Gullixson Out at PD

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Sonoma State University announced on March 9 that Press Democrat editorial director Paul Gullixson will be leaving his post at the PD and joining ranks with SSU as its chief communications officer, effective April 9.

Gullixson has been with the local paper of record for almost two decades and has been its editorial director since 2007. Neither he nor executive editor Catherine Barnett responded to emailed requests inquiring about his departure.

That sort of shabby treatment of fellow reporters likely won’t fly at Gullixson’s new post, where part of his job will be to field press inquiries.

Gullixson is already up to his eyeballs at SSU, where he is currently a lecturer and newspaper writing and editing instructor. He is also a faculty adviser to the Sonoma State Star. According to a statement from SSU, Gullixson’s new duties will include leading the university’s strategic communications media, social media and graphic design team, and serving as the “public information officer overseeing campus-wide and executive communications.”

Among other career highlights, Gullixson was the only North Bay journalist who could wade into the pandora’s box of Sonoma County pension-fund intrigue and emerge intact to write an interesting and insightful column about it. Godspeed, Gullixson. We’ll see you in the funny
pages. Give us a shout sometime.

It’s Not Clicking

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As with any toxic relationship, the possibility of a breakup sparks feelings of terror—and maybe a little bit of a relief. That’s the spot that Facebook has put the news business in.

In January, the social media behemoth announced it would once again alter its News Feed algorithm to show users even more posts from their friends and family, and a lot fewer from media outlets.

The move isn’t all that surprising. Ever since the 2016 election, the Menlo Park–based company has been under siege for creating a habitat where fake news stories flourished. Their executives were dragged before Congress last year to testify about how they sold ads to Russians who wanted to influence the U.S. election. In some ways, then, it’s simply easier to get out of the news business altogether.

But for the many news outlets that have come to rely on Facebook funneling readers to their sites, the impact of a separation sounds catastrophic.

In an open letter to Zuckerberg, San Francisco Chronicle editor-in-chief Audrey Cooper decried the social media company’s sudden change of course on
Jan. 12. “We struggled along,
trying to anticipate the seemingly capricious changes in your news-feed algorithm. We created new jobs in our newsrooms and tried to increase the number of people who signed up to follow our posts on Facebook. We were rewarded with increases in traffic to our websites, which we struggled to monetize.”

The strategy worked for a time, she says.

“We were successful in getting people to ‘like’ our news, and you started to notice,” wrote Cooper. “Studies show more than half of Americans use Facebook to get news. That traffic matters because we monetize it—it pays the reporters who hold the powerful accountable.”

But just as newspapers learned to master Facebook’s black box, so, too, did more nefarious operations, Cooper noted. Consumers, meanwhile, have grimaced as their favorite media outlets have stooped to sensational headlines to lure Facebook’s web traffic. They’ve become disillusioned by the flood of hoaxes and conspiracy theories that have run rampant on the site.

Now sites that relied on Facebook’s algorithm have watched the floor drop out from under them when the algorithm changed—all while Facebook has gobbled up chunks of the print advertising revenue that had always sustained news operations.

It’s all landed media outlets in a hell of a quandary—it sure seems like Facebook is killing journalism. But can journalism survive without it?

It’s perhaps the perfect summation of the internet age: a website that started because a college kid wanted to rank which co-eds were hotter became a global Goliath powerful enough to influence the fate of the news industry itself.

When Facebook launched its News Feed in 2006, it ironically didn’t have anything to do with news. This was the site that still posted a little broken-heart icon when you changed your status from “In a Relationship” to “Single.”

The News Feed was intended to be a list of personalized updates from your friends. But in 2009, Facebook introduced its iconic “like” button. Soon, instead of showing posts in chronological order, the News Feed began showing you the popular posts first.

And that made all the difference. Well-liked posts soared. Unpopular posts simply went unseen. Journalists were given a new directive: If you wanted readers to see your stories, you had to play by the algorithm’s rules. Faceless mystery formulas had replaced the stodgy newspaper editor as the gatekeeper of information.

With digital ad rates tied to web traffic, the incentives in the modern media landscape could be especially perverse: write short, write a lot; pluck heartstrings or stoke fury.

Mathew Ingram, who covers digital media for Columbia Journalism Review, says such tactics might increase traffic for a while. But readers hate it. Sleazy tabloid shortcuts give you a sleazy tabloid reputation.

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“Short-term, you can make a certain amount of money,” Ingram says. “Long-term, you’re basically setting fire to your brand.”

The News Feed, Zuckerberg announced in January, had skewed too far in the direction of social video posts from national media pages and too far away from personal posts from friends and family. They were getting back to their roots.

Even before the announcement, news sites had seen their articles get fewer and fewer hits from Facebook. In subsequent announcements, Facebook gave nervous local news outlets some better news: they’d rank local community news outlets higher in the feed than national ones. They were also launching an experiment for a new section called “Today In,” focusing on local news and announcements, beta-testing the concept in certain cities. But in early tests, the site seemed to have trouble determining what’s local. The San Francisco Chronicle and other Bay Area news outlets say they’re taking a “wait-and-see” approach to the latest algorithm, analyzing how the impact shakes out before making changes. They’ve learned to not get excited.

There was a time Facebook was positively smug about its impact on the world. After all, it had seen its platform fan the flames of popular uprisings during the Arab Spring in countries like Tunisia, Iran and Egypt.

“By giving people the power to share, we are starting to see people make their voices heard on a different scale from what has historically been possible,” Zuckerberg bragged in a 2012 letter to investors under the header, “We hope to change how people relate to their governments and social institutions.”

And Facebook certainly has—though not the way it intended. A 2016 BuzzFeed investigation found that “fake news” stories on Facebook, hoaxes or hyper-partisan falsehoods, actually garnered more views than stories published in trusted outlets like The New York Times.

That, experts speculated, is another reason why Facebook, despite its massive profits, might be pulling back from news.

“As unprecedented numbers of people channel their political energy through this medium, it’s being used in unforeseen ways with societal repercussions that were never anticipated,” writes Samidh Chakrabarti, Facebook’s product manager for civic engagement, in a recent blog post.

By last May, a Harvard-Harris Poll found that almost two-thirds of voters believed that mainstream news outlets were full of fake news stories.

The danger of fake news, after all, isn’t just that we’re tricked by bogus claims. It’s that we’re pummeled by so many different contradictory stories, with so many different angles, that the task of trying to sort truth from fiction becomes exhausting.

Facebook has tried to address the fake news problem—hiring fact checkers to examine stories, slapping “disputed” tags on suspect claims, putting counterpoints in related article boxes—but with mixed results. The latest headache for the company arrived last week when it was revealed that the Trump campaign had used Cambridge Analytica to mine personal data of some 50 million Facebook users.

Facebook’s new algorithm threatens to make the fake news problem even worse. By focusing on friends and family, it could strengthen the filter bubble even further. To determine the quality of news sites, Facebook is rolling out a two-question survey about whether users recognized certain media outlets, and whether they found them trustworthy. The problem is that a lot of Facebook users, like Trump, consider the Washington Post and the New York Times to be “fake news.”

The other problem? There are a lot fewer trustworthy news sources out there. And Facebook bears some of the blame for that, too, the Chronicle‘s Cooper says.

“I’ve built my career on exposing hypocrisy and wrongdoing and expecting more of those with power, which is why I have repeatedly said Facebook has aggressively abdicated its responsibility to its users and our democracy,” she says. “I expect a lot more from them, as we all should.”

A version of this article first appeared in the Inlander. Jennifer Wadsworth contributed to this report.

Sonoma County Supervisor Gorin in D.C. Today, Talking Fire

Sonoma County Supervisor Susan Gorin was in Washington D.C., today, giving a presentation before the House Transportation & Infrastructure Subcommittee on Economic Development, Public Buildings, and Emergency Management. The subject: the October wildfires and how they impacted Gorin and her District 1 constituents. Gorin lost her Oakmont home to the fires and offered a poignant detail to the committee about seeing an “ironing board sticking out of the ashes” where her home once stood. She was invited to speak by U.S. Rep. Jared Huffman, the North Coast congressmen who represents parts of Sonoma County. Gorin and her husband lost everything to the fire that consumed their home and thousands of others.

“And you magnify my experience and my husband’s, by 5,000 or more, and you get some scale of the needs of my community and more,” she said, highlighting a critical county need to upgrade its early-warning system and the need for better disaster preparedness overall. “We need to prepare our community for the unfolding disasters in the future,” she said.

Analy Students Stage Walkout

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At 10am today, March 14, students at Analy High School in Sebastopol streamed out of classrooms to take part in a national walkout to call for greater gun control in the wake of the mass shooting last month at Marjory Stoneman Douglas High School in Parkland, FL. Scores of other schools in the North Bay and beyond took part in the demonstration.

The students, several of whom carried signs calling for safer schools and stricter guns laws, gathered in front of the school for 17 minutes to honor the lives of the 17 children and adults killed in the shooting.

“We need to make a change,” said one student over a megaphone to the gathered crowd. “I’m sick of looking at the news and seeing dead children.”

Her words were met with chants of “enough is enough” while a smaller group of adults who showed up in support of the rally cheered them on. Junior Abbey Chinn, 16, a member of Safe Schools Ambassadors, helped organize the event and was pleased with the large turnout in spite of what she said was the school administration’s opposition.

“We did it anyway,” she beamed after addressing her fellow students.

As the students listened to impassioned pleas from their fellow classmates for gun reforms, a pair of students carrying a banner emblazoned with an AR-15 and the words “Come and Take It” walked by the crowd to stage a pro-gun counter-protest. Parkland shooting suspect Nikolas Cruz reportedly used an AR-15 in the massacre. The pro-gun students elicited a sharp debate from students calling for more gun control.

Sebastopol Mayor Patrick Slayter attended the walkout and said he supports greater gun control and was heartened by the students’ activism.

“I’m proud of them. I would be here if I was 17 years old. I think it’s the best thing ever.”

Mar. 16: Natural Drama in Rohnert Park

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Created in 2014, the off-Broadway hit ‘By the Water’ tells the story of a tight-knit neighborhood on New York’s Staten Island that must choose to rebuild or relocate after being ravaged by Hurricane Sandy in 2012. For a North Bay currently recovering from wildfires and facing the same rebuilding dilemmas, the play could not be more timely. By the Water explores what it means to love a community when it opens on Friday, March 16, at Spreckels Performing Arts Center, 5409 Snyder Lane, Rohnert Park. 8pm. $28. 707.588.3400.

Mar. 17: Pot O’ Gold in Santa Rosa

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There may not be a literal rainbow pointing to the Whiskey Tip in Santa Rosa this weekend, but those who come to the St Patrick’s Day variety show with North Bay Cabaret will feel like they won the jackpot. The variety of entertainment includes burlesque performers, live music from Big Kitty and Oddjob Ensemble’s Kalei Yamanoha, standup comedy, fire performers, DJs spinning late into the night and more. There will also be St. Patrick’s Day drinks and dinner options, and a raffle will raise funds for North Bay fire relief. Saturday, March 17, at Whiskey Tip, 1910 Sebastopol Road, Santa Rosa. 7pm. $20–$25. 707.843.5535.

Mar. 18: Mozart for Kids in Rohnert Park

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Chicago-based nonprofit Classical Kids Music Education enriches the lives of children everywhere by collaborating with professional orchestras around the country in its Classical Kids Live concert series. This month, the series teams with the Santa Rosa Symphony for a kid-friendly classical journey into the life and works of the world’s most famous composer. ‘Mozart’s Magnificent Voyage’ is an all-ages appropriate program of Mozart’s most enduring works, such as The Magic Flute, and the afternoon performance includes a pre-show instrument petting zoo on Sunday, March 18, at Green Music Center’s Weill Hall, 1801 East Cotati Ave., Rohnert Park. 3pm. $12–$17. srsymphony.org.

Mar. 21: Dinner Jazz in Healdsburg

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For the last two decades, the Healdsburg Jazz Festival has brought world-class music to local venues as well as into local schools with its far-reaching music-education programs. Those programs get a major boost this month at the eighth annual Jazz on the Menu fundraiser, which celebrates delectable dining and lively music. This year’s musical menu features the Dry Creek Trio, boasting Healdsburg Jazz Festival staples in guitarist Doug Lipton, bassist Chris Amberger and drummer Lorca Hart, paired with a menu prepared by Shed chef Perry Hoffman on Wednesday, March 21, at Healdsburg Shed, 25 North St., Healdsburg. 6pm. $100. 707.431.7433.

Spotlight on Cotati/Rohnert Park

Craft-brew craze comes to Rohnert Park and Cotati

In a county that’s increasingly known for its craft-beer scene, a new crop of beer fanatics are making waves in Rohnert Park and Cotati that can be tasted in the towns’ recent outpouring of top-quality taprooms and award-winning microbreweries.

Rohnert Park’s origins in the craft-beer movement can be traced back to an unassuming block of storefronts on Commerce Boulevard between Golf Course Drive and the Rohnert Park Expressway. That’s where Beercraft, founded over five years ago by brothers Matt and JT Fenn, sells hundreds of hard-to-find beers from across the country and pours from over a dozen rotating taps in the taproom.

“It was borne out of our love for beer,” says Matt Fenn. “We try to find the best beer we can on any given day. That’s pretty much all we do, all day, is keep our ear to the ground and pay attention to what people are excited about, and get that beer.”

It’s not always easy to get their hands on the beers, which often come from micro- or nano-breweries not yet on the map, but Fenn estimates the bottle shop receives 10 to 20 new beers a week.

In bottle and on tap, Beercraft strives to have something for everyone. “We try to figure out what people are craving and go from there, but we try to keep a blend of everything,” Fenn says.

“We take it seriously, but we don’t take it too serious and turn beer into something other than beer,” Fenn continues. “It’s lived in our society as something that brings people together and makes them happy. That’s the most important thing.”

While Beercraft delivers a world of beer to Sonoma County, a local brewer is crafting homegrown beers at Cotati’s first brewery, Grav South Brewing Company.

Formed by award-winning brewer and Sonoma County native Greg Rasmussen, the name was inspired not only by the Gravenstein apples that Rasmussen grew up around on his grandfather’s farm, but for the brewery’s location along the Gravenstein Highway in Cotati, just west of Highway 101. Inside the taproom, several Grav South beers are available straight from the source, with classically balanced American ales and fresh IPAs.

Another homegrown story in Cotati is Flagship Taproom, established in late 2016 by five local friends with a lifetime of food-service experience among them. They took advantage of an empty location, the site of the former Cotati Yacht Club, and turned it into a family-friendly taproom.

“We all grew up in this area, we all have friends and family in this area, so we wanted to start this dream of ours and make our community even better than it has been,” says co-owner Matt Inlow. “We want to build relationships and have people want to come back tomorrow to continue the conversation we had today.”

While Flagship offers a full menu and hosts events like trivia night to bring people in, Inlow says that craft beer is Flagship’s focus, and they host bimonthly tap takeovers with local brewers and constantly rotate their 20 taps with as wide a variety of beers as possible.

Rohnert Park’s newest brewpub is actually from one of the county’s longest-running brewers. Bear Republic Brewing Company makes the most of its new taproom’s backdrop at Roberts Lake, next to the Foxtail Golf Club. Open since last summer, Bear Republic Lakeside features two bars, lots of restaurant seating and an outdoor area overlooking the water that’s perfect for parties.

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LOCAL KNOWLEDGE

Redwood Cafe’s Michael McCullaugh shares his joy for Cotati and Rohnert Park

Describe your perfect day?

Obviously, we live in a beautiful place—a perfect day would be the sun shining, people coming into downtown Cotati on bikes, some live music playing somewhere. I love the accordion festival that happens in the summer. It’s been a tribute to the town for years, and they’ve done an amazing job, especially the last five years.

Where is your favorite place to eat and why?

For me, I actually like to go to that little place across from Sonoma State University, Shangri-La Cafe & Grill, especially if we catch a show at Sonoma State. It’s a little mom-and-pop place and they do a great job. Of course, my partner also runs Cafe Salsa. That’s always wonderful.

Where do you take first-time visitors?
Going to Spreckels Performing Art Center is always great. I also love going to see shows at the Green Music Center—that’s wonderful. And I love supporting the SOMO Village when they have the summer shows out there by Sally Tomatoes. That’s a lot of fun. We also have a lot of natural beauty around here, from wetlands to mountains. I like to take people hiking on Sonoma Mountain, up in the hills. That’s a great place to bring children. Crane Canyon is also a lovely place to go to.

What do you know about the area that others don’t?

I’m really happy with what Rohnert Park and Cotati have done recently as far as making bike paths and creek trails. I wish more kids would ride their bikes around town from the university and such.

If you could change one thing about Rohnert Park/Cotati what would it be?

You know, I’ve been in Cotati for 27 years and it’s a wonderful little gem, and it’s evolving really slowly. If there’s anything I would promote, it is creating the infrastructure where we can grow behind the strip on Old Redwood Highway, to grow a little more downtown area. I would love to see Rohnert Park and Cotati be more of a live music hub in Sonoma County. That’s one of the reasons why I got into the music scene with Redwood Cafe—to help promote that. I think the area could just blossom tremendously over the next few years.

Coming Home

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While time may heal all wounds, a little human kindness along the way doesn’t hurt.

That’s the takeaway from the Santa Rosa Junior College production of Julie Marie Myatt’s Welcome Home, Jenny Sutter. Originally produced in 2008 at the Oregon Shakespeare Festival, it was one of the first works to address the issues faced by returning veterans of the Iraq/Afghanistan conflicts.

Recently discharged Marine Jenny Sutter (Jenna Rechsteiner) has returned to California after being physically and emotionally wounded in the service of her country. Avoiding home for fear of her family’s reaction to her wounds, a happenstance meeting at a bus station leads her to join Lou (Maureen O’Neill) on a trip to Slab City, Calif.—a place in the Sonoran Desert where squatters and campers have reclaimed an abandoned military base and turned it into a sort of off-the-grid commune.

Jenny soon finds herself surrounded by people struggling with their own damaged lives. There’s Lou, who is dealing with addiction problems (gambling, smoking, sex); Buddy (Geoffrey Nixon), an abuse survivor who fancies himself a preacher (his ordainment came free with a credit check); and Donald (Dylan Kupper), an anti-social jeweler with anger issues. They are all looking for someone or something to believe in, but they—and especially Jenny—need to begin with themselves.

With only six roles to fill from a school full of theater students, director Wendy Wisely has double-cast every role and has the two casts alternating performances. The opening night cast was fine, with particularly warm performances from O’Neill as Jenny’s guide to recovery and Nixon as the sermon-delivering preacher.

With the Burbank Auditorium under renovation, the somewhat lacking Newman Auditorium hosts this production, which translates to minimal set and lighting designs. That’s a shame because the story’s locale provides interesting opportunities for both, though lighting designer Vince Mothersbaugh does manage to do something with the limited resources.

A slide presentation noting the military service of some of the cast, crew and SRJC staff precedes the show, and the program notes that there are over a thousand currently enrolled members of the student population who are active duty, reservists, veterans or their dependents. Welcome Home, Jenny Sutter is a nice salute to them and their families.

Rating (out of 5): ★★★½

Gullixson Out at PD

Sonoma State University announced on March 9 that Press Democrat editorial director Paul Gullixson will be leaving his post at the PD and joining ranks with SSU as its chief communications officer, effective April 9. Gullixson has been with the local paper of record for almost two decades and has been its editorial director since 2007. Neither he nor executive...

It’s Not Clicking

As with any toxic relationship, the possibility of a breakup sparks feelings of terror—and maybe a little bit of a relief. That's the spot that Facebook has put the news business in. In January, the social media behemoth announced it would once again alter its News Feed algorithm to show users even more posts from their friends and family, and...

Sonoma County Supervisor Gorin in D.C. Today, Talking Fire

Sonoma County Supervisor Susan Gorin was in Washington D.C., today, giving a presentation before the House Transportation & Infrastructure Subcommittee on Economic Development, Public Buildings, and Emergency Management. The subject: the October wildfires and how they impacted Gorin and her District 1 constituents. Gorin lost her Oakmont home to the fires and offered a poignant detail to the committee about...

Analy Students Stage Walkout

At 10am today, March 14, students at Analy High School in Sebastopol streamed out of classrooms to take part in a national walkout to call for greater gun control in the wake of the mass shooting last month at Marjory Stoneman Douglas High School in Parkland, FL. Scores of other schools in the North Bay and beyond took...

Mar. 16: Natural Drama in Rohnert Park

Created in 2014, the off-Broadway hit ‘By the Water’ tells the story of a tight-knit neighborhood on New York’s Staten Island that must choose to rebuild or relocate after being ravaged by Hurricane Sandy in 2012. For a North Bay currently recovering from wildfires and facing the same rebuilding dilemmas, the play could not be more timely. By the...

Mar. 17: Pot O’ Gold in Santa Rosa

There may not be a literal rainbow pointing to the Whiskey Tip in Santa Rosa this weekend, but those who come to the St Patrick's Day variety show with North Bay Cabaret will feel like they won the jackpot. The variety of entertainment includes burlesque performers, live music from Big Kitty and Oddjob Ensemble’s Kalei Yamanoha, standup comedy, fire...

Mar. 18: Mozart for Kids in Rohnert Park

Chicago-based nonprofit Classical Kids Music Education enriches the lives of children everywhere by collaborating with professional orchestras around the country in its Classical Kids Live concert series. This month, the series teams with the Santa Rosa Symphony for a kid-friendly classical journey into the life and works of the world’s most famous composer. ‘Mozart’s Magnificent Voyage’ is an all-ages...

Mar. 21: Dinner Jazz in Healdsburg

For the last two decades, the Healdsburg Jazz Festival has brought world-class music to local venues as well as into local schools with its far-reaching music-education programs. Those programs get a major boost this month at the eighth annual Jazz on the Menu fundraiser, which celebrates delectable dining and lively music. This year’s musical menu features the Dry Creek...

Spotlight on Cotati/Rohnert Park

Craft-brew craze comes to Rohnert Park and Cotati In a county that's increasingly known for its craft-beer scene, a new crop of beer fanatics are making waves in Rohnert Park and Cotati that can be tasted in the towns' recent outpouring of top-quality taprooms and award-winning microbreweries. Rohnert Park's origins in the craft-beer movement can be traced back to an unassuming...

Coming Home

While time may heal all wounds, a little human kindness along the way doesn't hurt. That's the takeaway from the Santa Rosa Junior College production of Julie Marie Myatt's Welcome Home, Jenny Sutter. Originally produced in 2008 at the Oregon Shakespeare Festival, it was one of the first works to address the issues faced by returning veterans of the Iraq/Afghanistan...
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