call 707.433.1385.

SI, SI SSU

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As Trump moves to clamp down on immigration and dodge court injunctions, Sonoma State University recently announced that it had created a resource center devoted to undocumented students.

That it did so while also qualifying for federal grants available to institutions of higher learner devoted to enhancing Latino student education is sort of ironic, given the anti-immigrant tenor of our times.

In a statement, the school says it’s deemed eligible by the U.S. Department of Education “to compete for millions of dollars in federal grants aimed at improving student success as a federally designated Hispanic-Serving Institution (HSI).”

A third of the 8,600 undergrads at SSU are Latino. Now the school will be able to apply for grants—unless Secretary of Education Betsy DeVos kills them off with a surprise grizzly bear attack—made available under two sections of the federal Higher Education Act of 1965. Title III is devoted to enhancing education in science, technology, engineering and math. Title V is aimed at equipment, mentoring, “and other programs aimed at helping all students succeed,” according to a statement from SSU spokesman Nicolas Grizzle.

In that statement, SSU president Judy K. Sakaki (pictured)—who was hired last summer and spearheaded the HSI designation effort—says, “It’s not enough to just open our doors to Latino students and others who have been traditionally underrepresented on college campuses. We must do everything we can to help all of our students succeed and graduate.”

Poetic Response

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‘People don’t want to be deported,” says Jonah Raskin. That seems like an obvious sentiment, but it’s one that is increasingly becoming a battle cry in California and other states, as Trump’s administration ramps up deportation efforts against undocumented Latino immigrants and their children.

“California is their home; they live here, have families here, work here. They feel like they’re part of the fabric of the community,” Raskin says. “There wouldn’t be food on the table and wine to drink if Latinos weren’t around. But more importantly, they’re human beings. They’re our fellow human beings.”

Troubled by events of the last four months, Raskin, who has written over a dozen books and is a professor emeritus at Sonoma State University, recently completed his newest collection of poetry, titled No Walls Now: New Poems for the Trump Era (Culture Counter Press).

Made up of 17 poems written in the aftermath of the election, the book is both a political statement and a personal one.

“Poems are immediate and visceral,” says Raskin, who is also a biographer, screenwriter, essayist, novelist and journalist. “Poems are overtly political, but they’re also personal. I wanted to do both.”

Born in 1942, Raskin’s earliest memories include hearing about concentration camps in Europe and Japanese internment camps on the West Coast. He says the current state of events has wakened an unconscious body of memories.

No Walls Now opens with the poem “In the Dark Lake,” in which Raskin’s memories of bedtime stories and childhood nightmares resurface in the wake of “neo-Nazi headlines” and “history unleashed from its grave.”

“The poems started out being responses to the media,” he says. “They became poems that go back and forth between the present and memories of the past.”

While a majority of the book deals with immigration and deportation, some poems touch on subjects like the looming environmental crisis poised to strike if the current administration continues to roll back the EPA. Others bristle with anxiety and dread over the rising American imperialism.

All of the poems are dated, offering the reader a day-by-day account of Raskin’s emotional responses to major stories. “I wanted to capture one person’s emotional, psychological response to what’s going on, like a poetic diary,” says Raskin.

No Walls Now at least ends on a note of hope, as the recent rains give way to swollen rivers, blooming flowers and “spring ready to sing its song again.”

“Life goes on,” says Raskin. “To stop would be defeat.”

Albee Damned

‘Familiar stories are the best.” So suggests a wistfully inebriated Honey (Rose Roberts), murmuring her barely conscious remark at a pivotal point in Edward Albee’s brutally brilliant Who’s Afraid of Virginia Woolf?

Whatever familiarity you might have with the play, and with George and Martha and Honey and Nick—the funny and ferocious couples whose relationships unravel spectacularly in this 1962 Tony winner—you’d be well advised to leave your expectations (and past disappointments) at the door of Main Stage West. That’s where director David Lear and an excellent cast have mixed up a dry and dirty, perfectly poured staging of Albee’s masterpiece, a caustic excoriation of modern marriage and the deadly addictiveness of illusion and deceit.

Notoriously difficult to stage, Who’s Afraid of Virginia Woolf? has nothing to do with the titular author, whose name only appears here in references to a joke made earlier in the evening—a joke we never hear ourselves. George (a sensational Peter Downey) is a middling history professor, and his wife, Martha (Sandra Ish, marvelous), resents him for his lack of academic ambition. One morning, following a lengthy faculty dinner, George and Martha invite another couple over for drinks. Nick (John Browning, strong in a difficult role) is a new biology professor, and his wife, Honey (Roberts), well, Honey has a habit of throwing up when things become too “intense.”

As George and Martha callously use these wide-eyed newbies as ammunition in their bitter, decades-long battle of disappointment and regret, Lear masterfully keeps the tone light, recognizing that the escalating cruelty of these angry people’s witty but pain-fueled words works best when delivered as if it’s all actually hilarious—which it frequently is.

The Main Stage production includes Ish’s priceless expression when Honey, having just arrived with Nick, places a potted Venus flytrap in her hand as a “hostess gift.” And words cannot describe Roberts’ jaw-dropping brilliance when Honey launches an improvised dance that includes elements of ballet, hand-jive and a mime stuck in a box.

The brilliance of Albee’s script, and this razor-sharp interpretation, lies in the awareness that beautiful truths can be found even among people as vile and hateful as these.

Rating (out of 5): ★★★★½

Fly Like a Dragon

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From the time she played in her family band at age 10, Australian Kasey Chambers has been crafting and innovating a new era of country-rock and folk music to universal acclaim and international renown. A solo performer since she was 22 and now regarded as one of the continent’s premier songwriters, Chambers soars to new heights with her brand-new album, Dragonfly.

Chambers’ 11th solo record in 18 years of recording, Dragonfly is an expansive double album filled with blues-tinged ballads and dusty roots-rock. Featuring special guests like Keith Urban and Ed Sheeran, the album debuted in Australia at No. 1 on the ARIA Albums Chart, the Australian equivalent of the Billboard charts.

Though the album is not slated for U.S. release until later this spring, Chambers is touching down in the Bay Area, kicking off an American tour with dates in Berkeley and Mill Valley on March 9 and 10, respectively. Longtime Marin songwriter and guitarist Danny Click opens both shows, joining Australia’s top folk export for two nights of country music.

Kasey Chambers performs on Thursday, March 9, at 8pm at Freight & Salvage
(2020 Addison St., Berkeley; $30–$35; 510.664.2020) and Friday, March 10, at 9pm at Sweetwater Music Hall (19 Corte Madera Ave., Mill Valley; $35-$40; 415.388.3850).

Positive Vibes

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Before he was the face of the world-touring, reggae-fusion phenomenon Groundation, Harrison Stafford was a kid from the East Bay who grew up struggling to find an identity.

The son of a jazz pianist, Stafford was the only Jewish kid among his friends. He felt a sense of isolation until his older brother introduced him to the music of Bob Marley and Israel Vibration.

“I fell in love with it,” he says. “You could say jazz music was my father’s music, and reggae was mine. It gave me a strength.”

After studying jazz guitar at Sonoma State University, Stafford formed Groundation in 1998 with some fellow students. The band found international success with its mix of polyrhythmic reggae and jazz-inspired harmonies. For over a decade, Stafford toured constantly with Groundation while also working on projects ranging from teaching a class at SSU on the history of reggae—where he got the nickname “Professor”—to producing a documentary film on the same subject.

“Reggae is the discussion of equality, freedom, liberty,” says Stafford. “I wanted to be a part of that, because that struggle is the whole progression of life we’ve been building on for thousands of years.”

Coming from California, a place that offers all the comforts of the First World, Stafford saw during his travels that the world is filled with great imbalance. “I wanted to be a part of the fight for more justice and equality for the planet.”

Now splitting his time between California and Jamaica, and raising three children with his wife, Stafford is returning to Sonoma County with a new lineup he’s calling the Professor Crew to play a special homecoming show at Redwood Cafe in Cotati.

While Groundation was an outfit infused with jazz influence, the Professor Crew is Stafford’s chance to explore the roots of reggae.

“There was a longing for me to play straight reggae, and to learn from the elders here in Jamaica,” says Stafford.

In 2008, the musician began working with Rasta legends like drummer Leroy “Horsemouth” Wallace and songwriter Gregory Isaacs to develop his roots reggae sound, marked by simple rhythms and spiritual themes.

As a proponent of freedom and equality, Stafford is frustrated with the anti-immigrant climate in the United States, though he believes the music and energy he makes can be a positive force. “Once you put it out there, it can’t be taken back,” he says. “So let’s put out those good vibrations.”

Harrison Stafford & the Professor Crew perform on Friday, March 10, at Redwood Cafe, 840 Old Redwood Hwy., Cotati. 8pm. $20–$25; 18 and over. 707.795.7868.

Get on Board

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Petaluma’s new Drawing Board offers plenty of fashion-forward design elements.

There’s an open kitchen, mismatched vintage lamps above the cozy bar, greenery in ceiling-mounted planters and a bookshelf packed with cookbooks that serve as cues to the restaurant’s inspirations:

Gjelina: Cooking from Venice, California; Momofoku Milk Bar; and Deborah Madison’s obligatory Vegetable Literacy.

Sometimes those style points and references don’t add up to substance, but chef Ariel Nadelberg has created a winner in Petaluma’s increasingly delicious restaurant scene.

The menu is small; vegetables play a prominent role, and there are a number of vegan dishes. They’re not highlighted as such, but simply embedded into the menu among the meat and fish. From the small plates section, it was interesting to sample the carrot lox ($10) and the smoked trout rillette ($13) side by side. The “lox” are made with smoked carrots, nori and cashew cream cheese, while the trout mixes the fish with crème fraîche, pickled fennel and salmon roe.

The trout delivered a rich, balanced mouthful of creamy fish and briny pickles, an elegant shout-out to breakfast for dinner. The lox were a revelation. The sweet, delicate carrots happily embraced the nori’s fishiness, a perfect match for the vegan cream cheese that was as tangy and rich as Greek yogurt. Vegan food often disappoints because of what it lacks—not the case with this standout dish.

A third appetizer, the whole grain arancini ($8), was more conventional, but still very good. A fried rice ball rested on a dollop of goat cheese and refreshing romesco sauce. A sprinkling of charred kale showed a lighter, brighter side of the Italian classic.

The menu had only four entrées, two of them vegetarian. We opted for the cassoulet ($15) and shepherd’s pie ($16). Both were indulgent and light at the same time. The cassoulet—made with Liberty Farm’s duck, small cubes of lamb belly, smoked beans, crunchy kale and thyme-spiced sourdough crumbs—had a great array of flavors, successfully merging the savory fowl, the smoky-salty beans and the herby, uplifting aroma of the topping. The lamb belly was a nice addition but got lost in the mix.

Braised lamb, however, made a glorious appearance in the shepherd’s pie. Made with cubed root vegetables and a top layer of creamy, puréed potatoes, it was a hit with its comforting, humble flavors.

The only stumbles came from the dessert menu. At $8 each, the three offered sweets could have been so much more, given Drawing Board’s affinity for fresh and bright flavors, but most were too austere, too homey. They revealed what might be a challenge for the Drawing Board: delivering just the right amount of “healthful” without losing any fine-dining appeal.

On the whole, the restaurant delivers on its “notion that healthy living isn’t about foregoing delicious foods but about eating nutrient dense fare.” It will be interesting to go back to see how this stylish newcomer navigates the two.

March 15: Peak of Rock in Sonoma

Formed in 2004, Vancouver rock and roll outfit Black Mountain have more than lived up to their moniker with four monumental albums of psychedelic rock. Infusing their style with classic guitar riffs, vintage synth flourishes and rolling harmonies from lead singers Amber Webber and Stephen McBean, the band continuously finds new plateaus of sound. Last year’s widely acclaimed release,...

Dare to Dream

In her cover story this week, Santa Rosa native (by way of Mexico) "Dreamer" Maria De Los Angeles writes about how President Barack Obama had been "spiritually pardoned" from the sins of his early administration, which featured record numbers of deportations, when he subsequently moved to protect children of undocumented immigrants from deportation. As Obama was leaving office, he made...

Cops and Dollars

It's a case that Santa Rosa defense attorney Izaak Schwaiger calls "over the top and unprecedented as far as Sonoma County goes." A 2016 domestic-abuse call in Boyes Hot Springs led to a felony excessive-force charge against (now former) deputy Scott Thorne of the Sonoma County Sheriff's Office (SCSO). Schwaiger is in the midst of settlement negotiations with Sonoma County...

Sought After

The cult of Rafanelli Zinfandel is an unusual one. Like others that have earned the "cult" badge, this winery does not participate in barrel tasting weekends—their wine sells out when it's released, once a year, to a mailing list. And you can bet there's a waiting list for that mailing list. Yet being fourth-generation Dry Creek Valley grape growers, Rafanelli...

SI, SI SSU

As Trump moves to clamp down on immigration and dodge court injunctions, Sonoma State University recently announced that it had created a resource center devoted to undocumented students. That it did so while also qualifying for federal grants available to institutions of higher learner devoted to enhancing Latino student education is sort of ironic, given the anti-immigrant tenor of our...

Poetic Response

'People don't want to be deported," says Jonah Raskin. That seems like an obvious sentiment, but it's one that is increasingly becoming a battle cry in California and other states, as Trump's administration ramps up deportation efforts against undocumented Latino immigrants and their children. "California is their home; they live here, have families here, work here. They feel like they're...

Albee Damned

'Familiar stories are the best." So suggests a wistfully inebriated Honey (Rose Roberts), murmuring her barely conscious remark at a pivotal point in Edward Albee's brutally brilliant Who's Afraid of Virginia Woolf? Whatever familiarity you might have with the play, and with George and Martha and Honey and Nick—the funny and ferocious couples whose relationships unravel spectacularly in this 1962...

Fly Like a Dragon

From the time she played in her family band at age 10, Australian Kasey Chambers has been crafting and innovating a new era of country-rock and folk music to universal acclaim and international renown. A solo performer since she was 22 and now regarded as one of the continent's premier songwriters, Chambers soars to new heights with her brand-new...

Positive Vibes

Before he was the face of the world-touring, reggae-fusion phenomenon Groundation, Harrison Stafford was a kid from the East Bay who grew up struggling to find an identity. The son of a jazz pianist, Stafford was the only Jewish kid among his friends. He felt a sense of isolation until his older brother introduced him to the music of Bob...

Get on Board

Petaluma's new Drawing Board offers plenty of fashion-forward design elements. There's an open kitchen, mismatched vintage lamps above the cozy bar, greenery in ceiling-mounted planters and a bookshelf packed with cookbooks that serve as cues to the restaurant's inspirations: Gjelina: Cooking from Venice, California; Momofoku Milk Bar; and Deborah Madison's obligatory Vegetable Literacy. Sometimes those style points and references don't add up...
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