Juke Joint

0

It’s a recent and rising staple of the modern American musical: the “jukebox biography.”

As the term implies, it’s part jukebox musical—a common term for any show built from existing tunes that are usually part of one artist or one genre’s existing catalogue of songs—and part biography. Popular recent examples include 2005’s Jersey Boys, 2013’s A Night with Janis Joplin, and 2013’s Beautiful: The Carol King Musical, each telling the true story of a famous musician or group, using that musician’s own songs as part of the tale.

All three examples have had Broadway runs and successful touring productions. Joplin has been the subject of two jukebox biographies, including 2001’s off-Broadway Love, Janis.

The new kid on the block—already extended in its debut run and certain to end up on Broadway within a year or so—is Berkeley Repertory Theater’s exhilarating and dazzling (and somewhat overstuffed and overlong) Ain’t Too Proud: The Life and Times of the Temptations.

Written by Dominique Morisseau (The Detroit Projects), produced by the hit-making team of Ira Pittelman and Tom Hulce (Spring Awakening, American Idiot), and directed by Des McAnuff (the director of the original Jersey Boys), the show was clearly designed to achieve maximum popular impact and Broadway-and-beyond momentum.

Fueled by a legendary list of songs recorded by the Temptations (“My Girl,” “Ain’t Too Proud to Beg,” “Just My Imagination,” “Papa Was a Rollin’ Stone”), the large Berkeley Rep cast is packed with scene-stealing performers, frequently joining voices or taking solo turns delivering one show-stopping Temptations number after another.

Based on the autobiography of founding member Otis Williams (played brilliantly by Derrick Baskin), the story presents Williams’ perspective over the last 58 years, during which the group has had 24 regular members. The revolving-door nature of the band’s history gives the plot less of an arc than a list of names and personality characteristics, but with performers this talented singing songs this good, the play rises high above its detailed but rather perfunctory storytelling.

The actual “story” of Motown’s mighty Temptations may not be particularly dramatic, but it’s the gloriously recreated music, and those amazing Temptations dance moves that are already making audiences beg for more.

Rating (out of 5): ★★★★

Santa Rosa Toy Con Is A Smashing Success

Star Wars storm troopers, Marvel and DC superheroes, pirates, ninjas and other colorful characters took over the Sonoma County Fairgrounds for the fifth annual Santa Rosa Toy & Comic Con, which celebrated its biggest year yet with an estimated 7,500 attendees and lots of special guests on Saturday, Sept 23.

Stepping into the fairgrounds’ Grace Pavilion, fans of all ages were greeted to dozens of vendors specializing in collectible figures and playsets, vintage comic book collections and other nerdy paraphernalia. Collectors got their hands on both old-school toys, like original Mattel action figures from the 1977 Star Wars, as well as the latest in toy trends like the art big-headed Pop! figures from Funko.

Other booths included Petaluma-based Famous Monsters of Filmland Magazine, and Santa Rosa’s CULT Film Series, giving horror and movie geeks a thrill. Several independent artists and comic book writers were also on hand to show off their original art and self-published or small press works.

There were a few vendors also selling amazing hand-crafted props, costumes and armor for those interested in cosplay, in which fans dress as their favorite fictional characters, and LARPing (live action role playing), in which players dress in costume and wield foam weapons in fun.

Anyone unfamiliar with LARPing got the chance to see for themselves with supervised exhibitions in Shade Park behind the Grace Pavilion, and the fairgrounds’ Hall of Flowers held interactive art demos and card-playing stations. This year’s con also included a high-flying pro wrestling show from the folks at Petaluma’s Phoenix Pro Wrestling and Sacramento’s Supreme Pro Wrestling.

Last, but far from least, the showcase cafe next to the fairgrounds’ racing grandstands held several intimate panel discussions featuring special guests like actors Walter Koenig and Nichelle Nichols, two of the original cast members of “Star Trek,” who spoke with the attentive crowds about their respective 50-year careers and indulged fans with autographs and photos after their panels.

Packed with families and filled with positive vibes, the Santa Rosa Toy & Comic Con succeeded with shared passions coming together for infectious fun. Anyone who missed out this year should head over to Santa Rosa’s Batcave Comics & Toys Shop, run by toy con founder Mike Holbrook and equally impressive in it’s collection of classic toys and comic books. Holbrook promises the toy con will continue to grow bigger and better when it returns in 2018.

Breaking: Ninth Circuit Court of Appeals rules against Sonoma County in Andy Lopez federal lawsuit

A three-judge panel of the United States Court of Appeals for the Ninth Circuit ruled today that the Oct. 22, 2013 shooting of Andy Lopez by a Sonoma County Sheriff’s Office deputy may have been an unconstitutional abridgment of Lopez’ rights, as it ruled against an appeal filed by Sonoma County and lawyers for the officer.

In its ruling, the panel sent the case back to the lower U.S. District Court and called for a jury trial to determine whether officer Erick Gelhaus should be entitled to qualified immunity in the ongoing federal civil rights lawsuit that followed the shooting. Lopez was 13 at the time of his death. As the court reiterated in its summary of the facts, Lopez was shot and killed on Moorland Avenue in Santa Rosa while carrying a plastic replica of an AK-47 with its bright-orange tip removed. He was also carrying a replica handgun.

Gelhaus remains an officer with SCSO as the case moves to a next and uncertain phase. For now, the ruling represents a rebuke to the Sonoma County Counsel’s office (despite the fact that the court was not unanimous in its decision).

The Ninth Circuit court issued its opinion after defense lawyers appealed an earlier ruling in the Lopez family’s suit against Gelhaus and Sonoma County. In their appeal of the lower U.S. District Court’s ruling, the county argued that the shooting was justified—and that because it was justified, Gelhaus ought to be entitled to qualified immunity in the proceedings.

In January, District Court Judge Phyllis Hamilton rejected a county request for a summary judgment to dismiss the federal suit. She said it was an open question whether the shooting was justified, as she ruled against the county, which prompted the appeal.

The three-judge Pasadena circuit court heard the case on May 10, and two of the three judges essentially made the same observation that Hamilton did: “Defendants have not established that Andy actually threatened the officers with the rifle that he was holding.”

And today the appeals court ruled 2-1 that a decision over qualified immunity should be made by a jury—given that there are facts about the incident that are in question and ought to be sorted out by a citizen panel.

Judge Clifford Wallace, an appointee of U.S. President Richard M. Nixon, dissented from Richard Clifton and Milan Smith, both of whom were appointed by George W. Bush; Smith wrote the opinion. The 71-page ruling was issued this morning; what follows is a key summary paragraph that lays out the court’s majority view finding that a jury could rule that Lopez’ civil rights were violated in the shooting.

Emphasis added, since it’s critical to understand that the appeals court did not rule that Lopez’ civil rights were violated. As the judges noted during the hearing and in today’s opinion, the court’s role in this proceeding was to view the facts most favorable to the plaintiff (since Lopez was obviously not able to present those facts himself), and then make a determination whether there were outstanding questions that only a jury could resolve.

The opinion reads, in part, “Gelhaus deployed deadly force while Andy was standing on the sidewalk holding a gun that was pointed down at the ground. Gelhaus also shot Andy without having warned Andy that such force would be used, and without observing any aggressive behavior. Pursuant to Graham v. Connor, 490 U.S. 386 (1989), a reasonable jury could find that Gelhaus’s use of deadly force was not objectively reasonable.

“The panel further held that taking the facts as it was required to do on interlocutory appeal, Andy did not pose an immediate threat to law enforcement officials and therefore the law was clearly established at the time of the shooting that Gelhaus conduct was unconstitutional. The panel held that ultimately, Gelhaus entitlement to qualified immunity depended on disputed facts that needed to be resolved by a jury, and the panel therefore remanded the case for trial.”

Translated, the court’s ruling means that the suit, Estate of Andy Lopez v. Erick Gelhaus; County of Sonoma, has been sent back to the United States District Court for the Northern District of California, in Oakland, where (absent a cash settlement between the county and the Lopez family) a civilian jury would be be charged with sorting out the details of the officer-involved shooting incident.

A jury trial could represent another big-ticket budget item for Sonoma County, which has already dedicated more than $2 million to fight against the Lopez suit—and is so far 0-2 in court for all the money spent.

Repercussions from the shooting continue to bedevil Sonoma County and Santa Rosa as the SCSO has struggled to gain the trust of local Latino and police accountability groups outraged by the 2013 shooting. Former Sonoma County Sheriff Steve Freitas, citing health concerns, retired from his post this summer as local activists set organized a recall election to remove him from office over support for Gelhaus, which include Freitas promoting him to sergeant in 2016.

Anxious for a “healing moment” and to move on from the Lopez shooting, Sonoma County officials now have to decide whether to appeal this Ninth Circuit Court decision, deploy further taxpayer dollars to defend Gelhaus and the county before a citizen jury at the U.S. District Court, or cut its losses and settle with the Lopez family.

Should the county choose the appeal route, the next step could be the United State Supreme Court. A more likely route, should the county chose the appeals option, is for county lawyers to ask for a re-hearing at the Ninth and seek a favorable “en banc” ruling where a panel of eleven judges would issue its opinion.

Sept. 21: Musical Destination in Napa Valley

0

Napa Valley Wine Train’s inaugural ‘Rock the Rails’ concert series is midway through a season of dynamic live performances paired with a round-trip tour aboard the train to a rotating winery venue. This month, the series moves to Grgich Hills Estate and presents superstar Sheila E in concert. The Bay Area native and acclaimed singer and percussionist is fresh off the release of her new soul-pop album, Iconic: Message 4 America. Opening the show is Juan and Peter Michael Escovedo’s All Star Band—Sheila E’s brothers. Dinner aboard the train sets the mood on Thursday, Sept. 21, at Wine Train station, 1275 McKinstry St., Napa. 5pm. $99 and up; $79 for concert only. winetrain.com.

Sept. 22: Imagine History in Napa

0

Napa-based artist, author and Notre Dame de Namur University instructor Rick Deragon’s new book, ‘Fire in the Year of Four Emperors,’ may be a work of fiction, but its attention to detail and densely layered political intrigue is so spot-on that it makes the story—about four Roman generals vying for power in the year 69 A.D.—feel like it really happened. Published this summer, Fire in the Year’s vividly realized characters experience a sprawling scope of adventures that hooks the reader and sets the table for a larger saga. Deragon reads from Fire in the Year of Four Emperors on Friday, Sept. 22, at Napa Bookmine, 964 Pearl St., Napa. 6pm. Free. 707.733.3199.

Sept. 23: Shining Bright in Cotati

0

Longtime Sonoma County musician Bobby Jo Valentine is known for his pop melodies and emotionally resonant lyrics, and his latest album, Maybe Stars, is no exception. The songwriter delves into his own personal path toward spiritual peace and weaves inspiring tales about following your dreams and listening to your heart on the new album. He spreads the love with an album-release show this weekend. Valentine’s full band—Dennis and Ruthie Haneda and David Fairchild—plus special guests Amie Penwell, Amy Hogan and John Roy Zat join him for the show on Saturday, Sept. 23, at Redwood Cafe, 8240 Old Redwood Hwy., Cotati. 8pm. $10. 707.795.7868.

Sept. 22-24: Fresco Films in Glen Ellen

0

The 31st annual Wine Country Film Festival pairs diverse international and independent feature-length and short films, the picturesque setting of Sonoma Valley, and engaging seminars and culinary experiences featuring special guests from the world of film and food. This year’s schedule includes a spotlight on an array of topics, like Iranian films, food and wine, “eco cinema” and more, with events like a storytelling master class from director and cinematographer Patrick Morell. This year also boasts Films al Fresco, screenings under the stars, Friday, Sept. 22, to Sunday, Sept. 24, at Quarryhill Botanical Garden, 12841 Hwy. 12, Glen Ellen. Passes start at $75 for locals. wcff.us/2017.

Get Lit

0

In brewing and winemaking, the rhyming rule “low and slow” describes a fermentation that, held to a nice chill, bubbles up at a steady tick-tick-tick pace for many days, if not weeks and months, to retain the delicate aroma of a grape or a style of beer. It might also describe the way Brian Hunt has built Moonlight Brewing Company.

“He’s in no rush,” says Shannon Thomas from behind the bar at Moonlight’s tiny taproom. Thomas, general manager at Moonlight, says that while it’s easy to get caught up in craft-brew fever these days, with everyone else growing at lightning speed, Hunt has instilled a patient, “Let’s think about what we’re doing here” approach to brewing and business, as Moonlight has grown from a one-man-show in a Windsor barn to, well, a small brewery in a Santa Rosa business park that only distributes kegs to a mostly regional Bay Area market. Yet Moonlight’s renown is outsized.

Sometime this winter, an expanded space next door will replace this taproom. Sporting a redwood slab bar, it will be open Wednesday through Sunday, and will host a resident food truck.

On a recent Saturday, visiting beer fans and boutique winemakers taking a break from crushing grapes across the parking lot file into the little taproom for pints and logo T-shirts, and settle at tables in the improvised beer garden—just a roped-off portion of the brewing facility.

Samplers are poured in an attractive row of six five-ounce pilsner glasses, fitted into a wooden tray as heavy as ship’s tackle. Cans and bottles are being talked about, yet are still anathema at Moonlight; the taproom is the only place to grab-and-go ($40 new insulated growler, filled; refills for 64-ounce, $16, 32-ounce, $20) Moonlight favorites like the biscuity, balanced “ESB-ish” Twist of Fate, the fresh and corn-tassel floral Reality Czeck pilsner, the redwood-spiced ale Working for Tips, and the legendary Death & Taxes black lager.

Ask about the secret to the beer here—is it that old copper kettle in the back, or fermentation-scienced-up traditional English style?—and you’ll hear how Hunt responds to the technical stuff, says Thomas. “He just laughs and hands you a beer—’What do you think of this?'”

Moonlight Brewing Company,
3350 Coffey Lane, Ste. A, Santa Rosa. Open Friday, 4–8pm; Saturday–Sunday, 2–8pm. Pints, $5. 707.528.2537.

Pro Choice

0

We make thousands of decisions every day, never knowing when a seemingly innocuous choice—grabbing coffee at Starbucks (where the future love of our life is standing in line) or Peet’s (where a runaway car is about to crash through the door)—could have life-changing repercussions.

Speaking of choices . . . Right now, at two different theaters, a pair of superbly crafted, deeply humane, brain-twisty shows has opened, each examining the head-spinning flexibility of fate, and each staged and performed by artists working at the top of their game: Craig Wright’s Grace at Main Stage West in Sebastopol (directed by John Craven); and Nick Payne’s Constellations (Juilet Noonan, director) in the Studio at 6th Street Playhouse in Santa Rosa.

In Craig Wright’s Grace, the show begins in the aftermath of a shocking act of unpremeditated gun violence. The story then rewinds (more or less literally) to 45 days earlier, as we witness the decisions and mistakes, large and small, made by a financially tenuous born-again couple (Ilana Niernberger and John Browning), their agnostic scientist next-door neighbor (Sam Coughlin) and an irascible German pest exterminator (John Craven), who keeps showing up to spray for bugs.

Highly intelligent and cleverly designed (with kudos to sound engineer Doug Faxon and light designer Missy Weaver), Grace is a show that hangs out in your mind and heart long after the final shot has stopped ringing in our ears.

Rating (out of 5): ★★★★

The same could be said (without the guns) of Constellations. Staged in the round, as a smart, breezy, 75-minute theatrical dance of words and ideas, the play follows a physicist (Melissa Claire) and an organic beekeeper (Jared Wright) through a series of overlapping, slightly varied scenarios. They meet, they don’t meet, they have a terrible first date, they have a great first date, they break up, they stay together, and on and on. Every choice sets in motion a series of alternative conclusions.

Beautifully acted, movingly staged, Constellations also lingers long after, as we are forced to contemplate all the possibilities that might have been, had we only made a different choice. ★★★★

Face Time

Scene after scene in Mother!, we peer into Jennifer Lawrence’s eyeballs in tight closeup, as if we were ophthalmologists. Lawrence has been accused of overacting before, but with the camera this close, it’s director Darren Aronofsky (Black Swan) whose imprisons her.

Every bad thing that happens in this psychological horror film—rather, everything that’s probably going to turn out bad—follows with a cut to Lawrence so she can react to it. We know exactly how she feels at every moment. Some ambiguity would have spiced this Kafka fable that does a backflip into religious allegory.

It’s a Repulsion–style study of the walls closing in. Mother (Lawrence) is rebuilding a rambling farm house. Her husband, twice her age, is called “Him” (Javier Bardem), a poet walled in by serious writer’s block. (This tactic of stripping the characters of the names isn’t necessarily pretentious; it often occurred in silent films.) One evening, a guest calls, unknown to Mother but slightly known by Him. The man (Ed Harris) is a boorish orthopedic surgeon, a smirking bastard who smokes in the house, even after he’s been requested to stop.

Him can’t get enough of the pushy man of medicine and goes off hiking and talking with him. Later, the doctor’s unnamed wife (Michelle Pfieffer) arrives and makes herself completely at home—Lawrence, a pillar of strength in most roles, looks helplessly miffed.

Emulating the midnight-movie look of his first movie, Pi, Aronofksy films in grainy Super-16mm blown up to full size. Some elements of the bizarre stick to the viewer—hallucinations of protoplasm, rot and blood, the sensual treatment of gobs of plaster in Mother’s trowel, studied until they look like chocolate mousse on a desert trolley. But the ever tighter camera overexposes Lawrence’s face. You’re reduced to spending an hour or so counting the moles on her neck in this perplexing pyschodrama.

‘Mother!’ is playing in wide release in the North Bay.

Juke Joint

It's a recent and rising staple of the modern American musical: the "jukebox biography." As the term implies, it's part jukebox musical—a common term for any show built from existing tunes that are usually part of one artist or one genre's existing catalogue of songs—and part biography. Popular recent examples include 2005's Jersey Boys, 2013's A Night with Janis Joplin,...

Santa Rosa Toy Con Is A Smashing Success

Fifth annual toy and comic book convention boasted celebrity guests, cosplay contests and more.

Breaking: Ninth Circuit Court of Appeals rules against Sonoma County in Andy Lopez federal lawsuit

A three-judge panel of the United States Court of Appeals for the Ninth Circuit ruled today that the Oct. 22, 2013 shooting of Andy Lopez by a Sonoma County Sheriff’s Office deputy may have been an unconstitutional abridgment of Lopez’ rights, as it ruled against an appeal filed by Sonoma County and lawyers for the officer. In its ruling, the...

Sept. 21: Musical Destination in Napa Valley

Napa Valley Wine Train’s inaugural ‘Rock the Rails’ concert series is midway through a season of dynamic live performances paired with a round-trip tour aboard the train to a rotating winery venue. This month, the series moves to Grgich Hills Estate and presents superstar Sheila E in concert. The Bay Area native and acclaimed singer and percussionist is fresh...

Sept. 22: Imagine History in Napa

Napa-based artist, author and Notre Dame de Namur University instructor Rick Deragon’s new book, ‘Fire in the Year of Four Emperors,’ may be a work of fiction, but its attention to detail and densely layered political intrigue is so spot-on that it makes the story—about four Roman generals vying for power in the year 69 A.D.—feel like it really...

Sept. 23: Shining Bright in Cotati

Longtime Sonoma County musician Bobby Jo Valentine is known for his pop melodies and emotionally resonant lyrics, and his latest album, Maybe Stars, is no exception. The songwriter delves into his own personal path toward spiritual peace and weaves inspiring tales about following your dreams and listening to your heart on the new album. He spreads the love with...

Sept. 22-24: Fresco Films in Glen Ellen

The 31st annual Wine Country Film Festival pairs diverse international and independent feature-length and short films, the picturesque setting of Sonoma Valley, and engaging seminars and culinary experiences featuring special guests from the world of film and food. This year’s schedule includes a spotlight on an array of topics, like Iranian films, food and wine, “eco cinema” and more,...

Get Lit

In brewing and winemaking, the rhyming rule "low and slow" describes a fermentation that, held to a nice chill, bubbles up at a steady tick-tick-tick pace for many days, if not weeks and months, to retain the delicate aroma of a grape or a style of beer. It might also describe the way Brian Hunt has built Moonlight Brewing...

Pro Choice

We make thousands of decisions every day, never knowing when a seemingly innocuous choice—grabbing coffee at Starbucks (where the future love of our life is standing in line) or Peet's (where a runaway car is about to crash through the door)—could have life-changing repercussions. Speaking of choices . . . Right now, at two different theaters, a pair of superbly...

Face Time

Scene after scene in Mother!, we peer into Jennifer Lawrence's eyeballs in tight closeup, as if we were ophthalmologists. Lawrence has been accused of overacting before, but with the camera this close, it's director Darren Aronofsky (Black Swan) whose imprisons her. Every bad thing that happens in this psychological horror film—rather, everything that's probably going to turn out bad—follows with...
11,084FansLike
4,606FollowersFollow
6,928FollowersFollow