Dec. 9: Illustrated Relief in Santa Rosa

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After Santa Rosa–based artist and author Brian Fies lost his home in the Tubbs fire, he made national headlines for his response to the tragedy, a graphic novel, Fire Story, in which he shared his story in striking and intimate illustrations. This weekend, Fies appears with several big name authors and artists for the Drawing Strength fire-relief fundraiser. Fies talks healing through creativity with author Christopher Moore and Pearls Before Swine comic-strip creator Stephan Pastis, with a reception, draw-a-thon and book signing that also features author Dave Eggers and others on Saturday, Dec. 9, Charles M. Schulz Museum, 2301 Hardies Lane, Santa Rosa. Doors at 5:30pm. $30–$50. 707.579.4452.

Dec. 13: Big Band Holiday in Petaluma

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A bi-monthly showcase in Petaluma, the Wednesday Night Big Band regularly packs underground jazz club the Big Easy with more than a dozen musicians and special guest performers jumpin’, jivin’ and wailin’ to the best of the American Songbook. This month, the big band celebrates the holiday season with the Sinatra Holiday Spectacular that features Los Angeles crooner Ned Rifkin sitting in with the ensemble and singing the best of both Sinatra’s classic catalogue and traditional Christmas tunes. The family-friendly jazz show gets festive on Wednesday, Dec. 13, at the Big Easy, 128 American Alley, Petaluma. 7pm. Free. 707.776.7163.

Spotlight on West County

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Inside Freestone’s one-of-a-kind Wild Flour bakery

West Sonoma County’s iconic Wild Flour bakery doesn’t advertise. Word-of-mouth is all the bakery and its adjoining gardens need.

Granted, there’s a website that’s updated regularly with days and hours of operation. It’s closed from Jan. 2 to Jan. 18 for winter break. What’s noticeable about the bakery’s website (wildflourbread.com) is its frequent use of the pronoun “we,” as in “We are located in beautiful Freestone Valley” and “We want to meet out customers, we do not wholesale, ship or franchise.”

That’s all true. They don’t make bakeries like Wild Flour anymore, or if they do, they’re as rare as Gravenstein apples in December or Bodega Reds months after the potato harvest.

Yes, the founder has his photo on the website. “Owner and baker, Jed Wallach, is often behind the counter,” the text reads. But there’s no biographical information about him and no testimonials either. That’s the way he wants it. In fact, he has always wanted the breads and scones to speak for themselves. They speak loudly and clearly, and they travel far and wide. Locals and tourists line up four days a week, Friday through Monday, from 8am to 6pm. They buy the sticky buns, the fougasse, which is packed with cheese and onions, and the famous Bohemian, a loaf with bits of apricot, orange and pecan.

Then there are the scones in a variety of flavors: white chocolate, double chocolate, ginger, espresso and hazelnut. The coffee makes the baked goods taste doubly good. There’s no yeast, no baking powder and no baking soda in Wild Flour loaves. It’s probably no exaggeration to say that the breads and the scones are made with love, though the sourdough, as the word itself suggests, adds that unmistakable sour taste. Most of the breads have a hard crust and are soft and moist inside.

Desiree Kavanagh, known as Desi, has been a mainstay ever since she was 23. “I remember that I arrived on March 18, 2002,” Kavanagh says. “I was just looking for a job. But it has been my passion for years.”

Born in Willits and now a Santa Rosa resident, Kavanagh has done everything there is to do at Wild Flour, from mixing the four essential ingredients (flour, water, salt and the sourdough starter) to managing the place and training new employees, like India Isaac and John Grotting, both 25.

Grotting came to Freestone from Colorado where he studied at the Auguste Escoffier School of Culinary Arts and learned to make cakes.

“Working here is exactly what I’ve wanted to do,” he says. “You need strong hands and you get to know how the dough should look, feel and smell. You don’t want it stiff and you don’t want it to stick to your hands.”

Everyone works hard, especially the bakers who start their days at 4:30am. But perhaps the real workhorse is the brick oven that heats up, with seasoned eucalyptus, to 1,250 degrees and then cools down to 575, the optimal temperature for baking. The oven is fussy and changes its needs with the seasons. “You can’t just follow a recipe,” says Kavanagh. “You have to evaluate each day and think about the kind of bread you’re baking.”

When work is done she takes a loaf home. “The breads are almost a whole meal,” she says. “They sustain me through the day.”

For 19 years customers have echoed her sentiments.

Wild Flour Bread, 140 Bohemian Hwy., Freestone. 707.874.2938.

Jonah Raskin is the author of ‘Field Days: A Year of Farming, Eating and Drinking Wine in California.’

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LOCAL KNOWLEDGE

Michele Wimborough, co-owner of Hazel Restaurant, dishes on Occidental

Where is your favorite place to eat in Occidental and why?

When we’re not working and cooking (which is not very often!), we love Howard’s for healthy breakfasts and sandwiches from Bohemian Market—especially the Monster. And the takeout pizza from the Union Motel. I also have to shamelessly plug our restaurant. We have been open for two and a half years now and couldn’t be more thrilled with our decision to leave the big city for tiny-town living.

Where do you take first-time visitors to Occidental?

We love to do a drive down Coleman Valley to the ocean and back around through Bodega Bay to get a full appreciation of this amazing area.

What do you know about Occidental that others don’t?

Occidental is home to the friendliest people we’ve ever met! Must be something about all the fresh air that makes people genuinely happy to be here.

If you could change one thing about Occidental what would it be?

Can’t think of a thing!

Hazel Restaurant, 3782 Bohemian Hwy., Occidental. 707.874.6003.

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THINGS TO DO IN WEST COUNTY

Occidental Community Choir

A west Sonoma County cultural signpost for almost 40 years, the Occidental Community Choir is unique in the region in that it performs music composed almost entirely by its own members. These choral pieces act as a mirror to the community’s experience in a personal and identifiable way. Earlier this year, longtime choir member and former director Sarah Saulsbury once again took the reigns of the 40-plus-member group. Now, in line with the holiday season, the OCC presents its annual winter concert, this year titled “Alleluia Anyway,” that reflects on the hardships of the last year while also signifying the need to celebrate all the lights of kindness and community support that continue to shine in the darkness. After a sing-along opening last weekend, the Occidental Community Choir performs its inspiring new program on Friday and Saturday, Dec. 8–9, at the Occidental Center for the Arts, at 8pm, and Sunday, Dec. 10, at Glaser Center in Santa Rosa at 3pm. $15. occidentalchoir.org.

Occidental Holiday Crafts Faire

Since 1986, the festive, locally sourced Occidental Holiday Crafts Faire has raised money for the area’s nonprofits while also offering residents a chance to find one-of-a-kind crafts from dozens of vendors in every range of style and medium. Artisans include the likes of Saraba African Art, Jungle Maiden Jewelry, Berkana Publications and over 30 other crafters and designers. The holiday happening also boasts a raffle, plenty of food vendors and fresh baked goods from Salmon Creek School students. Run by the all-volunteer, nonprofit group the Occidental Community Council, the fair takes place in the heart of town, meaning it’s also a perfect opportunity to stroll Main Street and check out the other independent shops and stops in Occidental. Saturday and Sunday, Dec. 9–10, at Occidental Community Center, 3920 Bohemian Hwy. Saturday, 10am to 5pm; Sunday, 10am to 4pm. Free. occidental-ca.org.

Sonoma Canopy Tours

Sure, you’ve “seen” the redwoods—but have you seen them while gliding through the air on a thrilling zip line ride? If not, acquaint yourself with the Sonoma Canopy Tours, a recreational adventure offered in the wooded hills of west Occidental. Each of the two courses promises two-and-a-half hours of sky-high activity, all with an experienced guide to keep you secure. The adventure packages are located within the Alliance Redwoods conference grounds, which has facilitated zip line, high ropes and challenge courses for students within the framework of environmental education programs since the 1970s. This gift-giving season, the canopy tours is playing secret Santa and giving away a gift card to those in need for every one sold through Dec. 17. 6250 Bohemian Hwy., Occidental. Open daily. Adults, $99–$129; seniors, $89–$119; children, $69–$99. sonomacanopytours.com.

Osmosis
Festival of Lights

A sanctuary in western Sonoma County, Osmosis Day Spa neighbors Occidental in the unincorporated community of Freestone, and it’s a particularly peaceful escape from the stresses of modern life. Osmosis is perhaps best known for offering one of the only cedar enzyme baths and footbaths in the country, and its masterfully designed meditation gardens and Japanese tea gardens are a perfect setting for relaxation and rejuvenation. This month, Osmosis invites the public to see for themselves at two seasonal events. First, the Osmosis Festival of Lights sparkles with holiday cheer and includes cedar footbaths, mini-massages, fire-dancing performances, live music, specialty shop items and cheese and wine sampling. Wednesday, Dec. 13, 5pm. $30. Next, the spa’s Winter Solstice Sound Healing Ceremony connects guests to the season and surrounding nature through a mindful observance marked by gongs and other instruments. Thursday, Dec. 21, 9am. Free; $15 footbath and sound therapy included. 209 Bohemian Hwy., Freestone. RSVP required. osmosis.com.

#MeToo

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Me, too. I’ve survived shaming and blaming cycles, suicidal depression, fear of telling and PTSD. I’ve engaged in psychological counseling, emotional release bodywork and spiritual healing. And for the past 30 years, I’ve been helping deliver others from their injurious histories toward fulfilling, “response-able” lifestyles and educating people about the roots of sexual predation.

President Trump’s “grab ’em” video exposure was excused as typical “alpha male” behavior. While unbridled testosterone and the drive for sex, power and status may be genetic, we’re also an evolving species, aspiring to humane, loving relations. Fist-shaking, name-calling, shocked outrage, punitive reactivity can only go so far. Can the #MeToo rallying cry against sexual harassment expand and embrace all parties held hostages by abusive events?

Healthy intimacy—like unhealthy predation—is multilayered, involving many crucial elements, such as the roles of gender, child rearing and adolescent sex education. The popular notion that it’s manly to dominate, womanly to please, or the taboo on feeling, admitting vulnerability are good place to start. Many social norms disconnect and rob us of authentic intimate connections and maintain a collectively low emotional IQ. Our familiar form of patriarchal education twists us unwittingly into being compliant and controlling counterparts.

Anger, fear and grief are understandable starting places. Will courage, heart, introspection, savvy activism find center stage, too? Can we activate sufficient gray matter to see beyond black/white, victims/victimizers, innocent/guilty? Or will we stay stuck in the muck of knee-jerk reactivity?

Realistically, few MeToos are ready to forgive. Many just want to forget. Exploitive sexual legacies are embedded, easy to excuse and taken as givens. But we can acknowledge that when a serial perpetrator says “I’m sorry,” she or he also needs rehab to change that addictive behavior.

Will we choose response over reactivity? Adrenaline rushes are addictive, as is watching celebrities dramatically fall from towers. But I’m hoping for a wellspring of intent for change and that #MeToo will be more than another flash in the pan that leaves us exposed to future onslaughts.

Marcia Singer, MSW, provides massage, grief counseling and mindful meditation training in Santa Rosa.

To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Letters to the Editor: December 6, 2017

Fungus Fascination

Your article a few years back when the oil spill happened in San Francisco Bay (“Mycroremedia What?” Jan. 9, 2008), turned me on to mycology. It held me captive in a Mexican restaurant on Yulupa for the length of the article. After I finished I went home and Googled mushroom expert Paul Stamets and bought his book. Reading your story (“Natural Remedy,” Nov. 29) is very inspiring and a reminder of why I got into mycology and love fungi. Thank you.

Via Facebook

Spineless GOP

The contemptible greedheads in power, by which I am referring to the Republican Party and the Groper-in-Chief himself, have achieved something previously unimaginable in U.S. politics: a willingness to openly lie to the American people in the pursuit of personal gain. They no longer feel compelled to appear fair or balanced, or mindful of the needs of other human beings.

When the Senate approved a bill that would eliminate healthcare for 13 million Americans, raise taxes on the elderly, set the stage for a further erosion of Medicare and Medicaid, call for the elimination of Roe v. Wade and dismantle the Affordable Care Act while providing an enormous tax benefit to the people who need it least, they showed once again their contemptuous disregard for the citizens of America, the values expressed in the Constitution and an understanding of what constitutes the best of humanity.

The Republican Party has become a bastion of spineless, gutless, soulless, woman-hating, pedophile-supporting, Nazi-loving, white supremacist creeps hell bent on devouring every human and natural resource they can get their hands on while hording every dollar they can squeeze, extort or steal from the middle and lower classes.

Sebastopol

Fascist in Training

When Adolf Hitler became chancellor of Germany in 1933, no doubt concerned Germans were told that the seeming buffoon was a passing fad. And yet Hitler was able to flourish as dictator for over a decade, transform the press into propaganda outlets and murder German dissidents, 6 million Jews, many Gypsies, Jehovah’s Witnesses, the disabled and others. Finally, on April 30, 1945, cornered in Berlin, Hitler swallowed cyanide and shot himself dead.

Statements Trump has made insulting minorities, his mild-mannered response to the white supremacy rally in Charlottesville, coupled with his pardon of Sheriff Joe Arpaio of Arizona this past August reinforce the fact that the president is especially dangerous to minorities.

In 1787, Thomas Jefferson wrote to his friend William Smith, “The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants.” Although he was referring to 18th-century political events, I think his words are applicable right now!

Kentfield

Write to us at le*****@******an.com.

By a Landslide

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The Sonoma County Board of Supervisors was scheduled to vote Tuesday to spend up to $400,000 to install rain and stream gauges throughout the county, a move undertaken out of a growing concern over landslides on eroded hilltops and mountains scorched in October’s wildfires.

The fear, says Supervisor James Gore, is “melting mountains” around the region. County officials are rightly concerned, he says, over the possibility that the regional drinking water supply might be compromised in the event of massive rain-driven landslides.

Extensive mudslides have the potential to impact drinking water for hundreds of thousands of people in the North Bay, says Gore, if muddy water clogs the county’s filtration system.

On Tuesday, the supervisors authorized the Sonoma County Water Agency (SCWA) to execute a year-long contract with an as-yet-undetermined consultant under a program called the Burn Area Watershed Protection: Flood Warning Monitoring Network.
The consultant will work with SCWA to install 11 stream gauges and 11 rain gauges, and associated tech, “as part of a post-fire early warning and monitoring system, to protect the public and property during storm events.” The agency already has a handful of the gauges spread around the region. New gauges would be installed along Mark West Creek and elsewhere around the county. A Cal Fire post-mortem of the Nuns and Tubbs zones found a “higher potential for landslides, debris flows, and flash floods that could be a risk to public safety and property.”

That was one of several contracts on the agenda last Tuesday designed to stave off the threat of a water-borne disaster in the county. Supervisors also approved an additional no-bid, no environmental-review contracts totaling $900,000 for emergency tree removal and cliff stabilization, sewer repairs “to prevent any hazardous waste from entering the watershed” and to provide utility hookups to meet the imminent arrival of FEMA trailers for the dispossessed.

The North Bay has received up to six inches this rainy season, according to National Weather Service data cited by the county.

Supervisor Susan Gorin, who lost her Oakmont home to the inferno, noted early in the meeting Tuesday that despite the recent rain, there’s an absence of new green growth on Hood Mountain. “I am very worried about Mt. Hood.”

The emergency expenditure highlights a dynamic in which FEMA determines whether a local expenditure that was reimbursed ought to have been reimbursed. That process can play out for years after a disaster has been all but remediated. Supervisor Shirlee Zane noted on Tuesday that the SCWA will put in the request with FEMA to see if the water gauge expenditure is reimbursable. That remains to be seen.

The resolution passed Tuesday highlighted an “ongoing emergency need to abate and stabilize dangerous conditions resulting from the Sonoma Complex Fires” as it extended the county’s suspension of competitive bidding requirements for emergency-related contracts and exempted contracts from California Environmental Quality Act review.

The streamlined contract approval is in place because the county remains under an emergency disaster declaration made by the federal government and the state Office of Emergency Services soon after the fires broke out on Oct. 8. The emergency declaration makes it possible to expedite contracts without the typical procurement process, which can last months. The county passed resolutions on Tuesday that highlighted the rain-season urgency as it gave a green light to the relevant county agencies (i.e., General Services) to engage in the no-bid contracts.

FEMA disaster-recovery programs for which reimbursement is available fall under two general categories: the Personal Assistance Program, which assists individuals who suffered losses; and the Hazard Mitigation Program, designed to reimburse funds to localities after a disaster when money has been laid out locally to protect infrastructure that was not damaged by the disaster itself but which could be impacted by its aftermath. The SCWA says it will apply for reimbursement of the rain gauges through the Personal Assistance FEMA pipeline.

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The county would of course like FEMA to pay for everything related to disaster recovery, but Gore warns of the prospect of a FEMA “clawback” of funds.

FEMA audits its financial response to a disaster to determine if there were monies that should not have been devoted to localities for post-disaster work. Often the issue is a lack of understanding on the part of local officials over what’s reimbursable and what isn’t. A 2016 report from the Department of Homeland Security Office of Inspector General (FEMA is an agency
of the DHS) determined that out of $1.55 billion that FEMA spent on disasters in 2015, nearly
$457 million was subject to a FEMA clawback.

The report noted that FEMA didn’t necessarily claw back the questionable reimbursements if they ran afoul of federal contracting requirements (i.e., minority set-asides), but was more inclined to claw back money that was errantly spent on infrastructure upgrades that aren’t covered under the FEMA rules.

With nearly 5,100 fewer homes in the county and around a thousand businesses destroyed in the county, the ripple effects from the fires have already taken root and include the looming potential for upwards of $30 million in lost property tax revenues in the region, which could translate into a three-way, $10 million deficit for schools, local budgets and the county budget, says Gore.

The disaster trickle-down has already manifested into additional workload for two positions that provide critical auditing and accountability services to the county. One is county auditor-controller Erick Roeser, who, reports Gore, is “having to move people from the auditor’s office to help FEMA.” That means he’s spending less time on day-to-day county auditing services. Roeser and the other in-house auditor, County Clerk-Recorder-Assessor Bill Rousseau are the county equivalent, Gore says, of an internal Office of the Inspector General who audit county policies and spending.

With millions of dollars in grant money and other disaster assistance pouring into the county (the county recently made available, for instance, some $900,000 for post-fire mental-health services), Gore says he’s been in conversations with both officials to make sure they’re keeping tabs on the glut of disaster-related money.

“The one thing we need right now,” says Gore, “is to track the money coming into the county.” One question he’s been asking the county auditors gets at their role as in-house fiscal watchdogs: “How are you guys going to track the money coming in and out of this place?”

The accruing costs and attendant pressure on key county staff is all the more reason, Gore says, for the county to find ways to get FEMA to pay for as much of the recovery as possible—and to make sure that the county is sufficiently staffed to effectively work FEMA’s Public Assistance and Hazard Mitigation programs. But according to the SCWA, there’s no guarantee that FEMA will pick up the tab for those emergency rain or stream gauges, or other disaster-related projects.

The water agency is footing the initial bill for the $400,000 contract and might wind up eating the cost should FEMA decide the money is not reimbursable. “The Water Agency intends to apply for reimbursement of this expense under [FEMA’s] Public Assistance funds,” according to water-agency documents that were a part of the Tuesday meeting, “although there is no guarantee of full or partial reimbursement.”

True Believer

This one’s clearly for the fans. In The Disaster Artist, we watch actor and man of mystery Tommy Wiseau (James Franco, who also directed) devise his indie film The Room (2003)—widely considered one of the worst movies ever made, and with the cult following to prove it.

Bulked up and sporting dyed hair, Wiseau was a natural to play heavies—a “Caliban,” one director (Bob Odenkirk) calls Wiseau after seeing him audition. Despite his distinctly Transylvanian appearance, Wiseau sought to be a mainstream romantic star, but there was the matter of the actor and director’s peculiar manner of speech. Wiseau claimed he was from the bayou. One clue: a passing mention of an accident that almost killed him—was this the cause of something that would interest a speech therapist? (“Waaa accent?” Wiseau asks here, incredulous.).

The Disaster Artist is strictly bromance. Wiseau whisks novice actor Greg Sestero (Dave Franco) to his L.A. apartment. Are there ulterior motives? Franco perfectly recreates Wiseau’s acting ability to turn on a dime—”I did not hit her, I did not hit her!—Oh, hi Mark”—and celebrates the seismic tonal shifts of The Room‘s deathless sex scene, in which a single long-stemmed red rose, flickering candles and fluttering chiffon curtains are juxtaposed with the humping of Wiseau’s beefy behind.

The Disaster Artist is a benign salute to midnight-movie melodramas. As was the case with Tim Burton’s Ed Wood, Franco gives Wiseau a gigantic klieg-light premiere for his film, a premiere that never happened in real life for either Wood or Wiseau.

When The Room became a hit, it seemed to particularly affect actors who never really know the measure of their worth and have to gamble on every role, little knowing how the movie they’re acting in will play. They may not be able to write or direct, but they sure can feel.

‘The Disaster Artist’ is playing in wide release in the North Bay.

Market Rebel

Dan Pomerantz has come down from the mountains.

For the past eight years, Pomerantz has operated Rebel Grown near Garberville in southern Humboldt County, earning a reputation for superior cannabis genetics and high-potency flowers. His 40-acre farm (pictured) is in an area called Palo Verde, a storied cannabis cultivation zone pioneered by back-to-the-landers in the 1970s.

But in the rapidly changing cannabis industry, he’s realized growing high-quality weed and seeds in a remote mountain enclave is not enough. What was once an area of small-scale, mom-and-pop growers has devolved into an arms race of larger and larger operations chasing ever-falling prices.

“It’s sad,” he says. “That’s what’s going to happen around the state.”
So Pomerantz, 35, and his family recently moved to Santa Rosa. It’s part of a move to scale up and diversify his business. While he’s still at the farm several days a week, sales calls, meetings with attorneys and other business made living on the property full-time untenable.

“I’m fighting for survival in an industry about to get a lot of competition,” he says.
Santa Rosa’s CannaCraft distributes his seeds. Rebel Grown is about to launch its own brand of flowers, vape pens and “raw resin.” Raw cannabis is extracted from fresh, frozen plants.

Emerald Triangle growers like Pomerantz who don’t develop a brand or align with distributors face a dicey future as big money pours into an industry about to go fully legal next month. “Get big or get out” has been common wisdom. “Go big and get branded, or get out” seems like even better advice.

So far it seems to be working for Pomerantz. His says his seed sales have increased 350 percent since 2011. He chalks that up to marketing and use of social media. He has high hopes for this weekend’s Emerald Cup, where he will sell his wares in classy black-and-white packaging.

“I’m almost nervous about the demand this year,” he says. “I’m really excited.”

His passion is breeding cannabis and getting his seeds and flowers into the hands of consumers and growers who appreciate his efforts. He and his team have developed their own strains based on tweaks to popular genetic lines and selective breeding. Rebel Diesel and Diesel 2.0 are two strains he points to as market standouts. Rebel Grown’s glossy 2017 seed catalog features 28 strains that are aimed at growers and consumers alike.

“Growing seeds is easy,” he says. “Real breeding takes a lot of devotion.”

But in the new cannabis marketplace, branding will be key to making sure his efforts reach consumers.

Wonderful

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California’s pomegranate harvest is in full swing. About 95 percent of the crop is the large, dark variety called Wonderful. The 2017 crop is expected to be a bit light, as trees recover from years of drought.

But while yields will be down, the quality of the fruit is expected to be high, as sometimes happens with fruit trees. Expect California pomegranates to be larger, juicier and sweeter.

Worldwide, pomegranate consumption is on the rise for culinary and health reasons, and there is also demand from cosmetic and pharmaceutical industries.

A peeled pomegranate looks like the world’s biggest and most delicious freshly cut jewel. The ruby-like seeds are called “arils.” There are many ways to get them out. Azcookbook.com has a video that demonstrates how to quickly remove the arils by cutting along the membranes that run between them and then swatting the arils from their clingy membranes with a wooden spoon.

Alas, I usually end up clawing it apart with my fingers and dumping the arils in a bowl of water so the membranes float out. But I don’t try to remove every last shred, as the membranes are where a many of the fruit’s potentially medicinal compounds reside.

Feride Buyuran has a recipe in her new book

Pomegranates & Saffron: A Culinary Journey to Azerbaijan for a dish called “narnumru”—basically fried eggs atop fried pomegranate arils, which burst open in the pan’s heat and steam the eggs sunny side up. It’s a visually shocking dish, but in your mouth, it all makes perfect sense.

Buyuran starts with a half-cup of chopped onion in a pan with butter and a little olive oil. When the onions turn translucent, she adds two cups of arils (for two eggs) and fries them for a few minutes, before cracking the eggs on top and covering briefly. If you have a glass lid, you can watch the eggs turn white before your eyes in the pomegranate steam.

Everyone in my house thought the idea of frying eggs on pomegranate arils was awful, even those who professed to love both pomegranates and eggs.

I made a batch, personalized with bacon and browned bits of deer meat, prior to the addition of onions. The haters were all wrong, of course. And they never got to find out how wrong they were, because I ate it all.

Then I began stir-frying meat with pomegranate seeds, onions and garlic, while playing around with various spice mixtures from pomegranate country. Egyptian dukkah was a standout.

Soon enough, I was marinating meat in pomegranate juice, as Buyuran says she does with kebabs. Strong-flavored meat like lamb or goat is wonderful in a pomegranate-juice marinade.

By far the simplest way to cook with pomegranate is to make what you are going to make, and then sprinkle fresh pomegranate seeds on it. Sprinkle them on salad, soup, meat and rice. There is no end to the ways we can use that bright juicy tang, balancing the fat in food with a burst of acid. A handful belongs atop a bowl of linguini with creamy mushroom sauce, and on your morning Cheerios.

Coco Carnacchi

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Coco opened in Sebastopol on a Tuesday, and Michael Anthony Carnacchi was there in the audience for the first area screening. The Sebastopol shoemaker-to-the-stars and city councilman isn’t quite a star in the latest release from Pixar Animation Studios—but he’s got a pretty cool connection to the animated feature.

Carnacchi’s North Main Street boot shop was used as the basis for an animated shoemaker’s shop in the film, which appears several times.

Carnacchi says he was contacted in 2015 via a weirdly nonspecific email that made no mention of Pixar, and then by a documentary film company, which asked if they could come shoot his shop and also made no mention of Pixar.

It was all very hush-hush. The doc crew came up and shot the store, and he never heard from them again and figured they’d lost interest in him and his shop.

Three weeks later, Carnacchi got a phone call from the Pixar legal people, “and they basically told me that they were interested in doing consulting with me for an upcoming production they were doing.”

At that point, Carnacchi connected the dots back to the mysterious email and documentary film crew. “A-ha!” he exclaims. “I figured it out!”

He subsequently signed legal documents that granted Pixar exclusive rights to the film, says Carnacchi with a laugh, “in all languages and throughout the universe.”

Carnacchi’s previous brush with high drama and power was of a different sort: he made headlines for his years-long pursuit of a federal lawsuit against U.S. Bank National, where he sued the financial institution and charged it with violating federal racketeering laws over usurious credit-card fees.

Carnacchi, who was elected to the Sebastopol city council in 2016, saw Coco with his girlfriend, and they each caught parts of the shoe shop, he says, that the other missed as the film unspooled.

His cobbler’s shop features prominently because the main character in the film, Miguel, is descended from a shoemaking family with a musical background. Miguel wants to be a musician, and trouble ensues. He strums a magic guitar and disappears into a Day of the Dead–inspired adventure in the afterlife, along with a hairless dog named Dante.

“I think they maximized the footage that they took,” he says, “but I need to watch the movie again to see exactly what they took. There are some exaggerations, and certainly there are parts where I was like, ‘That’s my shelf with the lathe on it, that’s cool!'”

Equally cool was watching the credits roll. Carnacchi didn’t make the “Special Thanks” cut, but he did make the “Additional Thanks” roster.

“I just let out a whoop when I saw it,” says Carnacchi, who shall forevermore be known in these parts as Coco Carnacchi, your spirit guide to a solid pair of swanky, hand-hewn shoes.

Dec. 9: Illustrated Relief in Santa Rosa

After Santa Rosa–based artist and author Brian Fies lost his home in the Tubbs fire, he made national headlines for his response to the tragedy, a graphic novel, Fire Story, in which he shared his story in striking and intimate illustrations. This weekend, Fies appears with several big name authors and artists for the Drawing Strength fire-relief fundraiser. Fies...

Dec. 13: Big Band Holiday in Petaluma

A bi-monthly showcase in Petaluma, the Wednesday Night Big Band regularly packs underground jazz club the Big Easy with more than a dozen musicians and special guest performers jumpin’, jivin’ and wailin’ to the best of the American Songbook. This month, the big band celebrates the holiday season with the Sinatra Holiday Spectacular that features Los Angeles crooner Ned...

Spotlight on West County

Inside Freestone's one-of-a-kind Wild Flour bakery West Sonoma County's iconic Wild Flour bakery doesn't advertise. Word-of-mouth is all the bakery and its adjoining gardens need. Granted, there's a website that's updated regularly with days and hours of operation. It's closed from Jan. 2 to Jan. 18 for winter break. What's noticeable about the bakery's website (wildflourbread.com) is its frequent use of...

#MeToo

Me, too. I've survived shaming and blaming cycles, suicidal depression, fear of telling and PTSD. I've engaged in psychological counseling, emotional release bodywork and spiritual healing. And for the past 30 years, I've been helping deliver others from their injurious histories toward fulfilling, "response-able" lifestyles and educating people about the roots of sexual predation. President Trump's "grab 'em" video exposure...

Letters to the Editor: December 6, 2017

Fungus Fascination Your article a few years back when the oil spill happened in San Francisco Bay ("Mycroremedia What?" Jan. 9, 2008), turned me on to mycology. It held me captive in a Mexican restaurant on Yulupa for the length of the article. After I finished I went home and Googled mushroom expert Paul Stamets and bought his book. Reading...

By a Landslide

The Sonoma County Board of Supervisors was scheduled to vote Tuesday to spend up to $400,000 to install rain and stream gauges throughout the county, a move undertaken out of a growing concern over landslides on eroded hilltops and mountains scorched in October's wildfires. The fear, says Supervisor James Gore, is "melting mountains" around the region. County officials are rightly...

True Believer

This one's clearly for the fans. In The Disaster Artist, we watch actor and man of mystery Tommy Wiseau (James Franco, who also directed) devise his indie film The Room (2003)—widely considered one of the worst movies ever made, and with the cult following to prove it. Bulked up and sporting dyed hair, Wiseau was a natural to play heavies—a...

Market Rebel

Dan Pomerantz has come down from the mountains. For the past eight years, Pomerantz has operated Rebel Grown near Garberville in southern Humboldt County, earning a reputation for superior cannabis genetics and high-potency flowers. His 40-acre farm (pictured) is in an area called Palo Verde, a storied cannabis cultivation zone pioneered by back-to-the-landers in the 1970s. But in the rapidly changing...

Wonderful

California's pomegranate harvest is in full swing. About 95 percent of the crop is the large, dark variety called Wonderful. The 2017 crop is expected to be a bit light, as trees recover from years of drought. But while yields will be down, the quality of the fruit is expected to be high, as sometimes happens with fruit trees. Expect...

Coco Carnacchi

Coco opened in Sebastopol on a Tuesday, and Michael Anthony Carnacchi was there in the audience for the first area screening. The Sebastopol shoemaker-to-the-stars and city councilman isn't quite a star in the latest release from Pixar Animation Studios—but he's got a pretty cool connection to the animated feature. Carnacchi's North Main Street boot shop was used as the basis...
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